Genres Books

Virginia Lanier's bloodhound series opens pretty convincingly in this book which has enough plotting and subplotting to fill three books. We're introduced to feisty JoBeth Sidden, a near-thirtyish trainer of bloodhounds who also has her own company which does search and rescue operations for local police authorities. In this debut, JoBeth is involved with an abusive ex-husband; the mysterious will of her deceased artist father; a handsome new lawyer in town; escaped criminals; missing children; a handsome private investigator; and lots more. JoBeth is even framed for the attempted murder of aforementined Bubba, her ex! While it takes a little patience to get into this book, once you do, you'll find yourself rewarded. Lanier has a flair for Southern life, and her characters are sharply drawn and developed.
I'm looking forward to further adventures with JoBeth and her hounds!

"Death in Bloodhound Red" is the first in the Virginia Lanier "Bloodhound Series." It is a great book and so different from most mysteries that I am surprised that I had not heard of the series before.

This is a series to buy all at once because once you start reading = you will not want to stop.

"Death in Bloodhound Red" is difficult to classify even though it is a mystery. It is not a superficially light book and there are parts that will make you laugh and parts that are very somber.

Jo Beth Sidden raises and trains bloodhounds and utilizes them for tracking in a small county in Georgia. Her life is rather interesting. Her deceased father became a famous artist when she was a teenager, while most of her childhood was spent in dire poverty. Her childhood though, is in many ways very mysterious.

Yet by working continually, Jo Beth has built a kennel and bloodhoumd business. Businesses and law enforcement agencies hire her and her dogs to seek out drugs and criminals.

Jo Beth is rather a tough woman because she has had to be. But she is working at addressing the vulnerabilities in her life and this dialogue is reflected as well. She is a very ardent feminist because she has had to confront countless prejuidices in her life of work.

Virginia Lanier has topped my list for new authors.

A Must read series - All of Viriginia Lanier's books. The characters come alive on each page. Her description of loving and smart bloodhounds will endear you to them forever. You can't wait to read what happens next. A true treasure of a character is Joe Beth, a woman detective and her bloodhounds.

The sub-genre of "dog mysteries" is not nearly as extensive as "cat mysteries" for reasons I will never understand. (After all, do cats really care what human beings do to each other? I don't think so.) In this specialized arena, Virgina Lanier's Bloodhound books are definately best in show. "Death in Bloodhound Red" is one of the best novels -- in or out of the mystery genre -- I've read in a long time. Yes, the plot is meandering and convoluted, the conversations are of a length only southerners can aspire to, and the language is as dense and atmospheric as the scent of jasmine on an early summer day. But what matters in the end is how completely Lanier manages to submerge us in the swampy world of southern Georgia and the wonderful profession of search-and-rescue with her beloved bloodhounds. If all the following books aren't always as over the top excellent as the first, who cares? They are all great and the bloodhounds get even more time on stage as the series goes on. What more could you want?

This is an incredible first book of a series, that sadly is behind a couple years. The books are; 1996-Death in Bloodhound Red, 1997-The House on Bloodhound Lane, 1998- A Brace of Bloodhounds, 1999-Blind Bloodhound Justice, 2000-Ten Little Bloodhounds. I'm not sure why we don't have books for 2001 and 2002, but after you read the first book and then run out and buy the next four that continue without dropping the pace and excitement, you'll mourn the gap in the series. Especially using the recommendations, its not that infrequent I get a new author 'can't put me down'er. However this was one of those I read through as fast as I can because of the tension and mystery, and then start right over again to read for the wealth of information and the beauty of the text.

I can't think of anything this book doesn't have. There is a strong female protaganist, and one that hard to work her way from the ground up as well (as I did) that I really appreciate. As a now breeder and trainer of bloodhounds, Jo Beth is a complex character with sometimes warring qualitis, but one that acts consistently within the defined pesonality. The tension with the maniacal ex husband catches you quickly, but the mystery picks up and holds you as you go on. Additionally I love a book that provides some other new knowlege and this book is rife with knowlege about 'The South', the Okenofree swamp, and Bloodhounds. I've checked some of what I learned here with a friend who has been in the swamp and the South and it's been checking out. As an animal lover as well, you really get to love the bloodhounds and the knowlege of scent tracking and bloodhounds in particular is wide and varied.

Yet Virginia Lanier sneaks the information in without any long boring solioquies. She always manages to get the right amount in to help you appreciate the story and does it in a way that goes with the story, like say explaining something to a new person, and then drives back to the plot before you could get bored. And she makes it fascinating. As I said earlier I was interested enough to talk to people till I found one that had been in the okenofee swamp, and I've got bloodhound research on my list of things to look into as well. As far as the south in concerned, I feel she does a good job of showing the pros and cons, the beauty and surface graciousness on the surface, and the misogeny and the racism underneath.

I loved this book, although it broke my heart to think of what happened to the sweet, caring, fun-loving young boy later in life. June is so "real", I felt I would love to have been one of her friends. I also purchased the DVD "Elvis and June" and once again after seeing June on the DVD thought she was a really fun, strong woman. It was indeed a special time for Elvis and June and she shares her memories freely. The end of their love story was so sad, I wished there had been a way to "rewrite" history to make them both as happy as they had been that wonderful summer. Highly recommended.

This book was very enjoyable to read. It gives lots of insight to Elvis and what he was like when he was just starting out in the music business. Decisions that were made and promises broken but such a great story. Any Elvis fan would enjoy reading this story.

I did love this book. I only wish the book didn't end. At the end I was wanting more!

A very good experience. I received the product in a timely manner and did not incur any problems.

I'm a huge Elvis fan and have read a lot of books on him. This book is one of my faves. It shows a sweet, funny, and sexy side of him before he hit it big. June did a great job on this book and really shows Elvis in a wonderful light. Not only is it a great story about him, but it's a great love story in general. Highly recommended!

Well done Mr. Prata. Great book. Great fighting scenes. You can smell the flesh, the stink, the gun powder. You pushed me to go to Malta and see the battle scenes where Christian Europe future was saved. Great sentences, great leadership, just great. Some sentences I will ever remember like: "They have all the men in the world, captain (meaning Muslims) and the answer - Throw them!" or "Thousands man here are more than milion promissed!"
I regret these Knights are history, pity we do not have such leaders today. Highly recommend for all who love historical fiction with great leadership and excellent fighting!

This book isn't overly long at around 300 pages, but it's tight, every page propelling the story forward. And what a story! The turks are on the move and they intend to flow across Malta like a tsunami, sweeping away all resistance as they prepare to march on Rome itself. All they need to do is crush a small band of knights who make Malta their home since they were expelled them from Rhodes by those same Turks just a few decades before. With overwhelming force, the Turkish armies and navy descend on the rock and bring to bear one of the most devastating bombardments known to history. Outnumbered five to one, these Knights of St John are doomed! Or are they?

This was no mere "sit and wait until the starve" siege, this was steel on steel, cannons blazing action where thousands were struck down only to reveal thousands more still coming. Prata succeeds in conveying the overwhelming desperation of the situation and the hardships endured, the brutality and dehuminizing impact of this most intense siege perhaps in history. Definitely recommended!

To praise from other reviewers I would like to add a heartfelt "WOW!".

I just wonder how come Hollywood hasnt already made some Grand Epic based on this historical heroic episode.

On the PC angle one must say that though the story is told from the Christian view of events, the author makes it clear Turks and muslims were just as much heroic fighting and dying for their beliefs. If St Elmo's defenders were made from true hero stuff, the Janissars and others that led charges against its walls stepping over thousands of their own dead friends surely must be fairly said to be heroes too.

A true, historic and total battle of heroes from all sides that puts to shame even the Trojan War (mostly a legend, btw)

This is my kind of book! Some 300 pages devoted almost exclusively to among the most vividly depicted battle scenes I've ever read. Loved it, though the novel might have benefited from being a tad less battle-heavy and a bit more integrated, if you will. The novels of V.A. Stuart are good examples of what I mean. Still, "Angels in Iron" is the most unputdownable novel I've read since Peter Forbath's "The Last Hero".

OK, the book isn't perfect. There are some grammatical errors. On page 88, for example, Nicholas Prata writes that "less men reached St. Elmo". And there are occasional narrative problems. On page 279, Prata writes that "He [La Valette] was not content to allow the Turks to slip away unmolested, but planned to give Mustapha yet another wound to nurse upon the long journey home". Really? Well, maybe so, but we don't hear of this plan again, let alone of its implementation. To be sure, Mustapha is bloodied one last time, but that event has nothing to do with La Valette. Also, speaking of La Valette, was he always strategically correct? Prata accepts that he was, with little or no reflection. Well, while La Valette is exceptionally admirable (how badly we need him and his Knights today!), I thought that aspects of his St. Elmo strategy left much to be desired. In costing the Turks far more blood than they should have shed for that piece of rock, La Valette won the battle. His men could and should have been removed to fight another day -- and without the slightest tarnishing of honor.

All that being said, this is a terrific read.

This is just an exceptionally good read! It's chocked full of action that while graphic at times still has class about it. There's intrigue and side storylines to add to the overall interest. And, militarily speaking, it's realistic in that the reader is informed about how logistics and morale played as important a role in the final outcome of the siege as did weapons and tactics. I found it almost impossible to put down!

Every Asterix rules, doesn't matter which one, it rules!
These things are hilarious, has anyone ever read the French version?

Wonderful. what more can I say. You got to have it.

Thanks to the magic potion of the resident druid, Getafix, Asterix and Obelix triumphantly defend the borders of their village against Caesar's legions, to the legions' great dismay ("I hate those Gauls"). My personal favorite is "Asterix and Cleopatra" where they travel to Egypt to help Getafix's buddy Edifis win an architectural contest between Ceasar and Cleopatra. Oh, and the Sphinx's nose? Obelix did that.

In this graphic novel series there is great storytelling, superb drawing, awful puns, wonderful sound effects (yes, really), and sneakily, insidiously, while you're laughing, you're learning.

Asterix and Obelix are Immortal!!

Miss them and you miss some of the more pleasant, happy moments in your life!

Asterix lives in the Gaulish part of the Roman Empire. Doesn't he? Not quite, his village resists the Romans thanks to a magic potion. The Romans want some of this potion for themselves...

"Asterix the Gaul" was the first Asterix comic, published in 1961. Rene Goscinny made the words and Albert Udzero did the pictures. It's a pretty good way to start the series though the sequel "Asterix and the Golden Sickle" (1962) sets up the vibe the other comics enjoy.

This is a simply lovely book. I was a music student at Yale a few years before the author studied at Curtis, and his book invokes that time for me as if it were yesterday. I think anyone would enjoy it greatly even beyond the music, for it shows how four highly talented, strongly opinionated, dynamic men could blend into a coherent group - in their case, to make music, but law partners (I changed careers) could learn a lot from their example. A wonderful book.

This book was a joy to read. Not only is Arnold Steinhardt a superb violinist, he's also a very good writer. No doubt it helps to appreciate this book if you're a fan of the Guarneri Quartet and a lover of the string quartet literature, but I found Steinhardt so charming, and the story so compelling, I imagine the book might have a broader appeal. It's a story of a kid pursuing a dream, then the kid and the dream both maturing while a love of chamber music develops, which then requires the dream of solo stardom to give way to a lifelong collaboration with three others. The three others, of course, share his passion for chamber music, and particularly for that ineffable, almost perfect form they choose to make their life's work together. They start out exploring and experimenting, with hardly a penny. They grope their way towards playing as an ensemble, gradually become established, and then come the constant touring, recording, families. They learn how to stay together by creating boundaries, and they stay together for over four decades (although the original cellist retired before the rest, this book was written before his retirement).

We meet a lot of famous musicians, and there are many interesting and sometimes humorous anecdotes, but the most interesting parts of the book have to do with the music and its making. Steinhardt mentions the cavatina from Beethoven's Op. 130 more than any other piece or movement - clearly it's had a special place in his life. I saw the Guarneri a few months ago, during their final season, and it was bittersweet. They played Beethoven's Op. 74 and his Op. 130 with the Op. 133 Grosse Fuge as the final movement. It was magnificent. I prefer their late Beethoven to anyone else's. Mr. Steinhardt looked liked he'd aged considerably in only a year or so. I'll miss them. I'm grateful to have this book along with their recordings now that they're retiring.

I would recommend this book for any musician, especially a member of an ensemble. This book gives a good insight of the personal dynamics between the members and why they have been successful and together for so many years.

excellent study of the dynamics of a string quartet, or any group of individuals working for a single goal.

Fantastic read for any instrumentalist, especially if youve played in any type of small ensemble.Highly recommended.

This book is a treasure. I have used it many times to check the lyrics of a song. Dylan is a favorite poet of mine.

The book is beautifully produced, but badly out of date (getting more so with each new album) and suffers from a certain lack of attention to the lyrics as the man sings them. Even so, ya gotta have it.

This book is a must for anyone who loves Bob Dylans lyrics. If a course were taught on Bob, this would be the textbook, and any fans will gets endless hours of enjoyment out of it.

I love this book. Dylan's output covering a 23-year span is right there in front of you. Whether you read the lyrics as they are or read while listening, any Dylan fan will soak up this wonderful book.

Interestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.

As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.

A friend and I were out shopping a few weeks ago and we both picked up Bob Dylan's "No Direction Home: The Soundtrack" CD, which is the 7th volume in Dylan's archival Bootleg Series, and also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The album is outstanding and now that my shopping pal's birthday is coming up, Halloween actually, I decided that Dylan's "Lyrics, 1962-1985" would be a near perfect gift. She is a major Dylan fan, as am I, and we have been for almost forty years. Time flies!

One of the deciding factors for making this purchase is that the hardcover volume edition makes an excellent, elegant presentation. The cover is laminated and each poem is printed singly on large, cream-stock pages with colored headers. Arranged by album, the book is a compilation of all of Dylan's writings and drawings, ('62 - '85), some wonderful pen sketches ranging in topic from roadside scenes to the romantic, plus 120 new compositions and an Index of song titles. "Lyrics, 1962-1985" is an extraordinary celebration of the artist's/composer's work.

"Highway 61 Revisited," "Blonde on Blonde," Tangled Up In Blue," "Masters of War," "Don't Think Twice, It's Alright," "With God On Our Side," "It Ain't Me Babe," "My Back Pages," "Subterranean Homesick Blues," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Make Me Lonesome When You Go," "Tonight I'll Be Staying Here With You," "This Wheel's On Fire," "Shelter From The Storm," etc., and hundreds of others - they're all here! Dylan's liner notes and stream-of-consciousness short prose pieces really enhance the text.

Bob Dylan is a songwriter, musician and poet - an artistic genius and innovator whose tremendous body of work has had a major impact on over 40 years of American music, from the oldest anonymous folk ballads through blues and country into rock-and-roll. He expanded popular music by including politics, social commentary and philosophy into its vocabulary. He told more folks what was happening than the politicians and news reporters combined...and the counterculture loved him! We still do! While exploring and creating musical styles, Dylan did remain true to his roots in traditional American song.

I am so sorry that the book is out of print. Fortunately, I was able to purchase it, "New," from an Amazon marketplace seller at a very reasonable price. Highly recommended!
JANA

In our household, we were "bread and buttered" listening to the Clancy Brothers and Tommy Makem. The 33-1/3 rpm Columbia records were scratched and worn from overuse. We would play the records on family occasions and holidays. We would play favorite songs in the mornings during breakfast and as we made ready for school. In hindsight, I am surprised that the neighbors never complained or called the police.

Tommy Makem died last summer. The two eldest members of the quartet, Tom and Pat Clancy predeceased him. Liam Clancy is the sole surviving member of the recording group. This book is a sketchy and incomplete attempt at an autobiography, but it is as good as we are likely to get from this Clancy. Its strengths far outweigh its deficiencies. Readers should count themselves fortunate that Liam remembered anything at all after so many long nights and sexual misadventures. Perhaps, Tommy Makem, who abstained from drinking for most of his life, should have been taking notes for him (Makem wrote some wonderful essays, but I do not know if he ever published a full length book).

Liam Clancy was the youngest of eleven children. One of his problems when the recording group was formed in the USA was that his two much older brothers scarcely knew their youngest sibling at all. They had to introduce themselves to him when he arrived in New York. The Irish ballads and rebel songs (the Irish rebellions always seemed more successful in song than in reality) that the Clancy Brothers and Tommy Makem performed proved to be immensely popular. In addition the Irish diaspora, the authentic songs gained wide acceptance among fans of the Greenwich Village Folk Music scene. Liam Clancy became a fast friend of Bob Dylan.

There is a lovely story of how Clancy dropped his given Christian name while working as an actor in an Irish theatre company. A fellow actor chided him for answering to Willie, telling him that it was an "English" sounding name. He adopted the Gaelicized form and has been "Liam" ever since.

Pour yourself a drink and enjoy this book. Be thankful that the next generation of Clancy and Makem family members have taken up the songs that their fathers helped popularize internationally. Imagine how quiet our homes would have been if Clancy had kept up his father's plans and became an insurance agent!

Liam Clancy's has great literary talent. His bio is a tribute to his family and to his native land. Catholic schools greatly contributed to his native talent for the stage----I am not sure why he makes a critical remark of the Church.

The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.

First of all,there are 17 other reviews;most of them excellent and all deserve to be read.I read a fair bit of modern Irish Writing.The McCourts,Roddy Doyle,Brendan Behan,Morgan Llywelyn,Brendan O'Carroll,just to name a few.What I really like about these writers is their magical use of language.Although I have been a fan of Tommy Makem and the Clancy Brothers for at least 30 years,I have never read anything about them.I had no idea of how much they were involved in acting;let alone that any of them had such gifted writing skills.What a surprise;Liam's skills are as good as his musical talents.
Though not a Clancy,I heard Tommy Makem perform here in Toronto at an intimate club a few months ago.He did "Oh, me name is Dick Darby,I'm a cobbler.";mentioned on page 102.That had to be the best recitation I ever witnessed.
I would like to quote something Liam wrote about his experience in North Carolina in 1956 and he was writing about it nearly 50 years after the fact.
From page 170....
"South Carolina in the spring was seductive with scents of growing things,of magnolias and hibiscus,the air heavy with noontime heat and the swampy buzz of katydids and flying critters.The nights there belonged to the frogs and bats and flying beetles and the countless mingled smells of a land at rest after a burgeoning day's work fermenting life." Imagine the thoughts of a 21 year old,written 50 years later.
I also had no idea of Clancy's involvment with the people like Oscar Brand,Bob Dylan,Woody Guthrie,Pete Seeger,Odetta,Barbara Streisand,Lenny Bruce,Jean Ritchie,Ramblin' Jack Elliot,Brendan Behan,Diane (Guggenheim),Josh White,Alan Lomax,Mary O'Hara and on and on.
Liam gives a great insight into the world of acting and folk music of the 50's and the 60's. Now that I have read the book,I am looking forward to listening to the tape.
I also have no idea if Liam has a second book planned to cover the last 40 years.I am sure it would be a great follow up.How about it Liam,you're only 70 ,and you must still have lots to tell us.
Thanks.

I never heard Liam Clancy sing until a couple of months ago, when I found a copy of an album called "The Lark in the Morning" that looked interesting, given its cover and its date of the mid-50s. Growing up, The Clancy Brothers and Tommy Makem were heard of but not heard by me--I associated them with Aran knit sweaters, hearty shour-an'-begorra singalongs,novelty tunes, and the kind of kitsch that the previous generation had listened to complacently before the revival in the 70s of a tougher trad scene out of Ireland shook it all up again.

Well, I heard the tracks on "Lark" in the car without knowing who was who since I could not see the CD case listings. But when I finished it, I noticed that the songs that had stood out from the rest were all by Liam C. Impressed, I read the liner notes about one Diane Hamilton, who I had never heard of, and Tradition Records, the label for which "Lark" was the debut issue. But the whole story was not clear, given the brief notes, until I read "Women of the Mountain."

From the title, I expected a tale of lusty drunken couplings and riotuous escapades from the "Folksmen"/"Kingston Trio" era. Instead, an evocative tale of growing up eating mortar and chalk for nutrition during WWII, poverty, clerical abuse, and hardscrabble small-town life in Waterford's Carrick-on-Suir unfolded smoothly and eloquently. Sure, the blarney sometimes is laid on a bit too thick for less glib me, but the stage Irishman tendencies are kept mercifully in check by realism: the death of a sibling, the estrangement from mother and Church, the entanglement with Diane H. (who turns out to be a Guggenheim nearly as neurotic as her relative Peggy G. did for Beckett!), and the adventures on the road, in theatre, and on stage.

One surprise and a reason for four stars is the lopsided nature of the book: the singing takes decididly second fiddle to the stage in the dramatic sense. This was fascinating for me, but it misleads the reader perhaps who by the back photo of the group harmonizing might expect far more about Clancy's musical experience. He mentions, for example, as if offhandedly that he learned the tin whistle. Yes, but how? As a musician, did he find it easy after the guitar? How did it help his reportoire? Did he learn it so the group could expand its range? How does it sound to him? How does he play it? Here, music as enacted comes rather late in the book, in not a lot of detail, and seems rather superficially treated as opposed to other incidents and events.

I do commend Clancy on his delicacy with relating his own romantic and emotional engagements with women and men--he reminds us of the fragility we all possess and the need to recognize humanity in each other. And he makes his point after having earned the right to say so after his own checkered past. He comes off wise without sounding pious, intelligent without acting snobbish, and flawed without playing it up as maudlin. He handles people and places with stamina and wit, and his own coming-of-age here, while cut off while he's not even thirty yet, needs however fuller exposition than is given here. The New York Greenwich Village years deserve more depth than they're given here; the book's unbalanced in favoring much more from his pre-NYC years (nothing wrong with that) and again this may mislead misinformed readers as to its actual coverage of many more early situations predating the group's rise to fame. I also got little sense of how he got along with his fellow group members--granted that two are his brothers--but how the three Clancys got along with Makem who was from Keady in the north and from a different region, musical tradition, and political regime seemed like the sort of detail that could have enriched the book.

I guess a sequel is in the works. Like recent Irish memoirs by Frank McCourt and Hugo Hamilton, the autobiographical account stops suddently, at the height of a self-realization by the author in his formative years. I do not know if this book would have been published if McCourt had not led the way, but resilient Clancy's tale too deserves a wide readership for dispelling (as do McC and HH in their accounts--also see John McGahern's memoir) the myths of recent Irish life, while advocating a return to the more durable and more feminine myths that inspired Yeats, Behan, Synge, Joyce, and the Slieve-na-mBan/Sleivenamon that gives its rounded breasted mountain shape to the landscape that rose above Clancy's hometown.

Do you think you know hip hop? Give this book a try, and see just how little you actually know. Though the book is centered around the ranked lists format, there is far more to this book than just rapper rankings. Each themed chapter explores a different aspect of the music and artists, from the money, to the names, to the dancing, to the lyrics. This really is an examination of all aspects of hip hop culture.

Though this is an essential encyclopedia of hip hop factoids, it sure doesn't read like your typical reference book. The Ego Trip humor shines through, making this a book that's interesting, informative, and hilarious. Even after you've read it cover to cover, you'll still enjoy picking it up and flipping to a random page on occasion. I learned a lot about some of the old school hip hop I missed out on, and even more about the artists and songs I grew up with. You may not agree with some of the opinions expressed in this book, but you'll definitely be amazed at all the information.

This highly debatable book of top/best/worst lists of hip hop culture is a must have for all hip hop heads! It makes a great conversational piece, and has opinions that run the gamut of old school and "new school" lists...

however... the opinions of the book ARE DATED...

This book was published in 1999, and so if you weren't into hip hop by then, then some of the lists will strike you oddly (I myself would ask what about Kanye? The Game? Lil Wayne? Bun B? Ludacris???... until I saw the publishing date, lol)

Probably one of the best hip hop/rap books I've been able to find. They really go in depth with different genres and styles. The lists are amazing and you really must have a computer handy. You will find yourself looking up just about every song they list. Get ready to spend a fortune on itues as well as once you start to play the songs, you'll find that you just can't live without it. I bought one book for myself and one for a friend that works at an urban hip hop magazine in NY. He loves it as well.

this is a fantastic book! super informative and great trivia facts to stump your friends with. after all these years of owning it, i still go back to it to get a laugh or reminisce about the golden age of hiphop. a great book for any hip hop head.

Within this book is more information than any Hip Hop head or Rap music fan can handle. It Goes into forgotten beefs and incidents that have occured from 80 to 97. As well as a ton of other usefull information. I only have one problem... On page 236 "The House That Beef Built" #3 Goes on to say LL Cool J took out Kool Moe Dee in the infamous wax battle... But then on page 242 It states that during one of Kool Moe Dee's shows LL was in the crowd. Kool Moe Dee called him out but, LL refused. In my opinion that was a forfit. What do you think? Other than that... book is great!

This book is what I will call from now on: MY ELVIS BIBLE

Definitely the world's best Elvis "reader book".
Well written, easy to read, easily enjoyed whenever.

I am patiently waiting for the other Volumes of this series.
If they are anywhere near as good as this volume, Jim Curtin will the world's best Elvis books on the market! (well he kind of does already).

I am so happy I found his books online.
My first exposure to Curtin was through his Unseen Elvis book (definitely the best photo book on ELvis to date).
I did not know he authored more books, till one of my friends bought me his Christmas With Elvis book, and from there on, I became a Jim Curtin / Renata Ginter fan!

With as much enthusiasm as I had reading this book, I can honestly attest that anyone who buys it, will love it just as much. I can guarantee it (if my word even means anything to anyone).

I am just a fan who enjoys reading quality material on Elvis and who LOVES to see rare photos on him as well.

So if you want my recommendation as to what kind of books to buy or get on Elvis .... stick with Jim Curtin (the true Elvis expert and friend)

I have never written a review before on anything, so please don't mind if I rattle here and there. I will try to my best ability explain what I liked about this book.

#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]

#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.

#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]

#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]

#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]

#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]

#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]

These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL

So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!

I have never written a review before on anything, so please don't mind if I rattle here and there. I will try to my best ability explain what I liked about this book.

#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]

#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.

#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]

#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]

#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]

#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]

#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]

These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL

So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!

It make you see Elvis as a more well rounded person. He feels like a friend I never met.

I won't be too long in my review here, so here it is:

This is a very well informative book.
ok there may be some stories that didn't interest me much, but that is quite a small percentage (5% maybe); but I think there are fans out there, who want to know everything.

What I did enjoy (and even learned) were the stories that told the "behind the scenes story" of a particular event (ei: Dorsey Brothers payoff, Parker's business tactics, recording session goings-on, things that showed Elvis wasn't exactly the perfect date)

great reading and I would have to say: a must have reader!

My only problem with this book was some of the photos.
not exactly "unseen" *(because I have seen many before)* but I think they matched Curtin's "chapter themes" (if you want to call them that).

Ok so far Curtin is NOT A MEMBER OF THE FANTASTIC FOUR!
5 more Curtin books to go

I enjoyed this book so much that I read it twice,
then a year later, read it again!!---FANTASTIC!!
It captures the times, the people, places and things that
made Sylvester, San Francisco, that music and that era
such a golden & magical time!
I love the stories of the young Sylvester growing up in
South Central L.A. in the 50's and 60's, FLAMING THE CHILDREN!!
Giving them fabulousness and outrageousness at every turn,
from his soul-stirring falsetto rendition of the black gospel
classic "Never Grow Old", to the rawkus "DISQUOTAYS", a rag-tag
gang of young black drag queens that he hung out with, to the
off-the-charts outfits that must've stopped traffic in
the hood big time! (LOL!!)
It was evident to all who knew him even then, that this
pretty black child with the high voice was way different
and way way special!! (-:

Some didn't know how to take Sylvester or even know what to
do with him, yet he pressed on!---Carving out his own space
within the harsh realities of ghetto life as best he could.
Sylvester was a true pioneer in every way!
He didn't see race, gender, the expectations of others,
the taunts of hateful & ignorant people, etc.,
as obstacles or boundaries he needed to respect.
He was a true original!--Uncut, undiluted, young, black,
gay, gifted, stylish, full of charm and ambition,
with the soul of a torch singer or a blues shouter
infused by a rock-n-roll rebel spirit and soul singer's chops!
What a combination!
I myself can attest to Sylvester's impact, as both a fan
and as young gay black kid who was coming of age and into
self-awareness at the very time that his star was reaching it's zenith!
I had just started partying and experimenting sexually by
the age of 14 in 1978 when "Dance (Disco Heat)" and
"You Make Me Feel (Mighty Real!)" burst onto the music charts,
in the clubs and in house parties across the country
and eventually, the world!
I couldn't yet get into the disco clubs, but oh boy!--
I could sure get into house parties!
I was hanging out with people who were 5 to 10 yrs older
than me and I was learning MANY INTERESTING THINGS!!
Of course, back then you had "FAIRY GODMUTHAZ", older gays
who would take us young "up & comings" under their chiffon wings
and school us on the do's and don't's of gay life, sex & survival
in the late 70's and early 80's!!
PRE-AIDS and in the last writhing throws of the SEXUAL REVOLUTION,
it was a great time to be alive!
I grew up in the south during this time, which already had
it's issues with race and sexuality, so the gay world of that time,
on that end of the country, was very still underground,
hypocritcal and always hush-hush!!
There were a lot of secret stares, codes, slangs, etc.
to let those who needed to know, what you wanted them to know.
But though it was very repressed and subterfuge,
MAN, DID WE HAVE SOME FUN TIMES IN OUR LITTLE NETHERWORLD!!
And yes, as is now, back then, straight men did venture
into our world quite frequently!!

Anywayz, enter THE FABULOUS SYLVESTER from the legendary
and exotically far reaches of a city they called
"the gay shangri-la"...aka SAN FRANCISCO!!
It was the summer of 1978, and here was this strong,
proud, black, beautiful, talented, androgynous gay man
telling us, by the very nature of his exsistence,
that it was not only alright to be what you were out
in full view of the world, but it was also our duty
to be FABULOUS & JOYOUS!! (-:
Sylvester was more than just a disco diva,
HE WAS A WHOLE MOVEMENT!!--Every time he would perform,
it was part church revival, part circus, part drag pageant
and part gay pride celebration!!

TRUE STORY!!---Picture It!!--Greenville, SC in May of 1979...
I had just turned 15 yrs old, and me and two young gay freinds
of mine, one 16 and one 18, hear through the grapevine
that none other than THE FABULOUS SYLVESTER would be appearing
at a club called SAN SOUCCI's in Atlanta, GA
(which was 200+ miles way, and well on it's way to becoming
the southern San Francisco!) and we go absolutely nuts!
It becomes our mission, our sole purpose for exsisting!!
Our quest, to somehow, obtain fake ID's, fabulous disco-era
outfits replete with lots of glitter, dripping foxtails
off the lapels & double belts, shoes called "crayons"
that had a clear amber heel that had lights in them that
blinked in rhythm as you danced your booty off on the dance
floor, either Sassoon or Jordache jeans which had a little
stretch fabric blended in with the denim to hug your firm
perky teen-aged azz and tiny waist to perfection,
outlining your package in the front, and making
the local guys salivate with lust over a hot piece
of TENDERONI like you! (LOL!!--we were too much!)

We pooled our allowances, our summer jobs, etc. to
obtain tickets through an older bisexual cousin of mine
who lived down in Atlanta at the time, who also arranged
the fake ID's as well.
Keep in mind, I had just turned 15, one freind was 16
and the other was 18...none of our parents even knew
we were gay, and there was no way in the hell
that they would've sanctioned us (under-aged)
going all that way to Atlanta...and to see this
gender-inspecific weirdo named SYLVESTER!!
(Boy George and Ru Paul were still a ways off yet!)

So me and my freinds, being rife with teenaged angst,
secretiveness and resourcefulness, concoct the half-baked
scheme to hitchhike from Greenville to Atlanta with duffle
bags in tow filled with our outfits, toiletries, etc.,
use our fake ID's to get into the club and party with
Sylvester & Two Tons O' Fun into the wee hours,
get my older bi cousin to rent us a hotel room in Atlanta,
have us a slam bang good time with some local fellaz
overnight and then hitch it back to Greenville by Sunday
evening before 5 pm!! (LMAO!!)

Anywayz, long story short, as is with all half-cocked
and scantily thought out teenaged schemes, we did pull it off,
got in the club and got down with Sylvester, got high,
got the boys, got the hotel room, etc.
But what we didn't bargain on was our mothers not being born
yesterday and the lose lips of the jealous young queens
who wished they had the balls to pull off what we did!
(We got ratted out big time!)
We also had a hell of a time trying to hitch it back
from Atlanta to Greenville on a Sunday morning, and after
our mothers up in SC found out what we had done,
they got in a car and headed for us like heat-seeking/
search & destroy SCUD missles with fire in their eyes!
Man, did we get our teenage closeted gay behinds handed to us!
My older cousin caught it too from my uncle in Atlanta
for his hand in our scheme, and we didn't even have
time to put concealer on over the many "hickies" on our
necks and chests from our Atlanta frollick in the hotel
from the night before! Boy, it was a mess!
We wound up being forced out of the closet to our mothers
(which was then a horror to them!)
We were all immediately grounded for a month to our respective
residences, were banned from socializing with each other,
(which we still would sneak and hang out!)and we all got
the butt whippings of our young lives!
(Yes, parents still whipped butt back in those days!)
BUT OH MAN!--We didn't care!
It was well worth it, because we got to see THE GODDESS,
THE DISCO DIVA...SYLVESTER, live and upclose!! (LOL!!)

Now, here I sit...a 44 yr old, well-traveled, successful,
proud and fortunate gay black man who has had my fun,
relished the memories of those far away magical days,
and if there is any bittersweetness to the story,
it's that I have outlived not only my two freinds from
that teenaged excursion, but Sylvester and about 30 more
freinds and acquaintances from the late 70's
to the mid 90's...all lost to the scourge of AIDS.
As we grow older, we reflect and long for things that
were familiar to our particular generation as things are
being torn down, people die or move, and the world of
our past is erased. This wonderful book, along with
Sylvester's music playing in the background as I was
reading it, brought all the magic back for awhile!
This book would make an excellent movie and I hope someone
will make it happen someday in the near future.
In the meantime, enjoy the book folks!
R.I.P. To Sylvester, Izora Rhodes, Patrick Cowley,
and to all my freinds and acquaintances who have made
their transitions in the prime of their lives!--
I'll see you again one day!!
LOVE & PEACE 2 ALL!!

I am still reading the book and have been quite pleased with all the details of Mr Sylvester James Jr. Life, I am sure when a read the final pages it will be as smashing as the life he lived!! I also found a DVD, Filmed in San Francisco, in 1985 or 1987 when he celebrated his birthday, the video is grainy and not what I expected which was Him and the Famous (Two Tons of Fun,) what I have is Sylvester in his what I call break out years his voice was not as vibrant during this period but to have anything of him suits me just fine. He came into his own he perfected his voice and character, I still miss his presence on earth just as I do all the Great Ones.

Sincerely,
LEE

At last, a beautifully-written book about a beautiful artist - Sylvester. I have been waiting for this book to arrive for years and, finally, here it is!

I was hooked by the opening chapter which tells the story of a young boy named Tiki Lofton who sneaks out of his bedroom window at night and over to a friend's apartment where, in 1960's South Central, with the help of a young Sylvester, he transforms himself into a "Disquotay." The Disquotays were a group of boys who liked to dress up as sophisticated ladies. And Sylvester, or Dooni as he was known then, was in charge of the wigs.

"The first Disquotay bash that Tiki went to was over on 120th and Athens, at Etta James's house, sometime around 1965. Etta, who would later be inducted into the Rock and Roll Hall of Fame (largely on the strength of her 1961 hit "At Last") and the Betty Ford Center (largely on the strength of her smack addiction), was already a recording star and a friend to many local Los Angeles drag queens . . . The house, with its swimming pool and fireplace, had stunned her. Women, drag queens, and guys, all sending joyful noises in Tiki's direction; the music had been jumping; Walter Jackson's version of "Lee Cross," Jr. Walker & the All Stars' "Shotgun," "Nowhere to Run" by Martha and the Vandellas, Fontella Bass singing "Rescue Me." Gay kids all perched on gigantic speakers, singing and carrying on . . . Tiki had said to herself. "This -- honey, where is this world?" Within months, she would be a full-fledged Disquotay, made-up, bewigged, bejeweled."

Joshua Gamsom recreates this world vividly in that first chapter. Simultaneously, he introduces us to the members of Sylvester's family. His beautiful and beloved mother and grandmother. His twin sisters, Dette and Dean. The quotes are full of heart and expertly placed and the story unfolds like a fine silk fan. I can't help but think that Sylvester would be very pleased to read this biography.

I had the honor of meeting with Sylvester to discuss a project a few years before his death. It was mid-afternoon and he was sewing sequins on something, which was his favorite pasttime. He was always sewing, a talent he picked up from the women who raised him. He walked over to the turntable and put on Patti LaBelle's "If Only You Knew" and said he was dedicating the song at his One-Night-Only concert the following night to his fans and supporters in San Francisco, the city in which he always felt most at home. That night, with Martha Wash at his side, they performed that song together, bouncing their voices off each other inside the Castro Theater. Those two powerful voices, the acoustics of the Castro Theater, and the magical spell he wove with Patti LaBelle's song was something to behold.

That Sylvester could hold his own with the amazing Martha Wash is a testament to the power of his falsetto. He didn't have a thin, reedy falsetto. His was full-bodied, gravelly even, and very much in evidence on one of his biggest hits, "Do You Wanna Funk."

"So when I tell you, that you're really something, baby, will you stay, or will you go away."

Joshua Gamson captures the essence of Sylvester's personality, the diva fits as well as the immense kindness and sensitivity, and wraps it all together into an highly readable book that I wholeheartedly suggest you pick up. Although some have faulted him for not having an encyclopedic knowledge of music, Gamson lets experts like Joel Selvin provide insightful commentary.

It is my hope that someone has optioned the book for a movie and we can expect to see this wild individual portrayed in all his glory.

John Waters wraps up "The Fabulous Sylvester" pretty well in his cover blurb: "A well-written, touching, dignified biography of a gay black diva who never really fit into any minority but managed to achieve his dreams of stardom. Now that's what I call a man."

Five Stars. Great Read.

The Fabulous Sylvester is a fascinating recounting of the life of Sylvester, the dance scene and Sylvester's career. This book explores the life of Sylvester from his early childhood days to his development into an international dance icon. This book does not sugarcoat any part of Sylvester's life. It is detailed and honest and shows us all aspects of his life and career. This book is as interesting and fabulous as Sylvester was.

this Book was on right on time. Sylvester was something else back in the day as a artist and very Open about his sexuality. He didn't back down from anything. His voice was the truth and very soulful. this Book explores his whole career and thensome and the many other artists he encountered and how important they were,etc... this book takes you back to a time period when so much was happening. a must read and it is very well written and is a real page turner.