Y Books

Polish filmaker Roman Polanski who was born and raised in Poland by Catholic parents, was there to see what it was really like, unlike many others who were never there, but make ignorent anti-Polish judgements. It's funny how those who were actually there, like Wladislaw, tell a completely different story that the Hollywood/Media tells. Wladyslaw told the truth. Read the book, and see the movie. Get this book and movie to your schools and libraries - Please. This story has healing qualities that brings people together, and not apart.

This book is an incredible story of survival. I have seen the movie also. I would recommend both!

One of those amazing stories that makes you realize just how much the human spirit can take, and still survive. And just how inhumane we humans can be towards each other. Once you start reading, you won't be able to put this down.

Szpilman reveals the tragedy of Jewish life in Warsaw under the German occupation from 1939-1946. Szpilman's autobiographical work was first published in postwar Poland in 1946 but then quickly removed from circulation by Polish authorities. An accomplished pianist before the war, Szpilman played for Polish Radio during the siege of Warsaw and later within the Jewish ghetto to provide food for his parents and siblings. With the systematic liquidation of Jewish life in Warsaw and separation from his family, Szpilman's life took a series of surprising twists. As the reader views life in the ghetto through the eyes of a survivor, his escape from the ghetto before the Jewish up-rising and his ultimate survival consistently depended upon a timely combination of luck and sympathetic acquaintances B including a German army officer.

Included with Szpilman's memoirs are excerpts from Captain Wilm Hosenfeld's diaries and Wolf Biermann's own brief commentary. Hosenfeld's equating of National Socialism with Stalinist Communist and Biermann's emphasis on Szpilman's willingness to break with his past detracts from the overall quality of this work. Nevertheless, this work is well written and will retain the reader's attention to the end.

I could not put down this book, and read it in two sittings. Wladyslaw Szpilman, the famed pianist and composer, describes his harrowing account of life under Nazi terror. As a Polish Jew, Szpilman was considered by the Nazis to be entirely subhuman, and it is a miracle he survived the persistent and random acts of violence that surrounded him. He was nearly sent to a death camp along with his five family members, and somehow was pulled off the Birkenau-bound train to a grim prospect of survival. The images in this book are harrowing, such as the depiction of the shattered skulls of little girls, victims of the Nazis' "preferred" method of killing children by picking them up by their legs and swinging them into a brick wall. Imagine the horror....Szpilman's account is so matter-of-fact at times that you wonder how he survived. The fact that he did is a testament of human endurance, but also the ways of fate. There were occasions when he survived simply by the luck of the draw in a Godless universe.

I nearly fell asleep while reading this book. It only gets more than 1 star from me because of the somewhat predictable plot twist at the end.

This book is the first chapter book to interest my six year old. The characters, five sisters, each have their own personalities which are drawn in detail and carried through all of their adventures. The stories are sweet, focusing on everyday life in a poor jewish family at the turn of the century in New York (on the lower east side). The traditions will be familiar to an educated jewish reader but the setting just diferent enough to make it interesting. My daughter demands it every night and now cant sleep without her nightly dose of "naughty Henny and her sisters."

This book is just as entertaining as it was when I read it as a child! The book arrived quickly, in fantastic condition. Thanks!

Sydney Taylor's classic book for middle readers is set in the Lower East Side of New York City and depicts the life of a traditional Jewish family in the early 20th century. All-of-A-Kind Family is the first in a series of novels about the lively family and is a sweet, charming read. The story takes the reader through most of year and involves not just the family but their friends and acquaintances, too. The book opens with a chapter about going to the library, and the children's librarian (or "library lady," as the girls like to call her) is a gentle, recurring presence. The children's adventures include a trip to the market, scarlet fever and an outing to Coney Island, where one of the girls gets temporarily, and happily, lost. Meanwhile the story meanders through a year of Jewish holidays and teaches the reader a little about each one. I particularly enjoyed the chapter on Shabbat and how Taylor contrasts the hubbub of shopping and preparations with the simple serenity of the day itself. The family relationships struck me as very true and believable- for example, Papa's ambivalence regarding the present the girls get for his birthday and his quick turnaround struck me as realistic and human. I can imagine any parent reacting the way he did initially and then rallying in the end. I appreciate Taylor's honesty about her characters throughout the book, too. It's a great book for anyone and I'm looking forward to reading the rest of the series and sharing in the further adventures of this fun, busy family.

All-of-a-Kind Family was a turning point in the history of Judaic children's literature - the first mainstream book with Jewish characters! In memory of author Sydney Taylor, the Association of Jewish Libraries gives out the Sydney Taylor Book Award each year to the best in Judaic children's literature. See lists of winners at www.sydneytaylorbookaward.org.

Also, you can hear an interview with Jo Taylor Marshall, the daughter of Sydney Taylor, on The Book of Life podcast's October 2007 episode "Catch Me a Classic!" Jo shares memories of the real people who became the characters in the series. Tune in at www.bookoflifepodcast.com!

This book literally changed my life. As someone with a deep interest in Anne Frank and the Holocaust, I began reading it with some concern. I have read several books involving time travel and there is nothing that irks me more than a romanticized version of Anne Frank's life. However, this is a book that brings her and other victims of the Final Solution to life for me, and it is one of the best books I have ever read. I can clearly see how easily it could have been me and my family in the Holocaust, instead of someone else. The story also does a brilliant job of linking everyday events with those of the Holocaust. I can only imagine how survivors view modern life after what they went through. It makes you think about what is really important in life. I literally began thinking about how materialistic and selfish I can be, and how little that I really worry about is of any importance.
The title is misleading however; Anne Frank does spark the story and end it, but she is really not the driving force behind the book. She appears in the Holocaust flashback for only a few pages, though those pages are tearjerking.
Nevertheless, there is a great deal of information about the Holocaust in this book. It is extremely well-written, an incredible page-turner. I almost find it difficult to believe that it is a work of fiction, it seems so real. It is a slightly more mature book, recommend at least for teenagers. Aside from the age issue, this is a story that comes highly recommended. It will alter your life forever.

I loved this book! As i was readig it i thought what does it have to do with Anne Frank but as i kept reading the book got more interesting and i found out what it had to do with her.

This was the best book I ever read and i plan on reading it again. i recomend it to everyone.

Anne Frank and Me was an emotional story about a girl in present day and in the time of the Holocaust. If you do not like books that will make you cry, then do not read this one. The author uses very realistic details about the Holocaust so that you feel like you are really there in the story. Anne Frank and Me is exciting from the very beginning. You do not have to read for hours just to get to an exciting point in the book. I highly recommend Anne Frank and Me because it is an emotional book, and it is based on a horrible but real event that happened not too long ago.

Anne Frank and Me was an exceptional book and I enjoyed it very much. I can't imagine how anyone wouldn't love following Nicole through her journey starting in the 90's and ending up in year of 1942. I've read it twice and I know I'll set it down for a few months, then read it again! I recommend this to anyone with a heart! Enjoy Anne Frank and Me.
Stephanie A.
Tustin, CA

I would have to say that Anne Frank and Me is a very well written book about a modern girl trapped in a world shattered by the Nazis. Very realistic, I must say. Cherie Bennett makes it feel as if you are actually THERE. The characters are very original. The ending is very shocking and also well written.

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The definition of the word `requiem' is a musical service or hymn in honor of the dead. How fittingly that word rests with the subject matter of this novel. `Requiem for a Dream' is just that, a musical hymn in honor of those crushed and shattered dreams. When reading Selby's phenomenal (and I mean that in the most extreme sense of the word) novel about abolished hope and sheer desperation the reader is forced to face the ugly truth about our horrific society.

You ever read that novel or watch that film that just eats away at the pit of your stomach and pains you to your very core? You ever struggle to turn the page or fight to watch the screen because the onslaught of negativity is picking away at your spirit and bringing you to a dark and lonely place you never wished to visit? That is the feeling experienced when reading (or subsequently watching the Aronofsky film adaptation) this novel.

The novel opens by introducing us to four people. We have Sara, an older Jewish woman who lives for television. The opening scene depicts her son Harry, strung out as usual, stealing her television to pawn it for money in order to get his next hit. Harry also has a girlfriend Marion as well as a best friend Tyrone C. Love. The three of them enjoy a nice taste of heroin every now and again and will do just about anything to get it. Sara dreams of one day being on television, and when she gets to opportunity she grabs it by the horns. She is convinced to lose enough weight to fit into her favorite red dress, the one she wore to Harry's bar mitzvah. This leads her to diet pills which she quickly and dangerously forms an addiction to. Harry and Marion on the other hand begin to develop a plan to buy and sell heroin for a profit, that way they can one day by that little coffee shop and make a life for themselves. This little plan involves Tyrone as well, and as the dope starts pouring in, their idea of a small taste begins to grow until they can't stomach the thought of selling any of it but feel compelled to keep all of it for themselves.

The novel brilliantly portrays the mind of an addict; the `I'll never get that bad, I can stop whenever I want to' mentality that cripples the mind and fortifies the very essence of the domination of the soul. All four of these individuals are taken over and beaten down by the disease that is addiction. There is a scene where Tyrone is arrested and spends some time in the jail cell with an elderly addict, a man who is so far gone Tyrone is disgusted by him. Tyrone is determined never to be that man, never to become that dependant on the taste, but the first thing Tyrone does when he gets out is cop him that taste. He doesn't realize that he is already there.

The novel, like I mentioned, is horribly depressing and utterly frustrating, especially as the novel comes to a close and everything begins to spiral into oblivion. As we watch Sara, Harry, Marion and Tyrone's lives completely fall apart in a gradual yet perpetual tumble towards rock bottom we are left with the bitter taste of pain and misery in the back of our throats. Experiencing Sara's mental deterioration at the hands of the pill; watching Marion degrade herself to escape the sick feeling of withdrawals; seeing Harry cast aside his own well being in order to keep that high; watching Tyrone come to realize he is no better than the men he despises; all of this eats at our very being and transports us to a place unlike any we've ever been.

Like the movie, the novel excels when focusing on the female characters. Sara and Marion are by far the most sympathetic and interesting characters in the novel; with that said they are also the most depressing and utterly devastating to read about. Their final outcome is far from pretty and makes the reader feel helpless and alone; much like these characters.

`Requiem for a Dream' is far from pretty. It is dirty, gritty and at times unbearable; but there is no denying that it is a masterpiece; literature at its finest. Hubert Selby Jr. is a deeply controlled and phenomenally capable writer who understands the appropriate darkness of his subject; an author who takes something so terrible, so bleak and painful and makes it quite frankly one of the most important novels ever penned. In my humble opinion this is the type of novel that should be mandatory reading at any substance abuse rehabilitation center. After reading this grisly novel (and of course watching the equally grisly film) I could never even stomach the idea of drug use. In a world that glamorizes any and everything harmful to the soul, `Requiem for a Dream' stands apart as a very real depiction of all you stand to lose.

If you've seen the film, better fasten your seatbelts. Aronofsky went easy on you. I can't adequately describe what Selby achieved in this novel, or in "Last Exit to Brooklyn". He is capable of describing the most brutal things with apparent (but ONLY apparent) objectivity, but at other times he writes with astonishing delicacy. I can't even think of another writer who can do that half as well as Selby.

If you found the last 20 minutes of the film as horrifying as I did, Selby's account of the fates of Harry, Sara, Marion, and Tyrone will make you want to cry for all of them.

This is not going to be an easy read for a lot of people, but it's a masterwork.

It's just that good.

If you've read "Last Exit to Brooklyn," you'll be familiar with Selby's habit of not using quotation marks when he writes dialogue. But even if this is your first exposure to Selby, you'll figure out who's saying what pretty quickly.

And don't skip Selby's prologue.

As an aside: ELLEN BURSTYN WAS ROBBED! (As Sara in Requiem for a Dream, she really should have gotten an Oscar. I'm just saying.)

Hubert Selby Jr writes with in a way that is astounding. Bringing a story like this so heavily to life, to a point where it completely envelopes and engrossing you, all the while disgusting you is a great fete. I saw the movie, which is great in its own right, but not near comparison to the language of the book. Definitely recommended!

Selby's ability to capture inner monologue is incredible. You not only empathize, but you believe with each one of the characters. You hold on to the dream and it crushes you. Should be read in highschools everywhere.

You need to be ready before you read this book. Upon finishing this little dandy I was physically shaking. I can't think of any other book that has made of shake. The manic style and never ending punch in the face flow of this Hubert Selby Jr. masterpiece will stay with you for the rest of your life. If you saw the movie and so decided to not read the book, you are making a mistake. The book is a totally different experience then the movie. Each is a masterpiece in a completely unique way. It's amazing how real this book is. You will feel insane compassion for the lowest of individuals. You will want to reach out to these amazing characters. I don't know how Hubert Selby Jr. does it. His mind must have been a dark but beautiful and loving realm. If you want to be a book this one will make you its own. Read it.

Jorge Luis Borges was one of those rare writers who can take even a bizarre, utterly unbelievable idea, and spin it into an exquisite little gem of prose.

And this classic writer was at the peak of his powers when he collected together "Ficciones," whose plain name belies the subtle power and exquisite beauty of Jorges' short stories. Even among Borges' many short stories, few of them can rival this little labyrinth of strange ancient cities, fictional histories, and the eerie depths of the human mind.

"I owe the discovery of Uqbar to the conjunction of a mirror and an encyclopedia." An odd old saying from the Middle-East leads the narrator to seek out the long-lost heretical histories of a fictional world known as Tlon. Its beliefs, language, and metaphysical eccentricities increasingly fascinate the narrator, until it's almost a surprise to realize that Borges invented all of this.

The stories that follow are no less engrossing -- the recounting of a strange, haunting novel, a man who attempts to LIVE as Don Quixote, a man who tries to dream a new being into existence, a lottery that determines the way the people of Babylon are to live, an examination of a brilliant and underrated author, an exploration of the eternal Library of the universe, and a labyrinthine spy story.

The second round of short stories is a bit less enthralling, merely because it focuses more on "typical" Borges short stories. But they are still pretty enthralling pieces of work -- the remembrance of the brilliantly eccentric Ireneo Funes, the story of a scar, a series of murders linked to "the secret Name," a condemned man's begs God for a year to perfect his art, a forgotten heretic, a conversation leading to revenge, the Cult of the Phoenix, and a man entranced by the "Arabian Nights."

Mirrors and labyrinths fill Borges' work -- real and imagined, in word, metaphor and reality. You see them in an endless library, a guitar melody, a contradiction in religious faith, a complex plot, and in the mind of a man who loses himself to an obsession. The mirrors show you the sides of people that they would never see themselves, and the labyrinth twists the mind into new places where it would never normally go.

"Ficciones" explores places where normal fiction would never go -- such as a Babylonian lottery for different places in society, corrupted by greed -- even as it imbues its eulogies, metaphysical ponderings and explanations with the tinge of reality. The cults, deaths, and art that Borges describes seem so plausible, and are given such depth and detail, that it comes as a mild shock when you realize, "Hey, he made all of this up."

Part of that is due to his unique style, full of elegant wordcraft and gently luminous imagery ("a round yellow moon defined two leaf-clogged fountains in the dreary garden"). Even a stabbing is made brutally beautiful, and often dialogue is unnecessary -- the most beautiful and striking stories in here are the ones where Borges (aka the narrator) eagerly explores some invented facet of the world.

And woven through these stories are many of the things that fascinated Borges through his career -- a tragic hero, ancient heresies, an elusive God, and people whose lives he could somehow explore through his own imagination.

If you could criticize anything at all, it's that few of the characters -- aside from the Borges "narrator" -- are much more than walking symbols of a murky little message. But hey, you could simply see this entire book as an exploration of Borges' own imagination by himself. He happily recounts countries that are nonexistant, books that were never written, geniuses who never were.

"Ficciones" is about the dullest name you can possibly give to a work of genius -- an intricate little web that is all mirrors and mazes. Absolutely stunning.

My knowledge of Borges is small; before purchasing Ficciones I had only read two or three of his short stories. Enough, however, to know that it would be well worth the short time it takes to read each of these stories.

Borges had an unusual and amazing way of compressing the most stimulating, fascinating material into a small number of pages. You may read one of his stories in ten-fifteen minutes and contemplate it for a week (or more) and remember it for life. And still, you may well want to reread it many times; it has happened more than once that upon finishing a Borges short I immediately wanted to go back and start from the beginning.

The strange thoughts on infinity and the nature of existence are presented in a way that stimulates thought in a humble yet intruiging way. Ideas that may be well recognized and used in other fiction (in some cases overused) have some other element, some different approach, so that even if the premise is not "new" the experience certainly is. How this can be done, and in so few words no less, is beyond me.

This was certainly one of my very best buys and I know that this book will be well worn by my reading alone, not to mention that of the many people I will lend it to with my best recommendations. These short stories will bring beauty and excitement of the mind to many an otherwise boring, mundane day.

Borges, a half deaf Mephisto indian from Peru, wrote in the later half of the 20th century when half of his inheritance had been squandered in Bordellos charging full price. His forte into "asylum" literature came about as a result of being incarcerated by accident in a Bolivian prison camp which inspired the film, "Papillon". His days were spent by writing and re-reading a book he carried inside his pocket for 22 years which was titled, "Moth Collecting for Youngsters". Most of these stories deal with tidal waves and rocks but some, deal with the memories of his youth like "Hopping on Empty Books".

Transport the Wachowski brothers to the 1930's and ask them to express their philosophy by way of short stories. You might get something in the same ballpark as Ficciones. The diversity and genius of Borges' work is so unique that if you were to know all the languages in the world and had no word limit, it would still be hard to do a review that does justice. Ironically, this is exactly the kind of challenge that Borges would stand up to. I will attempt to review this work by enlisting adjectives that come to mind.

Surreal, mystic, recursive, sophistic, heretical, philosophical, religious, profound, imaginative, ingenious, circular, open-ended, unorthodox, personal, hallucinational, original, universal, self-referential, concise, contextual, complex, ironic.

Here are a few examples of the complexity of Borges' mind at work.

Borges attributes certain imaginary books and volumes of books to some of the authors that he is most influenced by. In reality, these books are projections of Borges' fertile mind and no more. In the process of critiquing imaginary works of art (let's call this meta-art), he creates an instance of the meta-art in the mind of the reader. It's like me talking to you about the eating habits of a third person you haven't met, and actually does not exist! Borges never fails to leave you with a lasting impression of a meta-art that resonates with your senses. On second thoughts, this is obvious because the meta-art is as much a figment of your imagination as it is Borges'. Every meta-art is a reflection of your own creative mind, while Borges is simply holding a mirror. And talking about mirrors, here's a quote from Borges as attributed by him to the meta-art in his first short story "Tlön, Uqbar, Orbis Tertius": "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." And with this we come full circle just like you would in most of Borges' stories.

Borges is fascinated with the idea of god and provides several unorthodox notions of god that might be as appealing to scientists as they would to priests. This is done more so by illustration than by elucidation. In fact, subtle self-references and recursions are an integral part of the entire work. The stories embody the concept that Borges sets out to illustrate, and always come full circle at the end such that appreciating the story is equivalent to appreciating the concept. Whether it is the wizard of "The Circular Ruins", the librarian of "The Library of Babel", the spy of "The Garden of Forking Paths", the teenage boy of "Funes the Memorious", or the playwright of "The Secret Miracle"; the self-referential nature of the work is haunting. Each story leaves you wondering how Borges could convey so much with so little words [This also speaks volumes about the quality of English translation]. Then again, the very topic of brevity and excessiveness is discussed in one of the reviews of a fictional book. It is like Borges does not let anything go. Yet again, the very topic of an all-encompassing book is discussed in the context of a fictional book that aspires to BE god.

There was not a single story of the seventeen that was not profound. There is no chance that you would not re-read this book after reading it once.

Borges never fails to please, to challenge, to entertain, and more importantly make one's brain shift into high gear!
If you are looking for an easy read, don't expect to find it in Ficciones.

However, if you are looking for a little cerebral cortex arousal; grab this book and find a cozy spot...you won't be disappointed!

Reading with his head instead of his heart, Borges looks to fill his mind with all the minutia and information he can possibly hold and release it back in his works with finely crafted and fascinatingly playful philosophical stories.

The sparse, objective writing of Ficciones is a far cry from his earlier lyrical style, of which he says: "In those days, I sought dusk, the outskirts, and unhappiness; now, mornings, the center, and serenity."

Thankfully in the newer center, we are treated to 17 extraordinary stories that are teasingly succinct, yet brimming with imaginative and aesthetic prose!

The scarcity of words requires that the reader pay attention to them all or miss much of the wisdom and subtleness that define the delicate and ingenious style that is this fine master of fiction...Jorge Luis Borges!

One of my all-time favorites. This is the second copy purchased. Never got the other returned.

27 years ago my English teacher at a private international boarding school in Malaysia read this book to me in class. Wow! A dramatic, exciting, story about a true adventure that includes that angst of a Christian trying to understand and do what he believes God wants him to; including leaving home and being a missionary at 19!

The author writes well and the reader can feel Bruchko's emotions, smell the humid jungle and the unwashed bodies sleeping in hammocks in smoky huts. You live the adventure with the writer and Bruce Olsen helps you reflect on your own journey of faith as you observe, through reading, Bruce's personal pilgrimage and adventure.

I have read this book several times and am now reading it to my own students at the international boarding school I currently teach at in Korea.

If you have ANY interest in missions or young people or Christian faith or adventure (or any combination of these) then buy and read this book. Well written, exciting to read; enjoy it!

Even though I haven't gotten a chance to read this book since it arrived a week ago, I'm giving it 5 stars because my husband got a hold of it first and read it before me and absolutely loved it, and now I've ordered the next book for him. My son now has the book, so I'm not sure when I'll actually get to read it myself, but I'm looking forward to reading about how Bruchko - Bruce Olson - trusted God with everything. What an encouragement, and what a challenge!

Great book. Amazing story. Very inspiring. Easy read, and you won't want to put it down.

This book is an outcry for those who want to see a Christian life given to God to serve whatever purpose that He has. The story is of a man, Bruce Olsen, who as a child comes to know God through Jesus and begins to be persecuted by his parents who eventually kick him out as a young teenager. The book is a story of Bruce's life thereafter, in which he constantly is given to seeking and trying to find the will of God and the place where he needs to be. It is an illustration of someone doing the work of the Almighty and being blessed for it and being taken care of out of nowhere when he had nothing and noone else to look to. This book should be read, and it will be read quickly by those who pick it up, by any person who claims to be a Christian. It may shock many to see the way they are living is nothing like the way that it should be, and this book is a good example of that life.

I am amazed at how this book was put together from a real true story. It was great to read. I am sorry her father never got to understand his personal life how he became so evil and I do not blame the kids for not wanting to see him or talk with him. Some of the horrible treatment he gave their mother and his children and only think he got was nothing.

Color Me Butterfly is a very inspiring book. It lets one know that generational curses are real. It also shows that through strenght and perserverence that generational curses can be overcame. L.Y. Marlow did an excellence job in showing the struggles that takes place in so many african-american family. Whether it is domestic violence,teenage pregnancy or whatever the curse may be it can be broken.

Color Me Butterfly is phenomenal!! It touched my heart and hurt me at the same time. An inspiration to all who had to struggle with domestic violence, forgiveness and letting the pass rest. It encourages a child that is facing this situation that they are not alone, and it is okay to talk about it. Definitely a must read for the year!

THIS BOOK WAS MOST DEFINATELY 1 OF THE BEST BOOKS I HAVE EVER HAD THE CHANCE TO READ........

Color Me Butterfly is truly a soul stirring book. There were times when reading this book that I flinched. I believe the author told her story in a remarkable way and that it is a testament to both the strengths and weaknesses of women who find themselves in the midst of domestic abuse. The generations went through such violence and immeasurable pain--- yet still "they rise"!! Although painful, Color Me Butterfly exposes the profound truth that abuse can be generational and that suffering in silence brings about more pain and dysfunction. I would highly recommend this book to all in the hopes that it will inspire the "silent sufferer" to break the cycle.

Although this book was written in the 1960s, it is, still, very relevant today. This book was recommended to me back in 1983 or 1984 when I was in the military. I bought it with a number of other books. It took me twenty years to read it. I should have read it alot sooner; but, the rigors of life and the fact that a good many other books I bought kept pushing this one further back on the reading list. I grew up in the streets of NYC and saw his life being played out in a number of guys and gals I hung out with at that time. I didn't get caught up in the drug scene nor in the gangsta scene but, like the author, there was a lot going on outside the walls of the house to keep me outside nearly all day. Yeah this world was much newer for me then rather than now but I had to see what was going on within and without my neighborhood. As a parent looking at my kid, I know this world is new to them, which I can't shelter them from. As my kids look at me as their parent, they are constantly telling me to get out of their way. I want to see what is going out there. This only helps me to keep life real for them with a dose of non-reality here and there. Fortunately for Claude Brown, the street made him wise and through his book some of us can reminesce about those days and explain to others what urban life was like for us and how it made us what we are today. For others who have not experienced this urban lifestyle, take the book for what it is and re-evaluate your own experiences in hopes of passing on a reality check of your own life to your children.

This is an awesome book that I highly recommend to all young men trying to find their "way". It can be a little harsh, but it is about life in the inner city and a young man becoming a man.

I can't believe I didn't write a review for a book I read 10 years ago. This is one of my favorite books. It was this one book that drew me into reading books and becoming a book lover. One of the best books I ever read. Highly Recommended!!

Claude Brown's slightly fictionalized autobiography recounts his childhood and early adulthood throughout the 1940s and 1950s. Manchild in the Promised Land also documents the changing atmosphere of Harlem and the people it affected. Brown tells stories of himself as a hell-raiser, involved in theft and drug dealing, and spending time in juvenile detention centers like Wiltwyck and Warwick. He was able to establish a feared and respected name for himself both among the streetwalkers of Harlem and the inmates of the reform schools. Lacking formal education (resulting from years of playing hooky) and idolizing the criminal elements around him, he seemed to be heading down a short road of vice and danger.

Only after Brown moved to Greenwich Village shortly before turning twenty was he able to begin viewing Harlem with a more objective eye, and see the factors that led him down the downward spiral he had been traveling. One of the main reasons Brown believes he and his friends were wrought with such violence and recklessness is due to the mentality imported by their parents from the South. The thing that mattered most to them was fighting: for one's money, girl/family, and manhood (Brown 260). He feels that that rural mentality had been brought to a crowded city life that was not only incompatible with the setting, but also destructive. He laments, "it seems as though if I had stayed in Harlem all my life, I might have never known that there was anything else to life other than sex, religion, liquor, and violence" (Brown 281).

As a youth, Brown excelled in these very base attributes. It wasn't until the introduction of heroine, or "horse," as it was first introduced in the early 1950s, that he feels Harlem truly became unable to cope with their values. Instead of young men fighting for honor, they were killing and robbing for money to sustain their overwhelming addictions, introducing more guns into the neighborhood with desperate people wielding them. He witnessed his friends begin to fade away into scratching, nodding junkies. However, by this time Brown was able to leave and slowly break away from the crumbling Harlem he once knew, watching from afar many of the individuals he once hustled with fall victim to the crimes they themselves would perpetrate.

Many opted instead to stay in Harlem and live the street life. He attributes this to the attitudes of whites outside Harlem and the racism they encountered. To live a "clean" life usually meant to work for a white man who underpaid, referred to them in a racially derogatory manner, and made them perform the most labor intensive tasks. When it came to these prospects, most understandably chose the life of a self-employed drug dealer in Harlem over the self-effacing menial work elsewhere, despite the danger (Brown 287).

Where some people turned to drugs or religion to deal with these problems, Brown found his calling through more established and secular means. Education and music became outlets for him to express himself, gain a self-pride through non-criminal means, and eventually lead to a promising career as a lawyer and author.

One of the things that make this autobiography interesting is its use of language. Brown writes in a notable street dialect, however, the language itself evolves with the character. For instance, "cat" slowly comes into use around page 67 and is used throughout, though it receives less use towards the end. More notably, on page 109 the young Claude begins idolizing a street pimp named Johnny: "To Johnny, every chick was a b*tch. Even mothers were b*tches." And so on page 114 Brown writes "Jackie was a beautiful black b*tch." From then on women are regularly referred to as "b*tches" until the character matures enough to treat women with more respect, and Johnny's spell seems to have completely worn off by the time Brown falls in love with a fellow student. Likewise, the sentence structures become less erratic and grow in sophistication as the book goes on, using less slang chapter by chapter when he begins to change. This seems to be by design.

Claude Brown's personal accounts are no doubt fictionalized to some degree, for his characters go on exhaustive speeches several times, and he certainly didn't tape record them for every word. However, Brown's intentions are to present Harlem and its difficulties in approachable and creative ways. To allow readers (such as white-suburban-me) an inside look into the ways of urban life it invites an understanding and, hopefully, sympathy for the situations of the junkies, prostitutes, and drug dealers that we pass on the street. He shows them in a way that cannot be easily neglected, in intimate, personal relationships that reveal the influences and regrets that have placed them in those situations. These factors were not unique to the 1940s and 1950s. They existed before and do so today. Brown allows insight into the hardships while telling an encouraging tale of one who made it out. By personal drive and education, through art and self-expression (as this book is), he shows that the situation is not dire, but attitudes must change before the world will follow.

I was able to find this book relatively easy, based on a few keywords. My boyfriend started reading it several years ago and was unable to complete it. The storyline stuck in his memory and I bought it as a surprise for him, because over the years he mentioned it occasionally. Thanks for making the lookup so easy!

You really don't have to say much because Tracy always brings it. I loved Lamin!!! People go get this one. it does not dissapoint. I would give it 100 stars if i could

Tracy is a great story teller and the way she took us into the lives of lamin and made is fall for him weas terrific. Go get this book, if you aint up on it, you late!!! Tracy is one of the best out in the game.

I was so in love with the idea of Lucky and Lamin it's ridiculous! I loved everything about this book. I loved the loving relationship between Lamin and Lucky, between Lamin and Zion, and his relationship with his sister Olivia. The lives of the characters were so descriptive, I felt like I knew them personally. I HATED that Lucky and Lamin didn't end up together but it was for the best. Lucky wanted to try again (despite his betrayal) and he chose another path. I've read Tracy Brown's other works but I think this one by far was her best! LOVED IT!!!

I thought CRIMINAL MINDED was outstanding tracy brown did a great job writting this novel keep them novels coming ms. brown. This book will hold your attention from start to finish this book is so true in life some men think that the grass is greener on the other side but soon they fine out it's not and they never miss a good thing until it's gone. IF you are looking for a good read this is my suggestion.

I am a huge tracy Brown fan and loved all of her books so far and this one was great as well. The characters were well developed and the story line was great! This is another must read!

If you want to hear the truth about the old days, here it is. This was a perfect example of what many people in El Barrio saw and/or did. Its so real that if you read certain passages slowly, and then close your eyes, you could actually see how it went down. This book can help you look deep and realize that we, in this day and age, have it 50 times better than our fathers and grandfathers. Lets thank our stars and our parents. Praise to you "Don" Piri.

Down These Mean Streets is the story of Piri Thomas' journey into adulthood. The book is set in Spanish Harlem in the 1940s. The author's writing style is refreshing and lyrical. He uses some Spanish words here and there(readers might find the glossary in the back of the book helpful), and kicks in a few slang words as well, which makes the dialogs that much more genuine.

Piri struggles through poverty, family troubles, and desperately wanting to belong. He fights with being a dark skinned Puerto Rican during a time when racism was strong, and trying to find his place as neither black nor white. Piri did some not-so-good things in his life, being in a gang, drug addiction, and armed robbery among other things, but throughout it all it is easy to tell that Piri is a good guy at heart.

Overall, this is a captivating story. You might find yourself wondering what you would have done faced with the same situations. I even found myself rooting for Piri at times. This book is still a very accurate depiction of "the hoods" of New York, despite being published for the first time about 40 years ago.

I was sad to have to finish the book, and in the end I felt like I knew Piri. I look forward to re-reading this book over the years. It is truly a classic. Everyone should read it. Anyone can find something in the story that they will be able to relate to.

This book really told me what it was like to live in Harlem in the 40s. The discrimination and racism is real and raw (although Mr Thomas does get a little jaded and think all white people are bad). The way he describes coming off heroin is realistic, colorful, and explosive. This whole book is very alive, as a memoir. It was funny to see the slang they used back then!

I've read this book more than a few times and have taught it to different level readers a few extra times. There was one high school student who came to me after the book was done and told me, "This is the first book I ever finished." Even if it's not the first book you've read, you'll find writing that is fearless, honest, and powerful. You won't forget it, and if you're really lucky, you'll get to share it with someone else.

Grabbed it off my english teachers shelf junior year of high school, loved it so much I never gave it back. This is an amazingly wonderful book. Vivid writing style...I could see every last detail in my head. It was like a movie in my brain. Love it.