Cultural Books

Full disclosure - I'm a guy. :-) I first ran across Mamatoto years ago before the birth of my child. I paged through the book and was enchanted by the pregnancy and childbirth legends and folklore from around the world. It is both amusing and lovely at the same time. The mommy-to-be was thrilled. I highly recommend it for all new parents. (Yes, even the daddies-to-be will like it.)

This is a must-have book if you're curious about how women in non Western countries experience pregnancy and childbirth. The book is charmingly illustrated and full of fascinating, reassuring, and inspiring anecdotes and facts about pregnancy and childbirth in other cultures and times. Essential reading for anyone questioning the overly clinical, flat-on-your-back, hooked-up-to-monitors North American method of childbirth as the only way to have baby.

Beautifully adorned with mothers and babes, this collection allows the Western mother and mother-to-be to step out of our comfort zone and let mothers' of the world teach us. Packed full of information in an easy-to-read style. Mamatoto offers what no other prenatal/pregnancy book can... spirit and guidance in what often feels like uncharted territory. Enjoy this book completely until it is in tatters- like mine.

While most pre-pregnancy books focus on the medical aspects of pregnancy and childbirth, this wonderful little book looks at the cultural and spiritual aspects of becoming a mother. Full of poems, stories, true anecdotes, humor, and beautiful photos and artwork from around the world, this book gives the reader a more accurate view of pregnancy than any medical text could. This book makes a wonderful gift not only for expectant mothers, but for those who already have children (or grandchildren).

This was a beautiful book full of traditions surrounding birth from around the world. Beautiful photography, poems and art. Definitely a great gift for anyone interested in childbirth.

Read your typical history book covering Chinese history and you'll get a very distinct picture of the Jurchens and Manchus--about their conquest of china, the corruption of the Qing government (as if no other dynasty had corruption), of the power-hungry Aisio-gioro Nurgaci, founder of the Qing dynasty, and their alien, steppe-nomadic ways. Most Chinese history books have little good or substantive to say about this north-east Asian culture whose term for their religious priesthood was adopted by the West, "Shaman" (Chinese, "saman").

This book takes all that mythology and anti-Manchu rehtoric and blasts it to pieces with a compelling story of a people who have rarely been studied objectively and as a culture separate from the Mongols and Chinese. Nurgaci was not the man of the myths we've heard and never called himself Emperor. In fact for most of his life his title was "beile of the Jianzhou Jurchens". He was a great lord and chieftain of his lineage, but not even an autocrat in his authority, ruling jointly with his brother, Surgaci, for many years.

Besides the myths about Nuragi, many cultural myths are also dispelled. One major one is the assumption that the Manchus were nomads with a steppe culture analogous to the Mongol culture. This book explains how and why this assumption is wrong and is essential to anyone who wants to know the real Manchu people.

I'm only 3 chapters into the book and already know I need to reread it. there's a lot of information for the student of Jurchen and Manchu history!

WELL DONE!!

I read this book after Evelyn Rawski's "The Last Emperors" and it did answer & clarified a lot questions I had with regards to the Manchus and how they were like before entering China proper. The chapter on Nurhachi was good as was the section on the inevitable power struggle between Cixi and Guangxu (my only wish that this was elaborated further).
Crossley's book is highly recommended for both casual & serious historians alike. My suggestion is to read this first before Rawski's "The Last Emperors"

I have read a more recent book Evelyn Rawski's "The Last Emperors: A Social History of Qing Imperial Institutions " in which she discusses the context between her book and "The Manchus". The two books are probably quite similar but I think that Rawski's book would contain much more undisclosed material.
I have decided not to change the rating on this book in the interest of fair play.

I visited to pick up the paperback of this book, and saw this perplexing comment below. This book and The Last Emperor are apples and oranges. This is a popular book (I got my original copy from History Book Club) and intended for reader's with a general interest, or maybe beginning historians. The book by Evelyn S. Rawski is an academic title, very thorough and erudite. But also the books are not on the same subject. Rawski is about the Manchu emperors, their courts and palaces. The Manchus is much more general. Please do not get confused into thinking that these two books are on the same subject.

It's funny to note that at many times the Qing dynasty faced many of the same problems that we see today: overpopulation, government corruption, war against drugs. So much of what we think of as Chinese is also Manchu and was introduced rather recently. Well writen and clear all the way through.

From CHOICE

As political, social, and economic factors cause the world to shrink, people of many diverse cultures find themselves interacting with each other. Americans no longer view the world with "ethnocentric" glasses, but are learning to value diversity. This new book comes at just the right time, showing through a compilation of works from authors around the world that sign languages from various nations, while different, can be a significantly unifying factor to the worldwide Deaf community. Not only does this work present surprisingly parallel stories of the different struggles and successes of the Deaf community throughout the world, it suggests that in compiling the material for their work, the researchers may have inadvertently set the stage for a more general understanding of world cultures and for valuing diversity. If the Deaf communities of the world can value each other, perhaps we all can. Recommended. All levels and collections.

-- J. A. LeClair, SUNY Oswego

An article from the Deaf Base website (www.deafbase.com/article473.html)

"The challenges faced by deaf people in Sweden are quite different from those in Nicaragua and are set on a common global stage," explain Leila Monaghan and Constanze Schmaling, two of the contributors of Many Ways to Be Deaf: International Variation in Deaf Communities edited by Monaghan, Schmaling, Karen Nakamura, and Graham H. Turner. In this volume, twenty-four international scholars have contributed their findings from studying Deaf communities in Japan, Thailand, Viet Nam, Taiwan, Russia, Sweden, Austria, Switzerland, Great Britain, Ireland, Nigeria, South Africa, Brazil, Nicaragua, and the United States. Sixteen chapters consider the various antecedents of each country's native signed language, taking into account the historical background for their development and also the effects of foreign influences and changes in philosophies by the larger, dominant hearing societies.

"Key themes of this volume include how Deaf communities have survived despite opposition by those who thought and think that Deaf people should not be allowed to have their own separate communities outside of hearing cultures, how forms of education interact with and are reflections of larger sociocultural processes, and how signed languages are crucial parts of Deaf communities everywhere." The diversity of background and training among the contributors to Many Ways to Be Deaf distinguishes it as a genuine and unique multicultural examination of the myriad manifestations of being Deaf in a diverse world.

CHRONICLE OF HIGHER EDUCATION
New Scholarly Books
9/13/2003, A17
COMMUNICATION
Many Ways to be Deaf: International Variation in Deaf Communities, edited by Leila Monaghan and others (Gallaudet University Press; 326 pages; $69.95) Research on sign language in Austria, Brazil, Britain, Ireland, Japan, Nicaragua, Russia, South Africa, Sweden, Switzerland, Taiwan, Thailand, Vietnam, and the United States.

A book notice from the Foundation for Endangered Languages:
OGMIOS Newsletter 2.9 (#21): Summer - 31 July 2003 (www.ogmios.org/2111.htm).

Many Ways to Be Deaf: International Variation in Deaf Communities: Leila Monaghan, Constanze Schmaling, Karen Nakamura, and Graham H. Turner, Editors

The recent explosion of sociocultural, linguistic, and historical research on signed languages throughout the world has culminated in Many Ways to Be Deaf, an unmatched collection of in-depth articles about linguistic diversity in Deaf communities on five continents. Twenty-four international scholars have contributed their findings from studying Deaf communities in Japan, Thailand, Viet Nam, Taiwan, Russia, Sweden, Austria, Switzerland, Great Britain, Ireland, Nigeria, South Africa, Brazil, Nicaragua, and the United States. Sixteen chapters consider the various antecedents of each country's native signed language, taking into account the historical background for their development and also the effects of foreign influences and changes in philosophies by the larger, dominant hearing societies.

The topics covered include, inter alia: the evolution of British finger-spelling traced back to the 17th century; the comparison of Swiss German Sign Language with Rhaeto-Romansch, another Swiss minority language; the analysis of seven signed languages described in Thailand and how they differ in relation to their distance from isolated Deaf communities to Bangkok and other urban centers; and the vaulting development of a nascent sign language in Nicaragua. ISBN 1-56368-135-8, 7 x 10 casebound, 288 pages, glossary, references, index, $69.95s

Collaboratively compiled and edited by Leila Monaghan (Lecturer in the Department of Communication and Cultural at Indiana University, Bloomington); Constanze Schmaling (Linguist at the Institute of German Sign Language at Hamburg University, Germany); Karen Nakamura (Professor of Anthropology at Macalester College, St. Paul, Minnesota); and Graham H. Turner (Senior Lecturer in the Deaf Studies Program at the University of Central Lancashire, Great Britain), Many Ways To Be Deaf: Internal Variation In Deaf Communities is a compendium of scholarly assessments of deaf communities and sign languages worldwide, ranging from Swiss German Sign Language; to the developing sign language of Nicaragua; the conflicts of hearing culture and deaf culture in various nations; some national tendencies to view the hearing improvements of cochlear implants as motive sufficient to dismiss the importance of sign language, and much, much more. An exhaustively researched and critically insightful resource, Many Ways To Be Deaf is an impressive work of scholarship and a ground breaking contribution to Deaf Studies reference collections and supplemental reading lists.

I really enjoyed this well written summary of Marcus Allen's life and his extraordinary career in football. If you are at all interested in football, this book would be a great choice. He starts from the beginning telling us about his family and his hometown. He then describes his life as a high school football player. He goes on to talk about the transitions he had to make on the field from defensive back to quarterback and then to running back later on in his career. Marcus really goes in to depth when he describes his years at U.S.C and the heisman trophy. He emphasizes his dedication towards his health and the team. Marcus says in the book that playing backup to Charles White helped him more because he got to see greatness right before his eyes in Charles. Charles describes the felling of being drafted to the Oakland Raiders. Marcus shows his dislike towards the teams manager Al Davis and describes conflicts between the two. Marcus goes into great detail of the games and the situations that occur off the field on both the Oakland Raiders and the Kansas City Chiefs. It is very interesting to see the relationship between Marcus Allen and Mr. and Mrs.OJ Simpson. He talks about the OJ trial and how he handled it.

I REALLY ENJOYED READING THIS. MARCUS DOES A GOOD JOB DESCRIBING HIS CAREER WITH THE RAIDERS AND CHIEFS. HIS CRITICISM OF AL DAVIS AND RAIDER ORGANIZATION IS EXTREMELY INTRIGUING. ALSO INTERESTING IS HIS DETAILED DESCRIPTION OF THE OJ MURDER TRIAL AND HIS RELATIONSHIP WITH OJ AND HIS WIFE. THIS IS WELL WORTH YOUR TIME.
A MUST READ.

He shows an amazing insight into what really goes on in the dirty world of american football. To the specifically vindictive nature of Al Davis towards Marcus, to the heartfelt news which so totally devasted him upon learning of the revelation of O.J.!! Written we a great deal of intelligence almost as if he was a best selling novelist. Definitely makes you support the Chiefs whenever they play the Raiders, even though i support the Seahawks. Maybe now Marcus has retired he will put pen to paper more often, I certaintly will purchase any of his material.

After reading this book, I was amazed at the things that went on between Al Davis and Marcus. How Marcus stayed in Los Angeles that long amazes me. This book covers Marcus' life before football, during high school, at USC and the heisman, and being drafted by the Raiders and then ending up at Kansas City. Marcus talks about the O.J. fiasco and how it changed his life. This book is excellent for any football fan and shines light on the dark side of being a Raider.

This is not your typical Professional Jock Worship book, primarily because (1) very little of the narrative is taken up with descriptions of individual games or plays, (2) Carlton Stowers is an excellent writer who portrays Marcus well, and (3) Marcus himself is an intelligent and thoughtful person who has had a fascinating life to date.

The real heroes of this book are Marcus' parents, Harold (Red) and Gwen Allen, who put the necessary time and effort into providing their children with the integrity that has made Marcus successful.

This is a book of contrasts and conflicts, the first of which are with Al Davis, owner of the Oakland Raiders. Marcus despises Al and is candid in describing his reasons. Anyone who is not familiar with Al Davis might think Marcus is exaggerating, but those who are familiar with him will find the criticism reasonable, if not understated. Corroboration for his descriptions of Al's eccentricities may be found in "Slick: The Silver and Black Life of Al Davis" by Mark Ribowsky [ISBN: 0-02-602500-0], a highly entertaining biography that is now out of print but may be available through a used-book service.

The other interesting contrast is that between Marcus and his friend O.J. Simpson. As Marcus described Nicole Simpson's death and the subsequent murder trial, I kept asking how these two men, similar in so many ways, could have ended up so differently. As I said at the outset, the real heroes of the book are Marcus' parents.

I am happy that Gingko Press has brought out this handsome 50th anniversary edition of Marshall McLuhan's _The Mechanical Bride: Folklore of Industrial Man_, and I am looking forward to seeing _The Complete Mechanical Bride_ that Gingko Press plans to publish in the near future. I'd like to provide some background information here regarding McLuhan's first book.

It is hard to say exactly when Herbert Marshall McLuhan (1911-1980) started gathering the materials and writing the short essays that were published as _The Mechanical Bride_ in 1951. However, Walter J. Ong, S.J. (1912-2003), has reported that McLuhan was working on this project when Ong studied under him at Saint Louis University in the late 1930s and early 1940s. During this same period McLuhan was also working on his Cambridge University doctoral dissertation on Thomas Nashe and the verbal arts in his time, which was accepted in 1943 and published by Gingko Press in 2006.

Because rhetoric has long been understood in Western culture as the art of persuasion, we need to take into account that McLuhan was studying the history of rhetoric in detail when he was assembling the artifacts of American popular culture and writing the witty commentaries about them that came to be published in _The Mechanical Bride_. To spell out the obvious, the artifacts aim to persuade us to buy a product and to imagine ourselves as associating with and perhaps even identifying with the imagery employed in each artifact.

But why bother to write witty commentaries about the artifacts? McLuhan was under the influence of the New Criticism he had studied under I. A. Richards and F. R. Leavis at Cambridge University. Thus the short essays in _The Mechanical Bride_ can be understood as exercises in practical criticism (to borrow the title of Richards's most widely known book). To be sure, McLuhan is critical of popular culture, but he takes it seriously enough to write intelligently about it. His short essays are witty and amusing.

--Thomas J. Farrell, author of Walter Ong's Contributions to Cultural Studies: The Phenomenology of the Word and I-Thou Communication (Media Ecology)

This, McLuhan's first book, serves as a good introduction to him, since he has not yet begun to formulate his theories about media that would later make him so famous. Consequently, it is easier to read than, say, The Gutenberg Galaxy or Understanding Media. It is also much more fun.

The reader should keep in mind that this is still premature McLuhan, for he had not yet read Harold Innis's 1950 classic--which represents the true birth of media studies--Empire and Communications. This book hit McLuhan like an atomic bomb, for it completely ruptured his thinking regarding media. In The Mechanical Bride, he is still analyzing the content of the media, deciphering what the subliminal messages are saying to us unconsciously; but after reading Innis, he realized that it was not the message that was important (at least not for him) but rather the type of medium through which the message was conveyed, for Innis's discussions of how particular kinds of media affected the nature and structure of ancient empires caused McLuhan to realize that it was actually the medium that was the important thing. Whether a culture used clay or papyrus as its means of communication, Innis asserted, determined much about the fate of that culture.

With that caveat in mind, then, the reader is free to roam through these pages, observing a McLuhan that would never exist in the same way again. He comments, sometimes hilariously, on one advertisement, movie poster or magazine after the next. He has interesting things to say about genres like the Western or the soap opera (for instance, he says that the Western is the masculine equivalent to the soap opera, for its values are the opposite of those of the domestic drama) and we also find here, for the first time, his speculations on Sherlock Holmes, a theme that will recur in many of his later writings.

McLuhan at this point had read and metabolized such key thinkers for him as Lewis Mumford and Siegfried Giedion, and they are referred to often in the body of the text. (There even occurs a reference to Joseph Campbell's The Hero With a Thousand Faces; apparently the only book he ever read by Campbell, his Irish intellectual colleague who was more concerned with deciphering the messages than the media themselves). McLuhan, in The Mechanical Bride, is still feeling his way, and he is not yet sure of himself. But it is a delight for the reader to watch this great American thinker--the equivalent, easily, of any of the great French postmodernists (this book bears certain similarities, for instance, to Barthes' Mythologies)--tentatively poking his way about in the middenheap of popular culture, looking for ways in which to organize it into something one can get a grasp on.

I hope that you enjoy this book as much as I did. But do let me know if you don't.
--John David Ebert, author
Celluloid Heroes & Mechanical Dragons: Film as the Mythology of Electronic Society

The "modern gal" knows that "getting ahead" means being the first on her block to articulate the ways her body and cultural practices are transformed into parts and routines -- she reads The Mechanical Bride to "stay in the know" regarding the ways that reflection on the discourse of her body can be used to advance her academic career! And "guys on their way to the top", in academic circles ranging from media history to cultural studies, tune into The Mechanical Bride to find out the latest "swinging styles" in everything from discourse analysis to popular tropes for identity production. Keep it in mind, all you Sirens and Sages of the Academy: When it "comes to success" there is "deep consolation" in knowing that the "cream of the crop" always "rises to the top" because it never "falls out of step" with the latest critical styles -- in a liberal era and place, such as our own, this really is Freedom "American Style"!

This is McLuhan's first book, originally published in 1951 and has been long out of print. It precedes his second book and cult classic 'The Gutenberg Galaxy', by a decade and a half. This is also quite unique in that it has no relationship with McLuhan's more famous theoretical ramblings.

In this book, McLuhan takes on myth-making in US society by showing how film posters, comic strips, advertisements, magazine covers, newspaper layout and articles etc., try to persuade people into something, and yet a close observation of their inherent contradictions allows you to escape their machinations.

The book celebrates deliberate misreading of commonplace things like advertising to show how the persuasive trap of mass culture/consumer culture can be escaped.

All articles in the book follow the format of article/poster/ad, its analysis and some sharp witty aphoristic observations in a boxed area that serve as liberating repartees against the messages that these products of consumer culture intend to send.

The philosophy of the book is derived from McLuhan's premise (borrowed from Edgar Allan Poe's story 'The Maelstrom') that to escape a maelstrom you need to study things going down and things that resurface and align yourself with things that resurface.

In this respect, it can be considered a jargon-free precursor of latter-day deconstructive literary and cultural criticism. And it is much more liberating and enlightening to a lay reader than jargon ridden discussions or purely vehement denuciations of the power of mass culture which don't help laymen liberate themselves anyway, because of their highly inaccessible prose.

Originally published in 1951, The Mechanical Bride: Folklore Of Industrial Man by the influential philosopher and cultural observer Marshall McLuhan is a thoughtful and thought-provoking treatise that seeks to unveil the subtle and sometimes venomous effects of media and modern mass communication. Thoughtful, sometimes philosophical, sometimes prediction with deadpan seriousness, The Mechanical Bride is as relevant today as it was fifty years ago and highly recommended reading for students of Mass Communications and Journalism, Contemporary American Sociology, and Modern Philosophy.

At last a book covering Michael Jackson's early days, both as a solo artist and as the lead singer of The Jackson 5. Not only are Jackson's many recordings with Motown covered, but there is also fascinating account of his humble beginnings from Gary Indiana to Steeltown Records where is first ever recordings were produced. Rounding the main chapters off is a section on The Jacksons, who enjoyed success themselves after leaving Motown in 1975.

Written in an entertaining format, each album is taken individually with an appropriate essay of the period, covering facts, single releases and chart information. All this with additional material on unreleased recordings, a comprehensive discography, chartography, videography and an exclusive Jackson poll.

The last decade or so as seen the media concentrate more on Jackson's eccentricities than his prolific singer/songwriter credits. One glance at Michael Jackson The Early Years reminds everyone that Jackson's career spans a lot further than Off The Wall and Thriller, and if anything puts him up there with all of the universally recognised greats such as Elvis Presley and The Beatles. Any fan of Jackson or of popular music, interested in what makes a legend should look no further than this book, as it covers the backbone of an industrious career.

Michael Joseph Jackson has made milions smile with his voice, passion and love, but what a lot of people don't know is where his roots of love come from. Michael is a man of soul, way back with the legendary Jackson 5.
With the book MJ The Early Years, it captavates Michael from way before Steeltown, to Steeltown, Motown, Jackson's, and every album and song that help led up to who Michael is today. Many unheard of people are discovered in this amazing book. I urge you to give it a try! You will love it, and most of all: It will place you in a state of shock!

this is really cool a book that covers early MJ&His Career&whatnot.this Book does a Great job of refelcting on the artistic side of MJ&going over His work.also a Great reflection on Jermaine,Tito,Marlon,Jackie&later Randy.it's about time the real reason why people got into MJ is mentioned&showcased fr more here with this book.

Michael Jackson the Early Years: An incredible book! The very first in a long time to tell you just where Michael came from. MJ The Early Years, paints you a picture of the Jackson household, telling you the ever lasting story of Jackie, Tito, Jermaine, Marlon and Michael.Remember Dancing Machine, I Want You Back, Ben? Well these are all here with the stories to back them up! You think you know so many things about Michael, and how the J5 started... You don't until reading this book. I dare YOU to try it.

Any fan of Michael of any age is perfect for this book. Full of very rare stories of each album, and photos. Pure heart and soul of one man from a child to growing, but fully grown. Get a view of Michael we don't ever see anymore. From the J5 to solo with his bros, to acting as a man of his own in Epic. A true and beautiful book.

Unlike many works that Alan Lomax had has hand in, this book is great reading, if nothing more. I am not known to be a fan of Alan Lomax and his father as my review of _The Land Where the Blues Began_ attests, but at least Lomax realized what a treasure Jelly Roll Morton was and interviewed him and also had Morton create hours and hours of singing and piano music.


This book offers a digest of hours and hours of interviews with Morton in the late 1930s when Morton was living in Washington. It is supplemented by some very useful interviews Lomax did with New Orleans musicians and their families in the late 1940s. The New Orleans interviews provide very useful direct source material about the social and culture and professional milieu that both Creole and Black musicians in New Orleans Sprang from. A recently written criticial review by a real scholar at the close of the book explains the great limitations of Lomax's selections and writngs here.


Lomax apparently knew little about the real history and processes of New Orleans jazz and life, so that a lot of questions that someone interest in Morton's impact on music are not asked, not just in what Lomax selected to put in this book, but in the larger transcripts of Lomax's interviews and in the monologues Morton dictated to a stenographer as part of this project. Lomax's tendency is to seek out non-musical issue his stereotypical images of Blues and Jazz musicians call forth. This is quite unfortunate because to the end of his life, Morton had a very sophsiticated and articulate understanding of music and was capable of serious discussion of jazz and blues in formal musical terminology. He was a person who seriously thought about music most of the time when he was not playing it.

Recently scholars with new information drawn from new discoveries of Morton's personal archives, correspondence, and musical library as well as the range of interviews with other musicians tend to verify much of what as thought of after these intervews as bragadoccio. Morton probably was the first person to produce written compositions that were Jazz as opposed to rag time. He was certainly playing and writing down blues compositions before Handy. Even the greatest of early Jazz Pianists like James P. Johnson affirmed that both in the days before WWI and in the 1920s Morton outplayed all the great Jazz Pianists.

The examination and performance of the music that Morton wrote in the late 1930s indicates that Morton had not only mastered composition and band arrangement in a style that would have surpassed the most surpassed swing of his day but had written orchestral pieces that prefigured the modal Jazz that Coltrane and others presented in the 1950s. These and other compositions indicate that whatever the fortunes of his public performances, Morton was a serious composer whose skills continued to advance even in his last years when his health collapsed.

Yet flagged by failing health, Morton was never able to organize an orchestra that could have played these pieces. He had been told that he could have lived ten or fifteen more years had he given up performing music, but he wanted to make his music more than he wanted to live.

Finally, Morton WAS cheated out of millions of dollars in royalties by the music industry, especially by the Melrose Brothers and by ASCAP. He was one of the first musicians to challange the way the Mafia-connected music publishers simply robbed musicians of their compositions or did not pay them. Unlike some musicians who suffered quietly or WC Handy who was one of the token Blacks ASCAP paraded around to hide its racism, Morton launched a public campaign in Downbeat and other Jazz magazines that exposed the crimes of ASCAP and music publishers like Melrose.

Until the mid 1940s, ASCAP which collected royalties for compositions from record producers, radio, night clubs, and other places where music was played had a racist setup. Few Black members were admitted although royalties were collected for their music. Morton carried out a public and legal campaign for years to be admitted to ASCAP even though it was collecting millions for the large number of his compositions that had become great hits in the swing era, like the King Porter Stomp that became a standard that any competent string band cut its teeth on.

Once inside ASCAP, he found ASCAP distributed its royalties not based on the money different songs brought royalties but on what a board of ASCAP leaders decided was the cultural worth of different kinds of music. Thus while Broadway and classical writers were getting hundreds of thousands of dollars in royalty payments, Morton received under 200 dollars each of the two years he was living and a member of ASCAP. Morton protested and exposed this publically in the last years of his life and attempted to gather other victims of this system in a law suit. While he was dying and unable to carry on this struggle, his protests and the information he gathered led to congressional investigations in the 1940s that forced an end to discrimination in ASCAP in regard to membership and forced it to distribute royalties based on the sales of the music, not on its "value."

The issue of braggadocio also comes here from the fact that Lomax supplied Morton with a bottle of whiskey for each Interview. Morton was not an alcholic, but those who have studied the transcripts have noted that Morton grew more inaccurate, abrasive, and unreliable longer into the interviews as the booze took effect.

This fits into Alan Lomax's consistent pattern of trying to make sources, particularly Black sources fit into the stereotypes he had about them. Lomax who took many photographs of his folk sources, for example, would force people who preferred being photographed in the Sunday Best, to appear in old work clothes. While Leadbelly actually favored the finest suits and imposed a dress code on Sonny Terry and Brownie MCGhee when they roomed at his New York Home (suits and ties as musicians are professionals and get a case, not a sack for the instrument) Lomax forced him to perform in prison garb or overalls. Lomax also created the fiction that singing and the intercession of his father John Lomax had some relationship with Leadbelly being released fromthe Louisiana penitentary when Leadbelly was released as part of program that automatically reduced prison sentences due to depression-caused cutbacks.

Lomax wanted precisely to convey a picture of Morton filled with whiskey, smokey rooms, and so forth, when Morton was one of the biggest stars of music between 1917 and 1930, performing in some of the most sophisticated venues and a particular favorite with Hollywood film stars of the period.

Despite these criticisms, I urge anyone interested in finding out not only about Jelly Roll Morton, but about the origins of Jazz in New Orleans and the entertainment industry in the earkly 20th Century to read this book. A good supplement, or perhaps a better place to start would be _Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton_ by Howard Reich. This can be followed by _Dead Man Blues: Jelly Roll Morton Way Out West by Phil Pastras_.

In spite of Jelly's bragadocio and the author's lack of Jazz background (Lomax was a folklorist) it's a very interesting book. Jelly must have felt injusticed when, in the late thirties, Benny Goodman was earning lots of money with "King Porter's Stomp". But the truth is that, exactly like King Oliver, he was outpaced by the revolution started by Satchmo.

I have always been a fan of Jelly Roll Morton, and I've always looked for books about him. This is by far the best. I loved it. I wish they would re-issue it

Alan Lomax interviewed Jelly Roll while doing an extensive set of recordings shortly before Morton's death. He followed up with a number of interviews with people who knew Jelly Roll. Lomax did a fabulous job of keeping himself out of the way while letting the often colorful information from the interviews tell the story of Jelly's part in the birth of jazz, a story with triumphs, massive ego and ultimate decline. I read a library copy and am buying a copy for a present.

This is one of the rare books for it can be enjoyed by just about anyone who picks it up. Its the amazing account of the life of Jelly Roll Morton, one of the best jazz pianists of all time. Though a braggart and troubled man, he created some of the very best pieces of jazz. The book goes into his life from his childhood and his time working at Storyville to the very troubled end in the early forties. You learn about his family, his troubled relationships with Anita and Mabel and how he went from being wildly successful to dying virtually forgotten. Voodoo, New Orleans, jazz and Creole culture, its all here.

Written with flair and never boring, Mr. Jelly Roll is a book that you will read more than once. Its a look at a legend and a glimpse into a world we can only know of through books and music. Get this if you want a good read and a look at Mr. Morton's life. A true classic.

I purchased several copies of this book and sent them to my friends and relatives across the country.

Everybody loved it.

Eric's photography shows his ultimate commitment to artistic perfection. Each photo is a work of art and carefully composed. The essays capture the meaning and beauty of the mountains of Colorado. I am honored to be his uncle.

This is one of the better Colorado photography books out there. While the photos are not consistently great, they are consistently good. Wunrow spent a lot of time hiking to remote areas of Colorado, which is to be commended. I do recommend 'Colorado II' by David Muench over this book, but I have ranked 'Mountains of Colorado' as the third best book on my list of 'Best Colorado Picture Books' (which can be seen by clicking on my name and looking at the Listmania lists).

I moved to Colorado in 1989. Without fail, when friends and relatives come to visit, they marvel at the beauty of the scenery, awesome landscape and amazing sights nature has handmade in Colorado's mountains. This book has made a perfect holiday gift for all those friends and relatives who only dream of being here in Colorado every day! From winter to summer, the Mountains of Colorado has it all! Without a doubt, the most beautiful photpgraphs I have ever seen!

Catch a glimpse of some of the more rare and overlooked vistas that this amazing state has to offer. Wunrow offers an incredible visual aesthetic in both photography and book design that takes the reader on a voyage to all corners of this wonderfully diverse state. A keen eye for composition, combined with strenuous backcountry hiking to areas unknown to even avid backpackers like myself, the images are striking and sometimes haunting. Former Governor Lamm's essays are engaging and well written, and form a wonderful complement to the photographs. Highly recommended for anyone looking to enjoy the most uniquely magnificent and previously unpublished views of America's most beautiful state.

You will find in this book very cleverly written articles. Toure shares his candid opinion on topics as well as sharing experiences he's had with many pop-culture icons. Very interesting read!

This is a must-have for anyone interested in hip-hop culture and it's impact on society at large. Toure's writing is smart, witty and incisive. I'm back on Amazon to purchase copies for my friends. They can't have mine!

It's rare to come across a writer able to both entertain and educate at the same time. I've read all three of Toure's book's, and have yet to be disappointed. Much like Kurt Vonnegut's brilliant short story collection "Bagombo Snuff Box," Never Drank the Kool-Aid, will both enlighten and have you laughing out loud. It's refreshing to come across a writer with the ability to effortlessly engage and challenge the readers pre-existing thoughts on society. Though much of "Never Drank..." consists mostly of Toure's encounters with Hip-Hop celebrities, he also manages to include various figures one wouldn't normally expect. As a whole, "Never Drank..." is the kind of book that will make you want to turn the television off, leave the phone at home, and find a park bench to allow yourself-if for a moment, the pleasure of losing yourself in the lost art of the written word. Never Drank, as well as the Portable Promised Land by Toure, are two books that will always have a home on my book shelf.

I was entertained from the first page. I thought I knew Toure' but now I understand so much more. I want to hear more stories. Please keep writing!!!!!

Never Drank the Kool-Aid is full of virtuoso performances, but the reason you must buy it and read it is "What's Inside You, Brother?," a personal essay in which Toure invents a first person narrator to describe a third- (and, for nearly half the essay, a second-) person Toure as he tries on a new persona, making himself over as a boxer not unlike Sonny Liston, well-acquainted with "the body English of the back alley, the backroom, the back corner of the prison's back cell." And even as he remakes his body into something lean and strong and fast, he is grappling with notions harder to pin down: blackness and whiteness, poverty and privilege, who I am and who they say I am. No one, not David Remnick, not Joyce Carol Oates, not Gay Talese, has ever written better about boxing, and boxing's not even Toure's main concern.

This dictionary is essential for everyone, not just children. This should be in every household and in every classroom, it has the basics organized in sections such as language arts, math, science,and visual and performing arts. Every child should be taught this information before graduating from 8th grade and every adult with a college education really should know all these facts, ideas, theories, and movements.

This book is in great condition and it arrived on time. I'm very happy with my purchase.

I was surprised to discover how many common proverbs and phrases
are confounding to high school freshman. This book has helped me to better understand the cultural awareness that these
students have not yet acquired. It has also been a useful
tool for working to bridge that gap.

I had the first edition and now the second edition is equally as enlightening. This is a valuable book,

This is a valuable item for all New Citizens as well as for any adult who's had a "whole word" education. I give a copy to any new colleagues from a non-English speaking country.