Cultural Books

272Pgs - This is my personal view of this book.

It did not grab my attention at all. At the fourth chapter, I was looking for my receipt. More Women are becoming Soul Searchers today and if you are a Title Seeker like myself meaning (a title of a book can prompt you to purchase) this book will definitely be a lesson well deserved.

This is book could be named, "When A Man Loves a Woman." Bishop really loved Abeni and she loved him back just as hard.

This book is awesome! It will make you laugh and it will make you cry. The characters really come to life in this book--you feel what they feel as you read this wonderful book!

It's been awhile since I've ordered a few books and rather than bore you with the same old rave reviews, I just have a few things to state. The book kept me up until my eyes could not take it anymore; The character Bishop in the book was fascinating. I won't go into details but the fact that it deals with FGM (Female Genital Mutilation) which is going on in certain tribes in Africa paints a picture for me to better understand the culture. Althought I don't agree with it. Pick the book up and you will not be dissappointed.

I just finished reading this book, it was very good. All the characters were great.I liked what it was about, the story really touched my heart and it made me cry. Get this book, you will not be disappointed.

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.

This book is such a great collection of tiki decor and knick-knacks that you don't even need to read the captions to enjoy it. My wife and I want to turn one of our rooms into a tiki bar. We thought we would need to do a lot of looking to get a good idea of what real post-war tiki bars were like. Well, look no further. This book has it all. If you type in "tiki" in an Internet search engine, it wouldn't come up with this many ideas. This book reviews everything from the blue prints to the big tiki restaurants down to the coasters underneath the amazing assortment of tiki mugs. The title could not have been more appropriate. This is the definitive book of tiki. Have great fun looking through the book. Depending on your age, it might make you nostalgic for those lost days.

If you have the slightest interest in the subject, you have to have this book. it is an amazing piece of work, and a visual feast. It is one book I pick up again and again, and always notice something new. Buy it.

Truly a wonder of nature this Book of Tiki. Chances are, you might so your parents or grandparents in the pictures, from the days before you considered them old.

The text of the book goes briefly through the various sources of Polynesian pop-culture, and where it branched off. From Michener's South Pacific, to the Lanai apartments in Anytown, USA.

The pictures, brought through the archives of time in the form of various postcards and of the now empty lots that once were Tiki bowling alleys and apartments, show us a fascinating time of tehnicolor wonder and primitive naivete. This was before PC was PC.

All around, a fantastic read, whether you're a full on tiki freak, or you simply wonder why grandpa wore a Hawaiian shirt to your wedding.

Like all Taschen books, this book is visually STUNNING! Just leafing through the pictures never gets boring. The real treat is the book is also jam packed facts, folklore, drink recipies, and so much more. More information about Tiki than I ever knew existed.

Plenty of eye-candy in this book, but very well balanced with informative and fun content. A must have for the Tiki enthusiast!

This book is a must have for anyone interested in Tiki or kitsch art. Describing themselves as "urban archaeologists" seeking remnants of Tiki culture, the authors provide a fun and informative look at this vanishing art form. The book does an acceptable job presenting the evolutionary history of Tiki, from the 1920s to the present. Key events, such as the establishment of Trader Vic's, and the Kon Tiki craze of the late 40s, are looked at in further detail. There is also a good look at the "artifacts" of Tiki art and architecture throughout the United States. The book is packed with color photos of Tiki mugs, matchbooks, buildings, and much more.

However, the book does lean a bit too much towards making the book eye candy. The Book of Tiki uses intense colors, and ultra-hip page compositions that make it difficult to read (typically Taschen, but I still found it distracting). Also, a consolidation of information would have made it easier to reference, such as a table differentiating the different "Trader" Tiki businesses. Also, some of the text ("Exotica and the Tiki style were denounced as contrived rituals of the imperialist establishment at the same time that the Vietnam war developed into and ugly mistake, with native huts and palm trees burning on TV."), had me wondering if they were being tounge-in-cheek, or were actually serious.

Nevertheless, this book is the current bible for Tiki aficionados, and is well worth having on your bookshelf.

This is a good starting point for working with Psychoactive Plants. It is however not quite as informative as the author's "The Encyclopedia of Psychoactive Plants: Ethnopharmacology and Its Applications". If you are interested in working with plants but are not sure then this is the book for you to get the real information you need to make a informed decision.

This is a good book on the topic of psychotropic plants, though I have to admit that I'm a little shocked that the opium poppy wasn't included. Oh well. There are enough books on that subject that I'm sure if you really want to study the "black smoke" you can find another book to read. It presents an interesting subject in an approachable, readable format. My one complaint is that parts of it read a little too New Age-y, which irks me. But that's the way I am. Aside from that one (rather small) problem, I would readily recommend this book to anyone looking for an all-in-one look at this branch of botany.

The authors Richard Schultes, director of the Botanical Museum at Harvard and Albert Hofmann, discoverer of LSD and former director of the Pharmaceutical-Chemical Research Lab in Basel, Switzerland, together have over fourteen years of research in field of botany, chemistry and ethnobotony. In their book the authors offer an ethnobological look at the sacred use of hallucinogenic plants and include: an introduction to hallucinogenic plants, a plant lexicon, overview of plant use chart, detailed section of fourteen major hallucinogenic plants, and concludes with an overview of the chemical structure of hallucinogens.
The plant lexicon includes ninety-one known and most common hallucinogenic plants with: a colored picture for each plant, botanical name, geographic location, hallucinogenic properties and a short description of the individual plant. Following the lexicon is a chart overview of each plant that includes: usage in history, context and purpose, preparation, chemical components and effects. Following the chart is a detailed account fourteen major hallucinogenic plants. "Most of these plants are or have been culturally and materially important...that they can not be overlooked "(81). The authors include: a descriptive history, gathering techniques, rituals, the chemical make-up of the plant, pictures of ceremonies, and artwork of "visions" by people.
Plants of the Gods is more than a research book, it is a guide to understanding the role hallucinogens play in various religious cultures using a scientific and anthropological approach.

This review is based on the 1992 publication:
Schultus, Richard E., and Albert Hofmann. Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers. Rochester: Healing Arts Press, 1992.

If you're looking for information on how to prepare psychoactive plant medicine and, well quite frankly, how get high, this is not the book for you. However, if you'd like to gain more wisdom and insight into shamanistic practices around the world, this is a wonderful history that draws you into the mind of the shamin. I loved this book. It gave me new respect for the wisdom of those ancient people of whom we know so very little. I highly recommend this book for anyone interested in shamanism and herbalism. It offers insight into not HOW but WHY psychoactive plants are ingested. Plant medicine is afford the tremendous respect it so rightly deserves.

Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers
by Richard Evans Schultes, Albert Hofmann, and Christian Rätsch

Publisher:Healing Arts Press/Inner Traditions

Year:2001 (revised and expanded edition)

ISBN:089281979-0

Categories:Book Reviews, Recommended Books

Reviewed by Jon Hanna, 6/26/2007

It may be a rare thing for a second edition of a book to warrant its own review, but such is definitely the case with the new edition of the Schultes' and Hofmann's 1979 classic Plants of the Gods. The updated version was produced as a German translation in 1998 by Christian Rätsch, and Healing Arts Press released the English translation of this in late 2001. It is a thing of beauty.

The primary and most dramatic improvement is the inclusion of numerous new photographs and art images. Although this second edition retains many of the same photos, it introduces a lot of new ones as well. In some cases, the item depicted-such as the statue of Shiva with Datura flowers in his hair (p. 11)-has been revisited with a higher-quality photo. Frequently, black and white images have been replaced with a similar image in stunning full-color. While this works superbly in most cases, there are a few situations-such as the replacement color photo of an aerial view of the Kuluene river (p. 24)-where the original black and white photo was much better. New psychedelic art is featured throughout from the likes of Pablo Amaringo, Walangari Karntawarra Jakamarra, Nana Nauwald, and Donna Torres. There are even some incredible watercolor paintings done by Christian Rätsch himself (think Codex Seraphinianus on acid)-where can we see more of his art!? A beautiful mural of an ayahuasca ceremony that graces a wall at the Cuzco Airport in Peru reminds us that some countries have a more enlightened attitude towards the use of psychoptic plants.

"Fourteen Major Hallucinogenic Plants" of the first edition has been altered to become "The Most Important Hallucinogenic Plants," and expanded to include new sections on Anadenanthera colubrina, ayahuasca analogs, Salvia divinorum, and Duboisia hopwoodii. There have been numerous expansions on the old chapters as well, including many additional species of the genera discussed. Six new plants have been added to the "Plant Lexicon," and this section has been vastly improved through the addition of color photographs. Previously, the majority of the plants described were depicted via illustrations, with only a few photo images; this situation is now reversed, with only a few illustrations. (It is a shame that there are any drawings remaining, although I suspect in some cases it might be hard to obtain photographs of the plants in question. Still, in other cases it should not have been difficult-photos of Banisteriopsis caapi, Lagochilus inebrians, Mandragora officinarum, Mimosa tenuiflora [= M. hostilis], Peucedanum japonicum, Scirpus atrovirens, Tabernanthe iboga, and Virola theiodora are all available via the web). The map of "Native Use of Major Hallucinogens" has been expanded to include Hyoscyamus sp., Duboisia sp., and A. colubrina, and the depicted range of Cannabis use has been increased.

Some problems that the original book had are, alas, retained or, in a few cases, exaggerated. The gutter of the book is too tight, causing one to crack the spine to get a full view; this was the case in the earlier edition as well. New layout glitches include shaded backgrounds for text boxes being placed too close to the edge of the text (in some cases touching it), and headlines that sit too close to the images. The problem of citing alkaloid contents as fixed numbers is still present (although in a few cases ranges are presented). Those with little knowledge on the subject might actually believe that all dried Trichocereus pachanoi plants have a 2% mescaline content, while this is actually the peak of the range that can be determined through a survey of the scant few published isolation analyses (which dips down to 0.33%, and even lower in published HPLC analysis), and may not be typical. In new cases when ranges are presented, such as the case with Mimosa tenuiflora root-bark said to contain 0.57 to 1.0% DMT, the information may not be correct. (M. tenuiflora has been reported to contain 0.31 to 0.57% DMT with specific analyses available in the literature of Gonçalves de Lima 1946 and Patcher et al. 1959, and there have been unsubstantiated counter-culture claims of 1% to 11%, see ER Vol. X, No. 3, 2001 and Ott 2001). Both the new and the old editions of this book are riddled with statements about alkaloid contents that are presented as if they were fixed amounts, when in reality alkaloid content can be highly variable.

Some new errors are introduced with this edition. Spelling mistakes are peppered throughout (they've misspelled author Hofmann's name on the back cover!), and awkward phrasings are not uncommon in those sections that were translated from German. In some cases, plants are presented as containing specific alkaloids that they do not have. For example, it is remarked that "The Turkey Red variety of the grass Phalaris arundinacea contains liberal amounts of DMT." This is in error, as this variety contains liberal amounts of 5-MeO-DMT, not DMT. Also, photographs of four cacti-Ariocarpus retusus, A. fissuratus, Astrophyton asterias, and Aztekium riterii-known in México as "peyote" are depicted, with the statement "They primarily contain the substance mescaline and other psychoactive alkaloids." This too is in error, as only A. riterii has been found to contain trace amounts of mescaline, and no mescaline has been found at all in the others. (It was interesting to see that Rätsch considers a heftier amount of mescaline, "0.5-0.8 gram" to be a dose, compared to the Shulgins' more conservative 200-400 mg dose listed in PIHKAL; I tend to agree with Rätsch.)

Any and all criticism of this book should be viewed as minor, as it is truly a marvelous work. Rätsch has taken a great book and made it better. Especially if you own the first edition, you owe it to yourself to pick up this revamp. It is visual delight, a joy to read cover-to-cover, and it will no doubt be revisited repeatedly for years to come.

I bought this on the recommendation of Dr. Stanley Krippner in a lecture on ayahuasca. It is absolutely the best book I have read on the history of the psychedelic movement during the past 100 years or so. Timothy Leary is not dead - he's only outside looking in. :-)

This is the definitive account of the 1960s psychedelic drug scene. Stevens does a great job of conveying the highs and lows of LSD and its proponents. His ability to relate endless facts while retaining a fast-paced narrative structure is amazing. I found this one of the most "addicting" books out there about the significance of drugs in American culture. Stevens reviews all the major personalities: Albert Hoffman, Timothy Leary, Ken Kesey and the Merry Pranksters, the Grateful Dead, Alan Watts, Jack Kerouac, Aldous Huxley, and more. If you're interested in this electric decade, the power of psychedelics to warp the mind, or any of the poet-prophets who were compelled to experiment with and sing the praises of acid then this book is sure to delight.

This should be required reading in American History. Who knew Canada had legal LSD centers? And the characters- Nin, Huxley, Kesey, Leary and Capt.Al Hubbard (??). Will we ever see their like again? Really a very sad story, and a fascinating one. Nice to see the Chief Boo Hoo, old Art Kleps in there as well. Sen. Kennedy: "Is your title really Chief Boo Hoo?" Art Kleps: "I'm afraid so, sir."

It is no fluke that this book has an average rating of five stars from amazon.com readers. This is simply one of the most informative, enjoyable and engaging presentations ever written on the subject of hallucinogenic drugs in modern history, and how they made their way from the obscurity of laboratories and clinical research to become a fixture in the counterculture of the 1960's and beyond. The complexities of the story make it a formidable challenge for any narrator, but Stevens proves easily equal to the task. In the pages of this book, the reader is introduced to the dramatis personae with an immediacy as though meeting them in person. Many of the facts discussed herein have been recounted before by many capable others. But never have they been put into such a vivid and vibrant perspective as this, so thorough and rich with nuance. That's important because the depths of this story, stranger as it is than any fiction, are where its meaning emerges most clearly. Ever since the impact of LSD and its profound, pervasive influences on our life and times, modern society will never be the same. And it is impossible to imagine what popular culture would now be like without the psychedelic revolution of the 20th century. "Storming Heaven" offers the best single account of how and why this is so. This is a real page-turner, very difficult to put down, and is highly recommended for the interested reader.

This was a very good book. You get lots of interesting stuff about Aldous Huxley, the famous beat writers, Owsley, Timothy Leary, Ken Kesey and the evolution of the so called counterculture as a whole.

The problems that I have with Storming Heaven is not for what was in it but what was left out. For one Stevens was WAY too easy on Timothy Leary. The author seemed almost like a school girl with a crush when he recounts his visit to Learys home for an interview for the book. He comes off more as a fan than he does an objective writer at times when he deals with Leary. Why wasn't it mentioned that it has come out that Leary was a government informant and information he gave led to the death of two members of the Weather Underground? Its also a known fact that Leary was surrounded by CIA assets and there is a lot of evidence that he was a government agent himself, and at the least he was feeding them information.

There is also a fleeting mention that wasn't elaborated on about Ken Kesey that he had LSD experiments done on him at Stanford by the guy that ended up in charge of the CIAs Mkultra mind control program. This really makes me wonder about Kesey. Its more or less accepted history that the first LSD to get out on the street level was what Kesey stole from the medicine chest at his job as a night shift janitor at a mental hospital and distributed it among his elitist friends. Kesey went from writing what was probably the best novel written during the 1960's to, while becoming a counterculture hero, never writing another thing worth reading again. Did doing too much LSD scramble his brains and ruin his creativity or was his creativity nullified by Mkultra programming? Its hard to say for sure but I have to wonder if Kesey was not under some sort of mind control or was being used by the CIA in one way or another. There are a lot of unanswered questions in my mind about Kesey.

They also fleetingly mention the Brotherhood of Eternal Love who were major LSD distributors and were known to be full of CIA people and had a close association with a Jewish man named Ron Starks who was a CIA spook that also happened to the biggest LSD dealer in the world. Starks was not even given the first mention in this book!

I mean with all these ivy league, Mkultra and CIA connections to the elites of the so called counterculture I have to seriously wonder how much of the hippy movement of the late 60's was an organic rebellion against what was (and still is) a very repressive society both socially and politically and how much of it was intentional social engineering that came from the highest levels of the power structure. Many people believe that the anti-war movement was flooded with drugs, in particular LSD, by federal agents. Its well known that the government tried to subvert and destroy the anti-war movement with the cointelpro program so why wouldn't they also use drugs to try to destroy it? While it can't be denied that LSD has enhanced many an artist, writer and musicians work can you honestly say that sitting around frying on acid all the time is going to do anything but disable political activists who in many cases were in a life and death struggle? Besides that the fact remains that many people became permanently damaged as result of doing acid.

All that said I would definitely recomend reading or of you can get it cheap, buying Storming Heaven. I could hardly put it down once I started reading it. I realize that this book was more geared toward looking into what psychelic drugs can do with the mind and its exponents history and theories on the subject than any conspiratorial maneuverings by the US government involving LSD but it just didn't go deep enough into the rabbit hole for my tastes.

My product arrived in time and in very good condition!

would definitely purchase again

Paul Rusesabagina is an ordinary man. He feels sadness and joy, fear and hope just like the rest of us. He is not a superhero in the ordinary sense of the word--he cannot fly, he does not have an agility belt, and he cannot scale walls. He is an ordinary man by all accounts, but in 1994 when the dark cloud of tense hatred between the Tutsis and the Hutus that had been brewing for decades in the small country of Rwanda erupted into a genocide that left eight hundred thousand dead, Paul Rusesabagina's actions as described in his biography An Ordinary Man were anything but ordinary.
Rusesabagina was born in a small village in the countryside in 1954. His mother was a Tutsi, and his father was a Hutu. According to Rwandan tradition of heritage passing through the father's bloodlines, Rusesabagina was considered a Hutu as well. Rusesabagina's father was his inspirational role model growing up, and his philosophy that "kindness and justice did not know ethnicity" was embedded in Rusesabagina's actions later in life (12).
Rusesabagina learned early on in life to fight with his words, not with his fists. He found that by speaking to people face to face, he could connect on some level, and convince them not to do him harm. This technique worked with schoolyard bullies, and later on with murderous, fanatical generals. Rusesabagina found work at the hotel Mille Collines, and eventually became manager of its sister hotel Diplomates.
After the plane carrying President Habyarimana was shot down, the extremist radio station RTLM began to use powerful diatribes to convince Hutus that it was their duty to murder the Tutsi "cockroaches." Rusesabagina, a moderate Hutu with a Tutsi wife, was able to negotiate, bribe, and flatter those carrying out the murders into sparing the lives of the 1,268 refugees that had fled to the hotel Mille Collines. The world turned a blind eye to the genocide and for a long seventy-six days, Rusesabagina had only himself and his words to save his family and the refugees from certain death. It is estimated that about five people were brutally murdered every minute. Rusesabagina managed to save approximately four hours worth of people. Eventually, he and the refugees were evacuated. Rusesabagina and his family moved to Belgium, where they reside to this day. In 1999, the movie Hotel Rwanda depicted his actions during this "dark bead" in Rwandan history.
This is one of the most remarkable books that I have ever had the pleasure of reading. It's so morbidly fascinating that even though at several times I felt physically ill, I was unable to put it down. Rusesabagina has a special skill as an author, and is able to paint an accurate and horrifying picture of the events that occurred, but at the same time is able to insert his whole-hearted and stubborn belief in the "triumph of common decency" over evil (203). Rusesabagina is able to argue this in the face of heartache and bloodshed. He is even able to provide concrete examples of people in the book that hacked their neighbors with machetes but still had a drop of human kindness desperate for an excuse to show itself.
Rusesabagina unapologetically criticizes all the nations that ignored the genocide for far too long. Rusesabagina not only provides criticism but also possible solutions that could have staunched the bloodshed quickly and effectively in the genocide's early stages. He also provides an excellent rhetoric on how extremists were able to convince rational, calm people to take up machetes and kill their neighbors and friends. Rusesabagina is able to counter the extremist rhetoric with words of his own, and uses this same skillful mastery of words that saved so many from slaughter to narrate this fantastic and moving book.
There are very few weaknesses in An Ordinary Man. Yes, the gore that is described twisted my stomach and left me feeling tainted and disgusted with mankind. After reading too much, I was almost unable to continue, but then again the mass genocide of men, women and children is not supposed to be neat and digestible. The descriptions are meant to shock and sicken. At the end of the novel, I felt ultimately dissatisfied and furious with the abject lack of justice. But this is a specific tactic used to irk the reader, because justice has not occurred in Rwanda and murderers still walk the streets. There is little justice to be found in that, and there is no reason why Rusesabagina should candy coat the issue to make the reader feel better.
Rusesabagina leaves the reader feeling hungry for more knowledge of the Rwandan genocide. His book inspired me to do outside research on the Rwandan genocide, and all of the other humanitarian crises that have occurred since then. Rusesabagina believes he is an ordinary man because to him saving all of these people seemed the most normal thing to do, something every man ought to have done. His message is a simple message of hope, a message that every man has the capability to give a "Rwandan no" to evil (203). His book serves not only a testimony to what happened in the dark days of the Rwandan massacre, but also serves as a means of getting people to care. He cautions that if the world cannot overcome apathy, then the phrase "never again" will be "one of the most abused phrases" and the "greatest lies" of the time. The book leaves the reader with a sense of hope that ordinary men like Rusesabagina will continue to say "no" to evil and do these extraordinary things as if they nothing more than ordinary.

This book was chosen by Middle Tennessee State University for their summer reading book, and being a student there I decided to jump in with all the freshmen and read it as well. I'm excited that he will be speaking at our convocation ( our program to start off the year.)

The thing that interested me most about this book is that he knew not to expect much from his country. He had pride, and he had hope for a better future, but he knew better than to expect anything more than the current situation.
This book is definitely something to be read by those who are very involved in world politics, sociology, and psychology. Rusesabagina delves into each one with vigor, and I very well believe he could be a professor in any one of these concentrations.
I am proud to say that I share the world with people such as Rusesabagina.

I purchased this book two months before I had the courage to read it. I feared it would be too upsetting and entirely depressing to engage myself in.

The book begins with a wonderful history of Paul's life. His vivid descriptions of The Land of A Thousand Hills, the banana beer, the family, his path to hotel management. It is an interesting story about a young man growing up in Africa.

The middle of the book approaches and details the horrific genocide of 800,000 people in as little as three months. The terror, the worry, the perseverence is all conveyed beautifully (if that word can be appropriate). I found inspiration in his ability to use words and intuition to communicate with people who could have taken his life. I felt connected to Paul's belief that nobody is 100% evil, and nobody is 100% good. I like his description of human nature, and felt he truly "gets" what being human is.

The ending of the book focused on his life in Belgium, among other Rwandan expatriates. And the decision to start a business in Africa. What a truly interesting person. I was fascinated by this story. It also shares much of the pre-1994 and post-1994 politics.

Whenever I gently give someone "the kindhearted blow-off" in my mind, I now think, "that was a Rwandan 'no'" I appreciate Paul's sharing of his culture and political environment.

I would enjoy seeing him speak. I appreciated his also sharing a little bit about how the movie came to be.

I really felt the storyteller is a person I could sit and have a beer with, and truly enjoy an afternoon chatting.

The last few pages of the book include a wonderful reference bibliography with information and suggestions on additional books to be read on Rwanda. I appreciated that, and plan to read several.

How many tragedies would be averted if we studied world history and learned from the mistakes made by others? Rusesabagina offers a poignant, yet easy-to-read, cautionary tale of the danger of prejudice, hatred, and group think. I am purchasing this book and will encourage my sons to read it when they are older (they are only in elementary school now) so that they can be on guard against the evils that are possible in our human race.

This book has challenged me to live outside my little world of t-ball games and PTO meetings. I learned the power of ignorance can cost lives and affect generations to come. I will no longer live with my head buried in the sandbox, but will raise my children to have concern and compassion for all human beings, not just those who look like them.

A few years back, Scott Zesch was doing family history when he ran across a grave of a long-lost ancestor named Adolf Korn. Scott eventually learned that Adolf had been a captive of the Comanche Indians for several years as a boy. After being "rescued," he was always strange, and ended up living his life as a hermit in a cave.

Zesch expanded his research, and the result was "The Captured," a fascinating book about children captured by the Comanches, their experiences, and what became of them in later years. Zesch discovered that children younger than puberty tended to assimilate almost immediately; they forgot their native language (English or German) and even lost their attachment to their mothers. Zesch examines this heartbreaking psychology through his research into the lives of the individuals, which he relates in vivid detail.

"The Captured" is a thoughtful book that both sweeps you up in human drama and leaves you with a lot of things to think about.

Reviewer: Elizabeth Clare, co-author of the historical novel "To the Ends of the Earth: The Last Journey of Lewis and Clark"

My 7th grade Horizons English class enjoyed this novel immensely! We used it as an extension of Texas History, combined as an interdisciplinary unit.

picked up my first copy of this book in Fredericksburg, TX where I happened to be eating some BBQ and looked across the street to see an old settlers outpost fort. I wandered around to check it out and the volunteer guide there showed me the book and said it was an amazing story about a little known niche of our history - children kidnapped by the Indians to re-populate their own tribes thorugh a process of "the strongest will survive and be good warriors" they rode the kids hard and if they cried or shoed signs of weakness, they killed them on the spot, figuring they wouldnt be worth the effort to train and raise. if the kids were able to endure the introduction phase, then they began living life like kings, training to shoot arrows, ride horses, fight, and hunt all day. leaving the domestic chores to the women. nearly all of them eventually were returned or sold back to the white settlers but some refused to go and a number of them ran away and rejoined their indian families.

it reads like an adventure book and proves that real life is better than fiction. the Author does a great job o story telling and is very diligent to accurately reflect true historical data as pulled from historical interviews, military records and newspaper articles.

I have a Great-Great Grandmother who was kidnapped by Indians and taken to Canada. Her story is lost but I wanted to get the gist of what kinds of things may have happened, and why she didn't want to be "rescued". This was just the ticket. Well-researched and written, I really enjoyed this book. It wasn't dry or overly scholarly.

I agree with the other reviewers that this book was a pleasant surprise. Moreso, I believe this book should be nominated for a Pulitzer and a Nobel - and I am certain this will become a blockbuster movie!

Hey, take a gander and read my other 100-plus reviews. For me, Bill Anderson, to be uttering such rave exclamations about a historical account, this must be a treasure! It is. Mr. Scott Zesch has provided a book that really gets into the souls of the abducted children and their captors. He somehow does so with balance and sensitivity and refrains from cliches.

I listened to the audio version twice (bought through audible.com, back-to-back, on my iPOD while driving between job sites in Egypt. The first hearing was problematic due to traffic conditions here.

Hey, dodging microbuses and women drivers here is a bit similar to evading arrows and bullets in the old west! Anyhow, I wanted to listen again so I could commit to my soul my new realization of something I think so many researchers have failed to grasp.

Stockholm Syndrome is perhaps only part of the issue. Just as stem cells seem to adopt the particulars of their surroundings, and just as many wild critters can be raised by other species (and occasionally will suffer a confusion as to their own species), so, too, do human beings adopt those existences (sorry for a bad choice of words here) and become as their custodians, captors, siblings or peers. I realize this seems a bit, "duh, no kidding" but the import goes beyond the obvious. Further, it would seem, that any particular species is apt to more fundamentally accept, or accomodate, that which is least hampered or complicated by rules or regulations. In other words, transitioning toward simplicity is more pleasant than is adjusting to more and more complex organizations or societies.

Precisely such a lesson may be of fundamental importance when establishing any system or organization. Perhaps too much regulation or too complex the controlling body makes routine operation (especially at the commencement) will lead to seeming chaos, disorder and thence lead to revolt and to eventual failure or destruction.

And, too abrupt a change before communication to and fro could shortcut any hopes or dreams of adjustment or transition from the simple state towards the complex state.

Although these observations result from a book about Indian captives, the observations, I submit, apply as well to Iraq, Egypt, (or politics in general) but, more important, to formations of clubs, associations and corporations.

General Motors and Ford seem now to be suffering, partly, from the complexities they created while transitioning from the Great Depression through the New Deal and into the Great Society. all the while, upstart, less complex carmakers in Japan challenged from a simpler standpoint using a simpler vehicle.

And, now that Toyota et al have evolved, they may well be in danger from Hyundai and others.

Anyway, back to Captured. This is probably the best book ever authored about life among Native Americans as lived by children taken by force but who adopted the lifestyle out of love for those with whom they lived. I experienced tears of empathy in listening to Scott's discussion of visiting the cave of his distant uncle or when hearing of the reunion one 'white Indian describe his memory of the demise of his adopted 'brother' brutally massacred by a Texas Ranger.

That, alone, is a significant achievement by Scott Zesch - Bill Anderson.

Lesley Thomas has done what would seem to be the impossible -- taken us deep inside the Inupiat world, in the voice and mind of an extraordinary young woman with still more extraordinary powers. I know of no book like this. "Smilla's Sense of Snow" is a distant second. But two movies come to mind: "Fast Runner," and "Dersu Uzala." If you love either of these movies, you'll be stunned by the depth and scope of this novel and the unique and unmistakably true voice of its heroine. And if you've never seen them, read "Flight of the Goose" first!

It is the Alaskan Arctic, it is 1971, and Kayuqtuq "Gretchen" Ugungoreseok is a troubled with young woman with a difficult past. She does not know what happened to her mother, her first foster family were pathetic, uncaring, money-grubbers who were very poor, and she has an ambivalent relationship with her second foster family. Now, in her twenties, and quite attractive, Kayuqtuq, or Gretchen as the Outsiders have named her, is trying to figure out who and what she is, including whether she is an apprentice shaman, a rarity for a woman, at that time and in that area. Then, life becomes much more complex, with the arrival of Leif Trygvesen, an Outsider who is a field biologist trying to study a certain species of goose, as well as measuring the impact of oil spills on the local ecology. The inevitable slowly happens, as Gretchen and Leif fall in love, while trying to grasp each other's culture.

This work of fiction, often told in journal format or by showing letters exchanged between Leif and Kayuqtuq, is loaded with information on the cultures and the era involved, and the degree of detail is impressive. I found the degree of detail to also be oppressive. The complexity of romance often makes a good story, and cross-cultural romances add another dimension. As many romances are, the Kayuqtuq-Leif romance is on-again-off-again. However, it changes direction so often that it becomes predictable and redundant. The same is true for the culture-shock issues, with repeated misunderstandings, miscommunications, and just plain misery.

Several years ago, I wrote a novel, still in search of a publisher. As I wrote, I became intoxicated with the process, and my "final" copy was close to 200,000 words long. Not long ago, I entered the novel in a contest, that had a maximum of 175,000 words for entries. I was able to cut enough out to meet the limit, and I believe that my leaner version was better. I think that the experience of writing-intoxication might have occurred in Flight of the Goose, and I think that a trimmer version would be a better book.

One thing that I look for in a novel is whether I can identify with one or more of the main characters, and possibly even like them. I did end up liking both Kayuqtuq and Leif, and felt that I knew and understood them enough to make them interesting. That is the main reason why I was able to stick it through to the end. That is not enough, though, to make this is good and recommendable book.

I have at least one other quibble for this book. At the back of the book, there is a glossary of terms in Inupiaq, the language of the Alaskan Arctic villagers in this story. At its core, this is a good idea, to use these terms, interspersed throughout the story, and have the glossary to help translate. It adds color, and an air of authenticity. However, even as the author, Lesley Thomas, got carried away with details, and with the ups and downs of cross-cultural romance, I think that she also over-did this native language idea. I think that the best way to illustrate this is to show good and bad examples of its usage.

I found it helpful to know that "Aka" not only meant "grandmother" but was also a term of respect for a woman who was an elder. That enriched the story. The same is true for the term "angutkoq" that roughly translates to "shaman" but definitely has many local cultural connotations to it. Some of terms were not readily translated into English, and were so culturally embedded that the use of the rough English translation would miss the mark and diminish the concept. A prime example would be "atka", to refer to the part of the soul that lies within one's name. However, having a wolf be referred to as an "ameguq" or using "ninaq" for "sullen, sulky" did not add anything as far as I am concerned.

So, is this a good book? If you like cross-cultural romances, and you are comfortable with a slow pace and a high level of detail, this book might be right up your alley. I believe that this book was a labor of love for Lesley Thomas, and that she put a huge amount of time, effort, information, and, yes, a bit of her soul, into this book. But, for the average reader, some of that will go unappreciated. It was not the book for me. I would have enjoyed it more if more of the focus had been on Kayuqtuq's quest to become a shaman, and less on the romance. I am generally a patient reader, and I have read, and enjoyed several huge books that were very slow-paced. This one really tested me, though.

The sexual encounters between Leif and Kayuqtuq are described pretty graphically at times. This is definitely a book for adults.

That FLIGHT OF THE GOOSE is a first novel by Lesley Thomas is the first hurdle the reader must overcome, so rich in detail, research, and technical finesse are the over four hundred pages of this fascinating book. What does become obvious with even the first few pages is the fact that here is a writer who can address significant world environment issues while building love stories - between a remarkably real Inupiat girl and a Swedish scientist, between the world of the spirit and the realm of the universe, and between the mysteries of past traditions with those beings longing to preserve the enormous habitat that is transforming before our grieving eyes - stories that intermingle to create a total experience that simply refuses to end with the closing of the final cover.

Thomas opens her book with a Prologue and with words like the following the reader is assured the presence of an enriching encounter: 'Let me tell what happened, and don't ask at the end what the message is. Whatever is already in us at birth, we find again in stories. We see it in the face of the moon, in the face of our lover, in our own death, in the flight of the goose.' From this point she unravels the Norn's threadball of time relating the changes that are taking place in Alaska in 1971, mixing the daily arduous charges of living with distant echoes of world events that are reshaping the life of our main character (Gretchen/Kayuqtuq). Thomas builds a blindingly realistic love story between the native, orphaned, shamanistic Kayuqtuq with ornithologist, peace advocate Leif Trygvesen and in creating a fully rounded and metaphorically meaningful relationship Thomas resorts to sharing the story from the vantage of both of these unique souls. From this launching point we learn about Eskimo traits and foods and history and manner of survival in a culture that is being eroded by technologic 'civilization', a series of sidebar stories that Thomas always manages to remain centered and focused while expanding the scope of her immensely interesting and important story.

FLIGHT OF THE GOOSE is a novel so rich that deserves to be in the library of everyone who values fine storytelling while simultaneously respecting the threats and conditions of change that are only now being brought to our attention by the environmentalists. To manage to accomplish this service to mankind in as fine a book as this establishes Lesley Thomas as an important author. Highly recommended. Grady Harp, December 07

Lesley Thomas detailed this book so intricately that it seems real. I was most especially fascinated by the character of Kayuqtuq "Gretchen" Ugungoraseok, who is an orphan Native American adopted by the Inupiat, which means real people.

Kayuqtuq is a young woman living in a subsistence culture with roots that extend thousands of years into the past. Her observations of people, including naluagmiu (white man) Leif Trygvesen, are from the perspective of her culture. I was completely fascinated.

Though Kayuqtuq is already a young woman in this story, which is set in 1971, emotionally she is dealing with trauma from her childhood; perhaps she is also dealing with the continuous trauma of harsh life in the Arctic. The result is that Kayuqtuq's story is frequently more like a coming of age story than the story of a person who has already reached adulthood.

Part of Kayuqtuq's coping strategy is to become an angutkoq, or shaman. Regardless of whether Kayuqtuq has shaman powers or is incredibly intelligent, her insights and visions of events are remarkably accurate and frequently prescient. Unfortunately, her visions and insight fail to give her enough clarity to prevent tragedies.

This novel is primarily the story of Kayuqtuq "Gretchen" Ugungoraseok and Leif Trygvesen. The story is partially about the clash of cultures, but also about how Kayuqtuq and Leif react differently to the situations around them because of their cultures. Kayuqtuq and Leif's perspectives allow us to see how Inupiat culture views various situations in comparison to European culture.

Shading and complicating the cultural differences between Kayuqtuq and Leif is that each is multicultural in their own way. The Inupiat adopted Kayuqtuq, but she is Native American. European and Viking culture strongly influenced Leif's mother and father, but Leif is from the United States. Adding even more complexity is that each is an outsider in their culture. Kayuqtuq is trying to learn to become an angutkoq, which Inupiat elders forbid, and Leif is an environmentalist and against the war in Viet Nam, neither of which made him popular with "The Establishment" in 1971. It was probably inevitable that the two outsiders found kindred spirits in each other and came to love each other. Perhaps the tragedies that followed were just as inevitable.

Lesley Thomas's writing reminds me of the detail that Charles Dickens put into his novels. I like Dickens' writing very much and I am unable to recall any modern author to whom I have been exposed that writes with such intricacy and precision. However, Lesley's writing is so clear and organized that even with the complexity of the story I never got lost or had to re-read a section. This book is such a literary achievement that it has received awards from The National Federation of Press Women, The Alaska Press Women, and The Washington Press Association.

This book is neither a light read, nor is it a book that you will forget any time soon. I will admit that my eyes were moist as I finished Lesley Thomas's story of Kayuqtuq and Leif. Lesley's writing pulled me so deeply into the characters that they seemed real to me. Just as in real life, what happened to them can not be undone, no matter how we might wish otherwise. Even now, several days after finishing this novel, I wish I could undo what happened, but then Lesley's message would have been diluted, and I, and future readers, would have been less affected.

The awards this fictional novel has won are well-deserved. This book is one of the best modern novels I have read. It is truly a great novel. If you enjoy stories about the conflict in cultures, if you have ever liked Dickens, if you want to read about the effect modern culture has had on the Inupiat and the environment of the far north, or if you just want to read an incredibly well written book, get this one.

I hope you enjoy this book as much as I did.

This review is based on a copy of the book provided to me by the author.

I'm happy to recommend this intricate and poetic novel to those looking for more than a quick read or an easy story: looking for something more soulful, something that leaves the heart transformed.

Much has been written about the hundreds of cultures destroyed by Christian missionaries, whether they carry bibles or rifles or deeds or broken treaties. The setting of this drama is a small Alaskan village trying to hold itself together in the aftermath of partial colonization. But Lesley Thomas does not return preaching for preaching. Instead, she draws upon her own life experience to show the reader exactly what life there looks like detail by detail one conversation at a time, all of it set against an Alaskan landscape so searing and mysterious that it too becomes a character.

In this setting two people try to find each other: an Indian woman whose English name is Gretchen, and the biologist she calls the Birdman. Again and again they miss each other, only to be brought back together by a passion deeper than words: a fine demonstration of how much hurt can be inflicted on a budding romance to the extent lovers try to protect themselves from each other. There is a lovely byplay in which Gretchen sneaks into the biologist's camp to read his very personal journal, which he conveniently leaves under his pillow. How badly these two want to talk to each other, and how hard they find it to do so, is a tension behind the subplots playing out between Inupiat villagers, visiting whites, orphaned Gretchen, and a very confused but sensitive scientist suddenly exposed to a wider world than was dreamed of in his philosophy.

A complication: Gretchen is a practicing shaman who does not fully understand what she's doing. Her struggles are consistent with how other cultures understand shamanism (as opposed to New Age workshop "neoshamanism" bent to the agenda of self-improvement), including her spells of dissociation and the terrifying images she encounters. It's gratifying to read an author who has done her homework on this topic, especially at a time when so much Native lore has been appropriated, adulterated, and sold to people who don't know any better.

As a reader who teaches a graduate-level myth class, I appreciated the mythological references, quotes, stories, legends, all lightly touched on without interfering with the pace of events. A good question for the reader to wonder about while reading: What myth are the lovers caught up in, and what are their options for finding each other from within it? (The old Norse saying that starts the Prologue puts it well: "How can anyone know what is possible for those in love?")

Another dimension to this novel is the ecological, particularly as people on the scene (including the biologist) note the climate changes and business decisions that threaten the Alaskans. The ultimate fate of everyone in range--and nowadays we are all in range--is clear: "The animals are sickening and we are told not to eat them, nor nurse our own babies. Soon we must leave our home, retreating from the rising waves. We will join the saddened animals and wander, hoping for mercy from strangers." It would seem to be a law of history and psychology too that those who experience themselves as perpetually angry exiles and outcasts tend to inflict displacement on other creatures unless a way is found to bind up the original wounds and find a sense of homecoming.

Many poignant episodes appear throughout the story. One occurs about two-thirds of the way through when Gretchen, who thinks of herself as ugly, is finally able to experience some of her own inner and outer beauty by trying to retrieve the soul of the man she loves and yet torments.

Mental health professionals in the U.S. have been slow to realize that not all psychological anguish arises from within. What happened to both Gretchen and the Birdman to make them both so guarded and so easily injured has roots in the shadows and pathologies of their cultures. Part of the difficulty of healing and connecting involves their attempts to shoulder what are actually historical-colonial legacies of wounding playing out in personal relationships.

To end these terrible legacies: how to do that? What will it take to make the dominant culture less lethal to itself, to Earth, to people it regards as Other? The myths of many times and this novel offer a hint: the story must be rewritten from within it, starting with many small and large acts of sacrifice carried out in love strong enough to fly like the goose into the heavens.

Claire's book on his time with the LA Dodgers is a great read for any baseball fan. He provides a clear picture of the behind the scenes events in the front office of one of the most revered sports franchises.

Fred Claire writes about his days with the Dodgers-- and does it well. The book flows together in a way that makes you love reading, with in-depth stories and experiences, one of the best GMs of all-time amazes baseball fans with his profound book.

How many times have true baseball fans wanted to be a fly on the wall in a baseball general manager's office? Fred Claire's book, "My 30 Years in Dodger Blue," does just that. It is an interesting, informative and very entertaining look at baseball from the inside out.

This behind the scenes look at how a baseball organization operates includes an insiders look at the game. Much like a ballplayer who does more for his team than shows up in the box score, Claire's book takes into account the personalities that make up an organization. He explains player transactions and some of the politics that are part of every team.

In short, "My 30 Years in Dodger Blue" is a must read for die-hard baseball fans as well as casual fans who would like to learn more about the game. After reading this book, I sincerely hope that Fred Claire will grace us with another book about baseball. It would be well worth reading.

I am a big Dodger fan and found this book very interesting. The book focuses mostly on the 1987/88 seasons and the Mike Piazza trade. I don't read a lot of books and I found this one interesting and an easy read. The chapters are short and the language is very easy to read. I actually read the whole book over a weekend.

Fred Claire's story is a virtual travelogue of 30 years of baseball history, a blast for anyone who loves baseball, especially Dodger fans. He brings a variety of perspectives to his story, falling for the game as a boy in Ohio, covering the game as a beat writer for the Angels and Dodgers, becoming an insider as the Dodgers' publicity director, and building a world championship club as a general manager.

Along the way, Claire recounts unforgettable stories, everything from his own one-game Spring Training "tryout" to signing World Series hero Kirk Gibson, from the release of Orel Hershiser to the day Tommy Lasorda nearly gave up bleeding Dodger Blue to join George Steinbrenner's Yankees. Claire also shares a behind-the-scenes look into the business side of baseball, tracing the Dodgers' evolution from a family-owned business under the legendary O'Malley family to a piece of Rupert Murdoch's Fox empire.

Claire remains connected to the game through a radio show and column for [...] If you've heard or read his work there, "My 30 Years in Dodger Blue" won't disappoint.

I think this is the best book written on the topic of third culture kids. The book is insightful and answers questions that are just under the surface for both kids and those who love them.

This book discusses emotional and identity development of children growing up in foreign countries and re-entry issues. This is an excellent book for those who have lived abroad during the developmental years 0 - 18 and for parents. A must read!

This book was recommended to us and I would recommend it to anyone living outside their own culture with kids. The information is very valuable to helping children adjust and understanding how growing up outside their culture will affect them.

If you have lived in a country other than the country your parent(s) are from for a significant period of time as a child and then had to move back (or to another, very different place)...this book is for you. Like many other tck's, I have always felt out of place and just thought I was different or weird. I could never understand why my parents never had the same sentiments. Now I understand that the way I feel is a normal outcome of the way of life I had as a child. This book is also a great reference to those serving in the military with children, moving constantly both within the US and around the world. It puts the missing link in place and explains the complex emotions that child tck's experience as adults. It all makes sense now, and I can even understand why I married a Frenchman and why we're planning on moving back to Europe!

Being a child living in between a passport culture and another culture which one is daily relating to, needs not be a negative experience. There are certainly some unique issues for such cross cultural dwellers but with good preparation, communication, support systems, family functionality, the life of TCKs can be incredibly hopeful and beneficial.

Pollock and Van Reken have created a very readable and enjoyable account of the lives of a third culture kids. Clearly they have much knowledge and exposure to TCKs and have pulled together their many thoughts and reflections to give us the full picture of such an experience.
The book is both practical and insightful with many lists and suggestions for families. The personal vignettes and testimonies make the explanations more real. Though, it would have been more helpful to have more background information about the testimonies to place in proper context.
I appreciate the attitude of the book that there are challenges as well as great benefits and the choice lies with individuals to take responsibility for their own actions. Often reactions to life reside inside themselves rather than in outside events and situations. (p.181)
The book paints a nice picture of the TCK's family and experience but it gives very little guidance in actually helping and counseling such kids who may not have positive outcomes from their time abroad. It would be valuable to have a second volume of specific counseling techniques, interventions, and therapy guidelines to better serve TCKs and ATCKs who struggle from a less than ideal experience.