Cultural Books

A reviewer, curator of AfroAmericanHeritage.com, 03/13/2007
Highly recommended!
Brief though the period of the Wild West was, the exploits of its villains and lawmen have fascinated people around the world, and been disproportionately represented in pop culture. But the multicultural nature of the Wild West has rarely been evidenced in the plethora of films, books and television shows. Which probably explains why the arrival of Sheriff Black Bart in Mel Brooks' "Blazing Saddles" (1974) elicited such a stunned response from the townspeople, and a riot of laughter from the audience. Imagine: a black lawman in the Old West! Imagine no more. Deputy U.S. Marshal Bass Reeves, a former slave, served for nearly 30 years in the Oklahoma and Indian Territories, the most deadly location for U.S. marshals. And according to glowing accounts of his bravery, skill and steadfast devotion to duty (found in white newspapers of the time, mind you) nobody was laughing when he rode into to town, especially not the bad guys. As this book amply illustrates, Reeves is remarkable not merely for being a black marshal (there were others) but for being one of the greatest U.S. Marshals, period. But Reeves' story - with the exception of references published here and there - has been largely ignored by western historians. Though widely known and respected during his lifetime, he was illiterate and left behind no diaries or letters, so what little has come down has been in the form of oral history and legends. Art T. Burton has spent the better part of 20 years reclaiming the heritage of African Americans in the American West, and has scoured through a wide range of primary sources - including Reeves' federal criminal court cases available in the National Archives, and account books at Fort Smith Historic Site - to separate legend from fact and painstakingly piece together the story of this American hero. The book is not a biography in the traditional sense, but as the subtitle states, a reader. It reproduces many of the court documents and contemporary newspaper articles with just enough narrative to put them into context. Not being a Wild West buff myself, I felt the author did an excellent job providing background to help me make sense of it all. As the author recounts, one of the first responses he received from a local town historical society in Oklahoma when inquiring about Reeves was "I am sorry, we didn't keep black people's history." This book is the perfect example of the wealth of information which can be gleaned by a creative, dedicated historian who looks beyond the usual sources in order to root out the hidden history of multicultural America. I highly recommend this book to anyone interested in Western history and culture, law enforcement, American or African American Studies. And I hope this book inspires someone to finally bring the life and times of Bass Reeves to the big screen.

This is a very intereting book about a black marshal that rode for Judge Parker. I was amazed at the amount of money he made as a "non-paid" marshal. His influence on the court and the city of Fort Smith at the time was also interesting. An interesting twist to see a marshal on trial, and obviously, motivated by hatred.

Brief though the period of the Wild West was, the exploits of its villains and lawmen have fascinated people around the world, and been disproportionately represented in pop culture. But the multicultural nature of the Wild West has rarely been evidenced in the plethora of films, books and television shows. Which probably explains why the arrival of Sheriff Black Bart in Mel Brooks' "Blazing Saddles" (1974) elicited such a stunned response from the townspeople, and a riot of laughter from the audience. Imagine: a black lawman in the Old West!

Imagine no more. Deputy U.S. Marshal Bass Reeves, a former slave, served for nearly 30 years in the Oklahoma and Indian Territories, the most deadly location for U.S. marshals. And according to glowing accounts of his bravery, skill and steadfast devotion to duty (found in white newspapers of the time, mind you) nobody was laughing when he rode into to town, especially not the bad guys. As this book amply illustrates, Reeves is remarkable not merely for being a black marshal (there were others) but for being one of the greatest U.S. Marshals, period.

But Reeves' story - with the exception of references published here and there - has been largely ignored by western historians. Though widely known and respected during his lifetime, he was illiterate and left behind no diaries or letters, so what little has come down has been in the form of oral history and legends. Art T. Burton has spent the better part of 20 years reclaiming the heritage of African Americans in the American West, and has scoured through a wide range of primary sources - including Reeves' federal criminal court cases available in the National Archives, and account books at Fort Smith Historic Site - to separate legend from fact and painstakingly piece together the story of this American hero.

The book is not a biography in the traditional sense, but as the subtitle states, a reader. It reproduces many of the court documents and contemporary newspaper articles with just enough narrative to put them into context. Not being a Wild West buff myself, I felt the author did an excellent job providing background to help me make sense of it all.

As the author recounts, one of the first responses he received from a local town historical society in Oklahoma when inquiring about Reeves was "I am sorry, we didn't keep black people's history." This book is the perfect example of the wealth of information which can be gleaned by a creative, dedicated historian who looks beyond the usual sources in order to root out the hidden history of multicultural America. I highly recommend this book to anyone interested in Western history and culture, law enforcement, American or African American Studies.

And I hope this book inspires someone to finally bring the life and times of Bass Reeves to the big screen.

Professor Burton's book about Bass Reeves combines thorough, meticulous scholarship on the details of Reeves' long career as a lawman with a most impressive general knowledge of the times in which he lived. The result is a biography unlikely to be surpassed.

A question that has long interested me, and is asked by this book, concerns the criteria of historical remembrance. Why, for example, is Wyatt Earp (to pick just one example) remembered and even celebrated to this day, when--at the very least--equally deserving historical figures, such as Reeves, languish in relative obscurity? Were history fair (and of course it is not) the reverse should be the case, as by any objective measure Reeves was the superior lawman. One is cynically tempted to conclude that too often subsequent historical recognition is far more a result of puffery than of merit.

Burton does an admirable job of reconstructing what can now be known about Reeves' remarkable life, and adeptly separates myth from fact along the way. This was a difficult task, as Reeves was illiterate, meaning that the record of his life is only indirectly available primarily through court transcripts, oral histories by others, and sketchy accounts in contemporary newspapers not often disposed to celebrate the accomplishment of a black man.

In addition, Burton is able to present new and significant information. I, for one, had not known that, toward the end of his career, Reeves was prominently involved in a spectacular shootout (every bit as dramatic as the OK Corral) in Muskogee with a deadly gang of religious fanatics. Until now, lawman Bud Ledbetter (the "Fourth Guardsman") got most of the credit for confronting these dangerous criminals.

Professor Burton notes that he's been working on this project, intermittently, for some twenty years--the result is worth the wait.

It has been 140 years since that dark dawn rose over the eastern plains of Colorado bathing the land in blood and gore at Sand Creek. Countless books have been written about the subject, and its story has been recounted in film. Today, there are those who believe it was a massacre, others it was a battle that turned into a massacre, but to all academic historians Chivington's attack upon a sleeping village of Cheyenne and Arapaho was nothing but a massacre turned into a blood bath of unspeakable horror.

A new book by Thom Hatch is now available entitled, "Black Kettle: The Cheyenne Chief Who Sought Peace But Found War" The book is the first ever written biography about the Cheyenne leader. And, Sand Creek is at the center of Black Kettle's life.

Black Kettle is more than a story of one man's life. The story Hatch shares is rich in Plains Indian culture focusing on the Cheyenne people along with their form of government, laws, religion, courtship, and military society. The narrative follows the Cheyenne relationships with other tribes that were both productive and destructive. Hatch also describes life for the Cheyenne after the white man enters the scene. Hatch's passages about the warrior societies are filled with pageantry, color, and ritual.

Much of what Hatch discusses in this portion of the book has been written before, but Black Kettle finally becomes a human being instead of just a symbol of the wrongs committed against the Indians. After Black Kettle witnessed the peace gathering between his people and the Kiowas, Hatch explains its effect upon the Cheyenne leader.

"Perhaps this event made enough of an impression upon Black Kettle that it served as a lesson in shaping his future role as a man who believed that peace with any enemy - even the white man - was attainable if both parties were honorable and sincere with their promise to become friends."

The centerpiece of any story around Black Kettle has to be the Sand Creek Massacre and Hatch does not disappoint the reader. There can be no honest telling of Sand Creek that doesn't move the reader, and the story of Black Kettle at Sand Creek is powerful. Black Kettle leads as many of his people as he can to safety to the Sand Pits except for his wife, Medicine Woman Later, who is shot down near the creek in a hail of bullets.

At twilight, Black Kettle returns to find his wife as the soldiers commit the atrocities around him. Finding Medicine Woman Later still alive, Black Kettle carries her on his back for miles until he catches-up with the survivors, who by now are moving northeast away from the killing field. Putting his wife on a horse, Black Kettle leads his people to the Dog Soldier camps.

So ends the Sand Creek Massacre, but far more of the life of Black Kettle follows. A true leader is one that stands up for what he believes, never wavers, and makes decisions based solely on the betterment of his people, not for how it might make his life better. Black Kettle was such a leader. Black Kettle continued to sue for peace from the white man, even after Sand Creek, even though many of his people chastised him for it, even though the intimidation of the Dog Soldiers tried to stop him. Black Kettle knew his people would be doomed if they continued to fight the people moving into their lands. He believed peace was the only choice the Cheyenne had to save what they could of their way of life.

Tom Hatch brings us the complete life of Black Kettle -- his analysis of the man's life and the events surrounding it is fresh, bold, and provides new challenges for future researches.

Thom Hatch hits the mark on Cheyenne Indian Chief Black Kettle's efforts to uphold peaceful relations throughout manifest destiny. Despite broken treaty after broken treaty by the government and gluttonous bone-headed army generals with personal vendettas and lack of respect for the Indians, it is a wonder that Black Kettle maintained his philosophy on peace for so many years.
It is disheartening that the vision of peace is what eventually killed him along with many of his people.
If surviving the brutal and senseless butchery of Sand Creek Massacre by egotistical Colonel Chivington wasn't enough punishment, Black Kettle was to soon afterwards undergo additional tests of endurance from the thoughtless and misguided behavior of the U. S. military and government.
A very persuasive, gripping and touching account of one man's dream of peace.

This work explores the efforts of a great Cheyenne chief who, despite his betrayal by the white man, continued his search for peace, only to lose his life in the process. It reveals how Black Kettle stood in stark contrast to Chivington, Sherman, Sheridan, Custer and others, who enthusiastically effected our government's policy of destroying the culture of the Plains Indians and killing, with little or no excuse, innocent tribal menbers. Make no mistake, there were elements within the tribes who were no better. However, one cannot read this well-written account without coming away with a sense of revulsion toward those members of the white power structure and our military who made so little effort to understand a people who were different and to treat them with the respect they deserved. Read this book if you want to know more than one will find within the usual histories written by the victors.

The title should read, "Black Kettle, the Cheyenne Chief who Sought Life and Found Only Death". This is a difficult book to read because the story is not only true but shameful. As someone from Colorado, I was horrified to learn many of our streets and city areas are named after men who were often theives, liars, opportunists and some even condoned the murder of the Native Americans. One tries to frame the story in the context of the time and the ignorance and the misunderstandings of the of white America, yet in 2005 the site of the Sand Creek massacre is a minor footnote that most Coloradians are unaware and The Black Hills still have not been returned to the Souix, so has our sense of justice towards Native Americans really changed? The book does a excellent, informative telling of the story of a very shameful part of Colorado and American history.This is the story of an exceptional man who rightly always believed in peace but wrongly believed in the U.S. government. We should be reminded of this past and never forget the genocide that was carried out in the country in the name of westward expansion. Black Kettle should be remembered as man who was as great in statue as any American hero.

Carolyn Thomas de la Pena has written a masterful book. In exploring the ways Americans have used their bodies to understand new technologies, she sheds light on the origins of our own interactions with modern machines. The author supports her findings with meticulously researched facts, and it is clear she spent exhausting hours in the archives, combing through newspaper articles, advertisements, and product materials. She does an equally thorough job of contextualizing her conclusions. By linking her findings to social and cultural shifts taking place at the same time people were drinking radium water or experimenting with electric belts, she strengthens her argument and is able to draw new and important conclusions about the ways Americans were using technology around the turn of the twentieth century. Her clear and concise writing style make the book a smooth and enjoyable read, besides being one that is extremely relevant to our modern lives.

As I read this book, I marveled at the way in which Ms. Thomas de la Pena explained in detail the obsession Americans have had for so long with physical fitness and weight loss techniques; the belief by many Americans that their bodies, after use of some of these documented, extreme -- to us -- measures, would emerge greatly improved. This book helps us energy-bar-eating, aerobically-charged, iron-pumping 21st-Century individuals understand how it is that we got this way!

This book shows that our current obsessions with our bodies and machines have roots as old as the rise of consumer electricity. Technology in America takes on religious forms. And Professor de la Pena shows the extent of influence of such ideas as "electricity as therapy." This is so well written you won't be able to put it down. It explains complex technological details in clear and precise terms. Its influence should last a long time.

A delightful history of our American obsession with self-improvement and reinvention, our love affair with gimmicks and gadgetry, and our unshakable devotion to the promise of the quick fix. A font of well-researched information treated with humor and insight, this book provides a rich context for the ongoing body-image debate in present day American culture. Highly recommended!

I needed facts for a group of artists who were painting for an exhibiton with a turn of the century Paris theme.

This book was well written, entertaining, and contained some little known details for these well known and well read artists. The Exhibition was planned to highlight "Le Chat Noir", the caberet where many artists gathered just before the turn of the century, and the book gives life to the Caberet scene in Paris, as well as the total Bohemian scene there in that time frame.

This book was so good in many other ways, that every one of the artists decided to read the whole book. I highly recommend it.

The cover of this book is so telling about the contents that I searched for the poster to hang it in my voice studio. The time and place of early Cabaret is very intriguing to me and this book gave the details of the social canvas behind the whimsy of the art form. This is one of the most wonderful ways to read history. It IS NOT DRY. It springs up your imagination. songbird@avavictoria.com

After reading the only review posted of this book, I thought maybe I hadn't actually read the said book. I'll blame it on how I tend to skim through these sorts of things hardly paying attention. Point is, the review lost me in about the first two sentences. John Lennon? I don't criticize the review or anything - I can, indeed, make the connections - but I read the book more for the information on Murger, Verlaine, Jarry, and the rest of them... So what I'm trying to say is, if you want a great bohemian read totally packed with interesting stuff, read the book. It's a good one.

I first came across this book several years ago when writing about Jacques Offenbach. At that time, I much enjoyed both the author's erudition and his dead-on social analysis. Seigel demonstrates how, in mid-nineteenth century Paris, the eager purchase by the bourgeois of "revolutionary" works of art (literature, paintings, drama, music, etc.) deadened the intended meaning of those works, and, by making their creators wealthy, changed the artists' own feelings about their society. Seigel sees this cooption as an intrinsic function of capitalism, and its own best defense against violent revolution. The parallels for our society seem clear to the reader (Seigel does not discuss them) - just as Henri Murger, author of "La Vie de Boheme", grew rich enough to buy a country estate (and then killed himself) so John Lennon took the money from "Revolution" and bought New York real estate. Mick Jagger is today one of the largest and wealthiest landowners in Britain - and one could extend this list indefinitely.

Over the years, I thought of Seigel's analysis on occasion - for instance, when reading plaintive complaints about the "misuse" of rock in TV commercials. But I didn't bother to pick up the book again until reading a new book with "bohemian" and "bourgeois" together - Brooks' "Bobos in Paradise" - which does not cite this book. Hmm. It's very true that Brooks may simply be a keen observer - after all, our intellectual culture is a direct descendant of that discussed by Seigel. So let's leave it at that - and suggest that anyone seriously interested in "Bobos" would do very well indeed to read this volume.

This book is absolutely essential if you want to understand what television has done to Western Civilization. It is not a rant against shabby programming but a brilliant analysis of what the medium itself does to us, regardless of content. Marc is a compassionate and witty writer and his book deserves to be widely known and discussed.

The main point of Bonfire of the Humanities is that there isn't a difference any more between what used to be called High and Low Culture. These categories might have been hard to define, but at least academics used to know where to put Titus Andronicus and where to put Star Trek.

The Low Culture David Marc is most interested in is television, which he points out controls us by delivering pleasure, not pain, as dystopian literature sometimes predicted.

But there were artists who foresaw how we would get hooked on TV. (Even the expression "hooked on" reduces the viewer to just another plug-in.) I remember a scene in Francois Truffaut's film Fahrenheit 451, where the fireman's wife is is watching/participating in a TV soap opera. The characters stop and address her by name, asking what they should do about the latest plot complication.

What's worse is I don't remember if the scene is in Ray Bradbury's novel, which I read, or not. But I still remember the image from the movie. I've been educated out of the reading culture and into the viewing culture just like the character in Truffaut's film.

What makes Marc's essays so informative (and a lot funnier to read in places than most university press books) is that he isn't a partisan of one culture over the other. He criticizes teachers who have allowed their students to graduate without developing a love for reading and writing as well as the professional curmudgeons who want to limit "education" to some cannon they've decided on.

Did you know that reading Madame Bovary and watching Beavis and Butthead might drive you to the same kind of antisocial behavior? Huh huh huh.

The film critic David Thomson said that there have been two terrible threats to humankind in the second half of the twentieth century - - nuclear weapons and television, and that the way it turned out television was the more insidious, beamed into our brains every day.

I am a doctoral student in English and I teach multiple sections of Freshman Composition. This is the first book this presents a recognizable picture of the contemporary classroom: a place where literacy is taught as a specialist's skill to students immersed in television culture. If you are interested in the future of reading and writing, I recommend this book highly. It is also hilariously funny.

To his credit, Marc, an erstwhile literary scholar, doesn't delve into the pseudo-academic question of whether television is or isn't a cornerstone of contemporary American culture. Instead, he examines what actually has transpired in the US -- the wholesale acceptance (and enjoyment) of the medium -- and describes its impact on the ever changing landscape of the Republic. With an oftentimes acerbic wit, Marc, lifts the curtain on the great Oz, allowing us to see who we are and what we've become, intellectually and culturally, whether we want to admit it or not. Ample notes let the reader discover further musings on the effects of this commonplace appliance. Overall, a brilliant -- if not disquieting -- social critique of Americans and our often reviled, often beloved boob tube.

This is a great book, even if you're into escapist roleplaying, and pretending you're a knight, this will teach you what real chivalry was.
Bigger and more concise than the hagakure, it should be required reading for anyone who aspires to be a good person.

A very good dual-text copy of the writings of Geoffroi De Charny (the Knight that kept the oriflamme, a symbol of France, and the first famous possessor of the Shroud of Turin) into what Chivalry is, and what Knighthood should be, and the differences between that and what it really seemed to be.

The prose is well done, giving good insight into the mind of the Knight of that era. Examples of the problems of lust versus courtly love, the appropriateness of staying just a little hungry, and a comparison of the Orders of Grace (priesthood) with the Orders of Knighthood all work together to give the reader a sense of the noble and knightly duties in the pre Republic days of Europe. This is a good starting point (along with Ramon Lull's _The Book of the Order of Chivalry_) for the novice to learn how social Chivalry developed from the military form to the current socio-political. The parallels in current day knighthood can easily be seen once an understanding is gained of the past, and this book brings the past into focus in an amazing way.

Do be advised -- the French and English are interleaved, so you'll either be reading on the right (english) or left (french) once you get past the introduction!

Those who are members of mideval Recreation will find this book great insight to how the Knights of the day thought, felt, and acted about thier role and the betterment of thier Order. This book gives the reader a chance to view the concepts of chivalry through the eyes of one of the greatest Knights of France.

The original author, Geffroi de Charny, probably did not write this book -- like many busy leaders, he probably dictated it. Kennedy's translation lets you hear him speak. If you think you'd like to hear what a serious, practical, yet idealistic knight thought about chivalry, this is the book for you.

Breaking Through: John B. McLendon, Basketball Legend and Civil Rights Pioneer-The ESPN presentation, "Black Magic" prompted me to purchase this book to learn more about John B. McLendon. Being an African American college student at an HBCU when TN State won the three NAIA chanpionships, I knew a little about Coach McLendon and TN State. The book made me aware of many of the things that McLendon accomplished during his life, both on and off the court, and how little credit he has been given for doing so. I strongly recommend it to all basketball fans and coaches at all levels.

It is a story about an underdog. A man fulfilling his dreams and facilitating the same for the many people he came in contact with. The story of John McLendon's life is a shining example of how sports and entertainment can be a microcosm for the rest of society and perhaps an easier barrier to elicit change. Many times, society remembers the culmination of a chain of events. In the case of John McLendon, he was the pioneer that paved the way for the likes of Glory Road and Jackie Robinson.

Milton Katz has humor, integrity, and wisdom to spare. He is one of the finest individuals I know. Those who cannot enjoy him in person can at least enjoy him in print. Mr. Katz knows how to tell a great story -- and like everything he does, he does it with a lot of heart. You can learn from this man -- and you'll probably have fun along the way...

This book is great reading not only for anyone interested in the game of basketball, or in learning how to be a better coach (of any sport), but also for anyone interested in the Civil Rights movement and all those looking for a story that inspires. Coach McLendon has a lot to teach all of us about courage and integrity. Author Milton Katz shares story after story that illustrate these points in his highly readable narrative. This book would make a great holiday gift for just about anybody.

It's a very good book, good analysis of Nikkei life in Japan.

I read this book and I found that it was more than a simple academic book with statistics, and numbers...It's a realy good view of what is a migrant life in Japan .

The topic of Japanese Brazilian migrants in Japan is one that very few people outside of Japan or Brazil know about. I'm glad to see that there was a book written about this issue, especially since it involves the complexity of race vs. ethnicity and issues dealing with feelings of isolation, sense of belonging and cultural acceptance, something which we all strive for. Mr. Hotaka Roth did an excellent job of researching the experiences of these migrant workers and presented them in a very honest way. You could tell that he dove into this project fullheartedly by the fact that he made an effort to not only learn Japanese and about Japanese culture, but that he also learned Portuguese and the different nuances of Brazilian culture. Unlike a lot of research books, this book was not dry and did not drag on forever. It was quick paced and easy to read and understand. It keeps the reader interested and each chapter presents itself with new themes.

Here is a short, simple book examining the role and place of the ever-growing Japanese-Brazilian population in Japan. Overall, it is a well written piece of work that I found helpful in my reseach. Although it is not the most comprehensive book on Japan's new ethnic minoritiy population,the Brazilians, Roth's work is worthwhile nonetheless.

In Japan, a country that is thought to be "ethnically pure", the new phenomenon of return migration poses an interesting problem. Nikkei (those who are of Japanese ancestry outside of Japan) Brazilian nationals began migrating to Japan for economic reasons in the 1990s (the government made it particularly easy for them to enter the country, assuming they would adapt to Japanese culture better than those with no ties to the country), and many decided to stay, creating minority enclaves with a culture distinctly their own and NOT Japanese. Joshua Hotaka Roth provides an analysis of Nikkei life in Japan.

Although I read this book as part of a research project, I found that it was much, much more than a dry academic book with lots of statistics (although there certainly were plenty of statistics for anyone looking for solid numerical data). Roth didn't just write about this subject; he experienced it: he worked in a factory side by side with Nikkei Brazilians, lived and associated with Nikkei, and truly participated in his subjects' way of life in Japan. The result is an intimate view of the "return" migrant's experience, including sections on the actual factory work, injury and health insurance issues, and some ways in which Brazilian Nikkei in Japan maintain Brazilian identities while adapting to Japan.

This book is great for anyone who wants to know more about Japan in this time of internationalization, anyone who is interested in international migration, issues of national identity, or anyone who just wants an interesting non-fiction read.

Amazing book, great detail and as was said before, no punches pulled. From the uncertainty of growing up to gaining his confidence with the Israeli Defence Force (IDF), Mr. Cohen details his experiences growing up in the US to his making aliyah to Israel and going through his training to join one of if not the toughest counterterrorism military units in the entire world. I certainly believe that his experiences could go a long way in making sure that the next time you travel in an aiport you don't get questioned by some person who only has their GED and can't wait to get home. Instead you're questioned by a person who knows why they are there and are vigilant in their search for the next terror threat. It drives home the point of "Security with a Purpose". People in Israel deal with terror threats on a daily basis and taking what they've learned and have put into use could only help to make our country that much more secure. Are there points in the book that may offend people?? Yes, such as the profiling that happens on a daily basis in Israel, however with that in mind, understand that most of the bombings occurring there are perpetrated by Arabs. It's a simple fact of life.

I heard the author Aaron Cohen on a radio interview and decided to buy the book. Once I started reading, I could not put it down. It is much more than an inside look at the clandestine warriors on the front lines of the international war against terrorism. It is a coming of age journey about a young man who finds himself and the meaning of life amidst the most extreme circumstances imaginable.

My girlfriend thought it might not appeal to her, but she started reading it after I finished and now she can't put it down. This would make an amazing movie.

A compelling read, very well-written and a good balance of very personal perspective and simply amazing descriptions of the brutal selection and training of Israel's top counter-terror commandos (as done in the 1990's).

Cohen, like his instructors and fellows, pulls no punches discussing the positives and negatives of the process. His own experience of how this kind of preparation forever changes the men who survive it, and then how the work itself inevitably degrades social connectedness and relationships is as psychologically detailed and perceptive as anything I've ever read, and I commend his ruthless honesty.

He also gives a fond but hard-eyed look at the changing Israeli society and the often unfortunate way it is absorbing some of our less positive qualities.

VERY highly recommended. A great read.

I heard the author being interviewed on the Michael Savage radio show and immediately went out to buy the book. I was definitely not disappointed an excellent read from a person who had everything except that which he felt was missing from his life which he went out to discover and found. A great book 100 stars could not put the book down once I started reading it. Hopefully he goes on a book signing tour or this is made into a movie

This book tells an an astonishing story of an 18 year old who gave up the option of the "good life" in Los Angeles to pursue some of the most difficult training and dangerous counter terror missions imaginable. (Look for the scene of Cohen going undercover to meet a terrorist big shot in a Jerusalem cafe.) It's a fast-paced, exciting memoir, one of the best I've read in years. Once I started, I couldn't put it down. Highly recommended to anyone interested in current affairs, counter terrorism and national security.

For years, Bobby Bridger has been presenting the story of Buffalo Bill in a musical act called Pahaska, a one-hour series of enthralling songs that tell the story of Bill Cody. Now, Bridger puts down the guitar and period garb from his act to show the history behind his art. In this historical tome, Bridger shows the serious academic side of his art. This book is a must read for anyone interested in the history of the West. Bridger's look at how the modern romantic vision of the American West was created is intriguing and as captivating as his music.

For years, Bobby Bridger has been presenting the story of Buffalo Bill in a one-hour musical act that tells the story of Bill Cody in a series of enthralling songs. Now, with this historical tome, Bridger has completed the circle. This is the history behind Bobby Bridger's art. Bridger puts down the guitar and period garb used in his musical drama to show readers the serious academic side of his personality. If you want some intriguing inquiry and suggestion about how the modern vision of the romantic west was created, this book is a must read.

Bridger, decendent of the reknown Mountain man, Jim Bridger, has written an outstanding book on two of history's most colorful and enduring icons of the American west and the dynamic process that each dealt with during the late 19th century America. Bridger is one the best entertainers in American today and this book only shows a small example of his profound abilities. Years of research and documentation of historical events pays tribute to truth, justice, and injustices, of the American West. This book should be a standard fare for all collegiate history classes and for the general public at large. History is always multi-sided and Bridger illustrates that to perfection. This is a must read. It will impress both scholars and the general public. BRAVO MR. BRIDGER! We look forward to the next! Sing on Great Spirit!

For years, Bobby Bridger has been entertaining audiences musically with his Ballad of the West. One of the hour sets, Pahaska, tells the story of Buffalo Bill in what Bridger describes as Homeric ballads. Now, Bridger puts aside the guitar and period garb to show his serious academic side. "Buffalo Bill and Sitting Bull: Inventing the Wild West" is the history behind his music. This book is a must read for anyone interested in the old west and is an intriguing look into how the popular vision of it was created.