T Books

Good book for the beginner to seek out. Contains some history and some nice plates. Publisher, time for a reprint to renew interest in this artist. Those interested in Tanguy should also look up Kay Sage.

Can someone recommend a book that is NOT out of print about Tanguy? I saw some of his works at the Guggenheim this weekend and am interested in learning more about him....

very very interested in Tanguy

Good book for the beginner to seek out. Contains some history and some nice plates. Publisher, time for a reprint to renew interest in this artist. Those interested in Tanguy should also look up Kay Sage.

It is with great dissapontment to realize that having the opportunity of achiving partial access to the work of this XX century master, is somehow a matter of luck, by chance I got hold of a copy, and although is recommendable and good starting point, is modest in bringing justice to the quality and outstanding conceptual and technical dimension of this artist. That is not Mr. Soby's fault, he did a good job, but a far more extensive volume is required. It is important for curators and publishers to bring this artist into the light, to promote it, even with purest commercial interest, this artist will deliver joy to any individual, and shall create demand for whoever publisher that treats his work with respect.

My newly discovered hobby is tucking this book under my arm, stuffed with an array of bookmarks, old business cards and straw wrappers -- to help seek out these cinematic gems when I enter my video store. Author DiLeo has unearthed a wealth of fantastic performances in films that I never would've thought to view or even knew existed! I actually called in sick to work one day after viewing three of his recommended classics back-to-back till the wee hours. What a glorious night! Mr. DiLeo... you're gonna cost me my job! BUY THIS BOOK!

John DiLeo's opinions and quips are quick, tart, and fun. But this book wouldn't be as fascinating if that was all that was going on. The depth of his film knowledge, his obvious love of movies, and the acuteness of his recommendations make this a wonderful book for anyone--from cinemaniac to cultural reader.

My newly discovered hobby is tucking this book under my arm, stuffed with an array of bookmarks, old business cards and straw wrappers -- to help seek out these cinematic gems when I enter my video store. Author DiLeo has unearthed a wealth of fantastic performances in films that I never would've thought to view or even knew existed! I actually called in sick to work one day after viewing three of his recommended classics back-to-back till the wee hours. What a glorious night! Mr. DiLeo... you're gonna cost me my job! BUY THIS BOOK!

Anyone who loves watching classic movies should buy this book! The author gives thorough reviews of all one hundred movies. He doesn't focus on just one genre and there is a good mix of comedic, dramatic, and musical performances. Some of my favorite performances are here including Jeanette MacDonald in Naught Marietta, Vivien Leigh in Waterloo Bridge, and William Powell in Libeled Lady. After reading this book there are many more films I want to see.

Overlooked performances from the movie stars of old or the present crop, take your pick. Whichever you prefer make sure you read John DiLeo's book. He captures the performances in such a way that you feel you are watching the film while reading his eloquent, captivating description. It is an absolute joy for any movie buff.

This book is full of delightful contradictions: satire, straightforward dialogue, dark humor, clever word-play, brazen irreverance and raw emotion. This author does not shrink from exposing the ultimate effects of love, intimacy, pain and what can happen when any of it goes awry. It's a rare and special novel that can elicit laughter and tears in the blink of an eye. I didn't want this one to end...perhaps it hasn't.

While trying to solve the mystery of her brother's death, tough gal Max confronts her own conflicted feelings about her past as well as her well-concealed softer side. Funny, sassy, and ultimately very moving.

This book is full of delightful contradictions: satire, straightforward dialogue, dark humor, clever word-play, brazen irreverance and raw emotion. This author does not shrink from exposing the ultimate effects of love, intimacy, pain and what can happen when any of it goes awry. It's a rare and special novel that can elicit laughter and tears in the blink of an eye. I didn't want this one to end...perhaps it hasn't.

Heroine: short and solid

After surviving a harrowing adolescence and maintaining her status as the town's foul-mouthed, hard drinking tart for twenty-plus years, shop teacher Maddie "Max" Maxwell thinks she's one tough cookie. But she soon discovers her "soft center" when her hormones start going haywire with a surprise pregnancy. After all, it's not everyday you go into the doctor's for a scheduled hysterectomy and come out with a due date for a baby--by a guy you are about to dump, no less!

        But Max is about to find out that even the toughest cookie is liable to crumble under the right circumstances. If the pregnancy wasn't enough to bowl her over, surely the multiple murders occurring around town will do it. Especially since all of them are connected in one way or another to Max herself!

What worked for me:

All right, I admit it, Max grew on me. Rough-around-the edges and with odd taste in men she's very different from me, but I think I could enjoy time spent in her company.

I thought the writing was clever, and the plot held my interest with its nicely convoluted mystery. The dash of raunchy sexual tension and heart-wrenching plot developments were also a great touch.

   Size-wise Max is closing in on forty and built, in her words, like a fireplug. And her best (and annoying) friend is rather voluptuous as well.

What didn't work for me:

It was hard not to flinch when thinking about Max's drinking during her early pregnancy.

Overall:

I found this story to be a creative hybrid of women's fiction and mystery. Readers looking to be drawn into an emotionally raw, thought-provoking story would be well-advised to search this one out.

Warning: this book has some coarse language and some brief references to homosexuality.

If you liked "Ain't Nobody's Bizness" you might also enjoy the "Steph Plum" mystery series, the "Sam Jones" mystery series, the "Casey Jones" mystery series, the "Odelia Grey" mystery series, the "Women's Murder Club" mystery series, "Princess Charming", "Infernal Affairs", "Plum Girl", and "Hey Lady, Your Tin Snips Are Showing".

Madeleine "Max" Maxwell is about to have a sudden life change. Nearing forty, scheduled for a hysterectomy, and as hard
drinking and hard living as they come, she wasn't exactly ready for the unexpected pregnancy that would ultimately change
her life.
But then again, she wasn't ready for the smoky voiced, ex-con, Jackson O'brien, or the murders occurring in her little town
of Hawk Marsh either. Murders directly related to her.
What's a girl to do? She's pregnant, hormones are raging, life altering events are occuring, and Max is smack dab in the
Middle of a murder mystery threatening to drive her insane.
You've got to read this book. Laura Gardner has written a wonderfully witty, superbly emotional, and amazingly twisted
mystery you won't be able to put down.
Who's killing the men in Max's life, and why? Is it the moody ex-con, the psychotic ex lover, or someone else ensuring
their own agenda?
Packed with humor, and an earthy realism that will amaze you, Ain't Nobody's Bizness guides you through six harrowing
months of Max's life. The changes to the person that was, the growth of a woman and mother that will be, the trials that will
knock her down, and her steely determination to stand up against all odds, and face the future to come.
This is a mystery you definitely don't want to miss.

Review by: Shadoe Simmons

The book I bought was just as it was explained. The book arrived in good condition and in a timely manner. I would not hesitate ordering from this company again. I would feel very comfident of a similar experience. Thank you for your service.

This is very well done. Even a seasoned quilter can pick up tips or revist information they learned years ago and find useful information. I like the books format, the pictures and illustrations are helpful and clear. I'd consider this to be along the lines of a quilter's encyclopedia.

I use the internet a great deal and it's really nice to come across a 'book' that is so well done & have it on hand in my art room. Nicely done. CJ

I had borrowed this book from the local library and could tell straight away that this would tell me everything I needed to know about quilting. I also checked out all the positive reviews on the Amazon website. Just read the contents, and everything is categorized with lots of images. I am sure this will be a well-used reference book for both new and experienced quilters.

I found this book to have more information than I expected. It reminds me of looking in an encyclopedia. There are plenty of great pictures,line drawings and explanations. I found this book to either give me much of the information I needed on a subject, or at times, at least enough to get me started. I would say it covers a whole lot of information in a nice hardcover book that is thin enough to take from workroom to couch for a good read.

This was the first quilting book that I checked out from the library when I started thinking about quilting. I liked it so much, that I ended up buying it. I just couldn't imagine not having it by my side when I had questions (and as a beginning quilter, I have a LOT of questions!!). This is a great book with a lot of information in it. There is only one other book that I think is just as good and that is _The Quilters' Ultimate Visual Guide._ Both books have many color pictures and explain things very clearly. If I could only have two books on basic quilting information, I would pick these two. Enjoy!

This is a very informative quilt history book with fantastic, close-up photos of fabric. This will be a great addition to your Barbara Brackman collection. I had mine laminated and spiral bound!!

An invaluable resource for the quilt historian ,conservator or just an interested quilter. The illustrations helped me to identify fabric by period,style and color. The text gave me invaluable information to help identify a puzzling old quilt which was found stuffed in a chimney undisturbed for 90 years. Barbara Brackman is the author to read when one seeks information about quilts and their history. I enjoyed the chapter identifications allowing me to quickly access the fabric type I was seeking.

This is a good resource for the history of textiles with the purpose of dating quilts or construction of period correct clothing and quilts.

This book gives a very good compressive over view of fabrics in a certain time frame. While I bought it for reference I discovered it is quite enjoyable just to read. I'd recommend it to anyone with an interest in fabrics. It would be especially useful to a beginning fabric aficionado.

what a wonderful resource book for anyone who is interested in fabric/fiber arts.
i'm a quilter who likes to create quilts with a flair from yesterday. this book not only helps me to be closed in my interpretation of that time, it does guide me through the decision which colors have been more used than others. the contents/pictures are very clear and the instructions to recreate some of the quilts are outstanding. i would give this book 6 stars!

If you don't know this book, buy it immediately. It takes American film criticism up to about 1970 and coincides with the time Sarris was involved with the (real) Village Voice, Jonas Mekas, American Cahiers,and the founding of the NY Film Festival and the national society of film critics. It took me about five years of reading his reviews until I finally got it - Sarris had understood that the most profound thoughts and themes were played out with style and panache by genre filmmakers with personal obsessions and ideas that did not require Western Union to spell it out.

There's some things to quibble about (I never could see why he thought so highly of Blake Edwards, but I keep trying because I trust his insight. Even Sarris can change his mind as he did on Billy Wilder a few years back).

If you are a film buff and have not discovered his work (also recommended:
Confessions of a Cultist; The John Ford Mystery Book; You Ain't Seen Nothing Yet are among the best) start here. That goes double if you experience guilty pleasure and see things no one else does in people like Anthony Mann, Michael Powell, Sam Fuller, Max Ophuls, Budd Boetticher or James Whale. I have often given this book as a gift to film loving friends. It opens a world of discovery and rapport when a friends "gets it" and suddenly, you both have a shared sensibility and frame of reference.
Also, check out his website for yearly top ten lists and also the work of his wife Molly Haskell (especially good on Howard Hawks).

This volume parses the good guys from the bad guys, tells you whom you should love and why, and summarily dismisses the ones not worth taking seriously. In other words, for good or bad, it arms you, as will no other film book ever written, with a set of eloquently-stated prejudices that may seal off certain directors from your serious consideration for all time. (It would be too glib to say that this is the books best and worst point.) Suffice to say, it has taken years for me to tear down the wall Sarris built between me, as a budding cinephile, and William Wyler, Billy Wilder, John Huston and even John Frankenheimer, for that matter. (These are just a few of the ones I think he was, or may have been, wrong about.)

But I love this book and always find it worth picking up to reread a few entries, for two or three reasons that never grow old:

1) Sarris IS an absolutely remarkable writer. His prose bristles with alternately apt and acid phrases and insights. The parallel between Ambrose Bierce and Sarris has grown on me through the years. (I think it was Sarris who brought currency to the word "pretentious"-- possibly THE serious put-down word from the 70s to the 90s, possibly to the present-- by the way. He used it with unerring surgical delicacy, as a bludgeon.)

2) He is hard to argue with in his negative evaluation of certain other respected directors. Thirty-five years ago, Sarris renounced Kubrick, noting, in typical form, that the very fact that he made one film every 5 years seemed to be all the proof his advocates needed of his integrity. Ouch! And he said that Kubrick is the director of the best coming attractions in the business.

This last is highly prophetic of the present general situation, when Hollywood has made a sort of science of over-selling weak films with absurdly hyperbolic trailers that often have little to do with the tone or experience of the films they advertise. This comment indicates also how much of Sarris is audaciously arguable, and out of synch with conservative academia re Kubrick and just about everything else. --Not a bad thing, as far as I am concerned.) And I think he was also decades ahead of the curve in recognizing Keaton as Chaplin's better.

3) He has been, for decades, an antidote to Pauline Kael. Period.

If you know the directors covered well enough to take it all with a grain of salt where needed, this book is probably the best read on movies and their directors from the second and third quarters of the 20th Century that will ever be written. THE great mapping out of this seminal period by the auteur theorys chief surveyor-- and a fun and drolly amusing place to pick up your snazzy-looking anti-philistine, anti-pretentious attitude off-the-rack.

There are few books on cinema that are more important than this title. To any serious student of film this book is perhaps the only book that you will refer to as long as you watch films.

Extolling the virtues of The American Cinema would be too hard. Beside being an invaluable reference for cinema between 1929-1968, it also contains wonderful peices of film theory. Because of this The American Cinema can be read a few pages at a time or you can completely dwelve into the material. No matter the method, Sarris will engage you in a meaningful dialogue of film. Film literature is rarely able to be this give and take. Those with an above average inclination toward cinema should purchase.

When it first appeared in the late '60s, Sarris' book was literally memorized by critics, students and teachers. It provided a root approach to discussing film, quickly absorbed, and readily shaped to one's personal tastes. A beautiful combination of reference and aesthetic, it ushered in the era of "the director as superstar," and was completely absorbed by everyone in film. Unfortunately, its absorption was so complete, the author, Mr. Sarris, was for the most part uncredited and unrewarded.

First off I want to say that I audited a course by the author of this book, and read through the book throughout the semester. It is part of the core curriculum for an M.A. in New Testament or Old Testament Exegesis at Wheaton. I am a pastor who preaches regularly. This book has impacted my entire understanding of the Old Testament in a powerful way.

The logical format of this book gives the reader a simple and effective way to slowly enter into the worldview of ancient people. The author is very good at giving readers hinge concepts to help understand the distinctions between our worldview and their worldview.

The book categorizes ancient near eastern thought into topics that are actually enjoyable to read. Each topic could easily overlap with other topics, and Dr. Walton does a great job of separating the topics without distorting them (in my opinion).

This book tackles thorny issues that separate Evangelicals from Liberals in the land of scholars, without alienating either side of the issue. Walton's premise is that we should abandon the old approaches to Ancient Near Eastern Thought and simply understand what they believed, and how it was different from or the same as Old Testament thought.

One concept that emerges as the book develops is the idea that some Israelite prophets argued for the support of the covenant with God rather than for the reinforcement of the Kings authority (as the prophets of other cultures and sometimes Israeli culture did). This sets Israeli prophets who held to the covenant with God at odds with everyone else who prophecied in Israel and around Israel. Coupled with the exclusiveness of the Jewish religion, and the people soon became alienated from those around them and sometimes from their own religion or people.

Probably the most helpful aspect of this book is his excellent approach to comparative studies without labeling certain parts of the bible as extensions of other cultures or vice versa. His approach, when properly understood, is actually what both sides of the historical divide on this topic ought to be doing. I find it not only full of wisdom, but extremely helpful in preparing sermons from the Old Testament.

A nice companion to this volume is The Bible Background Commentary of the Old Testament. I think that this book shows you how to use the Bible Background Commentaries.

One criticism that I would like to mention is that some of the charts in this book are a bit difficult for me to understand. That's an area that the next edition may have to improve on. However, there are only a few pages like that and the rest of the book is really a very very good summary and introduction to Ancient Near Eastern Thought and the Old Testament.

Some of the topics he covers include but are by no means limited to:

The Ancient View of the World.
The Ancient view of the heavens.
The Ancient view of Temples
The Ancient view of Omens and Magic.

I think he has around 13 topics in all. This book is well worth reading and if you plan to teach from the Old Testament over the years, you might want to pick up a copy for your personal library. It's packed with helpful references also.

"The synthesis that I have offered is undoubtedly characterized by assessments that some scholars will judge to be misleading, premature, or even wrongheaded. ... Instead, I desired to sift through the information provided by the specialists who have diligently made the literatures and cultures of the ancient Near East available to us,..." John Walton.



Prologue to Hermerneutics:
Half a century past, when I read the Old Testament in the city where it was first translated from Hebrew, now then, in its cousin language Arabic, much of the biblical narratives seemed stories from an ancient mythical past to me, the young Psaltos. However, when I started to formulate inquisitive questions, the most refreshing though troubling replies came from my father, a specialist in comparative civil law, a professor in the French Lyceum and a former Viennese student in the European enlightenment milieu of the thirties, the young teenager was then introduced to comparative criticism through JH Breasted, Gardiner and Lang when I began to understand how ancient Egyptian viewed the world, the Old Testament becomes more clearly a book that stood "within its ancient context, while also speaking against it," in the words of Wheaton's J. Walton.

Renewal of Biblical Studies:
"The rediscovery of Egypt began in earnest in the eighteenth century AD and of Mesopotamia in the mid-nineteenth century AD. With the decipherment of the ancient languages, the tens of thousands of texts that were being unearthed began to be translated and analyzed. ... Initial studies were inclined to be defensive of the Bible, even if such a stance required the dismissal or distortion of the cuneiform texts. The flurry of activity in connection with the relationship of these texts to the Bible had reached a critical mass of sorts by the turn of the century; and, consequently, widespread attention was attracted by the series of lectures presented in 1902 under the auspices of the German Oriental Society and attended by Kaiser Wilhelm II."

Israel's Intellectual Milieu:
John Walton suggests three main roles that a comparative study could play in Hebrew Bible interpretation: critical analysis, defense of the biblical text, and exegesis. He focuses on exegesis and its particular importance for guarding interpretation against applying modern world-views. Walton offers a thoughtful introduction to ancient Near Eastern literature and the common milieu of 'cognitive environment' that rediscovers the world of ancient Israel. He evaluates concepts of ancient beliefs on gods, views on people and history, about religion, the cosmos, after surveying types of literature, after a survey of the interface between the ancient Near East and Israel, clarifying the analogies and non similarities between them.

Comparative Biblical Study:
This book provides an excellent introduction to the field of comparative Biblical studies and integrates many specialized studies by Coogan, Chavalas, Currid, Kitchen, Redford, and Yamauchi on Israel's neighbors. He makes use of extra biblical resources to enrich their understanding of ancient Israel and its Scriptures. This is very well explained by Peter Machinist, of Harvard University, "Comparisons between the culture of biblical Israel and the other cultures of the ancient Near East have long been a fundamental part of biblical scholarship, but more often than not, they have been presented in piecemeal, isolated fashion. In his new book, John Walton offers a much broader reach, giving us arguably the most extensive review of these cultural comparisons now available together with a serious meditation on what the enterprise of cultural comparison is all about in biblical study."

Analytical Book reviews:
- "... excellent survey of the interface between the ancient Near East and Israel. I especially appreciate his sidebars on 'Comparative Exploration,' which enable readers to 'zero in' on the comparative topic of their choice relatively easily."--Mark Chavalas, U. Wisconsin
- "... an important and useful guide to entering into some of the major worldviews and value systems found in ancient Mesopotamia, Egypt, and Israel. ..., bridges the gaps between ancient Near Eastern texts and the perspectives of the Bible." Richard Hess, Denver Seminary
- "Walton penetrates beyond the simple comparisons often made to bring back intelligence about the contexts and constitution of the ancient world, stressing the ideas Israel and its contemporaries held in common. Yet Walton repeatedly demonstrates how Israel's faith was distinct,..." Alan Millard, U. of Liverpool

very scholarly, but easily understood,; cogent discussion of how to understand the Hebrew Bible on its own terms, integrating science and archeology. a must have book.

Divided into five distinctive sections, this book provides an introductory look at the conceptual world surrounding the Hebrew Bible. The five sections are Comparative Studies, Literature of the Ancient Near East, Religion, Cosmos, and People.

The section on Literature of the Ancient Near East is is a good, although very brief, survey of the literature of the ancient near east including Egyptian, Sumerian, Akkadian, and Hittite. The author has included a good cross section of ritual texts, letters, chronicles, legal collections, hymns, wisdom literature, and prophecy.

The section on Religion is subdivided into The Gods, Temples and Rituals, and State and Family Religion. Here the reader is exposed to ancient thought on these subjects with the intent that they come to understand the common beliefs and practices well as beliefs and practices that differentiated them from each other.

The section on the Cosmos examines both the geography of the cosmos and the beliefs surrounding them. The section on the geography of the cosmos is excellent and includes an examination of the structure of heaven, the earth and the netherworld. I found this section to be particularly interesting and very informative with an excellent exposition on the Hebrew word "bara" and the functional aspects of naming.

The final section on People provides an excellent examination of the various concepts of creation of the human race as well as what it means to be human. It also includes a very good explanation of the interaction between the people and their religion including prophecy, oracles, and their perception of history as a nation. This section ends with a discussion of the beliefs about the future of the earth and what happens after death.

Throughout the book the author has included excellent side-bar sections offset in shaded boxes that further illuminate related ideas and concepts. These often contain some of the best and most interesting observations of the material if you are already somewhat familiar with the subject.

Ancient Near Eastern Thought and the Old Testament provides a solid comparative study of the various literature from the ancient near east showing both commonalities and differences with the beliefs of the nation of Israel. The book clearly sets the culture of Israel in the Old Testament times alongside those of its neighbors and allows the reader to better understand the mindset of the time. Ancient Near Eastern Thought and the Old Testament is highly recommended.

Walton's book focuses on the similarities between the Ancient Near Eastern religious teaching with the Old Testament. He is careful to point out that similarites between the two doesnt necessarily imply that one is borrowed from the other. He emphasizes that they came to some similar conclusions based on their similar environments. This is a quite interesting take on this hotly debated subject.

His introduction to the book and introduction to Near Eastern literature is excellent.

However, while I will admit readily there are some similarites between Ancient Near Eastern religions and the O.T., Walton seems to see some similarities that I do not. He seems to be reaching quite a bit in those instances. For this reason, I gave it three stars.

The similarities between the two schools of religious thought are so few and far between that I feel a case could be made for coincidental similarities.

The book did however, accomplish what I thought it would accomplish. Regardless of the author's comments, the comparisons between the religions really emphasizes the distinctiveness of the O.T. For that reason, I am grateful for purchasing the book. Its something I have never doubted, but it certainly makes the chasm wider between the Ancient Near Eastern religions and the religion of the O.T.

Of course, the difference is one is real, and the others arent.

You look at his life without knowing him, and you'd say he led a charmed, privileged life. Not so. He struggled like the rest of us, but did not let himself become callous, embittered, resentful, and all the other unproductive attitudes that people use as a crutch. He always dwelt on the positive aspects of life. I liked his social conscience. He photographed and wrote about Manzanar, and the plight of native Americans of Japanese ancestry. His Manzanar writings, for me, is one of the highlights in his autobiography. His many acquaintances and friends are fondly and personally recounted in ways that I've experienced from no other author. All throughout, you get a strong impression that he was a very scientifically-minded person who also excelled as an artist, and that's very rare even today. He poured himself out into this book.

These photos take my breath away. They've inspired me so much

A wonderful collection of black and white photography. Reproduced on quality photographic paper which is ideal to frame at the end of the year. Ansel Adams brings nature into your house in the most expert fashion. Each photograph is superbly shot. Wonderful!

Pauline Gaston

and not a wall calendar

The calender was spiral bound and oversized. The pictures were absolutely beautiful. I had bought another calender for 1999, but it just doesnt have the same beauty as the Ansel Adams one did, so I had to search out the Ansel Adams one again and get it. It is a choice that I am glad that I made!

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

"There's nothing like going into a big bookstore on a cold winter evening...finding a collection of short stories that you'd always meant to read...taking off your coat...plopping down in their café...and watching shoppers come and go as you sit back and sip on coffee. Ah, bliss."
"Mom, did you bring your credit card? They have every STAR TREK book." (Jason)
"Since calendars are half-price, can I get Niki *and* Stephanie?" (Peter)
"Fourth and one and they're *punting*?" (Roger, on headphones)
"At least this place sells T-shirts." (Paige)
"Ah, reality."
- Mrs. Fox and family, herein

All the cartoons in this collection are included - in the same order - in the omnibus FOXTROT BEYOND A DOUBT except for the single-page additions of Jason personalizing a T-shirt and the dedication page's picture of Quincy the iguana with a teddy bear. The Sunday double strips are not in colour in this book, although they are printed in colour in FOXTROT BEYOND A DOUBT.

Unless you're particularly attached to the smaller size of this book, its cute cover art, or the three single frame cartoons that were added for the dedication and endpages as described above, I recommend considering FOXTROT BEYOND A DOUBT instead, since it includes all the content of this book with the addition of colour formatting for the Sunday strips, together with content from the previous collection RETURN OF THE LONE IGUANA.

Having said that, let's move on to the content. :)

FOXTROT maintains a continuing storyline, although the kids seem to be growing up rather slowly despite the passing seasons. This particular book begins during the Fox family's summer holidays and ends the following spring.

Some of the memorable bits include:
- Paige babysits for Margaret O'Dell from her mother's book club for the first time, whose little girl is cute but whose babysitting conditions are dire. "Hi there! You must be little Katherine!" "Um, it's 'Katherine', with a 'K'." "That's what I said." "No, you said 'Catherine' with a 'C'. I could tell. Hold on - I'll be right back." "Hi, there! You must be the little girl who's going to need massive therapy in twelve years!" (Peter, much later, takes a dog-sitting job looking after a crazed little canine Nac Mac Feegle - pit bull aggression levels in a toy dog's body).
- Jason and Marcus experiment with model rockets and with the biggest kite they can manage to put together.
- The Fox family takes a family vacation to Fun-Fun Universe (not to be confused with Disney World, of course).
- Paige learns during a speech in social studies class not to listen to her dad's advice on how to control her nerves: "Yowza! It's like a Chippendales show!"
- Peter's first anniversary of dating Denise and his efforts to select a good present (genes from his mom's side, since his dad buys spatulas for Valentine's Day). He also goes through some rather trying study sessions with her while her parents aren't home.
- Jason's classmate Eileen beats his score on a math test; she suckers him into going out for ice cream with her family afterward, even though he officially doesn't like girls.
- Paige is assigned to write a ghost story in English class. After she makes Jason the victim, she gets an A plus an appointment with the school counselor.
- Paige's brother Peter passes himself off as her secret admirer as a joke.
- Jason asks for Doomathon II for Christmas, but trades it at the computer store after his mom becomes addicted to it. "Mom convinced me that I was too young to have a game like that in the house...I mean, *I* can't do my laundry."
- Roger suffers through an efficiency expert at work who complains at finding perfectly good paper clips in the trash and is then treated to lunch at the Ritz by the boss.
- The baseball team players, including Peter, shave their heads after losing a bet with the soccer team (which temporarily cheers Peter's balding father no end).

Oh, my lord this is like the greatest Foxtrot ever written. The Strips are so cool and the stories are soooooooooooo funny espesialy when Roger smokes a cigar and Paige writes a ghost story. Truely, very fuuny

This is a great book to give to someone as a gift to introduce them to the humor of Foxtrot. It is wonderfully funny and engrossing: you will have finished it before you realize it!

If you want to make it as a screenwriter, you MUST read this book. Not only is it chock full of great info, inside advice and suggestions for strategies that will work for you... it is a REALLY FUN READ! The author does a great job of grabbing your attention, and making you want to hold on for dear life as he takes you inside the Hollywood system and tells it like it is, dirty laundry and all. By the time you get done with this book, you will know what to do, what not to do, and how to persuade others to see things your way in pitch meetings, that you are SURE to B$ A SCRIPT SALE! Filled with advice you can USE, information that will help you succeed, and strategies for B$'ing that will get you to where you want to be in less time, with less pain and aggravation along the way. A truly necessary resource for ANY serious screenwriter!
MARIE JONES, Screenwriter and Book Reviewer, ABSOLUTEWRITE.COM and BOOKIDEAS.COM

This ebook focuses on the best strategies on how to write a good screenplay to sell. It is comprehensible with up-to-date information and exceptionally inspirational. When you think on how to write a good screenplay a lot of things come to mind but Paul Sinor has compile for us the most important survival tips to win in this game. There is no doubt that this book will inspire anyone to be a screenwriter or to become a better one. There is an unbeatable combination that only Paul Sinor can compose for you to begin your journey at the same time that your own drive, ambitions and writing skill will expand like you never seeing it before.

Those who buy this book will be fortunate enough to learn about the screenwriting trade and expand their horizon whether it is for writing or just for education. Don't hesitate to get it today.

This is a great read... I think that it's a great book for a screenwriter to have especially when you don't live in a city that lives and breathes the film industry. It does give you a step up in a great direction and I highly recommend it!

Excellent book!!! A must read for anyone looking to get there screenplay into Hollywood. The entertainment business is tough but Paul Sinor makes it a lot easier and a lot more manageable with his new book. It covers everything you could possibly think of, from the role agents, managers and attorneys play to finding the right production company and negotiating a contract. The best part is, you don't have to live in Hollywood to get someone to read your screenplay. There's an entire chapter on what to do if you don't live in Hollywood. If you are serious about writing screenplays and breaking into the entertainment industry then this book is definitely for you!!

I am a screenwriter for over 10 years and recently I've just bought this easy download e-book "B$ Your Script Sale". Every single tip that Sinor mentions in the book is valuable! They are true to life tactics that I think every screenwriter in town should know to get the best deal out of their script sale. How I wish I have the book 10 years ago! Nice page design and layout as well. It makes the whole reading experience more fun and interesting!!! Two thumbs up!!