Authors Books

The Four Quartets by TS Eliot is a classic and should not be missed. It is of the type of poetry that evokes meanings from their hidden places in us through the use of word trails that are only partially logical. Our own emotions connect things, so when it is read, don't approach it with the usual straining to decipher the meaning. The ring of a gong lingers after it is struck, something of a parallel to how the poem works. Fascinating, too, is its approach to understanding the elusive sense of time, but it is couched more in the sensibilities of the East than the West.

Among all these reviews, not one comes to terms with the very title of this opus: Four Quartets. When was Eliot anything but precise in his choice of word?

The inspiration for these poems -- or reflections -- are the late string quartets of Beethoven, those numbered from 12 through 16. It is the 5-movement No.15 in A Minor,Op.132, that seems to have exerted the strongest influence, with it's famous adagio movement, which Beethoven inscribed as the thanksgiving song of a convalescent.

Actually, No.15 was the 13th in order, but the Quartets were published out of sequence, which was not uncommon in Beethoven's time. The Late Quartets progress from the classic 4-movement No.12 and add a movement to each work up to the 7-movement Op.131 in C-sharp Minor. The 16th and final quartet returns to the classic 4-movement form. There is an expansion of form concluding with a contraction and return over the course of 5 works.

Like Eliot's Four Quartets, Beethoven's Late Quartets reflect upon time and faith -- and the 'speech' is often plain: repeated phrases that appear stuck in a groove, hammered chords, cheap tunes that seem to be lifted from a band in a local inn; from long-breathed melodies that look beyond what Wagner and Mahler will eventually bring to music, to cell-like motivs not heard again till Bartok and Webern.

The 'learned' aspect of Eliot's verse can lead us astray, so that we are forever parsing the meaning of the lines. I am taken with the sounds he makes as I read the poems aloud, and the sounds he chose to convey what the poems mean are, in a sense, the essence of meaning. From the first I was struck by the sheer sound of 'time' in the context of these Quartets, which are Eliot's swan song.

I am a deeply religious Sikh living in America. The Four Quartets is to me a shining example of a man of deep understanding of God and reality. I have read this poem many times since I first read it back in college. It speaks directly to my soul. There is no passage, no phrase, which does not work for me.

I read some sections to my wife when we were first married, and she thought that it was an English translation of the Sikh holy texts.

"We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time"

There is no better explanation of Eastern religion than this. I am eternally grateful for this work.

There is a line in Section III of "The Dry Salvages" that has bothered people: "I sometimes wonder if that is what Krishna meant--" as perhaps being too overdone, or even unnecessary to the poem...but, the dialogue between Krishna and Arjuna does give some insight into Eliot's comments on time and reality...when Arjuna is faced with the possibility of killing his own relatives in the opposing army, he can't handle it...Krishna then tells him that it doesn't matter....because of the immortal aspect of The Atman (man's inner spirit) which is not touched by our reality....no one really dies and so, only the doing is important:"Realize that pleasure and pain, gain and loss, victory and defeat, are all one and the same." And so, in relation to the poem, Time is looked at in much the same way...We have the illusion of leaving and arriving: "You are not the same people who left that station Or who will arrive at any Terminus"...it doesn't matter what you think or your regard for the fruits of your actions...the only important duty is to make the trip: "Not fare well,/but fare forward, voyagers." Being in the flow of time, living moment to moment, doing what is necessary is all....perhaps, at the quantum level, as another reviewer has suggested: normal perceptions are topsy-turvey, we're in the rabbit hole and if we can see that, then:"...the way up is the way down, the way forward is the/way back./You cannot face it steadlly, but this thing is sure,/That time is no healer:the patient is no longer here." When the insight is achieved, time disappears, all duality vanished and you are left with that still point of consciousness only seeming to act...so, what the hell?: "Fare forward." or as Krishna would put it: "That which is non-existent can never come into being and that which is can never cease to be."----Don Hildenbrand/Eugene, OR., USA

This is a tiny book, more like a pamphlet, only 58 pages long with large print and some blank pages as part of the design. But it is mighty in its impact. These "four quartets" are four of T. S. Eliot's poems meditating (among other things) on the nature of time - time past, time present, time future...If you are of my generation and have read the poems before, you might love carrying this little book around just to dip into it for a line or two, and maybe understand something you never understood before. (T. S. Eliot is not always an easy read.) If you have never read them before, I envy you!

Another entertaining, stimulating and vibrant work from the inimitable Wodehouse. This book of short golf stories is the perfect gift for everyone who is a golfer, or aspires to be one. That is, if you can bear to part with such a brilliant piece of literature! Wodehouse rules!

It`s a nice hole in one , for all the 36 handicaps ! . Enjoy , read this book and your slices and hooks will be painless . Evem if you play with your wife/husband !!!

If you or someone you know likes golf,OR if you or someone you know likes P.G.Wodehouse,I promise you cant go wrong with this book. All of his golfing stories are here and they are all top notch. A keeper.

The manner in which Wodehouse has developed the characters in the stories is indeed amazing. One hilarius feature I noticed in many of the stories is the attempt made by the victim (listener) to escape from the oldest member's clutches whenever he begins to narrate a story.

Wodehouse is at the top of his form in this one. Die hard Wodehouse fans should not die without reading this one.

Great literature is supposed to bring you an appreciation of something you hadn't considered before. Wodehouse's golf stories did it for me like few others. None are terribly subtle--most are told by the Oldest Member, who on the first half-page collars a helpless younger golfer and tells him a story that turns out to be worth staying for. The narration is slightly sarcastic, and there are only two types of stories at heart: guy and girl made for each other get married because of golf, or guy uses golf to avoid girl unfit for him. There's always a subplot of a bad golfer breaking 100 or two longtime rivals in an 18 hole match, but nothing seems to get reused.

Despite using upper-crust characters in his stories, Wodehouse's work exhibits only a fake pretension. Plus there are cool names and recurring characters such as the golf champ Sandy McHoots. It's a bit more comprehensible than some Yoknapathawpa nonsense. A love triangle through three stories features a poet who(gasp) recites his poetry while people focus loses a golferess to a golfer, almost regains her, and then tries to learn golf courting her sister. Nobody is evil, although some people deserve--and get--a good comic socking.

But what makes Wodehouse appealing is how his characters are comically obsessed with golf. I have better things to be obsessed with, but I was able to connect with this and recognize how Wodehouse laughs at them. After I stopped laughing.

I've never read a collection of stories more insightful, easy to follow and enjoyable.

Keenan explores the realm of the soul in this pleasant, enlightening discussion. A problem I had is that he never (that I can remember) defines the soul or discusses the spirit. So, much of the language about the soul is somewhat ambiguous. I think at times he referred to what I consider the spirit as the soul. I never grasped exactly what he means by "soul," which is frustrating when that is the focus of the book.

Much of the book lacked the passion that really moves a reader to wake up to the sense of soul and spirituality and the need to address the unseen world. The book is told/read without much drama.

Keenan does share insights about life that will probably cause you to examine your priorities and direction in life. He shares stories that are relevant but that didn't seem to strike a loud enough chord to me. I think he could have gone deeper into his spiritual well to offer the reader more living water that what is here.

I think there is a lack of specificity about what he truly believes regarding the soul. He doesn't share much of his Catholic belief system but more of a watered down spirituality that ignores much of what one would expect a Catholic priest to believe.

There were some nuggets that I can take with me such as looking for the miracle in everyday life, expecting gifts from God and from life, and trusting in the guidance of providence when least suspected.

I would encourage him to be more earnest about what he believes in the future.

I thought this was a good book. Because it was about football. It was'ent just one team it has different players and some of the best players from the 80's to the 90's. Some players are still playing till this day.Thats what this books about good professional players ;about their good days and their bad days.

I didn't finish the book yet because I keep going over some chapters that apply to my own spiritual journey. I can relate to so many things Fr. Pauls says. He is truly a gifted author and buying this book was no "coincidence." I was looking for another book, but this came into my hand because God wanted me to read Fr. Paul's words. Thank you Father Paul for sharing your insights with us. We are on this journey together.

This is a truly helpful book. Father Keenan's compassion comes alive on these pages. You can feel his hand in yours as you read. It's been a fad for quite some time now to say that one is "into spirituality" or is "a spiritual person." But to completely understand spirituality, one must first realize the function of the soul in life. Soulfulness is the basis of all things spiritual, emotional, and physical. It is our very essence. And this guide will help you in your quest to make your life a soulful one. On a personal note: My family sustained the loss of my dear sister just weeks before the release of this book. It served as a comforting tool to all the members of my family during this difficult time. But whether you are hurting, searching, happy, or sad, Father Keenan's words will lead you to a better understanding of the very thing that gives us the vitality and strength that we so need to survive: the soul. Father Keenan taught me so much through this book that I have actually been able to use what I've learned to help others through loneliness, loss, and frustration. And it's been an absolute delight to share what I've learned with all of God's souls who have come into my life.

GIST: A spiritual advisor seeks to comfort. HAMMOCK-TIME: Thisslim volume takes very little time to finish, perhaps one weekend inyour hammock or beach chair. PACE: Fast-paced. STYLE: Clear, concise. SUBSTANCE: Raised as a Roman Catholic, I've always felt a bit guilty in my ongoing interest in New Thought theories and techniques. I was more than pleasantly surprised to learn that Fr. Keenan recommends several New Thought type ideas and methods. Because of my Catholic background, it also meant a great deal to me that Fr. Keenan has a sense of balance, an openness tempered by intelligence and caution. So many New Thought authors, some recommended by Oprah, have lost compassion or even a sense of integrity as they steal quotes from each other and from long-dead philosophers. Worse, they promote each other's ideas as if they alone hold the monopoly on knowing how the Universe precisely operates. Fr. Keenan seems to rise above this good ole guru network, and truly to come from an authentic place of love and truth. His humility is refreshing, and comforting. QUIBBLES: Because he is so humble, he never stated what radio stations air his programs. It took some research. . COMPLEMENTARY BOOKS: Any book by the late great Fr. Henri Nouwen, whose work, The Wounded Healer is a classic. His insight and compassion are endearing and inspiring. ### END

I, too, like Ms. Ryan, am a believer in "true love." I found it only
once in my life for a brief time; consequently, once it became only a
memory, I felt I might never find that special someone or share those
wonderful feelings again. I am still in search, but after having read
Ms. Ryan's tender thoughts, I now feel this is still there for me and
possibly anyone who will just keep their mind and heart open for that
someone to "come in." I have dated recently with the hope that this will
happen. If it does not, I am not discouraged, however; I feel it
is "just around the corner," and some day I will discover it all over
again. I do not want to settle - I want the "bells and whistles" all
over again, along with the heart "flutters" waiting to see and be with
that person who will make my life complete again. This will happpen -
Please read "If You Believe in True Love," and you will understand and be
uplifted to a new level of hope and encouragement. I plan to give this
book to a couple of my friends this year as a Valentine's Day present. I
know they will appreciate it and cherish its contents forever.

I have finally allowed myself to meet someone after reading Marlene Ryan's Book, it helped me to understand that I must listen to my own
feelings and to recognize these feelings for what they are. She helps you look at things in a different light. I have so longed to please other people
my whole life and it left me feeling empty inside. Now I am doing what makes me feel happy inside and I am now my own person. Her book is full
of so much information on so many situations that take place in life. I have taken to heart all that she pours out from her heart and it is working for
me. I encourage others to read through her whole book first; after open to a page and read.

The Author's true love cd is so expressive as it touches on various topics sharing so much love, misunderstandings, faith. I highly recommend it to anyone. I want to thank the Author for a true work of art, combinding her book with a music cd.

Author's Book is very open and honest. She stresses you to listen to your heart, for it is as she has stated, 'a Protection.' I really found myself very involved and the further you get into her book the greater or should I say more intense it gets. I do recommend her Book to anyone that would like to look a little more into themselves, certainly has opened my heart to true love by understanding and recognizing what it really is and to follow your heart for it does exist as the Author brings out.I found the Introduction to her Book very informative. I am more then empressed with her talent and writings so different then anything I have come accross as far as poetry, this is far more then poetry. These are stories, meditations, more along those lines, wisdom. Very professionally put together! Her Music CD; which I have listened to many times. You need to, there is so much. Alot to absorb in one sitting. I love the songs: So Sorry, Time for A Change, Believe, Is This How We Parted, Cared, Should Find, High On a Mountain, 'True Love' (great story). Other songs; Ever Since You Left, Remember Me (very moving) Music CD. The Music is somewhat not only exciting but coupled with the lyrics amazing as I again, recommend you to listen to it a few times to get the drift, deep. There are alot of songs; with such meaning. This Unusual Book with Music CD certainly deserves a 5, if not more for the simply fact it takes courage to put something so different out into the Market Place. The Author has done a great job, I give her lot's of credit! Very Well Done! I hope to see her on a talk show soon! Worthwhile and should be shared with the public on a larger scale. Someone who has the knowledge of the industry should take a hold of it and run with it, she deserves to be heard!

Her Book with Music CD is a whole new concept; the Author has done something very unique and I was greatly amazed at her futuristic style of mixing a book with a music CD in a very interesting way.

Never saw a book put to music before. The whole concept of having her meditations turned to lyrics put to music on a CD is so amazing. Picked right out of her book and I like that I could just take them in the car with me and listen to them on the way to work. Songs like So Sorry, Time For A Change, Should Find, High On A Mountain the whole CD is so meaningful. This should be the new wave of the future, not having much time to read, I can appreciate this. Upon opening my package, I was surprised how appealing and how I knew I made the right choice to purchase it. Hope others will have the opportunity to read such deep and thoughtful works. Definitely would give it to a friend for a gift, because it would be something out of the ordinary. Her pictures throughout the book are beautiful. Thank you for giving me the chance to say what I feel about the Author's incredible Book and Music CD. Thanks to the Author on her out of the Ordinary Works get's my 5 stars, worth it.

As i turned the pages of the authors life I became intrigued with her writing style. She is open and pure and takes you on an emotional roller coaster of the heart. I felt her pain, joy and her honesty. Her poem "Sweet Dreams and The Little Things "is one i like very much. It reminds us in life IT IS the simple things that brings the greatest joy!!!!. Finding your True Love and holding on to it is what the book is about. She writes about freedom, love, friendship, loss and longing. It makes you ponder personally on your own life teaching you to cherish and protect those you care about. As her poem "TIME" states "if its true love, time is of no concern "True Love" has a life of its own. Time teaches lessons and enables us to see what we feel and lost, this book is a wake up call to our hearts. I urge all to go out and buy this lovely book. It will give you the courage to Make that call, Swallow that pride, or Follow that Dream to find or reunite again with your True Love. I hope Ryan as the Author has found her true Love. For it made me realize who mine is.

A dear friend of mine had this book and I was intrigued. Although he had an edition that was dated back in the 50's, it was very worn out with its brown loose pages. Depsite that, I read some of the greatest poems that you can imagine and some familiar ones that I knew but not in its entirety. They were some of the most beautiful words written on paper. I decided to get my own copy and got a new edition for my friend and was thrilled with emotion. I knew I gave my friend a renewed treasure that he can now read without worrying about the pages falling out of its binding. I truly recommend this book of poems to anyone who really wants to feel well written words in verses that are truly beautiful and memorable. Get this book!

As with all anthologies, there will be a number of reviewers sniffing in an offended manner at the dearth (or glut) of Cummings, Yeats, Aiken, or Pope, but any 600 page anthology, by it's very nature, must be incomplete. I purchased this compilation three years ago for long flights and such and it has yet to disappoint. For the size and price of this work, one would be hard-pressed to do better.

As for content, all the major poets are more or less liberally represented. Cummings gets short shrift, and several of Yeats' most memorable pieces "An Irish Airman Forsees His Death", for one) are excluded. Yet I am certain novice and old hand alike will find this work passes the time admirably.

Having been with me through several housheold moves, military action, and cramped backpacks no self-respecting piece of literature should have to endure, my copy is now fairly falling apart. Yet when it expires, I will buy another copy. No other anthology, especially in terms of price, convenience, and memories, could ever compare.

As other readers have said this anthology contains selections from the great poets of the English language from Beowulf to the middle of the twentieth century. It is the kind of book which can be read and reread for years upon years. I would however take exception to the claim that it is the best anthology of its kind. It does not have explanatory material provides no introduction to the poets, no interpretation of their work. There are other anthologies ( Among them ' The Concise Treasury of Great Poems' by Louis Untermeyer) which do so. Nonetheless the bottom line is that this Anthology contains very much of the greatest poetry in the English language.

I too love this anthology. A passionate love of poetry has been part of my upbringing. Let me say that both my mother, Gene Derwood, and Oscar Williams, my biological father, contributed to the selection of the greatest of the great poetry of the English language. Thus we have the contribution of a husband and wife team. Reviewers have mentioned updating this volume, but what has happened is that modern poetry writing no longer follows a firm tradition. Modern poetry is a shotgun blast. There are no recognizable standards for universal selection. Plath is recognized because you cannot divorce her from her suicide. Ginsberg you cannot divorce from his beard and little clanging bells, a media invention. Bob Dylan you cannot divorce from his being a song writer and media invention. If you are not a media invention and only a poet, what chance do you have? So Immortal Poems represents classic taste before media took over the American mind. The media is immortal these days, not poetry. Selecting from contemporary poets not using traditional standards would be difficult to do. I would still love to do it. For those interested in Oscar Williams there is information now available on the web. Just search it with oscarwilliams and see what their world was like in the twentieth century.

I have several books of poetry at home, but this one is my favorite. It is a good collection of poetry from the time of Middle English to almost to the present. There are a few modern poets I would like to see included that haven't been yet. Maybe someday someone will update this wonderful volume.

It starts with Middle English poet extraordinaire Geoffrey Chaucer, with excerpts from the Canterbury Tales and other writing. I would like to have seen Beowulf and some Old English poetry included. There are excerpts from anonymous poets of Middle English leading into the "Shakespearean" times where English is becoming more modern.

Shakespeare of course is well represented, with passages from plays as well as poems and sonnets. This is true for some others like Marlowe, too.

By the time after the Elizabethean period, English poets were not confined to England. There are Celtic poets like Robert Burns of Scotland, Dylan Thomas of Wales, and several Irish poets and American poets well represented in the later part of the book.

The poets are arranged chronologically in the book, but there is are indexs of titles and poets alphabetically at the end of the book for cross referencing. This book has over 600 pages, but it is still a small paperback and will fit in a coat pocket, which is where my copy often lives, dog eared and highlighted all over the place!

I had heard of most of the poets in this collection before I got the volume, but there are some I hadn't heard of and am glad to know. This is an excellent beginning collection, easy to carry and easy to read. Being a mass market paperback, the printing is not the best, but the poetry certainly is.

These tales evoke a poetical kind of realism. "Hunters in the Snow" is a tragic but comic portrayal of three bumbling hunters acting dumb but believable: so in character with themselves yet slightly bizarre. Everything in these tales is real. There is no trumped up language or superfluous prose. The narratives sweep along with a good balance of dialogue, description and action, and are never boring. "Face to Face" is another good one--tragic again and emotional; you come away with a real sense of pathos. And none of it is asked for. The author doesn't beg our emotions. It's very real and very human. "Worldly Goods" is a hilarious tale but again with sober touch. "Maiden Voyage" is spot on in its portrayal of the bondage and meaning of marriage, and the allure of new love. "Passengers" is a terrific tale about a road warrior girl picked up by a straight-laced guy, the adventures they have and the effect she has on him--it makes you think, and it's all our doing. We never get pandered to or have our feelings played with. And it seems so effortless!

I would absolutely recommend this book. I don't usually give full-throttle approvals, but with this book I can find no fault. Read and enjoy!

I am amazed with everything Tobias Wolff writes.


His fiction is as strong and deep as his non-fiction. In Pharoa's Army is the most profoundly human book I've read on the subject of soldiering in Viet nam.

This short story collection from Tobias Wolff is truly just that. Each story gives you enough of the bare essentials to keep you informed and invested, but they never cross the line into anything remotely superfluous. Each story feels very much like you've entered right into the middle of things and you are there for the climax, but not necessarily the introduction or the conclusion.

While I found this book to be an effective exercise in the art of the short story, I was even more moved by the flaws each character in every story displayed. Wolff had grand success in getting down to the heart of who and what people are, and that is, in essence, good people that usually display less than admirable traits. We all have those idiosyncrasies that make us unique and often troubling to our friends and family, and Wolff captures perfectly normal, though certainly troublesome, eccentricities amongst his characters that give us all we need to know about their particular story.

This is a very fast and interesting read, and if you ever wanted to engage in a deep character study in the genre of the short story, this is the collection for you.

~Scott William Foley, author of The Imagination's Provocation: Volume II: A Collection of Short Stories

Tobias Wolff writes short stories pertaining to issues such as spousal abuse, envy, and lying. Wolff understands the conflicts his fiction characters face because he has addressed about those personal situations in his memoirs. His fiction is so real, it reads as nonfiction. Buy this book, buy them all. Wolff is an adventuresome author with adventuresome characters, himself included.

The characters in Tobias Wolff's short stories are typically ordinary people in relatively ordinary circumstances yet he creates through them such vivd glimpses of humanity that we recognize our friends ,relatives,neighbors and ourselves in them.
Powerful writing that is subtle and yet somehow unforgettable.

All of his short fiction collections are equally enjoyable and I would have a hard time recommending one as opposed to any other. This particular book contains several stories that will pull you in and cause you to want to explore more. This is a book that can be opened at random to any of the selections and read with great enjoyment.

A very interesting and thoroughly researched book on Isak Dinesen a/k/a Karen Blixen. A must read for any "Out of Africa" fan. Lots of great photos too!

First captivated, despite the miscasting of Robert Redford, by the film "Out of Africa", I read on to find out who this woman was. I discovered she died the same year I was born, and lived through those marvellous decades that include WW1, the roaring 20's, the Depression, the boiling 60's and through to the 70's. What changes in the world she saw, and what stories she had to tell. I thought there was nothing left for me to learn about her; I've read her books & her letters, have visited her home in Rungstedlund, Denmark, watched documentaries about her, seen the films ("Babette's Feast", in addition to "Out of Africa", are based on her books). However, this biography is a revelation on every page. Minutely researched (obviously), Ms Thurman leads us through the details that explain why she did what she did, where she obtained her passion, and her compassion, and how she went from a sheltered Danish aristocratic life, to colonial Africa, and then to becoming a world-renowned author. Excellent read for all who love stories of the grand figures of the 20th century.

Ah, so I finally finished this biography last night. I had fallen in love with Out of Africa and Seven Gothic Tales, and in reading her biography, I had hoped to fall in love with Isak Dinesen, the Pellegrina. Sadly, I fell out of it.

The fault is not in the biography. It's a fascinating life, and it was good to have the blanks filled in as far as her childhood, and what happened in Africa, the continent to which she spoke, and which spoke back to her. The popularity of her work, the American reaction to it, I found this all good reading. But you know, eventually, she turned into quite the old megalomaniac. Thurman shows us where it all came from. (spoilers ahead) Dinesen had always believed that she was special, and was infuriated by her family's insistence on equality, fairness and calm. She felt restrained by it. stifled, dismissed. She felt that the loss of her father was uniquely hers, that it mattered less in the lives of her siblings that their father killed himself. She wanted to somehow own or claim that.

And sadly, the circumstances of her erotic life seem to have warped her terribly. She had syphilis, and had to live carefully and chastely even while madly in love (though therre is a question regarding this as far as her relationship with Finch-Hatten). I can see how this would do a woman in, I really can. She spoke of syphilis as both the price and the source of her gift, a horrible bargain with the devil that made her a genius at telling tales. But the cost was high, and the damage was deep.

The warping took various ugly shapes as she aged. She tried to usurp her sisters and brothers in the eyes of their children, found her nieces and nephews disappointing in their love of their parents. She berated and belittled her most faithful secretary and companion, Clara. She asked for and received constant adoration from younger men, letting them bask in the glow of her admiration and incouragement in exchange for a strict kind of allegiance. She manipulated, bored, dominated, demanded, and through it all, she suffered the humilation of syphilis and aging. While young, she wanted to be the thinnest in the room. She died of anorexia, unable and unwilling to eat, addicted to amphetamine.

That's what I get for reading a biography. I should have just stuck to her work, because, in truth, that's all any writer owes the reader; the work. And that aspect of this life, the story of her writing, is well-covered and interesting. I don't regret reading Thurman's biography, and I think it's extremely well-written and full of specific, interesting information and theories. I just feel personally disappointed in who Isak Dinesen turned out to be.

Isak Dinesen will always be remembered for her farm in Africa, although she had much more than that, not the least of which was a talent for writing and an appetite for life. Why dames like this are not admired by the feminists , I'll never know. She had it all: dough, looks, energy, courage. Doris Duke here in the States is a possible American version of this kind of gal; maybe Katherine Hepburn succeeded in creating the film persona of this sort of aristocratic "liberated" women, with family money backing her all the way. It's easy to be brash when you've got a sugar daddy who happens to be a Baron. Still, while many of her class were happy to do nothing with their lives in style, this one had the guts to make an extraordinary life. Thurman has written a thoroughly researched, beautifully edited appreciation of this woman. She tells the story well, but also provides a very convincing analysis of Dinesen's lifelong commitment to the art of fiction. A fascinating biography.

This is a thoroughly researched and beautifully written biography of the life of a great storyteller. Thurman in telling the story of Dinesen's life, also presents a miniature guide to her work. She does an excellent job of portraying the character of Dinesen, the complex aristocratic independent mind, the romantic nature, the connection with a fairytale world of storytelling, the great courage and determination in making herself into a story when all appeared lost in her life. Thurman tells of Dinesen's childhood , her special connection with her father , the division between two families one wealthy mercantile, and the other more wild and adventurous. Thurman tells the story of Dinesen's long African adventure, the story of her marriage and its sad ending in divorce, and too the story of Dinesen's great love , Denys Finch- Hatton. The story of that love that plays a central part in what is arguably Dinesen's most memorable book , " Out of Africa" is a story of the man as hunter, adventurer, coming home to be feasted and entertained by his lover- storyteller Dinesen. This story which too ends with Finch- Hatton's death in a plane crash is at the heart of the first part of Dinesen's life. The second part after the African adventure is when she returns home and begins to make that writing life which would make her world- famous. The second -half of the story sees Dinesen more and more playing the part she has created for herself , as storyteller and personnage. It too however has its great human interest, especially in her relation to her mother ,her brother and her extended family. There is of course a vast world of detail I cannot begin to mention in this review. But Thurman tells the story with taste and a beauty as befits a true reader and lover of the work of Dinesen.
I believe it really does justice to the spirit of Isak Dinesen's life and work.

What a beautiful book this is! I absolutely loved these short stories. What an impressive debut! These are delicious little stories and you will find yourself completely able to relate to each character as you become immersed in their complicated, yet utterly "human" and familiar lives. So very remarkable! I savored and read this book slowly, I did not want the spell I was under to end. I am always so thrilled to discover a wonderful new writer and it goes without saying that I'll be keeping my eyes and ears open for his next effort. Congratulations to Daniel Stolar, on this extraordinary debut!

Daniel Stolar sent me an e-mail a long time ago and asked if I'd like to read his collection of short stories. I bought the book, but it got lost somewhere in the big heap of unread books in my library. I stumbled upon his book a couple of days ago and decided to give it a whirl. Glad I did. Middle of the Night is quite a delightful, poignant and thought-provoking collection of stories, most of which are based in St. Louis. The stories center on people who have difficulty dealing with overwhelming events in their lives. Some of the characters are not comfortable in their own skin. The characters are flawed and palpable -- it was impossible not to relate to their plights and nod in agreement with their thoughts. My favorite stories are "Jack Landers is My Friend," "Marriage Lessons," "Mourning," "Crossing Over," and "Second Son." I wish I hadn't waited this long to read this book. Middle of the Night was like finding a treasure box in my own backyard. I will read whatever other books Stolar has written or may write in the future.

This is an outstanding collection of short stories and I would suspect be up for many major literary awards.

Nearly all the stories are bittersweet and bring into clear focus how we are all truly solitary creatures and nobody ever really knows another person-regardless of how intimate they are. Nearly all the stories are written from the point of view of a secular Jewish protagonist, which is the cultural backdrop of the entire book. What Solar does a particularly good job with is writing from various lifestages-from young, to middle-age with children, to older and retired but with a young wife and teenage son. The stories also touch on a variety of issues from infidelity and the rending of a marriage, parenting, growing old, friendship, and interacting with people of other cultures.

Overall, this is a very impressive collection.

The opening story ("Jack Landers is My Friend") in Dan Stolar's debut collection of fiction In the Middle of the Night is a sophisticated comedy of manners wherein a thirty-something married Jewish man searches for acceptance from a group of friends he's not even sure that he likes. The story is emotionally provocative and recalls such masters of the form as Cynthia Ozick, Alice Munro, and Raymond Carver.

In the humorous and heartrending story "Home in New Hampshire" a paraplegic woman watches the twenty-year-long disintegration of her marriage to an adulterous husband while her children leave home for college. It is pitch-perfect and emotionally profound.

It's a rare treat, indeed, to discover such a singular talent and voice as Daniel Stolar's. He renders the familiar new and the new familiar. He says what we all have felt but were incapable of saying. And he says it with a clarity and emotional resonance unlike any other short story writer in America. One can not help but cheer for the future of the short story form when it is in the hands of such a capable master as Daniel Stolar. Bravura, stunning, profound. In the Middle of the Night will make you want to stand up and cheer.

Stacey Cochran

Smartly written and deviously understated, "The Middle of the Night" presents eight stories so refreshingly idiosyncratic that one is hard-pressed to compare Daniel Stolar to another writer. Most of the stories share a similar framework--an introductory section followed by an extended flashback (to childhood, to high school, to college, to a previous marriage), concluding in the present with the story's resolution. And most feature a character going through some type of midlife crisis or interpersonal conflict--between generations, between sexes, between classes, between races. Yet, in spite of their similar themes and structures and their calm, melancholy tone, each is remarkably distinctive and--most of all--the characters are instantly familiar. Stolar has a knack for sketching a person or a situation in a few simple sentences, and any reader will admire his ability to write from different points of view (a male college student, a 70-year-old retiree, a young married woman).

While all eight stories are memorable in their own way, everyone is sure to have his or her favorites. Mine are: "Second Son," about a 70-year-old man whose closeness to his son from a second marriage atones for his remoteness to and impatience with an older son; "Fundamentals," portraying a young father who calculatedly raises his son with the forbearance his own father denied him; and "Mourning," concerning a college student who, following his mother's death, is rescued from emotional collapse by a benevolent classmate rendered aloof and indecipherable by an upper-class (read: WASP) upbringing. "Crossing Over," about a Jewish college student who pledges a black fraternity, seems to have received the most attention; it is a fine story, but reading it is uncomfortable--not so much because of the subject matter but because the many black characters in the story are nearly indistinguishable stage props for the protagonist's self-induced drama.

Although Stolar has written a story sharing the book's title (it was published last year in Bomb Magazine), it was omitted from this debut volume. In an interview with a reporter, he said that "[My editor and I] kept the title because it just seemed to fit. There's a point in each story where somebody is awake in the middle of the night." Indeed, it's a perfect title for this collection: these stories are about the emotional crises that make insomniacs of all of us.

i am not a novel fan but this (trilogy) really got me, i can't stop reading them, one after another. so wicked and facinating especially the ending. who likes intense plot should read the books.

As other reviewers have noted the plot well and carefully, my only comment to add here is that this book is as confounding as life itself: the scene that is always continous is never the same twice. It is rewritten over again and again..the characters are the same, or are they?
It is a different novel depending on what level you read it..a war novel, a novel about love and friendship, a novel about truth and lie, a novel about memory and forgetting: it is a cross between the kind of novel Gunter Grass has written, and also the kind of novel Kundera wrote..quite amazing.

This is probably the best book you will read this year. Her writing is incredible, the plot fascinating in its historic and geographic absurdity (where are we? East Germany? Hungary?), the details vivid and unforgettable. Why are her other books not translated?

Mathias is a boy whose life has so many imperfections. He is troubled with looking like an ogre being born deformed. The doctors said that he will be like that for the rest of his life. His mother left him to go live in the big city and his father, who is also his mother's father, is in jail or maybe even dead.

Left to the care of Lucas, Mathias lives out his life from an intelectual stand point. Lucas taught him that while other children would grow big and strong, so would he. Mathias corrected Lucas knowing damn well the sadness of the truth. Lucas explained that he would work hard on his mind a grow an ever strong unsderstanding of the world around him. Sure enough, Mathias did just that and was the envy of all his classmates for always having the right answers.

Lucas loved Mathias very much, but was only a boy himself when he took on the responsibility of raising him. Lucas is a very unikely Father being one with such a disturbed past and shady presence. He goes around the city making money at night by playing his harmonica in bars and by selling produce by day. His relationships are very odd including the priest of the town who he plays chess with on a nightly basis. Lucas himself does not believe in God, but the priest takes the role of a father figure for him in the story. He also has relations of a more intimate kind with 2 women and a man in the story.

I first read "The Notebook" when I was in High School. A Video Game known as "Earhtbound 64" (never released) had led me to read this story. ONe character from that game would have been based from this story. I had no idea what I was about to read. It definitely warped my mind as a youth and became an instant favorite. Now 5 years later I read "The Proof" and remembered why it is I had enjoyed "The Notebook" so much tp begin with.

This story is definitely not for the weak at stomach. It is can become pretty disturbing and downright sickening at some points of the story. It is, however, very well written and leaves feeling emotions the characters must have felt when they were going through the events in their lives.

There aren't that many amazing books to read in the world. How often do you take a book and find that it lacks that something that keeps you awake at night or makes you wake up early (when you adore sleeping) just to read it? This is not a thriller (which can have the same effect but for different reasons). This is a monster itself, but in the best sense possible. You just can't miss it. For anything.

In this collection of short stories and sketches, Philip Shirley reveals himself to be an important new voice in the literature of the Deep South. He is blessed with a finely-tuned ear for both dialog and dialect, and writes his narrative passages within himself, giving these stories both confidence and verve. One can only hope not merely for more stories but for Shirley to use his remarkable talent in a full-length novel.

This author is really something special. I felt the emotions of his characters and pictured the settings of his stories perfectly. It seemed that I had met these people before, but had no idea of where they were taking me until it was too late to turn back. Their intensity and love of life, even in the midst of challenges and obstacles that came their way, is inspiring. 'Oh, Don't You Cry for Me' is a perfect title for this selection of short fiction that sees these characters making their ways in the world, maybe not always with grace and poise, but straightforward nevertheless.

Beau Morgan

but, i do wonder at the author's remarkable insights into these southern women. Especially some of the sexual habits. Can I help on the research for the next story?

The stories are well written and move quickly, which makes you want to keep right on reading. Unfortunately there are probably more of these characters out there than we all realize, and that is what scares me.

That anyone living in the South undoubtedly knows, or has witnessed characters fitting the rich descriptions in this collection is understood. What may come as a surprise is the consistently artful twist in almost every one of the stories. Dark humor, tough compassion, and cutting to the bone honesty make this a mindful, satisfying read.