Literature Books

I love Ed Emberley and the techniques that he uses to teach drawing.

This book is my favorite because it's packed with all kinds of things to draw. Gumball machines, people in action, animals, trucks, planes, you name it.

You really can draw your own little world.

This would be a great gift with some paper and markers for the young budding artist.

I bought this for a friends son who is 7. This is the only Ed Emberely book that he didn't have. He loves them!

A world is right! So many things to draw in this book. Simple and colorful to enlighten young and old imaginations.

Great book for kids who like to draw but have trouble doing it freehand. Nice step-by-step instructions.

I was disappointed that the inside drawings looked just like the cover drawings... duh, I suppose, but I was expecting more. I gave it to the 9-year-old 'patient' anyway, but wasn't excited about doing so.

A sweet book (sentimental from my childhood) about how we all should treat others. "Love thy neighbor as thyself". Excellent book for children.

This book teaches a very impotant pinciple from the Bible. It is adorable and told in a way that a child can understand and delight in and any adult can be encouraged, too. It is a MUSY BUY for your child!!
Matthew 25
35For I was an hungred, and ye gave me meat: I was thirsty, and ye gave me drink: I was a stranger, and ye took me in:
36Naked, and ye clothed me: I was sick, and ye visited me: I was in prison, and ye came unto me.
37Then shall the righteous answer him, saying, Lord, when saw we thee an hungred, and fed thee? or thirsty, and gave thee drink?
38When saw we thee a stranger, and took thee in? or naked, and clothed thee?
39Or when saw we thee sick, or in prison, and came unto thee?
40And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.

If Jesus Came to My House

This is an excellent book for children. I have now purchased 4 copies of this book. One for a baby gift, one for my niece's birthday and two for my grandchildren. What a great way to introduce Jesus as a friend. I think I will now include a copy of this book with all baby shower gifts. It has made a big hit and others have purchased it since being exposed to it.

If Jesus came to my house and knocked upon my door.....
This is a wonderful book I remember verse for verse from my childhood. In simple, heartwarming verses, it describes all the lessons necessary to lead a Christian life. Praying, giving, sharing, trusting, helping others and putting others first, just as you would do if your guest was Jesus himself. A message to remind us to treat others as Jesus would. A perfect model for living for children and adults.
I given numerous copies as baby gifts. Including my own children.

The book is wonderful but in shipping or otherwise the books (3 copies) that we give away as gifts were dirty and looked used (but purchased as new!!
Not happy!!

Mouse Paint is a great book for early childhood. I use this book for infant toddler storytime. The colorful pictures make easy eye contact for young children. The book was in excellent condition and delivery was expeditious! Thank you Amazon.

Great book for learning colors. My son just loves it and it teaches how to mix colors as well. Very educational and entertaining.

This is an adorable book, a real must have for kids of any age. It talks all about colors, primary colors, mixing colors, etc.. And the mice in the story are so cute. Simple but entertaining.

This is a super source of creative inspiration for young children. Start them out working with an adult or older child, and they will absolutely take off with creativity and use of colors!

There's hours of educational entertainment inside this slim volume!

This is simply a magnificent book for young children! Bright and colorful, it follows the tale/tail of three white mice who discover three jars of paint. Of course, they are the primary colors (red, yellow, and blue for those artistically-challenged folks out there). Adults will smirk because they know what's coming next, but just check out the face of a little one who is still discovering the magic and awe of mixing colors. Yes! Red feet in yellow paint make orange feet - cool! These adorable mice perform all kinds of "color dances" until finally washing themselves off in a bowl of water (which says CAT on it - hilarious!) The collage-style illustrations (which remind me of Leo Lionni) really seem to make the mice come alive. This is a must-have for every child's bookshelf.

A mostly honest cop close to retirement saves a young girl, foiling the plots of some crooked colleagues and other powerful men. He takes the torture, deprivation and long prison sentence to protect her, revelling in the letters she writes him.

They stop, he is let out. Finding the girl, he realises he has been played, and knows there is only one way to stop the little yellow bastard and company.

Frank Miller's Sin City is paradise for noir fans, nothing can't happen in these graphic novels. "Walk down the right back alley in Sin City, and you can find anything." Book 4 of 7, That Yellow Bastard is a tale of bravery and sacrifice. It's my absolute favorite of all the Sin City books, Frank Miller's dark and extremely stylized way of telling this masterpiece is electrifying. The artwork is tip top, the writing is crisp and smooth, and the characterization is excellent. I hope you enjoy this amazing book!

A fan favorite due to the movie, John Hartigan is probably the most unusual character in the Sin City roster - an honest and honorable cop in a very corrupt and dishonest city. Not surprisingly, things do not go well for him. Betrayed by his partner and set up as the patsy for a heinous crime, he represent the epitome of honor as he quietly and passively accepts his fate in order to protect the innocent.

On the other side is Hartigan's polar opposite. The title character is probably the single most despicable character in the series who tortures little kids before killing them, uses family connections to get himself off while framing an innocent man. The great thing about this book is that it really presents the two extremes of humanity and puts them at crossing paths to each other.

The story has more sticking power than many of the others by Frank Miller. No doubt this is due to the ending, far more poignant than that of others. It is too bad that Miller did not continue with this story line in other volumes as there are enough loose ends here for a number of good stories. Perhaps, though, the ambiguity is part of the charm.

Frank Miller gave noir a new, gritty face with the "Sin City" series, and his favorite is reportedly "That Yellow Bastard." It's another story where a hardened man goes down a dark path, regardless of harm to himself -- and Miller's exceptional art and storytelling are in their prime here.

John Hartigan is mere hours from retiring when he finds that little Nancy Callahan has been kiidnapped by murderous pedophile Roark Jr., who also happens to be a senator's son. Hartigan disarms Roark Jr. (both as a killer and a rapist) but ends up in prison, abused and hated, where his only comfort is his weekly letter from little Nancy. She knows the truth, and loves him for what he did.

But eight years later, Hartigan finally gets himself paroled, since he's concerned about Nancy. She's now an exotic dancer being pursued by a hideous, yellow-skinned creature -- Roark Jr., reborn as a horrendous, unnatural creature. Now Hartigan will do anything -- including sacrifice himself -- to save Nancy from her disgusting attacker.

A knight-in-tarnished-armor theme runs through the "Sin City" series, with deeply flawed men seeking revenge or protection for women. It started off the series, and popped up in many others. That story is at its height in "That Yellow Bastard," which also contains what may be the noblest character in the whole series -- and he's a broken-down cop with angina.

Miller's black-and-white artwork is as striking as ever, especially for a series where everything is a shade of grey. There are lots of shadows and stark faces, as well as the typical violence of the series -- guys, you may end up cringing a lot in the castration scenes. Yet somehow the violence seems appropriate, no matter how horrible it is, since it's being aimed at the deformed rapist-murderer.

Hartigan may be the noblest character in the entire series. The entire story is about him trying to protect Nancy, even to the point of suffering eight years of prison and beatings without a word. He's the only honest cop in Sin City, and similarly, Nancy Callahan retains a sense of innocence despite her raunchy job.

"That Yellow Bastard" is a raw, dark noir comic that somehow manages to be poignant as well. It's a disturbing ride, but still worth taking.

On another hot night in Basin City, John Hartigan, a gruff and cynical, but big-hearted veteran police detective with an indestructible sense willpower, is working his final case before his mandatory retirement, caused by a bad heart. An 11-year-old girl, Nancy Callahan, is out there in Sin City somewhere, in the hands of the child rapist son of the insidious Senator Roark. Though Hartigan almost dies while rescuing Nancy as well as putting Roark Jr. down, seemingly for good, the hero cop learns the worst has yet to come when Senator Roark himself visits him in the hospital, promising Hartigan even more grief to come, as revenge for crippling his rotten son...

Well, I didn't think it was possible but Miller takes sequential art to a whole level in possibly his best run on "Sin City"--"That Yellow Bastard." Detective Hartigan is a different character compared to what Miller has done in the past, he's not a thug like Marv, or a vigilante like Dwight, Hartigan is a much more believeable character because of his pride, heroic selflessness, stoicism, and undying will to, even when things look dark, never give up to accomplish the right thing. Miller shows this off spectacularly in the panels where Hartigan is taking numerous bullets and stabs in his back just to protect Nancy. Hartigan doesn't care if he lives or dies to achieve his goal. Even in the tragic end, when he destroys his own life, Hartigan still emerges victorious over Roark. Speaking of which, Senator Roark and Junior have got to be the most sinister antagonists since Ava Lord. Junior is a sadistic child molester/murderer and because his evil father is a US senator, and Senator Roark uses his political influence to his full advantage, so that he completely dominates over the hero. I would like to have seen Senator Roark appear in future "Sin City" stories. Miller shines his very brightest here. If you had to read at least one "Sin City" book, make it "That Yellow Bastard."

Are you going to visit "the City"? Have you been to NYC (and loved it)? Up in the Old Hotel was written before most of us were born but still delivers the savory secrets of this great metropolis. Characters abound who could only exist in NY. Meet them before you go. And be sure to eat a slice of Ray's pizza on Sixth Ave. and 11th Street!

Up in the Old Hotel is a masterpiece. I've read it so many times (it is my ultimate desert island book) and have yet to tire of it. The essays (and the few short stories that are included) are timeless, generous works of genius. Joseph Mitchell captures his odd and wonderful subjects as richly realized individuals, and appreciates the smallest of beautiful, dark and humorous nuances. His vision is presented so humbly and offhandedly, yet with absolute precision and so much respect. You truly feel a part of the experience. I'm not sure there is anyone who could write better. All of the essays are amazing, but my favorites are Mr. Hunter's Grave, The Old House at Home, Mazie, and Up in the Old Hotel. The short stories in Section II of the first book are heart wrenching. This book also makes a really great gift.

This writing puts you right into a time and a place and makes it real.. This is one of the most charming collection of writings I have read so far.. Joseph mitchell's characters of New york are so endearing.. From irish saloon keepers to gypsys to stubborn old men who swear by their diet.. this is great story-telling.. this is the legend of new york..the legends of the real people and eccentrics who inhabit its streets..

Well, there is, in the form of several stories of fact and fiction that center around the Fulton Fish Market, and just about all of them are enjoyable. I'll say one thing. If, after reading Up In The Old Hotel, you don't know how to trawl for fish then you didn't really read this book. All in all, over 700 pages of unique character studies. Mitchell seemed to find someone interesting where no one else cared to look. I fully intend to buy more Mitchell.

Whenever I can't think of something to read, I pick up Up in the Old Hotel and read a story or two out of it. I've probably read it 4-5 times and never get tired of it. It captures a lost era of American life that is what I think of when I imagine America in its finest light. Reminiscent of Tortilla Flats and other Steinbeck and even On the Road in a way - a gentler time in our history.

Writing Children's Books for Dummies offers everything you need from start to finish to write your own children's book. Go for it !

Wonderful, "to the point" information. Not overwhelming, makes me think that this dummy might have a shot at getting my work published.

As a Publisher of a mid-size children's book publishing company I come across many people who believe they know how to write books for children, but sadly do not know where or how to even begin. My recommendation to them is to read WRITING CHILDREN'S BOOKS FOR DUMMIES. This is the definitive guide for all aspiring writers as well as for established writers who might need a refresher on the latest formats and trends in the market.

Excellent book for the beginning Children's Book writer. Lots of great tips and pointers for getting that manuscript written and published.

This book takes you through all the steps necessary in writing children's books. Very helpful!

As a child, I couldn't put any of Poe's short stores down, now a few decades later, nothing much has changed. I was thrilled to add this book to my collection, it is well made, and comprehensive collection. All of this at a great price.

The book arrived just in time and it is in excelent conditions. This edition contain all my favorites works of Edgar Allan Poe. I recommend it!

Despite all who have attempted the genre since, Poe remains the supreme master of the horrific short story. From this collection I select "Berenice" to comment on, not only because it is a classic example of Poe, but also because it deals with a subject so typically his, that of obsession.
There is little point in trying not to "spoil" a Poe story by avoiding telling the final outcome, for in this story, as in much of his work, the fascination lies not in a teasing or elaborate plot leading to a surprise revelation, but in morbid, gristly dwelling on the awful texture of misery, melancholia and near madness. One can read them repeatedly, and they still taste satisfyingly rank and vile.
In this short story of brooding obsession, Egaeus looses his wife, Berenice, to illness, and in a fit of abstraction and obsession opens her grave and rips out the part of her that his mind has fixated upon: her teeth. Nasty and simple, but unforgettable.
There is little joy in Poe's world. Love, hope and happiness are only shown as a prelude to loss, to provide a fading dusk against which the blackness of the tragic end stands out more clearly.
It's interesting that some of Poe's readers complained to the editor when Berenice was published in the Southern Literary Messenger in 1935. This was early in Poe's career, and he reports the subscription list of this periodical as 700. In December of that year he was made editor, and by the time he left the subscription list numbered 5,500. Obviously then, as now, there was quite an appetite for horror amongst readers.

This is an excellent book including all of his poetry, short stories and other literary works! 832pages of Poe! Got it as a present and the person it was for loved it!

We received the book in the time designated and the book was in brand new condition

I love this book as much as my kids do (ages 4 and 2). The illustrations are fun and interesting and the rhymes are clever and fun to read. I can't wait to get her newest book, too!

My six year old grandson laughed and laughed when he first read this book. Actually, he laughed the second, third, fourth, etc. times also! He loves reading it to his four year old sister and he even took it to school and read it to his class. Now everyone is laughing. Falling For Rapunzel is a classic example of "funny!"

A most entertaining rendition of the ever-popular fairy tale. The illustrations are so unique, as is the twist in the melodramatic saga of the damsel in distress. My grandchildren LOVED it - my 8 year-old grandson read it to his 6 year-old brother after I had introduced the story to him. Now THAT'S a recommendation in itself. He also stated that when it was his turn to read a story to his 3rd grade class this was the book he would choose to read.

This is a thoroughly charming spoof of the old Brothers Grimm fairy tale, a new version with a prince who is frustrated by a spaced-out Rapunzel who can't hear him correctly when he asks her to throw down her hair. The rhyming text is fun, and like all of artist Lydia Monks' work, the pictures are packed with clever, funny details. A delightful, truly funny book that will be asked for time and time again. (ReadThatAgain!)

"Once upon a bad hair day, a prince rode up Rapunzel's way..." the opening line reads, and you know you're about to experience something different. This is a delightful twist on the tale of Rapunzel, cleverly written in rhyme. Since she is so high up in the tower, Rapunzel can't hear the prince's requests very well so when he asks her to throw down her hair, she thinks he says UNDERWEAR (what is it about that word that makes kids giggle?) The prince continues with a number of requests, only to be thrown down something else, usually quite silly, which should create a lot of chuckles. This would be a great book to encourage participation. Kids will have fun trying to guess what Rapunzel will throw down next, using their rhyming skills. They are sure to enjoy the surprise ending too.

Lesley Thomas has done what would seem to be the impossible -- taken us deep inside the Inupiat world, in the voice and mind of an extraordinary young woman with still more extraordinary powers. I know of no book like this. "Smilla's Sense of Snow" is a distant second. But two movies come to mind: "Fast Runner," and "Dersu Uzala." If you love either of these movies, you'll be stunned by the depth and scope of this novel and the unique and unmistakably true voice of its heroine. And if you've never seen them, read "Flight of the Goose" first!

It is the Alaskan Arctic, it is 1971, and Kayuqtuq "Gretchen" Ugungoreseok is a troubled with young woman with a difficult past. She does not know what happened to her mother, her first foster family were pathetic, uncaring, money-grubbers who were very poor, and she has an ambivalent relationship with her second foster family. Now, in her twenties, and quite attractive, Kayuqtuq, or Gretchen as the Outsiders have named her, is trying to figure out who and what she is, including whether she is an apprentice shaman, a rarity for a woman, at that time and in that area. Then, life becomes much more complex, with the arrival of Leif Trygvesen, an Outsider who is a field biologist trying to study a certain species of goose, as well as measuring the impact of oil spills on the local ecology. The inevitable slowly happens, as Gretchen and Leif fall in love, while trying to grasp each other's culture.

This work of fiction, often told in journal format or by showing letters exchanged between Leif and Kayuqtuq, is loaded with information on the cultures and the era involved, and the degree of detail is impressive. I found the degree of detail to also be oppressive. The complexity of romance often makes a good story, and cross-cultural romances add another dimension. As many romances are, the Kayuqtuq-Leif romance is on-again-off-again. However, it changes direction so often that it becomes predictable and redundant. The same is true for the culture-shock issues, with repeated misunderstandings, miscommunications, and just plain misery.

Several years ago, I wrote a novel, still in search of a publisher. As I wrote, I became intoxicated with the process, and my "final" copy was close to 200,000 words long. Not long ago, I entered the novel in a contest, that had a maximum of 175,000 words for entries. I was able to cut enough out to meet the limit, and I believe that my leaner version was better. I think that the experience of writing-intoxication might have occurred in Flight of the Goose, and I think that a trimmer version would be a better book.

One thing that I look for in a novel is whether I can identify with one or more of the main characters, and possibly even like them. I did end up liking both Kayuqtuq and Leif, and felt that I knew and understood them enough to make them interesting. That is the main reason why I was able to stick it through to the end. That is not enough, though, to make this is good and recommendable book.

I have at least one other quibble for this book. At the back of the book, there is a glossary of terms in Inupiaq, the language of the Alaskan Arctic villagers in this story. At its core, this is a good idea, to use these terms, interspersed throughout the story, and have the glossary to help translate. It adds color, and an air of authenticity. However, even as the author, Lesley Thomas, got carried away with details, and with the ups and downs of cross-cultural romance, I think that she also over-did this native language idea. I think that the best way to illustrate this is to show good and bad examples of its usage.

I found it helpful to know that "Aka" not only meant "grandmother" but was also a term of respect for a woman who was an elder. That enriched the story. The same is true for the term "angutkoq" that roughly translates to "shaman" but definitely has many local cultural connotations to it. Some of terms were not readily translated into English, and were so culturally embedded that the use of the rough English translation would miss the mark and diminish the concept. A prime example would be "atka", to refer to the part of the soul that lies within one's name. However, having a wolf be referred to as an "ameguq" or using "ninaq" for "sullen, sulky" did not add anything as far as I am concerned.

So, is this a good book? If you like cross-cultural romances, and you are comfortable with a slow pace and a high level of detail, this book might be right up your alley. I believe that this book was a labor of love for Lesley Thomas, and that she put a huge amount of time, effort, information, and, yes, a bit of her soul, into this book. But, for the average reader, some of that will go unappreciated. It was not the book for me. I would have enjoyed it more if more of the focus had been on Kayuqtuq's quest to become a shaman, and less on the romance. I am generally a patient reader, and I have read, and enjoyed several huge books that were very slow-paced. This one really tested me, though.

The sexual encounters between Leif and Kayuqtuq are described pretty graphically at times. This is definitely a book for adults.

That FLIGHT OF THE GOOSE is a first novel by Lesley Thomas is the first hurdle the reader must overcome, so rich in detail, research, and technical finesse are the over four hundred pages of this fascinating book. What does become obvious with even the first few pages is the fact that here is a writer who can address significant world environment issues while building love stories - between a remarkably real Inupiat girl and a Swedish scientist, between the world of the spirit and the realm of the universe, and between the mysteries of past traditions with those beings longing to preserve the enormous habitat that is transforming before our grieving eyes - stories that intermingle to create a total experience that simply refuses to end with the closing of the final cover.

Thomas opens her book with a Prologue and with words like the following the reader is assured the presence of an enriching encounter: 'Let me tell what happened, and don't ask at the end what the message is. Whatever is already in us at birth, we find again in stories. We see it in the face of the moon, in the face of our lover, in our own death, in the flight of the goose.' From this point she unravels the Norn's threadball of time relating the changes that are taking place in Alaska in 1971, mixing the daily arduous charges of living with distant echoes of world events that are reshaping the life of our main character (Gretchen/Kayuqtuq). Thomas builds a blindingly realistic love story between the native, orphaned, shamanistic Kayuqtuq with ornithologist, peace advocate Leif Trygvesen and in creating a fully rounded and metaphorically meaningful relationship Thomas resorts to sharing the story from the vantage of both of these unique souls. From this launching point we learn about Eskimo traits and foods and history and manner of survival in a culture that is being eroded by technologic 'civilization', a series of sidebar stories that Thomas always manages to remain centered and focused while expanding the scope of her immensely interesting and important story.

FLIGHT OF THE GOOSE is a novel so rich that deserves to be in the library of everyone who values fine storytelling while simultaneously respecting the threats and conditions of change that are only now being brought to our attention by the environmentalists. To manage to accomplish this service to mankind in as fine a book as this establishes Lesley Thomas as an important author. Highly recommended. Grady Harp, December 07

Lesley Thomas detailed this book so intricately that it seems real. I was most especially fascinated by the character of Kayuqtuq "Gretchen" Ugungoraseok, who is an orphan Native American adopted by the Inupiat, which means real people.

Kayuqtuq is a young woman living in a subsistence culture with roots that extend thousands of years into the past. Her observations of people, including naluagmiu (white man) Leif Trygvesen, are from the perspective of her culture. I was completely fascinated.

Though Kayuqtuq is already a young woman in this story, which is set in 1971, emotionally she is dealing with trauma from her childhood; perhaps she is also dealing with the continuous trauma of harsh life in the Arctic. The result is that Kayuqtuq's story is frequently more like a coming of age story than the story of a person who has already reached adulthood.

Part of Kayuqtuq's coping strategy is to become an angutkoq, or shaman. Regardless of whether Kayuqtuq has shaman powers or is incredibly intelligent, her insights and visions of events are remarkably accurate and frequently prescient. Unfortunately, her visions and insight fail to give her enough clarity to prevent tragedies.

This novel is primarily the story of Kayuqtuq "Gretchen" Ugungoraseok and Leif Trygvesen. The story is partially about the clash of cultures, but also about how Kayuqtuq and Leif react differently to the situations around them because of their cultures. Kayuqtuq and Leif's perspectives allow us to see how Inupiat culture views various situations in comparison to European culture.

Shading and complicating the cultural differences between Kayuqtuq and Leif is that each is multicultural in their own way. The Inupiat adopted Kayuqtuq, but she is Native American. European and Viking culture strongly influenced Leif's mother and father, but Leif is from the United States. Adding even more complexity is that each is an outsider in their culture. Kayuqtuq is trying to learn to become an angutkoq, which Inupiat elders forbid, and Leif is an environmentalist and against the war in Viet Nam, neither of which made him popular with "The Establishment" in 1971. It was probably inevitable that the two outsiders found kindred spirits in each other and came to love each other. Perhaps the tragedies that followed were just as inevitable.

Lesley Thomas's writing reminds me of the detail that Charles Dickens put into his novels. I like Dickens' writing very much and I am unable to recall any modern author to whom I have been exposed that writes with such intricacy and precision. However, Lesley's writing is so clear and organized that even with the complexity of the story I never got lost or had to re-read a section. This book is such a literary achievement that it has received awards from The National Federation of Press Women, The Alaska Press Women, and The Washington Press Association.

This book is neither a light read, nor is it a book that you will forget any time soon. I will admit that my eyes were moist as I finished Lesley Thomas's story of Kayuqtuq and Leif. Lesley's writing pulled me so deeply into the characters that they seemed real to me. Just as in real life, what happened to them can not be undone, no matter how we might wish otherwise. Even now, several days after finishing this novel, I wish I could undo what happened, but then Lesley's message would have been diluted, and I, and future readers, would have been less affected.

The awards this fictional novel has won are well-deserved. This book is one of the best modern novels I have read. It is truly a great novel. If you enjoy stories about the conflict in cultures, if you have ever liked Dickens, if you want to read about the effect modern culture has had on the Inupiat and the environment of the far north, or if you just want to read an incredibly well written book, get this one.

I hope you enjoy this book as much as I did.

This review is based on a copy of the book provided to me by the author.

I'm happy to recommend this intricate and poetic novel to those looking for more than a quick read or an easy story: looking for something more soulful, something that leaves the heart transformed.

Much has been written about the hundreds of cultures destroyed by Christian missionaries, whether they carry bibles or rifles or deeds or broken treaties. The setting of this drama is a small Alaskan village trying to hold itself together in the aftermath of partial colonization. But Lesley Thomas does not return preaching for preaching. Instead, she draws upon her own life experience to show the reader exactly what life there looks like detail by detail one conversation at a time, all of it set against an Alaskan landscape so searing and mysterious that it too becomes a character.

In this setting two people try to find each other: an Indian woman whose English name is Gretchen, and the biologist she calls the Birdman. Again and again they miss each other, only to be brought back together by a passion deeper than words: a fine demonstration of how much hurt can be inflicted on a budding romance to the extent lovers try to protect themselves from each other. There is a lovely byplay in which Gretchen sneaks into the biologist's camp to read his very personal journal, which he conveniently leaves under his pillow. How badly these two want to talk to each other, and how hard they find it to do so, is a tension behind the subplots playing out between Inupiat villagers, visiting whites, orphaned Gretchen, and a very confused but sensitive scientist suddenly exposed to a wider world than was dreamed of in his philosophy.

A complication: Gretchen is a practicing shaman who does not fully understand what she's doing. Her struggles are consistent with how other cultures understand shamanism (as opposed to New Age workshop "neoshamanism" bent to the agenda of self-improvement), including her spells of dissociation and the terrifying images she encounters. It's gratifying to read an author who has done her homework on this topic, especially at a time when so much Native lore has been appropriated, adulterated, and sold to people who don't know any better.

As a reader who teaches a graduate-level myth class, I appreciated the mythological references, quotes, stories, legends, all lightly touched on without interfering with the pace of events. A good question for the reader to wonder about while reading: What myth are the lovers caught up in, and what are their options for finding each other from within it? (The old Norse saying that starts the Prologue puts it well: "How can anyone know what is possible for those in love?")

Another dimension to this novel is the ecological, particularly as people on the scene (including the biologist) note the climate changes and business decisions that threaten the Alaskans. The ultimate fate of everyone in range--and nowadays we are all in range--is clear: "The animals are sickening and we are told not to eat them, nor nurse our own babies. Soon we must leave our home, retreating from the rising waves. We will join the saddened animals and wander, hoping for mercy from strangers." It would seem to be a law of history and psychology too that those who experience themselves as perpetually angry exiles and outcasts tend to inflict displacement on other creatures unless a way is found to bind up the original wounds and find a sense of homecoming.

Many poignant episodes appear throughout the story. One occurs about two-thirds of the way through when Gretchen, who thinks of herself as ugly, is finally able to experience some of her own inner and outer beauty by trying to retrieve the soul of the man she loves and yet torments.

Mental health professionals in the U.S. have been slow to realize that not all psychological anguish arises from within. What happened to both Gretchen and the Birdman to make them both so guarded and so easily injured has roots in the shadows and pathologies of their cultures. Part of the difficulty of healing and connecting involves their attempts to shoulder what are actually historical-colonial legacies of wounding playing out in personal relationships.

To end these terrible legacies: how to do that? What will it take to make the dominant culture less lethal to itself, to Earth, to people it regards as Other? The myths of many times and this novel offer a hint: the story must be rewritten from within it, starting with many small and large acts of sacrifice carried out in love strong enough to fly like the goose into the heavens.

I thought this book looked more like how to be a feminist than anything else. I was so disappointed that it doesnt deal with issues my daughter cares about. She wasnt even interested in flipping through it. What a waste of money.

Finally a book that addresses womens' issues and presents them in an easy-to-read and fun format for young women! It's important that girls know about these issues at an early age to help them realize their potential. This book is full of facts, quotes and stories, making it interesting to read and easy to pick up where you left off. Stories from real women help make the author's points credible and understandable. The book doesn't just talk about issues, it actually gives girls ideas on how to put their beliefs into action. I found The Girls' Guide to Life very inspiring, informational and empowering! I can't wait for my daughter to read it, and I plan to recommend it to all of the young women in my life. - Dale Salvaggio Bradshaw, co-author of Firestarters: 100 Job Profiles to Inspire Young Women

The Girls Guide to Life by Catherine Dee contains a plethora of information and anecdotes for young girls and budding teens that are both entertaining and empowering. This primer for young girls deals with issues such as self esteem, empowerment in the workplace, social rights and obligations, and general life 101 lessons. The guide celebrates the empowerment of young females through a variety of activities and uses real life examples to address the issues that all young women face today. A great field guide to life's basics that every girl should read!

I think this is a good present for most teenage girls because it opens the door to further thought and purposeful decisions. Even if one is not a feminist, one could appreciate the information on topics like why sports are important, how to stay safe at home/school/street, and why math & science equals a bright future.

I appreciate the topics on self-esteem, what is physical beauty, and understanding and handling sexual harrasment.
Honestly, I wish this author would write similarly empowering and informational books for boys!

How refreshing to read a book which helps to elevate, educate and emancipate young girls of the world. This book speaks to young girls in a very human and comprehensible way. It teaches them how to be strong, yet not overbearing, healthy not bulimic, educated, self-motivated and just all round good citzens of the world.

The book is full of historical facts showing how females took on the world against all odds and succeeded. In the book readers are also treated with humorous cartoons, for instance their is a young lady who takes on the form of a puddle. At the end of the cartoon she is standing upright and shouting "I am not your doormat!" Its a beautiful evolution....

Also what impressed me are the worksheets and life exercises in the book. What a clever way for a young girl to track her progress, in addition getting life pointers and hints.

Help a young girl become a confident young lady - Give her this book!!!!!

Hats off to you Catherine!!! Keep em coming.....