W Books

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Rooted in both vigor and simplicity, this chemistry text will amaze you. Pauling is very mindful of how the student ought to recieve information and in that he carefully picks the order of topics. Too often people disreguard the importance of the presentation of information. It's a shame because they are being willfully ignorant to techniques that catalyze and promote learning. Our brains are more responsive to associative learning because biologically that's what goes on in neural circuitry. Anyways, it's best I don't spur off into a tangent. Buy this book. It taught me chemistry.

Nothing to say about this well known book as a hi level introduction to general chemistry.
What it's amazing is to buy such new book at such price !

This book will never look old. Its still much more clear than many (college) chemistry books. In my opinion this volume should be suggested as a reference for a general chemistry college course.

This is an interesting, if somewhat dated and eccentric textbook by the man who was probably the leading chemist of the twentieth century. It is full of interesting insight, and written with real flair, so much unlike the typical textbook today produced by the textbook publishing machines.

Let me give a couple of examples, good and bad, of what makes this book interesting, but also exasperating.

The book is the only freshman chemistry text I know of that has a derivation of the Boltzmann distribution P ~ e^(-E/kT), a very basic relation in the kinetic theory of gases and in fact in all of statistical physics. The derivation is simpler than most, which makes it a real jewel especially at this level, where most people would think it doesn't belong.

On the other hand, the section on chemical bonding, which is actually where Pauling made his reputation, is very eccentric, like the author, so much so that it makes the book unsuitable as the sole text for a course. It is all based on sp3 hybrid orbitals. As far as I can tell, sp2 and sp hybrids are never mentioned. With the sp3 story, Pauling is able to account surprisingly well for some systematics of bond lengths. Whether this is fortuitous or not, I don't know, but it is interesting. On the other hand, without sp2 and sp hybrids, he is completely unable to give the standard, very simple, beautiful account of bond angles. A student learning introductory chemistry from this text who then went into organic chemistry would soon be at a disadvantage without knowing the theory of hybrid orbitals that everyone else would get from any of the standard contemporary texts.

My recommendation: use this text as a very insightful, quirky supplement. The price is certainly right.

The text that comes closest, in my opinion, in seriousness, if not eccentricity, is the contemporary text by Oxtoby and coauthors. It is too highbrow though for most college introductory chemistry courses.

This is by far the best introductory book I have seen so far. It is very concise and thorough. There are no flashy pictures or cool sidenotes with the practical applications of the concepts. But the basic concepts are very well explained with lots of helpful diagrams. Also, the price of the book is very good. Hooray for Dover Publications for publishing this masterpiece as such reasonable price!

While The Golden Key may not be my all-time favorite book, it certainly has a strong connection to the book that I treasure most of all (well, second to the Bible). You see, George MacDonald, author of The Golden Key, was in fact the mentor of Lewis Carroll, who wrote my favorite non-Biblical book, Alice's Adventures in Wonderland. That's a very powerful and indeed shocking connection if you ask me. But you can kind of see it if you look closely. I mean, the kids in the Golden Key grow both old and young. Alice in Wonderland grows big and small. Kinda similar there.

Yet, I did not know about the relationship between the two books until AFTER I had finished The Golden Key and decided to do some research on its origin. I simply read The Golden Key like I would any other book, and developed some commentary on the work as a whole that I would now like to communicate:

First, the book is very short. I finished it in two days. And because its so short, events move incredibly fast to make room for heavy amounts of whimsical feeling and fantastical description.

But again I have to go back to the Alice thing. I noticed how SO many sentences in the story turned the reader upside down and made him say, "huh?" It was as if the Fairy World did everything it could to stay all out of whack. Whether it was to make speech that could be heard without ears, or to make the oldest people in the world look like little kids, the topsy-turvy nature of everything couldn't help but instill an amazing sense of awe. Truly, The Golden Key opens eyes to such incredible abstract possibilities of the imagination, and perhaps even life itself.

The out of whack sense of awe, while wonderful in this book, developed into full maturity in the Alice books. While The Golden Key merely mentions things that make no sense, the Alice books actually attempt to explain the senselessness of senseless things.

I hope I will always have a special place in my heart for MacDonald's prototype of Alice in Wonderland. Oh, if we only knew how much the imagination behind The Golden Key has really changed the world. I think we would all be very surprised.

I purchased this book as a Christmas gift for my 20-year-old daughter. It was one of her favorite books as a child and she frequently checked it out of our local library until it disappeared from the shelf there, never to be seen again. She was very excited when she saw that she had her own copy and she took the book back to college with her after Christmas break. Although I haven't actually read the book myself, I can tell you that my daughter thinks it is great!

This book is like a drink of the freshest, clearest water on the brightest, bluest spring day you can imagine. It was lovely every step of the way, somehow beautifully sad and wonderful at the same time. With the aid of the creatures of fairyland, mistreated Tangle and adventuresome Mossy go on an enchanting journey which takes them straight through to a wisdom and sense of wonderment that is somehow greater than that found in adulthood (or childhood). George MacDonald truly had an eye for the worlds of fairy, and an unsurpassed talent for expressing beauty in all things. The stories are not always meant to be understood, but deep in that inner place in one's heart, they make sense.

the tale of tangle and mossy, two child like creatures on the adventure of the ages. alone - together - parting - re-uniting, until which is which becomes forgotten and un-threatening, and best; so unimportant. Simply, this is The Best Fairey Tale I have ever read.
It is a classic.
If you know anyone with fantasy and imagination, regardless of age, this whould be a most welcome gift....

Addendum: To - "A Reader"
It is difficult to respond to a question after the questioner has left the room. Who is Dr. Peter Kreeft and what makes his opinion so important to you? It is sad that such a beautiful and wonderful story is so assaulted by a need to find the incarnation of GOD himself within it. Not that he/she is not; but please, isn't that the "Bible's" role? I think you last three comments point to your problem; that is, you really want someone "to tell you" what this book really means. Suggestion: Perhaps if you read the story to a child or a very old person over the course of three or four day, you might find it much more appealing.....
best regards.

An earlier reviewer mentioned the difficulty of understanding the imagery of the story and another suggested (perhaps rightly) that the golden key represents Christ. C.S. Lewis believed it represented "the talent for loving", and having read the book numerous times, especially to nephews and nieces, I agree. Without giving away too much, notice the differences between Mossy's and Tangle's journey after their separation (physical death), especially how they saw the Old Man of the Sea. One might need to have read more of MacDonald's works (especially Unspoken Sermons) to get at his view of how love affects our ability to "see". His "At the Back of the North Wind" contains another wonderful example when North Wind explains to Diamond why she had to appear as a dreadful wolf to an old woman.

Writing for young adults, Sleator is a master of twisted and subtly terrifying sci-fi/horror. I read this many years ago and the story of Tycho and his demented future self has been lodged in the back of my mind ever since then. If your tastes run towards left field like mine do, you'll find a kindred spirit here.

I first read this book when I was in forth grade. It made a great impression on me. During a move a year later the book was lost. I recently found it on auction and read it again. I am amazed at how wonderfully complex the story is for both young and old readers. Certainly a story for all. Happy reading.

My dad read this book to me and my little brother twenty years ago when I was [...]. I remember being so enthralled by the story. It wasn't until yesterday that I finally remembered the name of the main character and found the book here on Amazon. I just ordered it and I can't wait to read it!

When I read the book "The Green Futuers Of Tycho", I was amazed at how well William Sleater( The author) Put together this Science Fiction book. My teacher read it to the class, and right after she finished the book, every one wanted to read it once more. I was trying to get my hands on one of the copys, to unfortunatly find that the book was out of print. [...]. I defenetly reccomend this book for anyone, and esspecialy those who like Science Fiction.

When I read the book "The Green Futuers Of Tycho", I was amazed at how well William Sleater( The author) Put together this Science Fiction book. My teacher read it to the class, and right after she finished the book, every one wanted to read it once more. I was trying to get my hands on one of the copys, to unfortunatly find that the book was out of print. I defenetly reccomend this book for anyone, and esspecialy those who like Science Fiction.

"Without holiness, no man shall see God."

So says the scriptures.

JC Ryle does not stray far from this verse in his examination of biblical holiness. As you read this book, the believer will be challenged to lay aside the nettlesome sins that retard our growth in Christ and seek toward a higher plain, a plain that leads to growth in holiness.

I cannot recommend this book enough. In an age when bookshelves are replete with psycho-babble and nonsense, nothing can satisfy the longing heart that the strong meat of God's word that enjoins the believer to separate from the world.

"For if you love the world or the things of the world, the love of God is not even in you."

The author believes man is Justified byu Faith alone, but believes a Christian Faith is identified by its fruits. This is good, though I do think at times it may seem he believes otherwise. The book sometimes explains something in a thousand words that some may explain in two hundred. It is interesting read considering the book was written some hundred twenty years ago. He complains about easy conversersion without counting the cost of departing from your oldways (sins). That giving life to Christ is not a simple prayer but athoughtful process where you stand before God. He expresses the difference between having more Christians and having less Christians but more devoted. He also disdusses the visible and invisible Church. Those who are members of a local body of Christ but have not truly repented for sins and seek Jesus as God, Savior, and Lord. I found the exposition very interesting at times. A few times I wish he get to the point.

Excellent treatise on holiness and the Christian life. I would highly recommend it.

This book is very detailed and covers the subject very well. It is not written in the easy to read style of modern books and demands concentration. Ryle backs up his thoughts with plenty of references to scripture. His thoughts would be in line with the Puritans. The book is both challenging and encouraging.

Holiness, by J. C. Ryle is the best book on Christian living I have read to date. In an age of easy-believism that talks of a gospel free from a commitment to God, this book shows what it takes to have a satisfying and saving relationship with Christ in the way that the Scriptures teach. As the work of sancitification is largely ignored on the bookshelves of Christian libraries, this is a much needed addition. With the debate over Lordship salvation still running its course, this book gives a perspective from over 100 years ago that easily fits our situation today. Ryle expounds the Scriptures in such a way that you can not put this book down without heartily agreeing with Hebrews 12:14 "holiness, without which no one will see the Lord."
Ryle has been called a theological vertebrae, and rightly so. This work will leave you examining your walk with Christ with a desire to live for Him like never before.

I had no contact with Dwight Birdwell or the 3/4 Cav for 33 years, but the book took me back to Highway 1 last week. Accurate and truthful are the events and people (not the case in too many war memoirs). The photos are real troopers who got bloody. Even the dates were interesting for sorting memories.

One of my most vivid memories of the war had been Birdwell on a burning tank firing a .50 caliber machine gun until it glowed in the night, and his silhouette carrying out the badly wounded. That memory is in the book (Chapter 19) and accurate to the number of RPG's fired.

The lifers, loafers, heros, and base camp warriors are there also, warts and all. Read Tennyson for the glory of the cavalry, read Birdwell for the real thing.

So you want to know all there is to know about the Vietnam War? But did you know there are over 1,800 titles dealing with it? A Hundred Miles of Bad Road by double Silver Star winner Dwight Birdwell covers most of the key elements with" true grit" which John Wayne himself would be proud of.

For many of us who served in Vietnam,micro-managed by McNamara and similar desk commanders far from the action, Dwight Birdwell exposes the pre and post Tet Offensive for the crushing defeat the U.S. inflicted upon the North Vietnamese Army and their southern battering rams,the Viet Cong. Once the treacherous and fellow traveller U.S. media painted a false picture of American will and losses, "Bird" ( as he was known as by his fellow C Troop Armored Cavalrymen) leads you through the mire of leadership decline and enemy growth in III Corps, Cu Chi District,where he and his warrior band slugged it out night and day.

Cu Chi and its vast underground network "city" was the launch pad for the VC and NVA attack upon Saigon. Especially Tan Son Nhut Airport,where Dwight Birdwell won his first Silver Star atop his M48 tank,blazing away with the .50 cal. until out of ammunition,and then continuing while wounded with an M16. This Oklahoma Cherokee has the fighting blood of many generations of Cherokee warriors,but with incredible compassion and caring for the Vietnamese country people. They looked like and reminded him of some of the home folks around Bell,Oklahoma deep in the "Okie Ozarks" , his home.

Co-writer Keith W. Nolan with Mr. Birdwell is an accomplished Vietnam War author. Yet he failed to emphasize the impact of the Cu Chi District tunnel systems and warfare which allowed the VC and NVA to attack and disappear at will. Dwight Birdwell tried his own hand as a "tunnel rat" in one exercise only to return to his "Trac" or his tank while running the gauntlet of the MSR(Main Supply Route). Constant ambushes,mines and command detonated ordinance was a daily fact of life and death,while the enemy was always reported to "melt into the jungle". Not so. They went underground while our tanks and troops were treading or clanking away on top of them. Just as the Japanese were not on Iwo Jima,they were in it...the VC and NVA used primitive but spectacularly effective underground warfare tactics against "Bird's" 25th Division armored cav unit.

A Hundred Miles of Bad Road is a unique book by a good soldier who did his duty when America called. It went unspoken by Birdwell (or Nolan) but the reader is left to assume that the Vietnamese peddlars,whores with poncho ground "cloths" and dope dealers who would clamor around laagered tanks or APC's(armored personnel carriers) with their "wares" was just business as usual for people wracked by war,just trying to make a living. In fact, most of the locals "selling" the Yanks were spies,while prostitution and dope dealing were all part of the NVA and VC "quiet" assault against us. But we still traded with them,because SRTW (Sex Rules the World!)

Dwight Birdwell has high praise for his then Lt. Col.. Glenn K.Otis,later to retire as a 4 Star General Officer, as a great warrior leader who lead from the front and would not ask his men to do anything he wouldn't do. Real life fighting men are extolled by Birdwell: "Fighting" Frank Cuff, Gary D. Brewer, Jack Donelly, Bob Wolford,Mike Christie and many others. Normal American men molded together in battle,whose DNA held the strains of warriors reaching back in time through American and European history. How else can men do what they do to fight,defend and survive in battle? The intense training and American firepower (or technology) helps...but it comes down to "unit integrity" which Dwight Birdwell's team possessed. Until, of course, the KIA's, the WIA's, the rotations home,the replacements and the loss of will by the American people and our malingering politicians came to erode all aspects of the Vietnam War.

Mr. Birdwell really proves that America, never lost the war militarily. He exposes the rot which began during his extended tour,fomented by U.S. and South Vietnamese politicians and the Socialist/Communist intelligencia holding sway then,and now, on America's campuses. It was they who "lost" the War.

No Vietnam War library ,or class studying the War, should be without One Hundred Miles of Bad Road. Today Dwight Birdwell is an Oklahoma City sole practitioning attorney at law. His office is three blocks South of the new, national memorial to the 168 dead from the Murrah Building bombing. Dwight had seen this all before in 'Nam...an event which, sub rosa, still eats at most Vietnam veterans who saw combat action as Dwight Birdwell did. Read his book and let him tell it to you straight about our land -based war in Southeast Asia...from the view of a Tank Commander who survived a rolling coffin. Also, if you believe in premonitions or ESP...just count the number of life saving survival events "Bird" experienced...by mere seconds or millimeters !

This Is a story of truth from the men who were In vietnam.Nolan served in the vietnam war.And from reading this book he takes you there.And tells us the american people what we never knew that happened during this war.An amazing truthful book to read.I would give it ten stars."Truth In justice for all of our vets" They are the back bone of this country.The goverment should know. When our vets came home sick and dying from agent orange.Our goverment denied everything.Even the one who gave the orders to drop It. Killed his own son.When his son died he knew it was from agent orange. He later killed himself because of his guilt.Since he was a high ranking officer he was sworn to silence.Like all the other military officers. Our goverment does not care about the men who not only died for this country.Also the ones they killed and never admitted to.The cost to the goverment would be to great.So deny ,deny, at all cost. As the govement has always lied about our vets.When they came home sick from Vietnam also Saudi Arabia.The goverment denied all of this again.Deformed babies,cancer,of all kinds.The goverment again denied our men came in contact with any chemicals to make them sick.When it has been proven that the air they breathed and the contact with tanks were contaminated from Iraq weapons used on our military soldiers.WHY''

I've been a big fan of Keith William Nolan for quite some time. I read The Battle For Saigon with interest because I was a member of the 377th Security Police Squadron USAF that was given the task of defending Tan Son Nhut Airbase. I took part in the defense of the airbase during Tet 68. I read One Hundred Miles of Bad Road, after reading The Battle For Saigon, and finally realized just what Troop B, 3/4 CAV endured out on Highway One outside the west perimeter. The tenacity of the 25th INF and the leadership Lt. Col. Otis and Captain Virant was instrumental in thwarting the sustained ground attack by seven NVA/VC Regiments. This is an accurate account of the battle in and around Tan Son Nhut Airbase. I highly recommend this book.

Dwight Birdwell and William Nolan have produced a very good personal account of an armored crewman's 16-month tour in Vietnam. In addition to absorbing combat narratives, Birdwell provides a lot of details and context to help readers understand his story. He gives explicit reasons why his unit's morale and performance deteriorated over his tour, and how the Tet Offensive changed the nature of the war. I highly recommend this book to any student of the military or the Vietnam War. U.S. military officers should read it for examples of how good leadership can inspire a unit, and bad leadership can cost lives. Birdwell highlights the role of good, solid NCOs as the beating heart of a military unit.

The first time I ever stumbled on the word "numinous" was in a doctorate that proposed to analyse vampires as "numinous entities". Then, reading CS Lewis, I again crossed that word's path, and eventually, I decided to read the real thing.

In very short, the numen (from which the word "numinous" is based) is the mysterious, overpowering, and terrifying aspect of the Deity. It is "non-rational" in the sense that it is not to be grasped by concept and ideas, but something to be felt in one's flesh and soul, like actual fear, awe, and majesty.

Otto focuses on that aspect too often neglected by some religious people themselves: the mysterious and unknowable. Fanatics have a tendency to consider only that, to the expense of the rational side of the Deity. But both similarly denature It.

While this book is a classic, and a worthy reading for anyone interested in the subject of God and the studies of religions, I will say that, personally, I seem to have missed out on some of the things mentioned in the book. Maybe I badly read certain parts, or maybe the book is complicated and dense enough that a second reading is required to clearly understand it all. Or both.

In a way, Rudolf Otto gives mysticism the kind of analysis it deserves, and re-establishes those more obscure areas of religiosity as something worthy of our consideration, and undeserving of our scorn.

Like Schleiermacher, Otto wants to theorize a religious faculty completely distinct from the rational, moral, and aesthetic faculties. The object of this faculty is the "holy," which is fearsome, mysterious, and fascinating. Most importantly, it remains essentially distinct from the rational, moral, and aesthetic, which means that any language we use to talk about "numinous" reality will always be analogical. This is important because "the religious" as a distinct category has been under threat since the 18th century (or since Spinoza) by other discourses that effectively explain it away. Otto's contemporary, Freud, was about to deal the religious yet another heavy blow by reducing it to a vestigial remain of infantile narcissism. By only allowing an analogical relation to other discourses, Otto wants to preserve the religious from this encroaching secularization. Of course, it is not certain that his own theory is not a secularization. He does not, after all, make room for miracles (in the strong sense).

I'll admit I was a little surprised at the heavy Christian turn at the end, only because Christianity seems to tame the wildness of the "tremendum" and the "mysterium." All in all, a fascinating and useful read.

The best way to read this book is to HAVE READ IT in a state of obsession years ago and find that its general mood and the texture of its ideas exert a subliminal and subconcious influence on one's concious thought. Taken in parts it contains many assumptions or assertions that are actually quite disputable but in general, as an aesthetic device, it is necessary reading for any spiritual seeker. It is certainly a welcome anti-dote to those spiritual guides that make God out to be a divine butler waiting on his chosen humans beck and call. It also suggests a wilder and more flamoboyant spiritual universe than the one portrayed in so many lesser works. God, if he or she exists, is a wild, ecstatic, and uncontrollable force that transcends the vulgar, petty humanizations we force upon him or her.

The student of human religion is generally confronted with a serious problem; unlike say, science or philosophy, religion is much more strongly dependent on the subject and the social and cultural beliefs in terms of knowledge, practice and belief. It is harder as a historian of religion to divorce any 'essence' of religion or religious knowledge from its context and practice, especially given many of the leading lights of the world's religions seem to emphasize ineffable and unrepeatable subjective experience. Yet it is vital to try and understand religion and what role (if any) it plays in the human quest to understand the universe, and also ourselves.

Otto, a Protestant theologian, offered a concept he called the 'holy.' Also often called the numinious, this was a sense of something being sacred. Holiness gave Being a special set of qualities which set it apart from the universe and its furniture as we 'ordinarily' experience it. This experience is often one of terror and fear in the prophets of monotheistic religions (Jeremiah, Ezekiel, Moses, Abraham, Jesus and Mohammed) while in native and Eastern religions, it can be a sense of power or awe. In this work Otto applies the idea of the Holy to Christianity and other religions, and would later form a critical tool in the phenomenology of religion and religious experience.

This book is essential reading for any scholar of religion or philosopher interested in religion and questions relating to religion and religious experience.

Rudolf Otto(1869-1937) presents the idea of the Holy as that profound, overwhelming feeling of awe that can sometimes strike you regardless of your particular culture and/or religious affiliation, a feeling that's been a part of us since pre-historic times. He calls this feeling the "mysterium tremendum" or the "numinous" and proceeds to describe it in great detail, with examples. I liked the way the idea is first developed in a more general sense before emphasis is made of its Christian aspect, making it accessible to all people interested in the idea of the Holy and God.

Hey,this is a pretty great book!Even though some people like the idea of a Nancy/Frank thing,I think its sweet that Ned cares about Nancy. I mean now-a-days,all guys are players.Where else can you find a guy who cares about you and doesn"t cheat?Answer rhat question.Anyway , even though I like the Nancy/Ned thing,there was a lot of romace in this book!Not just between Nancy and Frank. This is a definetly must read book!

This is a great book!!! What is with the whole "I'm sorry Nancy but I'm in love with Callie I feel terrible about kissing you,'Thats alright Frank me too I'm in love with Ned" thing Frank and Nancy are meant to be!!!!! They are so not being true to themselves. Nancy admits that she is attracted to Frank practicly in everybook and in a question of guilt Frank proves that he is jealous of nancy going off with other men!!!! Anyway a good read as useual totally recorrmend!!!!

This was a pretty good book.It was all about how Nancy and the Hardys have to solve this case at a resort.Ned shows up in the middlish end.He sees Frank and Nancy hugging and thinks that hes lost his girlfriend.But Nancy talks to him and they still go out together.The case is eventually solved and Nancy and the Hardys go back to their regular lives then solve their next case,The Paris Connection.

I LOVED this book! It was really good. Nancy and the Hardys get called in to help with sabotage at a rich mountain resort.It's full of mystery,romance(LoL),and keeps you reading!I loved the part in the cabin & I hate that Ned showed up.It's a Must read for any fan!

I think this is the best Nancy Drew & Hardy Boys Supermystery of all. I finally was able to locate it in December. I have been wanting to read it for years, but I never could find it. It has an interesting plot intertwined with just enough romance that it's not too mushy.

I agree with the other readers, Ned should have been left out. Carolyn Keene should definately write a series without Ned and Callie. Frank and Nancy are meant to be.

Joe Leininger provides great insight in his daily efforts to be both a good and Christian person with his success as a commodities trader.

Few businessess are as brutally competitive as trading in Chicago exchanges. However, with great faith and works, Joe obviously holds to his strong Christian values in this tough environment.

This book helps me come to grips with striving for success while hoping to maintain the fundamental value of helping and loving one's fellow man (or woman).

An excellent picture of how to live a balanced life and besuccessful at it. Especially applicable to those in the financialfield, but applies to all of us who desire to excel in our field. Joe's personal experiences in such a high pressure environment serve as poingant lessons. Take advantage of this book as a roadmap on the path to success.

Under the guise of being about trading securities, this is an excellent book about life, about observing what work gives you and what it deprives you of. About making changes that lead to a richer life and how to know when work costs too much. It also offers wonderful insights into the life of a trader and the paradox of being a good trader and trying to balance that with being a good Christian.

Joe has done a good job of taking interesting stories from his life and distilling an excellent life-lesson from each. Joe's life comes through clearly in this well written collection. He is transparent and engaging. Not only does it draw us to examine our inner health and values, but to look to our own stories for the lessons hidden in them. Worth a plane flight to read it.

Lessons From the Pit was a very fasinating and involving book. It is obvious that Joe Leininger spent a lot of time thinking and planning this book. This book is not one where the first chapters are interesting. The whole story is interesting. I kept saying to myself "at the end of the chapter, I will go to sleep, but I just couldn't put it down! He talked about personal subjects also, making you feel like you were just talking to him, alone. I highly recommend this book, and I think that Lessons From the Pit was the best book I have read so far.

I bought this book when I decided it was time to get back to some of my needlework projects after many, many years. The book is very helpful, showing detailed, clear drawings of stitches. There are also color photos of completed work so you can see what the stitches look like in color, etc. Highly recommend this book.

What everyone says here is TRUE! Mary Thomas wrote the first classic encyclopedia of stitches and it has been lovingly updated. It is the PERFECT embroidery overview ever created for both total beginners and advanced. Clearly written with illustrated instructions, expect to be inspired and prepare to succeed!!

I was trying to find a good basic embroidery book and had no luck. Though found all kinds of needlepoint, or machine embroidery books or expensive software but it was really hard to find a good hand-embroidery book. I couldn't believe my good fortune when I found this. It is a total treasure! If the publishers could come up with a spiral bound version, that would be even better.

Have fun!!

This is simply the best embroidery stitch book I have ever read. An excellent buy. The pictures, instructions and phots all correlate with colour to make learning a new stitch a breeze. I have found the instructions straight forward and clear. Recommend this book to anybody working in textiles.

I hadn't touched embroidery for about 40 years and this book is so detailed with TONS of photos that I had no trouble learning lots of new stitches. I took it to work and shared it with two very experienced embroiders and both were very impressed with the variety of stitches presented and the detailed images.

This book shows you how to do every stitch you ever dreamed of and some that you have never thought of before. You will want to try them all.