Cultural Books

This is a book that will delight readers of all ages. Not only are the illustrations masterpieces, the story is as well.

Anna is a beautiful husky who is the runt of her litter. She and her littermates train for a 2,500 - 3,000 mile run that will take them an estimated six months.

The curly tailed dog and her littermates are followed as they are being trained for the run. Mushers and dogs alike work well together; the bond of cooperation between them is not only strong; it is paramount.

The beautiful husky, once dismissed because of her small size proves herself to be up to every challenge during the training and the run. The Little Husky Who Could can take her place with Akiak, another husky who proved her stamina and determination even when her mushers wanted to retire her. An excellent family, classroom and general discussion book, the message can never be shared enough. This wonderful book makes me think of McFadden & Whitehead's 1979 classic, "Ain't No Stopping Us Now" and Matthew Wilder's 1983 hit, "Ain't Nothing Gonna Break My Stride."

One of my jobs at our local library is to read stories to young children, sometimes also at elementary schools. I recently read this story to the 1st,2nd, 3rd and 4th graders and it received rave reviews. One teacher had each of her students draw a picture of his or her favorite story, and 25 of the 30 drawings were of Anna , the amazingly brave little sled dog. The illustrations were beautiful and large enough for groups of children to see them , while the text had a good amount of drama that held their interest.

Big Enough Anna is a winner all around. The message is encouraging without being patronizing or syrupy; the illustrations will draw in even children who might think dogs are a little bit scary; and the story itself is full of a sense of daring and adventure and, most of all, the love between the musher/storyteller and her team of sled dogs. A great classroom unit could be built around this book, using the adult/teen version of the same story (Alone Across the Arctic) for additional background info or activity inspiration. (Both books could be read by a teacher in a weekend.) You will fall in love with Anna and all the dogs, and be cheering for them throughout all 3,000 miles of their expedition!

I really like this book! It's a kid-friendly story with great pictures and message. Pam Flowers tells the true story of how the smallest dog in her dog-sled team saved the life of her biggest, strongest one...and also made possible the successful finish of her expedition across the American and Canadian Arctic. And she subtly sends the message that each of us can mazimize our strengths and lead useful, productive lives, even if others think we have too many weaknesses. We may even become heroes!

Anna's small; and small dogs aren't usually what mushers want in their teams. But Pam sees Anna has a big spirit and is curious, intelligent, willing to learn and a hard worker. So even though Anna's young, Pam puts her where her exceptionally-good leader, Douggie, can teach Anna the ropes of that critical position. Then things happen; and physically-small Anna is "big enough" to do what needs to be done. She saves not only Douggie but also the expedition.

I'd read "Alone Across the Arctic" (also by Pam Flowers with Ann Dixon,) and admired Pam's own fortitude, intelligence and perseverance. I wanted to know more about the adventure. Here's a gold nugget of a book that does that. And it's well written; both youngsters, and the adults who may share it with them, will read it all the way through...several times.

The great illustrations (paintings) by Bill Farnsworth perfectly capture the story and the attention of young children. I love looking at them each time, too.

This is a great Christmas present. If you've finished your shopping, surprise everyone for Valentine's Day.

This exquisitely illustrated book is based on the true story of a litle sled dog who rose to the occasion and became a hero in her own right. Anna, a small Alaskan Husky female, was judged too small to be of any use when Pam Flowers made her historic journey across the Arctic with a team of sled dogs(chronicled in ALONE ACROSS THE ARCTIC). But when Pam's wise old leader dog disappeared, Pam put little Anna in the front because in spite of her size she was such a hard worker. Douggie, the wise old leader dog, was eventually found, but was so exhausted that little Anna had to take over and take charge of the trip. This lovely book not only teaches an important lesson--- that what matters is how much heart and spirit you have, not how big you are--- it is so beautifully done that I'm giving it to all my adult dog loving friends for Christmas.

having a unique maiden name as Elzy, I like to see what I come across on the web. When I came across David Weaver's book on black divas and whom the book was about I couldn't resist. Not only is this a book about a wonderful singer, but about a person whom made her dream a reality with the help of god and some wonderful friends. The determination she had, her beliefs. This book was so informative and easy to read, that I am going to pass it on to others to read. I don't know if she is a relative but this book has given me the inspiration to find out.

Ruby Elzy, on the scant evidence of the one recording that I have yet heard (St Louis Blues, in the film of Birth of the Blues), was a great artist, both as actor and singer.

David Weaver's fine book is a most moving and informing tribute to Ruby Elzy's life and career. It is also a tribute to the achievement of a people emerging with triumph from slavery and discrimination. Despite their triumph, this book also indicts the nature of ongoing discrimination, against Afro-Americans and against all other people of colours and beliefs and ways of life that cannot be accommodated by the fear-based, unreasoned and unreasonable prejudice of other people across the world. This world is too small a place to contain both a diverse humanity and oppressive, evil prejudice.

In spite of the great interest and pleasure that I found, and continue to find on re-reading, in David Weaver's first book (surely, other books may follow), reading it was a painful experience - it has forced me to confront my own, deep-seated prejudices. There is a story where Ruby Elzy is walking with her friends and is mocked by a racist white boy. When she starts to sing a joyful spiritual instead of being downcast, the boy then acknowledges, in a kind of begrudging wonder, that she surely could sing.

David Weaver's work in creating this good book has helped many of us to share that boy's wonder. Sharing his admiration and affection for this great woman and her people is a gift that earns him the warm, well-earned gratitude of his readers.

David Weaver is now preparing a CD of Ruby Elzy's work and no doubt this will be sought after by many people on its release.

Ruby Pearl Elzy was born in small town Mississippi, but even when she was a young child it was evident that her voice would be too big to keep her there. Her dream of becoming an opera singer seemed unfathomable considering the fact that her father had abandoned the family and her mother worked multiple jobs,one as a school teacher, just to meet the basic needs of the family. But like her mother, Ruby had strong faith that God would make a way for her and neither of the two women was afraid of hard work. Their faith and work ethics, coupled with the dedication and help from others, both black and white, allowed Ruby to continue her education and eventually study at the famed Juilliard School. Despite racism and the barriers it created, she was able to perform on stage, radio and film, her trademark role being that of Serena from Gershwin's Porgy and Bess. Although she never accomplished her dream of starring in Verdi's Aida, her brief career was full of notable accomplishments. Tragically, Ruby Elzy died in her prime, before she could accomplish her goal to sing in grand opera. Yet, she left an indelible legacy that has inspired many.

Before I picked up this book I didn't know who Ruby Elzy was, but thanks to this book, I not only know of her accomplishments, but also a little about her on a personal level. I was even inspired to search online for audio clips so that I could hear the voice I read so much about. David Weaver has crafted a work that is a perfect balance between Elzy's personal and professional lives. When he writes about issues such as her divorce from her first husband or her relationship with her father, he does so with a respect that is often missing in today's biographies. He also does a wonderful job recreating the zeitgeist of the 1930's era by providing just enough relevant historical information. It is obvious from reading the book and scanning its extensive endnotes that BLACK DIVA OF THE THIRTIES is a well-researched book; it provides a comprehensive view of an important, but often overlooked woman, whose life was cut too short.

Reviewed by Stacey Seay
of The RAWSISTAZ™ Reviewers

A gifted four-year-old black girl child sings in church in a remote village in the hills of north Mississippi. She, two sisters, brother and schoolteacher mother are deserted by the father. In the 1920s existence in this farming community is hard for white folks, and much harder for a deserted black family of a woman and four children. By the time this girl is grown she will have graduated from Juilliard as a singer of classical music, given concerts throughout the country, entertained at the White House, performed in movies, become a favorite of George Gershwin and originated the role of Serena in Porgy & Bess. How it all happened has to be a biography because you would not believe it in a work of the imagination. It is all true. And it is well told in Black Diva. Although published by a University Press it is as far from academic gobbledygook as could be. Mr. Weaver writes well and has constructed an exciting story. This is not one of those bios where you know little more when you finish it than you did before. He "connected" with this girl, Ruby Elzy, and you get to know her, the times, the music, the atmosphere as well as if he had written a novel. Once famous, Ruby is now nearly forgotten. She shouldn't be. I invite you to read this book. You'll like her. And you'll want to hear her sing.

BLACK DIVA OF THE THIRTIES: THE LIFE OF RUBY ELZY is a fascinating and moving tribute to the great American soprano by first-time author David Weaver. Mr. Weaver's solid musical background serves him well in capturing the successes and the ultimate tragedy of this incomparable artist's life and career, and it's a testament to the author's style and sensitivity that no lofty musical pronouncements tarnish the pages of this book. Weaver treats his subject with intelligence and respect and it shows.

Biographers new to their craft often fall into the trap of overstating (and overstuffing) their subject's history, but all such pitfalls are avoided here. The book is a model of its kind and portrays Ruby Elzy's life and times in a warm, comprehensive and thoroughly engaging fashion. Weaver is also a born writer and I defy anyone to sample the marvelously evocative Prologue and not read on.

The book is a joy to read but more importantly, through the quality of his writing and the integrity of his research, Weaver ensures that Ruby Elzy's distinguished contribution to 20th century music will not be forgotten. The greatest test of any musical biography is whether the reader is compelled at the end of the book to seek out the subject's recorded legacy. With BLACK DIVA OF THE THIRTIES David Weaver has accomplished that task triumphantly, leaving the reader only to regret that so little recorded material by Ms. Elzy has survived her untimely passing.

This is a wonderful book by a gifted writer and an essential addition to every serious music lover's library.


Derek Mannering is the author of MARIO LANZA: A LIFE IN PICTURES published by Robert Hale, London. The author's acclaimed and newly revised biography MARIO LANZA: SINGING TO THE GODS will be published in the United States in summer 2005 by University Press of Mississippi.

My 8 year old daughter had a project on African American Women who have contributed in science; however, the Internet did not provided anything on Dr. Green who I truly admire. After we purchased this book which came righ on time (it took 3 days!!!!) we read it from end to end and found more information on Dr. Green then anywhere else. This book really helped us.

Jose

So little is known about African American women pioneers in the sciences. Otha Sullivan has written an illuminating book for young readers that will fill in the gaps. Every parent concerned with teaching their children more about pioneering women in American history should purchase this book. It is also a good resource for science, social studies, and history teachers.

So little is known about African American women pioneers in the sciences. Otha Sullivan has written an illuminating book for young readers that will fill in the gaps. Every parent concerned with teaching their children more about pioneering women in American history should purchase this book. It is also a good resource for science, social studies, and history teachers.

This is a wonderful book. Not only is it packed with interesting facts, but the interviews and writing style are so personal and intimate that one feels as if, for example, Mae Jemison is right in the room sharing her life story. The women are candid about the obstacles they met and overcame. I think a young adult of any race will find this book very inspiring...I know if it had been around when I was a kid, science and math would have been much more relevent to me!

This book is about African American women scientists and inventors, a rarity indeed.Reportedly African Americans in general comprise 4.5% of all science and engineering professionals today.So to read about the significant contributions of these pioneering women is both revealing and uplifting.Some of those profiled are somewhat well known;such as Madame C. J. Walker.She is known for her million dollar hair care business. Others are not so well known, such as Dr. Angela Furguson who joined with Dr. Ronald Scott in researching sickle cell anemia at Howard University.
Unfortunately the African American women scientists and inventors have been left out of mainstream history even as some African American men scientists have been included. Most of us are familiar with the contributions of George Washington Carver, who is credited with discovering 100 uses for the sweet potato and more than 300 uses for the common peanut in his lab at Tuskegee Institute. Also we are equally aware of Benjamin Banneker, who is widely hailed as inventing the first clock and assisting in the laying out of the design for the Nation's Capital, Washington, DC with Charles L'Enfant.
The author makes a laudable contribution for filling in existing historical omissions regarding African American women scientists. He brings to our attention warm inspiring stories along with factual historical information.
Teachers, other educators, parents and anyone else involved in the unending search to supplement traditional textbooks in order to ensure broader inclusion, will welcome this book. In doing so they too will expand their own knowledge and understanding of the subject. One does not need to be in the fields of science, engineering nor medicine to appreciate the message in African American Women Inventors. For the message transcends traditional borders or disciplines of study. The biographical descriptions of the featured women are of tremendous courage, high intellect and a lot of hard work. The stories in this book are exciting and geared to fostering a sense of empowerment to studenta and adults alike who read it. Students at all grade levels, genders and ethnic groups can readily relate to thses stories of personal triumph and achievement. However the author has written it to target ages 9 through 12 year olds.

"The notion of tabu as connoting both 'danger' and 'power' belongs in fact to a venerable tradition. One source of this is the work of Durkheim...a pioneering article on menstrual symbolism published in 1898...Durkheim argued that women established the exogamy rule by periodically BLEEDING so as to repulse the opposite sex...[women] were the immediate agents of religious ideology's segregating action."

"...But of course, the model of cultural origins advocated in this book would lead us to trace the underlying abstract logic of the Rainbow Snake...much further back into the Aborigines past--indeed, right back to their first entry into Australia [from central Africa]..."

"It would be interesting to study the ideological and political factors which led to Durkheim's insights being virtually ignored for a hundred years."

Chris Knight, BLOOD RELATIONS
Chapter 11: "The Raw and The Cooked" and
Chapter 14: "The Dragon Within"

" At Yirkalla, in...north-east Arnhem Land [aboriginal Australia]...women's solidarity is still very strong, menstrual blood is regarded as 'sacred'... It is only when this snake power of the women themselves has been established that the conditions are felt appropriate for the climax of the ceremony...

'...really we have been stealing what belongs to them (the women) for it is mostly women's business... Women can't see what men are doing...This is because all the Dreaming business came out of women--everything...In the beginning we had nothing...we took these things from women.'

"It is one of the severest indictments of 20th Century anti-evolutionist anthropology that its models have led ethnographers to dismiss such profound Aboriginal insights as scientifically valueless."

Chris Knight, BLOOD RELATIONS
Chapter 13: "The Rainbow Snake"

This is a five star, paradigm-shifting treatise on human cultural origins if there ever was one. Chris Knight's rendering of the four plus million years of primate and proto-human history in BLOOD RELATIONS, right up to the latest 200,000 years that begin true humankind and human culture in central Africa and along the Nile, through to the psychic/motivational bedrock of our conflicted modern society, becomes more impressive, more inclusive--and more impregnable with every chapter and every turn of the page.

My test for the far-reaching influence and power of any theorist--particularly of the wannabe revolutionary kind--is three-fold. One, their theory must be completely plausible; i.e. not needing simple revolt from detractors and complimentary but poorly explained aspects of ITSELF to proclaim and rationalize its essential relevance. Two, they must have the ability to completely encapsulate the foundational principles, concepts and findings of the other historical and competitive theories within its discipline as an integral part of its own new perspective; showing their ideas to be the great quantum leap beyond our sense of reality and the all inclusive step toward truth. And third, perhaps most important of all, it has to excite me. There may be things my mind will not be specifically educated enough, multi-lingual enough or quick enough to pick up, but you cannot fool my heart. All these three are BLOOD RELATIONS's great achievement and great contribution.

Chris Knight, the brilliant and controversial London anthropologist, does this all in BLOOD RELATIONS with such remarkable clarity and erudition, in fact, attempts to disagree with his findings becomes pointless. His unified field-theory of the prehistoric African woman's role in the formation of human culture is so incredibly well done, and so profoundly earth shattering in its implications, that I read the book twice to fully soak in all the sacred pre-verbal intuitions I have had that it reveals to be historical fact and obvious science.

So far the only complaint of BLOOD RELATIONS I could have is the only one possible: he seemingly focuses too much on the Marxist avatar of revolutionary cultural ideas while using it as the lens via which the origins of culture could be best understood. This at times seems to ironically minimize the revolutionary spirit of humankind that produced them. None less than the great Picasso was once quoted in saying "today's artists are tomorrow's politicians;" focusing more on the *artistic* power of the creative human spirit (my bias) may have put his new paradigm in an even more inclusive perspective. Yet even there he establishes, to my knowledge, the first credible dialectic between the devolved, political diseases of 20th century Stalinism/Maoism and the philosophical/scientific postulates of the 19th century Marxism upon which their regimes were originally based. So powerfully, in fact, that the Marxist perspective he examines and explains driving his reevaluation of 20th century anthropology--and, in turn, our entire view of human culture--need not (and in his book does not) come with the kind of intellectual apologies that would otherwise signify an inherent lack of validity.

Chris Knight with BLOOD RELATIONS shows unquestionably that women, via sex and the rhythm of menstruation, nurtured the primal creative impulse of civilization and they essentially created human culture. And he shows it to be made up of communal solidarity against oppressors and oppressive situations (be it prehistoric animals or alpha males), symbol-driven creativity, and achieving a certain oneness with the rhythms of nature. This primal social movement that is the womb of human culture, told in every ancient culture's foundational myths, could naturally just as easily explain the birth of democracy and/or capitalism in the historical ages of feudalism as it does the advent of Marxism in the age of capitalism...and what is next for human kind.

This is another of the great books of our time whose far-reaching influence in modern culture has not even begun to be felt. One can only imagine what anthropological works throughout history that have been ignored because of intellectual biases will now be reexamined and redeemed through his paradigm shifting work. I would combine this with Barbara Ehrenreich's 1995 work BLOOD RITES, and the 19th Century Gerald Massey's ANCIENT EGYPT, THE LIGHT OF THE WORLD as an anthropological trinity of monumental, paradigm shifting proportions that will change your view of humankind-our true past, present and potential-forever.

BLOOD RELATIONS is beautiful.

This book may be the most important book ever written on the evolution of human social organization. It brings together observation and theory from social anthropology, primatology, and paleoanthropology in a manner never before equalled. The author, Chris Knight, who teaches social anthropology at the University of London is up to date on all these fields and has achieved an extraordinary synthesis. His critiques of Claude Levi-Strauss on totemism and myth are a sheer tour de force. The basic premise can be summarized, though only in an extremely cursory fashion, as follows. The basis of primate social organization is predicated on the distribution of food resources and how females array themselves around these. Males array themselves around females. Over the course of human evolution, the acquisition of animal protein came to be of critical significance. Proto-human females acquired this valuable resource from males via a collective bargaining agreement which formed the basis of human kinship organization and social exchanges. This accomplished through a systematic "sex-strike" cycle which ran according to a lunar based schedule of menstruation/hunting following by ovulation/feasting. Human females evolved concealed ovulation and a cultural system of sexual advertisement based on menstruation that guided this cycle. Females could now say 'yes', but they could also say 'no', depending on the success of the hunting venture. The author explores evidence for this thesis both in the ethnography of currently existing non-industrial societies as well as in the paleolithic in the use that anatomically modern humans' made of red ochre and other pigments to signify and exploit the menstrual event. A number of previously incomprehensible myths, such as the 'Rainbow Snake' of the Australian Aborigines, receive a new and revealing interpretation in this light.

Dr.Chris Knight was one of my lecturers at university and without fail I would come away from my Anthropology lectures with my head blown away by all the amazing knowledge transfer that occurred. It was all fantastic stuff and all totally confusing until one of those "aha" moments, when all of Chris's and the other anthropologists theories suddenly all fell into place and began to make real sense.

The book itself was a key text during our studies with various chapters needing to be read at various times. For that reason I shall not break down the book, rather I shall say that it will be one of the most illuminating and eye-opening books that you will ever read. Maybe not the easiest to read but definitely one of the best. Oh, and you can always impress your friends in the pub of an evening with your knowledge of Marxist paleo-anthropological theories pertaining to the emergence of human culture!

This book was a revelation for me. Having struggled through numerous turgid anthropological works by the likes of Levi-Strauss, Roheim, etc., it was thrilling to read such an ambitious clear-sighted and compelling account of the origins of human culture, together with an excellent critique of much current anthropological thinking.

It's worth mentioning that Chris Knight is a marxist, and by that I don't mean vaguely left-wing in the manner of, say, Eric Hobsbawm. He's a real believer...dialectic materialism, the whole works. Clearly Knight believes his marxism is essential to his thesis. I would argue that although this maybe enabled him to see through other anthropological schools - structuralism, functionalism, what-have-you - and to develop his own theories, in the end it's irrelevant to his conclusions. So, wade through the marxist stuff, you can ignore it, it's not to my mind necessary to agree with his ideological beliefs (I don't) to appreciate his arguments, and to agree with much of what he says - or at least to find this a wonderfully stimulating book.

The many words used to describe Chris Knight's "Blood Relations" include, monumental, encyclopedic, brilliant, original, ingenious, and a tour-de-force. It is all of these and more! This work is simply the most brilliant and imaginative book about human cultural development ever written. Its range is astonishing. Its arguments are cogently made with great detail. Its synthesis of primatology, socio-biology, and anthroplogy are compelling. Where others have depicted women as the victims of a dominant male hierarchy, Knight reveals how the sex roles and behavior of both men and women developed together in a dialectic relationship. Where others have stressed the loss of oestrus and continuous sexual receptivity in the female, Knight spotlights menstruation and its associated marital and other cultural taboos. Where others stress man the hunter and woman the gatherer, Knight envisions paleo-women as evolving an increasing solidarity to shape the structure of both hunting and gathering. Women are not the passive creatures that are so often depicted by the radical feminists who have an interest in portraying women as the victims of dominant males. Females have been active participants in shaping culture, behavior, and human destiny. As Knight says, "symbolic culture involves very widespread levels of synchronized co-operative action."

Somewhere between 40,000 and 100,000 years ago, Knight believes, a massive social, sexual, and cultural explosion occurred and he does an ingenious job of providing us with insight into how this may have happened. A major change in reproductive strategy had to take place before males could take off as hunters and leave their women behind. Women synchronized their ovulatory cycles with one another; the concept of the "sex-strike" is the heart of the book. Blood as a symbol of menstruation provides a key to much of human culture and Knight uses it to explain the inner logic of many of mankind's myths and taboos. Because the disruptive effects of sex can be enormous, these controls have played an important role in the development of human culture.

The riches of this deeply learned book cannot simply be conveyed in a brief review. It is a work to be read over and over and contemplated. The many insights into human culture and the relationships among the sexes will surely provide any open minded person with a new perspective as to why we are the way we are.

The essays and poems in this collection, which would make a good gift book, are meaningful, and the American Indian tone is meditative and enriching. Even the cover, in dark colors and smooth to the hand, encourages contemplation.

This book is a beautiful collection of stories and references to ceremonies, a good addition to any library of books on native ways or shamanism. It is not a "cookbook" of rituals or ceremonies, but a book that honors the beliefs and energies behind the ceremonies as important.

The primal wisdom that emanates from these ancient teachings lifts up the spiritual practice of reverence-one that is often lacking in modern times. Horn demonstrates a kind of radical amazement, a deep feeling tinged with both awe and wonder as he sees the sacred in all things. These ceremonies touch the heart because they arise out of a felt sense of participation in the universe, a kinship with all beings and with matter.

Anyone wanting ceremonial richness in their own lives will cherish this book and will feel emboldened to start where they are right now-even in the middle of a city, far from the kind of natural surroundings available to the ancients. "It is the spirit of the ceremony that is most important," reassures a grandmother. This is treasure to own and consult, a treasure to give.-SA

The Book Of Ceremonies is an intensely sensitive, reverent collection of Native American sacred songs, poems, stories, observations, and ceremonies. It's prayerful tone is beautifully underlined by the delicate, perfect black and white art work by the author's son, Carises Horn. Drawing from a variety of sources, The Book Of Ceremonies unifies and presents thoughts on Preparing, Greeting and Gratitude, Love, Marriage and Divorce, Birth and Death, Dreams and Visions, and Seasons and Healing. An additional list of recommended reading includes Native Heart: An American Indian Odyssey by Gabriel Horn, and other selected books by Kent Nerburn, Jason Gardner, and Loree Boyd. The Book Of Ceremonies is a beautiful book to be treasured and shared.

Nancy Lorraine, Reviewer

THis book was so so helpful when I found out my daughter was dyslexic and gifted. This man's journey is amazing and inspiring!

I always thought everybody struggled like I did until I read this book. For the first time in my 37 years of life, things made sense. His struggles, fears and victories were all things I could relate to. It was as if I was looking in a mirror. I took the 71 question quiz at the end of the book and scored high on all but two questions. I always thought dyslexia was the inablility to read because of transposing letters. Now I know it is far more than that. I have purchased a copy for each of my loved ones in hopes they will be able to understand me and my learning disorder. Best of all, I can use Abraham Schmitt as proof that I don't have to stay within the walls of my fear and limitation. I highly recommend this book to every school teacher, everyone who struggles with surmountable odds or fear of any kind, and people like me, who label themselves "a stupid genius". Not only is it an eye-opener about dyslexia, but it is an unforgetable story about an unforgetable man.

Dyslexia was not the only barrier Abraham Schmitt faced. Dr. Schmitt also had to adapt to the modern world of the mid 40's after having lived his whole life in a German-dialect Mennonite community that had not evolved in 200 years. His willingness to take large risk, leave behind his community, language and culture while doggedly working towards a college education is beyond admirable. His chronic fears and anxieties over being perceived as an idiotic 'peasant' are wrenching; as are the accounts of the cruel treatment he frequently received. There were thoughtless people, and beautifully caring people who are marvelously drawn in this book. His biography shows the miracles that will, faith, and determination to find your 'place' in the world, can acheive. It needs to be required reading for the chronically discouraged.

I could not but help reading this book over night.As a teacher in junior high school in Taiwan, I am quite accoutomed to kids have the same problems as Abraham described in this exotic book. I am absorbed by his tremendous effort to overcome his hereditary setback and use his right brain hemisphere to achive great success in a society designed by and for the left brain people. And I learned an important lesson in this book, a word in time is really a great help to people around you. Without the encouraging words, Abraham might have given himself in his early life when he felt frustrated and embarrassed. After reading this book, I am deeply concerned that I can help my students with my words just like those wonderful guys in Abraham's life who gave him kind concern and help. And those concern and help turned out to be a blessing to a poor yound man and make him be someone. Gee, that's great.Everyone needs someone else to encourage him, and everyone can be someone else's lucky-giver.

This book is excellent. I couldn't put it down. It is refreshing but sad to see how a dyslexic person struggles through even the smallest tasks. Mr schmitt tells about his dyslexic life. He is the brilliant idiot--he holds several college degrees but can't tie his shoes and can't teach school. Anyone who knows someone with a learning disability will enjoy this book. It will bring a better understanding of what a learning disabled person has to overcome--and provides proof positive that it can be done! It is a truly sad but remarkable journey that Mr. Schmitt will take you on if you read this book. You will laugh and cry and your heart will break. But such a happly ending.

Belmonte's book should be require reading for all Anthropology students as well as those interested in Naples life, before graduating college. As an ethnography, Belmonte writes an excellent detail account of life in poor Naples. He makes you "see" Naples through the eyes of the people in his book and not by those glossy travel brochures.

I have this book in a socialsience method class, and for that i am realy glad! This book is writen with such understanding, and such respect. He could have choosen an easy way and just written what he saw and assume about all he doesn't see or know. Like about the family he get's to know, he even mentions it himself, that he could have just assumed that all familys in Naples in this area and in other poor areas, are the same, and that the family structure and habits and behaviours are the same, but he doesn't, he tells you all he sees, and all he gets to know, and he tells you what he doesn't know, he uses other peoples work and what they have found to compleet his own. I undrestand why we have it on the book list!! cause it is so valid, he has done an amazing job. Also this book is so well writen that it's almost like a novel, i sometimes caught myself in forgetting that this has happend, its none fiction. This book is really worth a read! it's worth both your time and money... and the thoughts you might sit with after wards! Kudos To You MR. Belmonte, this is one WELL writen book, with insight, understading and truth.

Belmontes field study of Urban poor of Naples Italy makes great reading. Belmonte writes as a chemist would, capturing the kind of graphic detail that puts you right at the head of a Neapolitan famly's table at Sunday dinner. Watch that knife! Belmonte's Naples is filled with unforgettable people in an unforgettable place.

Thomas Belmonte brings the reader into the book. He doesn't simply write a sob story about those in Naples, yet he writes about the bare-truth and amazingly highlights the implications for the poverty. A must read for anyone who needs an understanding of unfair world systems.

Thomas was my cousin. He was always an amazing person to be around. He died a few years ago from a disease called AIDS. He was a very brave man. He was not a man dying with AIDS, he was a man living with AIDS. Throughout his lifetime, Tommy was a very devoted man. He was a caring generous person. He is greatly missed.

The Brothers is a coherent and compelling series of autobiographical narratives, alternating among Art, Charles, Aaron, and Cyril. These perspectives are a valuable record of collective memory, as well as moving individual journeys. American culture from the late 1930s to the close of century informs and drives these voices: here is camaraderie and racism, love and alienation, spirituality and hedonism, cruelty and tenderness, peace and rage, cocky determination and chilling fear, triumph and despair--all related with a palpable frankness. Those of us born in the 30s and 40s will find parts of ourselves here; those born later will see how true it is that "past is present." Lovers of jazz, blues, early rock'roll, funk and r&b, and New Orleans rhythms will revel in the stories of contacts with the "greats." The street language may put off some readers. With all respect to those readers, I suggest their tolerance. It is no small thing that those who struggle with personal demons may find a light to their paths between the covers of this book. Over 300 pages, family photos, discographies, and an index.

This autobiography is actually a quartet of autobiographies as the essence of each of the four Neville brothers come alive in this book. The non-fiction focuses on the individual personalities, their personal take on music including their solo careers and group performances and recordings. It also Includes their evaluation of the last four decades of music especially in New Orleans and their personal trials and tribulations.

All this marks this non-fiction, as several cuts above the typical wave of rock and roll biographies that seem like perfect flavors of the month. Instead this tome provides a "Tell It Like It Is" feel that fans of the New Orleans sound will enjoy. Anyone who reads THE BROTHERS NEVILLE will seek other works by master music biographer David Ritz (see his works on Ray Charles, Marvin Gaye, and Aretha Franklin, etc.) as this reviewer plans to do.

Harriet Klausner

The Brothers is a extraordinary look at how music and culture nurture us and redeem us. The power of this book lies in the unashamed honesty of the Neville Brothers and the wisdom and confidence of the author to allow the brothers to tell their own story. Unencumbered by analysis or author's comments, the brothers simply present their stories while the author ties the threads together to show how the Neville brothers as individuals worked through their personal problems and came together as a family and a musical group. There is no other book that means more to me than The Brothers. Their story has helped me to make sense of my own journey as an American journalist and music critic living and working on the island of Trinidad in the West Indies.

David Ritz has helped many rhythm and blues musicians write their autobiographies, including Ray Charles, B. B. King, Marvin Gaye, Etta James, and Aretha Franklin. The characteristics that these books share is the sense that the subject is writing directly to you as you read, and that the bad times as well as the good times are revealed. If you are a fan of the musician, you feel like you have a better understanding of them once you've read the book Ritz helped them write.

The Neville Brothers' story must have been complicated to organize because there are 4 Neville Brothers, Art, Charles, Aaron and Cyrille. They tell their stories simultaneously, a paragraph or two by one brother and then a paragraph or two by another and so on. The story they tell is fascinating and often horrific! Violence, drug abuse, crazy characters, prison terms and danger fill virtually every page. These are fascinating lives to read about, but I wouldn't want to live them! Aaron and Charles seem to be the most forthcoming and the most sympathetic of the brothers. If you love Neville Brothers' music, you'll want to own this book!

THe Neville Brothers are a very solid unit.Great talents.this book takes them not only as a Group but also as People with feelings&outlooks.David Ritz does a Great job of doing books.always Interesting reads.this is a very complete book.long overdue on these greats.but better late than never.

This is a book which I :
(i) looked forward to reading (after reading the favorable reviews),
(ii) wasn't sure about the quality of the book half-way through reading it, but
(iii) was convinced that it is an important book upon finishing the final chapter.
Broadly, it is a book about Thai Buddhism in a historical and cultural context. It attempts to relate what Thai Buddhism was like before state-led reformations (which began during the rule of King Mongkut, 1851-68) changed the institution. The story told is very subtle - it discusses, amongst others, the role that monks played in the local Thai society during this period. The method that the author employs is very peculiar - the book reads like a personal narrative that is sourced from personal interviews (with senior surviving monks), written recollections by monks as well as 'farang' diarists. This approach, which I thought was almost akin to an oral history is, I think, inevitable given the form and availability of the information on the subject. This approach also makes the book very readeable and appealing as it manages to impart to the reader the feeling of how the past feels like. Stories surrounding the sometimes supernatural feats of monks wandering in forests adds a 'folklore' dimension to Buddhism as practised by Thais that I think is not often conveyed. The stories about individual monks were the ones I enjoyed reading the most. I cared less about 'farang' writings even though their observations sometimes proved informative. Not all the book is centered around Thai Buddhism. For example, the author discusses views on the status of women in Thai society towards the end of the book (chapter 43). The book is partly a social commentary about how Thai Buddhism and society have changed. I sense a tinge of sadness about these changes but the author does not quite say it outright whether the past reforms were mistakes. This is quite understandable, given the sensitivity of the issue due to the exalted status and high esteem in which past and present Thai kings are held. One of my favourite chapter is the last one - the tale of a Dutchman who stole a jade Buddha statue from a forest, only to return it later and to ultimately find the true meaning of life (as a Buddhist monk). The last few words of this chapter (uttered by the Dutchman) was, for me, very memorable: "All our European haste and disquiet has fallen away from me. I have come to realize that quite equanimity is the highest good that we can achieve in this life". Tiyavanich certainly knows how to choose her words very well. This is a book which I read and savoured slowly - one to two chapters daily, every night, before I slid into pleasant dreams. Tonight, upon finishing the book, I lament the fact that I will need to find another good read tomorrow night.

This is a book which I :
(i) looked forward to reading (after reading the favorable reviews),
(ii) wasn't sure about the quality of the book half-way through reading it, but
(iii) was convinced that it is an important book upon finishing the final chapter.
Broadly, it is a book about Thai Buddhism in a historical and cultural context. It attempts to relate what Thai Buddhism was like before state-led reformations (which began during the rule of King Mongkut, 1851-68) changed the institution. The story told is very subtle - it discusses, amongst others, the role that monks played in the local Thai society during this period. The method that the author employs is very peculiar - the book reads like a personal narrative that is sourced from personal interviews (with senior surviving monks), written recollections by monks as well as 'farang' diarists. This approach, which I thought was almost akin to an oral history is, I think, inevitable given the form and availability of the information on the subject. This approach also makes the book very readeable and appealing as it manages to impart to the reader the feeling of how the past feels like. Stories surrounding the sometimes supernatural feats of monks wandering in forests adds a 'folklore' dimension to Buddhism as practised by Thais that I think is not often conveyed. The stories about individual monks were the ones I enjoyed reading the most. I cared less about 'farang' writings even though their observations sometimes proved informative. Not all the book is centered around Thai Buddhism. For example, the author discusses views on the status of women in Thai society towards the end of the book (chapter 43). The book is partly a social commentary about how Thai Buddhism and society have changed. I sense a tinge of sadness about these changes but the author does not quite say it outright whether the past reforms were mistakes. This is quite understandable, given the sensitivity of the issue due to the exalted status and high esteem in which past and present Thai kings are held. One of my favourite chapter is the last one - the tale of a Dutchman who stole a jade Buddha statue from a forest, only to return it later and to ultimately find the true meaning of life (as a Buddhist monk). The last few words of this chapter (uttered by the Dutchman) was, for me, very memorable: "All our European haste and disquiet has fallen away from me. I have come to realize that quite equanimity is the highest good that we can achieve in this life". Tiyavanich certainly knows how to choose her words very well. This is a book which I read and savoured slowly - one to two chapters daily, every night, before I slid into pleasant dreams. Tonight, upon finishing the book, I lament the fact that I will need to find another good read tomorrow night.

This is a fascinating book for those interested in Buddhism or Thailand or just a good read. It is a wonderful collection of accounts of Thai monks in the 19th and early 20th centuries. Their encounters with ghosts, elephants and snakes, and all manner of people provide a slice of rural life in times past. The views of Westerners in Siam at the time provide additional perspectives. Old photographs, engravings, and maps complement the stories. Highly recommended.

...."I recommend this book to anyone who harbors one of more of the following persona: The historian who enjoys pouring over colonial memoirs which detail exotic places and scenes of west-meets-east-for-the-first time;the ethnographer tracking wisdom traditions as expressed in lifestyles of rural villagers; the armchair thrill-seeker who longs for hair-raising jungle adventures; and the spiritual aspirant hoping to meet realized practitioners who are the living embodiment of the Buddha's teachings."

Dr. Kamala Tiyavanich's latest book,"The Buddha in the Jungle," is a wonderful collection of fascinating tales, rich in the exotic beauty and mystery of 19th century Buddhist Thailand. From the horrors of the charnel grounds to the quiet serenity of tropical forest shrines, Dr. Tiyavanich's stories of Buddhist practioners and saints will captivate, inspire and teach the reader. A native of Thailand and a Buddhist practitioner in the Thai Theravada trdition, Dr. Tiyavanich writes in her characteristic style of detail and clarity, making this scholarly work fresh, exciting and easily accessible to every reader. I found this book to be a joy to read and I highly recommend it to anyone with an interest in Bhuddism.

As a genealogist, I have a particular interest in these types of publications. Guillermo Baralt has collected priceless information on Puerto Rican history.

I have a lot invested in this book as my mom's family comes from hacienda life and are from this area of the island. It helped me flesh out a better picture of my ancestral movements. For my mom and aunts, reading this book was like reading a diary. This was their life experience. Thanks so much for translating this. It can be enjoyed by any serious historian of the Caribbean.

Historically, factual, fascinating, a wealth of information culturally, and a must read (required) for all Puerto Ricans, Newyoricans, and ANYONE interested in the history of the founding fathers of the New World!...I found this book, while researching the archives online at the New York Historical Society's Library. But, it only showed the original, which was written in Spanish. The history and clarity of the subject matter contained in this book is long overdue, and covered the subject spectrum 100%!


After speaking with my brother, whose first visit to Puerto Rico (at a ripe old age of 49), included a visit to 'Plantation Buena Vista,' he told me about the rich history that he saw there, and that he was totally fascinated by it! I again, researched this book online at [...], and saw, that it was redone in English, so that, I could read it!

If I were asked to contribute anything to this book, I would just say, that I would have liked it to be broader to include more chapters! Perhaps, a sequel to this book can be written! Or, maybe even, it should be made into a TV Series...muchas, Alex Haley's TV miniseries, "ROOTS!"

The ongoing saga of the Buena Vista Plantation, rich cultural history of the Vives Family and Puerto Rico after the turn of the century, is equally, and, even more, compelling a story!

Thank you Amazon for providing this book, as it filled in the facts that not being able to read comprehensively in Spanish has cost!

I received this book on Saturday and finished it Sunday . An excellent, detailed account on life in a Puerto Rican Hacienda. Wonderful illustrations of people of the time and details of sophisticated equipment used in those time. A true picture of how life was then. My grandfather was a farmer and worked on a plantation so this gives light to some of the stories he told me about. An excellent books for anyone that wants to know about their roots and is especially interested in the Ponce area although this was probably typical of all plantations. A must read!!!

If your really into history Colonial days you should really put your hands on this one. It takes you on a drive full of feeling to that era. Im Italian and it made me recall my grandparents village in Palermo... I give Gullermo A. Baralt an A+

(From Planeta journal): This new English-language translation of an established Caribbean classic traces the history of the Buena Vista estate in the foothills of Puerto Rico's central mountain range. Now a living history museum, Buena Vista gained its initial success producing food for the town of Ponce, proving that raising crops for local consumption could be as profitable as sugar or coffee for export. The text spans almost a century -- a time in which slavery ended and technology expanded at a phenomenal rate. This is an exceptional book, one that any visitor to Puerto Rico should read before making an obligatory visit to the island's Living Museum of Art and Science.