Emile Zola Books

Zola's The Ladies Paradise is a fine translation from the French original. The author is right on target when it comes to consumer culture in nineteenth century France. He predicted well, how big businesses would swallow up the mom-and-pop shops, and create a need for material possessions. The character of Denise was one of strong ambition in a time when women had less than half a chance of leading an independent life outside of an andro-centric culture. Denise is a young heroine in her own right, rising up from poverty to become a strong voice in the world of the department stores. She has to fight vicious rumours and unwanted affections to make it to the top with out sacrificing her own beliefs. I highly recommend Zola's The Ladies Paradise.

any one who has started a business or has worked in a business should read this book. It clearly outlines all marketing principles, sales psychology and the benefits of being in distribution rather then production. Amazing. Grow your mind and read.

THE LADIES' PARADISE is a sequel to POT LUCK (POT-BUILLE), which I read last year. Both have Octave Mouret as a central character. In the earlier novel, he was a young salesman on the make, both in his profession and with the young women in his apartment building. At the end of POT LUCK, he marries the owner of a successful drapery establishment. At the start of PARADISE, his wife has died; and Octave has entered on an expansion program from drapery into a department store named the Ladies' Paradise that threatens all the other shopkeepers selling clothing and accessories in the area.

Enter Denise Baudu, a country girl from Normandy, who moves to Paris with her two brothers after one of them has gotten in trouble back home. Her uncle runs a store called Au Vieil Elbeuf, selling drapery and flannels, but is unable to give her room or a job because business is threatened by the presence of the Ladies' Paradise across the street. Denise finds a job at the Paradise at the risk of angering her relatives.

Salesgirls at the Paradise live in a dormitory on the top floor of the department store. Room and board is part of the job, plus a token wage and commissions on sales over quota. Little does Denise know she had entered into a whirlwind of gossip and backbiting. She is made fun of by her fellow workers, but Mouret resists getting rid of her because he is drawn to her. At one point, however, two of Mouret's "spies" in management come upon Denise and a young salesman from her region who has sheepishly fallen in love with her and kisses her hand as head axe-wielder Bourdoncle watches. Denise is promptly dismissed.

As Denise finds another position in a less profitable store than the Paradise, the focus turns more to Mouret, who did not know of her dismissal. Mouret plans a large-scale expansion of the store and calls upon Baron Hartman (in real life, Baron Haussmann) to allow him frontage on the new boulevard being cut through the neighborhood.

One day, Mouret runs into Denise on the street and asks her to consider returning to the Paradise, which is just as well as the store where Denise had started to work was going under. To sweeten the offer, Mouret makes her an assistant buyer in the new children's wear department. With her enhanced status, Denise is now winning admiration from her co-workers, though some backbiters remain. In the meantime, Mouret's passion for her is growing -- despite Denise not encouraging it in any way.

There are several set pieces in the novel which are a feature of Zola's fiction. They come under the heading of giant mechanisms that grind people down. In GERMINAL, it was a coal mine; in POT LUCK, an apartment building; in HUMAN BEAST, railroads; and in THE BELLY OF PARIS, the food market at Les Halles. In every Zola novel, there are scenes showing off some giant mechanism at work crushing people under it like the wheels of a Juggernaut. In PARADISE, these scenes are highly successful sales which show a crush of frenetically spending customers and overwhelmed sales clerks as Mouret keeps "pushing the envelope" of what is possible in the apparel business. Even wealthy shoppers who came "just to look" are caught up in the frenzy and leave the store having committed themselves to buy more than what they could afford.

The owners of neighboring shops feel that the Paradise is like a hungry beast that strives to devour their businesses and put them out in the street. Which is exactly what happens. Denise's cousin Genevieve dies of consumption after her lover Colomban -- the main hope of Au Vieil Elbeuf -- runs away to chase a slutty Paradise shopgirl who is one of Mouret's cast-offs, and who doesn't even want him. Aunt Baudu follows her daughter soon after. When as the result of a series of sharp moves, Mouret buys their properties, the shopkeepers are evicted; and Uncle Baudu goes to a nursing home, completely dazed and broken.

Eventually, Denise and Mouret do hook up, but on Denise's terms. The novel ends as they announce their upcoming marriage.

I have found that the ten or so Zola novels I have read have been of a uniform high quality, such that I have difficulty recommending one over the other (though I have a particular fondness for NANA). THE LADIES' PARADISE is an excellent read and paints a fascinating picture of life in the emerging Paris department stores of the late 19th century.

The Ladies Paradise written in the nineteenth century rings true of today's consumerism. Emile Zola examines in this socialistic novel the effects of consumerism on customers and employees. The customers who are women are drawn to the items that are displayed on the tables. Octave Mouret, the storeowner, knows what women desire and sets forth to use it to bring in profits. The lace, stockings, velvet are feminine fabrics that entice women to spend money, even if they don't have it.

As a retail employee, I have dealt with customers who don't have the money to buy the items but want to get it. I am a customer who buys what is displayed because I think it is going to be an investment. I can relate to small stores like Uncle Baudu's. Businesses like his struggle to stay afloat amongst corporate expansion. They entice clients with their sales and bargains--things that I look for when I shop. Small stores can provide what the big stores don't have. One way or the other, the consumer can get some sort of balance. Working at both a community store and a corporate store, one thing that matters most to customers is service. Customers want to be treated with respect and they expect sales associate to be enthused and answer their questions; even if it is trivial.

Denise Baudu, a simple country girl, arrives in Paris to get a job at her uncle's drapery shop. To her disappointment he doesn't have a job for her because his store is losing customers to the Ladies Paradise. The mall provides goods that are cheaper than the small shops and have a selection of fabrics not only from the mother country, but imported from Asia. He suggests to his niece that she get a job there.

The store fascinates her but she does feel some betrayal towards her uncle. Her uncle's business, along with the small stores, are struggling to stay afloat. With the expansion of the mall, these stores are forced to close because they can't compete with them. Uncle Baudu's hopes of his business staying for the long haul are shattered.

Denise is at first, shy and awkward. She is the target of cruel and malicious slander from the employees including assistant buyer Madame Aurelie. Zola unfolds the lives of the sales employees. The money they make in retail isn't sufficient to support them. The women take to prostitution. Claire has three men supporting her material needs. Pauline befriends Denise and suggests that she get herself a lover to support her financially. Denise doesn't take that advice because it is not in her interest to be a prostitute. She is determined to keep herself and her family together without falling apart which makes the women envious of her.

The novel is centered around an actual person Aristide Boucicaut who founded Le Bon Marche which remains today at the center of Parisian culture. Denise is believed to be the model of his wife Marguerite. Zola puts into a social perspective that exists til this day.

After reading the book for an art class I was suprized to find out that I actually enjoyed the book, it had quite a twist to the department store/love story. I think Zola's description of the scenes were wonderful and helped me use my inmagination better. I would reccomend this book to anyone who likes learning about Paris bourgeous life and the mechanical system of the department stores. Definitly a good read.

In the late 1860s Prussia, led by Kaiser Wilhelm and Chancellor Otto von Bismarck, engaged the French government headed by Napoleon III in heated negotiations over the throne of Spain and the sovereignty of the Low Countries. The dispute grew as France looked for a fight.

France declared war in 1870 but was ill prepared to fight the ensuing Franco-Prussian War. Poorly equipped and incompetently led, the French soldiers were badly used. The result, from the French point of view was a catastrophe. At the battle of Sedan the Prussians captured over 100,000 French troops and Napoleon III himself. France was forced to cede Alsace-Lorraine to the Germans. In the immediate aftermath of the war, a left-wing rebellion erupted in Paris. It was suppressed with brutal rigor.

Like Tolstoy's War and Peace, Zola's The Debacle is a historical novel in which the facts of the war are very accurately described, and then well-drawn fictional characters are inserted. The story is told with verve through the eyes of two soldiers. The events of the Franco-Prussian War are extremely complex, yet Zola never lets the reader get lost. The story is engrossing and compelling. This is one of the great books of French literature.

To the reader who comes to this review by way of my history of the Tour de France, this book is related to the Tour rather obliquely. Tour founder Henri Desgrange wrote extensively in the sports newspaper L'Auto, which also owned the Tour de France. Desgrange tried to model his own writing style on Zola's.
-Bill McGann, Author of "The Story of the Tour de France"

As a big student of the War of 1870-71, I was a bit skeptic when I saw this was a historical novel, especially one that was a political commentary. Well, my skepticism was destroyed after about 15 minutes of reading this book. Not only is the author a veteran of the war, his style is SO engrossing I didn't stop reading until I finished the entire book!

The amount of details that are in the narritive can only come from someone who participated in the historical events that are narrated. Zola's characters are easy to identify with, and anyone can pick one character and say "yeah, that's me" as they read the story.

I recommend this book to anyone interested in the F/P War or French/European culture/life of the Second Empire. Vivé Napoleon III!

Emile Zola's La Debacle, the 19th of his 20 volume Rougon-Macquart series, describes the crushing defeat of the French armies at the hands of the Prussians in the Franco-Prussian war of 1870-71. During Zola's lifetime, this novel was regarded as his masterpiece. History has decreed that it would be Germinal that would be more enduring, but this is still an outstanding novel. All the stories in this series are linked with recurring characters and interwoven plot lines. Like Germinal, this is a story of destruction and rebirth.

This novel is divided into three sections. In Zola's typical style, each section is focused on a period of several days, with several weeks or months between sections. The main character of the story in Jean Macquart, a character from an earlier novel (La Terre) in the series. Macquart is an enlisted soldier marching to the front with his comrades to face the Prussians. Zola, never a soldier himself, describes well the lot of Jean and his comrades. Lots of marching, fatigue, boredom, and grumbling about the leadership. Hanging over the story, and unbeknowst to the characters, is the coming whirlwind. The Emporer himself (Napoleon III) makes an appearance, but it is rather tragi-comic.
The second section is focused on the battle of Sedan. There are several story threads designed to explain the action of the battle at different times and from perspectives. The descriptions are quite graphic and detailed. Ultimately, the French Army is totally destroyed, the surviving characters become prisoners of war. In the third section, Jean is reunited with his comrade Maurice in Paris at the height of the Commune. The primary theme of this novel is to describe the `rot' of the Third Empire, and how its destruction gives the survivors hope for a brighter future.

The Oxford World Classics translation is outstanding. It contains detailed endnotes to explain topical or historical references that would be lost on modern English speaking/reading audiences. There are several maps and a detailed list of characters to keep everything straight. This edition also contains a well written introduction to allow the reader to place the novel in historical and literary context.

I have several thoughts about this novel that potential readers may or may not find interesting. First, this is an outstanding novel, whether one likes war novels or not. Zola is one of the greatest novelists ever to put pen to paper, and this is arguable one of his best works. The characters in this story are detailed and realistic, the dialogue outstanding, and the plot complex and compelling, but easy to read. Anyone who is afraid of approaching Zola because of past experience with the 19th century English `greats' should not be concerned. Zola has none of the pretentiousness or Victorian puritanism of his English contemporaries, and his writing, while often gloomy, is not ponderous.

Second, with the exception of a few small tweaks for poetic license, this book is an outstanding example of historical fiction. Beyond an enjoyable novel, this book will also provide the reader a history lesson of the first order. In particular, I would highly recommend this book to American readers who know little or nothing of French history of this era. I think that the events of the Commune would be most surprising to many Americans. Certainly the Franco-Prussian war was one of the defining events for the French (and Germans), much as the Civil War was for Americans. The outcome of this war had long lasting political, economic, cultural, and military implications that affect us today.

Third, if I had one complaint about this book, it would be that the author's knowledge of the outcome of the battle weighs over the entire novel. I would almost argue that this novel is defeatist. This is definitely an antiwar novel, but no real sense of imminent destruction covers the Prussian soldiers as it does the French. That is, this is an antiwar novel from the French perspective, but not really from the Prussian. It strikes me that the message conveyed by Zola (probably inadvertantly) is not antiwar in general, but antiwar only for the losers.

Overall though, this is an outstanding novel, one of the best ever written. Highly recommended.

In this novel, as in all of his greatest works (Germinal, La Terre), Zola achieves the wide-ranging scope of a sweeping, romantic epic, without romanticizing the details of his settings or the emotions of his characters. As a result, we get an in-depth examination of the effects of war, on both national and personal levels. Zola thoroughly outlines the movements of troops and supplies, the political intrigue happening within the French government, and the diplomatic relations between nations, yet he never loses sight of the individual.
The narrative focuses on the friendship between Jean Macquart and Maurice Levasseur, two French soldiers from contrasting backgrounds who are brought together by the war. Jean Macquart, who previously starred in Zola's novel The Earth (La Terre), is an experienced soldier and a sturdy, dependable, salt-of-the-earth kind of guy. Maurice is a novice in the military, was raised in a privileged background, and has an emotional, introspective, and fragile nature. In addition to these two players, Zola presents myriad perspectives on the war. The multitudinous cast includes an emperor and a king; generals, grunts, and officers in between; farmers, shopkeepers, industrialists, doctors, and their wives. The combatants in this war range from highly-skilled military men to peasants with guns thrust into their hands, from the privileged elite to penniless beggars. The chaos of war ensnares them all in a series of events beyond their control or understanding, pushing them to the climactic tragedy of the Battle of Sedan.
Throughout the book, Zola condemns the futility of war in general, and the ineptitude of the French commanders in particular. The book is not totally pessimistic, however, as he does include some romantic concessions to the glory of patriotism, the strength of friendship, and the heroism that can arise when ordinary men are thrust into extraordinary circumstances. This is one of Zola's greatest works, and I would recommend it to anyone, especially those who enjoy classic literature or historical fiction. It is both intellectually challenging and emotionally moving. I would caution the reader that it does help to have some knowledge of French geography and happenings in French history around the time of the Franco-Prussian War.

This was an amazing story about the Franco-Prussian war, but it could have been about any war and the destructive influence it has on men and women, and on all human relationships. Zola tells the story, in vivid, sometimes gruesome but always very compassionate and heartbreaking detail (most of the plot is based on real historical events), of the absolute disaster that was the Franco-Prussian "debacle" of 1870-1.

For anyone interested in French history, it is required reading. This was an absolutely pivotal event in the formation of the Third Republic and the death of the Second Empire, an Empire which Zola had already suggested in his previous novels was rotten to the core. Writing twenty years after the event, Zola was describing a memory still vivid in the minds of most of his readers.

The Franco-Prussian war was truly a debacle. Not only had Napoleon III provoked the French into a doomed war with the Prussians, who with their superior artillery and military tactics ended up invading France and slaughtering and starving thousands upon thousands of men, but he ultimately set the French against each other when, at the end of the war, some Frenchmen and women wanted to surrender the hopeless cause-and some wanted to fight to the death-their deaths-on principle. Many of the French showed amazing bravery and refused to surrender, even after Napoleon III was taken prisoner and a new French government acted to conclude the war.

In a famous and tragic episode, after the war was lost and many French were working to effect a surrender, political radicals staged a hopeless but heroic last stand in Paris, electing an independent municipal government-the famous Paris Commune-and holding the city. Eventually other Frenchmen were finally set against their brothers to force them to wave the white flag. In their determination to not yield one inch of the soil to the Prussian invaders, in one of the most powerful and haunting scenes in the novel (and in history), the Commune sets Paris on fire and Zola describes the entire city of lights roaring with fire, gone up with smoke and having turned the sky red.

If you've ever been in Paris it's a compelling scene and you'll remember all the places he mentions if, like me, you've spent some time there. It's odd to think that the Pere Lachaise cemetery, where so many of us go to see the graves of Oscar Wilde, Sarah Bernhardt, Jim Morrison or Abelard and Heloise (a site featured on an episode of America's Next Top Model no less!) is where thousands of French radicals-and uninvolved Parisian civilians as well- were lined up against the wall and shot point-blank in summary executions-by their own countrymen-something that Zola and others would never forget. I think it's very important that Zola dealt with these crimes in his novel.

Although Zola doesn't pretend that some of the Communards were not, in fact, war profiteers or criminals, he has much sympathy with some of them and their sincere political committments; as a man of the left he cannot help but find common ground with some of their arguments or with their feeling of betrayal by their own government. He is also disgusted, as so many French were, with the brutal way in which they were liquidated.

The hero of the story is Jean Macquart. You definitely don't have to have read any of the other books in the Rougon-Macquart series of twenty novels (!) to appreciate this book, however if you have read La Terre (The Earth) you will already like Jean for his general kindness and sensible nature. He is a sweet man who has an unlikely friendship with Maurice, the young radically-inclined soldier who ultimately joins the Commune. The introduction to my book was a bit heavy handed, (I suggest reading it after you've completed the novel since it gives all major plot points away) claiming that they represent the two "eternal sides of France", but there's a real human relationship here.

By today's standards this friendship would seem over the top and overly sentimental, but taken in the historical context it's quite a beautiful friendship. More than anything we get a sense of the senseless slaughter of a pointless war, the deep fraternal divisions it causes, and these are embodied in two very appealing characters, Jean and Maurice. Zola makes it clear that it makes sense, obviously, that Maurice would be furious and feel betrayed. I'm a pacifist, but if the invaders are at your door-which they literally were in this case-it's hard to know how you would feel.

On the other hand Jean's view is portrayed with sympathy-he's endured tremendous suffering due to this ridiculous war, and like Maurice he's shown tremendous bravery and courage, like so many Frenchmen did at that time (take that everyone who makes fun of the French tendency to surrender-I wish all of you had to read this book!) but he is an ordinary person who would like to get back to ordinary life-which really is a normal emotion to have. He also hates to see Paris burning-it's the epitome of craziness to him, and to us, even while we also see Maurice's view, that no one should care anymore, France is dead and defeated.

At the end, when Jean perseveres and goes on to build a new France, we're hopeful for him. But we can't help feeling the looming shadow of two World Wars to come, and it's also a sad book, reminding us of the vast physical and emotional wounds war leaves behind.

An absolute masterpiece!

Sit back and enjoy the ride. From start to finish, this is a fascinating and at times horrfying book.

The Beast In Man was first published in 1890 and is remarkable for its depiction of a world of harsh brutality and the startling frankness of its descriptions of sexual passion.

If ever a book could be described as being ahead of its time, then this is it. Hard-hitting, fast paced, tragic, brutal, erotic and tear jerking, this book has it all.

The plot is exceptional with characters that leap off the page and allow you, the reader, to fully experience their traumatic lives in 19th century France.

All-in-all a fantastic book, written by a true genius who has undoubtedly influenced many of today's most successful scribes.

One of Zola's best and most famous works. There is something strangely fascinating about a murder where the killer escapes detection and punishment only to receive terminal treatment from another, totally unexpected source. When this happens twice in the same book, along with some tales of child abuse, a high-level cover-up, a sabotage attempt on a train in which virtually everyone is killed in the carnage except the persons targeted, a suicide, plus some assorted couplings outside of the marshalling yards, things get really interesting. What makes people commit such crimes? Here Zola really shows his skill in explaining his characters' motives and the dark, primeval forces that drive them. A pulsating, chilling story from beginning to end, full of unexpected twists, starting with the creation of a previously unknown member of the Macquart family as the novel's main character. Highly recommended for long train or air journeys.

(From the preface:) Fruitfulness is the first of a series of four works in which Emile Zola proposes to embody what he considers to be the four cardinal principles of human life...

"Fruitfulness," says Zola, "creates the home. Thence springs the city. From the idea of citizenship comes that of the fatherland; and love of country, in minds fed by science, leads to the conception of a wider and vaster fatherland, comprising all the peoples of the earth. Of these three stages in the progress of mankind, the fourth still remains to be attained. I have thought then of writing, as it were, a poem in four volumes, in four chants, in which I shall endeavor to sum up the philosophy of all my work. The first of these volumes is Fruitfulness; the second will be called Work; the third, Truth; the last, Justice. In Fruitfulness the hero's name is Matthew. In the next work it will be Luke; in Truth: Mark; and in Justice: John. The children of my brain will, like the four Evangelists preaching the gospel, diffuse the religion of future society, which will be founded on Fruitfulness, Work, Truth, and Justice."...

Zola portrays the triumph of rectitude, the triumph which follows faith in the powers of life, and observance of the law of universal labor. Fruitfulness contains charming pictures of homely married life, delightful glimpses of childhood and youth: the first smile, the first step, the first word, followed by the playfulness and the flirtations of boyhood, and the happiness which waits on the espousals of those who truly love. And the punishment of the guilty is awful, and the triumph of the righteous is the greatest that can be conceived.

Ernest A. Vizetelly

------

Emile Zola (1840 - 1902) died before he could finish the fourth and last of this series called Quatre Évangiles. Fruitfulness, Work and Truth were published between 1899 and 1903.

Fruitfulness is the first of a series of four works in which Emile Zola proposes to embody what he considers to be the four cardinal principles of human life... "Fruitfulness," says Zola, "creates the home. Thence springs the city. From the idea of citizenship comes that of the fatherland; and love of country, in minds fed by science, leads to the conception of a wider and vaster fatherland, comprising all the peoples of the earth. Of these three stages in the progress of mankind, the fourth still remains to be attained. I have thought then of writing, as it were, a poem in four volumes, in four chants, in which I shall endeavor to sum up the philosophy of all my work. The first of these volumes is Fruitfulness; the second will be called Work; the third, Truth; the last, Justice. In Fruitfulness the hero's name is Matthew. In the next work it will be Luke; in Truth: Mark; and in Justice: John. The children of my brain will, like the four Evangelists preaching the gospel, diffuse the religion of future society, which will be founded on Fruitfulness, Work, Truth, and Justice."... --- Zola portrays the triumph of rectitude, the triumph which follows faith in the powers of life, and observance of the law of universal labor. Fruitfulness contains charming pictures of homely married life, delightful glimpses of childhood and youth: the first smile, the first step, the first word, followed by the playfulness and the flirtations of boyhood, and the happiness which waits on the espousals of those who truly love. And the punishment of the guilty is awful, and the triumph of the righteous is the greatest that can be conceived. (Ernest A. Vizetelly) --- Emile Zola (1840 - 1902) died before he could finish the fourth and last of this series called Quatre Évangiles. Fruitfulness, Work and Truth were published between 1899 and 1903.

If you ever needed proof of the cyclical nature of human existence read this. Here we are in 2008 with the dot com boom, the Enron debacle and now the housing bubble/credit crunch in the rear view mirror.

Rewind to Paris in the 1860s and you will find the exact same stuff going on with the same clamor to rein in irresponsible speculation that is causing cycles of boom and bust with attendant instability and misery.

As another reviewer has commented, Zola has a gift for analysis and revelation of the true complexity of the human being. Saccard, the main character is a thoroughly unscrupulous financial genius, hungry for money and the status which it affords him. He is the pied piper who merrily leads investors, large and small, over the precipice. The book deals with the hatred and envy of native French catholics for the Jewish oligarchy which rules the financial sector. Interestingly, the projects into which shareholder money is invested relate to the revitalization of the Near East, a capitalist crusade if you will, even including the dream of establishing the papacy in Jerusalem. It all sounds rather familiar in the wake of George W's recent crusade to democratize the Gulf starting with Iraq.

Initially I found the book fascinating simply for the parallels with modern shenanigans but I started to enjoy it more and more for the insightful depiction of human nature and the complex morality of "civilized" life. Zola was primarily a journalist and this novel is something of a drama documentary but a definite shoo-in for an Oscar.

This is by far one of the best books I've ever read. Zola's ability to demonstrate the dark side in human beings is absolutely spectacular. If you are too read one of his works, it should be this one.

Please don't be alarmed by the caveat suggested by my review title, it's really not as bad as it seems. It's certainly not affected my rating of the book, which is a superb translation altogether: E. P. Robins, under the auspices of ProjectGutenberg. I have the ebook in .lit format, gotten from Abacci, and I wanted a physical copy to hold; I certainly could have purchased the Penguin edition for some ten dollars cheaper, but the translation, pah. It might as well have been translated by William Shatner, and captures none of the grit of the Battle of Sedan, much less the nuanced, provocative homosociality of Jean and Maurice.

That said, I find myself a bit baffled over this Hard Press publishing company and its...legitimacy. I'm not sure how it operates, if it's some sort of third party publisher or what, but I received the book and discovered it was sans title page. I suppose I should have gathered as much while previewing the novel on Amazon (to ascertain the translation), but I simply thought it was omitted from the "Search Inside!" No cataloguing information, no copyright date, not even a mention of the translator or ProjectGutenberg as in the ebook format. Baffling.

Fishiness aside, the print is legible and evenly-spaced, and the binding is unusually sturdy for a springy paperback. Perhaps the substantial weight (451 pages, consolidated from the ebook's 620) demands it. It's a very spare, nondescript edition that belies the evocative prose within; I feel almost like a Soviet-era reader who's gotten my turn with the latest literary contraband by Solzhenitsyn.

Written as a "passport to the Academy," this novel stands alone among the Rougon-Macquart series for its pure, idyllic grace. Angelique, a daughter of Sidonie Rougon (La Curee), had been deserted by her mother, and was adopted by a maker of ecclesiastical embroideries, who with his wife lived and worked under the shadow of an ancient cathedral. In this atmosphere the child grew to womanhood, and as she fashioned the rich embroideries of the sacred vestments she had a vision of love and happiness which was ultimately realized, though the realization proved too much for her frail strength...
The vast cathedral with its solemn ritual dominates the book and colours the lives of its characters. (J. G. Patterson)

People may wonder nowadays whatever led to the temperance movement and the prohibition experiment. Look no further than this book. It catapulted Zola to stardom and so impressed the public that, after moving pictures were invented in 1895, three film versions of the story were made before the First World War, and even Hollywood borrowed the basic plot for "The Lost Weekend" in 1945. Don't think it just describes French society. Next time you drop into your favourite bar, look around you and imagine where your fellow customers will be in twenty years time. Then go out and buy some liquor stocks, because people never learn, so why not get your hands on some of those booze profits. If you only read one French novel in your life, read this one. You'll never be the same again.

This is a wonderful book about a very difficult era in France. It talks about the problems of everyday life, the pains and betrayals in love, and it also explores human nature. It's a great book, and I sincerely recommend anyone who speaks french to read it. I can guarantee that you will not regret it! Thanks again to my great french instructor Mme Lavocat-Dubuis for helping me understand this story and making me appreciate it!!

I read the english version of this book and was completely satisfied. It kept me drawn in throughout the entire book, which is must for me. I stayed focused and was happy with the amount of detail Zola provides. I was so pleased with the english version, so I decided to try the french verson!!!