Literature Books

Of all the books I received as baby gifts, this book has had the longest lifespan. It was my daughter's favorite book as soon as she was old enough to turn regular pages, and almost a year later, it still is. Unlike shorter board books which become very repetitive, this book still has poems that seem "fresh" to me. Everytime we read it's a different experience, depending how many pages we turn at a time. It can be a short book or a long book, depending on the day. The illustrations are incredibly detailed. Even after what seems like a thousand reads, I'm finding clever twists and recognizing characters from elsewhere in the book. This book is a classic and offers lots of bang for your buck.

The illustrations for the rhymes are all of cats and other animals as stand in for humans and are very cute. As for the rhymes, there are not many of them and some are truncated.

When my kids were small, I went into a "Mother Goose" kick. I bought and checked out from the Library every Mother Goose I could find, we read them all, and THIS was by far our favorite. The selection of poems was varied, with old favorites and new poems I'd never heard from my childhood as well. The illustrations are beautiful and very fun, Rosemary Wells knows just how kids minds work!

This is a very good book, but it's not quite what I'd imagined. Most of the rhymes were not familiar to me. The illustrations are beautiful, though, and it's fun to read. We enjoy it, but if I had seen it before buying, I probably wouldn't have bought it.

Publisher's Weekly called this book "exuberant" and that's exactly the right word for it. Bright primary colors make up this book, and Rosemary Wells' adorable characters populate the rhymes. Unlike some Mother Goose books, this one is meaty -- it boasts 108 pages, with a rhyme on almost every page. That's a lot of nights of Mother Goose at bedtime.

Nursery rhymes help build phonological awareness, an important pre-reading skill. Research has actually shown that children who memorize nursery rhymes go on to become better readers than those who do not.

This book makes a great baby gift, and a terrific birthday or holiday gift for a toddler or preschooler. It's the one I grab first when I recommend nursery rhymes to library visitors.

This is one of my favorite books and also of my daughters. The illustrations are beautiful, and the heart warming story of family visits, appreciation and love just makes you feel good. I like this book so much that I will add more Cynthia Rylant books to our home library.

We're from a large family and the images and descriptions of the family reunion really touched home. I've given it to two different sets of nieces and nephews, and hope they'll have the same great stories to tell about our family that Cynthia Rylant relates.

I bought this book to use for a discussion about how authors can paint pictures with their words. My first graders loved this book and we were able to talk about our favorite parts in the book and all the children can relate because they have either gone to visit relatives or relatives have come to visit them. They loved the pictures and the story!

I love this book, especially for kids with big families. As an adult from a big family it is equally fun to read. This account of the journey and the visit at the relatives' house is written from a refreshingly honest child's point of view. A completely delightful read-to book. I bought a copy for all my kids with children.

This story is about some
family members from Virginia came down to some other relatives that lived
far away and the family from Virginia was staying for a couple of weeks. They finished with eating, playing, and hugging. At the end of the story, the family from Virginia goes back to their house, and wait `til next summer.

I liked this book because the book was about family time and this book will be good for any kid at anytime.

The Birth of Tragedy-75 Aphorism-Beyond Good and Evil-The Genealogy of Morals (3 Essays)-The Case of Wagner-Interpretations/commentaries

A great collection, though a strange chronological leap from BOT to BGE. Right for the price and a great review of the later published books of FN. All of Kaufmann's footnotes are maintained. You'll at least want to have had read The Gay Science before coming to this, or even TSZ; Beyond Good and Evil and The Genealogy of Morals are NOT the place to get your feet wet and FN is not joking in Ecce Homo when he says that a close reading and familiarity with his earlier writings is necessary to delve and dredge up all that he has thought through--and to then move on to further possibilities presented by the various threads lain therein.

But if you are really eager to get to these later works, do at least have some familiarity with Hegel and read the Untimely Meditations and then make the leap to this volume.

Caveat: I cannot recommend the Zarathustra translation by Kaufmann, as available through the Viking Portable Library or Penguin; it is truly facile. Hollingdale's translations of the TSZ, Twilight and the AntiChrist are much preferable, thought they lack K's commentary.

Whether you agree with him or not, Nietzsche's thought is pivotal in understanding modern Western society. This one-volume compilation provides an excellent introduction to his core philosophy.

Nietzsche changed my life. This translation and selection heightened and developed my sensibility more than any other philosopher or work of fiction. I think the difference in dynamic plays a role here: in works of fiction the characters represent man in various and hyperreal circumstances, but it is only a representation. With Nietzsche, the life of the real man and what he wrote underscore each other.

Nietzsche is utterly enjoyable. One almost feels a wicked pleasure as he dismantles the various and prevailing constructions of the world. But he always fights fair: he allows his targets to live on the page and fight back.

I love the aphoristic style. The way he briefly but profoundly treats a topic, and then returns to it again with a new twist or perspective. It is rich!

I've typed that name what seems like a thousand times in the last month. I used Beyond Good and Evil for two papers this semester, and he gave me an idea for a short story. What a writer! Not a guy you'd like to be on a desert island with, but his philosophy could be purposely misinterpreted and made into a somewhat logical or at least palatable set of ideas. The interpretation seems to be pretty good...I also used Kaufman's Nietzsche for the research paper I did, and he seems to be pretty knowledgeable and unbiased. I can't wait to read some of the other pieces in this.

a great collection...i don't think it includes 'thus spake zarathustra', though. if it does, my apologies. if i'm right, then that's an odd omission. otherwise, i love it.

I am very happy I could locate this book. It is one of my favorite books, and one I insist being on my shelf. Thus, my copy was missing and I was pleased I could replace my copy. I am happy with the condition of the copy I just recently received; it arrived quickly, and I'm glad to have it in my personal library.

A fascinating and horrifying account of a slave woman's experience. While fiction, the story appears to be based on the life of an actual Hannah. Don't be put off by the long introduction. It becomes more significant after reading the narrative itself.

This book gives a great emotional account of the horrors of slavery. It is amazing the vocabulary the author had without being formally educated.

This book will stay with me for a while.

In her novel, Crafts illustrates her life as a slave over the course of many years. Starting at a place cursed by a linden tree, things only seem to get worse. Though she is taught to read, her teachers are punished and banished from her life. Her early years are filled with much more than learning, however. She witnesses many horrific aspects of slave life, which are depicted vividly by use of imagery and her colorful similes. In her story she attempts to obtain freedom with her new mistress, but the success is cut short.
By the middle of the story, the reader can easily assess that slave life is neither desirable nor easy. Crafts and her mistress are captured with only more hardships following. Crafts depicts for the reader her passing from one master to the next after her mistress's death. Things only continue to get worse until she brings the reader along with her on her flight to freedom.
Though met by a series of mishaps throughout the novel, Crafts finally obtains freedom to live life with her husband and her recently found mother. No doubt, the reader is happy to see something pleasant finally happen for Crafts. The reader is left with not only a sense of happiness for the author, but with a vibrant image of what it took to get there. The Bondswoman's Narrative is most certainly a good choice for anyone wanting a harsh, yet inspiring, account of what slave life was truly like.

As background for this slave's narrative, we are introduced to John Hill Wheeler, writer, who had published HISTORICAL SKETCHES OF NORTH CAROLINA, 1584-1851), who served as assistant secretary to the U. S. President Franklin Pierce (always one of my favorites) in 1854. There is a good photograph of Wheeler and a painting of his wife, Ellen, with her two sons by Thomas Sully who made the youngest look like a sleeping angel.

There is also a photo depiction of the abduction of his slave, Jane Johnson with her family, off the Steamer Washington on July 18, 1855, in Philadelphia "by force" by a gang of Negroes led by an abolotionist. Since he was unable to locate and reclaim his servants, Jane was subsequently replaced by Hannah -- who escaped in the Spring of 1857. He must have been a hard taskmaster.

One interesting thing (for me) was a mention of John Brown's (of Harper's Ferry, West VA fame) hanging in Charleston, VA. It was observed that he died as he lived, "game." He certainly was no coward.

I found too much redundancy in the introduction by Henry L. Gates, Jr., and the narrative itself. Absorbed in finding and preserving black culture in written form, he spends a lot of effort propounding on his conclusions, instead of the facts. Like a local writer involved in uncovering ancient history, he uses too many "that's" proving he is not scholary. To me, it shows a definite lack of education and too much emphasis on self promotion, so that whatever is printed will be thought or taken as the truth, the whole truth and nothing else.

As with all autobiographical material it is hard to tell what is fact and where the fiction begins. An old acquaintance now deceased who had been in the Merchant Marines in his younger years and received much enjoyment in bewildering strangers with his detailed stories, told me how he manufactured "truth." Add a few relevant facts which can be substantiated and names of real people and presto! it's history -- not fiction.

As with science, the individual authors are expounding on their own theories, not facts per se. It's the same in any field and any "case" history. Mr. Gates wanted to prove this narrative was authentic; therefore, he spent more effort with his "proof" than the slave's account itself.

Something that old can never be proven beyond a doubt. Now Clifford Irving's bogus biography of Howard Hughes was ill-timed. Had he waited until after the person's demise, there would always be doubt and nothing to prove he was a liar.

I don't believe a slave would know some of the words used by this writer. By including family background and descriptions of events, it is taken as the authentic tale of a real Hannah Crafts. He did too much surmising "what if's" to have run down the actual writer to New Jersey -- to have been the runaway slave from North Carolina.

I found the marked out words and phrases to be distracting (also detracting). It would have helped to have the edited parts left out; the 21 chapters would have sufficed without so much explanation and additions (in brackets). Instead of making this clearer, it befuddles the story itself.

I'm not a user of the word "that" which is grossly overused in newspapers today. About ten years ago, I typed the lengthy "memoir" of my ex-husband, a college English professor, and edited at intervals throughout. Of course, he proof-read every page before having the entirety copied and bound to distribute to members of his family. Sometimes, he agreed to my "clarifications"; at others, he'd say, "but we didn't talk that way." Growing up in a tiny hamlet between Shelbyville and Chapel Hill (where he'd been born) in Middle TN, and being about fifteen years my senior, he'd experienced things and feelings totally opposite to what I had in Knox County (East TN). My reasons to "edit" were for the benefit of those who'd be reading his memories, not to change events -- and he finally agreed with me.

Perhaps I should have left things exactly the way he expressed them, no matter how grammatically incorrect they were, as now that is what I am wishing Mr. Gates had done with this manuscript. The things he marked through seemed inconsistent vocabulary for such a young, uneducated woman confined in "the peculiar institution", and I'd have preferred not to have to think about them.

The textual annotations did not add to the story and were a bit too detailed. You can analyze a situation "to death." Some things are better left to the reader's imagaination.

This story is as old as the hills. Didn't he see the similarities between characters of this narrative and those in SHOW BOAT? Sad but true. Life is not always easy for those without power or money.

This book may have great value as a historical document, however, I evaluate it from the 'fun to read' point of view. I did not find it a greatly enjoyable read. It is written in the old novel style- "Perils of Pauline" comes to mind. Neither did I find that I learned much about it was like to live like a slave during that time. I am now reading a historical novel in which there are a few pages describing a slave market in the USA during the Revolution; which gave me a much clearer picture than Bondwoman's Narrative did. The description of how the field hands lived left me wishing to read more about that, and in fact, I felt I did not even get a good picture of how the house servants lived. There was quite a bit of philosophizing during the entire book so the author came across as an intellectual. In this respect, her comments about the death of a fellow runaway slave towards the end of the novel were very interesting to me.

This has to be among the best of Wodehouse. As so many other reviewers have remarked, the novel has a fluid feel to it; total and complete chaos. Starting with an ominous phone call from Aunt Dahlia, Bertie jumps from bowl to bowl constantly in the soup.

I loved the quotes from this book, on things being gruntled and what not. The characters are also amazing. Sir Watkyn Bassett, the treacly Madeleine, with Spode running after Bertie wanting to break his bones, the dog Bartholomew (this was perhaps one place where I almost laughed out loud) which terrorizes Bertie and Jeeves when (I think) they have to take shelter on top of the cupboard-Bertie goes to great lengths introducing this terrier. The moment is when they throw a candle at Bartholomew and it eats it.

The cow creamer plays no small part in the plot. It is a hideous silver jug that uncle Tom collects. Aunt Dahlia wants Bertie to 'sneer' at it by saying that its modern dutch, which might lower its value, apparently.

There is also Stephanie Byng and stinker Pinker who constantly trips over things. And constable dobbs, Aunt Dahlia herself, and Gussie Fink Nottle. There couldn't have been a more ridiculous set of characters than here.

This,and perhaps some of the Pig books (Pigs have wings, and Summer Lightning come readily to mind). I wish the world were as nice as that depicted by Wodehouse.

Believe it or not, I am 74 years old and had never read
about the trials and tribulations Jeeves put up with
Bertie Wooster. I have never laughed so much in my life.
I am now going to get my hands on every word P.G. Wodehouse
ever wrote. I truly would have loved to meet the man.

The Code of the Woosters, by the inimitable P. G. Wodehouse, is a fun and enjoyable romp with Bertie Wooster and his Man Jeeves. This novel features numerous plotlines, including but not limited to, the battle over a cow creamer, a lost notebook, romantic entanglements, the theft of a policeman's helmet, a potential jail sentence for Bertie, a dictator, and more romantic entanglements. Each plotline is brought to a conclusion by the brilliance of "Plum" the excellent English humorist. The book is full of hilarious one liners and brilliant wit. Amazingly, this novel was first published in 1938, yet it is still full of timely situations.

This novel of classic comedy introduces us to Totleigh Towers and its owner, Sir Watkin Bassett. Several memorable mainstay characters are in this book including Gussie Fink-Nottle, Aunt Dahlia, Madeline Bassett, and Stiffy Bing. Any journey taken with Wooster and Jeeves is time well spent. This classic series endures because the characters are wonderful and memorable. A 5 star fun-filled romp.

An early critic of P.G. Wodehouse complained that his second book was identical to his first, only the character names had changed. In response, Wodehouse resolved to continue writing identical stories, but to keep his character names the same. And so, The Code of the Woosters is nearly identical to all other Jeeves and Wooster novels; Bertie gets into a sticky situation, inadvertently makes things worse, and is ultimately rescued by Jeeves. Could any one of them possibly be any good if they are all so unoriginal? Yes. In fact, they are all excellent. How? Wodehouse was a genius; reading any one of his books will prove it to you. His characters are unforgettable. His narrative is brilliant. Above all, his books are hilarious, and The Code of the Woosters is one of his finest.

Betram (Bertie) Wooster, a lazy, bumbling (but well meaning!) gentleman living in Britain during the early 1900's, is pressured by his aunt Dahlia to steal a cow-shaped milk creamer from Sir Watkyn Bassett, a magistrate who once fined Bertie five `quid' for `pinching' a policeman's helmet. The task is made complicated by the presence of Roderick Spode, the amateur dictator who founded `the black shorts' and who is a friend of Sir Watkyn; Spode is watching Bertie like a hawk and threatens to break his neck if he sees Bertie so much as glance at the cow-creamer. Things go downhill when Gussie Fink-Nottle (a newt fancying friend of Bertie's) suffers a snag with his engagement to Madeline Basset (a dreamy girl who holds opinions like `the stars are God's daisy chain,' and who thinks that Bertie is madly in love with her). Bertie rushes to patch things up between them, but nearly becomes engaged to Madeline himself. In the end, only Jeeves, Bertie's brilliant, (almost) all-knowing manservant, can guide Bertie out of these troubled waters.

If you aren't familiar with P.G. Wodehouse's dynamic duo, you owe it to yourself to read this book. I guarantee you won't be able to stop laughing. Nearly every line is comical. The narration itself (the story is told by Bertie) is positively hilarious. And so, I give The Code of the Woosters the highest marks I can!

After every two sentences or so, I had to put this book down and howl like a hyena. This was my first Bertie and Jeeves book and I think it's a comic masterpiece. In Code of the Woosters, the plot spins faster and faster until the immensely satisfying end, where everyone gets what he or she deserves.

Wodehouse's comedy has no mean side to it - his writing remains engaging without resorting to the snideness that many humor writers employ. I still can't figure out how Wodehouse keeps my attention and keeps me laughing when his general theme is the unwavering silliness of the English twit. I'm heading to the bookstore for more.

I don't think any book creates the inner tension like this one. This and Brothers Karamzov are must reads of FD.

The protagonist (Raskolnikov) is a highly intelligent, young man of 23 (although broke). He has a philosophy that there are two types of people in the world: the ordinary, and the exceptional. The exceptional consisting of those with high intelligence or outstanding abilities, and when necessary, to better help humanity, these people are above the law. To test his theory he murders a mean, selfish, and rich old lady.

The reader should expect more than the above summary. The story is intricate, and there is meaning behind each character. Otherwise, the reader, may find the book boring and confusing.

A book you'll either love or hate.

Crime and Punishment is, without a shadow of a doubt, the greatest novel ever written. I first read this masterpiece of fiction and philosophy at the beginning of my senior year in high school (August 22) and finally got to its end with tears falling from my eyes on the night of December 23, 2005.

Not since finishing On the Road can I say that I have read a better novel.

It was like a pathetic escape from life when I followed all of these facinating characters around Dostoevsky's St. Petersburg.

Without a doubt, my favorite part of the book was at the beginning when Raskolnikov wandered into a bar and met Marmeladov, the hopeless, yet loveble drunk who is kind of the Micawber of the story if we may compare this monumental work of fiction with an obviously inferior one. Marmeladov just gives Raskolnikov his life story and talkes about his alcohol addiction and how it harms his wife and children. What really struck me the first time I read that part was Marmeladov's eloquence in saying how much he was ashamed of himself and sorry for putting his family through such pain. Then he says that meek ones like him on the last day shall be redeemed.

What we have at that part is the most beautiful part in world literature. It hit a bullseye with me and this simple scene of the drunkard's dignity is just the welcome Dostoevsky gives the reader. I love the friendship between Marmeladov and Raskolnikov and the depth of the character of Raskolnikov is simply astounding. It is just the epoch of psychological characterization.

The philosophy Marmeladov lays down to Raskolnikov at the beginning, salvation, redemption through suffering is very powerful (and true). We all have a cross to bear, especially Dostoevsky when he was writing this incredible work of fiction. It makes one romantically picture the great prophet slaving over this masterpiece with only a candle to light his writing in that beautiful language of Russian and finally finishing it and probably using the first pay to gamble.

I love you friend Fyodor Mikhailovich
and I love your novel.

I hath spoken to my friend...ECCE HOMO.

What can I say that hasn't been said already?
This is probably the best fictional study of the effects of guilt and radical ideas on a troubled mind. The prose is flowing, and it's not hard to see why Dostoevsky considered his novels "poems".
Dostoevsky's works in general are marred by a flaw I prefer to ignore as much as I can, and in this novel it is hardly present. Dostoesky's politics are odious, his nationalism, anti-Semitism, and anti-Polish sentiments absolutely ruined a section of The Brothers Karamazov for me and in The Gambler I felt their effect dramatically. They only crop up once in Crime and Punishment, that is when (plot spoiler coming soon) Svidrigailov is about to shoot himself, when Dostoevsky describes the Jewish guard as having "that sour look common to all members of that tribe", or something very close to those words.
All in all, I feel that Dostoevsky's politics can be excused, and prefer to focus on the positive attributes of his writing. There are many, and it isn't difficult.

I absolutely loved reading this book. Unfortunately, most people are forced to read it in college, skim it because it is so long (550 pages of text), and, therefore, never get a chance to appreciate Dostoevsky's genius, which lies in his description of characters and what drives them. Dostoevsky's reputation for writing depressing books just isn't relevant here. Suspense and reveling in his insight into his characters dominates. Despite the book being over 150 years old, you feel like the book could have been written yesterday.

Just a note of interest, Woody Allen's excellent movie Match Point (2006) takes a huge amount of thematic material and action from Crime and Punishment, and some particularly memorable sections are taken down to the smallest details. The main character in the movie is pictured several times reading this book, so Allen definitely wanted us to know something was up, and as I started reading, I just smiled and smiled, knowing that Woody Allen was rewarding me for following his not so subtle hint. When the movie came out I had just discovered Dostoevsky and was reading The Brothers Karamazov. Talk about chance!

I would also highly recommend the Pevear and Volokhonsky translation, because it definitely does make a difference.

This boxed set was almost a steal it was such a price and quality! The works flowed with what can only be assumed near the original prose and was explained in great detail. Please do buy this item!

"The Iliad":
It is obvious that, as Santayana wrote in 1924, "Only the dead have seen the end of war" and, as elegantly shown in Fagles' translation of, "The Iliad", the tradition of military brutality coupled with the equally obvious fact that, "Iron has powers to draw a man to ruin" (Odyssey) are elements of the human condition; they exert a compelling attraction in their various forms and facets to humans of all stripes, but especially, perhaps, to poets, historians and novelists.

"The Iliad", as is known to any high school student, recounts the siege of Troy by the Achaens and the "rage of Achilles" directed both toward his putative ally and commander (Agamemnon) and to his enemy, Troy. The machinations of the gods underpin the tale, with the Judgement of Paris (arousing the ire of Hera, Queen of the Gods) as the motive force. There is gore galore in the epic poem and plenty of raw emotion, tellingly conveyed in the new English text. The extensive introductory remarks by Bernard Knox place the work in historical and literary context.

While this translation has been extolled by a pantheon of reviewers as the "climax" of the art, I still favor the E.V. Rieu (founder of Penguin Classics) prose version of 1946 of both this epic and "The Odyssey". Rieu's effort (acknowledged by the translator, but not considered on par with others) carries the reader in a more "Victorian" and perhaps fastidious fashion to the harrowing conclusion (Achilles triumph over Hector, killer of Patroclus). I am not able to compare the various versions with respect to the original; I only express my opinion as a lay reader.

"The Odyssey":
The "sequel" to "The Iliad", this recounts the eponymous saga of Odysseus (Ulysses) in his attempts to return home from the siege of Troy. It is truly an epic and is, like "The Iliad", one of the cornerstones of Western literature. Really, one cannot claim to be "educated" in Western civilization without a working knowledge of these two books. The claimant to the throne of "best book of the 20th Century" , James Joyce's, "Ulysses" simply cannot be fully appreciated nor understood without a knowledge of this work. As I wrote for, "The Iliad", the new Fagles translation is outstanding, but I again favor Rieu's version; a minority opinion.

In conclusion, these are magnificent works which deserve the recent attention the Fagles/Knox collaboration has engendered. "The Iliad" and "The Odyssey" should be read and appreciated in any translation, but these are probably the best. Both also prove that, "...fate takes hold and lays them out at last" (Athena to Telemachus, "Odyssey"). So also does hubris and the lure of revenge, because, like fate, the lust for revenge cannot be tricked.

Incidentally, the boxed set/deluxe edition is well worth owning, compared to the "trade" paperback edition.

I really am enjoying reading this book again. read it in uni and hated every bit of it; but this time around, with this version, i can really get into what is happening. the index and annotations in the back are great for those of us that are not experts on Homer.
The book itsself is really cool. i love how the pages are serrated. books are lightweight and not so big at to be a pain to carry in your bag. this is a solid purchase.

I love feeling pages in between my fingers and a new book always lifts my spirits. The boxed set is truly a collectible item.
The books by themselves are translated by award winning translator,
Robert Fagles.
The introduction takes the reader through the premise and the verse itself is very simple and simplifies the epic.
The reader wont get confused with the myriad of characters but instead the book sequentially unfolds the main characters and their importance to the legacy of Iliad and Odyssey.

The Iliad

With many books, translations are negligible, with two obvious exceptions, one is the Bible, and surprisingly the other is The Iliad.

For example:

"Rage--Goddess, sing the rage of Peleus' son Achilles,
Murderous, doomed, that cost the Achaeans countless losses,
hurling down to the House of Death so many souls,
great fighters' souls. But made their bodies carrion,
feasts for dogs and birds,
and the will of Zeus was moving towards its end.
Begin, Muse, when the two first broke and clashed,
Agamemnon lord of men and brilliant Achilles."
-Translated by Robert Fagles

"Sing, O Goddess, the anger of Achilles, son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a heroes did it yield a prey to dogs and vultures for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles first fell out with one another."
-Translated by Samuel Butler

Our story takes place in the ninth year of the ongoing war. We get some introduction to the first nine years but they are just a background to this tale of pride, sorrow and revenge. The story will also end abruptly before the end of the war.

We have the wide conflict between the Trojans and Achaeans over a matter of pride; the gods get to take sides and many times direct spears and shields.

Although the more focused conflict is the power struggle between two different types of power. That of Achilles, son of Peleus and the greatest individual warier and that of Agamemnon, lord of men, who's power comes form position.

We are treated to a blow by blow inside story as to what each is thinking and an unvarnished description of the perils of war.
=======================================================
The Odyssey
"I long to be homeward bound" Simon and Garfunkle

The Trojan War is over and one of our hero kings is lost. His son (Telemachus) travels to find any information about his father's fait. His wife (Penelope) must cunningly hold off suitors that are eating them out of house and home.

If he ever makes it home Odysseus will have to detect those servants loyal from those who are not. One absent king against rows of suitors; how will he give them their just deserts? We look to Bright Eyed Pallas Athena to help prophecy come true.

Interestingly all the tales of monsters and gods on the sea voyage was told by Odysseus. Notice that no on else survives to tell the tale. So we have to rely on Odysseus' word.

Many movies took sections of The Odyssey, and expanded them to make interesting stories those selves.

Not just the story but the way in which it is told will keep you up late at night reading.


Troy (Two-Disc Widescreen Edition)
The Archaeology of Heinrich Schliemann: An Annotated Bibliographic Handlist

It's Easier Than You Think is one my favorite books. It's short, sweet, easy to read, and will make you feel better. I reread or dip into it from time to time. I highly recommend it whether you have any interest in Buddhism or not.

best explanation of Buddism for the American reader -- just bought another copy for a friend

Exceeded my expectations, this was my first purchase! Book was new, arrived quickly, & was a great price!

Although the book never dives too deeply into the history of Buddhism, Sylvia's personal stories, accompanied by her thoughts on Buddhist practices, provides more insight into the teachings of Buddha than I could have absorbed in any straight forward text. Since this was my first book on Buddhism, I really appreciated the down to earth method of writing she employs and the honesty with which she shares her experiences. Knowledge is a river flowing through time, and Sylvia Boorstein is a wonderful voice for this modern day and age.

I really enjoyed this book. It simplified and de-mystified Buddhism and protrayed it as a viable lifestyle/worldview for Westerners (and all people, for that matter). Reading this book genuinely brought me happiness.

This book is a great resource that challenges Christians to analyze their lives as followers of Christ. Moreover, Ortberg challenges the business of life which has infiltrated those who follow Christ.

I wish I had read the reviews here before picking up the book. Let me state right off (to prevent the sure-to-happen viscious replies) that this is a well written, thoughtful book. It is, however, written specifically for "serious" Christians.

The cover and title are somewhat misleading. I thought it was going to be geared to a more general audience. I am sure that for those looking to regain touch with their Christianity it is worthwhile reading. But if you're looking for something that is not so centric into 1 belief system, then this isn't the book for you...

I have read several books on spiritual development
/formation and this is "hand-down" the best and most practical I have ever seen. The Author has either been there or has been given devine insight from God (or both). There is no "air" in this book it is hard hitting, accurate and real life. Should be required reading for all.

I just finished The Life You've Always Wanted in about three days. Ortberg is practical, challenging, and honest. I love his insights on some of the less talked about Christian disciplines - like slowing down, regular confession, and servanthood.

Here is a non-dry, non-wordy, powerful book that any Christian should read. Takes the "pressure" out of spiritual disciplines and inspires me to focus my pursuit of God. Good stuff! I'll read it again.

First of all, I want to say that some of the material in here is among the most applicable and heart-rendering that I have read in a long, long time. It seems to me that this book is almost two different books. The books reminds me of some movies that I have watched where the first half was so magnetic that I could not stop watching. Then the second half of the movie loses my attention because it goes on a tangent or is just plain uninteresting.

Ortberg's discussion of boundaries resonated within me. He states that Christians use boundaries to dictate who is in their group and who is not. Drinking is a boundary. If you drink, you are outside my group. If you don't drink, you are inside the group. The same applies for smoking, dancing, caffeine, you name it. Ortberg implies that this is how many Christians live their lives. He says that our lives should be marked by a transformation of the heart, not by boundaries. Wow.

Another chapter highlighted the need to be quiet, to take things slow. This, he says, is necessary to hear God speak to us. That really does make sense. Being one who likes to speed (and people in Nashville drive SLOW), I found this chapter to be refreshing.

A lot of the book deals specically with spiritual disciplines in bullet fashion (before reading the Bible, do this, this, and this). That's where it started to get uninteresting. Not that this is not important. Far be it from that. But he starts the book with such fervor on the life we are all looking for as Christians and then moves to a bullet list of what to do. For me, I just found that change too much. But still a good buy.

My Grandson had checked out a couple of the Look-Alike books from the Library. He really liked them, so I decided to get him one for his 5TH birthday. He really enjoys finding the look alike objects in the pictures, and spends a long time for a five year old doing so.

My twin 5 yr old boys love these books. It has become a night time ritual with them. There are so many cool things to spot. I would recommend this book for anyone looking for something to do during quiet time.

My 3yo son and 37yo husband both love this book (as do I). We can easily spend half an hour or more every evening playing a modified I-spy game - and it's no easy feat keeping a 3 yo entertained that long. I would highly recommend it for travel, except that it's a large size book which makes it a bit unweildy to carry.

This is a another book filled with fascinating ways the author puts together pictures using common everyday items. You'll never look at ordinary items the same way again once you see how she creatively puts together her pictures. Children and adults alike will be fascinated by this book. If you want to give a child a book he or she will look at over and over again, this is a good choice.

My kids love these books. My son checked one out at the school library. My husband and I were amazed at the detail these pictures have. It puts I spy to shame. My kids look at these books all the time. Great for the car, or restaurants, they keep my seven and four year old happy, and I also enjoy looking at all of the cool pictures. They use everyday items and combine them into ordinary things. For example a chair might be made up of pretzel sticks for the legs, a ritz cracker for the seat, and something else for the back. There are hundreds on each page! Amazing!