O Books

"The synthesis that I have offered is undoubtedly characterized by assessments that some scholars will judge to be misleading, premature, or even wrongheaded. ... Instead, I desired to sift through the information provided by the specialists who have diligently made the literatures and cultures of the ancient Near East available to us,..." John Walton.



Prologue to Hermerneutics:
Half a century past, when I read the Old Testament in the city where it was first translated from Hebrew, now then, in its cousin language Arabic, much of the biblical narratives seemed stories from an ancient mythical past to me, the young Psaltos. However, when I started to formulate inquisitive questions, the most refreshing though troubling replies came from my father, a specialist in comparative civil law, a professor in the French Lyceum and a former Viennese student in the European enlightenment milieu of the thirties, the young teenager was then introduced to comparative criticism through JH Breasted, Gardiner and Lang when I began to understand how ancient Egyptian viewed the world, the Old Testament becomes more clearly a book that stood "within its ancient context, while also speaking against it," in the words of Wheaton's J. Walton.

Renewal of Biblical Studies:
"The rediscovery of Egypt began in earnest in the eighteenth century AD and of Mesopotamia in the mid-nineteenth century AD. With the decipherment of the ancient languages, the tens of thousands of texts that were being unearthed began to be translated and analyzed. ... Initial studies were inclined to be defensive of the Bible, even if such a stance required the dismissal or distortion of the cuneiform texts. The flurry of activity in connection with the relationship of these texts to the Bible had reached a critical mass of sorts by the turn of the century; and, consequently, widespread attention was attracted by the series of lectures presented in 1902 under the auspices of the German Oriental Society and attended by Kaiser Wilhelm II."

Israel's Intellectual Milieu:
John Walton suggests three main roles that a comparative study could play in Hebrew Bible interpretation: critical analysis, defense of the biblical text, and exegesis. He focuses on exegesis and its particular importance for guarding interpretation against applying modern world-views. Walton offers a thoughtful introduction to ancient Near Eastern literature and the common milieu of 'cognitive environment' that rediscovers the world of ancient Israel. He evaluates concepts of ancient beliefs on gods, views on people and history, about religion, the cosmos, after surveying types of literature, after a survey of the interface between the ancient Near East and Israel, clarifying the analogies and non similarities between them.

Comparative Biblical Study:
This book provides an excellent introduction to the field of comparative Biblical studies and integrates many specialized studies by Coogan, Chavalas, Currid, Kitchen, Redford, and Yamauchi on Israel's neighbors. He makes use of extra biblical resources to enrich their understanding of ancient Israel and its Scriptures. This is very well explained by Peter Machinist, of Harvard University, "Comparisons between the culture of biblical Israel and the other cultures of the ancient Near East have long been a fundamental part of biblical scholarship, but more often than not, they have been presented in piecemeal, isolated fashion. In his new book, John Walton offers a much broader reach, giving us arguably the most extensive review of these cultural comparisons now available together with a serious meditation on what the enterprise of cultural comparison is all about in biblical study."

Analytical Book reviews:
- "... excellent survey of the interface between the ancient Near East and Israel. I especially appreciate his sidebars on 'Comparative Exploration,' which enable readers to 'zero in' on the comparative topic of their choice relatively easily."--Mark Chavalas, U. Wisconsin
- "... an important and useful guide to entering into some of the major worldviews and value systems found in ancient Mesopotamia, Egypt, and Israel. ..., bridges the gaps between ancient Near Eastern texts and the perspectives of the Bible." Richard Hess, Denver Seminary
- "Walton penetrates beyond the simple comparisons often made to bring back intelligence about the contexts and constitution of the ancient world, stressing the ideas Israel and its contemporaries held in common. Yet Walton repeatedly demonstrates how Israel's faith was distinct,..." Alan Millard, U. of Liverpool

very scholarly, but easily understood,; cogent discussion of how to understand the Hebrew Bible on its own terms, integrating science and archeology. a must have book.

Divided into five distinctive sections, this book provides an introductory look at the conceptual world surrounding the Hebrew Bible. The five sections are Comparative Studies, Literature of the Ancient Near East, Religion, Cosmos, and People.

The section on Literature of the Ancient Near East is is a good, although very brief, survey of the literature of the ancient near east including Egyptian, Sumerian, Akkadian, and Hittite. The author has included a good cross section of ritual texts, letters, chronicles, legal collections, hymns, wisdom literature, and prophecy.

The section on Religion is subdivided into The Gods, Temples and Rituals, and State and Family Religion. Here the reader is exposed to ancient thought on these subjects with the intent that they come to understand the common beliefs and practices well as beliefs and practices that differentiated them from each other.

The section on the Cosmos examines both the geography of the cosmos and the beliefs surrounding them. The section on the geography of the cosmos is excellent and includes an examination of the structure of heaven, the earth and the netherworld. I found this section to be particularly interesting and very informative with an excellent exposition on the Hebrew word "bara" and the functional aspects of naming.

The final section on People provides an excellent examination of the various concepts of creation of the human race as well as what it means to be human. It also includes a very good explanation of the interaction between the people and their religion including prophecy, oracles, and their perception of history as a nation. This section ends with a discussion of the beliefs about the future of the earth and what happens after death.

Throughout the book the author has included excellent side-bar sections offset in shaded boxes that further illuminate related ideas and concepts. These often contain some of the best and most interesting observations of the material if you are already somewhat familiar with the subject.

Ancient Near Eastern Thought and the Old Testament provides a solid comparative study of the various literature from the ancient near east showing both commonalities and differences with the beliefs of the nation of Israel. The book clearly sets the culture of Israel in the Old Testament times alongside those of its neighbors and allows the reader to better understand the mindset of the time. Ancient Near Eastern Thought and the Old Testament is highly recommended.

First off I want to say that I audited a course by the author of this book, and read through the book throughout the semester. It is part of the core curriculum for an M.A. in New Testament or Old Testament Exegesis at Wheaton. I am a pastor who preaches regularly. This book has impacted my entire understanding of the Old Testament in a powerful way.

The logical format of this book gives the reader a simple and effective way to slowly enter into the worldview of ancient people. The author is very good at giving readers hinge concepts to help understand the distinctions between our worldview and their worldview.

The book categorizes ancient near eastern thought into topics that are actually enjoyable to read. Each topic could easily overlap with other topics, and Dr. Walton does a great job of separating the topics without distorting them (in my opinion).

This book tackles thorny issues that separate Evangelicals from Liberals in the land of scholars, without alienating either side of the issue. Walton's premise is that we should abandon the old approaches to Ancient Near Eastern Thought and simply understand what they believed, and how it was different from or the same as Old Testament thought.

One concept that emerges as the book develops is the idea that some Israelite prophets argued for the support of the covenant with God rather than for the reinforcement of the Kings authority (as the prophets of other cultures and sometimes Israeli culture did). This sets Israeli prophets who held to the covenant with God at odds with everyone else who prophecied in Israel and around Israel. Coupled with the exclusiveness of the Jewish religion, and the people soon became alienated from those around them and sometimes from their own religion or people.

Probably the most helpful aspect of this book is his excellent approach to comparative studies without labeling certain parts of the bible as extensions of other cultures or vice versa. His approach, when properly understood, is actually what both sides of the historical divide on this topic ought to be doing. I find it not only full of wisdom, but extremely helpful in preparing sermons from the Old Testament.

A nice companion to this volume is The Bible Background Commentary of the Old Testament. I think that this book shows you how to use the Bible Background Commentaries.

One criticism that I would like to mention is that some of the charts in this book are a bit difficult for me to understand. That's an area that the next edition may have to improve on. However, there are only a few pages like that and the rest of the book is really a very very good summary and introduction to Ancient Near Eastern Thought and the Old Testament.

Some of the topics he covers include but are by no means limited to:

The Ancient View of the World.
The Ancient view of the heavens.
The Ancient view of Temples
The Ancient view of Omens and Magic.

I think he has around 13 topics in all. This book is well worth reading and if you plan to teach from the Old Testament over the years, you might want to pick up a copy for your personal library. It's packed with helpful references also.

Walton's book focuses on the similarities between the Ancient Near Eastern religious teaching with the Old Testament. He is careful to point out that similarites between the two doesnt necessarily imply that one is borrowed from the other. He emphasizes that they came to some similar conclusions based on their similar environments. This is a quite interesting take on this hotly debated subject.

His introduction to the book and introduction to Near Eastern literature is excellent.

However, while I will admit readily there are some similarites between Ancient Near Eastern religions and the O.T., Walton seems to see some similarities that I do not. He seems to be reaching quite a bit in those instances. For this reason, I gave it three stars.

The similarities between the two schools of religious thought are so few and far between that I feel a case could be made for coincidental similarities.

The book did however, accomplish what I thought it would accomplish. Regardless of the author's comments, the comparisons between the religions really emphasizes the distinctiveness of the O.T. For that reason, I am grateful for purchasing the book. Its something I have never doubted, but it certainly makes the chasm wider between the Ancient Near Eastern religions and the religion of the O.T.

Of course, the difference is one is real, and the others arent.

Being able to share Mama D's story was one of the truly memorable times in my life; knowing that her story is just one of millions makes my heart break. Everyone who read my copy of this book has loved the animals, cried over their circumstances, & rejoiced at most of the outcomes. In an age of all the cruelty in the world, it does my heart good knowing this kind of book can touch so many. Christina, thank you again for your belief in Mama D's story & it's ability to touch your readers.

Susy Hiller

I haven't read all of this book, but rather the stories that interested me. Several brought tears, usually happy, to the eyes. There is a wide variation of the expertise of the writers, but it doesn't take away from the enjoyment of the read, and shows you don't have to be a professional writer to write a good story. I would recommend this book to those that have an interest in saving unwanted and abused animals, and perhaps encourage more people to seek out adopting these "loosers". Most make our lives much fuller. Heart warming, feel good stories.

This book was wonderful!! It made you laugh and cry, which is the scale I judge books on. The stories were written in different styles, making it so personal. And it makes you want to head down to the nearest animal shelter to see how you can help. Congratulations to the author. I wait for her next compilation.

I became aware of this book through the local Pittsburgh Shelter I volunteer for - Animal Friends. The only no-kill shelter in the city of Pittsburgh. It has many heart warming stories and I've sat reading many with tears in my eyes. It not only tells tails of pets from Animal friends, but other rescue groups as well. A must for any animal lover out there.

This book is the best I've read about rescued pets. Too many people look at rescue and shelter pets as second best. Nothing could be further from the truth. This book shows pets who have changed lives. Whether they come to us at a time we need a best friend or we rescue them when all of their chances are gone. Animals make lives better every day! Thanks to Chris for telling their stories!

My wife enjoyed the book very much, very enlightening and educational, well done and presented. Worth the cost and more!

This book is a box collectors dream come true. Excellent detailed photos combined with informational prose.I am glad I purchased it.

Good information on the periods, materials and types of antique boxes most frequently collected. Photography excellent and item pricing accurate. I love this book and it's helped me enormously.

One does not have to be an expert to love this book. It is a treasure trove of information on all kinds of English boxes from the 18th to the early 20th centuries. Packed with photographs and intelligent text, it is simply the best, most informative, most comprehensive book on the subject. It's easy to tell the writers are not only experts with vast experience but lovers of these boxes too.
I'm particularly interested in writing boxes, and I could wish for more chapters on these, but that is purely out of a sense of greed. The whole book is fascinating, whether one is browsing or studying. Thanks.

Look I stipulate that this is most likely the best book currently on tea caddies and box's and such, but these reviews are so gushing. This book is not prefect, the font is poor and it is overpriced at 90.00 U.S. I think it is well worth 50.00 U.S., but for 90.00 I expect more pages and better quality. I was expecting the Holy Grail when I ordered this book, the reviews where hailing this as the burning bush; what I got was a good book, a very good book on tea caddies and box's, but not the end all be all. If you love tea caddies and such you will immediately enjoy this book, but the sticker shock may take a bit longer to get over.

Awake, O Sleeper is not a book just for women with breast cancer. Women of all ages need to read this book. If we ourselves have not experienced breast cancer, someone we know and love will. Awake, O Sleeper is an honest portrayal of the fear one experiences at finding they have a frightening disease, yet it is also a story of hope found only in one place--God. I highly recommend Awake, O Sleeper!

Some people tell a story so you can hear it; Katherine Murphy tells a story so you can live it. Awake, O Sleeper ushered me into Murphy's soul in the first few pages. Not only did Murphy take me through her personal cancer walk, she also skillfully opened windows into the lives of her husband, children, and friends. Cancer wraps tentacles around the victim as well as bystanders. It takes courage to survive; it takes God to give it meaning.

Katherine Murphy lost many dreams with the nightmare of cancer but awoke with the vision of God in her circumstance, and the reality has never dimmed. As she vividly described the loss of physical strength and appearance, Murphy discovered a true identity and inner beauty. Seasons of the year come and go just as our existence depicts the same cycle; however, Katherine Murphy views life as "a world of borrowed time." She seizes each opportunity as a gift. Awake, O Sleeper is her gift to us.

Awake, O Sleeper is an honest exploration of the hatred and blessing of cancer. Katherine Murphy has chosen to buoy others with her own life jacket. I am pleased to recommend a book that will speak for a very long time.

When Katherine Murphy discovered she had breast cancer and then that it had progressed to stage two, her life was forever changed. In her book she relives the diagnosis and the battle that followed. She was determined that she would fight and win.
Fear was the biggest enemy - that she might lose her life and leave her two sons and husband. When she renewed her commitment to God, these fears were not over but there was a new peace and she could go where God would lead.
This is a great read for those with cancer and who have close ones struggling with the disease. There can be victory even in the darkest times.

Awake, O Sleeper offers a touching and honest look at the pain of breast cancer and the hope God offers as we take His hand for the journey.

With transparent candor Katherine Murphy expresses deep emotion through her diagnosis and treatment. The reality of her struggles, questions and fears will resonate as we grapple with her for answers. Her insights touch heart and soul as she shares her growing awareness of God's presence in the midst of a painful and frightening time.

We all know women touched by this disease. Katherine's honest journey will offer peace as they see themselves in the mirror, truly loved and cared for by the Shepherd of our souls.

AWAKE, O SLEEPER is more than Katherine Murphy's story of her battle with breast cancer. It is also an account of her spiritual journey toward an intimate relationship with God. Although raised in the church, it was only after her cancer diagnosis that she began to read and understand the Bible. The book's title is from a Scripture verse, Ephesians 5:14: "Awake, O sleeper, and arise from the dead, and Christ will give you light."

It's obvious that AWAKE, O SLEEPER is written from the heart. Murphy is honest about her fears, the effects of her disease on family relationships, her doubts, and her search for truth. Several of Murphy's poems from her diary are included and they add to the open and vulnerable style of her writing. The author's descriptive passages and use of word images provided interesting and easy reading.

Murphy's story is a testimony of God's faithfulness and grace. She was strengthened through her battle with cancer, saw good arise from bad circumstances, and discovered the true meaning of life.

AWAKE, O SLEEPER will be helpful and encouraging for anyone struggling with cancer or other life-threatening diseases. Murphy provides hope by sharing her own experience and her faith in a loving God.

This is a perfect book for Gramps to read to visiting grandkids (I did get permission from the parents). It not only entertains children but is enjoyable for adult readers as well. Plus it allows for lots of discussion about invented, imaginary monsters like trolls and ogres. A further plus is that the book if chuck-full of new words that 6 year olds will want to understand. If you are looking forward to reading to a visiting 6+ year old and are looking for something that would be fun, Awful Ogre and Monday's Troll, both by Jack Prelutsky, simply cannot be beat.

Jack Prelutsky, author of more than 30 artistic creations, takes the reader on a journey through the daily rituals of an ogre's pleasantly gross life. Prelutsky describes all of the ogre's activities from sunrise, when his pet rattlesnake wakes him, until late into the night, when he has a nightmare about a beautifully tranquil place. Using fabulous double-page spreads, Zelinsky illustrates how the ogre enjoys a violent storm, tends to his garden of carnivorous roses and overblown mold and takes supper at a local restaurant where his titanic appetite is satisfied with triple helpings of everything (including the silverware, plates and tablecloth). The 18 rhythmic and witty verses are brought to life with remarkable detail using watercolor and pen and ink. This combination of gruesome humor, along with the realistic snapshots of the ogre's life, will provide many hours of entertainment and enjoyment to all those who are ready to experience the adventure. Everyone will fall in love with this oversized and grotesque, but playful, ogre as they scour each marvelous and explosive work of art! (Ages 6 and older)

This book is the best book I've ever read! I love the colorful illustrations. I can't believe how good this book was. I don't read picture books most of the time but this one is unusually outstanding! The pictures are amazingly superb! I would give this book 10 stars, if I could.

Fans of Prelutsky and fans of Zelinsky, rejoice! This devoutly-to-be-wished combination comes off just as well as you might imagine. It really does present a day in the life of a one-eyed ogre in poems and pictures. And by all means, read it out loud! It's so much more fun that way. My favorite -- "When elves and gnomes encounter me, / They often shriek, `Grotesque!' / I bow with magnanimity / And murmur, `Statuesque!' " And the pictures! There are a lot of things going on in the four-color pictures. And kids will have fun finding them all! Some of the language is hilariously gross and disgusting -- and not for the squeamish! Prelutsky obviously has always loved the sound of words -- and big ones, at that. And as always, he doesn't write DOWN to kids. There is a glorious perfection in his rhythms. Kids will love to grimace and wince along with the gory subject matter. This book is so much fun!

What a terrific, fun, lively book! As much fun for me and my husband to read as it is for our son to have it read to him. Even though he is still small, he loves the rhyming cadence of it and the pictures. A nice change from Dr. Seuss - I just love Awful Ogre! Especially when he dances...or courts a grrrrl...or goes out to dinner...

This book would be a terrific addition to any childs library.

It's beautiful and teaches kids (and parents) how to appreciate art in a simple way. Lifelong lesson that demystifies art. Love it. It engaged my son since he was 3 and he's 4 and still loves it.

The story and illustrations are top-notch. This book is an excellent tool for children learning to appreciate art and artists. Every child should own a copy of this book!

Buyer beware -- these note cards fold to 3"x5".

My 4 year old granddaughter loves the book. I enjoyed seeing many famous works of art converted to elephant-views of the world -- a refreshing reframing of the familiar. All ages can benefit from this.

This is a review for the note cards. They are beautiful. The whimsical images lifted from the book are printed on decent/usable cardstock, and are definitely fine but the envelopes are much, much higher quality than you normally see in a product like this. The box itself is wonderful and will be something you keep long after the cards are all gone.

Among many books dedicated to capitol ships in the II WW, this volume is a very pleasant reading. It comes close to the experience of on the spot study of the design, construction and operational life of dreadnoughts of allied Navies, leading every naval buff to the very insight of the ship themselves. Each class is thoroughly illustrated, giving detailed information of ship's armament, protection systems, engineering and machinery. The best facet is the careful examination of operational career of each ship and the analysis of battle damage sustained by the ship according to testimonies, technical data and the most probable reconstruction of incoming shell trajectory. The damage studies are interesting since they are presented with extensive use of line drawings, further explaining the ships' innermost structural architecture. Another remarkable feature is the extensive chapter dedicated to Soviet wartime effort to build capital ships. It literally casts a light on the subject, providing many facts and photographs of this unknown page of II WW. Profiles, armor diagrams, shear,frame & body plans, line drawings are very accurate as they are results of blueprints' deep investigation.

This book is really an authoritative source for studying battleships from their inception to their final days.

Mssrs Garzke and Dulin have written a trio of detailed, comprehensive and objective analyses of the battleships of the World War II era (designs past 1930). In this volume, they analyze the capital ships of the Netherlands, Great Britain, France and the Soviet Union. Overall, they rate the units of France as the best in the 35,000 treaty class due the Richelieu's fine protection and speed coupled with excellent firepower. The authors analyze the loss of Prince of Wales to Japanese air attack and the loss of Hood to Bismarck in intricate detail. For any wargamer or student of warships or naval history, this book is a must. Even designs contemplated but never laid down or completed are discussed, including the Lion class and French Alsaace class. A must read.

FIRST THOUGHTS: THIS VOLUME INCLUDED BOTH THE MOST AND LEAST FAMILIAR SHIPS TO ME

This was a real pleasure to wade through. Although I have read a great many volumes which detail the British Dreadnought classes quite well, I knew very little about the 2 French classes and the proposed Dutch Battlecruiser. The oversize fold-out sketches were a real pleasure to behold, especially under a bright light and a magnifying glass. Over the years I have read many books about naval vessels and military history and this volume, like the rest of the series, adds some new and fresh perspectives to my thinking. Whereas NO single book or series on the subject of 'Battleships' can be considered THE FINAL WORD on the subject, this series, of which this specific volume belongs, is so well organized, detailed and comprehensive that I firmly believe that it is a 'must-have' for those with an intense interest in Battleships - like myself.

IN A NUTSHELL: CASE STUDIES OF 8 DISTINCTLY DIFFERENT CLASSES OF DREADNOUGHTS FROM 4 COUNTRIES

CHAPTER ONE: INTRODUCTION
CHAPTER TWO: THE DUNKERQUE CLASS
CHAPTER THREE: THE RICHELIEU CLASS
CHAPTER FOUR: THE NETHERLANDS - DESIGN 1047
CHAPTER FIVE: THE KING GEORGE THE V CLASS
CHAPTER SIX: THE LION CLASS
CHAPTER SEVEN: THE VANGUARD
CHAPTER EIGHT: THE SOVIETSKII SOYUZ CLASS
CHAPTER NINE: SOVIET BATTLECRUISERS
CHAPTER TEN: CONCLUSION

APPENDIXES

A. FULL-SCALE ORDNANCE TRIALS
B. THE PRINCE OF WALES
C. BATTLESHIP AND BATTLECRUISER GUNS



WHAT IT IS: THE ABSOLUTE ZENITH OF A NATION'S JINGOISTIC TECHNOLOGY & POWER

In essence, the Dreadnought represents everything a powerful or wanna-be powerful nation can impart into a ship to project power on the behalf of that nation. I just made that up, but it is so obviously true. When one goes through these volumes, one can see a combination of the national pride, desperation and deviousness that lay behind the erection of fleets of these incredible vessels. Here are some motives that are touched on in these volumes:

The British wishing to limit the size, power and number of Battleships by treaty as their global fortunes were on the wane proposed and built ships that were less than ideal in all respects prior to World War 2;

The Japanese wishing to keep the world in the dark as to the size and power of their new ships [Yamato Class], hide the construction of the ships and put out false documents regarding the ships' displacement and the gun caliber of its main batteries [460mm];

The Americans utilizing the escalator clause to include 16" guns in the North Carolina class as a response to the secret Japanese building program;

The Germans building larger ships than they were limited by treaty to do as the need for armored protection increased as war approached;

The French built the Dunkerque and Richelieu class as a response to the Germans building the 'Pocket Battleships", followed by their 'Battlecruisers';


BOTTOM LINE: THE SECOND VOLUME OF AN AWESOME HISTORIC TRILOGY

After a complete reading of the entire trilogy, I feel, I now better understand the construction and design considerations that lead to a completed Dreadnought. These books including this volume have fed my interest and have encouraged me to look deeper into the topic of Dreadnought engineering and construction. Now, after reading this series, and then re-reading it, I feel better able to grasp the technical materials that I will have to deal with as I continue to delve into the fascinating topic of 'Dreadnoughts' and their effect on history.

Excellent as a general technical reference. Compiles technical data very hard to find in a reasonable amount of places elsewhere. Drawings much improved from those that blighted their previous work on US battleships. Wish they would redo the book on US battleships.

I'm adding my voice to the chorus of praise for the G&D books. The attention to detail is impressive. The authors go so far as to account for the different definitions of "inch"--an inch of armor in the Royal Navy was actually 0.98in, and this reflects correctly in the figures cited for the KGV, Lion, and Vanguard classes. In citing the damage inflicted on France's Dunkerque by exploding depth charges, the authors properly tally, not the amount of explosive in all the depth charges lying alongside the ship, but only the amount which detonated properly. Impressive work.
It should be no surprise that more recent revelations have overtaken G&D's look at Soviet designs. Still, the info they do present is generally representative of the design's actual properties. A similar state applies in the chapter on Dutch Design 1047.
The only caution requiring the reader's attention is that the occasional typo pops up to confuse the statistical information. This is a general caveat for all three volumes rather than this one in particular.

This CD fills the very essence of my soul! As a Franciscan religious I appreciate the beauty and splendor of all of God's creation! John O'Donahue has captured the essence of the Franciscan Spirit! St. Francis called everything by the intimate name of "brother" and "sister"! As St. Francis says, "Put on new glasses" "adjust your focus" and you will see beauty all around you." With St. Francis we can all say "My God and My All"! Thank you and God bless you, Sister Rose Therese Di Gregorio OSF.

I adored this book from page one to the last. It is such an inspiration to me and I
felt like a found in this book my "bible" and guide to life as I have created it.

I discovered John O'Donohue this past year (see my review "Anam Cara: A Book of Celtic Wisdom") and have been working ever since to bring him to San Francisco's East Bay to speak and conduct a retreat. Unfortunately, as I was putting pen to paper to write my review of "The Invisible Embrace - Beauty," I learned he died in his sleep, January 3, 2008, on vacation near Avignon. He was just 53. O'Donohue was an original thinker, a gifted writer, and a philosopher that fully understood the human condition and emphasized the triumphal power of divine love.

"Beauty" outlines another encounter with the divine. The majesty of beauty is its gracious wholesomeness. The Beautiful unifies feeling, thought, and dream. The book "endeavors to mirror this one-ment." This acquaintance coaxes the soul to the land of wonder where the journey becomes a bright path between source and horizon, awakening and surrender.

O'Donohue begins "Beauty" with the the call of beauty; where it dwells; its music; its color; and the joy of its shapes. He then explores imagination (beauty's entrance), attraction (the eros of beauty), and the beauty of the flaw. He concludes with beauty's relationship to death and God.

"When we lose sight of beauty our struggle becomes tired and functional. When we expect and engage the Beautiful, a new fluency is set free within us and between us. The heart becomes rekindled and our lives brighten with unexpected courage."

The "cry of our times" is to awaken beauty as we feel most alive in the presence of beauty for it meets the needs of our soul. And once awakened, there is a great sense of homecoming as beauty is God. Love of the beautiful is a secret and sacred passion of all as it is embedded in our search for God.

O'Donohue has written another "Beautiful" book that will serve as a reference guide for years to come.

For those who want to learn more about John O'Donohue and his literary contribution, I have included a number internet posts made on the event of his death:

* I too was touched so deeply by John O'Donohue - by his writings which my wife shared with me a few years ago.
* I'm very saddened by the passing of John O' Donohue. Though I never had the privilege of meeting him I felt I knew him through his work. He was truly a beacon of light and love. God bless him on his eternal journey.
* I am so saddened by John O'Donohue's passing. For over eleven years I have absorbed his books which have made me understand and appreciate my Celtic-Catholic roots. Slan agus beannacht leat.
* He was a breath of fresh air and sunshine enfolding wonderful wit and wisdom with a passion for the Eternal.
* When I read Anam Chara, I was stunned by how much I was moved by his words and ideas. It was at once comforting and thought provoking. I am so very grateful that John shared himself with the world.
* John constantly called us to awaken to the great mystery of which we are apart and to become more and more aware of the intimacy we share with all...I am deeply grateful to him for the way in which he affirmed the deep longing with the past, present and future. May we honour him by living our own individual lives as authentically as he lived his.
* I have often turned to his writing and recordings for solace and guidance through some difficult times in the last few years and had hoped to go on retreat with him in Connamara this May.
* When I heard the news of O'Donohue's death, I cried. His books, especially "Anam Cara" and "Eternal Echoes," were personal favorites. His knowledge of Gaelic and rural Ireland, combined with his philosophical training, gave his writings a special beauty. His poetic perception and spiritual wisdom made his writings a wonder of insightfulness.
* John O'Donohue's brilliant and beautiful wordcraft has touched my heart and helped bring about great peace and growth in my life over the last decade. May his legacy of beauty and courage reach far into the future and bless many generations to come.
* He brings, and will continue to spread through his writings, a timely, universally spiritual message of interconnectedness and common humanity to a troubled world.
* His Anam Cara Celtic Wisdom returned me to that world within that opens us to the universe.

John O'Donohue's beautiful voice brings alive the poetry of his words to open, soften, delight, inspire listeners to a deeper sence of the Mystery, God which is all around us expressed in everyday life through the infinate sources of Beauty. His book is equally wonderful, hearing his Irish voice is like adding music.

The very sad news is that there will be no more books by John O'Donohue because of his untimely death in January. The blessing is that we have a treasury of wisdom and elegance in his published writings and various recordings. We can still listen to his Irish lilt and laugh at his humor; we can still read his prose and poetry suffused with wisdom and caring. Beauty is a book which reminds us how we should look at the world around us, expectantly looking for signs of beauty to counter the other signs of neglect, pain, violence, dis-harmony. He takes us beneath the surface, urging us to troll the depths of our souls to find our beauty. Every sentence will call you to ponder more deeply and invite you to look anew at life.

Before there was Monty Python, there was Myles. He was by far the crankiest, most learned and original comic genius of 20th-century English prose; there's simply nothing else like him. (Well, maybe there are 3 or 4 moments in "Duck Soup" that are like him.) And when you realize that this is the same guy who, under a different name, wrote "At Swim-Two-Birds" (one of the five or so funny novels for whose sake the Lord does not destroy the Earth)-- well, it's time to just surrender and enjoy.

Plus, the current Dalkey Archive edition (the publisher's name is itself a Myles reference) is handsomely made... good-quality paper and so on, don't you know. It makes a difference.

Mise, le mas, ....

A friend lent me his copy (an Irish edition) of this book five or more years ago, and I've been searching for my own copy ever since. I'm delighted to find it's been reprinted and I just placed my order.

I envy anyone who has not yet read this book of collected columns and essays -- the outrageous details of the Ventriloquists' War, the intricacies of the Catechism of Cliche, and the wisdom of the Brother all await your delighted discovery.

Have a blast.

Good humour is something everybody likes and I yearn for. For quite a long time I thought that there could hardly be anything better, or at least as good as Ephraim Kishon's short satires or Douglas Adams' space phantasmagories. It was hard even to imagine something like that because I was sure my stomach would disintegrate after something like that. And than I ran into Flann O'Brien's The Best of Myles. Indeed, that was the first time for me to get familiar with him and certainly the best possible. His columns are far than hillarious, obviously because he plays with things we consider as common, everyday problems, and maybe not even problems. All the wild thoughts one could get in moments of being very bored O'Brien would write down and bring to their final reductio ad absurdum. He wouldn't wait to be stopped, he would just carry on scribbling complete nonsense, dipping even into some other languages like Latin or Gaelic in a wild rage of an admirable inspiration.
Yes, one more thing that admire him for. He would deal with Gaelic and even write in it, he would mock with politics and politicians, with history and society and even so, he managed to stay completely non-political. At least he left his columns that way. The Best of Myles is best to read before his longer and more ambitious works like The Third Policeman or At Swim-Two-Birds. And also after them.

this compilation contains, without qualification, THE funniest writing of the twentieth century, so it seems churlish to list complaints. Some of these are unavoidably the nature of the material - Myles na Gopaleen wrote a regular column for an Irish newspaper for a quarter of a century, so the very local concerns discussed in some of the pieces render them impenetrable to all but Irish historians.

The biggest problem is with the editing, or lack thereof. There are no explanatory notes offering historical, social or political context; there are no translatoins of the many German, Latin, Irish etc. interpellations. One could argue that this leaves us in the same position as those first newspaper readers, but Myles' predominantly middle-class audience could boast a sound classical education and a greater familiarity with the allusions so liberally scattered here than we do today.

Finally, the decision not to print the pieces chronologically (none of them are dated), but by subject, distorts the work, handicaps its versatility and can lead to repetition and tedium.

That 'the Best of Myles' remains one of the last century's few genuinely important books is entirely due to the indestructible persona(e) of Myles himself, hypercultured, alcoholic, visionary verbal contortionist with pretensions to aristocratic heritage. His phlegmatic invective at local problems such as sewage systems and the civil service are less valuable than his assault on language as it had (has?) degenerated into cliche and received opinion in the culturally sterile Ireland of the 1940s and 50s; and in his post-modern project of demolishing hierarchies of linguistic and artistic endeavour. Reading Myles has a bracing effect - he forces you out of habitual mental laziness; forces you to think HARDER.

Flann O'Brian is absolutely one of the greatest practitioners of language. This collection of his work, "The Best Of Myles", is some of the finest writing I have ever had the pleasure to read. Gaelic, English, French, German, and Latin, are 5 languages he writes fluently. He is the personification of all that is famous of Irish Wit. There appear to be few topics he did not comment upon or release a withering appraisal with pinpoint precision.

Mr. O'Brian wrote for a daily newspaper until his death in 1966. The volume and quality of the written material he produced is amazing. This 400-page book is one of five that are available and that I intend to read. There is virtually nothing about his personal history in this volume, so hopefully there is a biography in print documenting the time he spent learning and practicing his craft. The only downside to this book is that some is in Gaelic with no translation, and there are many articles that will seem to exist in isolation if the reader does not have some knowledge of Irish History. Even if these commentaries were removed, the balance of the work would still be a remarkable literary performance.

Some of the best pieces were his comments on the affectation in so many facets of daily life. And his specific attacks on, "bores", and all the pretensions of the world of modern art, and those who would pretend to posses knowledge of which they are bereft. He creates institutes and foundations and companies dedicated to servicing frauds and exposing the truth. Much is for pure fun, but like all humor contains truth. He offers the services of a company that will come to the home of any illiterate with a library, and his people will either rummage through your books for a pittance, or for a more substantial sum, will dog-ear pages, write brilliant marginalia, and leave tickets and programs to various cultural events as though they were misplaced bookmarks. And for those who have the funds, books will receive forged inscriptions from their authors, and letters of thanks to the book's owner for their help with a particularly difficult passage.

This book came at the end of 2001 for me. I hate lists of the best of the year; however nothing I have read this year surpasses this book, absolutely nothing!

This is a great book for all Christians to read. It puts creation back into perspective and establishes all the solid biblical proof for why creation had to exist in both space and time. Unbelievers will scoff but in this book believers will be reminded of who they are and where they came from.

One of Schaeffer's best that I have read.He looks at the start of time for us not God, since God is eternal.It really made me stop and think. Also to look at Genesis in a whole new way

It definitely would have gotten 5 stars had it been a little longer and more detailed. Here is my report on it for a class I had:

Perhaps no chapters in the whole Bible are as important to our faith than the first eleven chapters of Genesis, discussed in this book. These chapters provide the foundation for our faith, and our understanding of reality. In this book, Francis Schaeffer examines some of the concepts which come from these chapters. He also emphasizes the need for the belief in the actual historicity of these chapters. I think it has become common among Christians to try to “spiritualize” these chapters; to say that they are not historical, but are meant to convey general truths. Schaeffer, however, sees the absolute necessity of the belief in the historicity of these chapters.
First, we have the foundation for the belief in creation by a personal God (in contrast to an impersonal one). Many, including pantheists or deists, believe that the world was created (or at least “formed”) by an impersonal being(s). However, this does not adequately explain personalness of mankind. If God is not personal, then there is no basis for man being personal, and since man is indeed personal, we would have to conclude that the belief that an impersonal being created the universe does not provide a proper explanation of reality (Schaeffer 20-21). In Genesis, however, we have the explanation: we are told that a personal God existed in a triune nature, communicated within the trinity, and specifically created the universe, and mankind, in order to communicate with us on a personal level (i.e. God talked personally with Adam and Eve) (21-22).
Adding on to this, since God created us purposefully, not as an accident, and in his image (imago Dei), we have in Genesis the foundation for the belief in the intrinsic value of mankind. Today’s culture, with its belief in the evolution of man (whether they believe that there was a God who started the process or not), has no real basis for claiming that humans are somehow valuable (46). Indeed, many have realized this, and now claim that humans and animals are just as valuable. We can see this is organizations like PETA, who often put the rights of animals before the rights of man. The refutation for this is found not only in the imago Dei of man, but in the dominion mandate, when man is given dominion over all the animals of the earth. This does not mean we should treat lightly our responsibility to care for creation, but it does mean that man’s rights should come before animal’s rights.
Also, within the Genesis account of the creation of mankind we find the creation of woman from man’s rib. This is the foundation for the unity of man and woman, the unity of mankind. Other worldviews have some problems explaining why humans should be united. After all, we do not see animals of the same species united in quite the same way that humans do. Why is it that mankind cares so much about fellow men? We find the answer in Genesis: we were created to be united (45).
Another important foundation in Genesis which Schaeffer pointed out is the foundation for moral absolutes. If God did not create everything, then we do not have a basis for deciding what is right and wrong, and we must then believe that whatever is is right (48). In Genesis, however, we have a basis for denying that what is happening in the world is the way it should be, while other worldviews cannot even claim that there is a way it should be.
We find the explanation as to why things are not the way they should be in the account of the Fall. Since that time, creation is marred and man has lost some of his capacities. If we do not acknowledge this account, we once again have no basis for saying that the world is supposed to be different. If we do not acknowledge the Fall recorded in Genesis, we must conclude that humans are the way they are supposed to be. Perhaps this is why people deny the intrinsic value of man: because they do not acknowledge that he is not supposed to be a corrupted being, they do not know that he does not act according to how he was created to act. They then see a corrupt being often bent on self-service and other evils, and, with no knowledge of the Fall, why should they not conclude that, at the very least, humans are not a whole lot better that animals? In the Genesis account, however, we find that man has fallen, but that he still retains the imago Dei, even though it is much harder to see now.
Also found in the Fall is the explanation as to why the four separations of man exist: man from himself, man from man, man from nature, and man from God. Man is separated from himself, which is seen in psychological problems (98). Man is separated from man, which is seen in wars, strife, alienation, etc. Man is separated from nature: he has lost some of his dominion over it, and nature itself is sometimes used as the vehicle of judgment upon sin (100). . Most importantly, however, man is separated from God, he can no longer communicate with Him on the level that he was created to communicate on.
However, we also find in Genesis the foundation for the belief that God can communicate to us, even though we are not perfect. Schaeffer points out that after Adam and Eve sinned and hid themselves, they communicated with God (60). Sin does not stop communication with God, it merely hinders it. We also find the foundation for the belief that God would redeem his creation. In Genesis 3:15 we hear of the “seed of woman” who will crush the head of Satan. We believe this to be Jesus Christ. Already in Genesis the foundation was being laid for the redemption of creation, and the solution to the separations of man (108).
Finally, we find in Genesis the foundation for the belief that history is going somewhere, and it not merely cyclical (Eastern thought), static (existential thought), or eternal (naturalist thought). It has an absolute beginning in the creation account, and is headed toward a set end (Revelation).
These are just some of a multitude of foundations and explanations in Genesis 1-11 for what is believed in and seen even in today’s world. There are numerous others which I did not have time to cover, such as the basis for the division of human history with Cain and Abel, the (possible) basis for mythology in Genesis 6:1-2, the foundation of languages with the Tower of Babel, etc., so I attempted to cover the ones I thought were most important. These foundation and explanations are vital to the Christian worldview, and this is why Schaeffer is vociferous about believing the actual historicity of these chapters. There are two major reasons why we must accept their historicity. First, if we do not accept these things as historical events, we lose the foundations. They cannot simply be spiritualized, because they then lose their validity as explanation for the real space-time world. Secondly, if we are Christians, we must accept the historicity of these chapters, or else our faith will be undermined. Jesus, as well as Paul and the other NT authors treat these chapters as historical events. If we deny that these are historical events, we must conclude that either Jesus was wrong, or that the gospel writers misquoted him. Either way we lost the foundation for our faith: if Jesus is wrong he cannot be God, and if the gospel writers are wrong about this we cannot know that they are not wrong about other important events which they record. In essence, we either lose the belief in the deity of Jesus or we lose the belief in the reliability of scriptures, which I would contend results in the downfall of Christianity. Neither option is acceptable, so we are left with only one option: to accept that the first eleven chapters of Genesis must be understood as historically reliable by Christians.
Unfortunately, this has not been my experience in church. I went to two different churches in high school, and both presented different views on Genesis 1-11. The first, my home church, refused to take an official position. They claimed (and taught) that we did not know whether it really happened the way Genesis describes, and that it was probably just a story to tell us that God created the universe. The rest of Genesis (as far as I know) was affirmed, but I seriously doubt that the importance of it was realized. The other church I went to strictly followed the account in Genesis, and they were militant literal, seven-day creationists. They also never mentioned the importance of that belief, nor of the rest of the belief in the historicity of the rest of Genesis. While reading, I have frequently come across interpretations which reject the historicity of Genesis 1-11. The most notable example that comes to mind is C. S. Lewis, who rejected at least the historicity of the story of Noah, saying that “Jonah and the Whale, Noah and his Ark, are obviously fabulous; but the Court history of King David is probably as reliable as the Court history of King Louis XIV.” (Clives Staples Lewis. God In the Dock, (Grand Rapids: Eerdmans, 1970), 58.) I think that it is very important that we realize that this is not an acceptable interpretation. We have already looked at why these chapters must he seen as offering real history, and now we need to make sure that this information reaches the people in our church congregations. I have yet to hear a sermon in church dealing with this issue, which is not good, since it is the foundation of our faith. This needs to change, and we need to go back to Genesis in our preaching so we have a foundation for the rest of the story.

Francis A. Schaeffer (1912-84) was an American Evangelical theologian and philosopher whose works were very influential on Evangelical thinking. In this fascinating book, Dr. Schaeffer takes a look at the first eleven chapters of the book of Genesis, which many Christian thinkers seem to find irrelevant to a truly Christian worldview. On the contrary, Dr. Schaeffer shows that the early history of man, as contained in the beginning of Genesis, is crucial to understanding why man is the way he is, and how God works with and through man.

I must say that this is a truly mind-expanding book that goes a long way towards giving the reader a truly Christian view of the man and the world that he inhabits. I mean, how is man "fallen," and what was and is his relationship with God? These are crucial questions to understanding the very foundational concepts of our religion, and the answers are contained in this book.

This is a great book, and a true classic of Christian thought. I do not hesitate to say should be read by all believers.

Christianity contains the answer to the modern man's questions. This book provides the foundation for Christian belief and the understanding of an infinite personal God who is there.

A must read...for all