Reviews Books

Did you like the movie? (I loved it!) If yes then you will want this book ... it is all you want to know (and more) about King Kong 2005. A good read.

Having always been a fan of '76 version of King Kong and never having seen the original version, at first when I knew that Peter Jackson was making his updated version, I became excited because it was one of those iconic mosters from my childhood, and also because Peter Jackson's previous works with The Lord of the Rings, which was quite amazing.

This is one very detailed hell of a book!!! Really good technical stuff as well as concept work, I just wish there would have included more Kong pics, either concept art as well as any photo from the movie. But anyway, this stuff is great!!!!

This book is one of the best "Making of" volumes I have read - informative, interesting, intelligent, and with plenty of 'insider' views of the film making process. Refreshingly, the focus is less on the "let's chat with the movie stars" aspect, and far more on the complex process of pulling this huge movie together. A real salute to Peter Jackson and his team!

Very simple...a fantastic book from a fantastic film. Well written and concise. The photography is perfect and fills you in on the myriad of details that went into this stunning film. The parts on how Wellington, New Zealand became New York are worth the price alone. The detail is overwhelming. As someone who lives in New York I was amazed that Peter Jackson and crew captured the rows of piers that once jutted out into the Hudson, towards Hoboken, New Jersey. This didn't have to be put in...yet is a small example of the attention, pure attention to detail that went into the making of this film. This will not destroy the mystery behind the making of this epic...it will enhance it.

Having watched Peter Jackson's remake of King Kong three times already, I wondered so often during the film how they made it all look so real. I never doubted for a second that there was an uncharted island of the coast; it was all so real and vibrant I couldn't help believing. I wanted to know exactly how they created not only Skull Island and it's creatures, but the whole city of New York, the actor's takes on the movie, and Peter Jackson's vision. Having said so, I believe this is the best possible guide for the movie you could have.

Each page is a veritable explosion of color and detail as they take you through step-by-step, explaining the creations of miniatures and models, motion-capture of Andy Serkis, and blue and green screens suddenly turning into lush tropical jungles, or cold, dirty, city streets. They give histories into the Skull Island natives, personal actor narritations of their characters, and detailed explanations of the process of creating an image in the computer and bringing it to life on the big screen. This is one of those books with something for everyone, and you can skip around to whatever interests you most. Myself, I read the entire book and often went back to certain sections to just immerse myself in the creative genius of the people who made this production a reality. It also made me a bit amazed at times, when I learned that the famous log scene was conducted on a bucking constructed log in the middle of a sea of blue screens only 2 meters from the floor. Or that New York wasn't really New York at all. Or even that the biplanes were all reconstructed by hand from old blueprints, because there were no surviving ones. It also talked about teh detail put into the shop windows, where everything was bought or made by hand. After reading this, I had such a deep feeling of respect and amazment for the people who worked on this production, making it as realistic as possible. I know that sounds weird, because King Kong is a fantasy story, but with such heart and detail and life, it's hard to think of it as anything but real. In all, this is the perfect book for anyone who wants more insight into the world of Kong, or even wants to be entertained and amazed time and time again.

I purchased this book for the preparation of my exams and have found it to be very resourceful and informative. I highly recommend this book for studying.

I have to disagree with the reader who gave this book one star review. This is a REVIEW book, not a text book. It's true all the tables, diagrams and illustrations come from Kaplan lecture note(the note alone sell for $600, you may get them used from ebay for $300), but medessential picked out only the highest yield material from these notes to include in this comprehensive review book. I only studied Kaplan and Goljan patho and got 234(98)(I will try to upload my score sheet here). I didn't like FA myself, b/c it's too boring and it's just piles of disorganized facts, there is no comparison like Kaplan did.

I suggest you visit your local Barnes and noble to read this book first before making the purchase and see if it suit your style.

I graduated from medical school 13 years ago from another country, just passed my step 1 last year, Kaplan and Goljan definitely are critical to my success.

Good luck for your boards!

The book was wonderful for a quick Anatomy, Embryo, Histo, Phys and Biochem review. Basically it's good for everything but Path. And lets face it - most of us use Goljan Rapid Review for that. If you have used or like the Kaplan lecture series books, this will work for you. Its a high yield review of lecture material in Kaplan mainly in chart format. Its main advantage over FA is the use of pictures that help to illustrate the anatomy and embryology. I love it and have pushed FA2008 aside in favor of this book. In quick review - you WILL need a different Path review book, but this is more detailed and better as a high yield review of general info!

I find this book beats FA hands down. The material is orgnaized in logical manner and goes through each science for every system. It has more pictures and explanations than FA which I thought was a jumble of information. It also has a lot of COLOR images, which FA lacks. It has some information that FA doesn't have and vice-versa. Really, get it and FA both before the start of year 2 (or earlier) add notes in it as needed. If I had to choose just one of the two books, I would go with this one.

Medessentials is a great book. Slightly more detailed with better charts compared to First Aid. Both books though have information not contained in the other, while a large majority is in both. I would recommend any first years considering books for studying for Step 1 for their second year to consider buying this and using both First Aid and Medessentials together (annotating 1 or both of them) as you go through your courses/review throughout the year making the 4-8wks/study before boards easier.

Having read Jack of Hearts I was immediately interested in "A million would be nice." You don't need to read Scotts first novel to enjoy this but I was glad I had. The story features Donavan Smith who is as bad as they get but attractive in his evilness. From start to finish I was captivated by the storyline and events which are in tandem with Scotts first book but in my opinion, that little bit better. Plenty of action and drama written in a smooth manner with plenty of twists and turns. The book lasted forty eight hours until I had to sadly hit the last page and I would suggest it as a definate suggestion for the book collector.

Ken Scott has done it again. A MILLION WOULD BE NICE, THE sequel to JACK OF HEARTS, takes us back once again, to the roller coaster life of Bob Heggee. Just when Bob thinks he has a calm life after winning alot of cash and robbing a bank, he meets up with a cold-blooded character named Donavan Smith who turns the novel into a spine-tingling journey through Paris, Spain and Cannes, where Donovan kills, blackmails and kidnaps, all for the sake of a million bucks.
The action and story-line makes this suspense thriller a page turner. Mr. Scott did a great job of weaving the lives of all the characters into a fast-paced story that is parallel to one of Stephen Kings best novels.
I highly reccommend this novel for those who love suspense, hate putting a good book down and those who keep thinking about the characters long after the book is read.

Kate Genovese
author of TWO WEEKS SINCE MY LAST CONFESSION
WWW.KATEGENOVESE.COM

I don't read many books that claim membership of a genre. In my humble opinion, a work of fiction should aspire to create its own world, describe it, communicate it and then live in it. I want a book's characters to inhabit the events that are portrayed, events that are clearly influenced by the character's presence, but which are also usually bigger than any individual's contribution. Wars don't exist unless people fight them. Crimes are not committed without criminals. Love stories are made by lovers and ghosts don't exist.

For instance, in my own book, Mission, there are four wars, but it's not a war novel. There are at least three love stories, but it's not a romance. There are several deaths, one of which is a murder, but it's not a crime novel or a thriller. And then there's a character who comes back from the dead to haunt an old man, but it's not a ghost story or a fantasy. In short, it's Mission, a novel set in Kenya.

So I approached Ken Scott's crime thriller, A Million Would Be Nice, as a reader unused to the genre's codes and forms.

Unlike general or literary fiction, I recognise that learning what happens in A Million Would Be Nice is one of the main reasons for reading the book. My review, therefore, cannot reveal too much of the plot. Suffice it to say that there has been a bank robbery. It was an inside job and the scenario for its execution is carefully concocted and inventively created. The perpetrator gets away with it and scarpers with the loot to live it up in Spain.

On an apparently separate thread, we meet Donavan Smith, a quite incredibly vile piece of humanity from Newcastle, of which I hope he is not representative. He's a successful young thing, a kind of nouveau riche moron, who apparently defines his identity by surrounding himself with requisite items of designer consumption, clearly knowing the price of everything and the value of nothing. He has everything, does our Donavan, but he is never satisfied. He wants more.

There isn't a lot to endear us to Donavan Smith. He's a misogynist, and occasionally indulges in some quite bizarre behaviour in the bedroom. He justifies everything with quotes from the Bible, a source of justification that was beaten into him by an abusing mother. He lets nothing get in his way. He has his ideas, knows how to achieve them and then ruthlessly destroys anything that might resist. In some ways, he is quite creative.

But one of his conquests becomes an accomplice, because she has inside information about that money that went missing in the bank raid. He needs her and together they visit people all over the prestigious bits of Europe, Paris, Cannes, London, the Costas, Newcastle, to pursue and realise their dream. And believe me, this Donavan is nothing if not resourceful and he certainly has a knack when it comes to making things happen.

The story moves at a fast pace. Different characters are drawn into the thread and many are inevitably cast aside by Donavan Smith, our single-minded, calculating anti-hero. And that is as much as I will relate. A Million Would be Nice claims to be a crime thriller, and a crime thriller is exactly what it is, fast paced, and packed with greed, obsession and ruthlessness.

Ken Scott's own background as an employee of a major British bank provided him with much of the detail surrounding the original robbery. Since the back cover of the book shows him, like the robber in the book, living it up in Spain, I can only hope that this is as far as the similarity goes. A Million Would be Nice will appeal to readers of thrillers and crime fiction. It has all the elements you would expect and, in the relationship between Donavan and his mother, perhaps something extra as well.

Ken Scott's book is well worth the read. Like many of you, I have a stack of books on my nightstand and sometimes I read two or three simultaneously, choosing whichever one matches my mood. Occasionally, I'll start a book that demands attention and won't allow time for the others. "A Million Would Be Nice" is one of those books. I couldn't divert from it until I was finished. It was much better than others I've read in this genre of crime thriller/suspense. Scott writes with intensity, and he is able to shift gears and thrust us into the warped thoughts and motives of various characters. While the main character is not traditionally sympathetic, there is no doubt about the origins of his sexually charged, murderous arrogance and cold-heartedness. What makes this book curiously different is that despite a few academic literary flaws, the intense writing style carries the story and lifts it above the others. Therefore, I can easily recommend "A Million Would Be Nice." I didn't want to stop reading, which is the best measure for any fiction, regardless of genre.

To offer a disclaimer, I feel compelled to inform you that I bought "A Million Would Be Nice" because it is published by Libros International, the same company that will publish (or has published) my own novel "Where the River Splits." Often, as with any reviews, I don't necessarily agree with nor understand the high ratings and sometimes befuddling raves. However, I truly enjoyed this book and can without hesitation recommend it.

Jeff May, askwritefish.

A Million would be Nice picks up the baton from Ken Scott's first novel Jack of Hearts. Bob Heggie is pursued by his nemesis in the form of Donavan Smith. The action is exhausting and the characterization so good you can almost taste the tension. If you don't like suspense thrillers then this is not for you. I recommend starting the book on a Friday, as work will only get in the way of what is a superb book.

This book is the best question book you will ever use third year. It was dead on for the NBME in IM. I used a review book, then case files, then did all these questions twice and honored the NBME (first in my class to do it because we only have 8 weeks of IM instead of 12 weeks). There is no reason to look anywhere else for IM questions prior to the test.

Most internal medicine clerkships have a shelf exam at the end of the rotation. There is no gold standard textbook for internal medicine that I have encountered due to the fact that there is such a breadth of knowledge found in the discipline. However, for the shelf exam, this book is essential. It has been updated past the 2nd edition to include questions and information about current guidelines for treatment. Also, an additional feature that is great is the cd-rom which contains the entirety of the book in a computer based exam which can be customized.

This book is a wonderful review! Internal Medicine Essentials is a great companion for this question book. I feel it covers the relevant topics, and points out the main take home message in a clear and concise manner. The Essentials book is sort of like a "Blueprints" except it is written by ACP. I haven't taken the boards yet, so I can't promise this is the best approach...I feel pretty confident however. Hope this helps!

This is an excellent preparation tool for the shelf exam.

I highly recommend using this book during your internal medicine rotation. The questions are shorter than those on the actual shelf exam, but they require the same thought process. On the shelf, the questions are less focused on "what disease does this patient have?" and instead involve choosing the appropriate diagnostic test or treatment. The same can be said of the questions in MKSAP 3. Another nice feature is that the book comes with a CD with all of the questions. This allows you to keep better track of your progress and to take the questions in a random mode, rather than just subject-based. Besides doing the questions themselves, it is also important to read through the answer explanations, which are excellent. Overall, a great investment!

Movie Sets 101: The Definitive Survivor's Guide by professional special effects and makeup filmmaker Paul J. Salamoff is the complete and deftly written 240-page guide covering every important detail of the movie making business. Readers will be educated with seasoned and experienced advise drawn from over 70 working professionals, including Wes Craven, Ron Underwood, Tom DeSanto, James Gunn, Daniel Roebuck, Owen Roizman, Andrea Weaver, Kenny Myers, John Medlen and many others. Movie Sets 101 is highly recommended to all readers, whether they be aspiring movie makers, experienced professionals in the film business, or the ordinary movie enthusiast viewing the finished product. Movie Sets 101 it can really teach its readers every perspective of the movie making business and should be a part of any personal, professional, and academic library Film Studies reference collection.

A pragmatic guide to appropriate film set behavior with a complete and concise reference section. Simply put, it's a great tool for anybody starting out in the film production business, required reading.

An outstanding and unique guide to what the numerous players in producing a movie do and should not do with illustrations and antidotes from well known professionals in the field. Fascinating to the film lover, the curious and necessary for those plying the trade.

Why spend thousands of dollars on film school when you can learn everything you need to know for $17.95 on MOVIE SET 101? A certifiably great book, intensely well-researched, full of valuable info for the rookie and veteran alike. A must have!

This is a great book. Even if you already work in film and tv there's something unexpected to be read. It gives you a really good heads up about on-the-set mayhem you could never really anticipate and wouldn't expect until it happens. Invaluable stuff.

This is a good reference for Nightmare on Elm Street fans and collectors. It contains both color and B&W still photos, lots of trivia and behind the scenes facts, etc.

I wish they'd update this and bring into a full-color format with a more modern media-centric look, and add material From New Nightmare and Freddy vs. Jason. As it is, it covers up through Freddy's Dead, the Final Nightmare, and is relatively complete.

It's hard to come by, but is great for the completist if you can get your hands on a copy.

This is the ultimate collectors item for any Nightmare fan. A good variety of pictures from each of the movies (Nightmares 1 thru Freddy's Dead), plus some good insight into some of the special FX that went into the movies.

The only real problem I had was, if your a devoted NOES fan like I am, you will notice a lot of minor mistakes throughout the book. For instance, Lisa, from Nightmare 2, is listed as Lisa Poletti, but in the movie her name is Lisa Webber.

Other than the few minor mistakes, this book is definetly worth picking up!

This book has everything you need to know about Freddy Krueger and all the Nightmare on elm street films! This book is not missing one detail! Its has a summary of every Krueger Film! It also has ever picture from all the Krueger films including behind the scene footage! It is the best Freddy Krueger book ever made!!!!

If you love Freddy Kruger then this book is a must! It shows many secrets of each films from 1-6.

This is a must with great pictures and biographies of each cast member and a large amount of pictures,charts and biographies on each film from: A Nightmare on Elm St -to- Freddy'd Dead

I'm a huge collector of Freddy Krueger and Nightmare On Elm Street stuff, and when I got this book, I was just blown away. The great pictures and behind the scenes made it excelent! email me if you wanna talk Freddy!

The product arrived within given time range and was in excellent new condition. No complaints.

Good for telling your what your 1st step of action should be. It has simple cases that are very common in practice. The original cases are then expounded upon when one thing is changed. Good book.

I used five different review books on my clerkship and this was by far my favorite. Compared to Case Files, there are more topics and the format was definitely better.

I really like this book. The book is presented in a case-based question/answer format. The book is written in narrative form (no bullets, or choppy info). I like the design of the book and it's easy to read and understand. The cases presented are classic and in-depth. It's a long read though, and may be too much for boards when its crunch time. I used it mostly for reference and when I didn't understand something when I was studying for Step 2. It's a great book for 3rd year surgery rotation and the shelf exam. Good luck!!

I just finished my surgery rotation and took the shelf exam. I have to say that reading this book really prepared me for the shelf and also for the whole surgery rotation. I highly recommend this book. You may also want to have a question book such as pre-test surgery to do some practice questions.
Good luck in surgery.

I just returned from a road trip and I love this book. The set-up is extremely easy to follow.

I've lived in Wisconsin all my life and have never really explored it. I came across this book and it helped create an interesting experience on the road. There are towns and sights that I would have (and in some cases have) passed by without noticing.

The only thing that could be better is an updated version of this book. There are a few things that are out of date, but otherwise, if you plan on road tripping in Wisconsin, get this book.

This is one of the most enjoyable books I've ever read about my home state--in the midst of so much (generally) endearing weirdness, Jerome Pohlen manages to capture the spirit of this place better than any "Discover Wisconsin" ad campaign I've ever seen.

Pohlen casts a broad swath over the entire state, even above Highway 8 "up nort" (a lot of people tend to forget that we even exist, so it's always refreshing to find someone who hasn't), in search of the strange, the homespun, the downright wacky, even the morbid. And he finds it in spades. Whether you're a local Sconny looking for some ideas for day trips, or an out-of-stater passing through on the way to the Dells, there's something in this book that you'll feel compelled to stop & see. Well, if you're into fiberglass oddities and going somewhere other than Door County, that is.

This is a fun and interesting book about Wisconsin.
Each chapter, according to areas of the state, gets better and better. I couldn't put it down!

If you have an appetite for the curious or offbeat, this book will fill the bill. I don't have plans to visit all the places and things mentioned in this book, but just sitting and reading it was a hoot. Not just a guide to the oddball, but histories and trivia are included. This is Wisconsin at its best.

Most people when they go on vacation go to national parks like the Grand Canyon or theme parks like Disneyland. How many would go to see the Freshwater Fishing Hall of Fame with a giant embalmed worm on display? Or how about the world's biggest corkscrew? A serial killer's grave? The author saw these things and more in Wisconsin and compiled them into this book. It's an enjoyable journey through Wisconsin's strange side and is recommended for die-hard road trippers or those interested in America's stranger side.

Great book to help teach Biblical history. The choices in this are seem so few, as if the world is denying the existence of the Hebrew people. (Imagine that.) Wonderful activities that allow children to see basic concepts of life in early history. Also helpful for teaching life in iron age/bronze age culture for the non-religious. My children enjoyed stomping in clay to make bricks and a least one of them enjoyed the lentil stew. I highly recommend adding this to your curriculum.

My kids have really enjoyed using this book to supplement their unit on ancient Eygypt and Old Testament studies. It appeals to my first, third and fifth grade children, and many of the activities are such that they can open up the book and do the projects themselves - start to finish. I also like that it has a page or so of historical information to give some context and/or background to the projects. This is easy and fun for the kids to read on their own, but also great for me to share with them in a group setting. An excellent choice for homeschooling, or for just doing home Bible learning with your kids (like family devotions). Great for Sunday schools too.

We are using this book during our study of Ancient History. It is really wonderful to be able to help our childen understand the Sumerian or Egyptian culture by having our children create a clay tablet with cuneiform writing or by making a wooden "paddle doll" as the Egyptian children may have done. We have eaten meals that the Hebrews may have eaten in the desert, and will be making a bee hive that is based on one they may have used. Our kids love the projects in this book. The projects are easy enough for very young children to do, and most can be done with materials you have around the house, or could be purchased easily and inexpensively. The text is very informative, too, and can be used as a read-aloud with younger children in order to throw a little more light on the culture of the peoples we are studying.

This is a great resource. Although billed as Old Testament Days there are activities in here that would appeal to teachers who are not teaching 'old testament times' but teaching about that period of time. There are crafts for Egypt for example. Very fun and very easy crafts and information.

This is a fantastic resource for use with children. This resource helps children learn realities about life during bible times. It also has a wide variety of activities, not just the same activity done different ways. The activities take some time and may be a little messy but they are excellent for involvement and for learning.

I have read many books on filmmaking and I have a film school degree (from CalArts, as it happens, where Mackendrick once taught). You can't learn filmmaking from a book or from school, only by making films. Nevertheless, "On Film-making" comes as close as any book I've ever found to explaining precisely and beautifully the work of a film director. Whether you want to make films or are simply a film fan, this book will be an immensely rewarding and illuminating experience.

Great book by a great filmmaker and a great teacher. Anyone serious about how to create meaning in the cinema by using the "grammar," the form, should read this book. Ditto for the creation of story along classical lines --

When Sandy MacKenrick told my CalArts MFA Thesis committee that my thesis film script was, "long, much too long, and very much too long" and, "doomed to never be completed", I was shocked and terrified.

Sandy was one of the most brilliant and irritating people ever to tell a story or to browbeat an egotistical young film student. His films and lectures convey that contradiction -- his every work is a pearl.

If you were not lucky enough to get Sandy's notes while at CalArts, you must buy this book.

Odds are good, you won't have the genius of Sandy MacKendrick, but you will appreciate how much you could grow as you strive to attain what he found so simple.

I was proud to invite Sandy to the first screening of my thesis film, "Pirate's Dagger", and it still hurts that he was too ill to attend. I wouldn't have gotten it done without his special form of encouragement.

Too intelligent to be a director, to make compromises in the craft of film making with the studio system of his time, Alexander Mackendrick only left us a glimpse of his own potential in his body of work. He did however pass his vision and passion for creativity onto the next generation in his teaching. In this book his voice is loud and clear, without being dogmatic. It's like having a drink with a friend in a bar and having him sort out all your problems with scripts, actors and life. No director should be without a copy. From the beginner to the established star everybody can find something in this book and all conveyed in the manner both intense and unpatronising that was uniquely his.

Unlike most how-to directing and writing books, Mackendrick was an accomplished director with decades of professional experience. He speaks from hard-won experience, not dubious armchair notions of what makes a successful film or director. He is wise enough to know there are no "secrets" or immutable laws of storytelling, only rules of thumb. Every time I go back to it, I learn something new, and with every film I make, I am struck by points in the book which ring ever more true. This book will not make you a great director by reading it, but Mackendrick has the good sense and candor to know that a book or a course never will, only lots and lots of hard work and dedication.