V Books
Related Subjects: Viorst, Judith Van Allsburg, Chris
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artimis RocksReview Date: 2007-12-13
Reading DelightReview Date: 2007-08-29
Simply GreatReview Date: 2007-06-01
Artemis Fowl ReviewReview Date: 2007-07-15
Great BooksReview Date: 2007-02-20
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Hits a little close to home sometimesReview Date: 2006-02-07
One of P.J.'s earliest works, and one of his best.Review Date: 2003-09-08
Celebrate Testosterone!Review Date: 2001-06-06
FIVE STARS,..!!!!!!
Hands down one of his best!Review Date: 2003-05-12
This book is just about how to get by if you're a bachelor. It's incredibly funny for the most part (the cooking sections should not be read if you've just ate!). This is a fantastic little book, very helpful if you plan to live like a slob or like a typical college freshman.
The Bachelor Home CompanionReview Date: 2002-12-26
You'll never keep a house neat and tidy after you read this book. Of Course, that's assuming that you already do. What its like as a bachelor in theory as to actually being one is, according to O'Rourke, a great disparity. If you want to laugh and be entertained at the same time then this little tome is for you to enjoy.
Humor abounds and your life will definately take a turn... for better or worse will depend on you.According to O'Rourke... "How often does a house need to be cleaned, anyway? As a general rule, once every girlfriend. After that she can get to know the real you."


the only good kanji bookReview Date: 2008-08-12
Finally!Review Date: 2007-11-09
It's meant to be written on, which is something the various other books I have don't have in mind. They show you everything, and teach you nothing. I recommend this to EVERYONE.
If you really want to learn Japanese....this is a mustReview Date: 2007-04-30
It starts you out with the simplest Kanji and only builds each section off of previous knowledge. It is well laid out with thoughtful planning and it never eases up. I really have no idea how they managed it, but the book really immerses you in the Kanji and makes it so easy to remember with some of the best drills I've seen.
If you plan on learning Japanese, forget all of the other Kanji workbooks because this one is really the only one you need. I would also suggest getting the whole series because they are all built off of this first book.
I used this book about a week before I started taking my Japanese classes and to say that the beginning of class was easy due to the things this book taught me would be a great understatement.
Best book to learn Kanji.Review Date: 2006-11-16
Basic Kanji Book is a great choice if you are learning Kanji. In every chapter you learn 10 or more Kanji characters. And at the end of the each chapter you will review them by having 30 or more questions about these characters. The good thing is that each chapter and the questions make you feel like you are learning Kanji. That feeling motivates you and makes you want to study more Kanji.
I suggest this book to everyone who is trying to learn Kanji. I am totally satisfied with this book.
ABSOLUTELY THE BEST KANJI BOOKReview Date: 2007-05-22

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Wonderful Old Fashioned storyReview Date: 2007-02-10
There are a number of books related to this one, as well as movies connected as remakes of the books.
Belles on Their Toes, Cheaper by the Dozen, etc. are refreshing insights of life in the early 1900's.
Great book!Review Date: 2005-12-29
Great SequelReview Date: 2006-11-28
Do YOU have a big family? If you do read this!Review Date: 2006-07-10
The story continues after the father died. The mother is now the soul supporter of her family. There is a graet saying in the book that says,"Mother wasn't afraid anymore because the worst had happend."
The mother carried on her husbands works. She held conferences and taught the scince of time saving. She became a very strong woman.
It was a long hard haul but ahe successfully continued her husbands work. The children successfully ran the household.
This story is humorus and very touching. I hope you enjoy it as much as I did.
Awesome sequelReview Date: 2004-09-03

This is a totally radical book!Review Date: 2000-07-19
The Overview of the order of TreenReview Date: 2002-03-04
John Peel has a way with words!
What really is surprising is how the relationships are curving between characters!(You'll have to read to know, Sorry!)
I sure hope a movie is coming!(According to my scrying pool)
Great bookReview Date: 2001-05-21
This is the funniest in the series!Review Date: 1999-01-27
I wish he'd write more!!Review Date: 1999-04-18

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Best husband resource out there!Review Date: 2008-08-11
book review for husbands Review Date: 2008-04-29
I think it is a bit overly long but a good weekend with a 6 pk. of cold Bud Lite will easily get you through the entire book.
Great resource! Review Date: 2008-03-05
Extremely helpfulReview Date: 2008-01-15
Breast Cancer HusbandReview Date: 2007-12-17

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C D BReview Date: 2008-07-27
Great book, but needs the answersReview Date: 2007-07-24
CDBReview Date: 2008-04-27
I was very excited to find this book for my grandbaby. We had great fun with it when her aunts were small. Who would have thought back then that William Stieg invented 'text speak'. I even stumped my youngest daughter with NQ!
Your new BFF reading!Review Date: 2007-06-21
Buy it and use...it will help dust off the gray matter and delay alzehemier. :)
I M N X-T-C!Review Date: 2004-06-07
This book really has us rolling in laughter. My sons (ages 4 and 6) and I have been playing with an electronic toy: push a letter and the thing says the letter's name. We had been using it to make word sounds -- pressing U R A Q T for "you are a cutie" and so forth. When I saw this book I just had to get it. It is amazingly clever -- and to think it was written in 1968. It's fresh, not at all dated. My sons are very good readers for their respective ages, but it is definitely appropriate for them. I had to explain a phrase or two (they didn't know the word "ecstacy" when they saw X-T-C) but otherwise it was totally on their level. I still crack up reading it, and I've read it at least ten times. The watercolor illustrations are perfect. Stieg conveys a lot of emotion and expression with just a few brush strokes. When a boy sees someone with a lollipop and tells him "I N-V U," you can see the envy.
I won't mind if my kids want to read this one again and again. I M N X-T-C 2!

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An Easy Read, With Laughter, Pathos and PeaceReview Date: 2008-08-10
A memoir with pointers for allReview Date: 2008-07-28
Amen to Reverend Dave!Review Date: 2008-03-31
Not just for Sunday! Review Date: 2008-03-30
David was born facially disfigured and I will say no more about that, because whatever I could possibly write, it would pale before David's words as he chronicles his life in this magnificent little book. I have known David for about fifteen years and what I love about the CHURCH OF 80% SINCERITY is the very thing that I love about him. It is about the place where he lives, the intersection of pathos wisdom and humor. When reading it, one is never a sentence or two away from the integration of these three forces.
Another potent and enchanting aspect of his writing lies in his ability to pilot the reader down the same road he is travelling. As David allows us to examine the grief,anger,love,and joy of his life, we are simultaneously compelled to examine and reexperience our own. Ultimately, what the book reveals is that David's journey has been been an alchemical one. We become very clear that he turns lead into gold, and there in lies the gospel; the good news that we can do the same. -- at least eighty percent of the time! -- I can't recommend it enough!
Critical Analysis of "The Church of 80% Sincerity" from a Disability Studies lensReview Date: 2008-04-29
Communication Arts 610
March 6, 2008
Critical Analysis of The Church of 80% Sincerity
In reading David Roche's The Church of 80% Sincerity, I thought that I would be able to "kill two birds with one stone," simultaneously satisfying my curiosity/interest and sense of obligation as the author's nephew, as well finding an autobiographical text that I could examine with a critical lens. However, while I satisfied one part of the equation, I complicated the other; it's not easy to be critical of family.
But I digress. Roche's book is not truly an autobiography. This work is a testimonio, as it "represents an affirmation of the individual subject, even of individual growth and transformation, but in connection with a group or class situation marked by marginalization," (Couser 88). Still, this description is not entirely accurate, as Roche hardly mentions his connection to and development with a community of performers with disabilities (Roche 6). Yet, to quote Steven Winn off of davidroche.com, "what's most striking, and finally moving, is the way he both draws attention to his disfigurement and makes the audience see beyond it as well," fitting nicely with the first part of the testimonio definition. Thus, The Church of 80% Sincerity is more of a semi-autobiographical, non-linear novel that draws attention to Roche's poignant life stories/events that fit into his overall themes.
One might then ask, what are these overall themes? "It is the story of accepting yourself, despite all of your flaws," (Roche 5). By recounting various life experiences, Roche tells his tale of finding self-identity as a person with a congenital facial disfigurement and the setbacks that occurred at various stages. However, for Roche, humor is a key element in the telling of his story. According to Krefting, the use of humor affords her "the catharsis of laughing at myself and my insecurities, as well as allowing me a modality to criticize/satirize," (Krefting 110). I feel the same can be said of Roche. Humor is one part of Roche's identity, but his is an expansive identity that is inherently tied to his ability to "find my voice...I continue to find it onstage, in the pages of this book," (Roche, 56). In many ways, Roche's path of self-discovery aligns itself perfectly with Gill's description of the four types of integration.
The first type involves one's "assertion of a right to inclusion in society," (Gill 42). Roche has several examples related to such assertions. Whether it was his right to be politically active by voicing his concerns on city buses (Roche 64), or preferences for what he wants in a companion (Roche 101), Roche asserts his right to not be excluded on account of his disability.
The second type of integration relates to "finding a place" within the disability community (Gill 42). Roche's initial avoidance of disability culture can be explained by the factors that made him shameful of his own disability, desiring to be "normal". At home, the issue was not discussed; thus, Roche "never learned to explain myself. Instead I learned the safety of standing to the side," (Roche 34). This, combined with feeling rejected by the god that he was raised to love, led to Roche's (unsuccessful) attempts at passing, avoidance, and later substance abuse (Roche 38). Eventually, by finding "community, the feeling of mutual support and being in it together," (Roche 69), Roche felt empowered to challenge his shame and the oppression of others and stop "pretending to be normal and began to accept myself the way I was," (Roche 6).
Now, in a way this seems good because Roche finds strength in a supportive community. What is disconcerting is the lack of a challenge towards the concept of "normal." According to Lennard Davis, the "the idea of a norm is less a condition of human nature than it is a feature of a certain kind of society," (Davis, 24). Roche never directly questions the very notion of "normal," but rather, he continues to make several "normative" remarks throughout the book, leaving the societal construction of the norm untouched. The closest attempts came by asserting how everyone is unique and that Roche's experiences are "wholly human," (Roche 11). By using the word "normal" in this context, it implies that there is a poorly connoted "other," and there is something fundamentally wrong with a society that requires one to assert their humanity because they are viewed as "other."
"Coming together" is the third type of integration, where one recognizes their sameness and differences (Gill 43). The Church of 80% Sincerity does an excellent job of portraying this stage's classical struggle of self-acceptance. There is no need to repeat the why of the matter, for the same mental/physical barriers that prevented Roche from finding a place within the disability community, also prevented him from accepting himself. Though I criticized this quote in relation to the concept of "normal," it accurately shows the integration of sameness and differences: "My face is unique but my experiences are wholly human," (Roche 11).
"I thought...that my face was an impediment...Amazingly, that fear turned out not only to be unfounded, but also to be the opposite of the truth," (Roche 69). A statement such as this demonstrates that Roche was able to reach the fourth type of integration, "coming out," (Gill 45). Not only does Roche see and accept himself as whole, he takes pride in his appearance while using it for his advantage (performances, keynote speeches, charming himself).
The Church of 80% Sincerity extensively covers Roche's personal development in relation to disability, but he downplays any notion of "overcoming". Rather than stating that he overcame ill-formed patterns of thinking about himself and the world around, Roche discusses several self-transforming "moments of grace." While the lessons to be learned from these moments of grace are well-intended and not overlooked, one cannot help but to be distracted by the fact that self-transformations are "a matter of individual will and determination rather than of social and cultural accommodation," (Couser 80). The fact that Roche discusses matters with more of an introspective focus may cause one to overlook the larger sociocultural factors that helped create the ill-formed patterns of thinking in the first place. For example, a sociocultural model of disability might examine societal conceptions of beauty and the assumptions that are tied to it. However, by examining the "random acts of cruelty" that Roche encounters, such as the man who spit in his face, The Church of 80% Sincerity points out the inherent flaws in all of us (Roche 40). Although this does not directly challenge sociocultural factors, it is a step beyond the phenomenological level.
And yet it is difficult to be overly critical of these "moments of grace," because all of these individual, phenomenological experiences have led Roche to form the backbone of his "Church of 80% Sincerity." Although no physical church actually exists, the "Church of 80% Sincerity" can effectively be classified as a lifestyle choice/ way of thinking about the world. The Church is an abstraction "for recovering perfectionists, You can be 80% sincere 100% of the time, or you can be 100% sincere 80% of the time," (Roche 7). Many tenets of the Church are mentioned throughout the book, but the primary tenet would have to be one that calls for self-acceptance, despite one's flaws. One could argue that "The Church of 80% Sincerity" is a sub-set of disability culture, one could even go so far as to say the Church is disability culture. If one takes a look at Gill's work on the eight core values of disability culture (Gill 2-3), one would quickly see that the Church embraces the majority of these core values throughout the book, with a few additions of its own.
On a final note, Roche is very modest about being seen as an inspiration by others. Yet, it is in this modesty that Roche fails to acknowledge the fact that his high level of intelligence and incredible sense of humor assisted him in his identity development and ability to work though challenges; perhaps Roche is modest because of the fact that he was not always looked at as an inspiration, either by himself or others. Roche's work does a good job of challenging the notions of the theoretical gaze and stare, as well as the diagnostic gaze (Millet 26) by reiterating his own experiences with the Western model of medicine. Roche relates his early medical encounters, "One by one they came forward to examine me...If our eyes ever met, it was only a nanosecond before theirs turned away with easy, practiced avoidance," (Roche 53), "You never talk about feelings...or anything!" (Roche 54). This breakdown of the medical experience into feeling like a subject to be examined and gazed upon was a powerful one; stirring up emotions in the reader, as well as inciting Roche to action, as he later became an expert on the physician-patient relationship.
Ultimately, Roche and the "Church of 80% Sincerity" seem to align themselves with many of the core values of Disability Culture. Although one might choose to criticize Roche for his lack of social resolution, political agenda, or inherent call for change, one must realize that that is not what The Church of 80% Sincerity set out to do. This was a story of "courage, faith, inspiration, and laughter...to understand that you and I are very much alike, with our gifts and our flaws woven together," (Roche 11). The majority of the criticisms presented here were merely a means of expanding upon Roche's already solid foundation of self-love, tolerance, and an appreciation for the uniqueness of the human spirit.
Works Cited
Couser, Thomas G. "Conflicting Paradigms: The Rhetorics of Disability Memoir." Embodied Rhetorics Disability in Language and Culture. Ed. James C. Wilson and Cynthia Lewiecki-Wilson. Southern Illinois University Press, 2001. 78-91.
Davis, Lennard. Enforcing Normalcy: Disability, Deafness, and the Body. London: Verso, 1995. 1-49
Gill, Carol J. "A Psychological View of Disability Culture." First published in Disability Studies Quarterly, Fall 1995. www.independentliving.org/docs3/gill1995
Gill, Carol J. "Four Types of Integration in Disability Identity Development." Journal of Vocational Rehabilitation 9 (1997): 39-46.
Krefting, Rebecca. "'The Taming of the Sun': Finding the Joke in the Cancer Narrative of a Pedagogue." Disability and the Teaching of Writing A Critical Sourcebook. Ed. Cynthia Lewiecki-Wilson and Brenda Jo Brueggemann. Bedford/ St. Martin's: Boston, 2008. 109-116.
Millet, Ann. "Disarming Venus: Disability and the Re-Vision of Art History." FemTAP (Summer 2006): 21-39.
Roche, David. The Church of 80% Sincerity. New York: Perigee, 2008.

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I love the circus, but the elephants make me sad.Review Date: 2008-03-12
In this collection, Cathy Day plays with the structures of stories. Each is constructed a little differently than the last, but all interweave to paint a portrait of a small town with a unique past and a distinctly midwestern present. Experimental structures can fall flat as easily as they work. I don't require a linear narrative, but I do require that a story be told. This book tells one.
True to the title, the circus performers are mostly shown during the downtime, weathering winter and waiting to get back on the train. The way that their lives butt up to the lives of ordinary folks is interesting to read about. Several stories deal with the ways in which men do not comprehend the longings of women, and Day handles this theme beautifully and without accusation, especially in The King and His Court and the very tragic The Lone Star Cowboy.
It's a beautiful book. But...
(spoilers)
...the elephants are only shown dying. I can't stand it. Their deep eyes, their hairy hides, their questing trunks, and then they die.
Since the stories are called "exhibits," the question of human oddity ("born" and "made") is called into question. Well, this was part of the circus. One of the stories deals with a young man who has dwarfism, and how he happily accepts the role of town mascot, and what happens when that role is inexplicably (to him) withdrawn. I've read too many stories in which a little person comes in to serve as a metaphor, a symbol, as if somehow a person who has dwarfism is not a person, just the condition that makes him short. Day does a nice job of portraying a person. He is an innocent boy, then a clueless young man, and then an angry young man. He is more than the sum of his bones.
Very highly recommended.
A beautiful web.Review Date: 2008-02-09
Delicate and BeautifulReview Date: 2008-02-05
It was close to perfect.
I was worried that a 'circus story' would be all about the freaks and geeks. Instead, it was about real people struggling against the loneliness of midwestern winters, coping with broken dreams, the constraints of small town lives, and the endless allure of life on the road.
Sadly, the seams started to show towards the end of the collection. There was nothing bad, so much as a sense of that, in a few of the later stories, she was repeating her best stories (or giving us an early, less polished version of them). One story could have been dropped with no loss ("Jungle Boolah Boy" didn't feel very integrated with the rest of the stories), and another ("Boss Man") felt a bit strained although it did help to tie some of the themes and characters together.
I do love the circus!Review Date: 2006-06-27
The author brings you into the world of circus folks. Sometimes funny,sometimes sad but always interesting. She gives us the story many different ways,which at times can be trying.
Her characters are well fleshed out making you want to know more. She carries thru with this by bringing you from the past to the future and back. A good fun read!
Read this instead of WATER FOR ELEPHANTSReview Date: 2006-12-02

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Social Business, a concept that can save this worldReview Date: 2008-08-16
Between these two extremes, and mutually exclusive zones, lies the concept of a Social Business as propounded by Prof Yunus, and I am amazed by the enormous potential that this form of Organization can unleash to transform this planet, especially for half of the world's population that lives on less than a couple of dollars a day.
The Grameen Danone venture in Bangladesh is a classic example of a Social Business as explained in most chapters of the book. The objective of this organization is to maximize distribution of nutritious yoghurt to poor children in Bangladesh, who otherwise do not receive essential nutrition from their regular diet of carbohydrates. The product "Shokti Doi" is a highly affordable, tasty and nutritious product, packaged in 80 gram units. In order to be acceptable to the children, it has to be tasty- a little sweet. It competes with all other popular branded yoghurts in the market in terms of texture and taste, yet is far superior in terms of nutritious value and vitamins and has to be very affordably priced. While the conventional producers aim at maximizing consumption of their product with the aim of maximizing revenue and profits, the Grameen Danone venture aims at maximizing the reach of this product to the target segment with the aim of improving the health of poor children through this nutritional input. While conventional manufacturers aim at economies of scale by erecting large scale plants and linking the national distribution through automation of supply chain and cold chains, the focus of the Grameen Danone venture is to set up small scale local plants, with local inputs and produce just enough to meet local needs. Surprisingly the latter approach proves to be cost effective, and with the help of local Grameen women, the product is distributed to the target segment within 48 hours of its manufacture, eliminating the need for expensive cold chains.
Investors in a social business are not giving away money as in the case of a charity, where they forget their money once it is donated. The Social Business is self sustainable financially, and gives back the original investments to the investors over a period of time, and nothing more. The investors do not receive any profits or dividends from the Social Business. The profits are retained for further growth and not distributed as dividends.
The Social business executes the laudable social objectives with the missionary zeal of a charity, with the efficiency and speed of a profit maximizing business. Hence, we have a unique business model to solve substantial social problems, as demonstrated by Grameen Danone in maximizing nutrition and health in poor children through affordable yoghurt.
The argument that social objectives and business goals are two different criteria that cannot go together (or that social welfare is at best a byproduct of a commercial business) is challenged and Prof Yunus makes out a very compelling case for a new form of business that can address global problems. It is amply demonstrated that free markets fail to address social issues that need large scale investments while government spending and initiatives of charities are inefficient and many times financially and economically unviable to achieve sustainable results.
It is time that we pay serious attention to the concept of Social Business through social MBA programs, public and private sector cooperation and necessary legislation to define this form of business so as to ensure that the governance structures, business processes and accounting standards emerge to establish the new form of organization that can play a major role the solving global problems, especially in relation to elimination of poverty from the face of his earth.
A well deserved five star rating for this classic that has the power to change this world, forever and for the better.
A noble dreamReview Date: 2008-08-11
But his arguments for social business are also a contribution to modern economic theory.
I first read the epilogue ( the lecture for the Nobel Prize), which summarizes the ideas.
Recommended for anyone interested in human development , in particular the situation of the "bottom billion".
Excellent primer for the emerging field of social businessesReview Date: 2008-07-09
"the missing piece of capitalism"Review Date: 2008-05-21
This disparity of resource distribution is wrong in practice, says Yunus. With globalized capitalism devouring diminishing resources, it's unsustainable; it also threatens global security. But extreme poverty is wrong in principle, too, because it deprives billions of human beings of the most basic of all human rights, the right to live a decent life. For over thirty years, Muhammad Yunus has worked with remarkable creativity, perseverance and vision to rectify these stubborn inequities. Most people know him as the founder of the Grameen Bank in Bangladesh, for which he was awarded the Nobel Peace Prize in 2006. Today the Grameen Bank gives collateral free micro-loans to 7 million of the poorest of the poor in Bangladesh (97% of whom are women). Since its inception they have made loans totaling $6 billion, with a repayment rate of 99%. Yunus tells this story in his autobiographical bestseller Banker to the Poor; Micro-Lending and the Battle Against World Poverty (1999, 2003).
His newest book continues the story of the many and latest permutations of the Grameen vision to eradicate poverty. This includes a stable of twenty-five Grameen replicants that specialize in everything from solar energy and internet kiosks to fish ponds, textiles, cell phone ladies, and livestock breeding. But all these are mere "stepping stones" in Yunus's fertile imagination. The focus of his newest book is what he calls "social business." While normal businesses must focus on profit-maximization, and can even be sued by shareholders if they don't, a "social business" is what Yunus calls a "non loss, non-dividend" business whose primary objective is some social benefit. A social business competes in the market place with every other business, it must cover its costs, and it reinvests profits back into the company. This is a far more radical idea than mere corporate social responsibility, which in his mind tends to window-dressing and has an inherent conflict of interest between the requirement to maximize profit and the intention to do good.
Sound crazy? Well, read this book and its extended case study of how Grameen partnered with Groupe Danone of France to create what Yunus calls "the world's very first consciously designed multinational social business," launched in 2006. This was followed by Grameen's eye care hospitals. He thus envisions in social businesses a "giant leap" forward for addressing poverty in a scalable, replicable way. "Social business," he argues, "is the missing piece of the capitalist system." They do what government, NGOs, charity, and multi-lateral organizations like the World Bank can never do. Yunus is the quintessential dreamer--his wish list for the world of 2050 has nineteen bullet points; but read this book and his previous one and you'll also see that he's the consummate doer.
Someone rewrite the Capitalist TextbooksReview Date: 2008-05-17
Related Subjects: Viorst, Judith Van Allsburg, Chris
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