Authors Books

these unknown authors have found a way to look at the wolrd in a way i have never seen before, and although i will never truely be able to understand their vision i am luck to have been able to see just a small part of it.

these unknown authors have found a way to look at the wolrd in a way i have never seen before, and although i will never truely be able to understand their vision i am luck to have been able to see just a small part of it.

most enlightning book of poetry i've ever read in my life. it speaks of the hardships an up and coming poet goes through. A must read for all poetry fans

From Zachary Dempster's abstract visuals, Alex Gang's subtle humor, James Leon Suffern's and Matthew Moon's vocal wordslinging, Jen Makholm's postmodernist word play, John Kersey's storytelling, Matt Levy's linguistic brillance, and the duel poetic geniuses of Janaka Stucky and Scott Creney, this is one of the best collections of young poets to grace the American stage.

My brain split like a fresh apple the first time I read this book. This book, a grenade; a bird soaring westward over the graves of dead poet laureates, its wings' flapping roar like the sound of communication breaking down. A must for your musty shelf. Get your hands on it. I swear.

Stars deserves ongoing mention as an extraordinary collection of science fiction inspired by the music of folk singer Janis Ian. Janis invited respected authors in the genre to contribute works influenced by her songs: the result is an unexpected, wonderful collection of original stories - based on her music, but no prior familiarity with Ian is required in order to enjoy these varied tales.

Having heard some of Janis Ians work I thought it interesting that people would be so drawn to her lyrics to write stories about them. I bought the book not knowing what to expect and have been thrilled with what I read. I really think it was worth every penny and made sitting on the beach in Hawaii recently even better than I ever thought it could be!

I have never been much of a fan of SciFi, nor a reader of short stories. I am, however a fan of Janis Ians Music. So buying this book was a must for me.
However, I felt it would be very easy to be dissapointed with what other writers did with the songs I love so much. I need not have worried. The stories are all very different in how I see the songs, but often add interesting insights that I would never have thought of.
Most of the stories have a strong moral base, and provoke thought about the world we live in.
I enjoyed this book from cover to cover......and can't wait to explore the writing of the various authors.
Favourite Story......"EJ-ES", based on "Jesse", buttomorrow, could be another one!!!
Mike Andrew.......New Zealand

The list of authors is exemplary. The list of songs is exemplary. That Janis Ian and Mike Resnick could bring together authors of this stature, meld them to the songs, and come up with 30 astonishing stories based on those songs, is more than I can handle! I read it cover to cover, and plan to read it again and again. Robert Silverberg's "Legends" was pretty terrific, but it didn't sit on the cutting edge. It was too safe. This is the closest thing to "Dangerous Visions" I've found. A "Dangerous Visions" for my own generation!

A wonderful combination of the best-Mike Resnick-amazing sci-fi writer and Janis Ian who's illustrious career keeps expanding,have combined their talents.This is a real treat and not to be missed.An excellent anthology for the well seasoned sci-fi reader as well as the novice.

This book covers many aspects of writing, such as copyright, writing contests, agents, contracts, writing courses, how to keep out of legal trouble with your writing, what to do if you've sold something to an editor who won't pay up and much more. It is a tool to help a writer make it through the hazards of writing and the many pitfalls that wait for the unwary. The book also includes sample contracts for you to check out. It's a great reference book for every writer to have. I keep it handy where I can use it all the time.

A great book for a new author! I found this book very informative, enlightening but scary, realizing all the mistakes I have already made- myself but acknowledging some of the good decisions I've made as well. Nevertheless, it's better to know at the beginning of my journey than much later. If only I had read this book first! Thanks for the much needed info.

Jenna Glatzer and lawyer Daniel Steven have combined forces in THE STREET SMART WRITER and given any writer a valuable resource.

Too many writers have gone innocently down the wrong path with a scam literary agent or publishing house and lived to regret their choice. Follow the wise counsel in these pages and you will protect yourself from disappointment and you will save yourself a lot of money and grief.

"We want to believe that people have good intentions."

If you're not familiar with Jenna Glatzer then you really need this book because you're obviously not as internet/writer savvy as you need to be. Jenna is the owner of AbsoluteWrite.com, a writer friendly site. She's also the author of Make a Real Living as a Freelance Writer and one of my favourites, Outwitting Writer's Block. Not only does she write for writers but the last year she wrote an authorized biography for Celine Dion: For Keeps. This working writer has a knack for sharing her experience with others. In this publication she has joined forces with Daniel Steven, a writer and publishing lawyer.

This is definitely a must-have guide for writers, especially the writer who dabbles in many areas. It's not only about what to avoid but doing it better. The Street-Smart Writer is divided into 17 chapters with an appendix of additional forms tacked on the end. Chapter breakdown:

1 - Agents & Managers (spotting sharks)
2 - Agents & Managers (finding a good one)
3 - Paying to Publish (vanity and subsidy presses)
4 - What to do if you've been screwed
5 - Trouble Spots in Book Contracts
6 - After Publication Rip-offs for Book Authors
7 - Vanity Poetry Contests
8 - Deceptive Contests for Novelists, Short Story Writers, Screen writers & others
9 - Crash Course in Copyright
10 - Special Screw-over for Screenwriters
11 - Monstrous Magazines & E-zines
12 - Dealing with Deadbeats
13 - Costly Courses & Shady Seminars
14 - How to Know When They're really using You
15 - Spotting False Credentials
16 - Protecting Yourself from Threats & Lawsuits
17 - "They Stole My Idea!" and other things not to worry about.

One of the things I appreciated about the Street-Smart Writer was its ability to explain instead of tell. Like the "big bucks" you make at vanity presses: -Let's say you managed to sell a hundred copies through bookstores. How much would you earn on a 250-page paperback book printed as cheaply as possible with a retail price of $20? About $240. Which means if you paid a print-on-demand company to publish your book and didn't even spend a dime to have it edited or promoted, you still wouldn't even have recouped your initial investment, let alone made any profit from your hard work.- To finish off Street-Smart provides a commercial publisher arrangement for you to compare. An eye opener for anyone thinking they can make big(ger) bucks by doing it themselves.

Many sample letters appear throughout and to help you decipher any forms the appendix provides examples of: Literary Agent Agreement, Interview Release, Permissions Agreement, Contributors Agreement, Trade Publishing Agreement, Film Option & Literary Purchase Agreement. These are not meant to be substitute agreements but to give you some background information when you're cool and collected because you know your stomach is going to be in knots when the real thing comes.

There's so much in this book for the eclectic writer. But any writer can learn from all these areas and apply it to their own work. Jenna Glatzer's usual comedic style, logic and blunt truth delivers the cold hard facts about the writing world. In layman's terms she explains away the idiots of the industry's scam tactics by teaching readers how to read between the lines. It's not meant to be a scare tactic but to make you an informed writer and it accomplishes its task. Reviewed by M. E. Wood.

While the entire book is fantastic, and offers an insider's look into the world of freelance writing and authoring books, I have to say I found Chapter 5: Trouble Spots In Book Contracts to be the best part of the book. It delves into trouble areas that can hurt the author, and how to maneuver around them. Finally, the appendix of forms is priceless: sample literary agent agreement, interview release form, permissions agreement, contributor's agreement, trade publishing agreement, and film option agreement.

Jackie Curtis was a close friend of the guy who ran the James Dean Gallery. It was through him and my interest in James Dean and the link to Jackie Curtis through the line in 'Walk On The Wild Side, that I decided to find out more about him and the lifestyle of those around him, Andy Warhol and the era. I wasn't disappointed. The five stars rating is based on me getting what I wanted. It is an easy read. A series of short anecdotal interviews with those who knew this person well. It is open and honest. The accompanying DVD is well-produced and brings to life the book itself. Fascinating.

Jackie Curtis was great - this book and DVD are a rich history of one of Warhols' Drag superstars - the smartest one of them all

I finished: Superstar in a Housedress, as well as watching the DVD. Thank you Mr. Highberger for providing a most interesting and sincere look into Jackie Curtis.


The format was so nice, to hear from so many people who were close to this incredible person really gave me a better idea of who Jackie was and how she lived. I have had the opportunity, as a transsexual entertainer, to travel the country and meet many transgendered performers. They obviously do not get the press or opportunity they deserve. This book is a fitting tribute to a person who helped shape todays theater and bring attention to gender expression.

Jackie was obviously a genius who in many ways helped to shape the character of what we know Broadway play to be, and from the off off Broadway level. He/she lived the street life and was a very real person, on a real level facing the challenges life on that level brings regardless of the day to day persona she would take on.

The book/CD focuses on commentary from her friends and aqauintences and whether from a gay/trans or straight perspective, Jackie Curtis was the epitome of living life as one's own self and creating from the most sincere inner feelings in the face of great odds. Many exerpts of her plays, notes and writings are included to give the reader a more intimate view of Jackie and the person within the personna, whether that be Jackie, James Dean or some other form of self expression.

Obviously she can be an inspiration to those who strive for individuality and to leave a positive mark through their works regardless of her tragic finality.
I would highly recommend viewing this documentary and reading the book as well for anyone interested in life, humor, love, tragedy and the very real Star that Jackie Curtis was.

If, like me, you ran across the book 'Superstar in a Housedress' while looking for the documentary of the same name, it may have taken you a few minutes to figure out that buying the book is, apparently, the only way to get the DVD.

Yes, this is the full, ninety-plus minute release of the DVD available for rent from Netflix and other rental venues. How the choice was made to market the film as a "companion piece" to the book, without (as far as I can tell) releasing it as a stand-alone purchase, I dunno. I hope it will be released separately in the future, since the current marketing format, I'd think, would tend to lessen its circulation to a wider audience.

Not that there's anything wrong with the book: it's a compendium of reminiscences by people who were close to Jackie. Some of the material repeats what's in the film, and some fills in gaps in backstory that 90 minutes can't provide, such as details on the life and death of the remarkable (and remarkably messed-up) Andrea Feldman. Still, a nice chunky paperback book of commentary in a boxed DVD set might have been a better way to sell the package, which is truly a good one. It's just that the DVD overrides the book in its excellence. There's no good reason why the book needed to be published in hardcover; it's really liner notes for the DVD.

And then there's the strange, spooky, *sealed* envelope that the DVD itself comes in. Glued furtively into the back of the book, there's a lengthy disclaimer proclaiming in no uncertain terms that you MUST NOT OPEN THE PACKAGE ("Simply return the sealed package.") if you think that the DVD might in any number of (enumerated) ways ruin your life. Talk about user-friendly!

But the good news is -- once you get over the fear, and open the potentially-deadly "package", you find that after all it's just an ordinary DVD, and a great one, at that. Densely packed with interviews, historical stills, film clips, and even a fair amount of very early videotape, this documentary is a detailed and very loving portrait of one of the most defiant gender-bending artists in the history of gender-bending and the stage itself.

The past several years have seen the release of the Paul Morrisey/Andy Warhol films on DVD, and that's brought these previously hard-to-get-at movies to a new audience. This in turn has increased curiosity about the Warhol scene in the 60's, 70's, and later; and that period is increasingly interesting, as civilization lurches inexorably (or so it seems) toward a dessicated, triple-filtered, don't-drink, don't-smoke cultural puritanism.

What was going on in New York in the 50's, 60's, and 70's transformed the American culture. A whole lot of the sexual freedom that we have today, whether it's embraced or bemoaned by whatever faction, comes from the crazy explosion that was the 60's and 70's. There's no shortage of information on the cultural revolution that happened then, but there's also no end to what can be added to it. This story about Jackie Curtis is no small addition.

As a smart kid escaping the wilds of Connecticut who started hustling the streets in NY at 16, I knew a number of the people in this film peripherally, and for the most part they were the people who informed my perception of what life was all about. There was a communality, and a total lack of hierarchy (but for a few bitchfests) and everyone was welcome; I think, in retrospect, that this was what the hippieness of the 60's led to: a kind of a hybrid of the rejection of popular culture with the co-opting of it. At the time, the most visible manifestation of pre-packaged pop culture that could be harvested was the Hollywood star system of the 30's and 40's. Jackie Curtis was hip to this, but also added a Dada-style twist to it. Warhol became the catalyst, but what 'Superstar in a Housedress' demonstrates is that he couldn't have done the things that he (or rather, Paul Morrisey, working under his aegis) did without girls like Jackie, Candy Darling, or Holly Woodlawn (whom, I have to say, is looking absolutely GREAT in this doc, and QUITE the polished lady.)

This is an absolutely essential documentary for those interested in the period, its quirks, and its consequences. But moreso, it's a great tribute to the unbridled, mad creativity of Jackie Curtis, who should never be forgotten. Hopefully, this DVD (and its companion piece, the book) will help assure that.

Also -- at the time of this writing, the book and DVD are pretty consistently available from housing_works_bookstore @ Amazon at a cheap price. Housing Works supports homeless people affected by HIV/AIDS in New York City, so purchasing from them is a win-win thing. They got my order to me very quickly and in perfect condition, so what could I do? I ordered another one from them right away. Somebody's getting it for Christmas. Don't know who yet. Somebody who will have been REAL good this year!

Seriously, though -- if you're interested in the history of the NY art scene in the period, this is very much worth buying.

That's a quote used in the movie. And now one of my top 3 favorite quotes to be used forever after.

There was so much to like about this person and movie. Jackie was a phenomenal character. She/he was iconic in the strongest sense of the word. Total belief in herself and her plan (mad though it was at times) and such charisma that all around her believed in her and themselves as much as she did. She altered paradigms.

This particular subculture fascinates me to no end and it is covered well in this DVD. It's classic David and Goliath except David's gotta push it by wearing a dress. I couldn't respect that in-your-faceness more if I tried. I wish I could better convey what I mean. And it's not a movie about sexual preferences. No agenda is forced on you in any way. It's just completely unique.

The fact that this is a documentary and these things really happened and these people really did exist as they did, simply adds to the magic of this movie. Of course, many of those people are still with us and told their tales within. And most of them are extremely interesting as well. It covers more than just Jackie. The world Jackie became famous in is explored in depth as well.

Just as a comparison, it is like the Grateful Dead shows. Nothing like this will ever happen in this way ever again - nothing this new, different, odd, and perfect just for what it was, and it's tragic if you think you may have wanted to be part of it in some way, witness it, but didn't. And if you did, you're breathing the rare air.

I believe that a well written short story is easy to imagine but difficult to capture. Mr. O'Hara, however, seems to capture different moments and ideas in his short stories with effortless flair. His writing is both sparse and ornate--which is just the way I like my stories. His words took me to places that were magical and raw. Reading The Swan also made me want to visit the Sacremento Valley immediately.

Mr. O'Hara has given us such a gift with this book. I will read it again and again. I am honored to have it in my collection.

lavish Lines/luscious Lies

The Swan: Tales of the Sacramento Valley is the debut book of Andrew F. O'Hara, a former patrolman and current editor of the online magazine, The Jimston Journal www.jimstonjournal.com. Mr. O' Hara's book is a collection of short stories and from past experiences, any collection of short stories that I've read with the exception of Carol Riley Cain's Ghosts, Spooks and Spirits of South Texas, have been rather dismal or uninspiring to say the least. But this little 140-paged book was a welcomed change.
The Swan, as mentioned before, is a diverse range of short stories. From humorous yarns about a nagging wife to a patrolman who's losing his sanity and resorting to alcohol for some solace, there is something here that caters to everyone's taste.
There's a mantra that has been around for many years now and that is, "never judge a book by its cover." Well when one glances upon the cover of The Swan, they are greeted with an image of a swan with its wings poised in the air as it glides along the shimmering waters of some anonymous pond or lake. This image of pleasantry does somehow go hand-in-hand with the stories of this book as they are beautifully written. Every tale was unique and written in a fresh approach but what was really distinctive was the method in which the author was able to breathe new life into each character. From start to finish, one has a vivid picture in their mind of the character's actions in all the compositions. My favourites are "A Poet's Song" and "An Act of Cowardice" because these contain, in my opinion, the strongest characters of the entire collection. In "A Poet's Song", an old husband and poet, has to listen to the nagging of his wife as she no longer likes to see him writing poetry. Her biting words or comments ring in the ears of the reader and you cannot help but feel pity for the old man. The main character in, "An Act of Cowardice", is a World War II vet who feels guilty about a deed he did in his past and although anyone in his position would've done the same if they were in his position, his feeling of guilt resonates with the reader. Another talent that O'Hara possesses is a certain richness in his descriptions. For those of you who may never get a chance to visit the Sacramento Valley or indeed the US, Andrew paints a scenic picture of the location in which each tale is set in. It's these attributes that make Tales of The Sacramento Valley a worthwhile addition to your bookshelf.
If you're remotely interested in compiling a book of short stories, then The Swan is a must read as O'Hara expertly displays how it's done. With splendid characterisation, picturesque descriptions, and excellent stories, this should be on everyone's "to buy" list and would make a great gift at Christmas to pass away the winter blues.

Aidan Lucid
www.iol.ie/~thelucidreview

Andy O'Hara is a storyteller who understands the value of a good story, well told. And that is what you'll find in The Swan - a collection of very good stories, very well told by a writer who understands that a whispered word can pack more punch than a raised voice. These are stories of love and death (and really what else is there worth writing about?). They are not easy stories and they are, perhaps, uneven (which is just another way of saying you'll have your favorites). They are written with a gentleness of spirit that some might call old-fashioned. So be it. I just call it good writing.

This 2007 revised edition is a collection of wonderful provoking short stories. Each as engaging as the one before. The descriptions of the small towns made me feel that I was in each place; seeing and feeling the scenery, people and even the stars.
I could not put it down. My only disappointment was that there was not another story and I had to close the book with its beautiful cover.

This is the new Swan, the 2007 Edition with feathers all bright white, fluffed and ready to lull and captivate you at the same time. Andy O'Hara has improved on the un-improvable this time around. The weave is tight, but so smoothly done the stories blend into each other, carrying two common themes to fruition by the turn of the last page. The fun is how Andy has taken the reader on a swing through his beloved Sacramento Valley. He describes obscure towns giving us a mental picture along with the smell of the dust, the fields, the eucalyptus groves and more. The stories, Andy claims, are fiction, but I would bet most have been drawn from his own experiences. A great read and a great buy, one I will enjoy over and over again...J.B. Bergstad

In Tales of Dirt, Danger and Darkness, Paul Steward shows us the intensity, the peril, the exhilaration of subterranean exploration. These tales will thrill, amuse, and frighten--in other words, they do exactly what good stories are supposed to do, entertain and inform.

This book is a must-read for cavers and non-cavers alike, and for adventurers in general (including the armchair variety).

Paul Jay Steward's novel of short stories, "Tales of Dirt, Danger, and Darkness," is a variety show of caving macabre. The author is your host as he appears throughout the book as if to say, "Welcome to my nightmare." Every page is filled with wry commentary and twisted wit as Paul guides you through caving anecdotes and tales that will make you paranoid enough to avoid the dark recesses of your own garage. This book not only held my interest, it also gave me the creeps and made me laugh out loud. I heartily recommend this one.

Although not a caver myself, I certainly have enjoyed the beauty of caves. They have always seemed to have a life of their own, but now, after reading this collection of stories, I see dark and terrifying things in every corner (which is not a bad thing since I love a good horror tale).

These stories truly reach out and grab your heart and give it a good twist. No matter what your views were on caves before, wonderful or scary...you won't walk away from this book and see them the same ever again.

Mr. Steward's book should come with a sticker like a sign I once saw at a cave entrance. "WARNING, ENTER AT YOUR OWN RISK!"

I once enjoyed going into caves. Now I think I'll just be content with the IDEA of going into caves.

Seriously, Paul Steward's stories are intriguing and scary. In fact, the next time I'm with friends at a late-night campfire I'm going to pull out Paul's book and read the one about the two guys who make the mistake of trying to convince a landowner to let them explore a cave on his property...

If you think you like caves, you need to read this book. There are some things you should know...

Outrageous, bizarre and funny, Paul Steward's book, TALES OF DIRT, DANGER AND DARKNESS, transports the reader into realms of terror not often visited. The horrors of the cave world, presented as entrapment and death, remind the reader that, in darkness, the mind is precariously perched between fantasy and reality and between good and evil. The terror of being accountable to the devil is there because of human greed and the desire for fame and power. And Steward often approaches the episodes in this book with subtle humor. We all have our spiritual dark sides, so clearly presented in this book. An electrifying collection of original short stories, and an excellent read!

A friend handed me a tattered copy yesterday. I finished this afternoon. It was superb. Rarely have a read a collection this compelling. Buy it, read it, and pass it on.

I read this book upon the recommendation of a clerk at Books Along the Teche in New Iberia, LA. J.L. Burke may be New Iberia's favorite son, but Tim Gautreaux offers much more to the reader. His dialogue and characters ring authentic. Each story is one you are glad to read, and "Easy Pickings" is a story you will remember with a smile and a chuckle for the rest of your life.

I just finished reading this book, and could start all over again. Gatreaux has a wonderful way of crafting a story with believable people. No matter where the reader is from, because of his character descriptions, it is easy to identify with these folks from Louisiana. Gatreaux's short stories evoked all kinds of emotions, but there were many places where I simply laughed out loud. The best thing about this book, is the ability of the author to depict flawed characters living flawed lives, who nonetheless experience redemption in various ways. I will be looking for more books by this talented writer.

This second collection of short stories from Tim Gautreaux is, perhaps, even better than the first. Of course, if you look inside the book and see who published the individual stories, it's obvious that they must be good; The New Yorker, Atlantic, and Esquire are not noted for publishing bad fiction.

While these are fiction, the stories ring so true to life and the lives of the characters, that we can all see ourselves in someone in this collection. Most of Gautreaux's stories have a touch of humor, but all show the depth of character that draws readers into the stories.

Anyone who reads these stories and enjoys them, should also read his novels. You'll find that same voice and an author you can trust, who will not betray your empathy for his characters.

Tim Gautreaux's writing is simply amazingly good. His characters are sublimely human, and he has a knack for finding the good in all of them - even those who might be a bit unsavory. He places them in situations that are ordinary and unique at the same time - and in those situations he finds ways to reveal things to us that allow us to learn more about ourselves. The characters learn about themselves as well, and this is a treasure to observe. The stories here deal with joy and sorrow and all of the areas in between. The people here are struggling to come to grips with their own families, with their work, with the people around them - and with the world in which they live.

In the title piece, a man attempts to assert more of a guiding influence on his grandchildren, and in the process winds up changing several aspects of his own life as well. His trials in striving to accomplish a task given him by his wife, while sitting with his grandchildren at the same time, is presented with some of the most genuine humor I've read in a while - but it's a gentle humor, and it never belittles the characters or the situation (and this finely-tuned humor is used to good effect in several of these stories, even the more `serious' ones.

`Misuse of light' is a moving portrait of a man who works in a camera shop learning about the lives of his customers through the small areas where their lives intersect with his. When someone sells a camera to his shop and he finds a roll of film in it, he develops it in order to get a glimpse into other lives. Opening this door can, as he learns, have jarring effects - on him as well as on the lives he enters. When he uncovers information that causes pain to the young woman who has sold him the camera, rather than abandoning his `study', he probes a bit further in order to get to a level in this past wherein she can find a bit of peace. It's something that makes the character endearing - it's a story to restore faith. Another story dealing with faith it `Good for the soul', in which a parish priest with a bit of a drinking problem, attempting to do a good deed (against his better judgment), runs afoul of both the law and his community.

`Easy pickings' details a rather inept thief's attempt to take advantage of a solitary elderly woman - rather than being a cakewalk, he finds that he's definitely bitten off more than he can chew. There's a great deal of the above-mentioned gentle humor in this tale - and Gautreaux delivers it with tender respect, never ridiculing his characters. `The piano tuner' is, like `Misuse of light', a finely-crafted work in which one character sets out to help another cope with the world - and does so with no expectations of any sort of reward. It's a good example of how those among us who are a little `different' can find their niche - and a gentle lesson in showing such folks more tolerance.

`Resistance' is another case of one human helping another - in this instance, an elderly man, a widower, sees a need and fills it. The little girl who lives next door is very obviously the victim of an abusive, drunk father. When the neighbor learns that her parents are unable/unwilling to help her with her science project, he takes on the task himself - and the light he creates shines not only into her dark life, but also into his own.

`Sorry blood' and `Sunset in heaven' both deal with aspects of growing old. In the former, an Alzheimer's patient is victimized by one of the lowest low-lifes you're liable to meet (and hope that you don't). In the latter, the plight of an old man similarly afflicted opens the eyes of a middle-aged man to the possibilities in his own life.

`Rodeo parole' is a frightening, surreal look at a desperate attempt by prisoners to be viewed in a more favorable light by the parole board - by making themselves sitting targets for a bull enraged by repeated electric shocks from prison guards. Its few pages explode with action.

My two favorites in this collection are `Dancing with the one-armed gal' and `The Pine Oil Writers Conference'. In the former, a man on the run from (or is it `to') himself meets a woman hitchhiker as he travels west from Louisiana. They're both looking for something - and neither is sure just what, although they think they know - and the `answers' they find aren't the ones they expect. It makes for a very interesting and revealing encounter - both for the characters and the reader. `The Pine Oil Writers Conference' is, for me, the gem of this book. Gautreaux has created the classic `riddle wrapped in an enigma' with this story - an aspiring writer (a minister) attends the conference, hoping to find out if writing fiction is `the thing he does best'. The short excerpt included in this story produced by the character for a conference workshop is so well written than it made me sorry there wasn't more of it.

I've never read anything by Tim Gautreaux before - but you can bet I'll be looking for his other short story collection (SAME PLACE, SAME THINGS) as well as his novel (THE NEXT STEP IN THE DANCE). This little book was a great discovery.

All these stories were well written but I could only get enthusiastic about 25% of them.

These stories may be short but they are deep and rich. Each one is beautiful and gut wrenching, complicated and simple, fun and devastating!! The characters come off the page and into your soul. They are alive and kicking. The language is beautiful. it carries, weaves and stings without getting in the way. Mary Otis accomplishes an incredible amount in a very small space. I took my time reading her book - though one could read it in one sitting - because each tale has so much color, aroma and flavor and I wanted to savor each one on its own. The book is amazing.

A wonderful debut by a gifted, original stylist. Armed with little more than good intentions, the hapless women and children who are Otis' protagonists do their best to survive and to find love in a world, fragmented and twisted off its axis, which no longer obeys the expected rules. Otis' eye for the absurdities of contemporary life is razor-sharp and unflinching, but always informed by humor and compassion. In unique and surprising language, Otis presents stories to be savored and re-read. Highly recommended.

I am not usually someone who reads short stories, often feeling like they do not allow me to really enter and explore a specific world for any length of time. This collection of short stories is the exception. I devoured this book in the same way I would a rivetingly good novel. Mary Otis's world is so complete, her characters so surprising and intriguing and the stories so connected, I literally couldn't put it down. I laughed outloud, I was moved, I was forced to reflect on my own idiosyncracies. Each story stays with you almost like a film would, with the images resonating long after. Mary is truly a brilliant new talent. I encourage all to buy this book!

I stumbled upon a reading by Mary Otis herself at the famed Book Soup in Los Angeles. Being a film editor, sights and sounds distract my attention from the written word, but the pictures Mary painted were too descriptive to dismiss. I was pulled into a story filled with colorful characters, and their often awkward, but very human scenarios. With further reading, each story was threaded by her characters' poignant, private observations, which range from comical to desperate, but mostly, bitter-sweet.

I couldn't help but make a connection to filmmakers Robert Altman (i.e. Shortcuts), or Jim Jarmusch (i.e. Broken Flowers), both in storytelling style, and character use. Mary's storytelling has a slight, but intentional disjunctive quality, yet the dots connect in a cohesive whole with the closure of each story. Her characters try to find their place in this awkward world, but along the way, never forget to laugh, or at least allow us to laugh. Overall, her dry, slightly sarcastic take on the human condition, be it marriage, the family structure, or social grace and lack thereof, make for an endearing read.

Sit back and relax with this read because W. A. Heisler exhibits a truely remarkable understanding of what Christmas is all about. His storytelling will fill your heart with the love and peace we all need to feel. I'd recommend this to all those who are looking to get away from the hustle and bustle that Christmas has become.

Wow, what a journey An American Christmas will take you on. From the first story "The Tradition" it touched my heart and I could not put it down. This book is an emotional, heartwarming and inspritational read. So enjoyable. I have actually read it twice. I have given it for gifts and encourage everyone to read it. You will truly feel the power of the words.

I liked this book a lot. My favorite stories are "Stille Nacht" (set during World War II) and "These Four Walls".

The author has a good sense of humor and it's most evident in "These Four Walls" (the story about the kids and the 'witch').

There's also some suspense in "Stille Nacht" and "The Long Road Home." (That surprised me even though I read and liked a few of the author's uncollected suspense stories.)

Three of the stories have spiritual elements. I normally wouldn't enjoy stories like that (outside of the horror genre), because I'm an atheist. It takes talent to make an ornery guy like me appreciate a sentimental and spiritual Christmas-themed story.

I'm looking forward to a book of Heisler's suspense and horror tales.

W. A. Heisler does a magnificent job with these five spiritually uplifting and inspiring Christmas stories that will touch and warm your heart. Heisler is able to quickly pull you into each story and connect you personally with each character. His ease and humor keeps your interest. A great holiday gift idea for someone you love.

What a great way to spend your christmas vacation! The Christmas memories shared in the short stories of this book offers such a variety of characters each with a feel good theme that offers an uplifting solution to the commercial driven christmas it puts the focus on the real meaning of christmas and the importance of the memories we make during the holdays. I laughed, cried and really enjoyed An American Christmas.

Eduardo Gonzales Viana speaks to each of us with convincing clarity, beautiful prose, and deep and thought provoking messages about life and its dilemmas. His gift of expression and the ease with which he presents his characters and shares his story is a gift to us all.

This is probably the most creative and far-reaching book of short stories I have read in many years. It is also the first book published in English by this extraordinary Peruvian-American writer. It says a great deal of what we can expect from Gonzalez Viaña in the future.

Gonzalez Viaña writes with the Borgesian power to reveal the mystery of man and the universe. You can practically hear his characters breathe. What prose! Complete and poetic.

Arte Publico's translation reveals to us a superb author. The characters and situations offer stories of Biblical dimensions. Fascinating!

Living in Oregon is a great Latino writer whose dreams are America. Amazing grace! Absolutely perfect from opening word to closing sentence.