O Books
Related Subjects: Orwell, George Oates, Stephen B. O'Brien, Fitz-James Owen, Wilfred Ostriker, Alicia O'Brien, Tim Orczy, Emmuska O'Connor, Flannery Olds, Sharon Ozick, Cynthia O'Hara, Frank Orlovsky, Peter Orr, Gregory O'Brian, Patrick Olson, Charles Oe, Kenzaburo Olmsted, Marc Omar Khayyam Olesha, Yuri Karlovich Owens, Rochelle O'Flaherty, Liam Olsen, Tillie O'Siadhail, Micheal O'Connor, Barbara
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Fact and Fiction of the Wild WestReview Date: 2003-12-18
Great Western & Family HistoryReview Date: 2000-05-25
The easy style presented an engrossing story of a family moving through history from the 1850's to the 1930's and adjusting (not always easily) to the changing moores of society.
My father was a cousin of the Miller Bros. and told us children stories of his childhood in Oklahoma and attending the shows at the 101. My sister & I recently visited the old 101 ranch site and were sad to see that little is left. The Miller house in Winfield, Kansas is still standing in beautiful condition and is a private residence.
Michael Wallace is an excellent storyteller. The book gave life to my genealogy and made me feel in touch with the characters and the times. Anyone with an interest in western history would enjoy this story of a dynamic family who helped shape our images of the old west.
TerrificReview Date: 2001-05-23
Real, - maybe, Wild - certainly!Review Date: 2001-02-23
Possibly outlaws and certainly mavericks, the Millers rounded up some legendary talent to work their ranch and perform in their touring shows. The 101 herd of entertainers included Geronimo, Will Rogers, champion cowgirl Lucille Mulhall, Annie Oakley rival Princess Wenona, and such film legends as Tom Mix, Buck Jones, Ken Maynard, Yakima Canutt and Hoot Gibson. Black cowboy, Bill Pickett, famed for inventing the rodeo event steer wrestling spent a long career at the 101, and Buffalo Bill Cody spent his final year with the outfit.
While tooling a longstanding image of the west with their Wild West productions, the Millers also saddled up to motion pictures, oil production and an outstanding crop and livestock operation. Their story is a rodeo itself, made all the more interesting by the hints that white hats did not cover the heads of all of the 101 cowboys and cowgirls.
When the last little doggie was wrangled on the 101, the Miller Brothers' legacy did not ride off into the sunset, but continues to stampede through the dreams of would-be cowpokes everywhere. I'm not a regular patron of movie theatres, but I cannot wait until this saga makes it to the big screen!
A great book, highly recommended.Review Date: 1999-06-03


Gaetano Vivo Planetary Spiritual TeacherReview Date: 2006-05-31
How fascinating reading and be inspired with joy, harmony and brotherhood.
Thank you once again
Vicky
A gift of LoveReview Date: 2006-05-04
A rare and wonderful bookReview Date: 2006-05-14
This treasure trove of true stories is full of revelations, acknowledgments, peace and love. A "must" read for those who want to know more about Reiki, become a Reiki master, or just be inspired.
Francesca Manisco
Ship Shape Organizers
reiki a truly gift of loveReview Date: 2006-05-13
Well Done
Carl, Sydney, Australia
Gaetano is loveReview Date: 2006-05-09
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An essential to the library called your mindReview Date: 2003-02-01
Some (like Sartre?) might call it a "rationalization". But even those who have resigned themselves to the religions of cynicism and despair - could find a remnant of fight and even "goodness" (yikes!) inside themselves. Camus' words remind us that resignation and the inevitable indifference and inhumanity that follow are the ultimate betrayals of life.
While there is nothing "cheerful" or even optimistic about these writings - you'd have to be cold-blooded, heartless and completely beyond repair or redemption not to be inspired by the wistful aspirations that Camus exudes from his admittedly battered heart and soul.
I disagree with the reviewer (who did praise this precious book) Sartre is smart - but so is Camus - and Camus exudes the humanity that Sartre can't even see or imagine.
Sartre would tell us that we always have the freedom to at least rattle our chains (at least theoretically) - but Camus has the power to inspire us to want to.
"In the service of truth and the service of freedom."Review Date: 2001-04-05
To read these essays is to step into the world of a man who said to Christians "I share with you the same revulsion from evil. But I do not share your hope, and I continue to struggle against this universe in which children suffer and die." (p. 71) And "Perhaps we cannot prevent this world from being a world in which children are tortured. But we can reduce the number of tortured children." (p. 73)
Camus is recalled to the podium, in a day when children are tortured and die in Chiapas while most turn a blind eye and complain that sitcoms just aren't what they used to be. These essays, possibly his most accessible work, demand an active response from the modern reader. Our struggle today, although not against Nazi minions, still must echo his "There are means that cannot be excused. I should like to be able to love my country and still love justice." (p. 5) [See Jamal's Live from Death Row and Peltier's Prison Writings, elsewhere on Amazon.]
Camus is outspoken about capital punishment, too. "It is obviously no less repulsive than the crime, and this new murder, far from making amends for the harm done to the social body, adds a new blot to the first one." (p. 176) His "Reflections on the Guillotine" is the longest essay in book. He views capital punishment, even in "free" societies, as an act of totalitarianism.
Camus proclaims the call to justice and the struggle for freedom found in the Old Testament, especially in the minor prophets. But he does so in a modern context, where God is silent and man is the maker of his own destiny. Although he sees no messianic age, he proclims the hope that by continuous effort evil can be diminished and freedom and justice may become more prevalent.
Five stars for courage, five stars for clarity, five stars for consistency. After the abortion of democracy on December 9, 2000, every freedom and justice seeking American needs to read this book.
(If you would like to respond to this review, click on the "about me" link above & send me email. Thanks!)
The agony of a humanistReview Date: 2005-07-07
Camus is not necessarily logical or politically correct. His stand on the issue of independence of Algeria is a compromised position between French imperialism and Algerian aspirations for freedom during that period. However, in his passion for diagnozing the problems of his time and addressing them, he hits upon a lot of interesting insights and arguments.
Particularly brilliant for both its analysis and its conclusion is Camus' landmark long essay 'Reflections on the Guillotine' which occupies a fair part of the book. In this essay, Camus systematically demolishes all legal or quasi-moral justifications for capital punishment and answers the third aspect of the question - Whether human life is worth taking?
In his 'The Myth of Sisyphus', he had argued against self-murder. In 'The Rebel', he argued against murder and genocide. In this essay, he argues against legalized murder. But unlike his earlier works where he offered weak arguments after a brilliant analysis, here he hits the mark by demolishing the justifications for capital punishment, totally. This particular essay deserves to be considered a classic in the philosophy of law and justice.
Bracing clarityReview Date: 2004-12-03
I challenge anyone that supports the death penalty to read "Reflections on the Guillotine" and walk away with their arguments intact. In this piece Camus utterly demolishes every argument for state-sanctioned murder while defending the right to live with dignity, a right that can easily encompass the self-defense by combat necessitated by circumstance.
Camus was a moral, intellectual, and physical hero, and reading these essays one is almost overcome by his sense of humilty, justice, and compassion. His writing is so crystalline, it's almost jolting. This is a powerful tonic for all those that despair of creating a place for the best qualities of the human race in times of utter darkness. A must-read.
A good book.....Review Date: 2000-08-22
What you get in this book are coherent arguments by a coherent, nuainced thinker. Is Sartre smarter than Camus? Camus knew enough to fear most -isms and -ologies where Sartre did not... (not that I recommend ignoring Sartre either! )

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For dark and terrifying atmosphere there is no better mystery writer than O'Connell!Review Date: 2008-05-07
clotho's threadsReview Date: 2008-04-22
Initially, everything seems rather straightforward and distinct, but Clotho weaves these threads together so that the distinctions begin to blur, and then blur in a major way indeed. You'll find that by the end of the book, things are very different from what you thought they were, and you may have a hard time trying to separate reality (such as there is) from fantasy. But you'll also find that the ending seems to make perfect sense, in a bizarre and convoluted way.
O'Connell is able to draw a picture of a fascinating world. It's a very different world--unsettling, disturbing, jugular. It's strong and effective writing, and it resembles some sort of odd underground comic without pictures. Powerful stuff!
Warning: may cause disorientation, dizziness, and paranoia.Review Date: 2008-03-29
A good gothic effort, O'Connell took a large risk writing a medical thriller that attempts to be more interesting than a simple Robin Cook medical whodunit.
If 5 stars were Kafka, 4 stars were Pynchon/Chabon/Eco, I'd give this book 3.5 stars for aim and execution. Not perfect or timeless, but definitely working for a longer tail than most easy to categorize novels out there. I'd rather read a novel that aims for the back of the moon, than a pot boiler that settles for easy escapism.
O'Connell's work deserves more attention, so I guess that puts him in good company.
Brilliant, Eerie, UnforgettableReview Date: 2008-04-28
Here is the heart of "The Resurrectionist" by Jack O'Connell (page references are to the Algonquin hardbound edition):
"...he understood that the universe, the fabric of reality, was composed of nothing more than particles of longing, a kind of quantum desire for absolute connection. Dr. Peck understood that, from moment to moment, we are profoundly asleep and, so, profoundly alone. ...He knew that every arousal he achieved would bring him closer to answers that had more to do with the nature of consciousness than of coma." (143)
"...this was what he lived for: that instant of pure, galloping potential, that feeling of downrushing epiphany. ...But calling forth fresh thought was, like summoning demons, a precarious process. And, for Dr. Peck, it required an instinctual blending of the right amounts of whimsy, research, fatigue, daydream, alcohol, and stress. It also required the right environment.... Finally, the summoning required a marriage of humility and patience that could allow the idea to reveal itself in its own manner and time. The idea, it must be understood, is always in charge." (145-146)
"...the calling to medicine -- at least the kind of visionary medicine to which he aspired -- was more than a vocation; it was destiny. And as such, it called for a radical lifestyle. Doctors, like monks, were forever at risk of infiltration by the domestic world. He concluded... that they should be solitary, if not entirely celibate, creatures. ...set apart." (146-147)
As in his earlier work, "Word Made Flesh," O'Connell has staked his claim on the phenomenon of creativity and developed a glossus of images to convey his theories and exasperations. He begins Word with the closely observed vivisection of a man, a reverse process of the title, in which we watch a mind (such as it was), and instincts and feelings (such as they were) deftly divested of their mortal envelope, their "jacket" of flesh. From there, somehow, inexorably and beautifully, we are led to apples, and you know what they stand for.
In "The Resurrectionist," we're given a boy in a coma, his grieving father whose wife -- the boy's mother -- died six months after the boy's "incident." We're given a creepy private hospital in O'Connell's perturbingly passé Quinsigamond (Worcester), Massachusetts, said hospital staffed by incestuous strangers in a suffocating atmosphere of endless waiting.
Time is made of glass here. There's motion, but it takes years to make a single ripple. It might all be a metaphor for the giant brain we famously use only ten percent of, a brain that is "from moment to moment... profoundly asleep and, so, profoundly alone."
The chief creep, Dr. Peck, is chasing "arousal" of his comatose patients, seeking that one brilliant insight -- his own arousal -- like a deep-sea diver in the murk of our still primitive sciences of mind and thought. O'Connell's work is rich with wry and mordant humor, and he has his questing doctor literally using a diver's torch to examine the film of the sleeping boy's brain.
Interleaved with all this are slices of a comic-book saga, Limbo, that frames out into a sort of Carnivàle with a twisted trot (i.e., student guide), linking the Limbo circus freaks to the characters at the Peck Clinic. It works because of two qualities in Mr. O'Connell's fiction.
There is the sort of honesty that seems larger than the work that contains it, as if it were a billowing mantle or a prophetic migraine, and it wouldn't surprise me to hear Mr. O'Connell borrow Stravinsky's famous line about being the "vessel through which [these stories] passed."
(Since I wrote these words, I heard Mr. O'Connell speak about the creative process, and he said it's both craft and inspiration, hard work and mystical, galvanizing energy.)
The second quality is the emotional and psychological credentials Mr. O'Connell gives his characters. Sweeney, the sleeping boy's father, has an anger problem. He acts out, violently and sometimes ludicrously (there again is Mr. O'Connell's IQ-crunching humor). Dr. Alice Peck, creepy Dr. Peck's daughter and clinical associate, kisses the boy on his forehead and ruffles his downy hair with the back of her fingers, saying it's "like silk. I love it at this age." And she's "crazy for kids."
There are hard caroms off a crooked wall, too, like the bikers (the mind's id locked in vampiric coitus with the ego's daylight tyrannies?) and an old guy at an ancient pre-mall-era "Mart" who cooks burgers and hates life. There's Romeo the janitor and Nurse Nadia Rey at the clinic -- no relation (ha!) to Nadja the lobster girl in Limbo.
And lying curled on their sides or flat on their backs, intubated, hands locked by shrunken tendons in the classic "pugilistic" pose, their heads shaved bald or carefully coiffed, there are -- centrally and forever -- the sleepers, locked in the mysteries rippling under human consciousness, marine beings waiting for Dr. Peck's flashing, lancing light.
This is a novel that makes the reader think and puzzle and mull, and every strange and beautiful thing in it exerts a Mariner-like hold on the mind. Mr. O'Connell's stories hit the ramp on two wheels and crown the curve at escape velocity. Just go with `em.
A Masterpiece! Read This Book Now!Review Date: 2008-03-26
For those readers who appreciate fine writing and wholly unique, original stories, Jack O'Connell's novels are the literary equivalent of oxygen.
With four excellent novels previous to THE RESURRECTIONIST, it baffles me that O'Connell is not a steady fixture on the bestseller list. His plots operate on a multitude of levels: if you're looking for a fast-paced, provoking thriller O'Connell is your guy; if you want to read a complex yarn replete with unexpected twists and turns and complexities he's very much your guy; if your cup of tea is thrillers that must come mixed with intelligence O'Connell always delivers.
O'Connell puts masters like Lehane, Connelly, and Crais to shame.
With THE RESURRECTIONIST, O'Connell has surpassed his own standard of excellence, and given us a mesmerizing, impossible-to-put-down novel that transcends reality and redefines noir.
Simply put, the book tells the story of a father and son newly arrived at the forbidding Peck Clinic, a neurology institute that seems designed in part by CIA mind control geeks and renegade physicians bent on rewriting the mind's secret codes. Danny, the son, a coma victim, is locked in a world all his own; his father, Sweeney, a pharmacist, wants Danny to return to his conscious state. But Danny dwells in Limbo, a comic book-like place peopled with enough rare and bizarre characters to rival Katherine Dunn's GEEK LOVE. With psychotic bikers circling the story like blood hungry vultures and vivacious neurologists tempting Sweeney, THE RESURRECTIONIST is like no other book I can think of--- O'Connell has handed us another modern masterpiece of suspense and intelligence. Read this book as quickly as you can get your hands on a copy!

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AWSOME!! SIMPLEY AWSOME!!!!Review Date: 2004-06-09
THIS BOOK REMINDED ME OF VISITING A LOVED FRIENDReview Date: 2002-03-04
A most devoted fan!!!
I Dare you to put it down.Review Date: 2001-03-15
Constance O'Banyon must be the best kept secret in the Romance Novel industry. I don't see to many review on her or much said, but she must be the best author I have ever read. I have read all of her novels and everyone of them have been wonderful. She has a great way of bringing you into the moment. She discribes the places she writes about with such clarity and all of the characters are very interesting. In all of her books she gets you from the very fist page.
Both books are wonderfulReview Date: 2005-04-05
Read Again and AgainReview Date: 2001-04-25

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An unusual novel, controversial, gripping, fast-movingReview Date: 2006-12-23
Perfect ReadingReview Date: 2006-07-07
I've packed my bags to fly to Istanbul!Review Date: 2001-03-12
A love triangle in the midst of unrest and terrorism--strong stuffReview Date: 2006-07-03
Ariadne, now a successful author, meets and falls for a handsome American actor who is fighting his own battles against alcoholism and a problem staying faithful to any one woman. Ariadne's most recent book is a novel about past-lives and although David is a skeptic, he begins to receive hints that he and Ariadne once shared a sort of relationship in an earlier life--a relationship in which he was a priest/confessor.
Although she swears she has left Burhan forever, Ariadne remains drawn to him and is torn between the two men she loves. But in the larger context of Turkey's problems, the love triangle is doomed to explode. When their daughter, Leyla, vanishes into the international terrorist movement and a terrorist tracks Ariadne down to New York and attacks her in her apartment, Ariadne flees to Turkey and to Burhan. But the results of her affair with David remain, even as Ariadne and Burhan attempt to restore their damaged relationship.
Author Kristina O'Donnelly delivers a compelling story of personal growth and suffering. The story of DEFY ETERNITY: THE SCORPION CHILD is even more topical in the post-9/11 world than when O'Donnelly wrote it, and her message of the world being one people is certainly welcome.
Some readers (including me) may be troubled by O'Donnelly's arguments that Armenian Genocide of World War I was exagerated. Arguments about the actual events during this tragedy do not, however, detract from O'Donnelly's message that terrorist tactics are ultimately destructive of civilization.
DEFY ETERNITY: THE SCORPION CHILD is an emotionally moving story as the major characters of O'Donnelly's LANDS OF THE MORNING series age and suffer the consequences of their mistakes--and even of their victories. Readers who started with THE HORSEMAN and CLARION OF MIDNIGHT will definitely want to add this one to their to-be-read list. Although each book in the series stands alone, I found that DEFY ETERNITY: THE SCORPION CHILD in particular benefited from having read the earlier novels.
If you enjoy a novel with complex characters, plenty of action, and a strong thematic position, DEFY ETERNITY: THE SCORPION CHILD and, indeed, the entire LANDS OF THE MORNING series will be a welcome treat.
passion, passion and more passionReview Date: 2002-11-08
One more time Kristina O'Donnelly masters the plot and romance while bringing us some invaluable insights, in this case about the Armenian-Turkish conflict. "The Scorpion Child" will give you an inlook at what a terrorist mind can be made of as well.

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Kudos to Chef O'Neill!Review Date: 2004-04-15
A Book of Great Character and Great RecipesReview Date: 2004-02-01
The Perfect Irish-Indiana HybridReview Date: 2004-01-23
Delightful - great recipes plus poetic journalReview Date: 2003-12-15
A taste of the Indiana SeasonsReview Date: 2002-06-22
In addition, the beautifully written poetry and comments make the cookbook a good read!

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Scripture meditationReview Date: 2006-02-25
Songs of Nature Meditations in PsalmsReview Date: 2001-12-01
Collage of images and thoughtsReview Date: 2001-11-26
New Year's ResolutionReview Date: 2001-11-10
joyful inspirationReview Date: 2001-11-06

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Zora Hurston's artifactsReview Date: 2007-08-06
Speak So You Can Speak AgainReview Date: 2006-02-22
Both a sympathetic summary and scrapbook of Hurson't lifeReview Date: 2004-12-03
But what really distinguishes SPEAK, SO YOU CAN SPEAK AGAIN from a run-of-the-mill digest are its many valuable reproductions of photographs, contemporary reviews, and handwritten manuscripts. All of these cherished documents are either laid out clearly on every over-sized page, or are folded carefully into a sewn envelope attached to the page. Whether one examines a duplication of the author's handwritten chapter "Love" from DUST TRACKS ON A ROAD, or studies the hand-penned poem of the same title, or thrills to see "John Redding Goes to Sea" as it looked in the May 1921 issue of The Stylus magazine, SPEAK, SO YOU CAN SPEAK AGAIN provides all readers of all levels with a fascinating glimpse of the material evidence of a by-gone era.
If, as an armchair historian of Hurston's life and work, I discovered little in the text that I didn't already know and occasionally (as in the case of Zora's artist-patron relationship with Charlotte Osgood Mason), noted a need for development, I was nonetheless graced with so many precious artifacts from the Hurston estate. There is even a CD attached to the inside cover where one can hear the author being interviewed, reading from various excerpts of her work and performing her legendary "crow dance."
In its dimensions and design, then, Lucy Hurston's literary biography of her Aunt Zora is as much a scrapbook/photo album as it is a sympathetic summary of one of America's most cherished writers.
--- Reviewed by Tony Leuzzi, Monroe Community College
WowReview Date: 2005-09-02
A fascinating keepsakeReview Date: 2005-01-14
The pages of this book are rich in heritage, painting a kaleidoscope of her life. Touching on her childhood, her days attending Howard University, and of course her writing, the reader is able to see that even though Zora Neale Hurston wrote about memorable characters, she too could have been one of the characters she wrote about. Because of the replications of original letters, maps, photos and writings, the reader is given a more detailed account of her life, told by someone who knew and loved her. Each of these are in pull-out sleeves and envelopes, easily removed from the book to allow closer inspection upon, or displayed vividly on the full color and black and white pages of the book.
SPEAK, SO YOU CAN SPEAK AGAIN is a fascinating keepsake of a writer who means so much to not only the Harlem Renaissance and to African-American readers and writers, but also to literature as we know it. Through this collection, readers are offered an intimate portrait of a literary legend.
Reviewed by Tee C. Royal
of The RAWSISTAZ Reviewers

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An in-depth collective study of the connection between a healthy well-being and a spiritually attuned existenceReview Date: 2006-04-05
An in-depth collective study of the connection between a healthy well-being and a spiritually attuned existenceReview Date: 2006-04-05
An in-depth collective study of the connection between a healthy well-being and a spiritually attuned existenceReview Date: 2006-04-05
An in-depth collective study of the connection between a healthy well-being and a spiritually attuned existenceReview Date: 2006-04-05
An in-depth collective study of the connection between a healthy well-being and a spiritually attuned existenceReview Date: 2006-04-05
Related Subjects: Orwell, George Oates, Stephen B. O'Brien, Fitz-James Owen, Wilfred Ostriker, Alicia O'Brien, Tim Orczy, Emmuska O'Connor, Flannery Olds, Sharon Ozick, Cynthia O'Hara, Frank Orlovsky, Peter Orr, Gregory O'Brian, Patrick Olson, Charles Oe, Kenzaburo Olmsted, Marc Omar Khayyam Olesha, Yuri Karlovich Owens, Rochelle O'Flaherty, Liam Olsen, Tillie O'Siadhail, Micheal O'Connor, Barbara
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Personally,I enjoy both the factual as well as the fictional
aspect of these times.
One character who often appears in books is Ned Buntline.He was a real person by the name of Edward Zane Carroll Judson,and this book does a pretty good job of telling us who he was and some of the things he did.Somebody must have written a book on him;it would be a good read.