James Thurber Books

I had not heard of James Thurber (I'm not from Northern America :)) until one of my friends on a study abroad program brought this book to our apartment and we started reading it out loud to each other. I loved it so much that I've read it three times already. Thurber's playing with the language is so amazing, cute and fascinating that it makes you speak "his way" after you read the book. :) And all his ideas are wonderful! This all makes the book one of a kind, really.

read it, lest you end up being slit from your guzzle to your zatch! a book for all ages, and any age. Fairy stories with a twist of Thurber.

I really do like this book. I like fairy tales, especially the kind like Ella Enchanted and Fairest by Gail Carson Levine. In the pictures the wicked duke looks so hilarilously silly! The prince is handsome and the princess pretty, of course! The Golux's hat is indeed indescribable and the woman Hagga cries jewels instead of tears. He! He! He!

The Thirteen Clocks, by James Thurber, is a perfect book. The only way it could be better would be by being longer. The story is classic in its simplicity, so elemental that anyone can easily find a way inside. The big setting - a castle - the big players - a Prince, Princess, and wicked Duke (very wicked) - the big themes - courage, redemption, selfless sacrifice, and just a whiff of magic. Best of all, the big problem - time is frozen. Our enterprising Prince must do the impossible to win the hand of Princess Saralinda. This is road-tested material but Thurber breathes new life into it, making it fresh and irresistible. The musicality of his language is delightful, there is so much joy and play in the words, they giggle and dance like water gliding over stones in a stream. His rogue's gallery of secondary characters is just too good; each is slightly more improbable and splendidly cracked than the last. Most of all, this story ends exactly as it should, the resolution is not forced, it's simply correct. The Thirteen Clocks is a slice of heaven that can be enjoyed by anyone able to read. Thurber, it turns out, really was as good as he claimed. This lasting jewel proves it.

Watch out for the Todal

James Thurber's The Thirteen Clocks is a delightful tale for people of all ages. I was first introduced to this seemingly conventional story at age five when my father read it to me as a pleasant bedtime story. It was not until I could read for myself that I began to notice what sets this story apart from so many other children's stories--its characters and great dialogue. Even re-reading it now, as a college student, I immensely enjoy its refreshing humor. Thurber uses a simple storyline, poetic devices, and clever characterization to make The Thirteen Clocks enjoyable to any and all ears.

The Thirteen Clocks is enjoyable for kids of all ages (meaning grown-ups as well) because it follows the basic and familiar "prince saves princess" storyline. Prince Zorn of Zorna must win the hand of Princess Saralinda by bringing back a thousand jewels to her uncle in "six and sixty days" (32). Though it seems that six and sixty days are not ample time for him to complete such a task, Zorn of Zorna miraculously succeeds. This follows the plot of most classic fairy tales I can think of (excluding Rumplestiltzkin and Beauty & the Beast). There are so many prince-princess stories because every child (and deep down, every adult, too) wants to be a prince or princess. There is something appealing to human nature about glory, fame, wealth, beauty, and general happiness, all of which are presented as direct benefits of being royalty. Also, everyone loves a happy ending where justice is served--the good guys win and the bad guys suffer. The Thirteen Clocks does indeed include a happy ending of this nature. Not only is the story simple enough, but it is also relatively short (my copy is seventy pages with fairly large text) and includes pictures. Bedtime stories are, by nature, short stories. When parents concede to read just "one more bedtime story," they do not want it to take all night. Furthermore, it is simply easier to understand a story when you sit down and read the entire thing at once. Children admittedly have short attention spans. The rest of us adults do too, but we pretend to have a more mature mind, especially when it comes to paying attention. The Thirteen Clocks appeals to everyone, young and old because it is a familiar and somewhat simple tale.

All audiences can also appreciate The Thirteen Clocks for its musical language as seen by the poetic devices of rhyme and rhythm. In the beginning of the story, Prince Zorn of Zorna disguises himself as a minstrel and sings of various things whose mention are forbidden by the evil Duke. A villager tells the Prince that one of the Duke's spies will "die because to name your sins, he'll have to mention mittens. I leave at once for other lands, since I have mentioned mittens...You'll never live to wed his niece. You'll only die to feed his geese" (17). The rhyme combined with the absolute hilarity of this statement amuses the reader and is rhythmically pleasing. Smaller children may not catch or understand the substance of this passage completely, but they will enjoy hearing the rhyme scheme (AAABB) and rhythm pattern (8-7, 8-7). Literary enthusiasts will take note and admire the patterns evident in Thurber's writing. Another great example of Thurber's amusing and rhyming style is, "'It's odd,' the Golux muttered to himself. 'I could have sworn that she had died. This is the only time my stomach ever lied'" (54). Here again, Thurber amuses his audience by using this constant pattern of rhyme and rhythm. Humans love to find patterns--it brings sense and order to the sometimes chaotic world we live in. By creating this literary and somewhat musical pattern, Thurber's tale appeals to both the young and old.

The Thirteen Clocks is appealing because its characters, the likes of which have never been seen before in literature, add excitement and flavor to this familiar story. There are three truly out-of-the ordinary characters--the Golux, who is "always on hand when people are in peril" (18), Hagga, the weeper of jewels; and the unpleasant Todal. Of these, the Todal is the most outrageous character. The Todal is "made of lip," "looks like a blob of gulp," and "smells of old, unopened rooms" (36, 29). This creature is "waiting for the Duke to fail in some endeavour such as setting you a task that you can do" and is "an agent of the devil, sent to punish evil-doers for having done less evil than they should" (29, 30). There is no monster as quirky, interesting, and terrifying as the Todal in real life or in a book. By presenting his readers with such bizarre characters, Thurber appeals to their sense of humor, as well as to their sense of terror. The creativity and flair for language possessed by Thurber are most obvious in the descriptions of his characters. This sets his tale apart from others with similar, but seemingly less lively stories. More than anything else, The Thirteen Clocks is enjoyable because of its uniqueness in characterization.

This truly wonderful and shockingly good fairy tale is full of enough excitement and goodness to be appropriate for a bedtime story. Yet Thurber's true talent lies in his creative and imaginative abilities which allow for readers and listeners alike to enjoy this book. It is set apart from other fairy tales by its clever use of words and unparalleled characters. Buy this book (though I would suggest the hardcover edition with colored illustrations) or run to your local library before the Todal gulps you!

James Thurber was one of the funiest authors of all time and this book cements his reputation. I enjoyed it many years ago and after re-reading it, I enjoyed it again.

Should be required reading for all folks of any age looking for an introduction to life in these United States, for those learning to overcome despair and disaster with humor and grace, for any and all learning the English language.

Thurber is a great favorite of mine, and this was another fun book to read.

Take your mind back half a century and read these mildly amusing essays about life in the 1920s and 1930s. The style is so different from modern prose, but it is well worth the read.

I am 52 yrs. old. I read this book in High School and couldn't put it down. When I read it again as adult, I laughed even harder because somehow it made having the weirdest family in the whole world a joke instead of a hardship. It made Thurber's family, the Coneheads, the Simpsons, and the Osbornes seem like life is good as long as you can laugh once in a while, and even better if you can laugh at yourself.

A Pleasure. Very smart - wonderful writer/artist. A very minor comment, I wish the pages were a bit thicker so the text from the under side of the page wouldn't show through the drawings. Of course though then the book would be very thick. Enjoyable still.

I think the book is beautiful and very well done.
Thurber was a great writer and his works are worth reading.
I have a bit of personal interest in this, though since he was
my father's 2nd cousin. Looking at Thurber's photo in the book
is like looking at my brother's face when he was a young man.

James Thurber's brand of humor often went under the radar -- he didn't have scintillating wordplay, goofy puns or juvenile humor. (No offense to you, Mr. Barry -- I love your work too). But, as "James Thurber: Writings and Drawings" demonstrates, the subtle approach worked just as well.

Thurber wrote and drew so much during his lifetime that this book is actually not a full collection, but a sort of "Best of" collection. Thurber turns a satirical eye at sex, marriage, men who bark like dogs, old ladies who foretell doom, some rather dry little fables and spoofs, and a look at how the Civil War might have ended if Grant had been recovering from a bender. Not to mention the entire text of Thurber's children's novel, "The 13 Clocks," a slightly twisted fantasy about a young prince who must rescue the Princess, with the help of the nonsense-spouting Golux (who is not a mere device).

Admittedly, not all of them are strictly meant for humor -- "My Life and Hard Times" is a short, entertaining autobiography, without the excuses and ego trips that many autobiographies have. There are also bittersweet memories, such as the story of a faithful dog that Thurber had when he was very small.

There are also quite a few pictures -- Thurber had a cute, rounded kind of style, without a lot of details. One example is "The Last Flower," an anti-war parable in which after a devastating war, civilization falls and people forget everything, even love. Not all the cartoons are as quietly grim, however -- one is a man, woman and child romping through various obstacles together, as well as several standalone cartoons.

"James Thurber: Writings and Drawings" shows Thurber off to best advantage. It's a great collection not only because Thurber was a wonderful humorist, but also because the pieces in here show the full range of what he could do. Included are humorous anecdotes, personal reflections, tributes, sad stories, fables fiction, and funny little cartoons -- it shows what a versatile writer he was. Not just a humorist, but a writer.

And a cartoonist as well -- Thurber was able to draw entire picture books that had no set story, but could be interpreted as the reader wished. Most of his cartoons were more relaxed, with a sort of rounded, simplistic style that looks like he doodled them while he was thinking.

"James Thurber: Writings and Drawings" is not only a good collection of this now-legendary writer's work, but a good introduction to Thurber as well. Definitely worth checking out.

One should never confuse writing with a light touch for comic writing. Thurber expressed dislike for the word "humorist" and I can understand why. When I read his writing, it is clear that the effect is intended to talk about serious things, not weighty things, but with a light touch. He makes his point by putting on the coat and hat of someone and wearing it in a way that points out how ridiculous it is, after all.

For example, our age has been obsessed with sex for, well, the obsession sort of defines our age, right? Thurber's first published work was with E. B. White on "Is Sex Necessary?" and basically mocks the discussions of sex by supposedly serious analysts. He refers to the problems between men a women as a product of pedastalism and that there were diversions created by women and men to distract them from their desire to get together. Men developed hobbies and became devoted to sports, and women distracted men by making fudge. There are also early Thurber drawings that became such an effective part of his work and his fame.

This collection was put together by a very appropriate editor, Garrison Keillor. He has a wonderful ear for the kind of thing Thurber was after and has selected well. Most of the book contains selections, but there are four complete works. And there is a rich sampling of Thurbers drawings. We get examples of Thurber's writing over the 1920s through the 1950s. The collection has a great sampling of his writing about the struggles between men and women, which was a wonderful topic for the times in which he wrote. But we also get his wonderful fables for our time and the popular writings he wrote for children. However, unlike the jelly filled sweet pastries our time provides for children, these have more pain and harshness. While they are not fairy tales such as the brothers Grimm, they do have similar bite.

If you don't know James Thurber, you owe it to yourself to get to know his writing. First of all, it is fun to read and the cartoons a style unique to him. Second, while he is not as famous now as he was, his work remains strong and an important contribution to American letters. This is a fine collection and very much worth having.

The Chronology of Thurber's life and the notes about sources and texts also make a solid contribution to our enjoyment of the text and help us understand some of the names and events that were quite topical at the time the piece was published, but have faded into the mists of time since then.

Enjoy!

Reviewed by Craig Matteson, Ann Arbor, MI

I've often thought that Thurber doesn't get the credit today that he deserves as a writer. This is probably because his works are not "deep" in terms of meaning or content. His mastery of language, though,is superb, and his stories are some of the most hilarious and best written I have ever read. I can read many of them over and over and still laugh out loud! His cartoons are clever as well. I would definitely recommend this book to anyone interested in humor and 20th century American literature.

I have wanted to get this book for many years now. I read it while going to college. It is a story that has been in my memory for a very long time. It was a shock for me to see (after I read it) that it is much longer than I remember it to be, even though it is short as books go. It is a sad story. Let's hope that things don't work out the way that Mr. Thurber tells us they will. But maybe that's the whole idea: for us to read THE LAST FLOWER, then make sure that its ending doesn't happen. So, everyone, buy the book, and you can help out.

This book had the most impact on my 1940s and '50s childhood. I grew up with it, looked at it time after time, pondered it, felt it. Who said "A picture speaks a thousand words"? James Thurber had a wonderful silent way of reaching the heart. I recommend this book to all parents with children, and to all grown-ups. Of everything I have ever read or seen, this is my #1 book of all time! Please have it out on your table always!

This treasure of humanity was practically a Bible and also a constant "coffee table" book in our household when I was growing up in the late 50's and 60's. This is one of those rarest of books that will simultaneously break your heart and make your spirit soar. It only offers (see Thurber's dedication to his daughter) "a wistful hope" - but it will inspire you to nurture every ounce of genuine hopefulness you can muster.

This book had the most impact on my 1940s and '50s childhood. I grew up with it, looked at it time after time, pondered it, felt it. Who said "A picture speaks a thousand words"? James Thurber had a wonderful silent way of reaching the heart. I recommend this book to all parents with children, and to all grown-ups. Of everything I have ever read or seen, this is my #1 book of all time! Please have it out on your table always!

E. B. White thought this was Thurber's best book I agree that it is among the best. Written for his young daughter, it is an anti-war book of the right sort, emphasizing both the inescapability of war hostility and the devastation war causes. It is a perfect book for an adult to read to a thoughtful child--or for any adult to read in any circumstance. The line drawings (cartoons is not quite the word for Thurber's unique visions) are simple and eloquent throughout. The book was prescient when it appeared just at the outset of WWII. The story ends with hope symolized by the one surviving flower that may restore happiness and beauty to the world. It is the flower we still enjoy contemplating, sixty years after Thurber drew it.

...THE WONDERFUL O is a charming book. It's full of wit, wisdom, and social commentary. It's a great story and plays around with the English language in a most interesting way. This is a book that appeals to both adults and children and would also work well as a text in an upper elementary English class. It's a great book. Oh, yeah. Has anyone seen BRAVEHEART? There's a connection between the two.

If there is any way to get this back in to print, I would buy copies for most children I care about.

"The Wonderful O" is a delightful book for our younger readers about a dastardly group of pirates who invade the island of Ooroo looking for treasure. Oh wow, with a name like Ooroo, this place is just asking for trouble. Seems that Black, the pirate chief, hates the letter O, because when he was a child his mother got stuck in a porthole, and he couldn't pull her in, so he had to push her out. Poor Moms. And now Black is about to consolidate his capture and takeover of Ooroo by banishing from speech and print every word and name which contains the letter O. So how are we to pronounce Ooroo? Or Otto Ott, whose name comes out sounding like a terminal stutter? Or consider the case of poor Ophelia Oliver, who, when she lost her O's, vanished from the haunts of men.

Thurber has written a hilarious book showing the pure chas and cnfusin that reign when the language is stripped of its O's. How can you tell a cat from a cat? Or a bat from a bat? Strip the O from the language and we will all be indeed bgne and webegne. Not to mention losing words like hope, love, valor, and the greatest of all, freedom.

Black may have stripped the language of all its O's but he can't break the people's spirit, and eventually he and his crew hoist anchor and sail away into the sunset, leaving the people and their island with all their O's intact. Kids will love this book for the hilarious play on words, as well as for the message it gets across. A wonderful bk (oops, I mean book) for youngsters and oldsters alike. How could there be youngsters, or oldsters, or books, if there weren't any O?

Pirates come to plunder a small island. When the spokesman tells them they have no treasure "except the blue of the water and the pink of our maidens' cheeks and lips, and the green of our fields," the pirates don't believe them and search high and low.

Meanwhile, the captain of the ship, who hates the letter O, issues an edict. "I'll get rid of the letter O, in upper case and lower...All words in books or signs with an O in them shall have the O erased or painted out. We'll print new books and paint new signs without an O in them." Thus objects and words with Os are banished from the land forever.

Disaster! Imagine the impact on community life! No houses, cottages or bungalows -- only huts, shacks, sheds, shanties and cabins without logs. No dough for the baker, no gold for the goldsmith, no forge for the blacksmith, no cloth for the tailor, no chocolate for the candymaker. (NOW you've gone too far!) No poetry without Os.

Thurber writes, "A man named Otto Ott, when asked his name, could only stutter. Ophelia Oliver repeated hers, and vanished from the haunts of men."

"We can't tell shot from shoot or hot from hoot," the blacksmith pointed out in a meeting with other townsfolk. "Oft becomes the same as foot, and odd the same as dodo. Something must be done at once or we shall never know what we are saying."

The islanders decide that there are four words with an O that must not be lost. Hope, love and valor are three of them and the fourth is the point of the story.

This is a beautifully written, rhythmic tale. THE WONDERFUL O will appeal to everyone who loves language. The story is a challenge to the imagination of the reader.

I read The Wonderful O years ago as a young adult and find myself recommending the book to others. But, alas, the book is out of stock; I mean, the bk is ut f stck. Please, Mr/Ms Publisher, put this wnderful bk back n the bkshelves. As yu can see, we can't live fully withut the letter, r withut this wnderful bk.

Even though the story is rather long (it takes me about 30 minutes to read it aloud cover to cover), it keeps our children fully engaged, and the illustrations are absolutely fantastic. This is one of those books we will always keep and pass on from one generation to the next.

Originally penned by the irrepressible James Thurber in 1944, "The Great Quillow" comes to life once more through the skillfully quixotic paintings of Stephen Kellogg.

Don't miss this superb recreation of the story of the little toymaker who becomes a hero when he saves his village from menacing giants.

Marvelous illustrations. Great story about how brains can win out over braun. The Great Quillow is a character to be admired. Told with humor and feeling. I purchased my own copy to keep. One of the best.

As a fifth grader,I was enthralled by this book, partially because of the illustrations in the orginal edition. I have thought of it often during the past 55 years (I am now almost 64) and was overjoyed when I found that it was avaiable, and in print. I ordered it, and waited for it to arrive with eager anticipation. Imagine my horror when it arrived with illustrations totally out of keeping with the spirit of the Great Quillow, and certainly a far cry fro the originals. The great Quillow was a peaceful person, did not require force of arms or strength to overcome the Giant. The ugly and distorted illustrations in the new editions are a travesty. Is there any way to find a copy of the original edition?

You've probably heard of E.B. White--he wrote "Charlotte's Web" after all, quite possibly still required reading in many middle schools (as a lead-in to 2pac Shakur's poetry, I'm sure). James Thurber may be a bit more obscure to some of you, but he was an Ohio State alumnus (go Buckeyes! *cough*), an awesome cartoonist/artist, and an author possessed of a wonderfully ascerbic wit.

The combination of the two in this book is a rather uniquely bizarre experience that I found joyously uplifting.

The subject under discussion is indeed, in a rather obscure and indirect sense, sex. But we never *quite* seem to get there; non sequiturs abound, blank pages, discussions of how to avoid sex, bluebirds, flowers, a section on how children should explain sex to adults, and even a "letters from readers" chapter--but no actual sex. Lots of drawings, but nothing that anyone might find helpful for improving their sex life. (Bowling, yes. Bicycling, definitely. Obscure interpretations of unconscious artwork, absolutely. Sex, no.)

This book wasn't so much a reaction to Freud per se as it was to the wacky influx of psychologists and "sexologists", and their (unfortunately for us, entirely successful) attempts to complexify and obfuscate human behavior. This particular brand of snake oil started in the 20s and hasn't stopped flowing, and we're covered in an ever-growing deluge of how-to relationship manuals, self-help books, and other ludicrous efforts at explaining "the human condition".

White and Thurber's work explains, in the main, nothing. It asks more questions than it answers. The humor is dry and obscure, there are a ton of rather dated references, and if you're under 30 you'll probably need a dictionary. But...

if you need a laugh without a laugh track... you're fed up with "self-help" and "Men are from Saturn, Women are from Liverpool" type books... or you happen to think sex is vastly overrated (it is), give "Is Sex Necessary?" a try. You might be surprised at the answer.

Thurber's and White's text satirizing the hullabaloo that our dearest lunatic, Mr. Sigmund Freud, began takes whatever cake is being handed out for satirical writing. It's universally funny, lucid, and did I mention funny? It's hilarious. One should pull out one's thesaurus at this point to find other such words, and all will be a propos. The book should have been a trilogy.

There's no need to actually read this book if you're a male.

Simply carry it around, and you will find yourself approached by a wide variety of women who are amused and perhaps a bit threatened by the title.

Many of them will be interested in showing you the positive response to the question posed by the book's title.

It's quite astonishing, really. You have to try it to believe the results. Good luck.

I LOOOOOVE THIS BOOK! It's the best book ever! And I'm not just saying that because my sister wrote it! It made me see Thurber in a light not uncommon to that which shines down upon saints. When I had to write my paper on the Cat and the Canary, I knew exactly where to locate the articles due to the FANTABULOUS index.

I laughed, I cried, it moved me. Plus, the cover is a lovely forest green that matches my favorite skirt, with embossed gold leafing and an easily readible typeface--very unlike those modern dissertations on Thurber you read nowadays, with size ten Balmoral font. A lovely choice, if you're interested in purchasing it.

Sarah Elearnora Toombs, I thank you.

I LOOOOOVE THIS BOOK! It's the best book ever! And I'm not just saying that because my sister wrote it! It made me see Thurber in a light not uncommon to that which shines down upon saints. Sarah Elearnora Toombs, I thank you.

I LOOOOOVE THIS BOOK! It's the best book ever! And I'm not just saying that because my sister wrote it! It made me see Thurber in a light not uncommon to that which shines down upon saints. Sarah Elearnora Toombs, I thank you.

Wasn't exactly what I thought, but is in excellent condition. It's small and easy to get through.

Because of my professional career, I collect quotation books about reading and literacy. And this collection by Bill Bradfield is the best I've found to date. Yes, he's got the standard oldies by folks like Emerson, Erasmus, and Shaw but he's also included up-to-date quotations from the likes of Jerry Seinfeld, Malcolm X, and Stephen King. Granted, he included me in the list but I didn't need it -- I already knew what I said. At the price, it's the best bargain in quote books for anyone in education or libraries.

Classic and timeless stories and lore for the dog lovers of the world. For a few dollars, this wonderful old treasure can give you a world of enjoyment. My particular favorite (and it is indeed priceless!) is Lord Dunsany's "My Talks with Dean Spanley"... it is indeed hilarious! This is a book that should be passed down from generation to generation.

this book is a collection of stories of owners and dogs. Some are written during the world war two era. This book is filled with wonderful stories,heart wrenching, witty, funny and true. Some of famous people and their beloved pet. Hunting dogs,family pets, wise and wonderful. This is truly a curl up and enjoy collection of stories. This book was printed before the invention of dog food.. when people and pets may have had a much different relationship to each other..but then maybe not. If you love a dog ,you will truly enjoy ,hate and love this book.