Douglas Winter Books

Clive Barker has also glimpsed other worlds, but rather than driving him mad, these visions have compelled him to communicate what he has seen to others. This compulsion has led him to express himself in a multiplicity of media, including the sketches he drew as a child (and indeed, throughout his life), the plays he wrote in his twenties, the short stories he penned as he matured, the movies he directed, or even now, in the portraits he paints. It is this impulse that Douglas Winter, a polymath in his own right (lawyer, journalist, editor, author, book critic, public speaker), attempts to chronicle and explicate in The Dark Fantastic.

The book is arranged chronologically, following Barker from his early life in Liverpool, to his years on the London theatre scene, culminating in the present day, where we find him in Hollywood at work on his latest undertaking, the multimedia project known as The Abarat Quartet. Winter seems to have had unrestricted access to his subject and to those around him, as he cites knowledge gained from interviews with Barker and a plethora of Barker's family, friends, lovers, ex-lovers and business partners. Although Winter makes no claim of objectivity, he maintains a respectable distance from his subject, providing valuable insights into both the man and his work. Doing so, he makes a convincing case for Barker's inclusion in the pantheon of the leading creators of fantastic literature.

Perhaps the most important revelations are found near the end of the book, where Barker becomes more comfortable with his sexuality, finding true love with photographer David Armstrong. There also, he deals with the death of his father and his subsequent descent into depression. Barker's latest epiphany is the most fascinating, as he comes to realize that hundreds of paintings, seemingly created at random to combat his depression, all contained common themes, themes that eventually coalesced to form the basis of his Abarat Quartet project. The fact that he unconsciously worked his way towards mental health, even while breaking new barriers, is both inspirational and awe inspiring.

The book's upbeat ýending" (Barker's only fifty as of the publication date) bodes well for the future. Barker, it seems, will continue to receive messages from other realities, filtering them through his artistic sensibilities to make them more palatable to us lesser mortals. We, the audience, merely have to open our minds, experience his work, and learn. By allowing Barker to take us to other worlds, we can more easily absorb the lessons he has to teach us about our own.

3 stories by Stephen King: "The Reploids", "Sneakers" and "Dedication".

3 stories by Dan Simmons: "Metastasis", "Vanni Fucci is Alive and Well and Living in Hell" and "Iverson's Pits".

1 story by George R. R. Martin: "The Skin Trade".

While the stories by King and Simmons are more or less short, the story by Martin is long, taking up almost half of the volume.

The only (almost) original story is "Metastasis" by Simmons, where a medical experiment lets a man see strange violet creatures (usually invisible) feeding on human beings like vampire slugs, causing cancer.

"Sneakers" is a ghost story, while "Dedication" is about urban witchcraft and "The Skin Trade" is a story about werewolves and investigation.

Harlow poetically depicts the life of a 14-year-old boy growing up in a small town located in British Columbia during the winter of 1930-1931. The reader is quickly drawn into Christopher Waterton's changing social environment as he undergoes his difficult and, often times, confusing metamorphosis to maturity. Throughout the novel, Christopher undergoes great change as he is confronted with life's hurtles. Meanwhile he struggles to cover new ground - perfecting his new found interest, his saxophone; his first love (Emily Gordon); peer pressure at school; and mounting family problems - all encompassed by a changing world scene on the brink of war.

"The Saxophone Winter" possesses an uncluttered poignancy that makes it unforgettable. It will appeal to readers of varying ages - the young, who may be encountering similar experiences and can relate to the foreboding frontier of growing up - or the more mature, who can look back wistfully on their past as they flip through Harlow's masterpiece.