Authors Books

I am actually amazed that I never read Agatha Christie's autobiography before now, since I have loved her books and re-read them many times over the years.

She was born in 1890 in Devon, England and died in 1976 in Oxfordshire, England. She started this autobiography when she was 60 and finished it when she was 75. And, just to make sure people don't get disappointed right away, her publishers state flatly in the preface (of the edition that I own) that she does not, EVER, mention the infamous disappearance the year her mother died and Archie Christie asked her for a divorce. That will be a mystery never solved. You get the sense that she left quite a bit of her emotions and feelings out of the book. She mentioned frequently in the book that bad times were to be got through so that one could enjoy the good times.

The book does ramble on delightfully, as she herself would probably put it. "What I want is to plunge my hand into a lucky dip and come up with a handful of assorted memories." (from the Foreward). Here's a critical paragraph about how one should view her autobiography:

"We never know the whole man, though sometimes, in quick flashes, we know the true mam. I think, myself, that one's memories represent those moments which, insignificant as they may seem, nevertheless represent the inner self and oneself as most really oneself." (also from the Forward).

There is an amazing amount of detail regarding Victorian and Edwardian England. Her ability to describe things minutely and interestingly was one of the things I always loved about her books.

The main outlines of her life are there, as are quite a few details about her family. She loved her family immensely and it shows. She discusses her father's lack of business skills that wasted away the fortune he inherited and her brother Monty's wholly unsatisfactory life in the straightforward way that she wrote her books. She was an extremely practical person, I think.

Her interest in archaeology because of her (2nd) husband Max Mallowan manifested itself in quite a few of her books, and I think that perhaps some of my interest in archaeology was because of her interest. She had one daughter, Rosalind, who died in 2004, and a grandson, Mathew Prichard, who runs "the family business" as it were.

There are a few preachy parts and I would like to have had more dates, but she warns you in the Foreward, and you must simply sit back and let her tell her story and understand her the way she wanted to be understood.

The book ends before her husband, Max Mallowan was knighted for his distinguished archaeological career in 1968 and before she herself was appointed a dame of the British Empire in 1971. Truly an interesting woman, truly an interesting autobiography.

Agatha Christie recalls a happy childhood in Victorian England. Unfortunately, it's a way of life now gone. Hers was a fairy tale upbringing when customs, manners and the family group were all important in upper-class society. Her portraits of the family, her governesses, the servants, her pets are descriptive and funny. Now I know why she became such a great writer. Wonderful!

Often times autobiographies are dull things of interest only to the author or those who may be mentioned in the book, others are glowing brag fests relating how marvelous the subject is, or are filled with juicy gossip about other celebrities. This one is completely different in that Christie did not attempt to write a complete chronicle of her life, or to focus on what the public might want to hear (in fact she deliberately left out the very episode - her disappearance - that most would want to know more about) but instead told about those parts of her life that she was interested in remembering. For example most autobiographies rush through the subject's childhood and focus on the parts of their adult life that made them famous, not so here. Instead Christie takes the first third of her tale to describe her life before she ever thought of Hercule Poirot.

What the reader gets instead of stories about the great and famous is a charming glimpse into the life of a middle-class child born at the end of the Victorian era, her perceptions of a society that was rapidly changing as she grew to young adulthood. She tells about her life as a child in a comfortable household filled with servants, her teenage years with her widowed mother, as a young woman caring for wounded soldiers, as a bride then a single mother through her later years as a successful author and her second, happier marriage to an archaeologist and their travels to the Middle East. She glosses over meeting the Queen but tells at length about various nannies and secretaries that were part of her everyday life.

For fans of Christie it is particularly interesting to learn what inspired certain of her characters or plots, what was occuring in her life while writing some of the novels, to see people or situations that one can recognize in a favorite novel. For anyone interested in life in the early twentieth century this book also gives an insight into that time that is rarely seen.

I want to say, up front, that I'm a HUGE Christie fan -- I've read everything that she wrote, over 80 mysteries, plays and her Mary Westmacott pseudonym stuff. However, I was very disappointed in this, her autobiography for multiple reasons which I will elaborate upon here in detail.

First, she utterly fails to discuss her famous 11-day "disappearance" in 1926 (to the Harrogate Spa), which is probably the most intriguing thing that ever happened in her lifetime! Here, I'll cite a website (http://observer.guardian.co.uk/uk_news/story/0,,1922888,00.html):

"But Norman, a former doctor, believes the novelist was in a fugue state, or, more technically, a psychogenic trance, a rare, deluded condition brought on by trauma or depression, which may also have led the writer and actor Stephen Fry to travel to Bruges in 1995 without leaving word with his friends or family."

Okay, I'm Hoyle with that (there was a Hollywood movie that implied that she was having an affair, which I did not necessarily accept as truth) -- but why leave such an important event out of an autobiography that is certain to be of huge interest to fans?

My second criticism is more pointed. Over the years, Christie issued MANY racist comments in her various works. I won't repeat them here as all fans will know what I'm talking about. Now, this was COMMON for writers to do throughout the 20th Century so, on it's face, taking into account that this was "an acceptable practice" for the era, I don't condemn Christie for this initial act of making such comments, even though many did not benefit or lend real support to the dialogue.

However, Christie died in 1976 and this autobiography was published in '77. By this time, racist commentary was being very much looked down upon (as it should have been), and Christie could have made some sort of positive overture, however minor, to say that she wished that she had not used certain words that were hurtful to people. No such apology, however minor, is found in this autobiography, that I could find, and I feel certain that by 1976, Christie had received many letters which pointed out these anachronistic racial comments, probably seeking some sort of reaction. Based upon the absence of such thoughts in her autobiography, I seriously doubt that any response was issued. I find that a sad omission.

Finally, as I read this book, I got the distinct impression that her heart was not at all in writing it, that it was a drudgery of sorts. I don't blame her for not wanting to write it but, if she didn't want to do it, she should have simply not done it, rather than issue something that reflects a sort of sideways contempt for her millions of fans.

Here's what I DID like about the work: I learned a great deal about little things that ended up in her mysteries (such as "Truelove"). I learned something of her family (not enough about her trials and tribulations in marriage, though), and I went away sort of feeling sorry for Christie's father. Beyond these things, she came off as pretty drab to me -- my expectations were so much higher as she had been a world-traveler and COULD have said so much more. I found that the whole thing lacked a sense of history.

So, I'll no doubt take some hits for my review and, if I'm in error about my facts, I'll come back and make corrections -- but I just think it could have been a super work and, compared to other autobiographies that I've read, I found this one dull and lacking in honesty.

I have a tendency to over-rate the media which I review but I can't go along with the crowd on this one. Perhaps I'm wrong in that they say you should review what's IN a book and not what is absent. I'm not certain about that but I welcome your sincere feedback and comments.

Agatha Christie, perhaps the best known mystery writer of all time, did not ever plan on becoming a writer. And when she did become one, it took her years to accept this as her profession and to believe that there was something other than money to be gained by writing books. Her autobiography is a pleasant ramble through the fascinating live lived by the creator of those master sleuths, Hercule Poirot and Miss Marple. Her life was no mystery but most definitely an adventure.

Agatha Christie began writing her life story from her second husband's archaelogical dig in Iraq. It is set up in a rather rambling manner, starting from a brief family history to her earliest childhood memories and on through her life. Throughout these memories are punctuated by various tangents, often involving her writings, other times not. It is not a straightforward chrononlogical telling of her life, but rather like having a pleasant conversation or reading a leader that she has written to her readers. It allows fans of her writing to get to know the woman behind those characters.

While not as detalied as some fans might wish for - as author and editor, Christie has left out some events - and rather long, it is a pleasing read for any fan of Christie's stories. I learned much about her life that I did not know, including novels she wrote using pseudonyms, and took joy in reading her views on social concerns. While the time period she lived in and wrote about may seem long gone, Christie's words prove again and again to be timeless.

As I explored this peak into the life of Beatrix Potter, I cried softly because it has been brought together so beautifully. There are surprises as I turned each page that made me smile. She was such a pioneer on so many levels at a time when women "had their place". Her inquisitive mind & creative skills are a gift to all of us. I have dusted off my pencils, pens & sketch book due to the inspiration I feel. I am very proud to have this Journal in my library, and have bought more copies for family & friends so they can share with theirs. Thank You!

This work of fiction looks, feels and reads like a real journal, full of love, tender memories, and feels to me like it captured some tiny sense of what it must have been like to be Miss Potter. I search for words to express how highly I recommend this book; every one in my family that has enjoyed it felt a sense of excitement and wonder and awe. And the photos are so endearing!

Entralling book at an incredibly low price, fully worth much more! A beautiful and wondrous work of art and whimsy, a joy for all ages! I will be reading and admiring this over and over again. This book is far too lovely to be shelved into a bookcase- do display it and enjoy the sweet memories that viewing it often will invoke! I thank the publishers for an inspired, dedicated, dear, devoted, honorable bestowment to the legacy of Beatrix Potter.

The biggest question I have about this book is how in the world can it be put on the market for only $13.59? The book is a complete delight. As some of the other reviews have mentioned; it has reproductions of letters, notes, and other items that give inside glimpses into the life and times of Beatrix Potter. There is something on almost every page to surprise and delight the reader.

This book can be enjoyed by both adults and children; it does need to be handled carefully as the reproductions of the notes and letters deserve special care.

Hidden inside the back cover is a reproduction of Beatriz Potter's privately printed edition of 250 copies of "The Tale of Peter Rabbit"; what a delightful finish to a tour of the life of a remarkable woman.

This is a wonderful addition to any Beatrix Potter collection and an amazing value as well!

'Beatrix Potter: A Journal" is a beautifully bound keepsake that Beatirx Potter fans will cherish for years to come. It is presented in the form of a journal or rather an album, and basically contains journal entries dating back to when Beatrix was 16 years old and had begun discovering wonderful things that helped her evolve into the creative writer and creator of Peter Rabbit and friends.

The journal is beautifully put together - there are old family pictures, reproductions of Beatrix's original sketches and drawings, personal documents [e.g. Beatrix's old report card] - what a delight to peruse these treasures. The journal entries themselves make for absorbing reading - though they are in cursive form and younger reders may need help with deciphering what is written. There are reproductions of letters to family and friends,delightful illustrations throughout the journal. Of interest is information as to how certain characters in The Tale of Peter Rabbit and Friends was inspired by real-life people, such as the character of Farmer McGregor.

There are many lift-the-flap features in this journal that makes it even more of a treat - there's an envelope containing a reproduction of the letter which contains the story of Peter Rabbit complete with illustrations, a map of the beautiful Lake District, a paper version of the game of Peter Rabbit, and the prize jewel in this journal - right at the end of the journal, embedded into it, is a little book "The Tale of Peter Rabbit"! One would not know it, for it is concealed so well - and indeed a delight to peruse.

I can't recommend this highly enough. I am a life-long fan of Beatrix Potter and my three-year old daughter is following in my footsteps. It is such a treat to be able to share this book with her!

Beverly Cleary, an esteemed librarian and author of numerous children's books, shares her story about growing up in Yamhill, Oregon in the roaring twenties and depression thirties. She was born in 1916 and resides in California today. I quickly ordered the sequel, 'My Own Two Feet".

The book is a revealing glimpse at a sensitive and curious young girl, an only child, coping with early childhood and her school years in Oregon. The Williamette Valley and Portland, Oregon, are beautifully described as the area was in the early 20th. century.

Beverly shares family pictures, provides pioneer ancestor background, describes her schools and teachers, social life and interests in a delightfully easy to read manner. Her mother taught Beverly book appreciation, as well as music and reminded her always to "use her imagination"!

I love this woman for her keen insights and independence, and recommend her memoir (and all her children's books as well.) It is surprisingly different from other memoirs and holds your interest all the way thru, leaving you wanting to know more about her as she connects with the reader in a personal way.

Beverly Cleary
A girl from Yamhill
Author: Beverly Cleary

Mostly all children love and grow up reading Beverly Cleary's books. But some wonder, "What was her childhood like?" In this autobiography, Beverly Cleary tells the story of her life. It starts out from when she's a little girl living on a big farm in Yamhill, Oregon and goes all the way until she's in her senior year in Portland. Beverly lived in Portland near Klickitat Street which inspired her for the Ramona series, which are one of the most favored today.
Once, Beverly's elementary teacher assigned her class a creative writing project. When Beverly turned in hers, her teacher was so pleased with her writing that she read Beverly's paper out loud to the class and told her she had a gift for writing. Beverly wasn't a really good speller in elementary school. Her class held a spelling bee and she was given the word "beautiful" to spell. She started out with "beau..." but someone gasped which made Beverly think she'd spelled it wrong. Beverly ended up spelling the word "beau..." and was disqualified. When she was younger she wouldn't read any books. Her mother didn't understand. All of Beverly's relatives loved reading. Eventually, one time she was sick, she finally found her love for reading.
I really enjoyed this book and would rate it a 4 and a half because I myself love Beverly's books and it was really interesting to read about her life. I usually don't like biographies/ autobiographies, but this one really got me interested.
I think Beverly's a little like me because we both refused to read when we were little. I didn't hate reading, but all of the books I wanted to read weren't the kinds of book my mom wanted me to read. I wanted to read books about teen life and very up-to-date. My mother wanted me to read historical fiction and/or nonfiction. I love all books now except for nonfiction.
Beverly's style of writing is creative, descriptive and very fun to read. Most of her books are for younger children but she has written a couple for teens.

_A Girl From Yamhill_ by Beverly Clearly is a memoir. She writes about her memories of Beverly's early life to where she escapes her home to go to junior college in California.
Beverly tells us when her first baby tooth came out, when she recieved her first love letter from a boy she liked for 3 years. Beverly also tells us about her first date Gerhart she despised.
It is a great book that everyone will love.

i loved the ramona quimby books growing up. i read them until they fell apart. after reading A Girl from Yamhill, i'm considering buying and reading them all over again. Beverly Cleary writes so simply with few descriptions and yet you can see, hear, smell, feel everything she writes about. i am never left wondering or wanting. her love of people and places, especially when she writes about her grandparents and Puddin', shines through without the annoying wordiness i find in other memoirs.

i especially loved the pictures scattered throughout the books. she is adorable and you can see a little bit of ramona in her. :)

I ordered Beverly Cleary's two autobiographies on Amazon, and recieved them last week. The first of the two is called, "A Girl From Yamhill" and the second is, "My Own Two Feet". Both are excellently written. The first is of her childhood until she goes off to college and the second is her college days and a few years beyond. She has a style of writing that makes you feel as though you have known her your whole life and are the dearest of friends. What amazed me the most about these books is how timeless they are. Even though she grew up during the depression and went to college before the advent of computers and the technology boom, it was eye opening to see that the human condition and experiences don't really change all that much. She is an excellent storyteller, and the words on the page lept into my mind's eye and I could see it unfold before as if I were watching it on a movie screen. I was sad to see the first book end, but glad that I had ordered the second book as well. Then when I finished the second book I found myself wishing that she had written another book to tell more of her life's stories. I finished reading them both within a couple of days and found myself doing something I have never done before. I immediately began to read them again ( I am currently half way through the first book). If you grew up loving her children's books as I did, then these are a must have.

A must to complete the set. For some reason, I bought volume 2 first. As an aficiando of Mary Oliver, I am very happy to have both volumes now.

I love Mary Oliver's poetry - it always puts me into a better frame of mind, and makes me slow down and breathe. Her poetry is so lyrical and evocative, I am transported straight to the wonderful natural world, and am able to view my struggles and petty difficulties through a calming and peaceful lens. I recommend this book to anyone who enjoys poetry, and to anyone who hasn't yet fallen in love with poetry - Mary Oliver is one of the best poets ever, in my opinion!

This is a collection of her poems, old and new. She is an outstanding poet, and one cannot do better than have her book of poems by your bedside, to read before going to sleep or when you awake in the night, or first thing in the morning.

The Pulitzer Prize winning poet, Mary Oliver, finishes her poem,"What Have I Learned So Far" with the line, 'Be ignited, or be gone.'To me, this conveys the passion she brings to life and poetry. What comes through clearly in her poems is her reverence for nature.
New and Selected Poems, Volume Two, is a moving collection of her past works combined with many new poems. There is a Zen isness that permeates her work.Haiku like parsimony with no embellishment. Nature does not need anything extra. For example, writing about what she saw after a storm -
And this detail: the body of a duck, a golden-eye; and beside
it one black-backed gull. In the body of the duck, among the breast
feathers, a hole perhaps an inch across; the color within the hole
a shouting red. And bend it as you might, nothing was to blame:
storms must toss, and the great black-backed gawker must eat, and
so on. It was merely a moment.
I recently saw Mary Oliver at the 92nd Street 'Y' in New York City where she was reading from this collection. See her if you can. She reads as she writes, with dignity and with passion and wisdom. This is an extraordinary collection of poems.

I have about 5 of her poetry books. I feel that her poetry has gotten more and more beautiful over time, and believe that this collection is better than Volume 1. Mary Oliver is definitely my favorite poet - much of her writing is about a thirst for growth and spirituality, and finding peace in nature and love (friendships and relationships). I have given this book to a number of friends, who are also touched by her gift of expressing the unexpressable. Some of my favorite poems in this book: the Percy series (her dog), Why I Wake Early, and The Whistler.

My other favorite book of Mary Oliver poems is her most recent one: "Thirst". It deals with grief at the lost of her long-time partner and is quite beautiful. For those looking for a really good book of poems in general, I *definitely* recommend "Good Poems," compiled by Garrison Keillor; and "Risking Everything: 110 Poems of Love and Redemption" compiled by Roger Housden. Enjoy!

For me, the most interesting thing about Rachlin's very interesting memoir was the incredible strength she showed in forging a life for herself that was so different from the culture she was born into in Iran and for which she had very little or no family support. It is a very personal tale of courage. Rachlin was given to an aunt to raise shortly after her birth and then wrenchingly, for both Rachlin and her aunt, taken away from her when she was about 8. I suspect it was this horrible experience that later gave Rachlin the courage to leave her family to attend college on a scholarship in the United States and to live an independent, solitary and self-sufficient existence in the United States for awhile before she met her husband.

If I am at all disappointed with this book it is because of the emphasis Rachlin places on arranged marriages as the cause of unhappiness in women in the culture she was born into. Rachlin's sister was in an abusive arranged marriage as were other women in her family. I know some couples who are in very happy arranged marriages and I know a lot of women who are very unhappy in marriages of their own making. The divorce rate in the United States certainly attests to that.

No, I would not have liked my life and/or marriage determined for me. And I value the ability to chart my own course. But Rachlin goes too far I believe when she seemingly equates arranged marriages with unhappiness and abuse.

But overwhelmingly, this is a very interesting, and although somewhat sad, nonetheless a charming book.

Very interesting to learn about the Iranian culture from an author who is unafraid. I felt her writing portrayed her pain as well as her strength. HIGHLY RECOMMENDED!

Particularly in the current political climate, I was hoping that this book would provide a fascinating look into a culture that is, at best, underrepresented in mainstream English language books and, at worst, criticized, discriminated against, and even hated; the fact that the author is a woman made it all the more enticing as I simply can't read enough of how my fellow women live, survive, and thrive in other cultures.

PERSIAN GIRLS delivers on all accounts and has made me want to learn more not only about this intriguing woman--cappuccino is on me if you're ever in southern Italy Ms Rachlin!--but also about Iranian history and culture in general.

From Rachlin's difficult childhood with a mother who didn't seem to want her and a father who wanted only control to her struggle for independence and acceptance in America, PERSIAN GIRLS places the reader in the very heart and mind of the author as she rises to each successive challenge placed before her.

From the time Rachlin was taken from the only mother she knew, I found myself cheering her on-a credit to an outstanding opening scene that transports the reader to 1950s Iran amidst a prayer rug, a Koran, rose water, a paraffin lamp, and hot summer nights spent talking about a golden ladder descending from the sky.

And yet Rachlin's writing style isn't nostalgic or wistful. She presents her life with such an objective tone sometimes that I forgot she was telling her own life story--and this is not a criticism. To the contrary, I felt like what I was reading was a true, fair account of events, and knowing that I'm able to trust the author is so very important.

At times, however, I did feel that there was just a bit held back regarding the working through of her feelings in some of her relationships, particularly the most difficult ones; the fact that some family members are still alive surely had something to do with this, but overall I don't find that this guardedness distracts from the memoir. Rachlin gives plenty of clues into her personality to provide the reader with a sense of what the author might've been feeling, and I don't think there's anything wrong with a little mystery in any book, even a memoir.

On another level, Rachlin's expat status in America really spoke to me, and I'm sure to plenty of other expats as well--the feeling of being caught between two cultures, two languages, two ways of life. On whether she regretted her choice to go to America, in a subsequent interview, Rachlin said:

I have never really regretted my choice to come to America, pursue my own goals. But I am always aware of a loss, a price to pay for the independence I have gained. I don't have easy access and closeness to people I love, because of all the distance between us.

Indeed I wouldn't mind another memoir (or even a how-to!) from Rachlin on her marriage to an American and raising her daughter in a country that is a sometimes enemy of her own. I look forward to reading Rachlin's fiction as well.

I wholeheartedly recommend this memoir to anyone with an interest in women's history, cultural differences, the Middle East, family relationships, love, or, you know, life.

This review originally appeared on my blog here: [...]

The front cover of Persian Girls: A Memoir by Nahib Rachlin has a quote from a Boston Globe reviewer saying that the "memoir reads like a novel", which I felt was very accurate. Nahib has provided us with a peek into her world, spanning over fifty years, and immersing us in the culture of Iran and her family.
Nahib pulls us quickly into her world, showing us her split childhood - life with her adopted mother for her first 9 years, and then life with her birth family. Nahib's birth mother, Mohtaram, was very fertile, she agreed to give a child to her sister, Maryam. It was when Nahib turned 9 that she was considered "of age", able to legally marry, and that is when her father came to get her. When her father took her from her adopted mother, Nahib lost an attentive mother, she gained a sister and confidante.

Nahib's relationship with her older sister Pari is incredibly moving. Both girls loved American movies and the idea of new freedoms for women. I look at my daughters, and hope for them to continue their close relationship - one like what Nahib and Pari had. There were many times as I was reading Persian Girls that I wished I was reading a novel, and that the author could guarantee me a happy ending for everyone involved. The relationship between Nahib and Pari was so intense, and yet fraught with obstacles. Their middle sister, Manijeh, was their mother's favorite, and the obvious favoritism made for a lot of rivalry between them. As time passes, and physical distances between them increase, the bonds between them change and strengthen.

The Iranian Government and its changing laws cast a shadow over the lives of Nahib and her family. Every choice they make has to take the laws and social mores into account. Nahib's brothers go to college in the US, which is seen as a very modern thing to do. However, her two older sisters are married traditionally - in arranged marriages. While all families worry about appearances, in Nahib's father seemed to worry even more than usual. His job as a lawyer seemed tied to how his family is perceived, and he must balance the traditional and the modern.

Parts of Persian Girls feel like a mystery, and one that cannot be solved. Without an omniscient narrator, we only know what Nahib has experienced or discovered. I wish I could see into the heads of many of the characters, but there is an intimate feeling reading one person's memories, one person's truth.

Nahib states at one point in Persian Girls that she feels like she doesn't belong in either culture. I know that feeling is common among many ex-patriots, but I have to wonder if the problems in US-Iranian relationships made her transition more difficult. I found myself identifying so much with Nahid, finding many universal truths within her words, no matter your background.

I highly recommend Persian Girls to anyone who enjoys memoirs and non-fiction, as well as to anyone who enjoys women's fiction or literary fiction - it really is a memoir that reads like a novel. It pulls you in, with vivid imagery of Nahid Rachlin's world. Watch out, though, once you start it you won't be able to put it down easily! I look forward to reading Nahid Rachlin's other books.

Persian Girls is the true story of Nahid Rachlin's experiences growing up in Iran during the years leading up to the Iran hostage crisis.

I was particularly interested to read this when I learned there was an adoption theme to the story -- until she was in elementary school, Nahid was raised by her aunt Maryam. Nahid's biological mother had given Maryam baby Nahid to raise as her own, since she had been widowed without children and Nahid's biological mother already had several children. And interesting sisterly pact.

But at the age of nine, Nahid was yanked from her peaceful existence as the only daughter of religiously observant Maryam to live with her estranged biological family.

The story is a mostly sad one -- there are not very many happy endings in this book, partly because of the iron fist with which her father ruled her family, and because of the fall of the Shah and the rise of Ayatollah Khomeini. But it is an interesting portrait into life in Iran and what it was like to be raised as a girl in a country where daughters were, at least at that time, thought more of as chattel than individuals.

My one reservation about wholeheartedly recommending this book is Rachlin's writing style. I have never read any of her fiction, but this book read more like a series of journal entries than a narrative story. I also kept waiting for there to be some sense of hope, but this seemed to be more a story of resignation than one of triumph -- a tale of the bonds of sisterhood and how the lives of Nahid and her sister Pari came to differ on many levels as Nahid eventually made her escape to America.

While not every story is a happy one, and I certainly enjoy memoirs that aren't 100% happy and joyful, I kept waiting for there to be some relief in this tale about how lives were shattered and how families were torn apart. I found the writing style to be a bit disjointed in places, but not enough to keep me from finishing the book.

For those of us who grew up in a time of new awakening and women's rights in America, this was a fascinating look inside patriarchies of the Middle East, the small roles women had in that society. There are some poignant story arcs that I don't want to spoil, but ultimately, Persian Girls reinforced the stereotype we have about how women are treated in that part of the world and the lack of value placed on women's lives.

Most of the time, I read nonfiction because I can't find a novel interesting enough to buy and read all the way through, but this book is definitely an exception. I took it with me on vacation with my husband and my mother, and I couldn't stop reading it. I took it to dinner with me and totally ignored my companions. I know it was rude to read at the dinner table, but I just couldn't help myself. The book is funny, fast-paced, and very engaging. There was not one part of the book that I found tedious or boring. I won't spoil the surprise, but I will say that I had to read that part three times because I was so shocked. I thought maybe I had dozed off and missed something, or perhaps I dozed off and dreamed it, but, no, it was on the page. Never has an author so surprised me with a plot twist. I later rented the movie which was a total waste of time and money. I read that the author didn't like the way the movie turned out either. Just make sure that you read the book first because I can't imagine watching that dreadful movie first and being the slightest bit interested in reading the book. In my life time, I have read thousands of books, but this is one of those books that I will never forget.

I have read this book once a year for 10 years, and each time I find myself laughing out loud at Byrd's witty language and characterization. This version of the book has a guide to book groups, which contains some interesting background on how Sarah Byrd developed the novel. I have also given this book to several friends, all of whom have found it delightful. I would highly recommend it to anyone who wants a funny frolic with a lot of heart.

Sarah Bird is a Texas novelist who humorously celebrates all the stages in a woman's life in her witty and zany books. I have chuckled my way through them all and loved them, but her second book THE BOYFRIEND SCHOOL, remains my favorite. It recounts the amorous escapades of photojournalist (for the Austin GRACKLE) Gretchen Griner as she is faced with the dilemma of choosing between three love prospects: fuzzy-haired brother of best friend romance novelist, suave foreign-accented bad boy, or Grackle editor/master manipulator. Delightful escapism with mad-cap plot twists and ultimately, a big sigh at the end.

I was a little different. I saw the MOVIE first back when it first came out and it quickly became a favorite of mine. I FINALLY found the movie on DVD recently (I didn't know that the name had been changed from "Don't Tell Her It's Me" to "The Boyfriend School") and saw that it was based on a book by Sarah Bird. The book and the movie were quite a bit different, but since Sarah Bird wrote both the book and the screenplay that made it OK. I love books that make you feel that you are going to miss the the characters when you get through reading. This is one of those books. A credit to Sarah Birds writing ability. It's a funny, feel good book. Her sense/style of humor in this book remind me of the comedian Dennis Miller's style of delivery. I just can't say enough good things about this book! A must read! (and re-read!!!!)

This is only my second Sarah Bird novel and I am hooked beyond belief. Her dialogue and characters put you inside the book. You're there watching the whole novel unfold around you.

Gretchen is a talented photojournalist stuck at a two bit publication that has entwined itself thouroughly into her life. From the sordid past of the newsroom to the flim flam ways of her occasional boyfriend and hokey boss who is as unreliable as her salary, she's come to the conclusion that it was all a lost cause. The writing is on the wall as far as Gretchen is concerned when she's assigned to cover the Luvboree. Little does she know that entering the Pink Ghetto will be her ticket to leaving the Grackle behind and gaining her new life.

Reading Gretchen's trials and tribulations over starting her own Romance novel are hilarious. And you definitely feel for her as she goes through her 'dry spell'. Well that is until the handsome stranger comes along. From there on, buckle your seatbelts and make sure you can read until the end - you won't be disappointed.

I really enjoyed the character antics in this book. Dyanmics ruled for all of those involved. All of the elements of a good novel come together as the plot and development go hand in hand with the set up and characters. Also this particular edition of the book has an afterword by Bird as well as a reader's guide for afficionados or book clubs which I enjoy reading as a way to bring closure to the novel experience.

This was a fantastic book and one that I am going to enjoy reading many times to come. Sarah Bird is a terrific writer and her novels should be known far and wide for their witty and humorous entertainment.

This is a warm, entertaining, and surprisingly spiritual book.

The author recounts the many wonderful and spiritually educational stories his Catholic Grandmother told him as a young boy growing up during WWII. Her stories are all designed to help her young grandson live the Catholic faith more fully, to better understand the teachings of Jesus Christ, and to be a better Christian.

The stories will serve that purpose for all of us. I found the stories uniquely instructive and full of spiritual wisdom - yet entertaining, at times funny, at times sad, but always interesting.

This book had me by turns laughing out loud and crying - but always being urged closer to Christ.

Unlike other reviewers, I don't think you need to be Italian or of Italian descent to love this book - I am neither and I found it truly a wonderful read. My 10 year old daughter loved it as well, so it will appeal to a broad range of readers, adult and young adult alike.

If you are looking for an easy, entertaining read that will encourage the practical day to day living of your faith, this is the book for you!

The concept was good. Definitely for those who grew up in the Catholic/ Italian mind set. Nonna was always so clever. I enjoyed the book.
I'm not sure that a non Catholic could identify with the meaning of the stories or appreciate them completely.

I ABSOLUTELY LOVED THIS BOOK!! I ADORED THE LESSONS THAT WERE TAUGHT THROUGHOUT, SOME OF WHICH I COULD IDENTIFY WITH THRU MY OWN FAMILY. THE LIGHT SENSE OF HUMOR WAS VERY REFRESHING. IT TOUCHED MY HEART TO BE ABLE TO FEEL THE CONNECTION BETWEEN THE AUTHOR AND HIS NONNA AND HOW SPECIAL SHE WAS TO HIM, EVERYONE SHOULD HAVE A SPECIAL PERSON IN THEIR LIVES LIKE HER. I WILL BE GETTING THE NEXT ONE ALSO.

This book is full of delightfully heartwarming stories that take us back to a warmer, simpler time of love, humor and faith. It's a feel-good book!

This book is a pleasure to read. I've been reading the stories to my 9-year old son, who could read the book to myself, but prefers to sit with me and hear me read it to him, like as if he was Vinzee and I was Nonna. Right before I bought this book I traveled to Portugal with my family. It was Christmas and we were touring an ancient Cathedral when we noticed a very modest Naviity scene next to the Cathedral wall. A stray dog was laying in the hay right next to the Baby Jesus. We all laughed and commented that we didn't know that Baby Jesus had a pet dog. Well, I come home and start reading "Coffee With Nonna" just to discover that wise Nonna knew about the dog and the other four animals at the birth of Jesus, and what the significance is of the loyal dog. I shared this with my family who all agreed that the Portuguese stray dog truly had the last laugh.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

Mike Robbins has written a great self-examination book focusing on appreciating and being appreciated, especially from one's self. Anyone who thinks they could do better in those categories, or have a more pleasant life, should find Focus on the Good Stuff very worthwhile reading.

Great presentation on a worthwhile topic. If more of us focused on what's good around us ... people, events, society in general ... and then expressed that appreciation ... life would be so much easier. I don't remember who said it, but I love the quote: "What we think about, we bring about." Let's bring about more "good stuff" by focusing on and appreciating what we already have.

This was a delightful little book with a gentle reminder to be good to yourself. Stop being so critical of yourself and appreciate the fact that you are exactly who /what you were born to be. Appreciate Yourself !!

Buy this book, learn the methods and take action, and you will certainly bring more happiness and fulfillment to your life. I wrote pages of notes, and I use these methods everyday! Relationships are crucial for happiness and fulfillment. Learn to treat others and yourself better with "Focus on the Good Stuff."

I had the pleasure of seeing author Mike Robbins at his recent appearance at the Learning Annex in NYC. I left the event impressed by the power of his message and the manner in which he delivers it. I then read this book and felt so good about the message the author is conveying.

So many new authors and speakers have jumped on the bandwagon of the "Secret" and/or the "Law of Attraction." It is refreshing to see a new star emerging with a unique, basic, implementable message that could change the world if implemented. And, refreshing to see someone who seems so committed to walking the talk!

Recent terrific books by Deborah Norville ("Thank You Power") and Robert Emmons ("Thanks") have similarly sounded the trumpet for the importance of gratitude, the cousin to appreciation. Mike's book is equally terrific with his strong point being the specificity of his wisdom on how to express appreciation in a manner such that it penetrates the thick skins hardened by a world of negativity.

I highly recommend the book and I equally recommend that you partake in one of the author's workshops or speeches. As excellent as the book is, in person the author's message resonates even more strongly.

After reading "The Summer Guest" by Justin Cronin I couldn't wait to read something else by this wonderful author. That's when I bought "Mary and O'Neill". His first novel, "Mary and O'Neill" is just as enjoyable as "The Summer Guest", if in a somewhat different way. Don't let the fact that this is a novel in short store put you off. Even if you don't usually enjoy this type of book (and I don't) you will be glad you read "Mary and O'Neill". I cannot wait to see what else Mr. Cronin has in store for us. Believe the excellent reader reviews and buy this book!

Justin's Cronin's first novel is broken up into a collection of eight short stories about the love between parents, siblings, children and lovers.

The book doesn't begin with the title characters, but rather with O'Neil's parents, Arthur and Miriam. The entirety of the book is balanced on the early revelation of the sweet complexity of their love in life and death. Their death in the first story sets the tone for the rest of the stories, providing their children with both answers and more questions about love and loss.

Mary and O'Neil's love affair is one brought about by just these questions. Mary lives with the ghost of a child she aborted early on in the book, while O'Neil's parents live in his memory with such vitality that he actually tries to call them after the birth of his first child--only to unexpectedly have a sad and beautiful conversation with a lonely stranger. Cronin creates Mary and O'Neil as the answers to each other's questions. Even the names that Cronin picks for them overflow with a sense of completeness: "Mary" and "O'Neil," sound more like a first name and surname than two separate characters.

The surname as name only makes more sense when one considers O'Neil's presence in the book as father figure. It is O'Neil who develops as a source of strength for several characters in the book, anointing him the ultimate patriarch of this novel. Cronin is poetic and beautifully subtle when he baptizes O'Neil's relationship with the woman who completes him and gives him a first name. The baptism is complete when Mary is ready to walk down the aisle and it begins to rain. O'Neil looks at her and all the guests at their wedding and, Cronin writes, "in his heart he marries each one of them."

Cronin's style is delicate and full of purpose, just like all of the relationships between his characters. It is hard not to relate to this book in some way if you've ever loved someone, harder still to not find Cronin's prose captivating in its wisdom and sincerity.

Mary and O'neil was so poignant with paragraphs I read and re-read numerous times because they struck a chord of something lost yet familiar to me. I cannot wait for more from this author; he has my heart!

Just finished reading Mary and O'Neil, and I know that it will stay with me for a long time. I laughed and cried, sighed and nodded my head as I read. This a very well crafted novel comprised of short stories, reminding me of the chapters of our lives. The relationships between parents and children, siblings, spouses and friends are realistically portrayed. Thanks to the author for a special experience. I look forward to reading his novel, The Summer Guest soon.

I read this book after finishing (right after!) The Summer Guest, also by Cronin. I loved both books. THe story line in each is poignant and moving and the characterizations are fleshed out brilliantly - with depth, eloquence and humor. The beauty of Cronin's writing is in his seemingly effortless ability to turn a phrase that just sings with its purity. He is able to capture, and describe emotions and events like no other author I've encountered in recent years. This is a lovely if odd story that jumps through the decades with poignant prose, the building of relationships, and the pain of loss. In reading Cronin's work you are left with a mystical and magical feeling. I did not want this book to be over as the emotions it evoked were much more powerful than those we typically feel in everyday life (unless you are 13). I found it hard to re-enter my own life - as if I were somehow changed by reading the words of this writer. Highly recommended!