V Books

A lot people who read this book are baffled as to what exactly Semco and Ricardo Semler are doing that is so revolutionary. My simple answer is this:

They are treating their employees as "adults" and guess what? They are discovering that their employees behave as adults! Wow!

What's hard to understand for most people who are treated at their work as "children" (boss, may I do this, may I do that, etc., etc.), is that they actually behave as "adult-children"? All the resultant effects of the current and dying corporate system are totally predictable: low esteem, no initiative, fear, office politics, mismatch of talents and goals, etc., etc.

This is the revolutionary premise behind the success of what the 21st century "company" will look like.

Seven-Day weekend is the second (English) book by Richardo Semler, the CEO of Semco. Semco is a weird Brazilian company known for it's modern HR practices. The history of Semco and Ricardo Semler was explained well in his first English book: Maverick.

The author makes a point that the workweek has invaded the weekend via internet and email. Now it's time to abandon the standard week/weekend thinking and have weekend whenever we want and have week whenever we want. So we'll have a seven day workweek AND a seven day weekend.

The book is a collection of stories and opinions by Richardo which are organized according to the days of the week. Every day a couple of stories, mostly about Semco but also about other activities in which Richardo was involved in.

Some of the more interesting points and stories are, for example, where the author is questioning the need to always grow. In business it seems to be the purpose of the business to grow bigger. Richardo questions this purpose and asks why this is. Cannot companies stay small and then still be successful?

Seven-day weekend is certainly worth reading. It's a small book it takes maybe a day to read it. Its well written, it keeps you awake and the stories are interesting. Though, I personally found it less interesting than Maverick (which I had read first). If you need to chose between the seven day weekend or Maverick, I'd go for Maverick. If, after Maverick, you still do not have enough of Semler, then the seven-day weekend is for you.

I had read sound bites from Semler over the past few months, but finally got the book and devoured it over a holiday weekend. It did not disappoint. It presents some very non-conventional wisdom that challenges all sorts of corporate policies and norms with the question - why not do it differently? I wrote about several of these insights on my blog (http://creativeoutletlabs.wordpress.com/?s=semler). This book is highly rated as I am reminded frequently of several of the concepts in the books and I have recommended it to many others. You'll love this one!

Jennifer B. Davis
http://jenniferbdavis.blogspot.com

What an amazing story this book recounts. I kept reading of ideas they had and thinking - Well of course that would never work - and then read on to discover that they did indeed make it work. How I wish that all work was this democratic, this inspiring and this creative. When I had finished the book I felt a sense of excitement that the old methods of working, which seem unchangeable, could so easily be discarded. Well done Ricardo Semler and all the people who have helped to make your ideas reality. You are my heroes.

I really enjoyed this book because it seems to be the antithesis of so many standard biz books out there. No ex-consultant in-depth research of "best of breed" or new "growth paradigm" dreamed up by a college professor - just musings from a man who has created just what might be the best case scenario for the future of work.

The book is based upon is Semco, a diversified Brazilian company where Semler is the CEO and whose revenue has grown from $4 million in 1982 to $212 million in 2003. His basic theme is that in order harness the full power and talents of your workers they have to be truly engaged and this means they have the power to pretty much do what they want when the want - as long as it focuses on generating results for the company.

While many of the practices he implements might not work so well in your workplace, they will get you thinking of what might be possible and what we may hopefully be heading towards. Overall his approach is similar to Industrial Democracy whereby workers are involved in making decisions, sharing responsibility, and have equal authority in the company.

Below are just a few of my favorite quips from the book...

- Once you define the business you're in you create boundaries for your employees, you restrict their thinking, and you give them a reason to pass up on opportunities.
- Semco has no official structure, no CFO, no HR, no mission statement, no job descriptions, etc. it is a place where people are just considered adults and get their job done.
- Semco cares about the core of what an employee does for the company, not the boarding school behaviors like what time they came in. But it is sooo hard to give up control. People should be involved to the point they shout "yes"!
- You need to be willing to give up control. Like an entrepreneur who is flexible, intuitive, non-dogmatic, take risks, make money, and have fun.
- You must tap into your workers true talents. The best way for people to feel job satisfaction, to feel passion, is to get them doing their calling so that work is more like fun.
- If an employee has no interest in a product or project then it will never succeed.
- For a company to excel it must put the employees self interest first. An employee who puts his interests first will be motivated to perform.
- Without formal job descriptions people can wander into neighboring work activities without being chased away for trespassing.
- Workplace stress reflects the difference between expectations and reality.
- Unless we click with a worker, unless he latches onto something he is passionate about, our productivity won't be high. Few organizations make an effort to find out whether a person has a calling.
- A mission statement can be a beautiful document, and mostly useless if it is not driven from the bottom up. Mission and vision are just the first step and they mean nothing on their own. You are judged by what you do, not what you say.
- Privileged information is a dangerous source of power in any organization.
- Limit your plans to 6 months. 5 year plans are ridiculous and every 1 year plan has the stuff happening at the end of the year.
- If a discussion on salaries is taboo then what else is off limits? The only source of power in an organization is information, and withholding, filtering, or retaining it only serves those who want to accumulate power.
- It's easy to talk about diversity, tribes, and dissent; but it can be frustrating, slow, and cumbersome. So much easer just to take control and tell people what to do but then you don't get an employee who is inspired to do their best.
- Productivity stagnates when workers are waiting for someone to tell them what to do or following a formal plan.
- In most conventional organizations decisions are made at the top and the rank and file is asked to check their brain at the door which leads to hostile and extremist views among the workers.
- By giving up or sharing control of small nettlesome issues like dress codes, and of graver matters like factory closings and security, management creates a culture of self-government that has more resilience then my way or the highway.
- No one is required to attend any meeting at Semco. Everyone is invited and they can come and go as they wish. If someone isn't interested in a meeting, then their engaged time is spent better somewhere else. This way management knows which projects are worth pursuing.
- A full time employee only needs one requisite, to have a material connection with the heart of the biz. Their job had to be central part of the differentiation between the biz and their competitors. The connection between the biz and the job had to be intrinsic and obvious.
- In a group environment, the only way to get your idea off the ground is to lobby ferociously in favor of it. If no one buys into it, then leave it on the back burner and return to it later.
- The more informed people are, the better they are able to develop and follow their gut instincts.
- Harnessing the wisdom of people, the reservoir of talent. This only comes from freedom, from democracy, from asking why...

Last but not least, Wiki on Ricardo: http://en.wikipedia.org/wiki/Ricardo_Semler

When someone tries to blow up Jack Knight, and in the process gets some of his family, he will slowly come to the realisation that he has some growing up to do.

He kicks against this for some time, but his father, a couple of local cops, Opal City herself, and the need to do something about The Shade and The Mist start to move him in the right direction.

Starman, written by James Robinson,with art by Tony Harris, Peter Snejbjerg and others, details the exploits of Jack Knight, the son of the aging 1940's Starman, as he struggles with the family business, his personal business and Knight's Past, his, um, business business. It's got science, mystery, romance, cowboys, pirates, and some of the most pure heroism that was presented in the grim and shallow world of 1990's comics. This is one of those great series, Sandman-style, which is loved by comic and non-comic readers alike. This is where I first saw the pencils of Ex Machina artist Tony Harris. I had such a man crush on this creative team, when I met them at a convention in 1996 I giggled Japanese schoolgirl style and averted my eyes. I palpitate at the thought! James Robinson complimented me on my shirt, which I had cleaned especially for the occasion. This is the comic that made me love DC comics, made me embrace my inner collector, and kept me returning to the comic store.

I have to admit I like the new Starman alot. But I donthtink everyone would.

Great stories, great art, coloring...I have all the 7-8 volumes in the tpb format. The character is written very well. The Sandman stories are especially good, as well as JSA related and even the filler stories with Starman's brother, and Opal City's historical characters. Bank robbers, pirates, aliens, poets, fantasy, sci fi, tattoos, etc...what more could one want?! Also the substitute/guest artists are as good as the regular artist.

However I am a little dissappointed that DC never mentions any ratings for their books similar to Marvel. The new Starman Series by James Robinson is NOT FOR KIDS. Although not overly gratuitous visually, there are bedroom scenes, with semi-nudity(no full frontal), drug use(only one issue), as well as homosexual characters(which is not overly emphasized or distracting to the comic. only noticed this rare&few times. no sex, just words of "love forever")but it may offend some people, and confuse or harm children's moral upbringing. As an adult, they dont get in the way of the main characters virtuous and heroic qualities but they may cause some people who are offended by that kind of thing to miss the overall well-crafted story plots. For others it may cause them to imitate those scenes. I dont like them in a comic book. Personally the parts of the story that show those scenes really dont add that to the plots very much. But I dont believe the writer was trying to shock anyone, just make society more comfortable with this type of relatonship. I would have rather those ideas/characters remained out of the books, or "faded to black" (as one homosexual scene was). I still give the books the highest marks for overall artisitic presentation.

Starman has since departed from the superheroe scene(i think?) but this run of stories has many many great moments in the modern super hero context. Just be careful if you are scensitive to the "adult" situations. They show this Starman superhero and related friends, associates, as very human persons, equiped with fallen human nature, and have to go through their own personal, yet in some cases, universal, spiritual and vocational superhero trials and tribulations. These trials are moral & emotional, that many people can relate to on a down-to-earth level. I tend to think of these stories as kind of modern greek mythological hero/fable stuff anyway. But just because greek stories have all the sex and stuff doesnt mean I like to read, or see, in contemporary novels. I pretty much find it insteresting how Robison included the adult situations, but ignore it overall. However, there is more to emotional maturity then sexual relationships, or positions. At least Robinson provides enough character depth & developement to overshadow these unnecessary plot developments. That is where his writing talent really impresses in dealing not with physical strength, but virtuous strength, in terms of acquiring courage, and in some cases, emotional & spiritual growth. Interpersonal relationships between family and friends also play a strong part in the stories as well.

But if you are senstitive to the adult themes maybe the original Starman Archives is your style. There are moments where Harris's & Robinson's modern Starman stories really are the best I have ever read. All though there is alot of art deco, art nouveau, and film noir symbolism throughout their work that allows their style to be respectful of the past. Some of Harris's visual treats could make terrific posters. The inker is especially sensitive to his style. The modern Starman handles the adult themes well in many instances, but they couldve been done even better. If you look at film noir, alot happened that you didnt need to see to help create drama. I am afraid Robinson couldve been more graphic, but he also couldve been less so. For instance issues about adultery(not shown in this particular issue) had wonderful, morally and spiritually uplifting conclusions, with effects that run throughout the Starman series, but he didnot have to show the adulterous act to make us know it happened. For me the resolution was marvelously handled, that it overshadowed what was "shown", however many people might have missed the great ending because of being "shown" too much. "One does not have to see the sin, to learn from it." However, I must restate, Robinson didnt necessarily cross the line of decency, but got right up close to it...even dance over it...to close for me, but still accomplished a great piece of story telling.

No offense meant by my comments, just some thoughtfulness that I think DC should include in its packaging, or on its website. Right now one would think Starman is just like any other comic for kids, when SOME issues, NOT ALL, are more like R rated, G, or even PG.

I hope DC puts out the remaing issues. I believe about 20 more need to be released in tpb.

Yankstar

James Robinson shows his brilliance in crafting vivdly fleshed out characters in his highly entertaining revision of the superhero genre in the 'Starman,' series. This first volume opens up in typical anti-hero fashion with a mortal character reluctantly thrust into the role of superhero and his subsequent struggle to assume such a larger then life identity. While the story and plotting in vol. 1 is decent and perfectly serviceable, the strength of this series is ultimately found in the wonderful character development that takes shape through dozens of chapters. Jack Knight, the hero of this tale, comes across as an everyman with a fascination for kitsch collectibles and pop culture while constantly struggling to find comfort from his transformation to super-being. Good heady stuff without taking itself too seriously.

Almost everyone in comics got the wrong message from "Watchmen" and "The Dark Knight Returns." Rather than learning that superhero comics could be about more than adolescent fantasies they simply embraced the violence of those books and created comics that catered to a darker set of adolescent fantasies than the old Superman or Spiderman comics did. Comics didn't grow up; they just went from being geeks to juvenile delinquents.
I say almost everyone because there are a few notable exceptions where people have written superhero comics for grown ups, or to use Neil Gaiman's words comics that are "about something" (about something other than muscles, spandex, and maiming and killing "evil doers" that is). Kurt Busiek of course, and strangely enough Alan Moore himself are the examples everyone knows about. Unfortunately, James Robinson's work often falls between the cracks, and that is a shame, because "Starman" is a comic that is truly about something.

Aptly enough a good bit of what the comic is about is growing up. Early in the series Knight mocks things like family, duty, and honor, but Jack coming to embrace those things as well as responsibility is the heart of the whole series. Spiderman and Superman are great metaphors for adolescence, "Starman" is a story about coming out of a prolonged adolescence. Jack Knight isn't an obsessed Rorschach or Batman driven by internal demons in a near psychotic quest for vengeance. Rather, he's a self-centered hipster who gets in the superhero racket out of duty, family oligations, and loyalty to his beloved home town.
But really I make it sound all stodgy and positively 19th century Prussian, and it isn't. As well as being about something the series is a lot of fun. Robinson clearly loves all those old guys in tights and all the baggage that goes with them, but in his hands it really isn't baggage. You get explosions, evil plots, crime waves, superhero team ups, and everything you expect in comics, but you get meaning too. On top of that Robinson has a knack for creating characters and enough attention to detail to bring them to life. The O'Dares could have degenerated to Irish-cop stereotypes, the Shade a mere metropolitan killer, or Knight a hipster with superpowers, but none of them did. They all seem like living breathing people, and that's not something you can say for characters on a good many acclaimed television shows.
"Starman" was one of the best comics of the 90's and the best place to start is at the beginning.

I read the book called A Time Of Angels by Karen Hesse. This is a historical fiction book.
This book is about this girl named Hannah that gets separated from her parents and has to move to her Aunts house in West Boston. After she got there she started working in a store to help her Aunt with food & clothes.
Weeks later she got the flu and got real sick. The flu had killed ten thousand people so far. After she gets her energy back. Tanta Rose and her went to try to get her family together. After month of hard work she got her family together.
I didn't like this book because it was boring. It barley had any action. If you are boring and like boring things you should you should read this book.

I got this book at a school event where we could choose one book (for free) to take home. I chose this one because I thought it sounded interesting, and although that was over a year ago I still read it. The author has a beautiful way of writing the story so that you can imagine what you would feel like in Hannah's shoes.

With all of the recent events our country has been through I believe this book should be read in classrooms everywhere. Taking place during WW2 you are drawn into the difficult, poor and often painful life of a young girl. As she loses loved ones to the plague, she herself is spared and she believes she may have seen an angel. Circumstances lead this young jewish girl to live with an old German man who the town shuns, but she learns to love. I learned that every war has two sides, and tolerance is the key. The young girl ends up happy in the end through small bits of fate in her favor, but I believe there were many different endings that would have worked for the girl - just like us.

I truly enjoyed this book by Karen Hesse. As a future teacher I will add this to my list of historical fiction in teaching social studies and language arts. I had no idea so many people died of the flu in 1918 - nearl two and one half times the number that died during WWI! Karen Hesse does an excellent job of placing ourselves into the life of a young Jewish girl named Hannah. She and her two sisters must live with her two aunts in a crowded Boston apartment because their father is fighting in the war, and their mother is trapped in Russia. She must eventually leave Boston alone because the flu is ravishing the city and her loved ones. She gets lost and is also stricken with the deadly flu. She is nursed back to health by a German farmer and a beautiful friendship develops. She eventually returns to Boston with the help of an angel to find the fate of her family. This is a must read book!

I was frankly shocked to read reviews that found this book boring. I've read all of Karen Hesse's works, and find this to be far and away the best. I am a fifth grade teacher, and can usually count on my 14-year-old daughter to let me take her cast-off books to supply my classroom; this was one that she won't part with, even after several years. "A Time of Angels" is high on my list of books to recommend for my higher-level readers.

The story line, taking place during the influenza pandemic of 1917-18, is grippingly realistic -- entire neighborhoods are nearly wiped out by the dreaded disease, and panic-stricken residents don't really know how to deal with the enormous problem. Meanwhile, Hannah and her two younger sisters are left in Boston with an aunt, since her mother is trapped in WWI Russia caring for relatives and her father is off fighting in the war -- and neither have been heard from.

When influenza tears Hannah's family apart, circumstances take her far away where she ends up in the care of a gruff old farmer who has been isolated from other townsfolk because of his German heritage. The relationship that forms between the two of them is sweet and tender, and Hesse crafts it beautifully.

Truly, Hesse's characterizations and descriptions make this book nearly magical to read. She weaves in bits and pieces of Jewish culture, American history, and wonderful mystical interludes with an angel who saves Hannah's life more than once.

Boring? Don't believe it. This is a book you shouldn't miss!

Having purchased The Three Musketeers and The Man in The Iron Mask I realised that there were three intermediate novels pulling the story together.Twenty Years After, The Vicomte De Bragelonne and Louise de La Valliere bring the complete story of the musketeers into focus. To gain the most from these stories they need to be read as virtually one book in five large chapters.

After writing The Three Musketeers and Twenty Years after, Dumas wrote a third installment to the trilogy. It is probably the most controvercial book in the trilogy, as can be revealed by reading many of the reviews. For starters, it's LONG: over 200 chapters. As a result, the English-speaking world has split it into three books: The Vicomte de Bragelonne, Louise de la Valiere and The Man in the Iron Mask (the most famous volume). The length is certainly a problem, in fact is it THE major flaw in the conclusion of the trilogy. Dumas is never terse or concise, but in this three-part book, he produces an monolith. This was largely due to him overcomitting himself and having to write this much for financial reasons. However, while this is a major setback, the three books still have elements of great, almost sublime Dumas left in them, which can be extracted if approached in the right way.

The final installment of the trilogy represents the dear old Athos, d'Artagnan, Porthos and Aramis maturing and growing old. The trilogy thus moves from more active and straightforward swashbuckling to a more complex and sombre picture. Like the previous book Twenty Years After, it is not completely clear as to who's in the right and who isn't, only this time it is more so. Like the previous book, age has placed the former Musketeers in a somewhat divided situation, this time involving many a clandestine dealing of state and international level. Finally, in this three-part saga, we are introduced to a huge number of characters while our Four at times take a back seat for several hundred pages. This has been criticised as well, but has a point.

In terms of this specific volume (The Vicomte de Bragelonne), it is the most historical one, as initially d'Artagnan and Athos are brought out of retirement, united in their royalist causes. After completing an adventure reminiscent of their former, more "action-packed" years, the intrigue of the newly-ascended Louis XIV begins. It is here that we can see Dumas as painting a brilliantly detailed picture of what he sees as France moving towards a more centralised, efficient yet pedestrian autocracy from Richeleu to Mazarin to Louis XIV. For the first time, d'Artagnan finds himself serving (and appreciated by) the king, however, the novel asks the question of whether this is at all a good thing. In the power-struggles of the court, we see the irony that the "detractors" of progress are often more honourable than its supporters.

If you only expect more action involving the Four, then don't bother reading this at all. However, if you persevere, you will get to see sublime glimpses of what a long way the Musketeers of old have come (for better or worse), what they think about the entire society they live in and what Dumas thinks. As well as some of the old-fashioned-style adventure. I think that the fact that this is obscured by an overly-drawn-out style, while annoying, does not detract from this being an honourable conclusion to the trilogy.

If you are reading this review, you have probably already read the Three Musketeers and Twenty Years After. You are wondering if it is worth it to continue with the series. If you decide to go on, you have three more 600+ page novels ahead of you. That is a lot of time and energy.

If you are foremost into the swashbuckling aspect of the Musketeer stories, I would not go forward. The Musketeers are now in their late 50's. They are still vital characters but they are no longer young men looking for any excuse to duel with the Cardinal's Guard. From this point on, there is a lot less sword play and campaigning. The focus of the story moves to the intrigues of Louis XIV court.

I am continuing with the series because I like the characters. I want to find out what happens to the four friends. In this novel, D'Artagnan and Athos are the principal characters. Aramis and Porthos do not show up for the first few hundred pages. Dumas has kept me entertained for the first two thousand pages of this saga and I am counting on him to keep me entertained for the next 1500 pages.

This book is part one of a three part series, the next two being the Louise de la Valliere, and the final being the more well known Man in the Iron Mask. I understand this was originally one HUGE book, but is now more commonly broken up into these three books.

This book starts about ten years from where Twenty Years After (Oxford World's Classics) ended. Although the book is titled the Vicomte de Bragelonne (who is the son of Athos), we don't see much of him except for the first and last parts of the book. The rest is filled with the adventures of D'Artagnan and Athos while they separately scheme (unbeknownst to the other) to aid Charles II of England to claim his throne. LOL, D'Artagnan's scheme in regards to General Monk. Aramis and Porthos are up to something mysterious and make only the briefest of appearances. The rest of the novel is filled with the mysteries and intrigues of the French court, and ends with the marriage of Henrietta (Charles II's sister) to Louis XIV's younger brother, Phillip.

If you loved the musketeers, history and intrique it is well worth your time to spend on these books.

Before I begin reviewing this book I'd like to comment on it's place in the total D'Artagnan Romances. The D'Artagnan romances are a trilogy started with the Three Musketeers, followed by Twenty Years After. The last of these stories is broken up into three volumes which are The Vicomte De Bragelonne (part 1), Louise de la Valliere (part 2), The Man in the Iron Mask (part 3). If you are like me and reading library copies you may even find The Vicomte De Bragelonne broken up into four volumes either all titled The Vicomte De Bragelonne, or titled the same as the three volumes with Ten Years Later added as the first volume of the story. With that being said, on to the review...

This story take place around ten years after the events of Twenty Years After. We find Luis XIV now king, but hardly so sense Mazarin holds all the power. D'Artagnan is still a Musketeer, but is losing faith as what he had earned in the previous book has been taken away from him. Seeing that his friends have prospered out side of the Kings service, while he has made no progress, and being dissapointed with the useless king who allows himself to be overshadowed by Mazarin, he leaves the king's service with a bold plan to make his fortune. This leads to a reunion with an old friend, and one of the best of a series of adventures that takes place in this, the last of the Musketeer series.

This volume brings back the great four musketeers, all of whom have gone their seperate ways. This volume is dominated by the charaters of D'Artagnan and Athos. A fine begining to a wonderful but long story.

Review continued with Louise de la Valliere...

This book rose to the top as I flipped through every pregnancy guide at my local big bookstore. It covers everything I'd be interested in, explaining the scientific reasons for the "don't eat" foods, and offering balanced, clear descriptions of both traditional and alternative approaches to prenatal health and childbirth. I've found that it touches on everything I've wanted to know, from why I suddenly have a strange ache, to what to consider when thinking about whether to have an OB, midwife, or doula at the birth. Most importantly though, it is thoroughly non-alarming. many of the other books i looked at seemed panic-inducing and malpractice oriented, full of too much detail about every risk, unbalanced by the discussion of how to physically and psychologically enjoy this time of life. I will give this book as a gift to every friend who gets pregnant. It has been the perfect guide for me.

I enjoyed learning and am glad I read this book first. It's not only full of useful information AND factual as it is written by an OB/GYN physician, but also includes tidbits of personal experiences. I'd recommend it for anyone expecting a baby. **BUT, don't read the miscarriage part - unless you have one and want to - but it just really scared me and I didn't need that

during my pregnancy, i drove myself crazy trying to learn everything that i could about what was happening in my body and the differences between conventional medicine approaches vs complementary med. i could have saved myself a lot of trouble by only reading this book and spending the rest of my time doing yoga and walking the dog. :-)

My husband and I are working on becoming pregnant for our first time. I like to be well informed and I hoped this book would do that for me. I thought I was pretty well studied on pregnancy until I read this book, now I know I had a lot to learn! I have had the book for 48 hours and am already 150 pages into it. Besides being incredibly informative and interesting, it is written in a descriptive way that allows a layperson to better understand the more confusing subjects. The book covers all areas of pregnancy. So far, the areas I have found incredibly helpful are how to prepare for pregnancy (physically, mentally, and emotionally), how ovulation works, determining if a doctor, midwife, or doula is best for me and what questions to ask these people, herbs, vitamins, and medicines to take and avoid. This book offers non bias details on each type of birth, birthing practices, medications, medical procedures, etc. It is also organized in a way that you can read it from front to back, or use it as a reference book. I can't say enough about it!

I bought this book at the onset of my first pregnancy, and now the second time round, this is the only book I ever look through. I'm constantly enlightened and impressed how informative and approachable the whole tone of the book is. As the title suggests, it integrates conventional and alternative appproaches to pregnancy. However, this doesn't mean that it presents just one intermingled outlook. Instead when presenting each facet and symptom of pregnancy, it will give a highly informative but readable overview, and impartially present various solutions - from traditional medicine, to common sense health tips to alternative therapy (herbal teas, acupuncture, etc). Also included are meditations or relaxation exercises, as well as short anecdotes of women's personal experiences - but all these are clearly distinct from the text itself. So you feel as a reader that you are enjoying a tapestry of approaches rather than one dogmatic theory. And all this is written in an empathetic and empowering way to the pregnant reader.

Aside for the usual overview of pregnancy - which it covers thoroughly, the book contains an excellent section on nutrition, a chapter on yoga (which isn't my speed anyway!) as well as a useful appendix with links for further reading or resources. Most certainly a worthwhile choice for any woman who likes having a broad knowledge of what's out there during this important time in her life.

Before he went on to invent Cybernetics, L. Ron Hubbard was a prominent author of science fiction and eventually launched annual collections of science fiction and fantasy drawn from the best and the brightest in the field. The newest addition to the L. Ron Hubbard "Writers Of The Future" series is volume 18, ably compiled and edited by long time science fiction expert Algis Budrys and highly recommended reading for any fantasy fan and science fiction enthusiast. Included in this outstanding anthology are: The Dragon Cave (Drew Morby); The Haunted Seed (Ray Roberts); Rewind (David D. Levine); Windseekers (Nnedi Okorafor); Magic Out Of A Hat (L. Ron Hubbard); Lost On The Road (Ari Goelman); Graveyard Tea (Susan Fry); Carry The God (Lee Battersby); A Few Tips On The Craft Of Illustration (H. R. Van Dongen); Memoria Technica (Leon J. West); Free Fall (Tom Brennan); All Winter Long (Jae Brim); The Art Of Creation (Carl Frederick); Advice To The New Writer (Andre Norton); The Road To Levenshir (Patrick Rothfuss); Eating, Drinking, Walking (Dylan Otto Krider); Origami Cranes (Seppo Kurki); A New Anthology (Tim Powers); Worlds Apart (Woody O. Carsky-Wilson); Prague 47 (Joel Best); and What Became Of The King (Aimee C. Amodeo). L. Ron Hubbard Presents Writers Of The Future, Volume XVIII concludes with "The Year In Contests" by Algis Budrys and "Contest Information".

WotF XIX is a compilation of excellent stories (with a few, notable exceptions) spanning the genre range from historical fiction through horror and fantasy to science fiction. Despite the ever-present copy-editing errors, this was a very good read.

I would put the stories in four categories of excellence (well, three of excellence and one of crap).

Group One: The best

Walking Rain - Ian Keane's tale of supernatural beings in present day America, reminiscent (but not derivative) of American Gods, is compelling. The writing is lush, the characterizations beautiful. Hands down the best of the best. I can't say enough about this story. The book is worth buying for this story alone.

Into The Gardens of Sweet Night - Algis Budrys weaves a fairy tale-like tapestry of words as a boy takes a fantastic journey into the sky looking for the fabled gardens. Sometimes the discussions on freedom get a bit thick, but still great.

Blood and Horses - Myke Cole brings us a story of military sf where rebels riding horses seek the oil that gives life, losing their own blood fighting against a technically far superior opponent.

Group Two: The very excellent (in no particular order)

From All the Work Which He Had Made - Michael Churchman's style is strikingly odd at first, but within a page he had made me a convert with this interesting tale about the development of a humanoid robot exploring the questions of his soul.

Dark Harvest - Geoffrey Girard brings us a story about what happens when you find your worst nightmare dying in a field, and it becomes a tourist attraction. Excellent writing, and a wonderful story.

Beautiful Singer - Steve Bein's story of a haunted sword is elegant in its way of presenting feudal Japanese culture and characters. Every word of this story echoes with the culture of the samurai. The only thing holding back this most savory of writing from the top slot was the way the ending rushed together (a common difficulty in short-story writing).

A Few Days North of Vienna - Brandon Butler takes us along as a band of thieves join up with a group of vampire hunters to eradicate those evil creatures. The plot is nothing new or innovative, but the writing is top notch, and that's more important anyway.

Group Three: The still excellent (still in no particular order)

A Ship That Bends - whatever Butler lacked in innovation, Luc Reid makes up for in spades with his characters who live on a flat world and must build a bending ship if they wish to sail to the other side without falling off. The ending is its great weakness, suddenly ending the story before it really reaches its climax. Fun world, great writing, but it just stops cold.

A Silky Touch to No Man - a weak ending is also the problem with Robert J. Defendi's exploration of life in the near future where virtual reality has become the only reality. For a murder mystery, it was painfully apparent "whodunit" from the very beginning. But the writing is strong and the world well conceived (almost scary, actually) which makes it fun anyway.

Gossamer - Ken Liu offers a scenario where Earth finally makes contact with an alien species, and has no idea if they can even communicate. Art seems to be the only thing the Gossamers are interested in, but what does that mean? Interesting twist on the first contact plot.

Numbers - Joel Best brings us a stark account of a world where mathematicians can do almost anything, including make animals and people. In this world one woman seeks to create the perfect mate, but learns that perfection (and creation) are about more than doing everything flawlessly.

Group Four: The stories that really don't belong

Trust Is A Child - Matthew Candelaria's overly long story of negotiations with aliens is really just a painful rehash of about a thousand other identical stories, offering no new slants or anything. That alone wouldn't make it so horrible, but the main character is painfully stupid, and the plot has a hole in it the size of a small star system (it has to do with her being stopped by Marine guards while the aliens can just cruise on by and enter her private quarters without explanation). Also, her solution to being stopped is just horrible (apparently the guard is even dumber than she is). Still, with a good edit and re-write, I think it could have been decent, so I wouldn't write off the author.

A Boy and His Bicycle - Carl Frederick offers a story about just that: a boy and his bike. They don't do anything interesting, or go anywhere fun, or give us any reason not to hope that they just crash into a bus and die. The only saving grace is that it's short and over quickly. And to think this story got first place that quarter...

Bury My Heart At the Garrick - Steve Savile takes the prize for plodding, pointlessness. This story of Houdini was confusing, but not in that good way where you want to know what's going on, more in the way where you just don't care and want to skip to the next story. I kept reading to see if it would get better (imagine a short story that took me a week to read!). It didn't.

A Boy and His Bicycle is a great story.
(I put this in so I don't continuously trip over the review by someone who apparently didn't get it. I must offer the disclaimer however, that I wrote that story. It's a subtle tale, and I'm very grateful that the judges understood it and gave it a First Place award.)

This anthology, Volume XIX, (IMO) contains richly tapestried stories, strewn with new ideas or new takes on old ones. I've no doubt that before long, many of the authors will be Hugo winners

While I do not get a chance to read much science fiction, I decided to pick up this book mainly because I enjoy short stories. And I must say that this book surprised me. There are a number of well-written, very entertaining stories in this book. There is also a good amount of variety. As more than 12 authors contribute to this book, if you are not a fan of one story, you can move onto the next. There should be four stories in this book that will captivate you. From the quality of the prose and the structure of the stories, I was at first surprised to see that these are first time authors. Now realizing that these are contest winnners from L Ron Hubbard's Writers of the Future contest, it makes more sense. My favorites include Oragami Cranes, Eating Drinking and Walking, Windseekers, and Rewind (for it's writing style).

It's not perfect but I found this anthology very satisfying. When every single one of the stories is able to take me somewhere interesting, then the anthology is worth the money.. Favorite stories: Graveyard Tea, Windseekers, and Origami Cranes.

I have got the book on my hands before i was expecting.( outside USA)
In this case i knew the book.
I had bad experience buying books through other book Sellers and after had bought them i was informed that they were not available . I've got really disappointed.
When i buy a book i wanna make sure the book seller has it available.

If you are looking for a concise and practical guide to business writing, then you've found the right book. It is organized well allowing you to zoom in on the specific advise you are looking for (e.g., memos, letters, emails, reports). The chapters are easy to scan so you can readily zoom into areas that you feel would be most useful to you. The book provides specific examples that well illustrate the principles touted in the book. This was one of the main books used in a Business Communication class at NYU's Stern School of Business. I also found the Guide to Managerial Communication (7th Edition) helpful.

Concise, simple and straight froward advice.
It give you advices of how to write good memo, report, e-amail,....

Writing that Works, by Kenneth Roman, is a great, great, book on how to improve your writing on the job. Even if the only writing on your job is to reply to an occasional e-mail, this book will improve your writing immensely. This is one of the top three writing for the job guides I've read (out of dozens), right up there with "Plain English at Work", and "The Elements of Style".

This expanded version of an earlier edition of two seasoned advertising executive' original writing guide is something like Elements of Style, but aimed squarely at someone writing for business purposes (e.g., one of the ten chapters is "Asking for Money". There is a useful afterword describing a dozen more books to help you write better. Recommended as a good starting point for any business person wanting to write more effectively.

Well, I was expecting quite a bit after reading the first Absolute Sandman, and this one delivers on all accounts. The stories are amazing (somehow, A Game of You, the one I thought I'd hate, I loved the most) and this book overall was even better than the first.

The price here is magnificent, way cheaper than store price and the price is a very small price to pay for the content. Veteran readers will, I think, be pleased with the extra content.

They took some great stories and provided them a proper packaging. A great way to read and reread the series.

If you like sandman, just a little, so you MUST have this absolute, its needless to say that it is unworldly beautyful, the kind of item that any sandman fan have (they don't have the option: "not to have", if (s)he don't have, (s)he isn't a real fan). It's full with Extras more than 100 pages of mindblowing Sandman's extras.
Really a Top "Must Have" I already have garanteed tne other 2.

I always love Mr Gaiman;'s work. Sandman is probably his opus given the size and the eclectic nature of the themes. The Endless as interpreted by a Master like Gaiman represent an amazing world that weaves the deepest recesses of the collective consciousness, mythology, history and keep it living enough to be interesting. Aesthetically, the books are great and the artwork is just as eclectic as the are the themes. I wish I was exposed to this stuff as a kid...

This is the second collection of Sandman comics taking us up to issue #40 (of #75). There are a few single issue comics (all good), but for the most part this volume is comprised of two large story arcs. The first is Season of Mists, which I liked a lot and was 7 issues. It told a tale of Lucifer deciding to quit Hell and leave. He kicks everyone out and gives the key to Dream, who then is swamped by all the other gods/entities who now want the key to Hell. Here we also get to see all, except one, of the Endless for the first time, which was cool.

The second half of this volume was taken up by a story arc A Game of You, which were six issues in length. So this story dominated the second half of the volumes, as did Season of Mists with the first half of the volume. This arc actually is exactly what I would expect from The Sandman, it's about a girl's escape into her fantasy land she created as a little girl, which of course The Sandman created, because it was created out of dreams. So this was the first story that really was a believable scenario of Dream, if he existed. The only problem was it was created from childhood dolls on one hand, which were goofy, and on the other hand it was extremely violent. It was a weird mix that just didn't fit together that well. I think this was a story if read from text would have come out superb, but with the goofy graphics it just seemed weird, and didn't come off that well.

I still liked the second volume, even with the second half dragging a bit with A Game of You. And I'll say I liked the first volume in this series better. But this volume was still pretty darn interesting. Easily recommended!

This is THE best scrapbook in the wooooooooorld!!! What can I say??!! I'm obsessed!!! Along with the two albums this is wicked...JUST BUY IT AND DROOL OVER NOAH aka CHAD!!!... R.I.P Michael Cuccione xXx

This is the ultimate book for the ultimate 2GE+HER fan! Although I got a book that only had 92 pages - and I think I'm missing the last 4 pages of the book because it suddenly ends. But anyways, this book is hilarious and is filled with various trivia about the guys! QT can't write, Jerry was born without a jaw, Mickey wasn't always a gangster, Chad's blue eyes hypnotize, and Doug wears a balding toupee! A book that's definitley worth your money.

I love this book but the person that I bought it from ripped me off. I am totally pissed about this. Someone took out 4 pages so now I have 92 pages. I was supposed to have 96! Damn con artist. I still love 2gether though but I need to know what I'm missing in those 4 pages.

2Gether is the best musical grop and will always be the best, there cd's are funny, and good, whenever I have a bad day I put in one of there albums and it makes me feel better. The guys of 2Gether are talented, cute, sweet, and adorable. Noah is my favorite member and he sings beautifully and I love him with all my heart. I would like to say R.I.P. to Michael Cuccione, he was a brave kid until the end, he's a great singer, actor, and he is defintly a role model to all people. I will always love you.

This is one of my favorite books! I do enjoy "real" literature, novels, and that sort of thing -- don't get me wrong. I just think that this is written very well and it's extremely hilarious. You find out stuff about these guys that you've never known before. For example, did you know QT really couldn't write? He signs his name with an X! Never before seen pictures of all the guys (ever wonder what Doug's high school yearbook pic looked like?) are included, too. A little bit of old skool Whoa! is in here as well. If you ever watched 2Gether, this is a great book to have! Besides, it's cheap enough. Give it a shot. Or else Chad will cry.

I was pleased to have this book be in prime condition when it arrived. The price was excellent. The order came in a timely fashion.

The Art of books by Pixar are wonderful. For the artist these books give a great background into how the art brought the story alive.

I highly recommend these books, especially for those who love Pixar.

If you enjoy learning the behind the scenes process that goes into many of the animated and computer animated films of today, you will love this book.

It shows step by step the drawings and thoughts that went into each character in Radiator Springs and also the creation of all the backdrops. From the smallest signs and orange cones to the racetrack and beyond, you can see how it all evolved.

It's nicely bound with a great jacket cover. Definitely a nice coffee table book your guests will enjoy leafing through or the perfect addition to the library of any art and animation lover.

I purchased this art of book recently and found it one of the best art of books I now own. The illustrations are very helpful to my concept art assignments. Great reading

I have to say, I love this series of books. Seeing the concept drawings for the movie is wonderful and how they got there inspiration for what eventually became the charming and funny movie CARS.

Pixar's most recent animation is fully revealed in this wonderful art book. All the research, ideas, and concepts are printed gorgeously in this book. You see how the ideas are captured on paper to guide the production teams to make one of the best animation in years. Conceptual ideas of characters from the beginning to the final rendered CGI model on screen are all there. The landscape is captured in with colorful pastel paintings. Even all the details from neon signs to the Southwest vegetation are drawn out for you to see. Everything in the book is traditional artwork techniques from pastels, blue pencil, to gray scale markers. Only a few pages have any 3D images for you to see, but in an age where everything is computerized... its really nice to see that old fashioned techniques being used.

Its a quality book I highly recommend for the Pixar fan, 3D animation enthusiast, and art students.