Essays Books

I enjoyed Jim Brosnan's The Long Season. I didn't think that the book was quite as good as its reputation, however.

It is easy to see why The Long Season made such a strong impression when it was published in 1960. Brosnan's account of the 1959 baseball season was one of the first books that didn't "sugarcoat" the professional athlete's life. Brosnan is very opinionated about baseball and the characters in the baseball world.

I don't think that the book has aged that well, however. It doesn't have the irreverence or gossipy tone of books that followed, such as Ball Four. I found, therefore, that the book could be slow going in places. You do get an excellent view of the 1959-era baseball world, however.

In summary, The Long Season is a good read for those who want to know more about baseball 50 years ago. If you aren't a hardcore fan, however, you probably will want to look elsewhere.

wonderful baseball expose of the era. fascinating, riveting and, best of all - true! not some Bernard Malamud fictional account, this author was a major league pitcher for 9 season. Not a great pitcher, but an average one. Fortunately, he's a great author.

This is flat out the best baseball book I have ever read.

I also enjoyed Ball Four. Ball Four

"Twist, belly-button, block." A major league relief pitcher taught me how to hit a baseball. An excellent book during an excellent time in Baseball.

While Brosnan ruffled some feathers with this book, it isn't anywhere near as controversial or raunchy as Jim Bouton's "Ball Four." Brosnan does mention his difficult contract negotiation, but it's not as bitter as Bouton discussing contracts. Brosnan has an elephant-like memory for conversations and the batting history of every hitter he faces. You get to see every aspect of a game, from the pitchers discussing how to pitch to a batter to who's got the best pitch to the manager's pep talks before the game. Brosnan has an excellent grasp of the language and even perplexes some of his not as scholarly teammates with some of his words. Overall, a great read from a talented pitcher and author. I look forward to reading "Pennant Race."

I really enjoyed this book, which is a milder, tamer, less controversial book written 10 years before Jim Bouton's Ball Four. Both books are written by good, but not great relief pitchers named Jim. Both are written in diary form while the pitchers toil for less than stellar teams. Funny, and at times irreverent, Brosnan's book is worth the time to read! Teaser: I love the nickname Brosnan's wife gave him. :-)

This superb collection shows now-gone buildings and architectural treasures of our beloved city's past. These remarkable black-and-white photos show famous vanished bridges, churches, buildings and arenas, including the Colesium (nominating site of four Presidents). The City's downtown and surrounding areas were rebuildt after the Great Chicago Fire of 1871, in the largest building boom in U.S. history. Wood gave way to brick, steel, and concrete - the fire led to strict building codes - and many structures rose as the city expanded from 320,000 people in 1871 to 3.4 million by 1930. Readers learn about our city's history, plus the valuable contributions from world-famous architects and planners like Frank Lloyd Wright, Louis Sullivan, Miles Van De Roh, Mortimer Adler, and Daniel Burham. Today, many call Chicago the nation's architectural marvel - yet we also lost many famous structures as this superb book shows.

I'd have liked more photos of rail structures (Chicago was and probably remains the world's railroad capital), but it's a minor flaw. This is a superb book about a great city and its architectural past.

The well written story and photos of Chicago are great. It was amazing the number of outstanding architectural building that were built and torn down in such a short number of years.
Having grown up in Chicagoland during the 40' & 50's, I found myself depressed to see such destruction - only to be replaced by glass and aluminum boxes. Even efforts to save the outstanding and much beloved main lobby at the Chicago and Northwestern station failed in the name of the almighty dollar!

First of all...Mr. Lowe obviously has a deep rooted love for our wonderful city of Chicago. Most importantly...he is ensuring future generations and historians the ability to reference so many facts. This simply said...is an incredible work of love and a dedicated effort.
Thank You Mr. Lowe...my children's children will know what an important part that Chicago has played as our nation grew and prospered.

L. Curt Erler Author of "Southside Kid"

Stunning photos of a beautiful city. This book is truly a step back to a time when buildings were built to withstand centuries, although tragically these examples did not. Chicago has some of the most impressive examples of architecture in the country and this book is a powerful archive of not only what the city was, but what it is today. I wish there was a similar book on the buildings of Detroit, many of which are sadly slipping into oblivion.

There is much to enjoy here even if one does not have a special interest in architecture. As a lifelong Chicagoan, I especially liked the photo of St. Stanislaus Kostka Church (p. 79) which occurs in the formerly Polish neighborhood that I grew up in. I also enjoyed the old maps of the Chicago area from the 1600's.

This is a (not surprisingly) beautiful and very accurate portrayal of Maasai life. It was written by Teplit Ole Saitoti, himself a Maasai straddling a modern lifestyle, with that of an elder in his home village. Carol Beckwith is one of the most sensitive and talented "human anthropology" photographers the world has ever known. She gets photos no one else can, by living the villagers' lifestyles. The result of the collaboration is the view of Maasai life from within.

Buy anything you see her name on. You will not be disappointed.

When I first saw the Maasai book I thought to myself, "Oh great another huge boring book I have to read." However when I opened to the first page the magnificent photographs of the book captured me. I was amazed at the quality of them as well as moved by many of the pictures. This book takes you through the journey of the life of a Maasai. It all starts out with an introduction of the Masaai, then talks about youth, circumcision, warriors, elders, and then wraps it all up with a personal reflection by the author on the Masaai. The book was both informative and interesting at the same time.
Previously I had studied the Masaai in school and thought I learned everything. However when I picked up this book I found out that there was much to learn. Some of the interesting facts I learned included the back-story on how the Masaai originated, how they transition from warrior to adulthood, and the importance of elders in the Masaai society. The author's personal reflection about the Masaai talked about how the modern world is affecting the Maasai today. The book began talking about simple Masaai childhood. Childhood was brief and explained what the kids did around the village. Some of the games they engaged in however surprised me because of the danger factor involved in them. It then slowly transitioned to the awkward teenage stage, which is probably the hardest for the people in the society to go through. In the society it is the stage right before circumcision. The book really gave me an inside view of what it's like to be a preteen in that society. It did such a good job that I was able to understand why kids would want to get circumcised in the first place. After that it transitions to the actual process of circumcision, which after reading the book seems pretty scary if you ask me. That was the only part I actually had learned in class. However it also talked about the many processes, which occur after circumcision. The process of this is both physically and mentally challenging but according to the book pays off in the end. This was definitely one of the most interesting parts of the book because I could sort of relate to them in a way, since I am a teen myself.
After finishing the that chapter and looking at many great photos, the book starts to talk about the intense process of warrior hood. I was surprised how much the Maasai value certain things in warrior hood such as their hair. After warrior hood the book briefly talks about lives of the elders then it moves onto the personal reflection. It began with the quote, "From the farm, the tragic fate of the disappearing Maasai tribe on the other side of the river could be followed from year to year. They were fighters who had stopped fighting a dying lion with his claws clipped, a castrated nation. Their spears have been taken from them, their big dashing shields even, and in the Game Reserve the lions followed their herds of cattle." That quote came from the author Isak Dinesen who wrote the book Out of Africa.
The author then began talking about his personal reflection of the Maasai today and explained how modern civilization was enclosing on the Maasai fast. He, being a Maasai himself talked about how the Maasai must adjust to society for their own protection. According to the author since civilization is advancing so quickly the Maasai cannot fight against it and as the old expression goes, "Can't beat them, join them." Unfortunately the Maasai are defenseless to civilization and must take up the basic aspects of it such as education, land, and resources. At the second page of the personal reflection the author talks about the conflict the Maasai have faced with regarding land. Ever since 1901 the Maasai have had conflict with the Europeans. In 1910 their land was taken over for colonization. According to the Author by now the government has taken over the Maasai land and has taken away a lot ever since the Europeans invaded in the first place. In the end he wrote down suggestions for what the government should do to better improve life for the Maasai. He finally ends on the note that although the Maasai are facing difficult obstacles right now, they will still pull through in the end. So if you like books with information, great photography, and a nice smell this book is definitely for you.

This book is beautiful. It has beautiful photography, and beautiful text by a man who is of the Masai tribe. I was sad, however, to read that the author of the text (Tepilit Ole Saitoti) says that the Masai way of life is destined for extinction. Though this is inevitable for most indigenous peoples.

Tepilit Ole Saitoti's commentary and insight into his people really make the photographs come to life (the cover photograph is of the author's brother). This is not so much a book as it is an experience, aided by its "over-sized" coffee table format book that gives you the feeling of "stepping" into the beautiful Kenyan landscape. Reading this beautiful book is the next best thing to being able to visit this beautiful land and see these fascinating people in person (which is something I hope to do at some point in my life). What a beautiful land the Masai live in!

Anyone interested in this book would probably find OF WATER AND THE SPIRIT interesting as well. OF WATER AND THE SPIRIT is written by Malidoma Some of the Dagara tribe from Burkina Faso, in West Africa. It is the story of Malidoma's escape from a missionary school (he had been kidnapped), journey back to his village as a teenager, and initiation into the Dagara tribe.

This book made me travel to Tanzania and Kenia, in my thoughts.
Very good pictures and very real too. It's a book that shows us another culture and ways of living. Worth reading.

Having just spent a month in Africa working in orpahages while also being able to take a tour of a Maasia Village in Kenya, this book reminded me exactly of my experiences there.
The Maasia are incredible people and this book shows those of you who have not had the chance to meet them how amazing their culture is.
The pictures are breathtaking. I felt as if I was back in their homeland.
Great literature as well.
Highly recommended

In this book any page you turn to is an amazing photo. While the book is on photo journalism, the photos are highly artistic. Probably one of the best photography books ever created. Not only are the photos wonderful but the production of the book is perfect...great size, high quality printing, sturdy binding and pages, excellent layout and light on text but the text that is there is well written. This is a must have for any photo library.

This is one of the very best book of photos that I have seen in my life. I you like photos you would love this book, even if it contains some very crude photos. I think it is a must for anyone enyoying the art of photograf.

these pictures speak a million words: about the beautiful things in life as well as the dark side of life.

One of the best books of photojournalism that I've ever seen. Highly recommended.

It took me a year to get all the way through it. Each image is independently powerful, enough so that I had to spend a great deal of time studying each diptic (a year in total). If you can judge this book by it's cover, then judge it by one word on it's cover - MAGNUM. You won't be disappointed.

This book uncovers a speech delivered by Malcolm X in January of 1965. In his speech Malcolm X discusses the disenfranchisement that African-Americans have suffered due to the lack of knowledge of our pre-slavery historical roots. Malcolm X reveals numerous African-American acheivements that took place long before there was an America. He also argues that this lack of knowledge is what sepearates African-Americans from other cultures, and encourages African-Americans to educate themselves and end this ignorance of our rich historical past. This book is for anyone wishing to know a little more about some of the African-Americans whom you didn't learn about in History class and those who have all ready read Malcolm X Speaks and would like to expand their collection of Malcolm X speeches. This is a book no one can afford to forget.

During Malcolm's lifetime Pathfinder press began a relationship with him that lasted beyond his death. In co-operation with his family Pathfinder Press became the major publisher of Malcolm's speeches and writings in English and Spanish. This slim book, barely 100 pages, is one of the jewels of that collaboration.

The centerpiece of the book is a 1965 speech by Malcolm on Black history. The book also features excerpts from his autobiography and various speeches and interviews. This book is rich beyond it's size and deserves to be widely read by all.

This priceless little book consists of a talk Malcolm X gave just a month before he was assassinated in 1965. You will find a rich analysis of then contemporary local, national and international issues, exposure of little-known African civilizations, and an inspiring perspective on advancing the Afro-American liberation struggle along with the struggles of other oppressed and exploited people throughout the world.

If only this were in the schools, especially for the teachers. Because although this is no proper textbook for history, it can be used as a guide into how to properly teach afro-american history to the youth.

Malcolm, as well read as he is, references many books as he lucidly and easily brings together many parts of history, but more importantly, a view of history. And his view of history is well-informed, well-sourced, and so full of truth it hurts to listen. But truth in history if very important, and Malcolm helps us in our studies.

This little book packs a powerful punch. Malcolm X explains clearly, and often in a humorous way, how knowing the truth about your history is necessary for building a movement to tear down racism and build a better society. The heart of the book is a speech that Malcolm gave less than a month before his death. His point is that Black people have to become aware of their true accomplishments in the past in order to change the world in the present and future. By looking at ancient African civilizations, West African kingdoms, the rise of imperialism and the history of slavery in America, Malcolm shows that Black people have played a huge role in shaping human history. Even though he spoke at a time when Black History Month was still Black History Week, his message is still totally relevant as African-Americans still face the challenge of leading a movement that can end police brutality, racist violence, political oppression and economic exploitation, while joining up with working people and the oppressed around the world. The impact of Malcolm's speech is magnified by his own explanation of how he studied Black history while in prison; and by a nice set of graphics and maps which illustrate his points.

the first
a visual street photography book of new york city
my winnogrand's work set the standard
this is a great coffee table book

I recently took a class in street photography at New York's ICP and Winogrand's work is something I could never even hope to approach. Some of his images are startling, you feel like the crowd is STILL headed right at you and that you must somehow get out of the way. He was fearless in the street and this collection proves it.

Gary Winogrand was the type of photographer who had a very itchy camera trigger finger. When he died he left behind around 10,000 rolls of undeveloped film. If it moved he photographed it. Did he shoot so many good pictures simply because he took such an unbelievably large number of them, i.e. if you take a million shots aren't you bound statistically to get at least a thousand good ones? Good question, yet GW is one of my favorite people. If you like street photography with insight and humor he is almost unbeatable. These are candid portraits that catch people gawking, staring, laughing, having fun, showing pain, and often being oblivious to everything around them. Gary was not shy; he thrust his camera right into people's faces, and caught them in off guard moments. A man crawls along a sidewalk unnoticed by a group of American Legionnaires. Another man walks nude through a crowd without attracting much attention at all. Another man walks through a crowd carrying an immense poster of the Beatles. Why is he doing this; where is he going? A man with a bandaged nose stares strangely at his female passenger as he drives along. Is he angry with her or is he perhaps lusting after her. You decide.

It takes you forever to get through this book as you sit and look at each picture for a long, long time. How revealing are the faces, the postures, and the gestures; each shot prompts you to weave a story around the captured event. Winogrand seems to be made up of equal portions of Elliott Erwitt, Henri Cartier-Bresson, Diane Arbus, and Andre Kertesz (if you are unfamiliar with any of these folks, and you like Winogrand, you had better check them out). The saddest thing is that almost all of Winogrand's books are out of print. This is a breathtaking collection of his work.

As far as I know, this is the only in-print book of Winogrand's photography available. For me, relatively young and new to photography, I am thankful for the opportunity to see some of his photos. They are a revelation. Even a cursory first glance through the book, I was struck at the complexity of the scenes photographed. These photos speak volumes, though I'm not sure what it is they say. In fact, the attraction of these photos lie in their mystery. Repeat viewings will reveal more nuances...so many layers emerge that interpretations will get lost in themselves. Well, that is TRUTH.

Regretfully, the printing quality of this book stinks. The duotone curve they used for this book is all messed up. Many photos end up looking like sepia prints rather than a black and white print. There are few pure, deep, dark blacks in the book. Instead you get this black-brown color which is really ugly and does a disservice to GW's work. True, Winogrand himself said "anyone who can print a photo can print my work" downplaying the importance of the printing process. And while the poor reproductions in this book does not take away from the strength of the photos, I still find it annoying and most of all...UGLY. All I can hope for is another book of Winogrand's work to be published. With all his millions of negatives, this is just the tip of the iceberg.

This book is worth reading by every person loving cities, not just photograph-lovers. A book so real, you feel you are walking through a cith while flipping the pages!

I bought this to read for a class, but was taken aback by how good this book was. An excellent read for anyone.

Like a lot of university educated folks, I heard in Psych 101 that once you hit your teens, your capacity to learn languages takes such a nosedive that if you haven't learned by then, you'll never be better than "Me Tarzan, you Jane" no matter how hard you try. I'm not ashamed of accepting this "language expiration date" -- there was no reason not to, and besides, it tracked with my own frustration learning foreign languages. For decades, I accepted this Psych 101 nugget without question.

When I started reading A Man Without Words, I had no idea my old Psych 101 nugget's days were numbered. I heard about the book as something a fan of Oliver Sacks would enjoy, and I associated it with Oliver Sack's book The Man Who Mistook His Wife for a Hat, about neurological dysfunction, not Sacks's Hearing Voices, about the deaf. I assumed until I started reading that the "man without words" was aphasic -- had brain damage that prevented him from understanding language. Turns out, though, the book's namesake is deaf and poor and had simply, at 27, never been taught any language. No one had ever bothered. Susan Schaller then proceeded to overturn the Psych 101 sacred cow I never knew I had by describing how she taught this young man the beginnings of ASL over the course of a few weeks. Then, so I couldn't think of him as a freak or fraud, Schaller goes on to show that many deaf people receive no language training and can also be taught to sign long after the Psych 101 "language expiration date."

Schaller claims that almost every deaf teacher, and most hearing teachers, of ASL know of adults who have grown up without language. While her book is anecdotal and therefore fundamentally unscientific, she makes a passionate plea for academic study of the acquisition of language by adults, which makes her more plausible than those who would brush science aside where it does not prove their case. A Man Without Words is a powerful request, and a strong basis, for further research in this area.

A Man Without Words is also very well written. Schaller is both artful and precise in her descriptions of sign idioms and grammar, to the point that I, who know little of sign other than what I read here and in Hearing Voices, felt I understood what I needed to and enjoyed learning it. Her narrative case study is better written than many novels, and besides being fascinated by the information Schaller imparts, I also became submerged in the story.

Learning that something I believed for decades may be dead wrong gives me a feeling of loss of equilibrium (I got the feeling a lot when I first started reading about urban legends). No matter how skeptical I try to be, I always seem to be assuming something. A Man Without Words is a convincing argument for skepticism about the "language expiration date," and it raises concerns that the "expiration date" idea may make us give up up too quickly on languageless adults. It is also a fascinating read as a story, which makes the loss of equilibrium easier to take. Now I just hope that since this book was published in the nineties, someone in academia has taken the hint and done some study on linguistic development in adults. I'm off to cruise the Web to find out -- which, I'm sure, is just the kind of reaction Schaller was hoping for.

This book really opened my eyes to the world of adults without a communication system. I just took for granted the fact that everyone had a way of communicating when in fact, this book shows clearly that there are many who don't have just that. In addition, this book is a real page turner and packs a lot of interesting information in just a little over 200 pages.

Wow! A must-read for parents of deaf children, linguists, and SLP's. The author expertly describes the isolating effects life without a shared language. She tells the story of a deaf man who grew up in a poor town in Mexico. The man was never provided any education and was never taught how to communicate. At the start of the story, the man uses only gestures and miming to express himself. He lacks the concept of "language" --a system of symbols (spoken words, manual signs, or written text) that can be used to express an individual's thoughts & experiences and be understood by a whole community of people. The author recounts her struggle to figure out how to teach language and the man's struggle to learn. In addition, she clearly articulates the need for social change, the need to develop resources & programs for teaching the many languageless deaf adults who exist today. While I thoroughly enjoyed the story, I found that the numerous quotes throughout the book detract from the overall story. In this respect, the book seems somewhat like a hybrid --it is a positive & triumphant story of two people embarking upon a difficult journey with no map to guide them, AND it is an informal dissertation on the needs of an overlooked segment of the deaf population. Either way, it is a great story and is well-worth reading.

I've read many of the previous case studies of languagelessness in children. We studied Genie and the Wild Boy of Aveyron in an education class on language and it's place in education. This was my introduction to this particular group of disenfranchised, neglected, and abused people...except I thought it was all children usually discovered in late childhood (around age 13). From my neuroscience classes I remember being taught that the brain continues neuronal growth (to targeted synapses in the brain) until about age ten, then begins to cut back. This was supposedly an explanation for why language learning is so difficult later in life. So coming across this book, with its story concerning adults with no obvious psychiatric problems (just a physical difference in lacking hearing) who had managed to survive to adulthood with no language, came as a complete surprise.

This book got put aside as I had to read other books for school and work, but I picked it up again and finished it. Schaller basically is providing a qualitative study, a case study, to draw attention to this apparent problem. This method of educational research is used more and more in writing dissertations, and I actually didn't recognize what it was until I took a qualitative research class myself. The writing and book tend at first to repeat itself. I am not sure what Schaller was doing in writing this way. Perhaps the book had to be a certain length or she felt readers might not pay attention to the seriousness of this problem for Ildefonso and other adults without language. This repetition caused the first half of the book to drag a bit.

After I picked the book up again, I finished it in two days. The addition of the search for other adults with no primary language, Schaller's introduction to other adults like Ildefonso, and then her search for Ildefonso really added to the pace of the case study.

This book throws a bit of a wrench in much of the things I have been taught in both neuroscience and education. There are a few things the book illustrates better than any other book I've read on this topic. First, given the amount of adults who were deaf and had no language that Schaller found in Southern California really illustrates this has to be a major problem internationally. If we are finding such a large group in our nation which pushes education and literacy, what about in countries such as China where there are many deaf (due to overuse of gentamycin) and there are many people with no access to education. Second, again, we obviously don't know everything there is to know about the pliability of the brain. Third, I am very concerned about discrimination against this group, and the possibilities that there are many of these people in psychiatric wards or prisons or other institutions, merely because they have no way to assert their rights. This possibility would be criminal.

I'd like to see more books by Schaller on this topic, and hope to learn more about this in the future. For the most part, this is a great book, and it definitely is a great story which needed to be told.
Karen Sadler
Science Education
University of Pittsburgh

Masquerade

Out of all the characters, my favorite one was Ronnie, because he sounds like into Angel.

I liked this book because it starts of on a party.

Ronnie sees this girl that he liked, but she is wearing a mask, and couldn't see what she looked like. They started talking and said that they would meet at her school the next day. So the next day Ronnie went to school and told Todd that he met a girl at a costume party, that was really pretty, but he didn't see her face. He told them that they were dancing and then they were talking. He also told them that he was going to go to her school right after school. He asked Todd that where were the other guys. Todd said that they were at the court. When Ronnie and Todd got there he told them all about that girl. During class all what Ronnie did was to think about that girl and couldn't wait for class to end so that he could go to that girl school. Right after school Ronnie ran to her school and waited for her to get out. The only problem was that he didn't knew which girl was that one at the party, because the girl was wearing a mask. He asked every pretty girl that if they were the girl at the party. While he was asking some girls, a girl screamed out his name. Once he saw the girl he was surprised, because he didn't thought that girl was pretty. They walked home without saying a word. When they got home and said goodbye, Ronnie told the girl that it was nice meeting her.

The reason I recommend this book it's because it is really interesting and it graves your attention.

To find the places described in the book around the city ,let me think of the treasure map the vikins leaved behind them.

This book was amazing! It was my favorite stroy when I was little and still is. All the beautiful and rich pictures helps bring the story to life. It's full of riddles that never end. The Masquerade was well written and keeps the reader coming back to solve the mystory of were the hare lost the moons gift to the sun.

Artist Kit Williams wanted people to look at his pictures-- to study them intently. He found a brilliant device; hidden in the rich illustrations are clues to a treasure. The treasure has since been found (by people who cheated), but it is still fun to study the drawings. Small children will enjoy finding the hare on each page, and will enjoy the charming story as well.

The story is the love tale of the moon and the sun. After falling in love with the sun, the moon sends him a beautiful, gold, bejeweled hare, which she entrusts to Jack Hare to deliver. Jack loses the gift, and the reader is challenged to find it.

For the solution buy it here at Amazon.com But try it on your own first. Hint: Henry VIII had six wives, but only one matters.

I have searched for this book, like some have searched for the jewel!

WOW. To finally find it. I was given a hard back copy of this book from my father in the mid 80's, probably the 87' printing.

What is this book about?, is it the book you've been searching for? This is the book "Masqureade" by Kit Williams. The book is now out of print, and the treasure has been found (and lost) so to speak since it's debut in the early 80's. Kit made this book to become like a world wide treasure hunt. The rabbit in the story is sent off with a beautiful necklace. A gift from the Moon to the Sun. The Moon has fallen in love with the Sun. But along the way the necklace gets lost. You are supposed to look for clues in the pages, in the riddles and find the hidden pictures to solve the riddle. If you were the first person to find all the clues and send Kit a letter with the details (all the answers being correct) you could go and get this necklace for yourself. You could own it. It was valued at [$$$] at the time the book was released. A year later the riddle was solved and yes the necklace was found. Although the story has a sad ending, apparently the people who found the necklace cheated.[...]There was also a later paperback printing of this book WITH the answers in the book. Since the jewel had already been found.

[...]

The flowing pen of author Roger Kahn provides readers with books of nostalgia and heart. Here he covers baseball in New York City in the bygone 1950's, his love affair with the Brooklyn Dodgers (whom he covered as reporter from 1952-1953), plus the Yankees and Giants. Readers learn a few things about Jackie Robinson, Willie Mays, Leo Durocher, etc. There's the author's take on baseball racism, on the slow retreat in the 1950's. Kahn also traces his upbringing and close relationship with his baseball-addicted father. The book has a definite sense of loss, due to his father's passing, the Dodgers and Giants fleeing to California, and the urban decline that has since afflicted New York and many other once-tranquil cities. This moving book is something of a follow-up to THE BOYS OF SUMMER, the author's superb look at the Brooklyn Dodgers that was published in the early 1970's (this book came out in the late 1990's).

This book doesn't quite match BOYS OF SUMMER, but it's another gem by a writer whose heart clearly belongs to baseball.

In "Memories of Summer," Roger Kahn takes the reader back to a time when the Dodgers were an integral part of the life of a Brooklynite, through his career as a writer for several different newspapers and magazines, up to modern times where he interviews former baseball stars, including Jackie Robinson, Mickey Mantle, and Willie Mays.

Though he grew up a Dodger fan, forced to wait 'til next year seemingly forever, his love not just for the Dodgers, but for the game, is made manifest through his memoir and his reprinted articles. His painting of baseball in his earlier years as a game engulfed in wonder and mystique is shared by many who cherish old-time baseball.

Kahn is not remiss in placing baseball in the context of the social realm in which it was played--a time where writers were reluctant to write about the off-the-field lives of players and where racism, which barred blacks from playing in the majors for almost 50 years, slowly gave way to integration, very slowly. He saw the Jackie Robinsons and the Willie Mays and the Monte Irvins in Major League Baseball as baseball players, not black baseball players.

This book is funny at times, sad at others, but always piques interest. Kahn does an outstanding job of painting vivid images of a time when baseball truly was an art, and writing about it truly a game.

Mr. Kahn turns back the clock to the days when baseball was the true American pastime. His anecdotes and interviews about Mantle, Mays, and Early Wynn bring these individuals to life more than any statistics possibly could. His love of his father is written about in such a profound manner that is timeless. In all a classic piece of Americana that hopefully will be read fifty years from now.

Kahn's most recent work, _Memories of Summer_, is a very thoughtfull look to the golden years of baseball, set in the context of Kahn's childhood and career as a journalist. Simply put, it is a must-have for any serious baseball fan, cultural anthropologist, or anyone else wondering how the game used to be and the importance that it played in the lives of fans. Throughout, Kahn manages to capture, quite superbly, the romanticism of the era, focusing specifically on perhaps the very epitome of that romanticism, the bumbling bums of Brooklyn. He very adequately portrays the love affair that so many in Brooklyn had with the team, as well as give an indication of why they are remembered so reverently today. Kahn also laces his story with his interactions with baseball celebrities, including Leo Durocher, Willie Mays, and Jackie Robinson. My one drawback is that Kahn occasionally gets somewhat preachy when addressing race and racial discrimination during the time. Obviously, a certain amount of preaching is in order, but in my humble opinion it goes a step too far. Otherwise, however, the narrative that Kahn weaves, beginning in his childhood (the relationship with his father and how that relates to baseball is especially noteworthy) and tracing his career in journalism through newspapers and magazines is wonderful, easy to follow, and extremely well-written. I completely agree with the earlier reviewer who commented on the issue of "turning corners" in the book, and I would add one more - expansion to the West Coast and baseball turning the corner to become a two-coast sport. The reader can't help but feel the sorrow and bitterness that is left following the move of the Dodgers to California. This is a fantastic composition, a true gem by one of America's premier sports writers. Happy reading!

I was fortunate enough to receive a preview copy of this book a few weeks before its release because I was interviewing Mr. Kahn on a radio interview program.

As soon as I started reading, I was hooked. Although I was not alive during the 1950's, I have always been fascinated with baseball during that era, particularly the lovable Brooklyn Dodgers. Kahn's latest book does such a wonderful job of describing what it was like to be around baseball every day in that bygone era.

The easiest interview I have ever done was that one I did with Roger. His love for baseball was evident from the first question I asked him. His insight gained from covering the Dodgers in the 1950's is something every baseball fan could use. In this season of home runs, the average fan is once again starting to appreciate baseball. Roger Kahn will make you appreciate it even more.

"Kristen Bjorn was born in London, England on 12 October 1957. He grew up in Washington DC and at the age of eighteen he left the USA, and lived in numerous different countries over the following seventeen years. Kristen started his career as a Falcon [Studios] model in 1981, and within two years later he became one of the foremost photographers of the male nude for several international publications. In 1989, Kristen released his first gay erotic video CARNIVAL IN RIO, which was filmed at his home base in Brazil. Over the past 10 years, Kristen has toured the globe, and has created some of the world's best gay erotic video in such diverse locations as Brazil, The Dominican Republic, USA, French Canada, Australia, Venezuela, Hungary, Cuba, and Costa Rica. His work can also be seen on his website www.kristenbjorn.com."--from Men of Kristen Bjorn (Paperback), ISBN 3-86187-676-0, © 2004 Bruno Gmünder Verlag (Editor & Publisher); photographs © Kristen Bjorn (Photographer), U.S.A., 2000

These images of non-American men seethe with sensuality and vitality. If you let your imagine run wild, as it should, you should be able to flood your mind with fantasies that will satisfy for years. Woof.

I innitially had difficulty to get this desirable item from Amazon through the custom (not to mention that they also lawlessly retained my TITAN MEN and KARL LAGERFELD BODYDANCE & WATERWAVE) but then... thanks to BOOKAZINE store chains in Bangkok and Pattaya! Fans of Bruno Gmunder Verlag books from Malaysia and Singapore can now enjoy a "delicious" selection in wide open display.

MEN OF KRISTEN BJORN is a satisfactory male photography collection to any worshipper of those dark, brooding looking GODs on earth. Every single precious page is lusciously printed and an upclose revealing to some of Bjorn's famous video stars. Seductive eyes. Deep, ethnic coloured hair and polished-like skin. Voluptuous arms and forechest. Thick, veiny and uncircumsized (plus a horse sized model) that is enough to leave you mouth wet.

Unpretentiously erotic, don't miss this noteworthy collectible print of goodness. (Also look up to the new, equally fascinating TASTE OF ITALY.)

Some of you may think that this book is a bit pricey.Well,let me dispel this notion for you.It is an excellent hardcover edition:120 full-color pages of thick,superb-quality paper,that is almost impossible to stain.My guess is that the paper could withstand several sloppy kisses without even the slightest damage.And there is no doubt in my mind that you WILL get the urge to kiss the pictures!If you are familiar with Kristen Bjorn's spectacular work and already love his choice of men,you will simply go crazy about this book!But even if you've never heard Kristen's name before (highly unlikely) or you are not very fond of latin men,the book will still leave you mesmerized.The men featured in this collection are all creatures of unparalleled beauty and masculinity.They are mainly South Americans with mixed ethnical origin (there is even an African American with blue eyes!),something that gives them a unique charm.(There are of course some of Kristen's Eastern European models as well.)But no matter their ancestry,the majority of them is tanned by the tropical sun in the most pleasing manner.And their exquisite bodies are the epitome of fitness and virility.From their big watery eyes and fleshy lips to their large pectorals and enticing nipples and down to their...sizeable genitals (mmm!),only one word can describe them:perfection!The overall atmosphere is enhanced by the spectacular tropical scenery in exterior shots or by the luxurious and aristocratic decor in indoor photos.One could think that the images are a bit "tame" compared to Bjorn's overwhelmingly arousing movies.But the photos in this book are not just stills from a movie.They stand as separate works and are very exciting on their own.So,if you like real men depicted in all their splendor and don't mind spending money for your passions,you should,by no means,miss this book!

In the depths of a dark, dank winter evening, these photographs of beautiful, swarthy men will bring you summer sunshine. When I see Kristen Bjorn models, I always wonder where he found them. Neither I nor anyone I have ever known has ever had a sighting of one of these gods in the flesh. If they were paintings instead of photographs, I'd swear they came from the artist's imagination.

For those familiar with Bjorn's books and erotic videos, this is just much more of a very good thing. Even if you prefer blonds-- and gentlemen do-- you'll change your mind after a run-through of these models ready for action. There's only one man here who could be classified as a blond. But there are lots of Latinos and black men-- and a few with that unique combination of black hair and blue eyes.

The models are posed at the beach, on mountains, on leather sofas, in the jungle, and the hooty cover shot with purple irises. My favorite photo is of two nude men with a view of Rio I believe in the background. All the photos are flawlessly composed and in glowing color. Several of the shots have 3 or 4 or 5 buffed men in them, all the same height, in keeping with Bjorn's vision of perfection.

A Falcon model, himself, before he went to the other side of the camera, Bjorn reminds of that and includes a color photo of himself, along with a short bio at the end of the book. He's every bit as handsome as the men he photographs.