Cultural Books

This is an eye-opening, honest, and thoughtful examination of the role the military plays in our society. It is obvious that Lutz has thoroughly and carefully studied Fayetteville, NC, and she has delivered a powerfully written document of the effects an army base has had on the community. What makes this a brilliant work is that it invites the reader to consider the many arenas of our culture which have been influenced, even created, by the military complex we have embraced as our defense. Homefront is an extremely important book.

Catherine Lutz has once again taken us beneath the surface to get a first hand look at the powerful forces shaping America's psyche, forces so interwined in our lives that they have become almost invisble. But with the anthropologist's trained eye, Professor Lutz helps us to see that in this time of calls for military protection for every parade and football game across the country, a call which many are ready to support, we will be paying a bill on many dimensions. Her careful and thoughtful analysis in the works long before the tragic events of 9/11, is more important than ever in helping us understand the larger consequences of our reponse. It is not easy to ask unpopular questions, but I am thankful for the skill and rigor Lutz brought to the task

While President Eisenhower warned about the Military Industrial Complex in the United States, one could argue that what is more troubling is the military cultural complexion of the United States. Catherine Lutz makes this argument forcibly in Homefront: A Military City and the American 2oth Century.
Lutz uses Fayetteville, North Carolina as a microcosm to examine the quotidian and epochal influences arising from America's military in times or war and peace. Homefront is the result of intensive data collection and wide ranging interviews. Lutz masterfully combines the two to tell a story of the city and its people that are always interconnected with the ever-widening influence of the U.S. military in the past century.6.
Using the prisms of race, class, and gender, Lutz deconstructs the image of the military as the defender of the American Way. She inverts the paradigm to show that often the presence of the military reinforces existing divisions. Fayetteville is an army town. Throughout the last century it was also a town that experienced Jim Crow, increased domestic violence, hate crimes, and a widening gap between the haves and the underclass. Lutz also documents that the spit-shine image of the Army often camouflages environmental degradation resulting from base operations. Homefront tells the story of the costs-both quantifiable and hidden-to the United States of becoming and remaining the planet's only superpower.
Lutz sets each of her six chapters within an identifiable era for Fayetteville and the U.S. military. The book begins with the opening of Fort Bragg in 1918. This period is, as David Blight argues in Race and Reunion, formed by the previous half century of American mythmaking that raises both the soldier and the South to places of honor in the national psyche. Homefront details how the perception of heroism often conflicts with the local experience of oppression. As Lutz herself writes, when recounting the history of former slave John Nichols-who refused to leave the land that was to become Fort Bragg, "[T]his story is structured around the time's stereotypes." Indeed, throughout the book the presence of the Army is often described by Fayetteville's residents in archetypal terms.
Lutz calls Fayetteville a company town. Because the army is the base for economic activity, the long-time residents of Fayetteville both love and fear it. Lutz describes how already well-off whites have reaped great wealth from the development that Fort Bragg created. She also describes how the city's inability to broaden its industrial base has left poor whites and most blacks working retail jobs with some of the lowest pay scales in North Carolina. In addition, the presence of thousands of young men has created another economy-where sex is the commodity. Sex workers represent the underside of the military culture that envelops a military town. Homefront is direct in examining that underside.
Lutz's voice is clear throughout the book (even when examining the negative effects of World War II-"the good war"). And her critique resonates strongly in the current climate. As Lutz states several places in her book, a military definition of the situation is essential to the military project. The military and its supporters thrive on an us versus them paradigm. Most of the public embraces this paradigm.
Two letters to the editor in the August 28, 2002 Wall Street Journal excoriated the subject of a story who resisted operations at a nearby military base because he thought the base was a detriment to his neighborhood. One letter-writer accused the subject of being more concerned with his lifestyle than his fellow countrymen's security. A letter published in the September 1, 2002 Raleigh News and Observer went even further. In response to someone who questioned the presence of the Junior ROTC on a local high school campus, the letter writer commented: "What's wrong with our children having the same values as, say, George Washington . . . Ulysses S. Grant . . . or Dwight D. Eisenhower." Lutz warns that such conflating of all things military with heroism and leadership is exactly the problem with the cultural complexion that looks back at most Americans in our national mirror. And though Lutz book was finished before 9-11, her research helps explain much of the reaction and rhetoric that has met anyone who questions our current policy in the war on terror or toward removing Saddam Hussein.
My own critiques of Lutz's book are mainly on two fronts. First, her work seems to intentionally avoid the role of religion in Fayetteville and in the broader national discussion. Early on she quotes a minister who states in 1923: "It is a pleasure to record that the relationship between the church and the government as represented in the authorities at Fort Bragg has been most cordial." But aside from the arrival of a Quaker House during the Vietnam years, Lutz does not detail the ebb and flow of the relationship. It seems a dramatic lacuna. The relationship of religion to the military, especially in the South, was pivotal during much of the 20th Century. In fact, I remember that Fayetteville was a regular venue for evangelical gatherings-often Billy Graham-in the 60s and 70s.
Second, the scope of Lutz's work occasionally confuses issues. Because she is focusing on both individual anecdotal evidence and metalanguage, the arguments do not always match. For instance, her work in Fayetteville convinces her that "civilian is the majority, dominant category," but there is "widespread acceptance of a military definition of the situation." For those of us accustomed to identifying the dominant category by determining who has the power to define the situation, these two explanations seem mutually exclusive.
However, my complaints pale in comparison to my admiration. Catherine Lutz has given me-and I believe this will be true for all readers-a new prism through which to view our national military culture. In Fayetteville and throughout the United States, we have met the enemy and they are us.

Homefront is brilliant, incisive and chilling. Catherine Lutz is among the finest of story-tellers and ethnographers of contemporary America. With an anthropologist's eye for detail in the everyday, to a social theorist's eye for the big picture, Homefront is written with passion and intelligence. This book goes a long way in enhancing the readers' understanding of the culture of militarism that is so integral to the present moment. This is definitely a must-read!

Residents of Fayetteville, North Carolina awoke one morning in April of 1954 to find the front page of their local paper carrying news of a nuclear attack downtown; they were informed that sixty-four thousand soldiers were being deployed to amend the situation, aided by six tons of maps and forty-six chaplains. The attack, of course, was a fiction, but the soldiers and their simulated nuclear reaction mission (Exercise Flash Burn) were very real. Catherine Lutz demonstrates in Homefront: A Military City that the life of Fayetteville cannot disentangle itself from the life of Fort Bragg, the nation's largest military base. This study by the renowned anthropologist from the University of North Carolina at Chapel Hill is both as specific as a city history and as broad as a national story. Though Lutz uses Fayetteville as a zooming-in point, her argument-that the dichotomies of military and civilian, war-time and peace-time, are collapsing-is applicable to the country as a whole.
Fayetteville, a city of one hundred thousand semi-affectionately known as "Fayettenam," was chosen as the centerpiece for this project because of its long and bittersweet relationship with Fort Bragg. Lutz traces this history from 1918 (when the city's founding fathers first lured the lucrative industry to the collective pocketbook of the townsfolk), through the patriotism and turmoil of the World Wars and the bitter clashes of the Vietnam War, to the present-day Hot Peace. Relations between the base and the city are both interdependent and strained so that, upon the close inspection Lutz conducts, it becomes unclear where the line between the two is drawn, if indeed it can be drawn at all. Lutz describes Fayetteville's economy as engineered to serve the needs of soldiers on paydays. While other North Carolina cities chose technology industries as their major source of income, Fayetteville cast its lot with the base and the retail sales it would create. This plan has had the two-fold effect of making the few who own the businesses quite rich and the many who work in them, merely touching the money as it passes from soldier to civilian businessman, rather poor. The question of who is serving whom (soldiers training to protect the lives of civilians while civilians tend to soldiers' needs) becomes blurred, as does the question of whom is actually receiving the government paychecks. Further blurring the dichotomy between military and civilian are the many civilians whose presence in Fayetteville is attributable to the military-for instance, the refugees who have come from all over the world, and the "war brides" who moved to Fayetteville with their soldier husbands and settled down. Lutz posits that the draft further lessened the gap between military and civilian by presenting a difficulty in readily distinguishing between the two; the idea that soldiers were lower-class, uneducated, and crass was prominent prior to the World Wars, but suddenly college boys from good families were moving into the base, and some soldiers were the type of boys by whom local upper-middle-class families might want their daughters courted. Another assumed intrinsic difference between soldiers and civilians-that soldiers always see war as the right course of action whereas civilians are more peace-loving-fell during the Vietnam War, when thousands of soldiers protested the United States' involvement and eventually brought about the military's departure from Vietnam. As the differences between soldiers and civilians have become blurred, so have the differences between formerly binary options of war and peace.
Though hegemonic history usually describes time as a series of wars and their interstices, Lutz finds the concepts of war-time and peace-time becoming ever more complicated. While war was formerly viewed as an interference upon the normal state of peace, the periods between war are now filled with preparedness for war, making war the natural state. War games are one, often bizarre, aspect of this war readiness. Obscuring not only the distinctions between war and peace but also those between Fayetteville and Fort Bragg, homefront and battlefield, are the situations in which Fort Bragg's training missions take them into the city in the acting out of a war situation. Though Fayetteville's civilians are notified when the soldiers will be rehearsing for nuclear holocaust or an invasion of "Pineland" (the imaginary country in which Fayetteville lies during war games), such realm-blending upsets traditional ideas of what war is and where it takes place. The Cold War also called into question the nature of war, since only recently has it been true that one can exist in which no blood is shed. Lutz contrasts this state with the current one of Hot Peace-even when the United States is not technically at war, the military is active on peace-keeping missions internationally, assisting insurgents or established governments in the protection of America's best interests.
Homefront is meticulously researched in all manner of sources. Largely ethnographic, Lutz's research consists largely of interviews conducted with eighty residents of Fayetteville over a six year period. Lutz's interviewees include not only the traditional writers of history, but also those whose stories are often left to fall silent-the result is a less favorable military history than the red, white, and blue ones usually heard. The recounts of these interviews have an informal feel to them, occasionally interjected with questions from Lutz and usually accompanied by the interviewees' actual names and personal, unposed photographs. This very human approach should not be seen as a substitute for heavily researched scholarship-Lutz is adept at providing both. Also cited are records from Fort Bragg itself, as well as reports found in the National Archives, local newspaper accounts from the turn of the century, and history books of North Carolina. Lutz allows her subjectivity to shine through the text-though raised in a military family, her horror at the effects of war on all involved are apparent, and it is clear with whom her sympathies lie. With such a well-researched argument, however, Lutz's agenda is incapable of falling through the cracks of substantiation. In the end, Lutz presents a compelling picture of Fayetteville/Fort Bragg as one town, under a base, indivisible.

What a pleasure to read. Wolverton weaves through the book personal history and her experiences at the Los Angeles Woman's Building to bring art history and feminism in LA to life. Wolverton easily evokes engaging images with just a few strokes of the pen.

Terry Wolverton's Insurgent Muse is one of the most powerful, moving memoirs I have ever read. Once I started reading, I literally could not put the book down and stayed up way past my bedtime to finish it. Wolverton writes with insight, courage and humor about her own coming of age as an artist, her coming out as a lesbian, and her experiences with the Los Angeles Woman's Building, not only as an institution but as a vision of a creative, collaborative community of women. Anybody who is interested in the connections between art and politics, especially how artists get politicized and how political art gets made, should read this book. Though there's no happy ending to this story - in that the Woman's Building is no more - I found Insurgent Muse incredibly inspiring and an important reminder that art DOES matter and that sisterhood - however chimerical it sometimes seems - can indeed be powerful.

This book is really two books in one. A facinating look at a pivitol moment in time for women in the arts woven together with the story of the author's own growth and evolution as an artist and a person. A must read for anyone who is interested in modern feminist history.

Insurgent Muse is much more than a retrospective of feminist art and history. Terry Wolverton has written a personal, honest, detailed history of the venerable Woman's Building. The discovery of self, the intensity of feminist spirit many found at the Woman's Building live on in this wonderful and courageous book.

For those who want to learn about the feminist art movement, "Insurgent Muse" is an informative and insightful book that is deeply complex yet very accessible. This book gives voice to an important but much neglected part of American history. What makes this book so compelling is Wolverton's ability to weave her personal experiences with this political movement. With gorgeous prose and honest and courageous self-exploration, Wolverton shares some valuable life lessons gleaned from some very difficult experiences. In particular, I appreciated her insights about the nature of empowerment and how the artist informs the art and vice versa.

I'm a pretty picky reader. Half the books I begin I never finish because I lose interest. Among those I finish, there are very few that leave a lasting impression. "Insurgent Muse" not only held me captive to the very last page, but it also left me with a feeling of excitement. I highly recommend this book. Read it and you won't be disappointed.

My daughter needed to do some non-fiction book reports and this was great. She became very interested in the different facts about eating habits from around the world (past and present). Gross stuff always grabs their attention and of course they love to share....Would be great for boys but girls enjoy gross stuff too! Good for 8 thru 10ish.

My 9 y.o. daughter asked for this book for a gift. She read it right away, laughing and exclaiming. It is fun, pretty easy to read, and could be a good way to work in some science or cultural discussions! Ex: People ate what was available(plentiful) or sensible to prepare where they lived. See some of what American's ate in 1776 on page 25. It can also serve to stimulate more indepth study of different cultures around the world or in history. There are lots of funny poems and artwork included.

I first checked this book out from the library for my son when he was 3 1/2 years-old. He was transfixed as I read to him all the different types of things that people have eaten and still do eat today. Instead of being grossed out, he wanted to try them all! He loves squid and seaweed and is just dying to eat some grasshoppers. We ended up buying the book after checking it out twice in a row and I'm so glad we did. When he was 4, he took it in to share with his Montessori pre-school class. Last year he took it into share with his kindergarten class. And this year he's taken it into his 1st grade class twice; once to share and once to "prove" to his teacher that bugs really ARE a good example of a protein-loaded food. Fabulous, interest-grabbing format and illustrations just add to the great information within. A great intro to cultural studies, too.

This is a very neat book, a little gross for me but the boy that I'm gave it to loves it (11 yr. old).

An excellent little book with sensational illustrations. This book explores some of the foods from around the world which different cultures enjoy, but which may seem disgusting to us. Everything thing eaten is not in here but there is a good selection. What was eaten throughout history around the world is also included.

My favourite section is part three - Strange Stories from your own Kitchen which explains what cows eat and how that food gets turned into the milk which we drink. There is also similar information on how bees make honey.

There's also a few recipes and 19 poems as well. I am not really into poems so they didn't do much for me but if you are into poetry then this may well be a bonus for you. The illustrations in this book are sensational though, and worth the price alone.

"J.G. Ballard scans the suicide-code of a chemical=anthropoid into the abolition world, as if the drug fetus's modem=heart of the corpse mechanism is aspirated acid." - Kenji Siratori, author of Blood Electric

J.G. Ballard's "Quotes" is one of my favorite books. How does Ballard do it? He offers the starkest insights about Western culture and the psychopathology of the human race, and yet the book is fun, exciting, and totally addictive. The editors have combed all of Ballards books for interesting excerpts, and they have arranged them conveniently into chapters. There is a chapter on Writers and Writing, a chapter on 9/11, a chapter on Beaches, a chapter on William S. Burroughs--it goes on and on. Yes, sometimes there are redundancies, but that did not bother me. In fact, it is interesting to see how Ballard takes an insight or prediction and retools it slightly over time. One of my favorite of his predictions is that in the future, science and pornography will intersect. That may seem obvious to some people now, but Ballard made this prediction in the early 1970's. Another thing this book is good for: getting titles to other interesting books. Ballard reads widely, and he recommends books throughout this volume; some are books I had never heard of. "The Black Box", for instance, contains the transcripts of dialogue between pilots and air-traffic controllers for flights that eventually crashed. Ballard cites one of his favoite books: "The Los Angeles Yellow Pages". He considers this directory a surrealist work. Likewise, the chapter on film is good for some titles: after reading Ballard I returned to "The Road Warrior" and "The Hitcher" (two of my childhood favorites) and saw them in a new, Ballardian light. If you like this one, I would also recommend the book of Conversations with Ballard and "A User's Guide to the Millenium". Of course, "Crash" is not to be missed...

RE/Search has compiled the best blips and ramblings from Ballard's extensive body of work, illuminating the uninitiated and re-affirming to the already converted that Ballard is one of the sharpest commentators on the modern world. The book itself is compact and formated for easy digestion during commuting hours or periods in limbo, and each quote is a gem. This book will definitely keep you intrigued and sane on your otherwise dismal journey through the day to day.

"jg ballards: quotes" is a book of maxims, aphorisms, statements, and glibly profound comments from the mouth and pen of the perspicacious jg ballard.
if you are at all interested in the theories of a modern thinker without all the impenetrablenous of postmodern theorists from academia, then check this tome out.
the chapters on 'PSYCOPATHY' and 'THE SUBURBS' alone are very salient indeed, soaring through the time and mind barriers of our age looking with hindsight at the strange possibilities that time and mind present to us now.
ballard transposes the psychical landscape onto the physical one using freudian theories of the libido and the unconscious to evoke a surreal landscape at once familiar and yet alienating.
these are the themes ballard tackles and talks about in his own inimitable and exciting manner. always fascinating.
i recommend this book to anyone interested in a worthwhile compass to the imaginative world around us right now.

In J.G. Ballard Quotes, author Ballard and Quotes editor V. Vale continue a relationship which stretches back twenty years. Along with being the finest writer of our time, Ballard is a keen social observer, as well as a thinker of unique and visionary perspective:

"Does the future still have a future?"

"The open coffins lay empty, ready to catch the American pilots who would soon fall from the air."

"Everyone says there is too much violence on television but secretly they want more."

"Will NASA one day evolve into a religious organization?"

"A perverse sexual act can liberate the visionary in even the dullest soul."

As one can see, Ballard is interested in the tropes of our time. Reading Quotes, one can't help but marvel at his wonderful ability to seamlessly extemporize on virtually any subject. And along with thousands of great JGB quotes, the book is illuminated by surreal techniscapes from photographers Ana Barrado and Mike Ryan.

If you're a JGB fan, or just need an interesting book for your coffee table, Quotes will be a good choice for you.

Vivo en Madrid, España, y unos familiares de Vitoria me regalaron por mi cumpleaños el libro "La Identidad Vasca en el Mundo" de Agustin y Pedro Oiarzabal. Mi padre salio de Salvatierra en los años 50 y cada vez que puedo, regreso al Pais Vasco a visitar a familiares y amigos. Cuento todo esto porque el libro me ha hecho pensar mucho en el hecho de tener ascendencia vasca. La verdad es que es muy, muy dificil ser vasco y ejercerlo asi en la capital del Estado Español, no tanto por tus conciudadanos sino por la crispacion que han generado contra lo vasco los medios de comunicacion y la clase dirigente de la derecha española. Bueno, lo que quiero decir es que es la primera vez que he leido algo sobre los vascos que me ha sido muy grato. Es un libro muy ameno que informa sobre la realidad de la identidad vasca, y encima aprendes, que no es poco. Deja a un lado partidismos e ideologias politicas y se adentra a descifrar lo que para los vascos significa ser vasco. Por fin tenemos un libro que merece la pena ser leido, discutido y pasado de mano en mano entre no solamente vascos sino entre los que no lo son para que dejen definitivamente a un lado estereotipos y prejuicios sin sentido sobre lo vasco. Es el libro que espero regalar a mucha gente, incluidos mis familiares y mas intimos amigos de aqui, de Madrid, para que puedan formarse una opinion real sobre lo que es ser vasco, alejada de bombas, politiqueos y maniqueismos falsos.
Enhorabuena a los autores por este impresionante libro, que aunque es sencillo de leer, creo que no habra sido nada facil de escribir. Necesitamos mas libros como estos y menos titulares sobre lo horrendo que es ser vasco.

Los vascos, los vascos...que vida la nuestra! nos bombardean constantemente los medios de komunicacion, "ke si los vascos esto, ke si los vascos lo otro"...sospechosso de todo, que si el tsunami, el global warming y del color de la cara oculta de la luna. Ke ya vale! y entre tanto desierto intelectual, encontre "La Identidad Vasca en el Mundo" de Oiarzabal & Oiarzabal, made in Euskalherria. Es un libro perfecto para saber mas de todos aquellos ke como yo andamos dando vueltas por el mundo, yo en London, y tu? si ya has leido el libro ya sabes de que estoy hablando...y la cosa no queda aqui, sino que intenta abarcar el significado de lo vasco tambien en Euskalherria. Es una lectura imprescindible asi ke a leer el libro, ke te abre los ojos. Si tu vecino no sabe lo que son los vascos, "La Identidad Vasca en el Mundo" es el libro a recomendar. Ondo ibili!

Hi,
I just want to say I've just finished reading the book "Identidad Vasca en el Mundo" and I think that it's fascinating. My spanish is not too good, so I might missed some conceptual meanings. However, I have learnt lots about the Basque people, identity and culture, which it has nothing to do with media headlines on ETA this or ETA that. If you are still intrigued by the Basques and you need a serious but at the same time extremelly pleasant book, this is the one. Don't hesitate and read it. You will enjoy it!!

If you thought that Mark Kurlansky's book "The Basque History of the World" was the greatest thing that you have ever read about the Basques, try "Identidad Vasca en el Mundo" by Agustin and Pedro Oiarzabal. Here, you won't find cooking tips, biased stories, and unevidenced arguments...Well, we already knew that "the Basques are the greatest people on earth" thanks Mark, and???...Reading "Identidad Vasca en el Mundo" you will learn about the diverse meanings of Basqueness from all over the planet according to many voices like mine. This is a very objective piece of work that it will satisfy your needs to know more about the Basques and our culture. Congratualtions to the authors. Eat, drink, READ THIS BOOK, and be Basque!!!!

Soy nacido en Madrid, España, y apesar de mi nombre no soy vasco. Esta es la primera vez que he escrito una reseña sobre un libro en Amazon.com. Un amigo mio de Portugalete, cerca de Bilbao (País Vasco) me recomendo la lectura de "La Identidad Vasca en el Mundo" de los escritores Pedro y Agustin Oiarzabal. La verdad es que al principio me encontre un poco reticente a leerlo, no por el tema en si ya que sigo muy de cerca lo que ocurre alli, sino porque normalmente no hay nada que se escriba sobre los vascos que no sea para demonizarlos o santificarlos. Es decir que no he leido o he escuchado nada ultimamente, desde hace al menos ocho o nueve años, sobre lo vasco que no este politizado, y esto a mi esto no me gusta en abosluto. Siempre he creido que todos, particularmente, aquellos que vivimos fuera del País Vasco necesitamos estar informados lo mas objetivamente posible para hacer juicios de opinion validos. Desgraciadamente los medios de comunicación solamente nos hablan sobre aquello que los politicos quieren que sepamos. Este libro es la excepcion que confirma la regla. Es un estudio serio que necesita ser leido por todos aquellos que nos merecemos saber mucho más sobre lo vasco. ¡¡¡No hace politica!!! y esto se aprecia enormemente. No nos habla sobre si los vascos son buenos o malos, o si son más vascos que españoles, sino que nos presenta una realidad mucho más compleja, amplia, enriquecedora y desconocida por muchos, como es la de los vascos repartidos por el mundo. Si hay algo que quiero criticar a los autores es que el libro se me hace corto. Ya estoy esperando un segundo volumen. Espero que asi sea. Enhorabuena por este excepcional libro. Libros como este son los que nos hacen apreciar lo que significa ser vasco.

Seeing this book was one of the reasons I set about the task of writing Revelation Blind Willie Johnson The Biography in an attempt to emulate this great tribute to a great man, this is surely the definitive work on the life of Howlin' Wolf, a must read to anyone interested in the man and his music!
Revelation Blind Willie Johnson The Biography.

Interesting. Provides an insight into the character of Chester Burnett, especially enjoyable since less seems to be known about him than other bluesmen.

This book sets a new standard for music biographies, the authors have really done their research. Not only that, Chester almost jumps off the pages so well do they reveal a complex and private man. Descriptions of live performances and studio sessions are finely detailed, due to the numerous interviews the authors conducted with sidemen, producers, fans and family members. Good thing these writers started work on the book many years ago; a number of the interviewees have since died, making this the final word on working/living with the Wolf. Outstanding.

This book is without doubt, an excellent, well-researched and detailed account of the life of Howlin' Wolf. The life of the blues pioneer was one of hardship, sadness, and overcoming adversity, and the authors do a good job of conveying what the Wolf dealt with.

From his hardscrabble upbringing, an abusive and hypocritical father, and mother lost in psychological and religious madness, and just obstacle after obstacle, the Wolf endured, but sometimes I feel never achieved the full happiness he wanted. There's no doubt he loved his family, cared for his bandmates and did his best, but you could tell the sadness that the blues often heals might not have been enough.

There's a good examination here of Wolf's music, his influences and how he managed a signature sound as well as a performance style that blew nearly all the others away. All the same, Wolf was very protective of that sound, demanding of his mates and making sure they did it the way he wanted it done. Sometimes he was overbearing and arrogant, as witnessed by the defection of Hubert Sumlin to the Muddy Waters band. But Hubert later did return, and many would come in and out over the years.

The rift between Waters and Wolf is noted here; was there ever really one, beyond the professional rivalry? It does appear that Wolf saw Waters as a company man, in terms of his relationship with the Chess brothers. Wolf was very careful about his money, making sure the brothers paid him what he was due, while Waters was content to allow the brothers to get him a new car or a home now and then, perhaps a bit too trustful.

But in the end, it does seem they cared about each other and made up any differences near the end of their lives.

I do think there's a certain God-worship by the authors of Wolf. Too much in some places I think, where a writer makes the subject the greatest thing ever, and all others are chaff. Just the same, this is a sometimes funny, often sad look at a great musician, writer and performer, who influenced those who followed, such as the Rolling Stones.

When I hear "Smokestack Lightning" now, I don't hear it quite the way I once did. It has a more sorrowful quality now than ever. RIP, Wolf...you deserve it.

Two years ago, I reviewed Howlin' Wolf: The Chess Box in this very hallowed cyberspace, wonderin' aloud (as Ian Anderson and Jethro Tull would have it) when in the world would someone please write the definitive bio of Wolf and his massive (reportedly 6' 3" and 300 pounds) persona? Well, folks, wonder no longer. Within the past year, James Segrest and Mark Hoffman have written said biography. In fact, I first purchased and eagerly devoured this tome a year ago; it was only upon rereading it that I decided it was time for review. Sam Phillips once reportedly said that Wolf was the greatest talent he had ever discovered. (For perspective, remember that Mr Phillips helped discover such "nobodies" as Roy Orbison, Johnny Cash, Charlie Rich, Jerry Lee Lewis, and the King himself, Mr. Elvis Presley. To say that Wolf was his greatest discovery was quite a statement, doncher know.) We see the early Wolf, cast out by his own mother because his music was "too sinful", and beaten repeatedly by his father, drive a plow on a Mississippi plantatation, until one day, (reads like a fairy tale, don't it?) first Charlie Patton, then Sonny Boy Williamson II (Rice Miller) come along to teach Chester Arthur Burnett the rudiments of guitar and harp, respectively. We see Wolf through the glory years of Chess, making his classic records, and giving his incredible performances (including reportedly sliding down the length of a fire curtain when he was 57 YEARS OLD, no less!), through the good and bad times with his multitalented bandmates (including a VERY young James Cotton and Hubert Sumlin, his nonpareli guitarist), through the unbelievable records (some of which were originals; others, such as "Sittin' On Top of the World", "Pony Blues" and "Built for Comfort", he received from artists like Charlie Patton and Willie Dixon); and finally, through the later, sick years (when he recorded London Howlin' Wolf Sessions, six years before his death, he was reportedly so ill, he could only complete one song per day). Hoffman and Segrest's excellent prose leaves you spellbound and wishing you could rush right out and purchase some of his music. TA DAAA!!!! The wait is over. When you are done reading this review, why not just do another search and pull up Howlin' Wolf: The Chess Box and send yourself 71 of the Howlin'est, Wolfingest tunes as an early Christmas present???? WHY NOT????? So don't delay, order both Moanin' at Midnight: The Life and Times of Howlin' Wolf and Howlin' Wolf: The Chess Box today, even as we speak. Trust me it's the kind of music (and writing) that will put hair on your chest and make you want to howl all night long!!!!!

A compelling look at a fascinating figure of the modern American civil rights movement whose story continues to be relevant. Particularly interesting is the nuanced and thoughtful treatment of the complex dialogue and tension between "nonviolence" and "self-defense" in the history of the Black freedom struggle in the US.

The period of Williams's life following his exile is only very tersely outlined (as the author himself admits), giving the book a bit of an abrupt end. More analysis of Williams's decision to renounce public life, of his scepticism about the later direction of the "Black Power" movement that had claimed him as one of its icons, and of his decision to seek an "understanding" with the US gov't enabling his return from exile, would probably make for most interesting reading.

highly recommended to anyone who enjoys U.S. history. I wish this book and Williams' life story and struggle were more well-known

Mainstream history seemingly gets real nervous about who is carrying a loaded weapon and who one associates with. Combine the two and it will take an outstanding historian like Timothy B. Tyson to bring to life the tireless work and controversies surrounding civil-rights activist Robert F. Williams.

Williams brought the element of armed self-defense in seeking equal rights, especially in his hometown of Monroe, N.C. Though Williams, a military veteran, stressed that the specter of self-defense was necessary - and proven successful in confronting the KKK and other racists - his stance drew the ire of the NAACP's national office, the FBI and other government agencies & those in the civil rights movement who stressed non-violent actions no matter what the situation.

The book is more than a biography on Williams. It shows how his demands for equal rights meant something different to various individuals and groups, though Williams would not politically "fall in line" with any movement. It was the perceived idealism that drew many to Williams, but it was such a coalition - including Malcolm X and the Socialist Workers Party - that made him particularly dangerous in the eyes of federal officials.

While in exile from the U.S. after being erroneously charged for violating several federal laws, Williams was in Cuba after the revolution, North Viet Nam during the war, China as the Cultural Revolution caught fire and travelled to Africa. His independent thinking got him in trouble in Cuba; a radio show he conducted to the U.S., Radio Free Dixie, along with public comments he made, found Williams facing the wrath of Cuban government officials and ultimately led him to China.

The book also shows how his wife, Mabel and women in Monroe & in other cities not only demanded civil rights, but were willing to defend themselves and their families from violent attacks through the barrel of a gun. Mabel Williams was also an important person in the writing, editing and publishing of a newsletter that gained national and international attention.

Williams was an important catalyst for Huey Newton and the Deacons for Defense in their quests to skillfully confront the haters on the streets. In yet again another example on why we must continue to look past the history as it is written in textbooks, Robert F. Williams showed what can be accomplished when the intimidators become the intimidated while trying to perpetuate the myth of white supremacy.

The civil rights movement was not created by, lead by, or moved forward by the dozen or so media heros whose names we all now know. The civil rights movement succeed because so many ordinary people decided that they could no longer stand to live in the midst of injustice, and decided to step out of their daily lives and do something about it.

Robert Williams did just that. An ordinary working class guy, he used his people skills to form a network of working class black people who did not have the patience of the old line leaders of the local NAACP chapter in his hometown. He got himself elected president of the chapter, and backed by dozens of local people, formed one of the most activist chapters in the country. The national NAACP never was comfortable with Williams or the work of his chapter, and at best held them at arms length.

Inevitably, Williams' hard pressure on local structures of racism lead to a backlash. When he was attacked and his family threatened with death, the local police did nothing. When he and his community defended themselves, by taking up arms to combat the armed violence of the white racists, he was charged with murder, and became the subject of a massive FBI hunt. Escaping to Cuba, he operated a radio station, beaming the "truth" along with progressive jazz and blues which would never be played on corporate radio in the south, to Dixie.

Ultimately, Williams' stance of self-defense was taken up by Stokley Carmichael in the South, and by the Black Panther Party in Oakland, and is now well known as the "Black Power" movement. But at the time, it was simply a slightly more hardline version of the NAACP. Local chapters of the NAACP, building on long traditions of mutual support in black communities throughout the south, supported by thousands of ordinary people, formed the backbone of the civil rights movement. Anyone who thinks otherwise should read the statements by Bob Moses and the other SNCC organizers, who readily admitted that they could never have accomplished anything at all if not for the decades of groundwork done by the local NAACP chapters throughout the south.

Great book, which everyone interested in the history of the Civil Rights movement, or just interested in the way social changes really happen, should read.

Ultimately, the notion of white supremacy and the so-called glory of the Lost Cause always devolved to the use of violence and intimidation against black people and any one who sided with them. Williams' is an amazing story of courage and determination as he challenged the KKK and assorted white rabble of rural North Carolina in the 1940s through the 1960s in his quest for racial justice.

Williams, a soldier during WW2, came back to Monroe, NC after the war and took on the clowns and goons of the KKK and the local and state white government. When they fired on his home, he shot back, upsetting the applecart of segregation.

Tyson's book is a powerful portrayal of a man quite willing to die for his rights, a man fed up with the violence degradation inflicted on him by southern society, and a man willing to kill to protect his property, his person and his family.

Tyson's realistic and entertaining portrayal of the stupid and inane actions of white southern racists in North Carolina is another reason to read this book. The local thuggery is almost comical, until one remembers they are well armed and prone to alcholism and violence. Tyson goes into great detail about a 1958 case where two black boys, 10 and 8 were BEATEN and IMPRISONED for kissing a white girl.

Williams and his wife are not well known heroes of the Civil Rights struggle. This book gave me a greater appreciation of the vicious hatred, violence, and stupidity they were fighting, and how disciplined and determined the Civil Rights struggle had to be in the face of overwhelming white resistance.

I don't know where I'd be today without the witness of the late Reggie White. I suppose the answer is that God would have used someone or something else to crack open my hard heart, but I will still be eternally grateful to Reggie - not only for writing this excellent football book, but more important for always wearing his heart for the Lord on his sleeve, in plain sight for any observant fan.

THIS IS THE STORY OF REGGIE WHITE FORMER NFL GREAT. THIS IS A GOOD READ FOR EVERYONE, NOT JUST FOOTBALL FANS. REGGIE TELLS US OF HIS LIFE AND CAREER WITH THE EAGLES AND PACKERS, ALONG THE WAY HE HAS SOME GREAT STORIES ABOUT FORMER COACHES AND TEAMATES. BUT THE MOST IMPORTANT MESSAGE IN THIS BOOK IS HOW TO LIVE A CHRISTIAN LIFE. REGGIE WAS A DEVOUT CHRISTIAN AND SPREAD THE WORD. HE NOT ONLY TALKED THE TALK BUT WALKED THE WALK. THE LESSONS AND MESSAGES IN THIS BOOK ARE WELL WORTH READING AND USING IN EVERYDAY LIFE. I WAS VERY SHOCKED TO LEARN OF REGGIE'S DEATH. HE WAS A GREAT ROLE MODEL FOR EVERYONE. I RECOMMEND THIS ANYONE AND EVERYONE TO READ. THERE ARE NOT ENOUGH REGGIE WHITES IN THIS WORLD.

I found this book very interesting I learned a lot about Reggie White. I wish that he was still with the Green Bay Packers. I am a huge Green Bay Packer fan. This book had a lot of interesting stuff in it. For example I never knew that one of his favorite players growing up was O.J. Simpson. Reggie said in the book that O.J. Simpson was like a moving target for defensive linemen; he said, that was one of the reasons that he wanted to play defensive end. I also learned that he really liked his coach Buddy Ryan when he played with the Philadelphia Eagles ,and when Buddy Ryan got fired Reggie couldn't figure out why he got fired; he said Buddy Ryan was a good coach. Reggie also talked about his church getting burned. He also talked about his friend and teammate Jerome Brown who was killed a car accident and he thought he was a really great person and he said he misses him. I learned a lot from reading this book. This book is one of my favorite books that I read. I would recommend this book to every Green Bay Packer fan.

This was a great book because it shared with me how profesesional athletes deal with the same things that us normal, every day Joe-Schmoes have to deal with. It was interesting how he dealed with his church getting burned down and how he was frustrated with the authorities, just as I am.

"I've never seen any conflict between Christianity and football. I don't see football as a violent sport; I see it as aggressive. And I see Christianity as an aggressive faith." (pg. 189).

IN THE TRENCHES spends tons of time talking about what made Reggie White famous, FOOTBALL, and what he thinks is most important for him to do with his football success, use it to promote JESUS!

"...three words--IN THE TRENCHES--sum it all up for me. I live my life in the trenches. I do my work in the trenches. I serve my God in the trenches. I go to war against evil, poverty, racism, and injustice in the trenches." (pg. 22)

Reggie talks about how he grew up. He was the second son of a teenage mother, who seldom saw his father. He was always much larger than other kids his age, and they called him names like "Bigfoot" and "Land of the Giants." He got saved when he was 13, and he would point out what the Bible said to bad kids who were doing things like always telling lies.

He claims O.J. Simpson as his childhood inspiration and main reason that he wanted to play football, even though this book was written after the famous murders?

He toughened himself up for football, to prove wrong the folks who said he couldn't handle it because he's a Christian!

He talks about playing in the USFL and the NFL, for the Showboats, Eagles and Packers. This book was written before he won the Super Bowl with the Packers. He spends plenty of pages giving many details about many different games. Sometimes it gets a little too long for me, so if you are interested in hearing about his football career, then this is the book for you! "Sacks are fun, man. There's nothing like throwing a quarterback down for a big loss." (pg. 83). He also talks about being one of the first really big stars to go into Free Agency, which was not popular with the team owners of the time! "The owners who screamed the loudest about free agency were the owners of the notoriously tightwad teams--the Eagles, the Bengals, the Steelers." (pg. 127).

He details the times when God pulled off public miracles to heal him to play. He also discusses how God used his football fame to bring to the public eye the problem of church arsons in the South, by having Reggie's church get burned down, which brought national media attention, and plenty of extra love and support from Green Bay fans, and from across the nation.

There are many b/w photos in the middle of the book, so you get to see many of the family and friends discussed.

This book is better than Reggie White's later book, BROKEN PROMISES, BLINDED DREAMS, which is mostly about his thoughts concerning African-Americans in the USA. BROKEN PROMISES focuses mainly on what's wrong with the immoral US culture, these days, so you should read BROKEN PROMISES if you are interested in social activism and the African-American experience, from Reggie White's perspective.

He only briefly touches on the culture wars in this book, IN THE TRENCHES, "Nobody's preaching abstinence today because nobody's figured out how to get rich off of other people's abstinence--but there's plenty of money to be made from other people's sexual activity...[...]..sexually transmitted diseases...aborting unwanted babies...Much of the money spent on various aspects of people's sexual behavior is TAX money--money you and I shell out to the government, money that is spent without our say-so!" (pg. 217).

At the end of the book he give tips on how to be a good role model.

I am a Reggie White fan, because I like what he did with his football fame, using it to promote Christianity throughout his entire career, and way before and after his pro football days, as well!

I think this is the best Reggie White book that I have read, though I can also recommend BROKEN PROMISES for anybody who is intrigued by the activist aspect of Reggie White's life.

There is also a pretty decent book of photos called REGGIE WHITE: A CELEBRATION OF LIFE, 1961-2004. This is slim on text, but has many interesting photos of his pro football years.

"When I face the final judgment, God isn't going to ask me how many Pro Bowls I played in or ask me to recite my stats. He's going to ask me if I knew Jesus, and if I helped to bind up the wounds of people." (pg. 195, IN THE TRENCHES).

I love the way Keith Brown captures the essence of mother-son relationships in the African American family. It portrays the values that are developed between mothers and sons to produce strong black males. Each story is an example of encouraging motivation and hope for future generations of mother-son relationships.

This wonderful collection of stories to read about the bond between mother's and son's.

This book is so moving. Within the first few pages, I was so captivated by the warm feelings that are shared. This mother to son bond is unexplainable. I immediately told my family and friends that they have to read this book if no other.

This is to the response from Gloria Alibaruho dated 25 December 1999.

I just read your review of the book, Sacred Bond: Black Men and Their Mothers. You said in your review. "All of the mothers are acquainted with life as a journey rather than a destination." I think that is a very profound statement - your focus on "journey" implies a continuous activity as opposed to "destination" which is a fixed point in time. Too often, whether we set the stage or someone else does, we focus on a fixed point in our lives, the time when the journey is completed. We forget to celebrate the activities that brought us to our goal. This celebration serves to strengthen us and provides inspiration for the next day. That is why some goals are never reached - the preparations for the journey are not made and then we loose sight of our destination. Metaphorically, it is like taking a hike in a dense forest and forgetting to bring a map or compass.

I have a notebook of quotations that give me inspiration and I have just included your quotation in the book. Thanks for your words of wisdom.

Sincerely,

Susan Lightfeather lightfeather@exotrope.net

As I read this book, I could see myself in every one of the mothers. I laughed, I cried, and I was blessed to be touched by their experiences. As a mother, it was reassuring to read that I am on the right track. Through their trials and tribulations, the bond strengthened. To the authoris: Thank you for capturing these magnificent stories. To the mothers/sons: Thank you for letting us into your life.

The true story of Dr. Sammy Lee and his journey to become the first Asian American Olympic gold medal champion while overcoming incredible obstacles, discrimination, and hardships is both inspiring and fascinating to read. Paula Yoo did a great job telling the story in a way that makes it easy for the reader to connect with the character, and Dom Lee's beautiful illustrations remind us of old photographs and are an integral part of the book. The book touches on many important themes such as pursuing your dreams and believing in yourself, even if the odds are stacked against you, and I will highly recommend it to all of my friends and family.

My kids were amazed that Dr. Lee accomplished so much after dealing with so much discrimination. He is an inspiration to everyone and is a proud citizen of this country. The illustrations are wonderful. Just a note - the book implies that his father only wanted him to be a doctor - he says his father supported both of his dreams - to become a doctor and to be a diver. He became successful at both, and more.

Before reading "Sixteen Years In Sixteen Seconds", I'd never heard of Dr. Lee. After reading this incredible book, I was moved and inspired by this courageous, fascinating human being. Though classified as a children's book, "Sixteen Years In Sixteen Seconds" can be enjoyed by adults as well as kids. With its beautiful illustration, thoughtful prose and universal themes of perseverance and beating the odds, Sammy Lee's story will continue to be enjoyed by generations of readers to come.

When my husband first picked this up, he was surprised to discover that Korean-Americans- in California- were subject to the same Jim Crow laws that African-Americans were in other parts of the country. Unfortunately, many people forget that although Asian-Americans have been a substantial presence on the West Coast for over a century, it has only been in the last few decades that we- as well as African-Americans and other ethnic minorities- have (mostly) attained equality.

As a Korean-American on the East Coast, I was moved by the story of Sammy Lee as he struggled with both his personal ambitions in a racist country and his father's desires to secure his future. Although the Korean-American father-son relationship is fraught with tension (at least in popular American literature), this story resolves it nicely, as Sam understands that his father does not endure insults and racism because he is weak and unable to change things, but because he is trying to face an unfair world with honor and dignity. This was the most important lesson of the book, I thought, and it enabled Sam to bridge both his father's desires for his future and his own desires.

The story of Sam's relationship with his coach moved me as well. While, at first glance, we can't guarantee that we will meet the mentor of our dreams, this part of the story does jibe with the saying that "luck is when opportunity meets readiness." Maybe we won't all find what we need when we want it, but we can be responsive to what we need when it arrives.

This is a short book with nostalgic illustrations that will be a pleasure for anyone ages 8 and up to read.

Sixteen Years in Sixteen Seconds documents the story of Sammy Lee. Lee was the first Asian American to win Olympic gold. This truly inspiring tale captures the American dream as a young person who overcame discrimination to bring Olympic recognition for a country that rejected him. Lee is the son of Korean immigrants who faced challenges just because of his skin color. Unable to practice in a whites only pool, Lee perfected his abilities in spite of discrimination. Yoo acknowleges the moment in an Olymipan's experience in which life-long training culminates in just a brief sliver of time. Paula Yoo really connects the reader to the subject. Dom Lee's sepia toned illustrations carry a nostalgic feel. This is a strong work and should be a good addition to the library collection.