Cultural Books

This is a great book all fans of UNC basketball will enjoy. Jimmy does a great job of sharing an "inside" look of that championship team!

super insider information gives a real life perspective to players and team--great book for UNC and basketball enthusiasts

This is a great book for Tar Heel fans everywhere who are old enough to remember that magical year 1982 when the Tar Heels captured Dean Smith's first National Championship. Great stories and memories from a great player who many of us think was the driving force behind that Championship. If you are a Tar Heel fan and 1982 was one of those great years for you and you have not read this book, then buy it and read it right now!!

If you graduated from UNC in 1982, this is second only to the Bible as the best book you'll ever read. If you're a Tarheel, this is a MUST HAVE!
Scott Fowler's (of Charlotte Observer fame) writing is the best. Jimmy "Bossman" Black proves he can write as well as he can lead a championship team.

How 'bout dem Heels, they are the NATIONAL CHAMPIONS!

A pleasure to read. As a Tar Heel who knew Jimmy, I am not surprised by the candidness and honesty of his writings. The '81-'82 Tar Heels were an amazing team. Jimmy's book provides a personal perspective that brought back many memories. Any fan of college basketball should read this.

My grandmother gave this book to be years ago and it sat in my closet for a long time. I never realized how interested I would become in stuff like this until the last few years. This collection of Finish folktales, mythology, and magic and the such is a very interesting read. Not a whole lot is known about this. Most of the tales and legends were spread by word of mouth throughout the snowy and forest filled country throughout time. I love reading these translations alooking at the pictures. I came upon this book again while searching through my closet the other day and I started to look at it again instead of finding what I was looking for. I wish my grandmother was still alive so I could thank her for this.

I read Friberg's translation, along with every other available one in English, as research for my picture book retelling "The Maiden of Northland." Friberg's was simply the best, by far.

This translation if folksy and sensitive to the feel of the original. Although not encumbered with scholarly precision, it is right on the mark for continuing the ancient tradtions of the Finns. This was a major resource for me in the writing of my book Finnish Magic. The illustrations too are delightful

Friberg does a good job of translating the Kalevala into a readable English form. The Kalevala is a collection of 'Runos' or poems that were sung by storytellers. Friberg's translation is of the spirit of the stories. Some translations have tried to translate both the verse and the story making both dry and uninteresting. Frieberg concentrates on making the story read well in current English.

The extras to this edition make it worth the price. It is beautifully illustrated by Bjorn Landstrom--ALMOST, but not quite, comparable to the old edition illustrated by Gallen-Kallela. In the preface Friberg describes the impact the publication of the Kaleva had on the the development of a national identity for the Finnish people. A separate section describes the structure of the epic poem and the underlying motifs. The introduction details a history of the English translations (Porters [2], Crawford, Magoun, Kirby). Friberg's translation is in a freer form which does not follow the traditional numbering of the runes, BUT there are corresponding numbers to the traditional which refer to a "Notes" section which also includes explanatory notes. There is a glossary with many Finnish translations of individual English words. Remarkably, due to an accident, Friberg had a gradual loss of sight. He attended a school for the blind, then a public high school and then Harvard. He spoke Finnish as a second language and had committed to memory much of the Kaleva. Unlike earlier editions which were translated from the German, he was able to translate his work directly from the Finnish language. All these "extras" make this book well worth the price.

This autobiography reads like it was actually written by Kent Hrbek; it's fun, enjoyable, and not an in-depth introspective look back at his life. It hits the highlights of his career, briefly touches upon his upbringing, and has no tales told out of school from the dugout. If you're looking for depth, don't bother.

Hrbek comes across as a rare athlete who realizes that the important things in life are not being bowed down to and worshiped because he could hit a baseball. He's honest about his love of beer, his family, and not caring that much about conditioning.

Long-time Twins fans like me will relish this, but wish it had just a little more.

I really enjoyed this book for a couple of reasons. First, Kent Hrbek is a really likable guy who isn't out to impress anyone. He is a truly genuine individual, which is admirable and refreshing. He is also very interesting. No, this book isn't written on a graduate level, but who cares? It's about baseball, a team full of good guys, and one fun loving guy in particular. I read this book right before I read the book written by John Schuerholz. Wow, talk about opposites. The "genius" Schuerholz has no clue about things like the Hrbek charm.

After reading 'Tales', I felt like I had actually been in the dugout with the Twins. The book keeps moving, doesn't well on any point too long and provides just the right amount of detail. Hrbek and Brackin have delivered a baseball classic.

Hrbek's antics and honesty come through as genuine. He seems like a guy were he your neighbor you could just walk up to and have a nice, casual conversation. His views on baseball provide insight for the fan from the other side of the stadium fence. I remember watching him as a kid whenever the Twins came to Seattle, and he was always an impressive player. We ran into Hrbek on the street in downtown Seattle one day and he lived-up to his friendly guy image in person too.

I really enjoyed this book and highly recommend it for anyone with an interest in baseball or the Minnesota Twins in particular.

As a Minnesota Twins fan for some forty years, this may be perceived as a somewhat biased view...but I truly don't believe it is. Most of those who follow the game closely, and appreciate its significance on the national psyche for more than a century, will respect this straight-arrow summary--of Kent Hrbek's team, in particular; but, even more importantly, for the significance and integrity of the game in general. Though an unsung hero in terms of individual awards, he was, in the eyes of many objective baseball observers, as good as any--and better than most--first basemen to play the game. And he was an excellent clutch hitter (e.g., his grand slam homerun in the sixth game of the 1987 World Series) who knew the strike zone, and rarely swung at a bad pitch. But, as he emphasizes in his book, his two World Series rings, and the undying support of true baseball fans in the upper Midwest, and throughout the country, totally overshadow the fact that he was, inexplicably, overlooked for the individual honors which, in the view of many, he so richly deserved. He and others refer to his approach to the game as that of a throwback...the type of player from the game's glory days. This is arguably as high a tribute as can be given a player. And, because these qualities are, sadly, in short supply in today's go-for-the-money atmosphere, Kent Hrbek--nearly thirteen years after his early retirement--is still missed by those who love the game... for the game. And for all of those, "Kent Hrbek's Tales from the Minnesota Twins Dugout" is highly recommended. --Ron Howe / Erskine, Minnesota

This book was a great, quick read of antecdotes from Hrbek's career as a Twin. He reveals a lot of suprising off-the-field information that baseball players rarely reveal in career retrospectives. If you were a Twins fan in the glory year runs of 1987 and 1991, you have to check this out.

I encountered this book in the University of Massachusetts library. I usually don't go in for books that deal with "Western" philosophy in-depth, but something about it made me check it out. I'm so glad I did.

It's a fantastic book. Loy contrasts the Buddhist outlook to the outlooks of some Western thinkers (Freud, Nietzsche, Heidegger, etc) . It was a good feeling to see sketched out the relationship between my religion and modern philosophy, that they were motivated by the same questions but have come to different responses. This was one of the few books that have given me an "aha!" experience, where lots of disparate things fall into place and start to make sense.

You don't need to have a lot of background in philosophy, either Western or Buddhist, to appreciate this book; the author goes into enough detail about each field to bring a novice up to speed. If you're an American or European Buddhist and/or you have ever wondered how Buddhism relates to mainstream Western thought, you should definitely read this book.

Although David Loy's touchstones in Western thought are Nietzche, Freud, and Heidegger, this book does not require any extensive familiarity with these figures (as a person trained in Anglo-American analytic philosophy, I wouldn't know a Heidegger if fell over one!). In any case, Loy investigates the idea that the basis for much of our unease and dysfunctional behavior is not so much fear of future death, as Freud thought, but rather a sneaking suspicion that we have no substantial self, that we are not really real, but rather, as the Buddhists teach, a kind of convenient fiction. It is a treat to follow Loy as he follows up on the implications of this possibility, and I think that even those without an interest in Buddhism will find themselves reflecting deeply on their own lives and on some of the institutionalized forms of craziness that affect modern society. This book has stimulated my thinking like very few others, and I strongly recommend it.

This is a truly amazing book, and I certainly hope that there are eventually some new developments in psychotherapy that come from this text. I think some are already brewing. First, I won't spoil it, but the author finds our ultimate fear--and it's not death, although death is a close second. This ultimate fear drives all of our ego-machinations and makes the ego want to keep itself around--and part of that process is finding something, anything, more concrete and 'real' to fear and defend against. However, from a Buddhist perspective, there is really 'no one' there, so by implication the target of intervention, at least eventually, is to make the ego more translucent and/or dissolve it. It helped me to think of the so-called 'ego' as some very ingrained, well-learned mental processes that have gotten good at cooperating and 'feeling like' a 'self.' I think those who will like this book are already starting to the get the idea...and should read it--twice!

I am a psychotherapist with a long history of involvement in phenomenology (mostly interested in the worksk of Heidegger). I was attracted to Buddhism though a couple of years ago and stumbled onto David Loy's work. David has a number of books out, one on non-duality, a couple extending his notions of "Lack" to the socio-political arena. All are innovative, interesting, accessible and for my money, extreemly important. I highly recommend this book, though people intersted in philosophy and/or psychology are probably going to warm to it the most quickly. Or... if you are interested in Buddhist thinking (especially those interested in Zen), this is an invaluable book. I have found that I have to read maybe 6 or 8 books about Zen to find one that really stands out. Over the past couple of years, my bookshevles have bowed under the wieght of new Zen books. But Loy's works stand out like few others. I hope this book provides you with the same kind of psychological "glue" it did me. Buy it, and happy reading.

Contrary to the 'out of print' notice, this book is now available in paperback (since December 2000) from Humanity Books, an imprint of Prometheus Books.

I rate this book a 5, but then I'm biased -- I'm the author!

This is an exceptionally beautiful and interesting book. Even though I had no prior interest in chinese textiles I was quickly drawn in by the stunning photographs and the helpful essays. The book makes a great gift for anyone interested in Asian art or textiles in general!

This is a must read if you are interested in collecting Chinese Rank Badges.

A great reference book to identify the symbols, styles & the various techniques that was used. The color photos are just beautiful showing over 150 different types of Rank Badges.

I love this book! The two different parts of this book really works. In Part One, written by Beverley Jackson is an interesting look at Chinese culture and the journey to the mandarin squares. The fictional story of two boys and their different journeys brings the mandarin squares to life. The studying and sacrifices involved in order to wear the mandarin square are staggering. It heightens the appreciation of the squares themselves in Part Two.

In Part Two, David Hugus does an excellent job in dissecting and then explaining the elements making up the squares. Beyond the intellectual and technical issues, Hugus also discusses mandarin squares in the marketplace.

The two authors obviously have a great love and interest in the mandarin squares and the Chinese culture. I recommend this book highly.

This is the best and most complete book available on Mandarin Squares. A must read for the collector of these badges.

The text is extremely informative and the most comprehensive on the subject. It has well over 100 beautiful pictures of many examples of the nine civil and nine military rank badges.

I highly recommend this book to anyone interested in Chinese Textiles especially in the intricate embroidered Mandarin Squares and learn about their history.

This book is a must for anyone interested in Asian art and, in particular, the Chinese rank system and the textiles associated with it. I expect this book to become THE reference book on the subject. I highly recommend it to all those dealing in antique Chinese objects and museums specializing in Asian art. It is obvious to me that both authors have not only throughly researched their topics but also are impassioned by them.

In the book's foreword, Abu-Jaber states that the facts should never get in the way of a story, that the essence of experience is in the heart. She then tells her life story, each chapter an independent vignette, strung together by her father's love of family and food. I have little in common with Abu-Jaber, the oldest daughter of a protective, over-the-top father, who never truly left his native Jordan; and a US mother, obscure in the background, a stoical cypher. But Abu-Jaber is right, the essence of a story is in the heart, and her book connects.

This is a great story - Abu-Jaber shares beautiful stories of growing up with a Jordanian father and an American mother. As someone close to Middle-Eastern expats, I recognised a lot of the feelings, emotions and social situations she describes: the longing for a long lost country that is one embellished from childhood memories, the importance of food as a source of comfort and a way to bring continuation to a new lifestyle in a foreign country, the importance of family, the unity between a family that is scattered around the world but whose heritage keeps them together. I thought it was very enjoyable and entertaining. It should be especially interesting to people interested in Middle-Eastern culture and those who are or know any expats/immigrants like Abu-Jaber's father. For a deeper and less light-toned stories, I also recommend Crescent, or West of the Jordan.

Terrific memoir, funny and moving. Pretty good recipes too! Highly recommend.

Reading The Language of Baklava, I felt like I'd stepped into a 'lost world'-- the rich memories and sensations and stories were outstanding. This is my favorite kind of book, the kind that I have trouble finding any more, where I feel like you enter the heart and mind of a life and a place. I will never forget this book.

A lovely book, reminding me somewhat of my own childhood and my over-the-top overprotective father. The descriptions of her family's meals are incredible. I found myself rushing to make the recipes, looking forward to enjoying devouring them as I read, like I was sitting at the table with the author.

One of those books that you think, "Ok, it's late... I'll just read until the end of this chapter," then you don't put it down.

Well, if you're a foodie daughter of an immigrant like me, anyway.

Haven't finished reading the book but I found it to be very ineresting and worth my time. It takes an in-depth look at the Manchu imperial family, something that is oftentimes glossed over or ignored in history classes.
When Evelyn Rawski wrote about the Forbidden City- literally and figuratively, it is forbidden to outsiders- a real wonderland populated with characters that might eerily remind one of Alice's adventures in wonderland.

This is a great book the let people to know that Manchu still exists, because most of people had been unknown about China was named Manchu, it really named Manchu. It shows the social life style of the Manchus, the power of kingdom, which is never going to forget about the wealthy lives in Manchu, what is forbidden city really means. Forbidden City is a heaven, it is the most beautiful place to live in. It is magnificent, no where could compare with Forbidden City. Kingdom life is the best!

China should changed the name back to "Manchu" Qing Dynatsy is great!!!

This book beautifully describes the social fabric of life during the Qing Dynasty. As the author claims, she was privy to previously undisclosed Imperial records and has unearthed new insights into Qing customs.
I was introduced to this book after reading Jonathan Spence's "Treason by the book". Mr Spence, perhaps the foremost sinologist writing in a Western vein, has himself praised this book for its fount of new information on the Qing period.
I couldn't agree more and can also add that it is highly readable.

I had been taught in my high school history that "Manchus conquered China on horseback but eventually they were assimilated by the Chinese, becoming more Chinese than the Chinese". After reading E.Rawski's book, I'm beginning to question what my history teachers taught me.

E.Rawski's concentrated research on the Manchu royal family shows that the Manchus, particularly the elite did not lose their cultural heritage but in fact strove to maintain it.

The book explains how the Manchu royal family differed from the Chinese dynasties in their various aspects of social life. As the book is divided in chapters, it's easy to follow and read.

In my humble opinion, this book is for those who wish to study the Manchu monarchy in more detail.

In this work Dr. Rawski argues convincingly for her side of the sinicization debate regarding the Manchu conquest dynasty, the Qing (1644-1911). For those of you who are new to the field of modern Chinese history you may be interested in reading the articles of Rawski and Ho Ping-ti (He Pingdi) found in the Journal of Asian Studies, published in the mid-90's. The debate that was started by those articles is still of great importance to modern Chinese history, and it seems that although Rawski and others have presented a very strong case no one as of yet has been victorious. Many scholars still hold the views of Ho Ping-ti (or some version there of). Although, I suspect that over time Rawski's views will triumph. The argument, simply stated, is the question - to what extent where the "conquest dynasties," especially the Qing (Manchu) Dynasty, sinicized? In the past, scholars (perhaps dominated by the sino-centric Chinese interpretation) have agreed that foreign powers who dominated the Chinese empire forsook their own cultures in favor of a Chinese identity. This included the adoption of the Confucian civil service tradition as well as the Chinese language and many other Chinese cultural traits and behavior patterns. In recent years however, scholars have given evidence to support a very different view of dynasties like the Qing. A certain level of sinicization is undeniable, and no one challenges the fact that the Manchu banner-elite adopted a very Chinese approach to governance and cultural issues, however they also held on tightly to their own culture and went to great efforts to distinguish themselves from the Han Chinese as a ruling elite. The Manchu language, which many scholars had previously considered irrelevant (when studying modern Chinese history) has here become increasingly important. Rawski goes to great lengths to demonstrate the ways in which the ruling elite of China did not adopt 'Chinese' cultural practices but instead tried to be all things to all people. For the Tibetans and the Mongols they adopted the identity of a ruling clergy of Tibetan Buddhism, for the Chinese they adopted the Confucian model of governance, and for the Manchus they held on to various animistic traditions of sacrifice and deity worship.
This book is well written, except for a few minor stylistically uncomfortable passages, and really proves her point. Unfortunately, it does drag on a bit at times. Rawski gives an extremely detailed account of life in the upper echelons of Qing society focusing on the imperial household. There is a large body of work here and it will take several readings to truly imbibe all this book has to offer.
If you are looking to deepen your knowledge of the field I recommend "Manchus & Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861-1928 " by Edward Rhoads. It is a bit shorter and focuses on the ethnic and political divides between the ruling elite and the Han Chinese.

I went to high school with Howard (Julian) and there are things in the book that friends didn't even know that he was going through, yet her persevered. This is a great read for athletes, teens going through something or employees that need to understand more what it means to be a team player. This book shows how to be a good teammate not only in sports, but in business and in life. Great Read from a great Chicagoan.

This is a book for anyone with dreams, or for someone who just wants to be a better person.

Howard Griffith is a first-class football player. In my honest opinion, Howard is the most underrated football player in the NFL. Year in and year out he is busting his butt for guys like Terrell Davis and Mike Anderson, and not complaining about it. This man made Terrell Davis. And hopefully he will get his pro-bowl before its all over.

Enough about him as a football player, on with the book. In this book, Howard talks about his life and the trials he has been through. This is a story of a man who never lost sight of his goals. While he has had a tough life, he never gave up, and always does his best to help his team - even if that means taking blocking assignments and never getting the ball. "Laying It On The Line, Notes Of A Team Player" teaches people to better themselves... ...to better the world. With his actions speak louder than words attitude, he teaches independance, how to be a person free from following others and just being the best person you can possibly be. He teaches about responsibility and maturity, and taking life seriously.

Reading this book was a turning point in my life. Before i read it, I was, simply stated, and punk kid. This book taught me the importance in doing your very best at everything you do and how important things like you education are to you. He shows you how you can be indepent but still conform, not to stick out. After reading this, It opened my mind really. Before hand I was quick to judge just about anyone that didn't believe exactly how I felt. Now I think empathatically, and am not so quick to judge. I know it's irrelavant, but its amazing what certain situation you can be put in can change you life around in a totally different manor.

Props to Howard Griffith with this truly inspiring story. This is a perfect book for anyone with dreams, and that is willing to work. Howard Griffith's book deserves every 5 stars I gave it, maybe more (if I could). Simply stated, this book can change you life.

This self-proclaimed bookworm ranks this book as one of her all-time favorites. To those who aren't necessarily interested in football, to those who don't understand football, and for those who don't even know what football is, believe me when I say, you will undoubtedly connect with some, if not all of this autobiography. Indulge yourself in this down-to-earth, eye-opening, and often comedic drama that chronicles the ups and downs of life, as it relates to Griffith's chosen career of football. I see this book as more of the spiritual journey of a young man's life, explained through the metaphor of football. It could easily be a training development manual for any business consisting of more than one person - it's all about teamwork and the success, respect, honor and glory that can be achieved if all involved are confident and secure with their individual roles and truly understand the concept of "team." If you need to be "pumped up" and inspired about anything you're trying to accomplish in your life right now, I suggest you purchase this book - it just may be the medicine you need.

This a truly remarkable account of Griffith's story and the obstacles that he's faced to get where he is today(the best fullback in the NFL). There were so many points in his life that he could have given up--but he didn't. Don't think that it's your "typically" sports book--it's not! This book is for anyone that aspires to fulfill their dream. I highly recommend this book. Kudos to Griffith!!!

As a professional book reviewer and avid reader, all I can say is: It's about time that a story like Griffith's gets some "air-time." LAYING IT ON THE LINE is uplifting and inspiring, while dispeling many of the myths about players in the NFL. It highlights the positive aspects of professional sports and reveals important ways in which team sports can develop one's mental and physical "game." Griffith is a living example of what it means to be a true champion, on and off the field. This book's a winner!

The man that poetry made stands luminous
on the broken corners of history's suicidal cravings,
he watches splashing in the street
birds cleaning their feathers inside
the crystal flow of words he gave them,

he is a vintage wine now,
traveling with ease over the tongues
of other people's intentions,
he is a quilt
made of one billion black hands
spread like guarantees from a single living God
over the heads of the misbegotten.

The man that poetry made wonders
on which day will he finally recite his soul.
Ask him who his mother is
and he will sing for you memories
of bosom-heavy haikus
filling his mouth with the milk and nectar
of joy neverdying.
Ask about his father
and he will boast about a ballad
that thundered all the way
from Spain to Zaire
bouncing him like a sack full of sonnets
upon his broad whistling shoulders.

This man that poetry made stumbles barefoot
through the city, a huge blue ribbon wrapped
around one big toe, a small pink one tied
to the other, ragged jeans loose
upon free-verse hips, fluorescent eyes blinking
surrealistic kisses of negritude revisited--

To the woman confused
by his lust for peace
he begs "forgive me lovely genius
I was not born as you were born,
my blood was written
by a different kind of coupling."
To the man frustrated
by his lack of animalia
he sang, "Beauty is a thing finer
than exalted fears of actual love."

The man that poetry made sometimes
blows himself to pieces with bombs
made from metaphors, he enjoys watching
the words that shape his life
scatter like golden ashes of imagination
then one by one float back down to earth
covering him with forms and meanings
he never knew existed.
People passing the corner
where he stands luminous and throbbing
rarely see a man at all.
They look at the man that poetry made
and see a public toilet
or a burning bush flaming in the most unlikely place.
Sometimes they see him as a rare jewel
and snatch him up before anyone else
can look. He is always curious riding along
inside the pockets of strangers
wondering how they shall react
when they see him for what he is,
and he reveals, with
love lighting up his every cell
exactly who they are.


by Author-Poet Aberjhani
author of I Made My Boy Out of Poetry
and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History)

This is the most complete writing on Hughes' life. Beautifully written yet very thorough. Arnold Rampersad is probably the most talented biographer alive.

I thought this was a very interesting book. It is VERY well written, I recomend it!

Long before the advent of the 1960's motto of black pride and black beauty, there was Langston Hughes who championed and celebrated black pride and black beauty, both African and black American, at the height racial inequality in the United States.

The two definitive biographies of Langston Hughes are written by Faith Berry, LANGSTON HUGHES: BEFORE AND BEYOND HARLEM, and, the two by Arnold Rampersad's, THE LIFE OF LANGSTON HUGHES VOLS. 1 AND 2. For those able to do it, I would recommend reading Berry's biography first and then DEFINITLY follow it by reading Rampersad two exquisite biographies of Hughes. Reading the two is the only real way to get a complete and accurate picture of Langston Hughes. Both books briefly address Hughes family background which isn't unique to him alone in the black American community as those non-persons of African decent on the outside repeatedly fail to understand. Both books address Hughes' humanity despite of the racism he faced as an extremely confident and proud African-American. Both acknowledge Hughes dislike of those blacks like Toomer ashamed of being black and their African heritage. Both reveal his living through all the moments in early 20th century American history like the Harlem Renaissance and meeting and befriending such figures as Dubois and facing McCarthy on charges of communism while punctuated moments of his life with wanderlust in world travels. Both books address the obstacles and triumphs he faced as being only the second black American to earn a living by writing , the first being Paul Lawrence Dunbar who was also Hughes idol and influence alongside Whitman and Sandburg. Both books take care to explain how Hughes relationships with his parents and grandmother may have shadowed his other relationships in terms of his race pride and the half hearted and insincere assignations with women he was linked to.

Where the two books differ is in discussing Hughes being gay. Berry appears unbridled by prejudice in acknowledging use as gay. Rampersad, a conservative black scholar and now part executor of the Hughes estate, is too eagerly fulsome in his attempts to deny Hughes being gay along with the coded references Hughes used to describe his affections for black men in poems which are similar to those used by Whitman in describing his same sex interest. This dangerously borders the homophobic line. (** READ the recent appendix in Rampersad biography where he rightfully takes issue with being called homophobic by his critics.**) This has been the chief criticism by many of Rampersad two biographies of Hughes. The great irony is that Rampersad actually confirms Hughes being gay by indicating the price Hughes would have paid if he was openly identified as gay at the wrong time in history (even in some circles of the black community today for that matter). Plus, in volume 2 of the LIFE OF HUGHES, Rampersad is less virulent in denying Hughes being gay and pretty much comes close to acknowledging him being gay but holds back for reasons of
his own.

Moreover, Berry discusses Hughes in a straight foreword manner. Rampersad biography is almost lyrical in its historical documentation of Hughes life like a number of biographies being written these days by certain scholars. Rampersad goes into great psychological analysis of Hughes and barring certain before mentioned instances gets it right.

"'The Africans looked at me and would not believe I was a Negro': ...
`You - white man'," they said. Repudiating the idea that he was not one of them,
Hughes asserted "the unity of blacks everywhere." Hughes' choice to embrace
his African-American heritage is a major theme of Rampersad's biography.
Hughes rejected his father's path and the chance to pass, to escape prejudice
and win easy acceptance as a member of Mexican society. Poetic inspiration
came from Harlem, from Jazz, and from anger at prejudice. Despite, or because of
its format, with chapters divided by years, this book made riveting summer reading.
Along the way it introduced me to wonderful poetry in the context of the life:
-----
Mercedes is a jungle-lily in a death house.
Mercedes is a doomed star.
Mercedes is a charnel rose. ... ----
AND:
Passionate, cruel,
Honey-lipped, syphilitic -
That is the South.
And I, who am black, would love her
But she spits in my face . . .

Sound familiar? Does what goes around -- come around
again? Are the malls the 21st century version of
the Roman baths? Are the Nascar racetracks the 21st
century version of the chariot races? Are our
football stadiums the 21st century version of the
Colosseum? This book does not present its themes
in these terms, but one cannot help but think about
these things as one reads it -- in tandem with reading
the Roman writers who satirized or caught in verse the
goings-on in their own times: Catullus, Martial,
Petronius, Juvenal.
Besides the "Introduction" by David S. Porter, there
are 3 large Parts to the division of the book. Part
I is titled: "Social Structures and Demography". Within
this section are informative and highly interesting essays
on "The Roman Family," "Elite Male Identity in the Roman
Empire," and "Roman Demography." Part II is titled:
"Religion." There is only one essay in this Part --
"Roman Religion: Ideas and Action." Part III is titled:
"Bread and Circuses" [the famous phrase used to describe
how the rulers and the "elite" kept the masses under their
control -- by giving them doles of food or by providing
them with mass entertainments to keep their minds off
the fact of their gruelling lives and that they did
not lead the "good life" that the "elites" were leading --
sound familiar?]. In this Part are the essays: "Feeding
the City: The Organization, Operation,and Scale of the
Supply System for Rome," "Amusing the Masses: Buildings
for Entertainment and Leisure in the Roman World," and
"Entertainers in the Roman World." Since our modern
era also seems to be so much into shallow entertainment
and pleasures, perhaps the titles of the subsections of
this last chapter will be intriguing: Actors and Athletes.
Chariot Racing.[the factions and their fans sound like
ancient Roman predecessors to the WWF and Nascar
fanatics...] Gladiators, Beast Hunts, and Executions.
[well, we haven't "progressed" in our tastes and
"sophistication" that far yet...but, who knows? ...]
All in all, this is a very interesting, insightful,
intriguing -- as well as provoking book. The
section that interested me the most was the one
on the Roman emphasis and hang-up on male identity -
what was considered manly, and what was not. It isn't,
as if that is one of the main obsessions in our own
times in the U.S. of A. , of course. And what are
all the "manly" types contributing to the betterment,
stability, and nobility of our present society and culture?
It gives one pause, for reflection.

First off, this book is a collection of seven very long essays by different experts. The essays deal with the minutest details of Roman life, ranging from religious practice to construction to gladiatorial combat and criminal execution. Not all essays are created equal, and there are two in here that I found rather dry, but perhaps that is because I couldn't care less about the specifics of amphitheater construction. The others were phenomenal, and even the "boring" ones contain excellent and useful information.

I read L,D,&E (as I have begun to call it) for an undergraduate class in Roman History and had to write a critical review-type paper about it. I have to say I actually enjoyed the assignment. The book was, overall, excellent. It features real-life "snapshots" of different aspects of Roman life, and unlike many books about Ancient Rome, it doesn't focus solely on the upper classes. It also doesn't spend any time discussing politics or history or "great men" of the times, so if you're looking for that, go elsewhere. This book is NOT an introduction to imperial Rome -- you'll need to have one of those under your belt already -- but it IS the most wonderful, complete, and readable supplementary material available. It really fills in the gaps and answers questions you didn't know you had, giving you a vastly more complete picture of Rome under the Emperors.

This book discusses aspects of Roman life that are frequently difficult to research... such as the kinds of toys Roman children enjoyed or the types of birth control that were popular. It covers such subjects as "feeding the city" and "entertaining the populace" as well as religion and other expected items. The work comprises a sweeping approach to "real life stuff" in a framework that is scholarly (with plenty of documentation) but highly entertaining. It's the kind of book I've been wanting to own for years.

Nothing further to add, but wanted to point out that this work is not as slanted politically correct as Encolp in his review above make it seem. The book is much more objective, all the pseudo-intellectual babbling is purely the reviewer's preferred conlcusions using the data in the book as a springboard. I just can't help wonder why he is so disturbed by so-called "manly types" (or what he means by that).

This is an interesting, well-written book that would be a good edition to the library of any student of Roman history as well as being a good resource for writers of historical fiction.