Robert Weaver Books

This shows you how Antwerp was the Nashville Tennessee of the 16th century. They would have loved Toby Keith.

This is as a nice reference for the blues guitarist. It's nice to have so many new ideas in one place. The only downside (more so for the beginner), is most of the turnarounds are in the key of C which means you'll need to transcribe them to different keys. This is not a bad thing as it is helps develop a better knowledge of how the blues scales are put together. It is a good investment as it is a reference and a learning tool.

(101 Razor-Sharp Blues Guitar Fill-In Licks)


Leading Book of Its Type

This is undoubtedly the leading book of its type on the market today. 101 authentic urban blues guitar fill-ins in the Chicago blues style, each accurately transcribed in notation and tablature. Each lick is recorded note-for-note on the companion CD and accompanied by a professional blues band (complete with singer Charles Atkins), and wonderfully engineered by Fred Chester, a well-known engineer in the Southeast who has recorded albums for jazz piano great Marcus Roberts and persons of similar caliber.

As a professional music teacher of many years, I have found Larry McCabe's music instruction books to be of consistently high quality, popular with students, focused and effective in accomplishing the particular objective.

Small wonder. Larry has one of the most reputable names in the music publishing industry. His resume lists over eighty published books for Mel Bay, Centerstream, and other big names in the industry. Two of his books were written for none other than Roy Clark. And he was the guitar writer for Living Blues Magazine for three years, and a member of the W.C. Nominating Committee for many years. This is a teacher who knows how to play and teach the blues.

The author, Larry McCabe, is a well-known and respected author of many instruction books and he has a strong background in the blues. I recall that in the 1990s Larry authored a popular blues guitar column for Living Blues Magazine.

Against the backdrop of a live band complete with singer Charles Atkins, each fill-in lick is played exactly as you would play it on stage or in a jam session. The licks are tasteful and performed in the authentic Chicago style-the licks are the real thing, played by a guitarist who knows how to play the blues and write blues instruction.

I would recommend this book to an early intermediate guitarist whose ambition is to play in the urban blues style. The incredible thing about this set is that the user is actually sitting in with a live blues band that includes a singer.

In the rush to play solos, fill-in are sometimes overlooked. This book is unique and unlike any other book on electric blues guitar. And in fact, Red Dog Music Books entire series of 101 Razor-Sharp Blues Books are enthusiastically recommended to all electric guitar teachers who have students who want to learn to play the blues.

Parallels the DSMIV very well A good preparation guide for the counselor certification exam.

The Clinician's Handbook is in fact well integrated. Each of the major disorder categories is addressed in general, with detailed discussion of each of it's subtypes. This includes a review of major DSM-IV diagnostic criteria, as well as scale patterns evidenced on major instruments, such as the MMPI-2, 16PF, and MCMI.

While the 16PF is given it's own regular section, the MCMI is relegated to the "Other Test-Response Patterns", along with the WAIS-R and other possibly informative instruments. Considering the popularity of the MCMI I feel it should have been given more attention in this text. To the authors credit though it does refer to the updated MCMI-III.

The "Treatment Options" sections are well discussed from the point of view of both standard intervention strategies, as well as new concepts and the authors own clinical experience. The authors personal interjections and comments are both lively and appropriate. These treatment options are outlined in general terms, and anyone looking for specific treatment plans will be disappointed. However, as a guide this book is a welcome reference in anyone's collection.

A real gem is Meyer's discussion of psychopharmacology, as well as sections looking at malingering, criminal responsibility, and violence potential. Although these sections are not detailed, they do outline current issues and suggest practical clinical practice.

This is truely an amazing collection - incl. stories by Thomas H. Randdall, Alice Munro, Alistair MacLeod, W.D. Valgardson and Neil Bissoondath. Very clever stories that will make you laugh, think and intrigue you. There is a great variation of stories and writers. This is the book that made me get into Canadian writers. It is still one of the best collections of shortstories that I own.
If you like short stories you should also try: Alistair MacLeod - 'Island collected stories', Isak Dinesen (Karen Blixen) 'Seven Gothic Tales', or 'The Collected Short Stories of Roald Dahl'.

I enjoyed all the short stories in this book, but my all-time favorite was the one written by Sandra Birdsell. She grabbed me with the first paragraph and she took me along for an adventure I'll not soon forget; Birdsell is an amazing writer. Overall, this book is a pleasure to read and I recommend it highly.

When I read, I tried instead of condemning Silas Marner, to see the book through his eyes. And as the book went on, I almost felt myself getting dimmer,more cut off from society. It was rather sad.

The book isn't the best representative of what life in 19th century England would have been like, but it is a very good picture of how uncultured people treat other people from other lands. It's only when misfortune falls upon that person, do they accept them.

I absolutely loved the fact that Silas found a "golden-haired replacement". That was the sweetest thing I've read in my life, how he instantly wanted to protect her and give her the best things in life. Godfrey seemed nice at first, but as the book uncovered his past, I started to like him less and less. He needed to act like a man, buck up and take control of his life, and not be constantly cowed by his father. I can understand due to the time period why he thought Eppie would come with him and Nancy, but still, the way he kept asking even after she said no the first time was rude.

The book was very uninteresting in the beginning. I had to force myself to read it. It was only after Dunsey stole Silas's money that it began to be interesting. Still, it was a sweet book and I liked it a lot.

This book is required reading for freshman in our high school. This version is very hard to read due to the Old English style of writing.

Silas Marner / 0-553-21229-X

Silas Marner always invariably compares in my mind to Dicken's Scrooge. In the height of his youth, healthy, happy, and in love, he is betrayed, cast down, and taught the 'lesson' that only the criminal and avaricious get ahead in life. Banished to a new town, he abandons all attempts to connect with the society around him and instead focuses on hoarding his wealth carefully, counting his money lovingly in the evenings. When the money simply disappears one day, stolen by a burglar, Silas is crushed. Only the arrival of an "angel" - a little orphan girl with golden curls on her head - saves him, and starts him down the long road to redemption. Given something to love, Silas flourishes and learns to join the society of people.

The local nobility, Cass, serves as a perfect counterpoint to Silas' lessons. Cass is rescued in one fell swoop from all his burdens - his inconvenient lower class wife dies suddenly clearing the way for his 'true love' and noble girlfriend, his illegitimate child is adopted by Silas, and his blackmailing brother disappears into the snow for good - and yet, Cass is doomed to a life of disappointment. His perfect upper class wife Nancy cannot bear children, and their perfect home is turned into a silent as the two simply age (they do not grow) and they find that they never really loved each other after all. When Cass realizes, too late, what a treasure his daughter would have been in his life, he finds himself rejected as the girl prefers her adoptive father to the natural one who would not claim her. And though the girl marries below her father's level of nobility, she marries a good man who loves and appreciates her, and her future seems much more rosy than that of her upper class 'parents'.

George Eliot is the best woman author I've ever read. She had God-given talent that you or I, no matter how much we read, no matter how much we write, could not consciously replicate. She had something which can't be taught, a kernel of genius hidden somewhere in the brain, which was allowed to express itself...to our collective benefit.

Silas Marner, while not perfect, is something recognizably special--a book with lingering phrases, a book with extraordinary insight, a book that instates the reader with the feeling that the author knows what the hell she is doing. It's a book that matters.

I know what you are afraid of: you are afraid this book will be a bloated succession of tea parties and persiflage with mutton-chopped vicars. No fear: the plot is credibly organic, and moves along briskly, wrapping itself up in just over two-hundred pages. It should hold your interest so that you can discover the ten or so gem-sentences dispersed throughout. Sentences that are not just airtight, but that meld with your mind, and cause an "Aha!" reaction. You know what I'm talking about.

Perhaps the most convincing signal I can offer of my sincere regard for her abilities is the fact that I'll now seek out her other works...something I can't say about Virginia Woolf, for instance, whose literary inferiority to Eliot I would take as axiomatic. (Ironic, isn't it--or maybe not--that feminists seem to esteem Woolf more highly than Eliot?)

Silas Marner is a skillfully crafted novel to be enjoyed by readers with varied tastes. It was written by a woman, who found it necessary to use a man's name because of attitudes in England in the nineteenth century. It is built around problems that all of us face in our lives, such as, "How important is money?" As in all great novels, the characters change as the plot develops.

SILAS MARNER is a realistic novel because it portrays life in a real and believable fashion. The author, Mary Ann Evans, who used the pen name, George Eliot, pays careful attention to a few distinguishing details about here characters and settings.

For example, we can see Silas Marner, the central character of the novel, with his pale skin and undersized body. We know how he looks with his large, near-sighted, bulging eyes. We can see the important-looking village of Raveloe, which lives peacefully in opulent neglect.

When I was a teacher, I directed many high school sophomores to read SILAS MARNER. Most students dreaded reading the novel included in their literature textbooks. Once they met Silas and spent enough time with him to become acquainted with his unique personality, they became eager readers of this well-crafted classic.

It has some of the same qualities that made Pride and Prejudice (Vintage Classics) an endearing and enduring novel. In both works, the idyllic English countryside is an enjoyable escape from everyday life. There is romantic courtship in both, but the romance of SILAS MARNER is not the central theme; therefore it is not as compelling as that in PRIDE AND PREJUDICE. Since the readers are not required to become obsessed with yearning for romantic fulfillment, young guys who were in my class felt free to enjoy it. (Sixteen year old young men are still self-conscious about these matters.) Both books contain the same kind of satire buffered with compassion. In both novels we laugh with the local rural and village people. Because the language in SILAS MARNER is less complex, adolescent readers enjoy it more than they do PRIDE AND PREJUDICE.

When as a student I first read SILAS MARNER in high school and when I read it with my students, I considered the coincidences plot weaknesses. Life doesn't work that way, I thought. Now that I have experienced a life of incredible coincidences, I no longer find anything in the book unbelievable. Events caused by Silas Marner's catalepsy seemed unlikely, but now they represent no problem.

Theft with its resulting bitterness provides conflict with which the readers can identify. Earlier I found it difficult to believe that the lightning of theft could strike twice, but that part of the plot is one more realistic element now. Other twists and turns with their ironic mysteries are typical of human life as I have lived it.

All the parts of the novel that seemed to be a contrived fairy tale are now a vignette of life. Even if I could not believe it all, the book would still break my heart the way Forrest Gump does with its twists and turns of satirical accounts.

When I enjoyed SILAS MARNER in my twenties with thirty teenagers at a time, I did not notice the shaping of Silas' religious beliefs as much as I do now. I remember that the students and I were indignant about the way Silas was duped by the evil church members at Lantern Yard. Now I have compassion for them, especially William, as well as for Silas.

Mary Ann Evans showed the futility of idolatry. All my students understood the disaster of worshiping money. If I could return to my students, I would like to ask them what they thought of the villagers who seemed to rely on the habits of their church to bring them close to God. Could we discuss that in the 21st century? I feel sure we would discuss the addiction to narcotics as it is realistically portrayed.

SILAS MARNER is a great English novel not difficult to read, but rich in insights. It shows what is evil and what is good in human hearts.

The book has been extremely useful for my Molecular Biology class as it completely integrates general and specific information about theory and practice in order for one to understand the basic ideas and reinforce with practical examples and not to mention very helpful diagrams. Great investment.

Best overview yet. Text particulary useful to follow logical flow of information. Very useful content. Well written.

the item is in excellent condition.The service is so good that I am gonna shop from amazon, everytime I need a book.

I used this textbook for an undergraduate capstone class in molecular biology. The book is divided into eight main parts: Introduction, Methods in Molecular Biology, Transcription in Prokaryotes, Transcription in Eukaryotes, Posttranscriptional Events, Translation, and Genomes. The book is very detailed in its explanations of molecular processes and this makes it difficult to comprehend. Often, I would read a few pages and understand very little of what I read. I found that I learned more if I listened closely in class and only refered to the book for details, which is what I would suggest. Also my class focused mostly on problem based learning in molecular biology and less on memorizing molecular details. This book contains very few problems so my professor made up his own questions that he gave us and they were more helpful.

Another problem that I had with this book is that it contains probably too much experimental information. Almost every science textbook contains a little information about important discovers, but usually a little information is all that is needed. This book gives detailed descriptions of experiments that were used to discover principles of molecular biology, and I think that most and unnessary and only distract the student in what is already a confusing textbook. I understand that Dr. Weaver's aim was to introduce the experimental aspects of the subject, but I think he went a little overboard. Since this is an introductory textbook, primary principles should be focused on and specific experiments should be limited and should be found in side text-boxes instead of in the body of the text. That way, the student can read the experiments only if he or she is interested instead of having them interupt the subject matter at hand, which commonly occurs in the this textbook.

Regardless to say, I did not use this book to study from as much as I use most of my science books. Instead, I focused more on my professor's notes and questions and only referred to the book for key concepts. The book is not bad for key concepts and does contain and number of useful figures. Yet I would not recommend trying to read a chapter straight though; it is not worth it. Study the key ideas and figures instead. The remainder of the information is, in my opinion, a little advanced for an introductory class--although this book is intended for such a class--and way too wordy.

The negative aspects that many reviewers seem to leverage against this book are the same aspects I find most useful and that make this text standout. This is an excellent text, written to help develop not merely an understanding of the subject material, but more broadly, to understand how to approach things like a scientist. I bought this book for a Euk MolBio undergraduate course which was taught roughly half from this book, and half from primary literature, and found the approach excellent in helping to improve the accessibility of any scientific paper, in addition to improving my own experimental design abilities. There are many useful diagrams presented, and a plethora of primary experimental findings that form the backbone of our current knowledge base. This book highlights the seminal experiments and thought processes that molded the field of molecular biology into what we know today. A must have, and an invaluable resource that will help the burgeoning, early scientist take one step closer to their future career of scientific independence and innovation.

Too little insight into the big stars he worked for, but fun quick read and glimpse into the "you should have been there" years of classic rock and roll. My favorite part was at the end of the book where Alf gives his hard-won advice on how to be a good "minder." If you like VH1 Behind the Scenes-type exposes, then this book is for you. Warning for the faint-hearted: Alf pulls no punches (so to speak) with language, although he does hold his tongue when it comes to revealing intimate celebrity secrets.

You can pretty much read his in one afternoon. The style of writing is essentially oral history. You also get some great British slang thrown in. All in all, a bit choppy, but worth the effort due to no real literary competitors.

Alf claims to be the first rock n' roll bodyguard and it's interesting to read how he fell into the job. A nice guy and a nice read but if you are buying this to read controversial info on celebrities, you will disappointed.

Alf describes his early life, history in the service and boxing followed by his foray into the life of a bodyguard. Alf has great history with the Beatles particularly, but also the Stones, Led Zeppelin, Cher and Frank Sinatra as well as many others. While he talks about the good traits, there is no dirt or secrets about these people.

Probably the most interesting relationship he has is with Mike Nesmith of the Monkees. Mike comes across as an interesting guy stuck in a bubble gum band that wants to evolve on a higher level musically.

While this is an enjoyable read, there is no real meat to the book that would need to be there to sell in large numbers.

Alf Weaver tells it like it is. No bull****, no boring stories, but ballsy writing and a whole bunch of stuff about all your favourite rock 'n' roll stars.

Lots of former friends of the stars write kiss and tells, but forget about the kissing and the telling. Weaver ain't one of them. He's got the juice on everyone from Frank Sinatra to The Beatles and also a lot of interesting stuff about The Monkees, Led Zeppelin and all the great bands from the 60s and 70s.

One of m friends were showing me this book when we were talking about genetics and stuff. I became intrested of it and borrowed it for a couple of weeks. This book led me into the world of genetic principles, possibilities and etics in no time. The language is in a medium level, quit easy to understand even for a swedish teacher. It is perfect if you study fundamental genetics or want to now what genetics is all about.

During the turbulence of the 60s, Weaver addressed an acute issue of the problems of American cities. In the urban cores, where often there would be poverty, limited housing and racial discrimination.

How could slums be banquished? is one such problem aired here. Possible answers include a redevelopment of downtown areas, providing jobs in construction and then in new businesses that might arise. Another was opposition to public housing projects. Often tinged with racism against the Negros in those projects.

Every precinct of mobile homes, whether park or court, woods, grove, or manor, builds a culture of its own. However varied the residents may be and whatever the ebb and flow of tenantry, a distinct ethos is created. And,as lives intertwine, social dynamics are generated. There are strata of power, circles of confidence and suspicion, and tides of social change. These operate to produce a singular design. That design, however, may be a web of malignant mystery as it is in the demesne of Leo Bass, owner, manager, and resident tyrant at Basswood Motor Home Court.
It is the sudden death of the obnoxious Mr. Bass that propels Adam Clay, State Trooper, to the scene. He finds hinself looking into not just one mystery but a whole set of strange events, past, present, and imminent. As in the medieval village good intentions and bad acts swirl around an interesting cast of characters, well sketched and strongly developed. The strands of mystery reach even deeper. We are steered gently by means of very effective dialogue into the enigma of a murder. Then we meet , too, the moral ambiguities of the "free speech," "free love," "burn baby burn" climate of the Sixties. The issues and actions of the trailer court people turn out to be connected to another scene of action, the campus of Arden College.
The death of Leo Bass, apparently by a stroke of lightning, an "Act of God," is an explanation that satisfies, indeed pleases, all but Adam Clay. He sees unconnected wires and closely connected lives suggesting that God is working in ways more mysterious than lightning. The cross connection among certain of the tenants provide more culpability than any detective needs. Simple good and evil keep tripping over each other.
The scenes grow dark and dangerous, even for those bent on doing good. Colliding events, at Basswood and on the Arden campus, confront Trooper Clay and the reader with a well-drawn series of moral challenges, some of which remain after the last page is read. Piece by piece and against the stubborn tides of common sense, Clay builds his sppecial brief carrying the reader along through every step. He "solves" the case but leaves us and most of his characters with some intricate moral dilemmas. These are characters of substance and they endure. This book is not exactly "ulta-lite" fare. The edged writing requires the reader to keep track of the twists and turns of the plot. It's a worthwhile trail!
Days after the cover is closed and the slim volume returned to the shelf one is likely to be musing: Does Clay ever put to rest his own demons? Can Father McGrath come to terms with his dupicitous saints? And, sometimes, where did I put Helen Brownell's new address?