Authors Books

This book is so mind catching.... Eyes were glued to the pages! I reccomend this book to anyone who has ever dated a D-Boy or just in the mood to be entertained by the street life.

THIS BOOK WAS VERY GOOD I ENJOY EVERY PAGE OF THIS BOOK KEISHA ERVIN IS A VERY GOOD WRITER ENJOY ALL HER BOOKS

This book let me down a little because it wasn't what I anticipated. It really wasn't about Love or the gangster girl with the gangster guy so if that's what your looking for this is not the book for you... CREAM which was a Triple Crown publication was much better and a lot sexier.

The 1st story is simply an excerpt from TORN by Keisha Ervin which I had just finished so I didn't even read it in Street Love....

The 2nd story by Danielle Santiago's was some what sexy but moved really fast and ended dumb and unrealistic.

Quentin Carter's story the FINK was all about snitching and some lying skank! Lol

T. Styles' story cold as ice in my opinion was the best.. it was very different not what u expect and is suspenseful. It was like a movie! I loved how he wrote it and how in the end ALL of the open ended questions were answered the story will leave U satisfied.

Sullivan's B-More Love was straight it was more so about family tragedy, love, over coming negativity, and opposites attracting. I know its fiction but this story was just a little too FAKE 4 me I mean really nobody would get away with certain things that Jamal was doing without being locked up! But it was an okay read.

I would suggest this book be borrowed not bought! Lol

When you have the right ingredients and mix them well, the end result is a extraordinary product. And in the case of Street Love that's exactly what happened. Street love in a combination of five good authors who bring spark and interest to the literary world. While I have had this book for a minute, it is only of late that I read all of the stories. I found favor in each of the author's stories and wish that all of them were full novels. Each author, is truly worthy of Kudos...so my hats off to Keisha Ervin, Danielle Santiago, T. Styles, Quentin Carter, and Leo Sullivan. If you want five great short reads than this is what you have been looking for!
Great Job!

STREET LOVE, an anthology by Triple Crown Publications contains
five dramatic, explosive short stories.

Keisha Ervin brings the heat with Mo and Quan in After the Storm. Mo
and Quan have been together for eight years. Even though the magic
has left the relationship, neither wants to be the first to say
goodbye. All of their respective secrets are about to be revealed
and this time, their relationship may crumble from the aftershocks.

The Game by Danielle Santiago is the story of Butta. He has fallen
in love with Arnessa, a drug dealer who enters the game to take care
of her younger sister. Arnessa catches unwanted attention from
rival, Suef and is focused on eliminating him. Will The Game catch
up with her when her little sister gets caught up?

Quentin Carter's contribution to STREET LOVE is The Fink, a story
about the trials and tribulations of being a snitch. After spilling
the beans on his best friend and business partner for a reduced
sentence, will Phelix be able to stay alive long enough to enjoy the
fruits of his labor?

Cold as Ice by T. Styles gives readers a glance into the life of
Pepper Thomas. Pepper is a young girl frustrated by the lack of
funds in her household, but a golden opportunity falls into her lap
after her criminal neighbors are robbed. Does Pepper have the heart
to go through with her plans?

Leo Sullivan provides STREET LOVE with B.more Love, the love story of
Ashley and Jamal. Ashley is a straight A student with no desire to
be with a baller and Jamal is a stick up kid. Drawn together by a
series of tragic events, will their newfound love last?

STREET LOVE is a complete anthology of some of urban fiction's
hottest authors. Each story is a love story with a twist on the
timeless themes of love, loyalty and honesty. All of the stories
included are strong enough to stand alone as a novel. Keisha Ervin's
newest release, Torn, is the continuation of After the Storm and is
one of the best books I have read in 2007. Vickie Stringer has done a
superb job of selecting the hottest stories to be included in STREET
LOVE. If you are a lover of urban fiction, you definitely add this to
your to read list.

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.

THE RIGHT TO PRIVACY is an excellent legal resource which can be read by legal scholars, however, lay people need to consult a legal dictionary from time to time. But the book clearly establishes how the right to privacy applies to every citizen when used against several aspects of everyday life the citizen comes in contact with. Caroline Kennedy, along with Ellen Alderman, has proven her excellent legal scholarship which, in my opinion, qualifies her as attorney general and/or associate justice of the U. S. Supreme Court.

This book starts off Rated R. I wish I could give a copy to my teens, but it gets a little too descriptive (necessary for impact though) of police violations on women. However, I thoroughly enjoyed this book. (Maybe when they're older...) It is a collection of some landmark cases, conflicts, and horror stories of the reality of our government's instrusiveness into people's personal lives. It is an eye-opener to those who blindly follow government orders. I'm comfortable reading legal documents, but I thought one of the book's better points was that it put legal terms into layman's terms. I found the book so lively and intriguing I finished it in a day! I definitely recommend this for anyone concerned about government instrusiveness and loss or interpretation of constitutional rights.

a bit boring but just shows what big brother can do to innocent people . good to see caroline standing up for ordinary people .

I enjoyed this book, even though it is heavy on legal court cases. Don't let that fool you, though, it's not a legal reference. This book covers significant cases in privacy using a very interesting approach. There a interviews and behind-the-scenes stories that explain what happened, how the plaintiff felt, and what the outcome was.

If you liked this book you will love "The Digital Umbrella." It is a great compliment to this book.

This book is written by a couple of lawyers who specialize in privacy issues. It is essentially a collection of thoughly researched court cases with added commentary from the authors. As such, it reads like...well... a collection of court cases.

A copy was originally lent to me by a very well-read and intelligent friend of mine who considered it overly dry. I, on the other hand, loved it. It's very details-oriented from cover-to-cover and packs in a wealth of information that is invaluable to anyone interested in the legal aspects of privacy.

Many insights to bring you a turn around in a small business. Written in an engaging fiction-style, many insights are taught to help you recognise the valuable resource you have in your small business and make the most out of it, and bring it to its potential for profit and success without going more deeply into debt or pouring money into forms of advertising that don't work. It gives great hope to business owners who have been discouraged by heavy adversity.

As I have said elsewhere, I think Steve Chandler is among the wittiest and most intelligent guys around. His writing is a lovely combination of autobiography, insight, humor and analysis. His "self-help" books are among the finest I've read.

I'm guessing I've read a few more novels than the folks who poured out the 5 star reviews. Because this is a very bad novel, revealing the flaws of those who think that fiction writing is easy and who have access to a publisher. Any editor would have prevented this dog from being published as is.

Here's one sentence emblematic of the many things wrong with this book:

Jonathan looked around for a while before seating himself at a quiet table by the window and waited until a large, overweight gentleman who looked to be anywhere between 50 and 70 came to the table with a menu and a pitcher of water.

If you like that, you might enjoy this book. If you find it a bit of a run-on, with sloppy redundancies, irrelevant detail, an endless parade of prepositional phrases (a guaranteed murderer of snappy prose) and poorly chosen modifiers, as I did, then you will stop now.

As another reviewer suggests, read their non-fiction. It works. This doesn't. Well, at least it was brief.

I stumbled across Steve Chandler's writings as I was meandering one day through the local bookstore. I was frustrated and disillusioned by my small business and wondering if I should continue it. I accidentally (if you believe in accidents) found his book, "9 Lies That are Holding Your Business Back...", co-authored by Sam Beckford. The first chapter deeply offended me; so I knew that I needed to buy it. These guys knew way more than I did about business and I wanted to learn every bit.

This discovery led me to other Steve Chandler treasures and I promptly purchased this book, The Small Business Millionaire. First of all, we meet our hero, Jonathan. I was shocked to discover his obsession with the hit show Magnum P.I., because I currently am watching the entire series via DVD with my husband.

Jonathan's character obviously has a 'wealth mentality' and he assists his friends, Jennifer and her father Frank in their restaurant business. Anyone who has ever owned a business will see their thoughts mirrored in Frank's comments throughout the book. Anyone who hasn't lost hope in their business will eat up every word uttered by Jonathan. Jonathan obviously has a good heart with an excellent business mind; the challenge for us is not only to listen, but to be brave enough to follow his advice.

My small business has improved dramatically in the short timespan that I have read this book. I'd like to see where I am in a year from now, as I apply these techniques to my everyday life. This book is worth every penny, along with "9 Lies" and "Reinventing Yourself". Thanks Steve:)

Annie Bathgate

Yesterday was a long day. Up at 4:30AM for a flight down to LA. A day of meetings then back on a plane to get home by 10:30PM. Too wired to sleep and nothing on TV but people talking about Michael Vick. Time to grab a book.

I figured that I would read a couple of chapters then off to bed. A couple of hours later and the book was finished. It is not a surprise that it only took a couple of hours, the book is barely over 120 pages. The surprise is I finished it before going to bed. I was that tired and it was that good.

This is an easy book to read, and it is a good story, but at 120 pages, I do not think it will teach you how to run a business. It does make you think about the business side of business.

There are two really good things in this book, you have to love business nearly as much as you love the business you are in and don't waste money on advertising.

The author's depiction of advertising sales people is classic. "Of course this Ad will help your business, you just have to keep advertising until people recognize your name." Right, but do you guarantee this will bring in customers? "We can't do that, of course. How do we know why someone came in? But, just keep running the ad and I'm sure it will work." I have been there often.

The danger after reading it is that you may conclude that you should never advertise. Not true. Advertising may or may not be great for your business. Maybe the kind of advertising you are doing is not right.

I ran a business where we were spending $15,000 a month on ads. How did we know what ads worked? We asked. We kept track of which ads worked and which didn't. We changed what the ads said. We changed where they ran. We changed when they ran. And, we asked customers how they found us and noted how much they spent. All of this data helped show that the $5000 we were spending a month in yellow page ads was wasting lots of money and the $3000 a month we spent in Val Pak coupons was bringing in 50% of our business. The other 50% came from repeat, word of mouth, and the rest of the $15000 we spent on other types of ads.

Because we asked, we started running much smaller ads in Yellow Pages and moving that money to send out more Val Pak ads. Sales increased. We then set aside some of the budget to experiment with. We used it to try all kinds of things. Those that worked earned the right to continue, those that didn't, well let's just say Edison had a lot of failures too.

There are many good books on advertising out there, Much thicker than this wonderful novel. I like Dan Kennedy's stuff for how to test and write copy. The guerrilla marketing series is also very good.

So why 5 stars? Because this book does a great job at what it does. It is not trying to be a complete business book. It does a great job in showing you that there is a difference between having a hobby that you are good at and turning it into a business. The difference is you have to spend as much or more time doing the business stuff, as you spend on the fun stuff. And if you do not excel at the business side, there will be a lot of pain.

Reviewed by Stephanie Rollins for Reader Views (1/07)

"The Small Business Millionaire" is about a mysterious patron of a failing restaurant who aids the owners in restoring their business. The cook/owner of the restaurant, Frank, just wants to cook. He really does not want to run the business. His daughter Jennifer was just a college student who worked in the restaurant. She then, inspired by the annoyingly mysterious coach, Jonathan, quits college and starts managing the restaurant. She sees it as means to saving the restaurant and increasing her practical business knowledge. This brazen move worries her father. Is Jennifer making a foolish decision?

There are only 121 pages in "The Small Business Millionaire." I thought it would be concise and to the point. This is not the case.

When I began to read "The Small Business Millionaire," I was surprised to see that it was a novel, not a textbook-like guide to getting rich quickly. I read through the first half of the book, hoping that the degrading preaching would end, and the exciting novel would begin. No such luck.

I felt hostage in one of those get-rich-quick seminars. It was as if the doors were locked or the television could not be turned off. The coach in the book would not answer a question in a straight-forward manner. Everything had to be in riddle form.

I am sure that there were many great lessons to learn from "The Small Business Millionaire," but I could not get past the fact that the book was written for the lowest common denominator. Why insult your readers by dumbing down the material?

Regardless of how poorly written, "The Small Business Millionaire," Chandler and Beckford are superb coaches. To learn from Steve Chandler and Sam Beckford, skip reading "The Small Business Millionaire." Read "9 Lies that are Holding Your Business Back." You will learn so much more. I also recommend visiting their website.

Ray Bradbury is one of the great short story writers. Very few can pack as much emotional punch into so few pages as he can: just read "The Lake" or the haunting "Rocket Man" (which inspired the Elton John song of the same name!) to understand the power of his writing. And while I think most of his novels are mediocre at best (I've never liked "Something Wicked This Way Comes," as much as I admire it for the obvious influence it had on genre writers), I insist that Bradbury should never be forgotten, if simply based on the merit of his short fiction. And this book especially, which collects 100 of his best, should be celebrated.

If you buy this book with the newer Bradbury collection, you will have a fairly comprehensive collection of short stories by the master. This collection is not the best. It has it's share of mediocre stories, but even so the great stories are wonderful. "The Veldt", "The Fog Horn", and "The Jar" are my absolute favorites, but there are more gems scattered about the book.


As others have pointed out, it is a tad bit dated. (One of the stories talks about the year 2003). So if you want more up to date stories the newer volume is better. All in all, some interesting stories, but not essential reading.

It is hard to categorize Ray Bradbury as a writer. To many he is known as a science fiction writer, largely due to "The Martian Chronicles." However, he is much more versatile than that, his stories cover many different themes of life, death and strange things in between.
When I was in high school, my favorite story was "The Veldt", where a couple purchase a high quality virtual reality room for their children. However, rather than experience normal children's playrooms, they prefer constant scenes of an African veldt, complete with lions who hunt and kill their prey. The parents try to put a stop to it, but their children whine until they get to keep the veldt. However, the parents finally decide to stand firm and are going to shut the room off. At this time, the room comes alive and the lions kill and devour their parents. I considered this story so good that I must have read it at least twenty times during afternoon study hall. The imagery that the story conjures up is almost visual, which I find is a characteristic of so many of Bradbury's stories.
He is the best writer I have encountered in putting down words in a simple style that still manages to generate tremendous virtual images in your mind. This book is a collection of his short stories and I have read this book at least three times and most of the stories in it in other collections at least twice. Even after all these readings, they are still wonderful, as the images are different each time. Most stories by other writers keep my attention when I first read them, but I find them boring if I try to read them again. It does not seem that that will ever happen with Bradbury stories, which is why I strongly recommend this book.

What can I say about this collection, except that is essential reading for anyone serious about Science Fiction or Fantasy as a form of literature (that's right I said it-the dreaded "l" word) Bradbury has piled up enough superlatives in his life that I don't think I need to go into them.

Anyway, this is a book of Ray Bradbury's greatest stories, which means that these are some of the best stories that imaginative literature has to offer. Why not make it a two-fer and get the "Bradbury Stories" collection with it? Both are worthy, think of "The Stories of Ray Bradbury" is the top shelf A-list stuff, and "Bradbury Stories" is the Solid B list collection. Still great, and best of all, no repeat stories in the two collections! The man was so prolific that he could probably fill up a third volume with no repeats as well...

This collection of stories affected my writing. At least one story I've written has been professionally compared to Ray Bradbury's style. While I never sought to mimic him, I believe I was drawn to his stories because of my writing style and childhood daydreams. This collection is a prime example of Bradbury's work. It's inspiring, startling, spooky, and just plain hypnotic.

Even though I first borrowed this collection from my local library, (and having read some of these stories in others collections), I tracked down a used copy to own just so I could pull it down and revisit my favorite people and places.

A must have for any Bradbury fan... novice or cult-like follower.

Ianthe is the daughter of Richard Brautigan, although this book is more her personal story of overcoming her father's suicide than a biography of him. I would have preferred the latter. Still, you get a good, if incomplete portrait of Richard Brautigan through the eyes of the person closest to him. You get to know his multi-faceted personality, including his tragic drinking habit, but never understand his life or what drove him to suicide (nobody, including his daughter, knows). Some great stories about the last of the beats. I think my favorite was when he sat with a friend in his Montana cabin and shot out the hours on the clock, each hour on the hour, with his handgun.

Your favorite artistic hero from college days no longer rings a bell for many if not most. Richard Brautigan was one of the most innovative, creative, and "counter-culture" (as we used to say) poets of his day. His poetry was utterly refreshing and blew (literally) all the stuffy poetry elevated to a plane beyond God out of the room. As to this truly grand memoir by his daughter, Ianthe Brautigan, as much as a fan as I was - I did not know that her father's poetry revolutionized the genre and sold millions world-wide. Most profound of all, is Ms. Brautigan's literary gifts so evident in this book. For the price of a cup of good coffee, it is surely worth your time.

This memoir was written with sensitivity and emotion but never seemed maudlin. I was sorry when the book ended. I wanted more.

A lot of this memoir, written by Richard Brautigan's daughter, though charming in tone, is pretty much skimmable. What's interesting, however, are the descriptions of her father's writing room, particularly in San Francisco in the 1960s-70s on Geary Street and the surrounding vicinity. There are wonderful descriptions of the writing room with its typewriter and art hanging on the walls, such as the pencil drawing of a bus with real Lincoln penny heads as passengers and a picture of an ancient Colt pistol. And who can forget the small Buddhist shrine, the oak table with the stained rings of coffee cups, and the the back porch with those stacked piles of the San Francisco Chronicle. Like any good writer, Brautigan couldn't throw away a day's newspaper without going through it completely. This memoir also has some nice depictions of cabin life in Montana, and there as some interesting old black-white photos of Brautigan. Check out page 71 with it's picture of the ranch house kitchen and the bullet holes on the wall in the shape of a clock.--Alex Sydorenko, Chicago, 2001.

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Ianthe Brautigan stays on target throughout her memoir -- as the daughter of Richard Brautigan, and the daughter of a father who killed himself. Brautigan turns out to be an articulate author, and she expresses her feelings very openly. I feel callous saying that this is an enlightening read for R. Brautigan fans, because much of I. Brautigan's drive derives from her troubled feelings about him. But the book is also a biography of her father, the ways he lived (as well as the way he died, which is vividly described). While reading, I felt it was a reliable biography, from the POV of someone very close to him, who understood him, and had her own experiences with respect to growing up his daughter; it was a reliable/subjective biography, which turned out to have merits of its own that an outsider can't match -- for better or worse. What it loses in objectivity, it more than overcomes.

No doubt I. Brautigan has had many other life experiences too, but very impressively she keeps to her misssion to tell the story of her father, his life, his death, her relationship to and evolving feelings about it. I did not expect it to be as well-done as it is. Kudos, as well as my sympathy to the author who indeed had an unfortunate and difficult time due to his suicide. Regarding R. Brautigan, fans will appreciate her anectodes and stories, despite their coming from the place they do -- of having to learn that she can not "catch death."

If human emotions are the vibrations of the brain, then they will exhibit a resonance when encountering the words in this book.

If human thought is a river, it will seep over its banks when encountering the words in this book.

If reading poetry can bring momentary solace, it will find a restful equilibrium when encountering the words in this book.

If memory is fleeting it will absorb as a sponge when encountering the words in this book.

If the universe could feel astonishment, it would do so when encountering the words in this book.

This lovely book of poems came into my life just as I am committing myself to spending the next twenty years as intelligence officer to the poor. We are going to create a global free public grid for early warning and decision support and free multilingual education "one cell call at a time," with a prioritization of needs able to influence three trillion dollars a year: the trillion that foundations give out willy-nilly; the trillion in corporate services that can profit from going green; and the trillion now spent on war that we can over time, through public education, redirect toward waging peace.

This volume is especially valuable to me not just for its open and peaceful thoughts, but because it was written in English, translated into French, and the facing pages offer the poem in French to the left and English to the right. I can think of no finer way to begin my long road back to mastery of the language of diplomacy, than by ensuring I read one poem a night, in both languages, for a very long time to come.

El Recuerdo (the Memory) is already a favorite within this volume.

See also the volume by Philip Levine that I have carried with me all these years that will now be joined by The Astonished Universe:
7 years from somewhere: Poems

Hélène Cardona's poems transport us to the realm of myth and spirit, where nothing is tangible yet everything is essential. In French or English, her words speak to our soul.

I LOVED this gem of a book! I especially liked the chapter Life in Suspension as I identified with the fleeting and random memories from my own childhood that came floating up as I was reading...
there is a unique 'sound' to each poem - clear and strong, but with a delicate, fragile echo.

This is a remarkable book of poetry. I am absolutely delighted and I highly recommend this magical read.

Since reading (and forcing many boyfriends to read it to me) the Crying Heart Tattoo, I have looked at my writing and that of many authors all in the shadow of David Martin's unique storytelling style and imagery. His wonderful technique of alternating narrative and storytelling between every other chapter and keeping all of it in harmony is impressive; the details and photographic memory akin to no one. I especially love the honest dialog between Sonny and Felicity as well as their crazy, sexual and forbidden adventures. I never seem to go a year without pulling out my hardback copy of "the Crying Heart Tattoo" to revist such colorful characters!

One of my favorite books EVER, this is a tale of true love, seen in all its ugliness, honesty, and wonder. I keep it close to my heart. Give it a try, it could make how you see life and love much more rich.

I first read about this book in the paper a few years back, it sounded interresting, so I gave it a look. It was the very first book I had read cover to cover, I was 17 years old and very impatient with books. I am 19 years old now and I am on my 5th revisit to this brilliant life changing work. I cannot express how much this book means to me. I need only to read the first page and my eyes begin to tear. Read this book.

When I read this book and reviewed it shortly afterward, I don't think I gave it fair due. As time goes on and I think back to this book I love it more and more.

This is the story of Felicity and Sonny.....life-long lovers with a turbulent and sometimes downright heartbreaking relationship. Felicity, 20 years Sonny's senior, is brazen and even loopy at times. She lends a great deal of humor to the story as well as veiled sadness.

Sonny, on the other hand is a huge jerk throughout most of the story as he becomes more and more bitter and jaded. Felicity seems to be the only spark left in his life...a spark which he almost puts out.

Running parallel to the story of Sonny and Felicity is the tale of Gravelda and Genipur. They are two rather primitive tribal people who are hauntingly similar to their modern-day counterparts. It's a story that Felicity tells to Sonny in chunks over the years as their meetings become fewer and farther between. The story allows Felicity to quietly vent her feelings about her relationship with Sonny.

This is a book that, even if you become a little dazed about in the process of reading, will stick to you long after you've read the last page. Far be it from me to withold credit where credit is due....and I must admit, this book is a jewel.

A haunting, beautiful love story, with one of the most heart-wrenching last paragraphs I've ever read in a book. there is a genuine magic in this tale. sonny has much to learn from felicity, but he's stubborn, clueless, and thinks he has all the answers, like many of us when we're young, and the lessons he learns from her take years to absorb. and in any tale of love and regret he really learns them too late. felicity's parable is a delight, but lost on sonny. sometimes we don't realize how good we have it, until it's gone. sentimental, but not overly so. this is a book to be treasured, and read again and again. I can hear "as time goes by" playing as I read this book. it seems so appropriate.

Beautiful story about how a family deals with the loss of someone they love. Excellent writing and character development, I was sucked in from the first chapter and was crying by the end of the book. I would highly recommend this book to anyone that has lost someone close to them.

Thank you for this wonderful, wonderful book. I wanted to stop reading it because I was afraid I'd be too sad but I couldn't stop once I'd started.

Dear Readers --- If you want to spend a few days curled up with a book that may change your life, then "Dear Zoe" is, hands down, the paramount choice. Have a full box of Kleenex nearby, though; I became a human waterfall while reading this book, empathizing with this young girl and her pain. I saw so much of my ownself in her, even though it has been decades since I was that age. Yet, I too went through the soul-shifting lifechange that was 9/11. I know my worldview will never again be the same after that day. I can distinctly recall thinking that was the beginning of the end of the world, and I spent the whole day on the phone gathering my husband and girls to come home so we could die together. God, how quickly we forget! I/we lost an innocence, a groundedness that day. We took so much for granted. This book reminded me, however, that one terrible occurrence, such as the death of a loved one, can shift one's world in much the same way. Additionally, my husband and I have raised three daughters, and I saw so much of each of my own girls in these three. A note for the author: Mr. Beard, you somehow managed to insert yourself into the psyche of a 15-year-old girl and you were right-on with frightening precision. I felt my own past exposed and I don't know how you did it, but seeing you do it was redeeming. Kudos to you and yours for tapping into and laying bare for us, the readers, the angst of a teenage girl! Lastly, I do not often buy books to keep; I usually read from the library. However, this is one book I will buy to keep on my shelf and to loan out to loved ones, with the only request being that it come back to me so that the cycle can continue.

"Maybe 'Z' is the shape of everyone's life," writes Philip Beard. "You're going along in what feels like a straight line, headed for one horizon, the only one as far as you know, and then something happens..."

But my zigs and zags were few in Philip Beard's slim novel, "Dear Zoe." On this level of writing, it's smooth sailing. Beard is a skilled writer, and his style is seamless enough that he accomplishes the very difficult writer's task - not only of crossing genders in this first person narrative by a female, but with the voice of a very young female - all of 15 years old. And he does it convincingly.

So convincingly, in fact, that I felt myself as reader engage as I should, that is, to lose awareness of self and surroundings, soon immersed completely into the storyline and characters. "Dear Zoe" is a letter, written across time, from one sister to another. Zoe, however, will never read this letter. Zoe is gone, killed in a car accident, and this letter is, perhaps, how older sister Tess copes with her loss, her grief, even her guilt.

This extended letter is about Tess but also about her extended family. It is family like any: not without its dysfunctions, not without its baggage and broken places, with elaborate wounds and still healing scars. When a member of a family unexpectedly dies, everyone grieves, each in his or her own way and own pace, and it can at times meld a family together, at others rip apart. Beard portrays all of this messy and zigzagging process, but without any melodrama, always sensing when to draw the appropriate line.

Then comes the true test. Nearing end, the storyline veers into an event in American history that is almost impossible to mention without imploding into melodrama. When I realized the backdrop this author was setting up for his story, I nearly winced, but, wait, what's this? Oh, my. Beard makes it work. Work so well, in fact, that he accomplishes the individualizing of something nationally, even internationally shared, and brings it down to one heart, one life, one experience, felt by one person at a time. This personal tragedy is of a size, immense and miniscule at once, that each reader will be able to absorb and comprehend, and through comprehending the miniscule, the immense suddenly gains full impact. Just as numbers that trail off into endless zero's at some point become incomprehensible, so perhaps we as human beings cannot truly comprehend tragedy unless it happens one soul at a time, passed gently on from one hand into the next.

Having accomplished this feat, the author, and "Dear Zoe," has earned my highest recommendation.

On September 11th, 2001, nearly 3,000 people lost their lives in numerous acts of terrorism against the United States. Even now, five years later, people still ask the question, "Where were you on 9/11?" I remember watching, on that fateful day, news coverage that left me horrified, aghast, and haunted. Where was I on 9/11? At work, on a day that started out like any other and quickly turned into one that no one will ever forget.

If you asked Tess DeNunzio, the fifteen-year-old girl at the center of DEAR ZOE, where she was on 9/11, she'll be quick to tell you that she was at home with her younger half-sister, Zoe, waiting for the school bus like any other day. Except for that one moment, when she let her gaze wander elsewhere, and Zoe ran into the street, into the path of an oncoming car. For Tess and her family, 9/11 is a day they'll never forget.

DEAR ZOE is Tess's letter to Zoe, her way of healing from her sister's death and coming to terms with the changes that have taken place in her extended family. This isn't a story about September 11th, 2001, in the ways that most of us have come to view that day. As Tess puts it, "...just like all the people who go to New York and cry over the rubble. I want to tell them all to go home. I want to tell them to go home and hold their children or their lovers or their parents. I want to tell them that they are using that place as an excuse to be sad and afraid when there will be reason enough for that in their own lives if they just wait."

According to recent facts, nearly 150,000 people die every day. That's about 1.8 people every second. And yet no one seems to remember the other 147,000 people that died on 9/11. That includes myself. Until reading DEAR ZOE, I had never stopped to consider that there were other people around the world who were grieving for lost loved ones who had
nothing to do with an act of terror.

Thanks to Mr. Beard, I now have a new way of looking at that day in history. I also have the story of Tess and Zoe, which will stay with me for much longer than it took for me to read the book. Love, loss, regret, and forgiveness mingle within the pages of DEAR ZOE to form a story that, quite possibly, you'll remember even five years later.

Reviewed by: Jennifer Wardrip, aka "The Genius"

Robust account of one of the seminal figures of early America, one attempting the creation of an indigenous culture cast in a more universal mode than that of the provincial Christianity of his roots. The courage to give up his secure life as a minister for the uncertainties of exploration and creative renewal marks Emerson's trail through a pioneer's psychological American wilderntess, to touch on and integrate everything from the post-Kantians, to the Buddhists/Hindus to the Persians and Sufis. That Emerson evolved into a near firebrand abolitionist is an aspect of his life unsufficiently told, and this part of his later career runs clear in this book. All in all, a first rate pioneer story of another kind.

This is the only biography of Emerson that truly matters. Richardson locks in on the essentials - the development of a seeking mind is search of the ground of being and the nature of reality. Emerson is our Founding Thinker and to do him justice, a biographer has to grapple with the how and why a mind grows, changes, struggles and reaches new heights. Even if you haven't read much Emerson, this biography sheds light on what Emerson meant when he said, "Nothing is at last sacred but the integrity of your own mind."

In the past, my experience in reading Emerson has been similar to reading the Tao Te Ching; interesting, non-mainstream in its point of view, puzzling to understand what exactly it means. So I would pick up the Tao and read it at different times of the day and different frames of mind, hoping that it would resonate with me, but it never did. Maybe it was the cultural difference, or the language, or not being able to easily identify with Lao Tzu. Such had been my experience with Emerson. I wanted to understand him better because what little I did understand made me want to learn more, but I just couldn't get there.

This biographer, Richardson, really did his homework and any who want to understand Emerson better should appreciate this work. Emerson kept exhaustive journals and collections of his thoughts for many years. He read widely and deeply, kept detailed notes, and thoroughly indexed the notes. What perfect material to access for writing a biography! Apparently Richardson went back and studied much of the source material that Emerson references in his journals and brings into this biography an understanding of who Emerson was reading and what it meant to Emerson, so we receive the pleasure of following along on a journey in the development of a powerful mind. Then Richardson is able to write about this development so that it is easily readable to us moderns. It's quite a remarkable achievement.

"Mind on Fire" shows me that Richardson is certain that studying Emerson and his message is worthwhile. So much consideration has gone into this biography that when I laid it down after almost non-stop reading for several days over the holidays, I felt like I really understood Emerson for the first time, and now have much better insight. I plan to let this book simmer in my mind a few more months, then pick it up and read it again.

If Richardson could also write something as lucid and detailed to help me understand the Tao Te Ching, I wouldn't have 10,000 questions about the 10,000 things. ;-)

Mr. Richardson's 'Thoreau A Life of the Mind' was not only the best biography I've read on Thoreau, but one of the most exhilerating and enlightening reading experiences of my life. So I decided to read his 'Emerson The Mind on Fire.' And it was every bit as intimate and intelligent.

There are times you feel that you're intruding upon Waldo and Henry on one of their walks. It was an endless stroll of two intellectuals and humanists on the path of being very human. Each of the one hundred chapters (both books) are kept short, which helps move the reader from topic to topic without ever feeling put upon (too much detail can drag what is otherwise very interesting.) Though, for me personally, I would love to savor every moment these two great men shared. I don't think I could ever get bored.

Emerson has many close friends with whom one gets to know intimately. His personal address book was a whose whose of literary and intellectual greats.

The relationship between Emerson and his second wife, Lidian, is of great interest. She was also intellectual and as much a partner in life as she was a wife. Her presence is everywhere in Emerson's life.

Emerson's essays are pure poetry. And the behind the scene snippets into how they became a part of his legacy was both insightful and relevant to the day to day interactions and causes he committed himself. His transformation from the unremarkable child into the neverending 'student' of self-education and commitment to social conscience throughout his entire adult life is one to be admired.

Mr. Richardson is one of the best biographers of nineteenth century literaries. He is truly one with his topic.

Robert Richardson's biography of Emerson is superb. Though, as Richardson reminds us, Emerson did not like superlative language when precise and adequate language would do, it is the case that at times the superlative, the precise and the adequate converge (as, in fact, they often did in Emerson's writings). Richardson's biography is indeed superb in its unfolding of Emerson's life -- the loves, the friendships, the losses, the intellectual and spiritual hunger, the religious quest, the writers in America, in Europe, in Persia and elsewhere to whom Emerson owed and acknowledged debts, the grasping at and for a world, the determination of a single, brilliant human being to find his way and to see his life, and all individual lives, as imbued with the divine and thus worth living.

The book is also superbly written. Each short chapter offers enough substantive insight to urge the reader into the next. It is a long book, but not long-winded. Richardson provides the reader with some morsel of insight in a few pages of narrative, and then offers a rest to digest what has been said. His placement of quotations from Emerson's journals, essays and other works is brilliant, offering the reader a useful sketch of Emerson's metaphysics and ethics. In my own case, this has allowed time to reach for other literature more fully descriptive of the events or scenes offered in a particular chapter, or to reread chunks of Emerson's writings while moving through the biography. The book is a useful tool not merely for a study of Emerson's life but for a study of Transcendentalism and of the interplay of ideas across the Atlantic that shaped American thought in so many ways. One sees more clearly where and how such writers as Nietzsche and Thoreau obtained the seeds of their own truths from Emerson's works and thoughts.

Richardson has set the standard for the writing of future biographies. Again, simply superb.