Native American Books
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Powerfully rich and potent--Inspired writing- A FABULOUS WORK!Review Date: 2006-12-17
Twenty Questions for Chris KrausReview Date: 2007-02-08
If only I could ask Chris Kraus my 20 questions! Among them would be, How would you describe the form you work in? It's very distinctive, very Chris Kraus, but what is it? I've heard people refer to your books as "comic" books, not like Nancy and Sluggo but something more like a Jane Austen sense of social comedy.
Torpor conveys like very few novels the misery of a long term relationship. You compare them to "hypothermia, giving yourself up in free and loose embtace into a dream state that turns out to be inertia." Do all relationships disintegrate into clownishness? You cite the comic French pairs, Mercier and Camier, Bouvard and Pechuchet, as models for your nagging lovers.
What's also so striking about your book is that you're not afraid to make a dog one of your main characters. I don't think any reader will forget the heroic dachshund Lily who gets carted around Europe in a sort of hideaway sack, nor that it's Lily's suffering that Sylvie and Jerome overlook in their picaresque adventure.
Sylvie is afraid that no one will ever take her seriously because she is untrained and has no MFA. And Jerome, who is a full professor at an Ivy League university, is always taunting her about this. Ms. Kraus, I read your book of essays, VIDEO GREEN, and the title essay is pretty much about the same thing, only translated to the art world. Galleries are everything, and there is no entry into getting a gallery unless you have an MFA from a select school. The whole system seems hopeless.
Back to Torpor, we of the New Narrative movement want to claim you as one of our own for your amazing vulnerability and the frankness with which you paint Sylvie as basically a sort of loser doomed to fail at anything she takes up.
And the gossip level is fairly astounding. We feel like we're backstage with Nan Goldin, Felix Guattari, Kathy Acker, so many more from the worlds of high art, French theory, transgressive literature. Of course, Ms. Kraus, everyone wants to know the identity of the few you have concealed in pseudonyms, especially "the writers Kenneth Broomfield and June Goodman."
Sylvie can't even look at Kenneth Broomfield or even think about him without one unfortunate comment, which he may or may not have made, ringing in her head. We've all been there, haven't we.
If you were here, I would ask you, do you write for a "particularly cultured audience?" And you would probably say something like, no, I write for a curious one, I want my books to be read by a girl just starting community college,
The problem with Europe, and Jerome by extension, is that people can't separate the present from the past of fifty years ago, or a thousand years ago. As Jerome is haunted and motivated by the events of his childhood, the Romanians seem to be trapped in a nightmare medievalism. In one city Jerome and Sylvie try to stay at, Brigitte Bardot appears to applaud the citizens who have let 300,000 wild dogs run feral in the streets. Meanwhile, in LA, there's no past and there's no imperfection and everything is beautiful.
Kraus writes beautifully about sex, and there's a strong passage where Sylvie is transported back to earlier ages when she's experiencing orgasm, back to 17, 14, once to age 5. It's very moving.
I don't know if I'll ever be able to ask these questions of the writer, but I can recommend TORPOR to anyone interested in either happiness or despair, America or Europe, the new or the old.
I love her writing.Review Date: 2006-03-22
THIS IS A GREAT BOOK. The last page is devastating but you need to read the whole thing ahead of it.
Read her other books, too.
She'll probably not get the attention she deserves, because the critics will find ways to keep her local and small.
But you won't, will you?

On tour of the Great Sioux War sitesReview Date: 2005-10-10
Each site gets a number (which is also pin-pointed on a map), a brief description of the its significance, and directions to it (also whether it's on private property or not); then follows a longer historical account of the site's role in the War and a number of photographs indicating what a visitor to the site would see. It's a magnificent tool for anyone touring the area (most sites are in Wyoming, Montana, South Dakota, and Nebraska), but it's just as valuable (and exciting) for anyone interested in the Sioux War who can't leave his livingroom. A great book. Highly recommended.
More than a Travelor's Guide: Great Frame Work of Sioux WarReview Date: 2002-03-23
Traveler's Guide to the Great Sioux WarReview Date: 2006-07-28

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Follow the Path!Review Date: 2007-09-04
Elders of our IslandReview Date: 2002-09-05
A vivid and moving story of Spiritual AwakeningReview Date: 1999-11-02

Easily the best source on tribal governmentsReview Date: 2005-11-10
They find success stories such as Fort Peck and Flathead, and failures of governance coexisting with potential wealth, such as the Crow. Rocky Boy's and Fort Belknap represent the all-too-common depressing story of a community trapped in a cycle of poverty. The Northern Cheyenne case is particularly interesting because they argue that politics reflects a choice between two values (economic development versus traditional values), and the tribe has legitimately decided against development.
The focus throughout the book is squarely on politics on the reservation. Outsiders-- whether natural resources corporations, the State of Montana, or the Bureau of Indian Affairs-appear in the book when they interfere in reservation affairs, but the authors emphasize the choices that Native Americans make (or fail to make) for themselves. Though they do not say so directly, the authors' guiding light is really the Federalist Papers: constitutionalism, a separation of powers, legitimacy and effective leadership are all important in governance. One might criticize this stance as a form of intellectual imperialism, though when one sees the failures of the Crow reservation in particular, it's clear that a greater concern for these institutional rules would be useful regardless of culture.
The reservations have 2000-7000 resident members each, making them the size of small towns in population terms. One might ask whether the conventional categories of municipal government (mayor and council, town administrator, etc.) would be useful models for revised tribal constitutions, making due allowance for tribal sovereignty and cultural distinctiveness.
Great book on a largely unexplored topicReview Date: 2005-07-16
A much-needed addition.Review Date: 1999-07-27


Review from a Tuscarora DaughterReview Date: 2007-08-29
Excellent Collection of Pictures and InformationReview Date: 2007-03-28
Absolutely BeautifulReview Date: 2007-03-20

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Balancing and Rich Asian people's images.Review Date: 2002-08-31
But there is unbalance information in the book I noticed, specially information about Indonesian muslim in the introduction. Steve Raymer seems doesn't have a good source that he can get the information about Indonesian muslim. Might be because they are so many and he tries to put it in the same ammount as Malaysian which is only about 1/6 or 1/8 of Indonesian in comparison. It is best if he can consult or clarify his information with the Indonesian sociologists, historians, or scholars in order to validate the information. One of the examples is on second page, the picture doesn't not macth the note (citation). The picture is showing the people who are suplicating, is not always in arabic, but he says those people are reciting the koran. This is just small example.
I recommend people who have this book to check with the Southeast Asian people to clarify the information.
More than that, good work and well done.
Good, balanced view of Muslims in Southeast AsiaReview Date: 2002-03-01
CaptivatingReview Date: 2002-05-28
Raymer, in my opinion, succeeded in shattering the perpetuated myth surrounding the perception of Muslims. Not only does he cogently disprove the notion of a monolithic Muslim culture across the Muslim world, but he also demonstrates the existence of diversity with which Islam is practiced in this forgotten region. The cognitive image of either a rich Middle-Easterner or a terrorist brandishing an AK-47 so often associated with Islam must now be relegated to the domain of stereotypes. The book is probably a silent apologist for the peace of Islam.
Caveat emptor for those expecting their stereotypes confirmed and prejudices accomodated; the book is sure to frustrate them.
The maxim that a picture is worth a thousand words had never been truer. The picture is now worth millions of humans.

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Mandatory Reading for Every Awake AmericanReview Date: 2006-04-11
We all live on both forcefully taken and sacred ground long inhabited and revered before any white man set foot on these shores. We know where the Utes and Lakota are, but where are the Agawam & Nipmuc (MA), the Ponca & Kansa, the Chinook (WA)? Native people today have yet to fully recover from the sordid beginnings of the US. We owe an immeasurable debt to them, not only financially for treaty funds mismanaged but spiritually as we belatedly see the wisdom in their deep respect for the land that guided them to live in harmony with it and the greater circle of life, of which humans are but one member. I pray we wake up as a people before the initial and unabated greed for short-term profits fouls our nest irreversibly.
Well-researched, fact-filled, undeniably attention-grippingReview Date: 2004-06-07
A shimmering work of narrative historyReview Date: 2004-04-18
This is truly an impressive and important accomplishment of documentation and narrative. Decker's biographical sketches of the key players in the drama -- from Ute leaders Ouray and Captain Jack to hapless Indian agent Nathan Meeker, to Interior Secretary Carl Schurtz, are masterly in themselves. For sheer energy and artistry, nothing I've read on the subject approaches it.

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Great gift itemReview Date: 2002-09-28
This book will be on my gift giving list....
So Much WisdomReview Date: 2002-04-26
A thoughtful and thought-provoking collection of essaysReview Date: 2003-05-22

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Written in a down-to-earth, highly accessible styleReview Date: 2003-08-10
A great book and with wonderful pictures Review Date: 2004-12-31
The photos in the book were chosen carefully, they reflect what people wore, how they looked and lived. The illustrations by Choctaw artist Norma Howard are exceptional as well.
The only caveat is this is storytelling, fiction, not every word should be considered historical fact.
Insight into Choctaw culture and beliefsReview Date: 2004-01-05

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An important book for Mono culture.Review Date: 2003-11-04
By, not about, an IndianReview Date: 1999-10-10
This book is rich with detail about a Calif. Indian family.Review Date: 1998-09-14
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"torpor" is a beautifully written novel by a brilliant author with a fresh and authentic voice. Both Kraus' style and subject matter will appeal to a wide audience. Not enough women are familiar with Chris Kraus' writing - hopefully "torpor" will change that. However, Kraus is not specifically a women's writer: the male audience will be just as spellbound. We are very fortunate for her gifts, and for "torpor".