Peter Weiss Books
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i'm in this showReview Date: 2002-10-17
The book is greatReview Date: 1999-06-16
the most beautiful play everReview Date: 1999-09-06
I only saw the actual playReview Date: 1999-05-14
Publish MARAT/SADE again.Review Date: 1999-06-20
"This play-within-a-play is about pushing at the limits", said Dramaturg William Lewis Evans.
I first saw the play performed by students of the Bishop's College School Studio Theatre in Lennoxville, Quebec. The text was phenomenally stimulating. The play was memorable, intense, and for the audience at least, indeed a little scary. Marat/Sade, after all, is the practical quintessence of what Antonin Artaud called the Theatre of Cruelty - theatre of the visceral and disturbing - theatre that "wakes us up, mind and heart". The highlight of that Canadian gala, for me, was when I witnessed an audience member and retired member of the French Foreign Legion (an outstanding citoyen-expatrie who should remain nameless) stand up - in the middle of this High School play - and leave the theatre in protest.
The play was, and remains, exceedingly powerful.
Years later I saw the play performed by Yale students in New Haven, Connecticut. If I remember correctly, Loren Stein directed. At one point during the performance, it became clear to the audience that one of the patients - an actor - had, during the course of the performance, in fact urinated on an audience member. As a reporter for Radio in New Haven, I interrogated that audience member at the end of the night, and caught a soundbite.
She said:
"It was wonderful. I don't know what else to say. This is Theatre, I guess. Real theatre."
Perhaps it should come as no surprise that this play should end up out of print, along with a dozen or so others like it, and be replaced on your roster with the latest celebrity-authored self-help books.
Maybe Oprah Winfrey will teach me how to fry tofu. It seems to be all we have a taste for anymore.
Franklin Pryce Raff

Different From the UK EditionReview Date: 2008-05-14
The UK edition features an extended Epilogue, including an explanation from Sade, the "resurrection" and counter-explanation of Marat, and a giant poster of Napoleon during the parade scene. In this edition, some of the Herald's lines were given to Coulmier to apparently bridge the gap.
All of the descriptions, introductions, notes, and even inclusion of musical scores remain identical. If given a choice, I would certainly look for that edition, as it is somewhat more fulfilling. (It features a standard black & white cover with no pink trim)
THE TITLE SAYS A LOTReview Date: 2008-04-12
I knew very little beyond the superficial about Sade or Marat, so I was somewhat surprised to discover that Sade actually wrote plays while confined in Charenton that were performed by the inmates, and that Marat was a scientist who expressed ideas well ahead of his time. I was inspired to learn more about Marat, so I read his essay ARE WE UNDONE, in which he urges: "The cutting off of five or six hundred heads would have guaranteed your peace, liberty and happiness." In the play he justifies this savagery by insisting (p. 113): "We do not murder we kill in self-defence." (It might very well be our beloved president speaking). If Marat was made the scapegoat for the Reign of Terror, it was not without foundation.
Weiss writes that what interested him "in bringing Sade and Marat together was the conflict between an individualism carried to extreme lengths and the idea of a political and social upheaval. Speaking to Marat, Sade says (p. 131), "these cells of the inner self are worse than the deepest stone dungeon as long as they are locked all your Revolution remains only a prison mutiny to be put down by corrupted fellow-prisoners." This dovetails interestingly with Sade's comment to his wife when she complained that one could not approve of his mode of thought (p. 147): "My mode of thought is the result of my reflections, it is a part of my life, of my own nature. It is not in my power to alter it, and if it were in my power I should not do it." This brings to mind Schopenhauer's reflection that "You can do what you want, but you cannot want what you want." Thus do Sade and Marat imprison themselves within their own grubby little minds. Sade claims, in this play at least, (p.72), "In a criminal society I dug the criminal out of myself so I could understand him and so understand the times we live in." His mode of thought makes this sort of understanding improbable.
However, as with all pessimistic assertions, this is not really true. With just a moment's honest reflection it is obvious enough that most of what makes up our "nature" is purely haphazard, and our "reflections" are just an obsessive rehashing of petty grievances and sexual fantasies that that we come to mistake for our true nature.
Provocative and Mind Stimulating MaterialReview Date: 2008-04-05
So Marat/Sade is a play within a play with definite messages concerning "Revolution" and the effects on both the masses and the leaders. The setting is a fictional one, but uses the basis of historical events and characters to tell the story. The play inside this play is written and produced by Sade and performed by the inmates of Charenton where he spent so many years imprisoned for his writing, considered socially unacceptable and outrageous. The year it is being performed is 1808 but the events surrounding the story are happening on July 13, 1793, the day Charlotte Corday stabbed Jean-Paul Marat.
It is the day of the assassination. Marat, Sade, Corday,and political activists of the time argue back and forth about the reasoning and atrocities surrounding the Revolution and the state of Terror. The points going back and forth(sometimes in song) has the inmates(the rest of the cast), being easily swayed and worked up into a state of frenzy, all the while building to the stabbing. What is morally right and wrong? Heads are rolling - literally - who are the sane ones here - are the inmates running the asylum - so to speak?Even Columier(progressive director of the institution and supporter of freedom in arts)has trouble with the play when he feels it goes to far against the establishment.
This book, first published in 1965 grasps not only the horrific events of the 18th century, it is also certainly a statement on the international events of the 1960's. It will still provoke thought and may translate to some of the atrocities going on in the world today. Author Peter Weiss, seems to have really gotten into the heads of Sade, Marat and the others giving intellectual and provocative dialogue to the players. The scenes are well set for the stage, and excellent descriptions are given for each character making it very easy to visualize the entire play.
The books includes character descriptions - even down to subtle items in the wardrobe that would distinguish their roles, author's note on the historical background of the play,the music and words to the songs, and a brief bio of Weiss. I don't speak German(the 2 semesters I took in college nearly 40 years ago is long forgotten), but I have to say I don't feel like anything was lost in the translation of this play.
I would highly recommend this play to anyone who enjoys historical fiction, politics, infamous characters, and even if you are part of an acting group looking for an interesting and provocative play, you should have a look at this one.
This is a keeper and one to be read repeated times...enjoy the read...Laurie
One of the most haunting plays of all time.Review Date: 1996-07-16
PowerfulReview Date: 2007-09-07
The story takes place in an insane asylum in France around the time of the French Revolution, where The Marquis de Sade was kept for a number of years. He wrote a play about the revolutionary - Jean-Paul Marat, which was performed by the inmates of the asylum.
However, the play is much more than that. It really is a commentary about about how people behave toward one another during terrible periods of time.
I think it is a remarkable play - sometimes a little horrifying - but very well worth while picking up to read. I whole heartedly recommend it.

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Oh, What Fun it Is!Review Date: 2005-10-29
The Everything Christmas BookReview Date: 2001-01-24
They begin with the history of Christmas and how it "evolved over many centuries, enduring occasional tribulation, scrutiny, and abolishment along the way." Folklore, such as why red and green are Christmas colors, complements the historical facts. They also explain how decorated trees and Santa Claus became a part of contemporary Christmas celebrations.
The chapters on stories and poems include such well-known tales as Dickens' "A Christmas Carol" and Moore's "'Twas the Night Before Christmas," in addition to other favorites. Music and complete lyrics are provided for forty Christmas carols. The list of Christmas videos contains more than fifty titles.
Do you know in what year "A Charlie Brown Christmas" was first broadcast or when "Miracle on 34th Street" was first released in movie theaters? These are two of the 106 questions included in "The Ultimate Mass-Media Christmas Trivia Quiz." (Answers are at the end of the chapter!)
If you're up to a little traveling, check out the section on local festivities. Tree-lighting ceremonies, parades, Yule log celebrations, feasts, and lighting festivals are available all across the States. The editors provide times and contact information for each event listed.
No Christmas is complete without lots of good food, and the editors have selected a tantalizing sample of holiday recipes, including wassail and "Special Green and Red Vegetable Salad." Recipes are divided into sections for breakfasts and brunches, appetizers, side dishes, main courses and accompaniments, sweets and desserts, and drinks.
The next chapter offers recipes for gift-giving. And yes, it does include fruitcakes!
The editors conclude with a section on how Christmas is celebrated in other parts of the world and a discussion of Hanukkah and Kwanzaa.
The Everything Christmas Book is an ideal gift for people of all ages and interests. Be sure to get a copy for yourself also--it will soon become a treasured favorite.

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The absolute best and absolute worst play I've ever done.Review Date: 2005-01-28
As an actor who has had the opportunity to perform a production of 'The Investigation' I offer a word of warning. This play will upset you, anger you, and destroy you. Merely reading the words on the page is bad enough, performing them - trying to re-emulate what really happened turns you inside out. As my director said - 'You'll be glad you did this, you'll be even gladder when it's over'. What is contained within the pages of this play is the human condition at it's absolute worse. You read about the ones who survived - and what they had to do in order to survive, and you read about those who were just 'following orders'. And the question you ask yourself when you are finished reading this is not 'What would I have done?', but, 'Would I have survived?'
unforgettableReview Date: 2002-08-12

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SpectacularReview Date: 2007-05-16

The InvestigationReview Date: 2008-03-28
Peter Weiss, whose Marat/Sade was hailed throughout the world as a major theatrical innovation, has chosen this way to bring these events to the stage. The dialogue of The Investigation was not invented. Rather, the actual testimony of the accused and their accusors has been distilled to bring out what is essential to the author's vision.
Central to that vision is a documentation of the outstanding negative achievement of our civilization: the use of the concentrated power of a modern technology by a sophisticated leadership to draw a highly civilized people into participation, active or passive, in the irrational destruction of a segment of its own population which had been designated worthless.
From the testimony of the survivors comes a literal and sickening account of the procedures at Auschwitz, the gas chambers, the mass cremations, the starvations, the brutality, the medical experimentation - all parts of a routine whose goal was impersonal efficiency in exterminating large numbers of people.
But the accused, who since the war have led conventional and useful lives, cannot be made to understand that obeying orders at Auschwitz twenty years ago constituted a crime. "The witnesses felt guilt," Peter Weiss has said of the trial; "the accused felt none."
The Investigation raises inescapable questions about the citizen's relation to the society in which hew lives. To what extent is he accountable for his own actions? Does conformity with a prevailing social of political code of behavior absolve him of individual responsibility? If his government, purporting to act for the good of the whole society, enforces a code that conflicts with his own convictions, should he resist - and when - and how?
--- from book's back cover

To know him is to support him!Review Date: 2007-09-09


Un interesante libroReview Date: 2001-03-14


Dam Good MovieReview Date: 2008-05-03
This guy was real gone, for five yearsReview Date: 2008-02-17
Sci/Fi ThrillerReview Date: 2008-01-18
This movie is going out of print and the only place that I could find it is on Amazon.com. This is the best version and is not the series on TV, which was based on this movie.
Christopher Walken plays the heck out of this movie. After a near death accident, and 5 years in a coma, he is given powers to see things that has happened in the past and that which may happen in the future.
His visions saves a girl from burning in a fire, is able to help his doctor contact his mother who he thought was dead in WW II, help the police find a serial killer, and is able to prevent a boy he is tutoring from going ice skating which would have led to his death by falling through the ice.
The age old question is can a person with these kind of powers intervene into history to change it? The big test comes when Walken decides to use his powers to stop a candidate for the Presidency who is seen as one day going to push the nuclear button. Walken gets these visions by holding a person's hand or from some other bodily contact. Each time he uses his powers, life drains from his ever weakening body.
Walken plays the heck out the scenes in which he goes into his visions. A collector's must for I never really see this movie ever being played on TV.
Christopher Walken is awsome!!!!!Review Date: 2008-03-17
Just take a chance and buy it!!! it's great!
Christopher Walken + seeing the future events = A Fanastic Movie!!
A great Cronenberg film.Review Date: 2008-01-17


Dam Good MovieReview Date: 2008-05-03
This guy was real gone, for five yearsReview Date: 2008-02-17
Sci/Fi ThrillerReview Date: 2008-01-18
This movie is going out of print and the only place that I could find it is on Amazon.com. This is the best version and is not the series on TV, which was based on this movie.
Christopher Walken plays the heck out of this movie. After a near death accident, and 5 years in a coma, he is given powers to see things that has happened in the past and that which may happen in the future.
His visions saves a girl from burning in a fire, is able to help his doctor contact his mother who he thought was dead in WW II, help the police find a serial killer, and is able to prevent a boy he is tutoring from going ice skating which would have led to his death by falling through the ice.
The age old question is can a person with these kind of powers intervene into history to change it? The big test comes when Walken decides to use his powers to stop a candidate for the Presidency who is seen as one day going to push the nuclear button. Walken gets these visions by holding a person's hand or from some other bodily contact. Each time he uses his powers, life drains from his ever weakening body.
Walken plays the heck out the scenes in which he goes into his visions. A collector's must for I never really see this movie ever being played on TV.
Christopher Walken is awsome!!!!!Review Date: 2008-03-17
Just take a chance and buy it!!! it's great!
Christopher Walken + seeing the future events = A Fanastic Movie!!
A great Cronenberg film.Review Date: 2008-01-17
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52