Cultural Books

This is a great, straightforward reference. It covers everything any person needs to know about dining etiquette without any useless "filler" material. The audio format is great and the speaker is one of the best I have listen to.

After a few months as a first year associate at my law firm, one of my former law school classmates told me that their firm had sent its new associates to an etiquette class. I decided that it might be a good idea for me to brush up on my etiquette skills as well, so I purchased this CD and also the Food Scholar Wine Basics CD. I recommend both for new professionals to prepare them for any "dining" situation they may encounter in their first jobs. These situations frequently fall into the "you don't know what you don't know" category of student knowledge.

I, for one, had very little experience in more formal dining situations upon graduating from school. This CD was just what I needed to get myself up-to-speed. It is well-organized and well-presented, covering a number of very specific situations that convey the elements of common sense and consideration that underlie all etiquette.

The author thankfully avoids spending time on how to arrange the seating at a state dinner. What he offers is practical, usable advice on the types of real social interactions that occur in all kinds of business. A very useful CD and well worth the price. Definitely five stars.

I will be graduating from college this year and have started to interview for jobs. I have a decent GPA, am in the career placement office every week for advice, and have spent hours polishing my resume. I thought that I had all my bases covered. Then I started actually interviewing for jobs. I have already had three interviews that included meals and two "mixers" with drinks and appetizers. It was a little overwhelming. I could tell there was an order to things I did not completely understand. A friend recommended this Dining Etiquette CD, so I ordered it. I had yet another meal during an interview after listening to it. It made a big difference. Knowing what to do at every turn during the meal was a confidence booster and I am sure it helped me appear more polished and professional. I HIGHLY recommend it, Two Thumbs Up.

A good etiquette book should sit on every professional's bookshelf alongside "how to win friends" and "7 habits." I purchased this book along with Essential Etiquette Fundamentals, Vol. 2: Wine Selection & Etiquette and The Etiquette Edge: The Unspoken Rules for Business Success to cover all the bases. These books do an excellent job covering the important etiquette skills often overlooked in today's environment. Although often underappreciated, exhibiting proper etiquette signals to others (especially your boss and clients) that you are well educated, care about detail, and have respect for others. I highly recommend these books for anyone new to the business world or for those of us who may need to brush up on the basics.

The last book on CD my wife and I bought was terrible: mens' voices for female characters, etc. And what's the alternative on the radio? Pop music or Howard Stern? I spend twenty percent of my waking life in my car. I might as well spend it wisely. The Food Scholar is easy listening and presented in a way that makes the information easy to learn and remember.

I loved this story. I hope Emily Wu writes more about her life and what led her to America. This was a beautiful story about how the cultural revolution in China robbed people of there childhoods and destroyed families. I intend to read more from this author.

Emily Wu and Larry Engelmann book "Feather in the Storm", an amazing openess of Emily Wu's life and history of China during the Cultural Revolution. The events that unfold carries the reader from youth to adulthood during a time of hardship and struggle which reminds us why hope and love is so neccessary and reasons to allow history to not repeat itself...

Feather in the Storm is a heart-wrenching and deeply moving story of a childhood lost in the terrors of Communist China. The story opens as three-year-old Mao, as she is known by family and friends, meets her father for the first time - in a concentration camp. Moved from family to family and from city to village, little Mao finds herself striving to learn who she is and where she belongs. Fed by her starving grandmother and protected by her outcast parents, Mao attends school and performs her daily chores at home without complaint, maintaining her hope for a brighter future.

Mao's father, a university professor who studied in America, has been labeled as an extreme rightist by the communist party in China. Cast out of the university apartments, Mao's family is sentenced to live in a tiny village so that they can "learn from the peasants," becoming better citizens. Here, Mao and her family live in a tiny mud house which melts away in storms, leaving the family exposed to the elements. Forced to leave home as a teenager after high school, Mao is sent to live in a remote village on the top of a mountain where she falls in love with a young man she is forbidden to marry.

Throughout all of the trials and tribulations Mao faces growing up, and in every village and town she lives in, she is able to make friends and gain the respect of her teachers and neighbors. With an undaunted courage to survive, Mao teaches the reader that hope can be found no matter what the circumstances. Surrounded by death and destruction, Mao creates a life for herself and embraces those who struggle by her side.

Author Emily Wu expertly captures the essence of what life was like during this tremulous age, and helps the reader experience the drama from a firsthand point-of-view.

Armchair Interviews says: Stunning read.

"Feather in the Storm" is a fantastic book. It is well written, and enthralling. I rarely get attached to a story, but I read it through cover to cover with only one break. I couldn't put it down. I am looking forward to the sequel! It is depressing but enlightening. People are really terrible to one another. There is a whole generation lost to the policies of Chairman Mao in the chaos. This comes to light in this true life story of Emily Wu's struggle to survive.

My wife and I met Emily Wu at SIUE while on her book tour. Her story was amazing, so we had to buy the book to get the details.

It normally takes me about a year to read a book, but this one I devoured in a matter of days. The perspective of the book grows as she grows. In the beginning it is written as though you are only a couple feet tall - the details are in the words she hears, people's feet and the underside of cribs and tables. Later on she gets taller and you start to experience more of the people around her. But, like the limitations put on a pre-teen, she can only see so much and know so much, therefore her story is limited to just what she could see and understand. You feel as though you are a child right alongside her.

Often I found myself trying to figure out what things meant (names of Mao's movements and doctrine), but that just muddled the story. At times you feel like more should be written about the backstory of the Red Guard, but if you think about the fact that she didn't know much about them at the time it leaves it all in that child-like perspective. She writes about what she saw and read and experienced as a child, especially her reactions to how it changed the people around her.

The tempo is well-paced and manages to catch you off-guard. It covers issues like capping and de-capping, the invasion of the Red Guard at the Anhui University campus in Hefei, book burning, cleansing of the "Old" ways, living conditions, food, suicide, female infanticide, arranged marriage, bound feet, class struggles, child-on-child violence and much more.

When you are finished, you will view your life through a new pair of glasses. You won't be able to go 5 feet without finding 100 things to be truly thankful for.

Like most Taschen art books, this is a high quality publication, nicely printed and bound. There is a good deal of information and many paintings for the top artists (Elvgren, Petty, etc) and short bios and paintings for dozens more. The paintings are why you'd buy it of course, and the reproductions are excellent. Often the editors did not have originals to work from but that seldom shows. A very few of the larger prints of what must be reproductions are a bit blurry, but not many. However, I personally would have preferred fewer examples so that more of the paintings could be full page. Lots are, but in more cases the reproductions are quarter page and sometimes nine to a page. They are still very good due to the quality reproduction, but lose much of their impact. And impact, after all, is what pin-up art was all about. Still, there's something to be said for quantity too, and this 447-page book has hundreds of fine paintings. Two other quibbles. This hardback has a printed cover, rather than a paper cover, which to me makes it less classy as a display book. I know, I know, it's a pin-up book, but still. Also, like many art books, all the descriptions (the words) are in English, German and French. No complaint, but it's worth knowing in advance that many pages are dedicated to this duplication. That said, if the subject interests you, this is a must have, just like another of the authors' pin-up books for Taschen, Gil Elvgren: All His Glamorous American Pin-Ups (Taschen 25th Anniversary Special Editions).

If you like this genre of art, this is a good reference with a wide spectrum of artists and good quality pictures. Nothing obscene, but a bit of titillating work consistent with the style. Good background summaries. Not an all inclusive or exhaustive reference by any means. If you want a lot of a specific artist then you need a book on that artist alone as there is too much out there for one book. This one makes a good coffee table book and is good for art/ fashion inspiration.

I love this huge book. It gave me background on the artists that I wasn't expecting, and discovered new artists that I hadn't seen before. Covers a wide spectrum of styles too. It's my #1 coffee-table book.

They adorned American calendars, magazines, and paperbacks: playful on water skis, glamorous in evening gowns, seductive before their bedroom mirrors, each one presented in luscious, candy-coated colors to beguile the sensibilities of the businessman, the mechanic, the G.I., the clerk. They were "Pin-Ups," artists' near-fantasy renderings of femininity designed to catch and hold the attention of the American male. They were also, unfortunately, disposable--disappearing into the trash when the calendar was out of date, the latest magazine edition released, the book cover worn to tatters.

Fortunately, however, Charles G. Martignette and Louis K. Meisel have gathered together a wide array of these paintings and reproduced them in THE GREAT AMERICAN PIN-UP, a collection drawn from Martignette's own personal collection. And from 1920 to 1980, from Vaughan Alden Bass to Ted Withers, this book offers 447 pages crowded with full page, half page, quarter page, and inset reproductions of the best of the best.

The book opens with a series of essays on the subject--essays which are offered in English, French, and German translations and which cover the social trends and historical events that gave rise to the genre. The entries are listed by artist and ordered alphabetically, each artist receiving at least a small note and some, such as the legendary Vargas, considerably more. But this is all extra stuff: then as now, the real attraction is the art itself, and it is all beautifully reproduced in the full brilliance of original color.

Whether the portraits are bathing beauty cheesecake, sultry glamor, or ill-concealed nudity beneath transparent robes, what most marks the classic pin-up is a sense of playful innocence, and that comes shining through in this truly entertaining, colorful, and often beautiful book. If you are looking for a glimpse of the art, here it is--in all it's radiant and sometimes naughty glory. Recommended.

GFT, Amazon Reviewer

An absolutely brilliant book. It bridges the gap between coffee table book and text book. An excellent overview of pinup art with glorious reproductions of the original pinup girls.

Hana's Suitcase, by Karen Levine, published in 2007, is the true story of a young girl named Hana Brady, who was taken away by the Nazis as a small child along with her older brother George, and her suitcase, which through a chain of events ended up in Japan. It is also the story of a Japanese woman's efforts to find out about Hana- who she was and what happened to her. The book is incredibly moving. Illustrated with photographs of Hana and her family as well as the Holocaust center in Japan where her suitcase is found, Levine tells Hana's story in parallel with the story of the efforts to learn about her. This structure sets up two crushing waves of emotion that left me in tears by the end. It's bittersweet tragedy, told with beauty and sensitivity.

I have read this book to my fourth grade class for the past two years. They are instantly drawn to Hana, Fumiko, and the story of the Holocaust. The minute they see the picture of Hana's Suitcase, they begin to ask all the questions that the children in Japan asked of Fumiko. They always want me to continue reading and they are so eager to find out about her story. This book has inspired so many deep and thoughtful discussions with my students. They really connect to Hana and her story and the book helps them understand what happened with the Jewish people in WW2 and why it got so out of control. The chapters switch between Hana's story and the story of the children in Japan who are learning about Hana, so it kind of breaks up some of the more difficult parts of the story with the more happier, hopeful parts. I highly recommend this book for anyone- kids and adults.

Has there ever been something you found that you wanted to learn more about? This happened to Fumiko Ishioka in Hana's Suitcase by Karen Levine. Hana's Suitcase is an informational book about the Holocaust and the sad story of what happened to over 6 million Jewish people.

Hana's Suitcase is about a young Jewish girl named Hana who lives in Czechoslovakia with her family in the 1930's and 1940's. It is also about Fumiko Ishioka in Japan and a group of kids called Small Wings who find a suitcase from Auschwitz (a German concentration camp) with the name Hana Brady on it. Fumiko and all the Small Wings are eager to learn about Hana and her life, death, and family.
Hana's story begins when she is a pampered girl who lives in Nove Mesto, Czechoslovakia. As Hitler's troops march into other parts of Czechoslovakia, Hana is barely affected. She still has all her rights and freedom. Soon after, Hitler and his troops marched into the rest of Czechoslovakia changing the Brady's life forever.
Hana's Suitcase is an amazing book that I think everyone should read. It teaches us all more about history, who these people were, and the pure evil that attacked them. The story might be sad, but it shows us just what happened to the 6 million Jews who suffered Hitler's wrath.

This children's book (age 10+)is an engaging story, almost a mystery/detective story about a Czech girl named Hana who dies in the Holocaust. It is an unusual story because it begins in Tokyo with the curator of a newly created Holocaust museum who is curious about the name on a suitcase from Auschwitz. She wants the people of Japan to understand the story of the Holocaust, especially children. The children wanted to know about Hana. The book has many photographs of Hana and her family. Each chapter answered questions in my mind but then created even more questions. Who was Hana? How did the author get the photographs? Did she survive the Holocaust? What was Hana like?

This is a very different account of the holocaust than I have ever read before. It is a living account of the holocaust and how it still affects our lives today. This book brings the holocaust into the present by telling the story of a Japanese woman searching for a girl who was lost nearly 60 years ago. I loved this story and wonder how many more stories of survival, hope and faith we can find if we just dig a little deeper to unbury a past that is not always pleasant but that we can always learn from.

Suffering is the proper word. Anthropology should be totally, completely fascinating -- it's the study of human cultures, for heaven's sake -- but it's often a dry-as-dust class for college students.

This book is not dry. In fact, it's probably the only anthropology book that can bring the reader to tears of laughter.

Which is not to say that the book is a comedy. It's not. The book is a sympathetic and interesting take on the writer's study of the Dowayo people. But the Dowayo people -- like any other ethnic group or people -- have quirks that the people themselves cannot see. Nigel Barley lives among the Dowayo and documents their lives, tells how he does anthropology, and manages to do so in a way that makes the book one I sometimes pick up, open at random, and enjoy.

Stumbling upon this book was total luck! The only motive I had to get this book was a desire to learn more about Anthro as informal as possible- yet have it be completely nonfiction.

I just want people to know that this is my first actual review. That being said, everyone who reads this review should understand that I liked this book SO much that I not only sent it from my house in Japan to a friend in the states, but I also came back here to write a short blurb on it.

I promise any future reviews won't be such a waste of everyone's time! Take a chance and get this book!

I borrowed this book in the early 90s from a British friend (thanks Mark!) and it fast became one of my favorites (a close second to Brave New World). Witty, touching, and hilarious - I would love to have Nigel Barley over for a dinner party! I just wish he had written more books like this one!

Nigel Barley is a social anthropologist and this is his account of his first fieldwork, a year living and studying the Dowayo people of Cameroon. Social and cultural anthropologists (also known as ethnographers) travel to exotic locales (sometimes in our own backyard) and live among a group of people for a year or more in order to come to know their way of life intimately and write about it. Most every Ph.D. student in the field will face this "rite de passage" in order to become "a real anthropologist," and is generally given precious little guidance in the matter, which seems cloaked in mystery and is therefore commonly a source of considerable anxiety. In recent years, the situation has been partially remedied with the publication of some texts on methods and techniques, as well as the development of courses on field research methods, but there is still little written on the human dimension - namely, what is life like "in the field"? This book joins a small club, which includes Malinowski's diary and Return to Laughter. What sets Barley's book apart is his wit. He faces some serious problems but - in retrospect at least - laughs at them. It is a very entertaining read. You will learn a lot about what to expect in the field. It will also be useful for anyone who will be living in Africa and possibly other developing regions, such as Peace Corps volunteers and missionaries. I was, however, uncomfortable throughout the book because the author seems to be very distant and detached from the people he lived with and studied. It is hard to find anything very positive about the Dowayo, and the book therefore serves to reinforce negative stereotypes about Africa and bolster Western superiority. I prefer the eloquence and wisdom of Return to Laughter.

This is a budding anthropologist's account of his experience with an obscure and previously unstudied people in the Cameroons. If you thought you might want to be an anthropologist, this will either inspire you or turn you to some more comfortable calling. The innocent Englishman describes in hilarious detail his dealings with bureaucrats, missionaries, village chiefs, and rainmakers, while trying to maintain anthropological distance. You learn a little bit of anthropology from the book; you learn much more about the anthropologist. He may have embellished his story in places, but he probably didn't need to. It would make a great film, but don't wait for that. It's one of the funniest books you'll ever read.

I am using this book as a textbook in a course that I facilitate for international engineers at the University of Manitoba. We're using the text to explore cultural parameters and the different ways they manifest themselves in different cultures, both generally and specifically in engineering business. I value the book for the work it does in framing the larger concepts behind specific cultural differences, but also for the practicality it offers through anecdotes and tips for working with other cultural styles.

While it's early in the academic term, this book has already been extremely useful in framing discussions in our class. Also, as I talk to employers in Manitoba, many have asked for the bibliographic reference to source the book for their corporate library.

We all know how much difference there is when a team functions well - the tricky part is getting it to happen. This new book tackles this topic in the context of Canadian engineering teams, which are almost all composed of people from many cultures. In this insightful book, Dr. Laroche includes lots of material to help get multicultural teams firing on all cylinders.

Written for both managers and technical contributors, the book uses a multicultural lens to look at management styles, teamwork, communication and career management. This new perspective drives home a central theme that cultural differences are key in how our teams work, and not widely recognized in their importance. In these kinds of abstract topics I find concrete examples very helpful, and the author includes numerous anecdotes drawn from his consulting background. These vivid examples show the profound impact of what sometimes seem like small issues, like the Mexican engineer who resigned the day after getting some negative feedback in front of his colleagues.

The book also includes a number of quantitative charts and tables showing how different cultures have quite different expectations of the importance of hierarchy, individualism, and risk tolerance. Having read this book, I now much better understand the experience I had in Canada managing an employee from another culture. What I experienced as a lack of assertiveness was actually the case of an employee expecting highly directive management, and their way of showing respect. Had I understood that well at the time, I would have approached the situation quite differently, even starting at the interview stage. On the flip side, the book would have helped me a lot during my two-year stay in France. In particular, it wasn't until I read this book that I realized that when my French colleagues were jumping in and finishing my sentences, they were demonstrating their agreement by showing they knew how my sentences were going to end!

The book closes with a number of interesting comparisons, like the different emphasis on theory and hands-on work that exist between engineering schools in Canada, the United States, France and Mexico. And to finish off, an entertaining appendix containing explanations of expressions which we take for granted from such diverse areas as baseball ("to be out in left field" - to make no sense at all) and warfare ("loose cannons" - ones which are not fixed down, and fire a different direction each time).

We all know how much difference there is when a team functions well - the tricky part is getting it to happen. This new book tackles this topic in the context of Canadian engineering teams, which are almost all composed of people from many cultures. In this insightful book, Dr. Laroche includes lots of material to help get multicultural teams firing on all cylinders.

Written for both managers and technical contributors, the book uses a multicultural lens to look at management styles, teamwork, communication and career management. This new perspective drives home a central theme that cultural differences are key in how our teams work, and not widely recognized in their importance. In these kinds of abstract topics I find concrete examples very helpful, and the author includes numerous anecdotes drawn from his consulting background. These vivid examples show the profound impact of what sometimes seem like small issues, like the Mexican engineer who resigned the day after getting some negative feedback in front of his colleagues.

The book also includes a number of quantitative charts and tables showing how different cultures have quite different expectations of the importance of hierarchy, individualism, and risk tolerance. Having read this book, I now much better understand the experience I had in Canada managing an employee from another culture. What I experienced as a lack of assertiveness was actually the case of an employee expecting highly directive management, and their way of showing respect. Had I understood that well at the time, I would have approached the situation quite differently, even starting at the interview stage. On the flip side, the book would have helped me a lot during my two-year stay in France. In particular, it wasn't until I read this book that I realized that when my French colleagues were jumping in and finishing my sentences, they were demonstrating their agreement by showing they knew how my sentences were going to end!

The book closes with a number of interesting comparisons, like the different emphasis on theory and hands-on work that exist between engineering schools in Canada, the United States, France and Mexico. And to finish off, an entertaining appendix containing explanations of expressions which we take for granted from such diverse areas as baseball ("to be out in left field" - to make no sense at all) and warfare ("loose cannons" - ones which are not fixed down, and fire a different direction each time).

This book is really helpful in a way to understand cultural difference. It focuses on new immigrants issues, multiculture team work and communication barrier. Also focuses on why this has happend and how to overcome it. Different countries have different working style and one really understands this when reading this book. It also emphasises all the ideas a technical person needs to overcome all barriers and get aquainted with
multiculteral system.

The most important representation for me in this book are pages 69, 91, 93,and 148, as well as the graphs on pages 188, 216, and 217.

This book is really helpful in a way to understand cultural difference. It focuses on new immigrants issues, multiculture team work and communication barrier. Also focuses on why this has happend and how to overcome it. Different country have different working style and one really understands this when reading this book. It covers all the ideas a technical person needs to overcome all barriers and get aquainted with multiculteral system.

The most important representation for me were page numbers 69, 91, 93, and 148. I found the graphs on pages 188, 216, and 217 really helpful.

While I enjoy Voltaire on general principles, and try to support all his efforts in whatever media, I was hoping for something a little more...dense. Thicker, more full of information. Not really why I bought the book of course, but still. Anyway, some fun is still to be had, and once I get over the headache from reading white print on black pages (of course!), I will be glad it is now part of my growing Goth Home Decorating Library.

A friend of mine let me borrow this book. I am amazed that I gave it back without crying like a baby. From spooky dolls to bottle candle holders to a Gothic wedding, this is the perfect starter guide for the do it yourself goth. Or, if nothing else, it is a good laugh and an easy read.

If you're a fan of Voltaire's brand of snarky humor, you'll enjoy this book on gothic homemaking. The design of the book is worth the price on its own; the black-white-and-red color scheme and black pages are sleek and lovely. My only "complaint" (and it's not really a complaint so much as an observation) is that quite a few of the ideas are very basic and straightforward, and could be found online for free. (Examples: hanging cloth on your walls instead of painting; turning boring dolls into demon dolls.) But, there are a lot of really cool and inventive ideas with complete and helpful instructions, such as the "goth box" shelves, picture frames, and the graveyard cake (which looks as delicious as it does spooky). Voltaire also gets points for including specific recommendations for where to find some of the materials, such as car decals for "pimping your ride." These details turn what could have been rather bland ideas into truly helpful ones. Overall, I would recommend this book to anyone who's just getting started with gothic decorating, wants a few new ideas, or just enjoys Voltaire's signature humor.

Very fun read,Voltaire's second book. Alot of great and creative ideas on how to goth out your home. And as always,very funny observations by Voltaire. Highly reccommend for Voltaire fans and goth fans.

This book would've served me well in my Goth period but alas even Goths must sometimes grow up. Though I've since passed this book on it was a delightful little read and only Voltaire could've pulled it off.

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

Etta James. Powerful vocals and supremem attitude. This blues/jazz diva can only have a story that's as dramatic as her musical repetoire.

The biogrpahy is an easy read but full of emotional impact from her youth to her dificult struggle with her weight while climbing up the ladder to success. Family members bob and weave in and out of her life while she struggles to keep her head above the waters of black society.

Read about her survival and the road she took to make it there. Again, it is an easy read but the themes she brings up from her life are tough to handle. A true inspirational story, the life of Etta James will help any reader to appreciate her will to succeed and encourage all of us to strive to be our best.

If you're going to see Etta, read this book first. It will put some perspective on where this Diva has come from and help you understand some of her stage comments. To make your experience finer, read it while listening to "Her Best-the Chess 50th Anniversary Collection" and her newest CD "Roll On".

It's an honest and fresh read, very revealing and very scary as to how she survived racism, drug addiction and recovery. It also gives alot of insight on the R&B world players in the 50's, 60's and 70's.

I'd recommend it as a supplemental text in feminist/african-american/sociology college courses. It may be too controversial for high school courses but it would certainly get students talking. It's also a great summer read.

I have read many books about the cultural revolution but this one stands out amongst them all. The story he tell is a complete one. Finally, we get to hear positive things about communism as well as the negative. I enjoyed reading Zhu's account about what a good communist his father was during his life. I hear the pride in his words. Zhu's father must be thought of as a hero back in China. Usually, you hear about government officials using their position to benefit themselves, but his father believed in the system. Even though I don't beleive in it myself, it's refreshing to hear from those who do. Zhu has a gift with words that I hope he will continue to share with us.

I have read many books about the cultural revolution but this one stands out amongst them all. The story he tell is a complete one. Finally, we get to hear positive things about communism as well as the negative. I enjoyed reading Zhu's account about what a good communist his father was during his life. I hear the pride in his words. Zhu's father must be thought of as a hero back in China. Usually you hear about government officials using their position to benefit themselves. Zhu's father believed in the system. Even though I don't beleive in it myself, it's refreshing to hear from those who do. Zhu has a gift with words that I hope he will continue to share with us.

Having lived and worked as an American teacher in China now for two years, I've been able to read a number of biographies and memoirs of China's modern history. But unlike so many westerners who read such literature, I don't have the luxury of finishing a book and passing it off as some faraway account of a society and system that I'll never personally have to deal with. On the contrary, I see and share daily in the environment that China is - the aftereffects of her history of poverty and oppression, the often-autocratic decisions of the government, the worldview that communism and recent extreme nationalism have shaped, and the now-booming economy and the poor it has left behind - and I have no choice: I must live and interact as a good citizen with a positive attitude in the surroundings in which I find myself, for better or worse.

Jan Wong's `Red China Blues' was the first memoir I picked up and read after I arrived. Though her work is a masterpiece of brutally honest journalism and is invaluable in tracking China's progress and change from Mao to now, Wong herself is Canadian, not Chinese; she can ultimately take China or leave it.

But enter Zhu Xiao Di. Born in 1958 into the home of one of Nanjing's most principled and loyal communist public officials, Zhu learned from his father's undying commitment to personal and public integrity and came of age during the nightmare of Chairman Mao's 1966-76 Great Proletarian Cultural Revolution. '30 Years in a Red House' is his memoir of his own youth and growth during this tumultuous time, but even more so a memoir of his father's bitter suffering under the frenzied policies of Beijing's leadership. It is a story not of a starry-eyed outsider attempting to join in China's revolution, but of a Chinese person himself trying to remain loyal to the highest ideals and find sensibility and good even in the greatest of miseries.

Wong shows you China through the eyes of a foreigner who can ultimately walk away from China and its problems if she must; Zhu Xiao Di shows you China through the eyes of someone who will die to save it. '30 Years' is, frankly, much healthier reading for foreigners such as myself who must maintain a positive attitude toward our Chinese environment.

Zhu's picture of every facet of his family's daily life in Nanjing is full of insights into the culture of communism and reasons why the society was structured the way it was. It's full of personal stories of friends and relatives who struggled bitterly through the Cultural Revolution and the economic emergence that followed it. And it's full of perspective on the shifts of government and the way in which policies from Beijing affected every person's life during that time. We learn of his grandparents and their youth and adulthood during three great eras of 20th-Century China; of his father's ten years as an influential and heroic underground communist, leading to a career as an uncompromising and loyal public servant, followed by a severe denunciation and internment as a public enemy, and ending in release and return to public work; and of Zhu Xiao Di's own education as a circumspect youth, his entrance into college and experiences as one among the great Cohort '77, his work as a teacher, and his eventual pursuit of overseas study as a means to ultimately return to China and be a contributor to her economic and social growth. His knowledge of historical and political events, his grasp of western literature, and his ability to aid the westerner (the American, particularly) in understanding and appreciating Chinese and communist values and thought, are marvelous and indispensable.

For those westerners particularly interested in life and work in China, I recommend '30 Years in a Red House' without hesitation. Could I do it over again, this would be the first book I would read upon arriving here. Other memoirs may tell more riveting stories of fear or horror, other biographies and texts may give greater details of the intricacies of history and politics and great figures, but few - perhaps none - will instill you with as much love and appreciation for China itself and burden to see her society become and just and prosperous one.

I have read many books about the cultural revolution but this one stands out amongst them all. The story he tell is a complete one. Finally, we get to hear positive things about communism as well as the negative. I enjoyed reading Zhu's account about what a good communist his father was during his life. I hear the pride in his words. Zhu's father must be thought of as a hero back in China. Usually, you hear about government officials using their position to benefit themselves, but his father believed in the system. Even though I don't beleive in it myself, it's refreshing to hear from those who do. Zhu has a gift with words that I hope he will continue to share with us.

I grew up in China. My family had similar experiences and background as the author. I could identify myself with the characters in the book. My personal experience was very painful before and during the "Cultural Revolution". For a long time, I couldn't look back without crying hard. Thank you for telling your story.
Whenever I read a book about China, either by native Chinese or foreigners, I found certain sterotype about China, Chinese families and Chinese people. A Chinese given name consists of 1 or 2 characters. Since Chinese characters are very rich in meanings they could represent, a name could tell a lot. My name, as well as my siblings' and all my cousins were carefully chosen by my grandfather. My given name, only two characters, tells where I was born. It also represents fountain flowing at great speed, which my grandpa thought was a symbol of life. It may be true that China is a male dominated society. However there are a lot of people who don't follow the trend. I was the third girl in the family. My parents were just as happy if not happier about my birth as compared if I were a boy. As a matter of fact, in the environment I grew up, there was no difference what so ever about boys or girls whom the parents preferred. Many families actually preferred girls to boys as Chinese people all believe when children grow up, girls are more considerate to their parents (this is another sterotype, but many believe it). I guess, after all, it is the parents, not the society decide if boys are preferred to girls. Families are different in China, just like they are different in the States.
BTW, My late father was a surgeon. My beloved mother had been a teacher before she decided to quit her job to be a full time mom.

i bought this book for my aunt who is a single, middle-aged, jouyful southern woman. she is an exuberant believer in Jesus Christ who unfortunately doesn't know much of his world beyond the USA, and i thought this would be a good way for her to explore it while connecting (a word that is very near to her counselor's heart) with people.
i don't know how much she has read yet, but my sister and i devoured it in the few days that we had it. we came away from it feeling even more curious about life in different places and reminded of our privilege as women to live in a financially independent manner.
all in all, if you need an antidote to self, this book will help.

I read the Material World several years ago and I was excited to see that Peter and Faith had published a "sequel" of sorts for the book. Women in the Material World is fascinating, especially if you can review it side by side to the Material World. I thought the questions regarding love in their marriage and their expectations for their children were so interesting. I am very happy with my purchase of this book and I recommend it to anyone who is considering it.

A sequel to the authors' successful, "Material World: A Global Family Portrait," which interviewed 30 "statistically average" families from around the world and photographed them surrounded by all their worldly goods, "Women In The Material World," by Faith D'Aluisio and Peter Menzel, revisits 21 women from these families.

With interviews conducted by women over a period of days, even weeks, and 375 color photographs of women captured in their daily lives, this is an absorbing look into an overlooked world of marriage, women's work and families. From female circumcision to divorce, from finances to education, gender roles, work, and friends, women discuss every aspect of their lives - seemingly freely.

Two themes repeat through this largely agricultural world - women's work begins before dawn and ends long after dark and most women feel they have enough children - whatever that number may be.

This is a fascinating, captivating and beautiful volume, to be read, not just browsed.

This book is a superlative sequel to the early Material World by Peter Menzel. I have read the earlier book so many times that when this new volume came out, I bought it immediately sight unseen. In this book, Faith D'Aluisio revisits 19 of the 30 families featured in the Material World to find out about the women's lives.

The articles are organized alphabetically, together with short features on marriage, laundry, work, education, childcare, hair, food, water, and friends. At the back of the book, we find statistical charts about women, and a useful statistics glossary. Each article has an extended interview with the mother of the family that reveals parts of her life story as well as her attitudes towards topics such as marriage, child care, education, money, and possessions. The articles are of course filled with numerous color photos, large and small, of the women at work and with other family members.

The Material World itself is a monumental book, but it was hard to go back to it after reading this book, where we find that the details presented in the Material World were so incredibly superficial. For example, family life for Maria dos Anjos Ferrerira in Brazil or Carmen Balderas de Castillo in Mexico isn't nearly as rosy as one might guess from looking at their original smiling photos in the Material World. On the other hand, Zhanna Kapralova from Russia continues to be a survivor. No matter how much you learn from the Material World, it will be far eclipsed by this book with its extended interviews and additional photographs.

A companion to Material World: Portrait of the Global Family, this book is an incredible expose of the lives of typical, average women all over the world. I, as an American woman with everything I could ever possibly dream of, especially appreciate seeing how things may have different for me had God just decided to make me the girl child of a Vietnamese working family vs. my background. It really makes you take stock of your life, appreciate it, and feel blessed no matter what your circumstances may be. America is truly a wealthy and favored nation. Even our poor, compared with most of the countries in the world, are rich! We should all feel compelled to give back, not matter how much (or how little) we have. I've been giving this book to my friends for gifts (thank you, Amazon!) A MUST READ!