Authors Books

An enjoyable read; the stories are well-written and a perfect length for a little reality check in between a mom's busy day. I especially liked it because the setting is familiar ground to me (both in regards to raising little kids and in the geographic locale).

This book reminds me of my four awesome daughters when they were young. They were very close in age and life was hectic, but wonderful!
Ms Hohlbaum paints a picture of parenting that is true to life, inspirational and humorous. The book is so interesting, it is hard to put it down.
I will definitely pass this entertaining and heart-warming book to by three daughters who have children of their own.

Francine Larson: Co-Author of "Character Keys to a Bright Future."

As grandmother to a toddler, I am constantly being reminded of the day-to-day trials and joys of being mom to a preschooler. Ms. Hohlbaum's book cemented those memories and gave me some new potential disasters (adventures?) to contemplate. I plan to share this book with my daughter, so she'll remember to laugh when everything goes wrong.

Ms. Hohlbaum's writing style is clear and entertaining. I finished this book in no time at all. Busy moms will find time to read it in the bathroom, in doctors' office waiting rooms, and in the car waiting for school to let out or sports practice to end.

It was over all too soon. I laughed, cried, and laughed some more remembering my own children's antics. I was sorely disappointed when it ended before I was ready for it, silently begging for more.

It's a gift for any newly married couple, any couple thinking about having children, men who think they know, mothers in the throes of their own epiphanies, grandmothers, premarital counselors as a job tool, and single friends who don't understand.

In an age of parenting experts, Christine Hohlbaum has written a delightful collection of stories from the real trenches of motherhood. Mothers (and fathers!) will see themselves throughout Diary of a Mother; it's honest, funny, and wonderfully universal.

For some reason I didn't think this was going to be a very good book when I selected it. Boy was I wrong, it's a great book. My husband who is not a reader, unless its something to do with sports, is reading it.

Sue O'Neill brings home all the craziness of being in a war. This collection gives a firsthand account of just what it was like to be there and reveals the humanity on a new level. I especially recommend it for the children of vets whose mothers or father may have never come home or never have talked about the war.

Other Amazon customer reviews have done a great job of outlining the subject matter of these stories. But the stories, which are fine pieces individually, are also wonderfully orchestrated in this collection. Some stories are poignant, some are dark with flashes of humor, and 'Monkey On Our Backs' is laugh-out-loud funny from beginning to end. The stories benefit from both a common thread and great variety, and the overall effect, with recurring characters, is a bit like reading an episodic novel.

Above all, Susan O'Neill is an excellent storyteller, a writer who has mastered her craft. I hope we're going to see more stories from her. I would expect her narratives to be compelling whether set in a war or not. Highly recommended.

I live in Indonesia (where I grew up), and do most of my reading during fairly frequent and extended surf safaris on boats. I ordered DON'T MEAN NOTHING from Amazon, and when it arrived, I read the first couple stories and then forced myself to put the book away, saving it for precious boat-time reading material. I just got back from my latest trip, and I tell you, I read two stories a day, taking them like a illicit drug. And like an addict, when the book came to end, I was severely wishing there were another dozen to read.

Anybody who's reading this review already knows the collection is set in Vietnam during the war, told from the original perspective of medical personnel working with war casualties. But as with all great stories-or at least, the kind of stories I really love-the authentic and intriguing details of setting and scene only serve to enhance the characters, and it was this assemble of ordinary folk (acting pretty much as ordinary folk would in extraordinary situations) that made the collection such a riveting read for me. The story "Butch" made me-macho surfer dude--misty-eyed, and "Monkey on Our Banks" made me laugh out loud, because I knew a monkey just like that one in my boarding school (it once stole and ate a bunch of candy laxative, with predictable results in the girls' dorm).

As an oftentimes struggling and paper-ripping writer, I marveled at author O'Neill's way with words that don't get in the way yet do immaculate service to the story. But mostly, I so enjoyed the reading that my inner critic never made a peep.

Highly recommended.

Sue O'Neill along with Mary Reynolds Powell (A World Of Hurt) and Sharon Grant Wildwind (Dreams That Blister Sleep) is one of a rare breed of women who not only flew 10,000 miles into a war zone to support an Army whose average age was 19 (in WW II it was 26), she also had the strength and the vision to write about her experiences.

Don't Mean Nothing is an essential Nam book, along with the late Lynda Van Devanter's Home Before Morning. While I don't accept that the war was literally unwinnable, I totally agree that the way it was being fought, with no sense of a Win Scenario at any time, resulted in a mindless and sickening waste of human life - on both sides.

President Johnson, the simpleton who put more than 500,000 US troops in harm's way, yet never defined a Win Scenario or Exit Strategy, once boasted that the Air Force "couldn't even bomb an outhouse" without his approval. Similarly, the target selection for the Rolling Thunder bombing campaign in which the US lost 922 aircraft, was carried out at cozy White House lunches, without a single Air Force commander being present.

Sue's anger at a mind-numbingly incompetent Government, who denied Ho Chi Minh a fair crack at democratic elections (which he may well have won) by installing the hateful and corrupt Diem in the South, is well stated.

These stories take you under the hood, behind the propaganda and the lies and put you right there in the middle of a war that either should never have happened or which should have been fought very differently at the very least.

A great writer. A great human being.

Initially I borrowed this book from a friend and read it at bedtime. The short chapters are perfect for a quick read at bedtime, while waiting at the doctor, etc. Phillip Gulley is fabulous at taking the "normalcy" of life and applying Biblical principles to deepen the experience. His humor causes me to laugh out loud repeatedly. This is a fun and fresh way to look at the Eccelesiastes text. After devouring my friend's copy, I purchased this one to share with my dad. He is loving it as well!

Philip Gulley uses the words of Ecclesiastes, "For everything there is a season", as a springboard for essays on life. He happens to live in the small town of Danville, Indiana, where he grew up, so his stories have to do with the people and customs of his small town. Gulley is a Quaker pastor who holds to traditional values and the sovereignty of God, but this doesn't hinder his sly wit or wry observations on the absurdities of modern-day life. His choices of stories range from the addition of a screen door to his home under "A Time to Build" to a list of his prejudices and pet peeves under "A Time to Gather Stones Together". This is a good book to read a bit at a time as each chapter stands alone. It's also a good way to escape from stress and to get a laugh and a new perspective on life.

I was given a copy of this book by my sister, Mrs. Fruits, who is featured in the "a time to let go" chapter. I also have a signed copy. This is a wonderful book (along with Phil's others) to pick up when one needs a spiritual "pick me up". I have circulated these delightful books through the membership of my Episcopal church and have incorporated some of his stories into sermons. I am a Hoosier from Hendricks County who now lives in Washington State and it is often a nostalgic trip for me when I travel the roads and streets of Indiana in Phil's books. But anyone could benefit from these stories about every day people dealing with every day life.

This is an excellent book, as are all of Philip Gulley's. They are "feel good" books, and I enjoy them all. Although this particular book is not a story evolving around the local townspeople, as are many of his, it is still an inspiring read. I hope Mr. Gulley continues to crank out his particular type of humor/inspiration for years to come!

What a great book about the sweet simple side of life. It made me want to move to the author's small town and settle in with my family. I have enjoyed everything I have read so far by this author.

This is an ageless book on what every person who wants to be successful needs to model. My wife's Uncle, who was highly successful in his time as an executive, gave this book as a graduation gift to every loved one he knew. You just can't lose with such ageless advice.

I can't believe I am 50 and never heard of this book until a co-worker loaned it to me. What a great gift! Who wants to do unimportant and uninteresting things? On a dare, anyone can practice his Four-Fold Development/Four Square Living. Make your checker, sign your name inside and draw the words around it:
Stand Tall
Think Tall
Smile Tall
Live Tall
Or: Play, work, love and worship. Body, brain, heart, soul.
I'll never walk in the shade again. He says the warmth and power of the sun enters your system. Its rays give your face a glow and you reflect sunshine to others.

This I DARE YOU (MP3 CD) version will NOT PLAY ON A CD PLAYER. IT ONLY PLAYS on a computer.
I was a little disappointed since I purchased it to play in the car and on a portable cd player. It only plays on the computer disk player. I'll have to download it myself to an audio MP3 format. It must have been recorded as a DATA file. The narrator is a little momo-toned and I was very surprised that I zoned out on a self-help type CD. There are 14 chapters that run anywhere from 2 minutes 16 seconds to 26 minutes 14 seconds. Some are short, most are average 5-10 minutes.

The "I Dare You plan," first published in 1938 for the young and young at heart, is brightly authored by William H. Danforth, founder of the Purina Company. Written in scoutmaster style, this little gem will have you saluting to adventure. It is precise, simple, and uplifting.

"That is the first principle that I want thoroughly to fix in your mind--that life is a four-sided affair--that your daring program is going to lead you into physical adventures, mental adventures, social adventures, spiritual adventures. You have not one, but four lives to live--a four-fold opportunity to grow. A body, a brain, a heart, and a soul--these are our living tools. To use them is not a task. It is a golden opportunity. To find new capacities within you is not robbing you of any pleasure. It is bringing new treasures into every waking hour. It is helping you touch life at all angles, absorb strength from all contacts, pour out power on all fronts." Danforth adds "How dare you have within yourself these four-fold capacities and not use them?"

Like to be riveted into action? This book will do it. You will also feel rather selfish after the first reading (for witholding your dynamite). Go over it again several times. Mine is highlighted at every point (and there are many). I suggest you study I Dare You! along with the vintage movie "Fighting Father Dunne" (1948).

As one of the other reviewers noted, I too read this original book from my father's library when I was [...], in the 50s. Although almost forgotten, when I was writing articles on leadership, I realized this may have been the single most important book I had read...and used throughout life, becoming a leader in every...yes every...organization I belonged to, from high school Senior class President, college fraternity President, Band president(s), VP-Pres. elect of a national association, President of a state-wide organization, to Editor of a writers Quarterly and business owner. Now at 71, and looking back, "I Dare You" is quite possibly the only book necessary for directions in life. It's not about "success" or "money," it's about being your best and being the best FOR everyone around you.

This is one of the bases for the movie "Wonderland" but reading this book will creep you out on J.M.Barrie. You might never really like Peter Pan again. Author had access to his papers, letter, diaries etc. Very weird stuff.

I read this book over 15 years ago in an attempt to find out who the author of Peter Pan really was, and what his life was like. It was not a pleasant or easy read. I wanted to forget all about it and just have the enchantment of "Peter Pan," but as with the real life of the author and photographer of "Alice in Wonderland," the truth can wound deeply. But lies and half-truths can never reveal the relationship between biography and art, so one must often face much disturbing information in order to understand the art itself. This is not to say that art is reducible to biography; it is not. There is, nevertheless, a kind of dialectic (God, I do hate to sound so gawdawful jargony, but when it so plain, other words just do not work) between the life of a genius and the art of the same individual. The truth of art can only come from the struggle between an artist's vision and the life that made such a vision a necessity. Yes, a necessity: there are those artists whose lives were so fraught with sheer catastrophe that revelation through a skewed fantasy can be so powerful as to take on a "life" of its own. And this is why it is so grievous to "paint-over" the unpleasant details of such a life. There was a recent film with an appropriately disturbing title: in the attempt to not really "find" Neverland in Barrie's life, the art itself is drained of its truly tragic roots. At the time such "nice" little fantasies are presented, they seem so harmless, but they are not. Successful attempts to eradicate truth can also eradicate the depth of the art itself. "Neverland" is a word that begs a little attention: a land where children "never grow up." This is not to say that they physically die - no - instead they live their lives, as did Barrie, in a desolate, lifeless, and desperately lonely "land" and try, from within their internal isolation, to bring others along for the rides to nowhere and "never." Where else could such a person bring another? If one lives in "Neverland" of the mind, there is nowhere else to lead another - nowhere else to go. And if we do not face unpleasant truths as they are revealed in the crucible where life and art meet, we learn nothing further from the art. It is better, actually, to know nothing of an artist's life than to be fed untruths. I would suggest the readers either read this book and/or see Peter Pan, but would urge them *not* to see Peter Pan after experiencing a false represenation - no matter how "well-performed" the falsehood is presented. The play or story would be meaningless. The truths, whatever you choose to make of them are here in this book, like it or not. And once the genie is out of the bottle (such as when you have been fed a disingenuous Hollywood film or other disingenuous account), to refrain from the truths of an artist's life is a violation of the art. No one can any longer understand or be truly moved by Peter Pan, much less try to interpret it based upon a sugar-coated Hollywood paint-job. And the effect goes on: if other artists were inspired by Barrie's work (perhaps because it touched the nerves of their own catastrophic lives), and all we have is a candy-coated film, their art and whatever in their lives might have inpired their interest in Barrie's work is also distorted. I do not know if truth sets anyone "free," but I do know that untruths distort and harm. And then the distortion goes on . . . This book cuts deep, but struggles for truths, which is what a biography of an artistic genius should try very hard to do.

I found this book to be a well-researched and moving account of not only Barrie's life but also the lives and deaths of the original "Lost Boys". After reading this book, I read Peter Pan again in a whole new light and enjoyed it even more. I think reading this book is essential in order to fully appreciate the entire Peter Pan experience as it truly helps to bring the characters alive.

Having found this little book before the advent of the film "Finding Neverland" I was able to read it originally without comparing it to the film, always a good thing. The film, of course, changed much of the true story as films usually do. This book standing alone as far better, but note, it is not a happy story with a happy ending, it is a tragedy, and no one is left unscathed.
The photographs, almost all, were taken by Barrie himself, and are absolutely wonderful. He had a natural artistic sense, and his unposed photos of the five Llewelyn Davies boys, Michael, George, Peter, Jack, and Nico at their play, stay with you. They are dressed in the Edwardian clothes of the time, or in costumes they wore in the elaborate make-believe games they played with their childlike grownup friend Mr Barrie, and those are truly memorable in themselves. Often they are playing with J.M. Barrie's large dog, and one can't help but think of the big dog, Nanna, in Peter Pan, it's acutally quite eerie, seeing that the play "Peter Pan" itself wouldn't be written yet for years.
J.M. Barrie came from a lower class Scottish family, and in childhood lost an older brother to illness. His mother took to her bed griefstricken, for a long period, and once, trying to cheer her, young Barrie put on the older brother's clothes and went to see his mother. For just a moment she thought it was the older brother, and he seemed to see happiness in her eyes; for all his life, the message stayed with him, the boy who would never grow up was the loved boy.
He was a strange, brilliant, gentle, childlike man. Highly regarded in his own time, considered a great playwright, equivilent to George Barnard Shaw in his day; and very prosperous due to his books and plays, married, but childless, and probably not very happy in his marriage which would end in divorce, one day in Kensington Park he saw one of the five young Llewelyn Davies brothers. They struck up a friendship, based on Barrie being quite willing to talk to a child on the child's level. Soon after, he met the rest of the family, who were impressed to meet the famous playwright. Their family was also upper class, well to do, but would soon lose their father to cancer, they would thenceforth be in precarious financial straits. Barrie immediately became a combination father/ big brother to the boys. He also became close friends with their mother Sylvia Llewelyn Davies, but not, I suspect, to the degree the movie implies. It was all about the boys, their innocence, and something he wished to capture and hold on to. His obsessive photography of them makes that clear.
Tragedy struck again, unbelievably, when their mother died of cancer as well, at a young age, after a relatively brief illness. By then Barrie was such a part of their lives that his continued influence, and the benefit of his money in seeing to it that all five boys finished school in the manner befitting their "class", was accepted by the boys' extended family. He stayed involved in all their lives indefinitely, though it is interesting that he had his favorites, and the two who were not favorites resented and disliked him as they grew older.
The book stops with the boys' growing up, though he did stay involved with them as a surrogate parent. Tragedy did hound the family, but unlike some reviewers I am not sure that it can be blamed on JM Barrie's role in their lives. In fact, without him, financially they would have far worse off.
It is true the boy named Peter resented that the play was named "Peter Pan", and of course he was teased at school, and Barrie probably should have thought of that. (Of course without Barrie he most likely wouldn't have been at Eton to be teased.)
Two footnotes: all the proceeds of the play went to the Children's Hospital in London for 100 years, until recently with the 100 years anniversary, the copyright ran out, and now it is in the public domain. No proceeds of his biggest success ever went to Barrie.
Also, the girl's name: "Wendy", was first used in the play. It was an unknown name before that. Barrie used it in memory of a young daughter of a friend who was named Wendy, and who died at age 5. (Not known where that family got the name from, or if it was a nickname.) It was not a name known previously and "Peter Pan" popularized it.
Its an excellent book, an opening via the photographs into another long-gone time, a sad story, but not I believe, due to Barrie. I believe he meant well, and tried his best to be a friend to that unfortunate family. He had his demons as do we all, but to "love" children, in that era, to befriend them, and even play with them when they were pre-teens, could still occur without any implication of perversity; and even to sleep with a child, the concern of one reviewer, was, at the end of the Victorian world, seen as a pure and innocent act, like a parent and child might sleep together...I think it is hard for us in our cynical age to see things as the late Victorians/Edwardians did. No whisper of scandal or of anything improper ever came from any of the five boys, their family, servants, or anyone else connected with them; and I think had there been it certainly would have come to light. I believe he truly loved the boys, and they in turn, after he knew them several years, and had observed their play and their natural talk and style, influenced him to write his masterpiece "Peter Pan".

Prompted by the movie "Finding Neverland" I wanted to learn more about the Davies family and their relationship with Barrie. My research lead me to this book. The tragic story of the boys and Barrie was an eye opening read. Birkin is an artful weaver of ancedotes, interviews and history. While I was reading the book I got lost.I started feeling like I was an intimate friend of the families, instead of curious observer. Furthermore, Birkin's website has been updated with more pictures and media files. The website coupled with the book really saturates you into the life of the 5 boys and the mindof the man who loved them very much. A beautiful account of a flawed and tragic life.

This was my favorite book as a little girl, and it is now my 4-year old son's favorite book. All of the stories are adorable, especially "The Journey".

ISBN 0064440133 - Based on the reading level, Mouse Tales is for 6-8 year olds, but I think younger children will enjoy it quite a bit, as well.

Papa tucks his seven boys into bed and promises them seven stories, so long as they promise to go right to sleep. Once they've promised, he starts with The Wishing Well... and tells the seven stories, ending with The Bath. His boys have all fallen asleep by then and Papa says good night.

The stories are all so short that just recapping them would be pretty much the same thing as retelling them! There are great possibilities within the very few pages of this book. With simple words and a fairly large font, the stories can be read by a child easily. He or she will find them fun and engaging. They can be read to a child by an adult, who might like to explain the deeper meanings of some of the stories (for instance why, once the mouse in The Wishing Well helped the well, all of her wishes came true). But, much to my surprise, there's a little Aesop's Fables feel to the stories, which might be one of the most unexpected ways to read this little book - as an adult! This isn't true for every story - if it is, I haven't found the message in the story of the mouse who wears out his feet and gets new ones. Still, all around a charming set of bedtime stories with nicely done illustrations that don't take up three-quarters of every page.

There are seven short tales, all involving mice, and bookended by a father mouse who is telling these stories to his children at bed time, one per child. The seven stories included are: The Wishing Well, Clouds, Very Tall Mouse and Very Short Mouse, The Mouse and the Winds, The Journey, The Old Mouse, and The Bath. Of the seven, my favorite is The Wishing Well as it takes an unusual and humorous approach to the usual wishing well story. The most disturbing of the stories is The Journey because it involves replacement feet. Knowing Sean, I think his favorite will be The Bath because of the absurd bath/flood the little mouse creates just to get clean.

This is a great book with seven short stories for kids. I have three kids and they love all of them.
I also bought this book because my grandmother used to have it and I loved to read it when I was a kid.

The cozy narrative of the mouse storyteller makes this great children's book shine. The seven stories are among Lobel's best, and this is the perfect fireside tale to tell to young mice who are not quite ready for bed.

J. Lyon Layden
The Other Side of Yore

Wolff is an amazing writer. He says more in these short stories than other writers say in entire books. I heard Bullet in the Brain on This American Life and I had to buy the book. I am so glad that I did. Kids will be studying these someday in school.

Tobias Wolff's 14 stories in this collection is quiet, spare, measured - and absolutely stellar. Wolff can take a mundane, everyday experience and thru his meticulous craftsmanship dig into the depths to mine it for every nuance of emotional significance. Nothing is present in any of his stories that doesn't serve a purpose: not a dog, a twig, a sweater, or a smile. Everything moves the stories forward and shows us more about each character and his/her relationship to others. "Firelight," a story I've now read several times, is my favorite: a boy and his single mom, stranded in a university town, spend their weekends looking at houses and apartments for rent, knowing they can't afford any of them. At the end of the long day, they're invited inside the last house, one where a university professor lives with his wife and daughter. The story, told from the boy's POV, is bittersweet and focuses on a sense of being an outsider to the comforts of home, the warmth of the fireside - but he realizes that all is not as it appears within this family that he still envies.
Absolutely wonderful collection.

Before I picked up this book I was only vaguely aware of Tobias Wolff, never having, as far as I can recall, read anything of his. I did remember that he had written a memoir of his peripatetic childhood that was praised probably fifteen years ago. I was unprepared for the power and grace of this collection of short stories published in 1996. A little research on the Internet tells me that Wolff is primarily a short story writer -- he has certainly found his niche in that, although I gather he has recently written a novel -- and is a professor at Stanford. But, most of all, he is a born story-teller. This is not to say that one is not also aware of the lapidary quality of his writing. My point is that even absent his writing skill he would still be someone you'd want to engage in conversation, or rather someone you'd like to sit and listen to as he spins yarns about the mundane. The mundane is his subject, but like all good writers, he puts it in such a perspective as to make it new and insightful.

Others before me, here at Amazon, have written about certain of the short stories here. The stories' subject matter is, generally, that of youth and young adulthood, and most importantly, about observation. His protagonists seem to have a preternatural writer's eye, which is part of what I look for in fiction. That's one of the great things about a great writer -- that ability to see things in ways most of us don't.

My favorite story? Probably 'Firelight,' about a boy and his hapless but courageous mother who go to look at apartments. Simple plot, but with deep implications about belonging, what home and family is, and about hope. The coda of this story, with the little boy all grown up and with a family of his own, tells us, as so often in Wolff's stories, how childhood experience colors our adult lives. Beautiful. I suppose now I'll have to go and read everything Wolff has written. Nice to contemplate.

Scott Morrison

I liked this collection but, don't kill me, I thought In The Garden of the North American Martyrs was better. Maybe it's my imagination or something about the timing of my reading each, but with The Night in Question I thought that at times Wolff was packing too much into his sentences, too much insight. It was all trenchant observation and inspiration, but those pockets of narrative threw the rest of the story off kilter for me and detracted from what I liked so much about In the Garden: that the stories are so simple and -- within that -- so elegantly complex. This could be my imagination; I'm not sure.

I give this book 4 out of 5 stars. But I second everybody who said Wolff takes ordinary occurrences and portrays them beautifully and, as the pieces come together, with so much significance. Thanks also to the person who mentioned Carver. I agree, it would have been nice to see his writing mature.

If you haven't read any of Wolff's books or are thinking of getting this book, definitely do. Buy In the Garden too.

Tobias Wolff has written yet another fantastic collection of short stories with The Night in Question. Wolff has yet to disappointment me with any of his writings thus far, and since I believe I've read all of his works but for one or two, it does not seem as though that may be a possibility. The Night in Question is a collection dealing with all too human aspects in a series of stories that are unlikely, but certainly not beyond the realm of possibility. The peculiarity is not the focus in Wolff's stories; rather, it's the human reaction to the peculiarities that make his writing rich and enlightening.

Once again, I recommend virtually any of Wolff's work with supreme confidence, and The Night in Question is no exception. My particular favorites in this work were "Flyboys," "The Life of the Body," and one that was very unusual for Wolff, "Bullet in the Brain."

~Scott William Foley, author of The Imagination's Provocation: Volume I: A Collection of Short Stories

We purchased twenty copies which we used as a text book for a 13 week class at church, mixed men and women. The thrust of the class was to help the students know what is involved in finding, mentoring, teaching, and releasing a disciple in a one-on-one long term committed relationship. The book made a good back drop for the course in so far as it gave us a track to run on, since none of us had taught this subject before. As the teacher, I found several of the chapters to be spot on target and I used them pretty much exclusively for about half the course. Other chapters however were either weaker in content or just didn't cut to the specific deliverable I wanted to get across, so I supplemented with independent material. Several of my students had gone to the church website (Xenos) to check it out and were a little worried about the "casual" approach to ministering. Our church takes a more conservative approach and some behaviors that are considered culturally permissible, like smoking, course language, etc. we tend to frown on and believe the Holy Spirit through the process of Sanctification will cleanse the mature believer of. We therefore don't condone or model those behaviors in an attempt to woo the non or immature believer into sticking with us. Fortunately almost none of this came out in the book. Moreover, the book (and Xenos fellowship) rely heavily on "cell churches" which we also do not subscribe to. This method did come out in the book and so I had to customize the content for my class when it did. This was not a problem though. All in all, I'm glad I chose the book because it lived up to its "organic" name. That is, it got right to the heart of mentoring one on one, as opposed to many books I've seen that are more "clinical" or targeted to my own discipleship and walk with the Lord. This book definitely got us into the messy "human-ness" of one man pouring his life into another man, or woman to woman.

I really liked the book. It had the right theological framework necessary to grow God's people and care for the flock as well as providing very practical advise for helping those that want to engage in discipleship at different levels.

I found the section on professional counseling rather difficult. I lean toward Biblical counseling which empowers God's people to counsel at different levels. I cringe at the advise most people get when they see psychiatrists. The problem is real, however. You were brave enough to speak about it. I would think something not so sophisticated speaking about this might be more appropriate for the readers of this book.

Your section on quality conversation and friendship making will surely be helpful to some.

It is a good basic book that helps people trying to make discipleship work in their cell groups.
I already started talking about your book and will pass it on to some of our pastors

For a number of years now I've been working on a practical how-to book on discipleship. Dennis McCallum has beaten me to the punch with Organic Disciple Making. He's written the most practical book on how to disciple people I've ever read.

Time and time again I find myself saying, "Yup, he nailed that one; that's how it works." For example, early on the book covers the subject of modeling and its key role in making disciples. Later it delves into the practical questions of how you counsel and disciple through various issues or how you deal with blocks in their development.

For example McCallum distinguishes the difference between weakness and resistance and the appropriate response of a disciple maker. A disciple struggling with weakness generally needs encouragement, whereas a disciple who is resistant often needs confrontation and possibly discipline.

I loved that the book had a whole section on coaching and I loved that its counsel is both biblically grounded and rooted in the everyday experience of someone who leads 250 home churches. I've read so many books on discipleship and few drill down to address the questions ordinary people have as they struggle to help their disciples grow.

All of us who have committed ourselves to following Jesus and representing his name need to learn how to make disciples. It was the last thing he asked us to do before leaving the earth. If you as a Jesus-follower feel like you need help in learning how to do this in a way that feels natural, do yourself a favor and get Organic Disciple Making.

If you want to make a lasting impact for Jesus Christ, this book is a must. McCallum and Lowery give Biblical, insightful, and practical ideas on how to promote and achieve Chritian formation in others. Not many have the gifting to lead thousands. Very few are effective at preaching to hundreds. Yet helping disciple one or two other Christians is something every Christian can do.

In the long tradition of The Lost Art of Disciple Making, Multiplying Disciples, and Disciples Are Made, Not Born, Organic Disciplemaking: How to promote Christian leadership development through personal relationships, biblical discipleship, mentoring, and Christian community is designed to do more than tell about the need for making disciples of Jesus. This is a book that painstakingly provides a path from start to finish.

This book has the potential to be used by small group coaches to disciple and develop small group leaders. With today's small group ministries launching groups with leaders just a step ahead of their members, this could be a very helpful resource providing a pathway for mentoring.

In its pages you will find more than stories of how it's working at Xenos. You'll also find the practical steps needed to begin a disciplemaking ministry in your own church. More importantly, you may find the inspiration to look for one life to pour into. After all, that is the point.

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.

THE RIGHT TO PRIVACY is an excellent legal resource which can be read by legal scholars, however, lay people need to consult a legal dictionary from time to time. But the book clearly establishes how the right to privacy applies to every citizen when used against several aspects of everyday life the citizen comes in contact with. Caroline Kennedy, along with Ellen Alderman, has proven her excellent legal scholarship which, in my opinion, qualifies her as attorney general and/or associate justice of the U. S. Supreme Court.

This book starts off Rated R. I wish I could give a copy to my teens, but it gets a little too descriptive (necessary for impact though) of police violations on women. However, I thoroughly enjoyed this book. (Maybe when they're older...) It is a collection of some landmark cases, conflicts, and horror stories of the reality of our government's instrusiveness into people's personal lives. It is an eye-opener to those who blindly follow government orders. I'm comfortable reading legal documents, but I thought one of the book's better points was that it put legal terms into layman's terms. I found the book so lively and intriguing I finished it in a day! I definitely recommend this for anyone concerned about government instrusiveness and loss or interpretation of constitutional rights.

a bit boring but just shows what big brother can do to innocent people . good to see caroline standing up for ordinary people .

I enjoyed this book, even though it is heavy on legal court cases. Don't let that fool you, though, it's not a legal reference. This book covers significant cases in privacy using a very interesting approach. There a interviews and behind-the-scenes stories that explain what happened, how the plaintiff felt, and what the outcome was.

If you liked this book you will love "The Digital Umbrella." It is a great compliment to this book.

This book is written by a couple of lawyers who specialize in privacy issues. It is essentially a collection of thoughly researched court cases with added commentary from the authors. As such, it reads like...well... a collection of court cases.

A copy was originally lent to me by a very well-read and intelligent friend of mine who considered it overly dry. I, on the other hand, loved it. It's very details-oriented from cover-to-cover and packs in a wealth of information that is invaluable to anyone interested in the legal aspects of privacy.