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One of the most famous - and infamous - letters in all of literature, De Profundis is a strange little piece of work: either much more than it appears on the surface, or much less. It is something I think everyone should read, if only for its insight into the human character, particularly that of one under great personal suffering. Wilde wrote this extraordinarily long letter from prison to Lord Alfred Douglas, his friend, lover, and the man who - by all accounts - was the reason Wilde was in jail in the first place. Despite repeated assertions in the first few pages alone to the contrary, Wilde seems reluctant to blame himself. He clearly blames Douglas to the hilt, and harbors a certain bitter resentment towards him. And yet... he clearly still hold much dear affection toward - and even loves - Douglas. He still seems to be asking for forgiveness - despite the fact that, by all accounts hardly excluding his own, he was the man wronged. It is quite clear from reading this letter that, desite the view history holds of him, Wilde was clearly a man of very high moral character. Certainly, one would not put Wilde atop a pedastal as the zenith of ethics - he himself says that morals contain "absolutely nothing" for him, and clearly admits - and is proud of - his having lived the high life to the hilt during his youth - but Wilde was a man of principles, and he stuck to those principles to the tragic, bitter end. Perhaps you might say he carried them too far. One gets the sense in reading this letter - or a biography of Wilde - that, not only could he have stopped his immiment imprisonment, but could have severed his ties with Douglas completely - had he wanted to. Apparently, he had his own utterly compelling reasons for not doing so. Whatever the case, Oscar Wilde is one of the most fundamentally and perpetually interesting characters in the whole of history. A self-described man of paradoxes - Wilde was subsequently the true essence of his time, while also being far ahead of his time - De Profundis makes for required reading by one of the most endlessly fascinating individuals you'll ever read about, and also provides a startling - indeed, perhaps too much so - insight into human nature.

De Profundis, though long for a letter, is not a long work in the conventional sense. Consequently, as many editions of Wilde's collected works are available, buying this on its own may be deemed questionable. I highly reccommend purchasing a Collected Works of Oscar if you have not done so already - it's well worth the price - but, should you desire to have more compact editions of specific works, an edition such as this will be privy to your needs.

This is a very moving account of a heartbroken man who was betrayed by a person he loved dearly. The pain, the trauma, the love, the anger, the frustration is evident in every single well-written sentence. This book is not only a window into the mind of one of the best British writers of the late 19th century. It is also a timeless lesson on what can happen when one falls in love with someone who doesn't truly appreciate what they have before them. Of course there are other lessons to be learned in this book but rather than point them out here, I'd much prefer you pick up a copy of "De Profundis" as soon as you can.

Not actually a "letter," though it had to be originally presented as such for him to be allowed to write it while in prison, *De Profundis* is Wilde's masterpiece--one has to have really lived and really, really suffered to have written it and it's amazing that he achieved it.

I only very recently read it--and "got" it. It rings true to me, and is very, very moving and "profound." It ain't summer beach reading.

Wilde is still and will probably always be best known as a "Personality"--that and the author of a couple of decent period plays, a short novel, a few stories, and lots of forgettable poems and such. But THIS--THIS is IT.

He really WAS a great writer, it turns out, after all.

So many people concentrate on De Profundis' accusations cast towards Alfred Douglas. Yes, it's true that the letter was written to him and that Wilde is ruthless in letting Douglas know exactly what he thinks of him but that's not why De Profundis is a great piece of work. It is great for three reasons. Number one - It contains the best account of the life of Christ. Christ as the romantic artist is the only account that has moved me to tears and the only account I can personally embrace. Number two - it is chock full of the Oscar Wilde voice and wit and as a result it reverbates as a true work of art and number three - It is ultimately a work that celebrates the things in life worth feeling - failure, love, injustice, strength and forgiveness.

Don't waste your time with the accusations towards Douglas. He is unimportant. Oscar Wilde is what's important and De Profundis is Oscar Wilde bare.

Ah, me...one doesn't know which to be more irritated
and exasperated with: whether it be Walt Whitman doing
his dissembling shuck-and-shuffle about the children
he had sired (to throw off a probing, serious John
Addington Symonds) -- or Oscar, in this "j'accuse," which
he should have spoken while looking in a mirror, rather
than writing it on paper to Lord Alfred.
This is without doubt a fascinating, horrifying,
and yet in places humorous, "piece de Miserere mei"
(to combine a bit of French with Latin).
If one chooses to believe Oscar, his only fault
was weakness in "giving in" to Lord Alfred. Oh,
come now. Blinded by Eros, reason flies out the
door...if ever reason was in control. There are
some sentences which are devastatingly revealing,
but Oscar doesn't seem to see it. "The trivial in
thought and action is charming. I had made it
the keystone of a very brilliant philosophy expressed
in plays and paradoxes." Ye gods, and little fishes!

And this man dared to call himself a "Classicist?!"
Yikes!!!
The best exercise for the reader is to just take
many of the things which Oscar accuses Lord Alfred
of, and turn them toward the self-blind, self-
justifying Oscar, to see their devastating hitting
of the mark. Never having met the young man, but
only having the "benefit" of hearsay (mostly from
Oscar's literary defenders) Lord Alfred seems to have
been calculating, temperamental (using anger to get
his way), manipulative, etc., etc., etc. The best
description of him may be Wilde's referring to him
with the lines from Aeschylus' play AGAMEMNON,
about the lion cub being raised in a house and
being let loose to wreak havoc and ruin.
But Oscar bears his share of blame -- more than just
that of the "sin" of weakness which he constantly falls
back upon in his own justification. Even in the midst
of what purports to be some sort of penitent cry from
the depths of hell...Oscar still is ever the poseur:
"And I remember that afternoon, as I was in the railway
carriage whirling up to Paris, thinking what an impossible,
terrible, utterly wrong state my life had got into, when
I, a man of world-wide reputation, was actually forced
to run away from England, in order to try and get rid
of a friendship that was entirely destructive of everything
fine in me either from the intellectual or ethical point
of view...." Er, when was the last time that the
"everything fine" had last seen the light of day?
Was Oscar an "Artist," as he consistently claims?
Was he the wronged, harmed Artist? Perhaps only the
reader can decide that for himself. Without doubt
he was witty, acerbic, funny, cute, clever, perhaps
even charming (to some -- sort of like a Pillsbury
Dough Boy with flair and a clever tongue), perhaps
stylish (in a frumpy, velveteen sort of way). Was
he wronged by a predatory clinger and manipulator,
and a hypocritical social prudery and class power
play (Oscar is no Socrates--that's for sure!)? He
hardly seems worthy, in some ways, of being a poster-boy
for Gay Pride parades. More likely, he is a better
warning poster boy for the self-excusing, and never
take-responsibility-for-your-own-actions crowd.
But this is an incredible piece to read and think
about. There is some of it that is mordantly hilarious.

This is Saul Williams but it is not a book of poetry. It is well written and I would recomend it to anyone who likes Saul Williams, poetry, hip hop or both.

Saul Williams, hip-hop's so-called "poet laureate," can comfortably add "hip-hop mystic" to his résumé with this collection of excellent poetry. His rhymes drip with the religious symbolism of ancient Mystery cults (most notably, Isis) as he journeys with the reader on a path to self-discovery, spiritual fulfillment, and ethical reasoning. In hip-hop Williams sees ancient drums and chants, camp-fire storytellers whose power has been hijacked by capitalist greed, materialism, defeatism, and chauvinism. He teaches through twistable and irresistible verse that the power of history's lessons and thought can change worlds by changing words.

I admit that I am not a hip-hop fan, per say. I do enjoy a select few artists (Williams included), and have studied African American history/culture, so I was not entirely unfamiliar with the themes/issues of this book. I am, however, a lover of poetry, truth, and vulnerable strength, which Saul Williams encapsulates perfectly. Truly, one need not know much about hip-hop to appreciate this book. No matter one's musical preference or cultural background, Williams speaks truth, and therefore can be embraced by all. "Word is bond."

i've written tons of academic papers (including my current thesis) on williams; his work is unbelievable and should be taught everywhere. his attempt to uplift hip-hop is honorable and appreciated.

The Dead Emcee Scrolls start out with a great new poem called NGH WHT. After that, a good deal of the material is from older poems that he has in some cases edited, while in others, left mainly the same. NGH WHT is filled with subtle nuances that are not always easy to pick up on, so multiple reads are likely merited.

While a bit repetitive for die-hard fans, the work gives a very strong representation of where his work comes from, but also has some great new material. As to where he will go from here, that is anyone's guess.

I first heard about this book on a message board (I think it was the one from DaveyD.com) and I really enjoyed reading the publisher's excerpt, and it was just the introduction. With it, I didn't know how to take it. Whether it was truth or just a very well worded story from Saul Williams. Either way, I could feel the vibe of Hiphop Kulture coming from it. So of course, I went out and bought it.

I was blown away.

I first heard of Saul from the book ", said the Shotgun to the Head." So I already thought I knew what to expect. But I was completly blown away by the deepness of these poems. Whether really taken from a strange manuscript in an old spray can or just a way to publish his own poems about Hiphop's preservation of love, peace, and unity, this was great. I recommend it for anyone who like poetry, spoken word, rap music, or just books. Very good.

Franz Kafka's diaries were never meant to be published. Yet his diaries are spread across the internet, the actual published diaries translated into many languages and countless printings. These dairies are very personal, and the gentle Prague Jew would certainly be appalled.

Why do we continue to find these writings so fascinating?

Well, simply, they're terribly honest. Kafka never meant for these diary entries to be published, let alone read by another person. For those interested in the mechanics and soul of writing, Kafka's diaries are a source of true wonder. A confessional of a gentle soul, a man trapped in an insurance job, staying up through the night writing his heart-out, his thoughts, pains and acute observations of a time on the brink of great and terrible change, the death and cruelty of two world wars.

When reading Kafka, there is an overwhelming darkness, loneliness, a strong shadow that continually hovered around him, a "something" he tried to rid himself of through intense self reflection, which the reader of these diaries will discover.

Kafka's life story is, for the most part, a tragedy. A painful experience as one, sometimes, can feel his self consciousness, that subtle pain at the back of the neck, when, you know, you're being stared at...and his continued bad health.

I've attempted to read Kafka's diaries many times, and only now, for some reason, can withstand the pain of his perceptions, his precarious relationship with his father, and the few women he loved and the true love he never married.

Kafka is a man that loved writing for writing's sake, an artist who experimented daily, till dawn most nights, to pick up his little brief case and begin his work as an insurance lawyer in a semi-official insurance institute.

A strange yet moving entry:

21 February 1911
I live my life here as if I were entirely certain of a second life, as if for example I had entirely gotten over the failed time spent in Paris, since I will strive to return soon. Connected to this, the sight of the sharply divided light and shadow on the street paving.
For a moment I felt myself covered in armour.
How distant, for example, are the muscles of my arms

Kafka's writing was for the act itself without pretension or grandious dreams, (though his success during his 40 year lifetime was no disappointment) an act of instinct, pure and natural. Kafka is the true writer's writer.

Yes, yes, I know it's odd to describe Kafka's writing as comic, but he really was one of the funniest writers of the Twentieth Century. His outlook on life reminds me so much of Charlie Chaplin's famous mantra that life is a tragedy in close up, in long shot it's a comedy. Kafka is loved by millions because he is the most universal writer of them all. High on the peaks of Twentieth Century literature features the brilliant stylistic prose of Nabokov, the pyrotechnics of Joyce, the pitch black comedy of Beckett, the sublime little observations of Proust. But right at the summit sits the unlikely figure of the wretched, kvetching tortured sick soul and body of Kafka, the world's greatest underdog. With these diaries chronicling his dreams, his awareness of the fragility of his physical body, his anguished relations with his family and friends, the daily nightmare of his office job and the time it stole from his creative pursuits, Kafka speaks for us all. For instance, a single paragraph sentence from 1913 reads:

I'll shut myself off from everyone to the point of insensibility. Make an enemy of everyone, speak to no one.

Now anyone who has ever been a teenager will feel a burning empathy with that sentiment!

Then some bits are brilliantly, nightmarishly extraordinary, like this musing, also from 1913:

To be pulled in through the ground-floor window of a house by a rope tied around one's neck and to be yanked up, bloody and ragged, through all the ceilings, furniture, walls, and attics, without consideration, as if by a person who is paying no attention, until the empty noose, dropping the last fragments of me when it breaks through the roof tiles, is seen on the roof

I read this part on a train, and snorted with laughter. Kafka is such a lovable tortured genius, carrying the weight of his misery around like an anvil on his back. Such a warped brilliant imagination.

Keep a copy of these diaries on your bedside table for those moments when you are fed up with the wretched pressures of the world, can't stand other people, and want to selfishly wallow like a pig in the mud of your own self pity. Priceless.

Franz Kafka's 1910-23 diary entries are essential reading for anyone who seeks a better understanding of the author's literary world. This 1988 printing contains all the surviving Kafka diaries in one comprehensive volume. More revelatory than any biography, the diaries remain as compelling as his fictional work.

The Diares of Franz Kafka reveal him to not just be the disturbing and clever author, but a genuine philosopher in his own right. Because he never published huge tomes of philosophy, he is completely overlooked. Kafka tends to address only himself in his diary, but he grapples with universal problems of the human condition. My copy of the Diaries is underlined, highlighted, and circled on almost every page. He puts into words, even in the translation, so many important and elegant ideas that have not been adequately expressed before or after him. If you have even the slightest interest in Kafka or philosophy, or alienation, buy this book. Buy two copies, in case you lose the first one. Once you've read it, you will not want to be without access to it, ever. Incredible.

The diaries reveal that Kafka was not only the one-dimensional character of the disturbed, alienated, and melancholic man that contemporary literary analysis presents him as, but a person with a complexity of feeling, humor, and distinct moments of happiness and joy.
The segment where he vacillates, through an organized list, as to whether he should marry his fiancé or not I found most enjoyable, and it is also fascinating to watch the diaries darken as Kafka ages, and to long for the unfinished fragments of stories and the gaps in narrative as he struggles against tuberculosis.
History claims that he was the prophetic bearer of images of totalitarianism and social suppression, but it is often forgotten that Kafka was also an ordinary man leading a rather ordinary, if not emotionally tempestuous, life.
These diaries are indispensable in understanding the underlying philosophy and thought behind his literary works, and in coming to know more intimately the author who created them, rather than relying upon a preconceived notion of Kafka as an isolated, miserable apparition.

Nice concurrence of words and thoughts. Magical reality. All stories were quite fine. I enjoyed 'The Hitchhiker Tale at Anton's Restaurant' the best.
'The Uninvited Guest' with its political statements would have been even stronger, in my opinion, by not being placed in a magical reality - which ended. The issues are too important and too real.

Dreamtime is an apt title for this collection of short stories. The author has a wonderfully natural writing style, and in all but one case the story feels as if the author is right there with you recounting personal stories beside the hearth - indeed, the majority of the stories are drawn from personal experience, as the author tells us in his Preface. The naturalistic style of the writing makes for a perfect medium in which Steiner introduces touches of the dream-like and supernatural. In story after story, the world of the mundane is gradually infused with an atmosphere of intellectual, almost dreamlike fog.

The initial story, The Decoy, is rather atypical of the eleven stories collected here, in that it does not stray into the realm of the unusual. It does, however, show how good can come of seemingly bad occurrences. The sense of dreamlike experience first manifests itself in The Hiker's Tale: At Anton's Restaurant, in my opinion the most effective story in the collection. In this tale, an older gentleman finds himself caught in a sudden snowstorm, only to find a needed respite in the form of a most unusual restaurant.

Two of the stories, The Student Pilot and The Returning Student, share a similar theme; they don't deal with reincarnation per se, but in each case a great man of the past seems to make an unexpected and relatively brief trip into a contemporary but otherwise mundane setting. Canine Fantasies was a story I particularly enjoyed; here, the main character is given an invisible canine companion by a hypnotist, and this supposedly transient spirit eventually becomes the man's best friend in ways few would believe.

Several of the stories are open-ended explorations of extreme possibilities. The Disappearance, for instance, puts forth one possible scenario of The Rapture in the form of a man with whom the protagonist has, he realizes after the fact, a brief but personal connection. Events and personalities coming back together for a seemingly preordained purpose is also the formula for the story The Sea Witch. Phoenix Street is the only story with a real feeling of creepiness embedded within it - in the form of a malevolent old lady who affects a young Harvard graduate student's life, despite the fact the two individuals have never truly met.

A palpable sense of unreality or perhaps hyper-reality is evinced in the story The Uninvited Guest. Here, a stranded traveler wanders into an upscale party of strange characters espousing radical ideas. There would seem to be a context of political philosophy built into this story, but it is hard to say more without giving anything away.

The Pilgrim proves to be the most unusual story in the collection; it offers an allegorically striking and most unusual take on the subject of dying. I would have liked to have seen this story close out the book rather than the much less effective tale Round Trip. This final tale differs from the others in that it is told from the perspective of a third person, and its somewhat depressing account of an astronaut returning to a world forty years in his future (thanks to the conundrum of relativity) casts a dark reflection on the reader's consciousness.

Needless to say, I found Dreamtime a most impressive short story collection. While the author devoted his life to science, he obviously developed at the same time a deep sense of the human condition, with all its fears, desires, and mysteries. His writing style, far from the cold and sterile manner you might associate with a man of science, is in fact vibrant and exceedingly smooth and natural. Steiner chose the title Dreamtime because the word reflects a time of creativity and dreamlike magic, and as such it seems to fit this collection of stories perfectly.

Dreamtime is a term for the magical period of the creation of the world...it grasps the meaning of mystery and mystical wonder. The title "Dreamtime" captures the essence of Robert Steiner's short story collection and gives the correct suggestion that this too is a thing of mystery and mystical wonder.

This collection offers stories of great variety, from an odd summer job of being a decoy for muggings to the consequences of space travel. All of the stories contain some sort of oddity, lending them all an air of the "Twilight Zone." Each is a short, satisfying episode of fiction that will be sure to please its readers.

Robert Steiner is a storyteller with a gift for description. He grabs the reader's attention from the first word and offers tidbits of uniqueness to carry you through to the end of each tale. "Dreamtime" is an interesting and enjoyable read that touches on the paranormal but also demonstrates the very human qualities of its characters.

Review by Heather Froeschl of BookReview.com.

What is a dream? Is it merely that state achieved during sleep when fleeting images only half remembered later trace their way through your mind? Or are there other dream states? How about an alternate reality? Could one stumble into something so extraordinary and so beyond the common frame of reference that it constitutes a sort of waking dream? Author Robert Steiner seems to think so. He compiled eleven short stories outlining his belief under the title "Dreamtime." The author, a Harvard graduate who worked as a research scientist at the Naval Medical Research Institute in Bethesda, Maryland, has written a series of tales that evoke memories of such writers of the supernatural as William Hope Hodgson and even, in a certain narrative way, Clark Ashton Smith. Not all of the stories delve into the paranormal, but all of the stories do give the reader a decidedly eerie sensation of "not quite rightness" that only the masters of supernatural fiction manage to achieve. You won't find a lot of monsters from beyond time and space or fabled lands on other planets in "Dreamtime." What we do get is something far more sinister and far more personal. This is one creepy set of stories.

The first story in the collection, "The Decoy," doesn't exactly set the tone for the rest of the book. Don't get me wrong; it's a great story. But it doesn't expose us to the bizarre like the rest of the tales do. In this one, a young man ready to head off to graduate school decides to take a most unusual summer job in Italy helping the authorities there crack down on street criminals. Why he would be perfect for the job only emerges in degrees: it seems that his physical appearance is so repugnant that the Italian cops think he looks like a dupe of the type criminals love to victimize. He's actually quite intelligent, of course, which is another trait the police are looking for. Needless to say, he works wonders busting up packs of pickpockets until an encounter with a particularly ruthless gang of Russian thugs changes our young hero forever.

The next story, "The Hiker's Tale: At Anton's Restaurant," is more conventionally weird, if that makes any sense. A man decides to take a long hike to a dinner party only to run headlong into a dangerous snowstorm. He sits down on a stump to rest--never a good thing to do when it's cold and snowing outside--only to resume his trip a few minutes later. He stumbles over a brightly lit gentleman's club/restaurant in a place he never noticed on previous excursions. Invited inside by the friendly personnel, he sits down to partake of the inn's fantastic menu only to wake up suddenly in the hospital, a victim of frostbite and extreme exhaustion. Was it real or only a dream of a warm, welcoming place conjured up by an injured mind and body in order to sustain itself?

The next four tales share a similar trait in that we are seeing people or animals emerging from some other place or time to affect characters in the present day. "The Student Pilot" introduces us to a mysterious man who shows up for flight lessons even though he seems to know everything about flying airplanes. His identity, strongly hinted at toward the end of the story, makes us wonder whether what we are seeing is a case of reincarnation or something more eerie. The same can be said for "Canine Fantasies," a truly odd tale of a man hypnotized into thinking a phantom dog follows him everywhere he goes. Is it the recalled spirit of his childhood pet or a merely a hallucination? Problem is, this spirit helps the main character out in a big way on several occasions. "The Returning Student" eschews pilots and dogs in favor of a university teacher's encounter with an enigmatic student resembling one of our most famous authors. In "The Disappearance" the author treats us to yet another reappearing historical figure, this time a figure straight out of the Bible.

For something darker and scarier, turn to "Phoenix Street," "The Seaside Witch," and "The Uninvited Guest." The first involves a Harvard graduate student stressing out over finishing his thesis who disintegrates into a nervous wreck after glimpsing the visage of an evil looking woman glaring at him from the window of a house. "The Seaside Witch" involves a strange case of two individuals meeting again years after a chance encounter. The witch appears only briefly and in a way that doesn't set off alarm bells until the end of the story. My favorite story, and one that will definitely stay with me for some time, is "The Uninvited Guest." Some poor wretch caught in the fog pulls up to a house filled with chattering people throwing out very grim political opinions. This story made me think of Jack London's "The Iron Heel." The last tales include a science fiction story, "Round Trip," about an astronaut returning to earth after a forty-year excursion among the stars, and a delightfully optimistic look at the afterlife called "The Pilgrim."

Steiner has written some real gems here. He definitely has a knack for creating delightfully bizarre environments in the space of a few pages. His writing style works well too: you get the sense rather quickly that this is an author who ponders over each and every sentence to make sure he gets everything just right. He might have worked in science as a career, but his talents extend far beyond the laboratory and the microscope.

Robert Steiner named his collection of short stories from the Australian Aborigine "Dreamtime"--that world of the past, present and future that is a spiritual mystery. The title is apt--each story, whether set in this world or some other takes place in that nebulous region between life and death, between real and imagined.

The stories reminded me a bit of Edgar Allen Poe, but without being so bitterly dark. In a way, reading these was a bit like listening to "Hotel California" (but I mean that in a good way!)

There is a story of an unremarkable-looking young man who signs up for a stint patrolling the tourist areas of Rome. The work is not exactly without dangers, and he finds that even the darkest situation can yield some unexpected benefits. There is a story of a man who finds an abandoned mansion in Pennsylvania. The guests are captains of industry and society dames, but the uninvited guest finds out that they are far more dangerous than their conversation. A student in Cambridge, Massachusetts learns about the residue that pure evil can leave behind. And a professor in a third-rate college has a star pupil who is as elusive as he is brilliant. Who is the old guy that sits in on the classes, aces the exams but won't sign up for a campus ID and eludes security with the ease of a cat burglar?

The stories are enjoyable--reading this is like telling ghost stories around a campfire, but as if you had very literary camping friends, indeed. I enjoyed "Dreamtime" --once picked up, it's hard to put it down. If you like fantasy-horror on the light and fanciful side, this will appeal to you.

I'm a busy guy who generally reads fiction before bed to relax. This book kept me up way too late laughing and wondering for several nights. I really enjoyed the colorful characters, offbeat predicaments, and a peek into a world quite a bit diferent from my own. Highly recommended.

You must buy this book!! I dont read much but the cover caught my eye, I finished in one sitting..So funny and keeps you turning the pages!! Oh yeah and I look pretty cool walking around holding it!!!

This book was by far my favorite summer read. DDW is so funny, original, and each scene proved vivid and and charming. I literally LOL'ed while reading this, and that RARELY happens. Big ups!!

Once I found out what the premise for the book was I had to get it. I mean a doughy 30 something jewish guy who is secretly a ghost writer for a gangsta rapper named Oral B, come on. It is almost a Farrelly brothers movie with that alone. The book has plenty of twists and Rotter's ability to translate rap colloquialisms into written text is mind blowing.

One of Wally's freestyle rhyme's cracks me up the most. "I'm stoned and I'm spinnin' and the chronic got me feelin' like I'm Lionel f$ckin' Riche and I'm dancin' on the ceilin'." Too funny

The book is quick to get into and hard to put down.

This is a very funny book: great characters, great plot and wonderfully funny diaglog, rhymes and rapping. I look forward to more books from Gabe Rotter!!

In EMBRACE ME, Lisa Samson pens a powerful story of forgiveness, full of surprises and a cast of interesting characters --- including one making a return appearance from a previous novel.

The story is told from several first-person points of view. Drew Parrish is the slick red-headed prosperity gospel pastor of a megachurch, 12,000 members strong and growing. He knows all the right moves and words to say, but his sincerity barely runs skin deep. When the chance comes to move to television --- and a possible show of his own --- he settles on Daisy Boyer, a pretty young singer in his congregation, to serve as co-host.

But for Daisy's scheming mother (who sees her daughter as her ticket to fame and fortune) and for Drew, Daisy isn't quite good enough. Her face is a little less angular than needed for television, her weight a few pounds too heavy, her nose a bit too long. Daisy endures a strict diet and exercise regime and undergoes plastic surgery after plastic surgery. Eventually, she cracks.

Drew is also feeling a growing dissatisfaction, evinced by his habit of burning himself with cigarettes to try and feel something besides the pain of his life. His father, a Washington D.C. lobbyist, is clear that Drew never quite measures up to his expectations, and his mother, he believes, committed suicide when he was still an adolescent.

The opening of the book finds Drew at the end of his rope, and relying on the guidance of a young Catholic parish priest to help him figure things out. Samson then alternately fast-forwards and rewinds her story six years, time jumps for the reader that work because of her tremendous writing skills. In this way, we meet Valentine, a freak-show oddity with a terribly burned face who tours as Lizard Woman with "Roland's Wayfaring Marvels and Oddities." Her best friend is Lella, the Human Cocoon, who has no arms or legs. Valentine is bitter about the past and her disfigurement, and wraps her hopes for the future up in a dream of a home of her own with Lella.

But when Lella's life takes a new direction, Valentine finds herself thrown into the company of a heavily tattooed and dreadlocked minister, Augustine, whose vocal cords were damaged in a motorcycle accident. Both Augustine and Valentine find solace in the company of the surprisingly likeable televangelist Charmaine Hopewell, who readers may remember from Samson's book SONGBIRD.

Together, Augustine and Valentine wrestle with the difficulty of forgiving those in their pasts who have wronged them. But the biggest test of all lies ahead. Is it possible --- truly possible --- to always forgive? Forgiveness of ourselves and others, Samson shows through her narrative and characters, doesn't mean you can always return to who you once were. " I realize we can destroy ourselves in ways so deep we'll never return to the place we were before we started the destruction," muses one character. Another character learns that words of forgiveness come first; the emotional feeling of being able to forgive follows later.

Making the time jumps back and forth from character to character is a lot to ask, but Samson succeeds in helping the reader do it. The oddities of the characters, while a little exaggerated, are vintage Samson, as are the themes of social justice and grace. The setting of a "new monastic" community, in which the members are not necessarily Catholic, but take vows of different sorts and extend hospitality, serves as backdrop for the later part of the novel and echoes the community settings of past Samson novels.

Some readers may feel the reconciliation between Augustine and a relative from his past is too neatly wrapped up toward the end while others will applaud the power of grace. But what comes through, clear and strong, is that every person is beautiful and loved in the eyes of God, and all may find forgiveness --- and offer it to another --- if it's their true desire. Samson, who also penned QUAKER SUMMER, is one of Christian fiction's finest novelists, and her fans will find plenty to enjoy and ponder here.

--- Reviewed by Cindy Crosby

Embrace Me by Lisa Samson took me a little bit longer to get into than some of her others, but once I did, it was well worth it. I spent an entire weekend letting Lisa's words wash over me.

Once again, her word choice is impeccable. Look at these: from inside a church--"Thomas, his stained-glass face eating up the late afternoon sun, looks doubtful of my presence and I can't blame him." Or "Which much pretty ruins it for those people who don't exactly cotton to a three-piece suit, or a cassock, or even jeans and a polo shirt." Love it!

Embrace Me is about a "lizard woman" from a freak show trying to accept who's she's become after some nasty burns, a pastor who's realized how he's led his church astray in the name of power, and the communities that love them. It's a beautiful portrayal of gnashing-of-teeth forgiveness. It takes it out of the abstract and puts it in your hand.

Her characters, as usual, are amazing: each their own. Each flawed, redeemable, and marked with the Imago Dei. Their dialogue flows from the personality of the character and is distinct to each.

Embrace Me is sometimes borderline preachy (even if I could say amen! to the sermons), but it presents the frustrations and beauty of the Body of Christ.

I have often told others that Lisa Samson's books are an all-you-can-eat buffet of food for thought, and "Embrace Me" is no exception. This is Christian fiction that defies Christian fiction, without compromising grace and truth. I found myself drawn into the growing intensity of this novel. It almost read like a mystery at times, as the proverbial layers of the onion are peeled away to reveal hidden truths. Forgiveness is presented as a struggle essential to our spiritual freedom and well-being. This theme is beautifully explored in the book, and near the end Augustine says, "But the true miracle of the resurrection wasn't so much the raising. Is something like that too hard for the God who made the universe? The true miracle is in the forgiving. And though we are bruised and burned, blind and broken, we are forgiven."

Lisa Samson's book always makes you think and this one is no different that the rest. Can you say EDGY?! I don't think I've ever read a Christian fiction book that deals with the type of people mentioned in this story. But these are stories that need to be told, because not everyone is living a picture perfect streak free Christian life. It's a heartbreaking story as you read what has happened in Drew and Valentine's lives. I nearly wanted to cry at times when reading because I felt the character's pain and suffering. Even though there are very few sideshow attractions such as the one portrayed in the story surviving today, it makes the reader think about what life is like for these "so-called freaks." How hard their life must be because they aren't born "normal" like the rest of us. I really don't know how Lella was able to be so upbeat and genuinely happy all the time. I don't think I could have accepted her situation quite so well. This isn't your normal happy ending novel. There is a lot of in your face stuff that a lot of Christians don't like touching. It will make you feel uncomfortable at times but it will also help you to understand more about God's infinite love and acceptance. This book is definitely edgy Christian fiction at its best. Lisa Samson has created another winner. HIGHLY recommended.

Embrace Me by Lisa Samson is another jewel in Samson's crown. Valentine stars as the Lizard Woman in a travelling freak show along with her friend, Lella, the Human Cocoon. While it's not a great life, it's one that she has come to terms with until returning to winter in a small North Carolina town. There she encounters Augustine, a tattooed and dread locked monk, who shakes up her ordered existence with his talk of God and faith. Samson's books are not for those readers who want to be comfortable and comforted in their reading. Her books with self-mutilating pastors and chain-smoking characters make me squirm in my seat like a good sermon. She delves into topics and places few Christian books dare to go, and God bless her for it. Her books are not to be read lightly and tossed aside. They weigh on my soul and heart and never leave me untouched. Augustine quotes Mother Theresa: You only love Christ as much as the person you love the least. Did that make you squirm in your seat? That's what Embrace Me will do to you, make you re-evaluate the strength of your faith and love for God. Samson writes like no one else in the business; each sentence is carefully crafted and weighted. Read this book and be transformed within.

A fun book of entertaining short stories about the people who live in the small border community of Tecate, Baja, Mexico. Good insight as the author, tho American-born, lives there on his rancho. Several surprise endings, some superstition. The first romantic tale is so engaging it's worth the price of the book.

THIS BOOK WA ASSIGNED TO ME BY MY TEACHER AND AFTER READING THE ENTIRE BOOK, THE THING I MOST REMEBER IS THE CHAPTER ON JEEMY A WHITE MALE THAT WANTS A CALM AND PEACEFUL LIFE AND HE IS RICH TOO.

I don't know when I've read a book that I enjoyed any more. After 17 years of life in Mexico, I KNOW that this author knows what he's talking about. Wonderful insights into Mexican life and that great mystery--Mexican Macho.
The chapter about Casa Grande and Casa Chica was just dead on...Makes me want to meat Daniel Reveles.

Sorry - I couldn't help but continue the conceit of the book, that this is a plate full of "chismes" (tales) from Tecate, Mexico... tales that are truly delightful to the palate.

You will meet a host of intriguing characters, from El Gato, a man who is larger than life, and resident of my favorite novela, "Of Time and Circumstance"; to Fito, who fulfills a promise in "The Man In White"; to our un-named narrator, our "servidor". Mexico and the city of Tecate are characters too. The settings and happenings are ordinary, but imbued with magic, which is part of the delight.

Another reviewer states that this isn't a true depiction of Tecate, and I have no doubt that they are correct. For instance, I'm sure the peasants aren't actually blissfully happy in their poverty. But one of fiction's jobs is to take us to places that don't exist, and in that, the book succeeds admirably. And if the stories make you want to learn more about Mexico, then so much the better!

This is probably the best author you've never read. Pick up a copy ASAP! I can't wait to get a hold of his other two books... my mouth is watering in anticipation!!!

I enjoyed the stories in Enchilada, Rice and Beans, but my favorite was the one about El Gato, who is a character bigger than life in all that we find out about him at the party in his honor. Reveles tells some good stories and I think they don't have to be super great to please the critics,just warm enough to encourage a good look at out neighboors to the South, who embrace life slightly differently in some ways, and yet just like us in others. Very enjoyable.

Escapee is a well-crafted and mature collection of short fiction, several of its stories having previously appeared in distinguished literary journals. Characters are often quirky but always believable. Plots are tightly woven and well-paced. The atmosphere in some stories is dark and haunting, in others bright and playful. The first section, "A Fish Like That," will be of special interest to anglers, especially fly fishers, but with original characters like Sandy the woman fly fisher, Benny the perennially inept, Randall the liar, and Keefe the stocked-fish shocker, even non-anglers will find much to enjoy. Section Two, "Repairing the Damage," includes a darker but diverse range of stories that plumb the homely depths of human experience. "Teddy and Gretta: A Workable Translation," Section Three, features a delightful but often unlikeable married couple whose truths too often ring close to home. Escapee is eminently readable but also demands a sharp-witted reading to pierce the surface of seeming simplicity in many of the stories. Any reader who finds these stories less than well-wrought, believable, and engaging was just not paying attention. Poland's prose is crisp and economical, flowing and tuneful, a joy to read. Buy and read this book.

Escapee is a fine collection of short stories, a montage of varied tales linked by a distinctive voice, and flawlessly written. From a female perspective, I can say that Mr. Poland draws real and believable characters, male and female. I especially liked the character of Sandy, who takes up fly fishing after her husband is sent to prison. This is a delightful book.

Escapee is an interesting assortment of short stories from a true craftsman of fiction. The writing and arrangement are flawless. A distinctive voice links a potpourri of diverse, engaging, and entertaining stories. This is a must read.

Reviewers are not supposed to comment on other reviews posted here. I've posted my five-star review previously and can't allow "Amateur's Effort" to go unanswered. There is no "plot" because this is a collection of short stories. Anyone who had actually read the book would know that. The reviewer's suggestion that the author's friends have written five-star reviews is indicative that it is the reviewer who is motivated by personal animus. Everyone is entitled to his or her own opinion, but that right is earned by actually reading the book being reviewed. Do yourself a favor, and read this one.

I received Escapee as an early Christmas present & what a great gift it is. From the first story, I was captivated by the characters,& eagerly devoured each subsequent tale. Really like the author's sparse writing style, quirky sense of humor, & his perspective. An excellent & fun read. I agree with the reviewer who said he/she hoped that Poland has another book in the works.

After reading "Escapee," Tim Poland's short-story collection, I think of Hemingway but humorous, Norman MacLean but irreverent, Raymond Carver but more forthcoming, Flannery O'Connor but on the lighter side. I also think of strong female characters, like Thelma and Louise, who fight back and break free.

In "A Fish Like That," the first of three sections, Poland writes stories that center on fly-fishing. Why are so many good writers (like Hemingway and MacLean) attracted to it? As anyone who has ever cast a line into a stream knows, such an act can have a deep symbolic resonance. Water can be the creative mystery through which we go fishing for ideas. And writing, like fly-fishing, is a craft, one Poland understands with stylistic exactitude. "Learning to Lie" deals with the intertwining of fishing and fiction and is almost a meditation on a process at work throughout the book. Fishermen (writers) present the lure (plot), in a certain context (character and setting), calling forth something from beyond. In the title story, a woman takes up fishing to explore a connection with her husband who is serving time for manslaughter. In the process, Sandy develops a connection with nature, escaping from a bad husband while he is trying to escape from prison.

The second section, "Repairing the Damage," presents several tenacious heroines; and in the third section, "Teddy and Greta: A Workable Translation," Poland writes four stories about an obstinate married couple who both confound and console one another.

Through all three sections the prose sparkles, as Poland endows the commonplace - a spinner in a tackle box turned into jewelry - with a startling power. Though the topics are as diverse as divorce, child abuse, Alzheimer's, small-town life and fly-fishing, throughout them runs a common theme: the encumbered disentangle themselves, and the broken find ways to mend. "Escapee" offers entertaining escape from the everyday but also serious confrontation with daily (and deeply) human matters.

Esther Stories was a pleasantly unexpected find. Although I think this is an imminently impressive collection of short stories by a highly talented writer, I found myself much less "into" the stories in the second half of the book, than I'd been by the more eclectic tales that comprised the opening part. My favorite story here was "At The Motel Rainbow," which reminded me in a favorable way of vintage Joyce Carol Oates, circa "By The North Gate." However, I really wish Esther Stories had been two separate books, one an anthology of the stories that were set from Canada to the Midwest, the other being the Esther pieces proper. The stories in each section would easily have stood on their own, and truthfully the departure from them to theme was abrupt and confusing. But let me close this review by saying there wasn't a single bad story in this book and some rank as true masterpieces of the short fiction art form. A well-deserved best of luck to Peter Orner, from whom I have no doubt we'll be hearing more in the future!

Nikolay Gogol and Isaac Babel meet William Trevor and Andre Dubus in Peter Orner's superb debut collection of short fiction. For the past two years I've used ESTHER STORIES as a major text in my intro-to-creative-writing course at Miami University in Ohio. Orner is the presiding grand master of his genre: diamond-clear documentary short-shorts like "Initials Etched on a Dining-Room Table, Lockeport, Nova Scotia" and "My Father in an Elevator with Anita Fanska, August 1976"-yet he can branch out in longer stories, as well. His range is broad; his wildly funny "Two Poes" stands alongside his stark thriller, "Thumbs," inasmuch as his bittersweet nostalgic "At the Motel Rainbow" complements his disturbing portrait of a World War II Navy destroyer captain in "The Raft." Orner is one of the hottest new writers on the American literary scene. Ten cheers for ESTHER STORIES, an instant classic!

I was thrilled to find Peters book on our local library shelf. As a reader from Winnetka, Illinois, I felt moved and touched by Peters ability to capture the true essence of living here on the NORTH SHORE in the heart of the Mid West! I enjoyed every short story and found it difficult to put the book down without thinking about how one young mind could have experienced or imagined so much emotion in his life time! Although many stories are emotional, he never leaves us feeling sad!

Peter what a wonder collection of stories, we are all proud of you! It has been my honor reading your incredible stories.

I first bought this book mostly because I was curious about Orner outside of the classes he teaches at my university. The short stories in this book are all touching, some haunting. Each makes you feel a little guilty for moving on to the next. "Sitting Theodore" was my personal favorite. I hope he writes more books and continues to teach into senility and decrepitude.

Aside from being a great author, he's a great instructor as well. Hell yes, Orner. Go on with your bad self!

Agreeing with all of the previous reviewers as to the high quality of this collection of stories, I'll just add that rarely have I read a contemporary work so beautifully worded that it is truly a literary gem. Peter Orner has written an amazing book, and it is a must read.

I have to agree with Harriet Klausner's use of the word "shmaltzy" in her review, as opposed to the others describing it as deeply meaningful, poignant and heart wrenching. However, I have not been closely affected by breast cancer, as is the main character in this story. Rather, I came upon this novel because of my love for Martha's Vineyard, and to that end it was an enjoyable read, reminsicent of "Way of the Peaceful Warrior" by Dan Millman, without being such an obvious lesson in learning about yourself.

I recently finished Eternal Journey and was deeply moved by its many deep messages. From the moment this book "jumped off the shelf" for me to buy, I knew this was the perfect book for me to read at this moment. I saw an amazing number of coincidences throughout the book with my own life, to the point where I felt like the book had been written just for me! For instance, my 5-year niece is named Annie(the name of the main character in Eternal Journey) and was just diagnosed with luekemia at the same time I was moving through the heart of the story. I just thought it was bizarre that I'd be reading about death (and rebirth) during a time when I was dealing with my second potential death crisis (luckily Annie is responding to chemo and is now in remission). During this same time, my husband surprized me with an eternity, celtic wedding band, which was a symbol of rebirth and eternal connection woven throughout the book. Thank you for sharing such a beautiful message and experience with me and I'm looking forward to sharing it with many of my spiritual woman friends.

Once in a while a little book comes along and just steals you away. Read a page or two and the next thing you know, you're gone...you're somewhere else for awhile. Eternal Journey does exactly that. It transports you to a special place where mystical events unfold and love transcends loss. Acceptance triumphs over anguish; grief grows into hope. On your journey through this book, you'll travel with Anna, a successful psychotherapist whose mission is helping others unravel and come to terms with life's mysteries. When Anna loses her closest friend Beth to cancer--the third such loss among her friends in a year--she comes unglued. Disconsolate, and trying to "get a grip" (ironically the name of her own radio talk show), she flees to Martha's Vineyard Island for a long winter week-end of healing solitude. Hoping to work through her grief alone, she discovers she is anything but alone. Inexplicably, she runs into and then keeps crossing paths with a truly remarkable individual. As she struggles to find meaning in her loss, other extraordinary "encounters" take place, until finally she realizes that love and connections never die....That life is maybe only one leg of an ongoing journey. Perhaps death is not the end of the road. Perhaps the dying process is really a gateway to another path in our travels. Like the birth process. What an affirming concept! What you'll love about Eternal Journey is that it bravely takes you where other books do not. Through the medium of storytelling, this lovely and poignant fable speaks straight to your belief systems, offering meanings unfamiliar to most outside the realm of hospice care and grief counseling. Far from being morbid or depressing, the author's message absolutely shines: it's awe inspiring and uplifting. In a word, it's hope (yes, as in "...springs eternal"). Eternal Journey is not just for the bereaved or those anticipating a bereavement. It's for all of us. Consider it a gift for your spirit, a balm for your soul. Carol Hutton has created a wonderful journey for anyone open to life's marvels.

Carol Hutton's Eternal Journey is fast and powerfully direct. Told as a fictional tale, this book will resonate with anyone who's ever suffered loss, experienced coincidences or synchronicities in their life. There are reasons for all experiences, good and bad, although the difference in resolution and understanding is in the part of the equation known as time. Awareness is the skill which needs to be developed as the reader progresses through the novel. The real value is translating this into one's own life.

Once in a while a little book comes along and just steals you away. Read a page or two and the next thing you know, you're gone...you're somewhere else for awhile. Eternal Journey does exactly that. It transports you to a special place where mystical events unfold and love transcends loss. Acceptance triumphs over anguish; grief grows into hope. On your journey through this book, you'll travel with Anna, a successful psychotherapist whose mission is helping others unravel and come to terms with life's mysteries. When Anna loses her closest friend Beth to cancer--the third such loss among her friends in a year--she comes unglued. Disconsolate, and trying to "get a grip" (ironically the name of her own radio talk show), she flees to Martha's Vineyard Island for a long winter week-end of healing solitude. Hoping to work through her grief alone, she discovers she is anything but alone. Inexplicably, she runs into and then keeps crossing paths with a truly remarkable individual. As she struggles to find meaning in her loss, other extraordinary "encounters" take place, until finally she realizes that love and connections never die....That life is maybe only one leg of an ongoing journey. Perhaps death is not the end of the road. Perhaps the dying process is really a gateway to another path in our travels. Like the birth process. What an affirming concept! What you'll love about Eternal Journey is that it bravely takes you where other books do not. Through the medium of storytelling, this lovely and poignant fable speaks straight to your belief systems, offering meanings unfamiliar to most outside the realm of hospice care and grief counseling. Far from being morbid or depressing, the author's message absolutely shines: it's awe inspiring and uplifting. In a word, it's hope (yes, as in "...springs eternal"). Eternal Journey is not just for the bereaved or those anticipating a bereavement. It's for all of us. Consider it a gift for your spirit, a balm for your soul. Carol Hutton has created a wonderful journey for anyone open to life's marvels.