Patrick O'Brian Books

This book, which by all means should be read before "The Letter of Marque" is a wonderful, if sad installment in the series. In the midst of the unfortunate treatment of Aubrey however, is a real powerful moment towards the end of the novel. Again, a real testament to the themes of honor and friendship that abound in this series.

This is the 11th novel in the Aubrey-Maturin seagoing series. This book is all about honor and reputation, how easy they are to lose, and how hard they are to get back. The story takes place mostly on land and finds Captain Jack Aubrey an easy mark for some stock swindlers who lure him into a confidence game, with terrible consequences. Doctor Stephen Maturin finds that he has been dumped by his flighty wife, who ran off with a Swedish officer. The book ends with the men in an unaccustomed circumstance, with Aubrey reliant on Maturin to salvage his own future.

It was nice to see the series back in good form after the silliness of "The Far Side of the World." However, some of the on-going international intrigue that spans several books has gotten so complicated that I can't remember what it was about, and I find myself not caring, either.

Reviewer: Liz Clare, co-author of the historical novel "To the Ends of the Earth: The Last Journey of Lewis and Clark"

The twelve books that precede The Reverse of the Medal in the Aubrey-Maturin series together form a coherent, engaging chronicle of naval warfare, intrigue, and romance. Had its thirteenth installment been simply more of the same, the appeal might have begun to pale; however, with a single plot twist, Patrick O'Brian changes the rules of the game completely, handing Aubrey and Maturin a whole new set of challenges.(Note: plot spoilers follow).

Captain Jack Aubrey, ashore and in funds for a change, is induced to invest in the stock market on rumors of peace. When the rumors turn out to be a hoax, Aubrey is falsely accused and convicted of stock fraud and dismissed from the Navy. With his fortunes in ruins and reinstatement to his rank a dim prospect, his only choice is to take up privateering in the newly-decommissioned Surprise.

What sets this book apart from its predecessors is the extent to which we see Aubrey struggling honorably with devious opponents and murky matters quite at odds with his seamanlike competencies, and dealing with the loss of his Naval identity, so much a part of his being. In so doing, it contains some of O'Brian's finest writing - the scene of Aubrey's punishment in the pillory, cheered and protected by a city square full of seamen, is one of his most bitterly triumphant and touching.

The Reverse of the Medal is not the place to start reading this saga. However, the changes that it rings on the previous books' formula ensure a fresh tone and a new perspective that will invigorate even the most jaded veteran of stern-chases and luffing-matches.

Just one of an awesome series focusing on "Lucky" Jack Aubrey and his friend, Dr. Steven Maturin (sp?). Series is a robust and rich historical men-at-sea and -at-war yarn that covers many years in the late 1700 to early 1800s. Ah-HA! (inside joke). Simon Vance's voice is excellent and each character is distinct.

This series is an absolute treasure, and I can't recommend it highly enough. I do, however, caution you on a couple of things. O'Brian is difficult to read. Well, that's not quite fair, it's not difficult, it's slow to read. Paragraphs can go on for a page and a half or longer, and that makes it difficult to digest all that happened.

Whatever you do, don't give in to the temptation to skip sections because they seem like long descriptions. If you take the time to read them, they seem to always offer some gems of wit and a sly turn of phrase; plus, O'Brian can resolve an entire dilemma or introduce a battle and the aftermath in a couple of sentences.

Looked at from a certain point of view, it actually enhances the story because you have to think about what you just read.

Read them all and read them in order. I can't speak to the rest of the series, but up until now it is superb.

This series is great and this was another chapter in the ongoing story of Maturin and Aubrey. Their adventures are of another world and provide a great contrast to other books.

This entry in the Aubrey-Maturin seagoing saga was probably my least favorite that I've read so far in this series. My quibble was with the novel's plot, which was pretty thin and derivative of other action novels and movies. And Diana Villiers, Dr. Maturin's love, is starting to remind of the character of Irenee in The Forsythe Saga. Everyone is always talking about how fascinating she is, but darned if I can see why. On the plus side, as always O'Brian serves up amazing historical details and makes Jack and Stephen witty and real. And the on-going story of their lives advances to a very eye-opening and surprising ending. So you can bet I'll look forward to the next installment of this series.

The focus is on Stephen Maturin in this seventh installment of the Aubrey-Maturin series, which, though it isn't the best or most exciting of the first seven books, is still a ripping good read. Returning to England following their escapades in North America, Aubrey and Maturin try to settle into life at home -- Jack with his family and Stephen with his scientific pursuits -- but their pasts catch up with them, compelling them to join forces for a spur-of-the-moment mission to the Baltic. Will they succeed? Will they overcome the old problems that dog them? And just who is the surgeon's mate? Read this tale of spying, diplomacy, and (of course!) naval combat to find out.

Patrick O'Brian's scope of imagination is staggering. We are now into the seventh book in his series, and Captain "Lucky Jack" Aubrey and surgeon/naturalist/spy Stephen Maturin continue to find themselves in realistic-yet-dire circumstances of a personal, military, and intelligence nature. Through it all, these two characters never seem like invincible juggernauts, but instead very human, very capable men living by the best their wits and luck can offer.

At the outset of the novel, Aubrey and Maturin need to flee the New World for the old, but find themselves hard-pressed to do so. Thanks to Dr. Maturin's single-handed destruction of French spy networks in Boston (including a wee bit of murder), a wealthy intelligence figure hires ships to track down the fleeing Maturin. The result is a thrilling chase off Nova Scotia and the nearby waters - while I prefer Aubrey's sinking of the Dutch 74 the Waakzamheid in "Desolation Island," this chase is one of the most thrilling in the series so far.

And the joys of this novel don't stop there. O'Brian once again finds various ways to inject humor into his novel. Dr. Maturin hits a personal and professional high (as a naturalist) when he gets the chance to address a body of learned scientists in Paris . . . only to bungle the presentation horribly. Aubrey allows himself to be seduced by a wanton woman while celebrating his escape from the jail in Boston, and is confronted with news of the natural biological result of such a transgression. Maturin and Aubrey are accompanied on many of their adventures in "SM" by the Swedish captain Jagiello, a supremely attractive young man, and Aubrey finds himself at a loss as to why the women fall all over themselves for this young buck when they could have a sailor "with the handsomest set of whiskers in the fleet." There are joys in this novel that you just don't find in most swashbuckling thrillers.

But at its heart, "SM" is an adventure yarn, and O'Brian does not disappoint. In a story that sweeps from the New World to Paris to Denmark to the infamous Temple Prison back in France, Aubrey and Maturin find themselves thrown from one pan into another fire. And God bless them for it!

Confession time. THE SURGEON'S MATE is the fifth book in the "Aubrey/Maturin Series" of seafaring novels that I have completed; however, it is the seventh book in the logical series order. Having subscribed to receive the entire series, I began reading the books in the order that they arrived, assuming that the publisher would send them in proper sequence. Such turns out not to have been the case, and some of my discontent with other volumes I have reviewed derived from the fact that I had missed some events because of reading the books out of order. Allow my experience to stand as evidence that, for maximum enjoyment and even comprehension, these books should be approached in their logical sequence.

I have now edited those earlier reviews to correct any misstatements as to the books' places in the sequence of novels and have removed comments pertaining to missing events that actually were addressed in preceding volumes. Nonetheless, I find that my overall assessments of the books remain unaltered. I feel that Richard Russ (Patrick O'Brian's real name) is essentially a "three star" author. When he writes of naval engagements aboard men-of-war, sloops, frigates, and the other fighting ships whose maneuvering capabilities are largely at the whim of the prevailing winds, he is a most engaging author. However, when he delves into the interpersonal relationships of his characters, he is less successful in engaging his readers.

Two other continuing weaknesses in Russ' writing are his heavy use of now-archaic seafaring terminology that often clouds the meaning of the passage and his frustrating lack of time transitions. The first problem could have been alleviated by judicious use of explanatory footnotes. The latter could have been corrected by use of transitional commentary. As it is, however, in one sentence, the captain may call for one of his officers, and in the very next sentence he is speaking to that officer. It is as though a time warp has occurred and the officer has materialized next to his captain at the very moment he is called for. This annoying truncation of time appears in each of the five volumes I have read thus far, and I fear it is a weakness to which the author is blind and may well continue throughout the series.

By itself, THE SURGEON'S MATE, while subject to the general criticisms I have mentioned, is, by and large, readable and engaging. Is Russ/O'Brian improving as he writes additional volumes, or am I becoming accustomed to his style and more accepting of it? In either event, I found this volume a much faster and more intriguing read than some of the others I have already encountered. The single most perplexing thing about this book is its title. There is no focus on any "surgeon's mate" whatsoever, and where Russ/O'Brian found his inspiration for the title remains a murky mystery! (Some reviewers have identified the title as referring to the character of Dr. Stephen Maturin; however, he has hitherto been described as being much more than a naval surgeon, being a skilled physician while a naval surgeon was essentially limited to chopping off shattered limbs. If this is indeed Russ/O'Brian's intent, then his choice of title essentially demotes Maturin from his former position, which is not, I think, the author's intent.)

If, gentle reader, you are determined to read the entire Aubrey-Maturin series of novels, you will certainly not want to miss this one. However, you will perhaps enjoy it most if you have read the preceding six volumes first. On the other hand, if one is interested in merely sampling Russ/O'Brian's work, this would not be a bad example to choose, although I would still suggest reading at least the first work, MASTER AND COMMANDER, before delving into any of the succeeding books, including this one.

First, I must say that I do not like to race through these novels. Instead, I like to read them slowly and savor every page. That was hard to do this time because this was a real page turner, an excellent follow-up to the previous installment.

Once I had finished The Reverse of the Medal, I instantly began pouring over this one, and indeed it was uplifting. Any fan of these books will be very pleased with this episode.

However, what I like best about these novels is the friendship between the characters. It says alot about honor, devotion, and true friendship, which I believe is the finest element of this series. That quality is particularly apparent in this novel.

Simply put, these books mostly get better and better as they go, and this one is probably my favorite of the lot (up through #14 at this point). Adversity strikes, and the boys are tested to the limit. Wonderful stuff from a spectacular writer.

I don't have time for a long analysis, but these books are fantastic. I am on my second read-through of the series, and this time I am buying them as I read them. I have never been interested in the sea or ships or the military, (I used to wonder why anyone would have a painting of a ship in their house, waste of wall space), but now I have a whole new respect and admiration. Patrick O'Brien brings the English navy to life in a way that evokes feelings of pride, sympathy, horror, elation and pure heart-pounding anticipation. The contrast of the main characters, Aubrey and Maturin, is amusing sometimes, often heart-warming. The galaxy of supporting characters is rich with personalities and details. The only character I really don't like is Diana, but she does lend another facet to Stephen's persona. All in all, I highly recommend this series, they are the best historical novels I have ever read.

After being deprived of his rank as post captain in "The reverse of the medal" Aubrey starts a new career as a "letter of marque" (private man-of-war) is started in this book. It's the characteristic seal of the series, it's a story of efforts and success, it enforces you to have read "The reverse", and to continue with "The thirteen -gun salute". If it will be your first book in the series it won't be the last. Save you don`t like this kinda book, then better don`t step through its board, and keep away of such a seizing.

It is a bit unfair of me to say that Patrick O'Brian's "The Letter of Marque" is a "character-driven" novel. Indeed, one of the many joys of O'Brian's Aubrey-Maturin series is his ability to sustain and develop such compelling characters over a long series ("LoM" is the twelfth book).

But while there is a fair amount of action in this novel, what distinguishes "LoM" is O'Brian's further exploration of his two heroes, Captain "Lucky Jack" Aubrey and Dr. Stephen Maturin.

The novel opens with Aubrey bereft after being unfairly stripped from the lists in the Royal Navy. Unfairly charged and convicted of a financial scheme in which he played an entirely unwitting part, Aubrey has had his lifeline to the Navy cut as harshly as with a boarding axe. Now this merry captain, who used to delight in dreadful puns and baroque music, has been reduced to a cold, frightening visage. Remote, distant, joyless, Aubrey is at his lowest ebb.

Thankfully, Aubrey's boon companion, Dr. Maturin, has a lifeline. Thanks to a prodigious inheritance, Maturin buys Aubrey's beloved H.M.S. Surprise and outfits her as a privateer - with the titular letter of marque. This letter essentially authorizes the Surprise to be a pirate for the British Navy. While this offers Aubrey a chance to go to sea in his favorite ship, this joy is tempered by the shame that is attached to the word "privateer" by the serving sailors of the Royal Navy. Aubrey feels this acutely.

But privateer or no, the command of the Surprise offers Aubrey the chance at redemption through a heroic action . . . possibly even reinstatement to the lists! And so Aubrey leads the Surprise into various actions, including a complicated night-time raid on a French-held port to steal a ship from under French noses. O'Brian writes these scenes as only he can.

But this novel is not only about Aubrey. Dr. Maturin continues to ply his intelligence trade. He also continues to struggle with his two demons - an addiction to opium and an addition to Diane Villiers, his estranged wife. Maturin has heard that Diane has fled to Sweden with the attractive Swedish colonel Jagiello after she heard (incorrectly) that Maturin was having an affair in Malta. And so Maturin heads north to confront her, and possibly Jagiello, with the truth.

All of these plots allow O'Brian to explore both Aubrey's and Maturin's characters in new ways. Aubrey has had his troubles before with the law, but those were always civil matters involving nothing more than unsavory characters. Here, Aubrey is confronted with shame for the first time. Maturin also must confront his own nature, for as a man of intellect and science, he is not proud to be addicted to either a drug or a woman. And yet he is.

"The Letter of Marque" may be the shortest of the Aubrey-Maturin novels so far, but there is a lot of meat on this small bone. Do not read this novel unless you have read those that come before - the characters won't make nearly as much sense. But you will be thankful once you get to this novel - it is well worth the wait.

Amongst all the books on Shackleton's voyage, this one provides the best insight into Shackleton as a man and as a leader. Due to his sense of humility and perhaps focus on the task at hand, Shackleton's own account of the voyage tends to dwell on the daily details of the group's struggles. Worsley's account on the other hand provides great insight into group dynamics and Shackleton's skill at maintaining unity under trying conditions. Shackleton's story needed someone other than Shackleton himself to tell it, Worsley being the expeditions captain and Shackleton's right-hand man, not to mention a masterful writer, is just the person. This book should be mandatory reading for anyone studying leadership and team building.

Now those were some tough adventurers back then...just solid outdoorsman and really strong willed and strong physically. This was outstanding to read and imagine what the human spirit can endure.

I have read every book about Shackleton's epic voyage to Antarctica, and this book is by far the best. It is written by the captain, so it is first hand info, written from his personal diary. The details are magnificent; you are there, alternately shivering or tasting the caribou fur in your mouth. This book makes Lansing's book look like toast; and Lansing's book is good!

I read this after "South" and I think it is the right way to go. Worsley not only recounts the difficulties of the journey, but makes no effort to hide his admiration for his great leader and friend. The way Shackleton manages to motivate his crew in an unimaginably hostile environment is an example of true, effective leadership. Adventurers and business men, children and adults should all read this book.

I read this book because I had a passing interest in the story of the doomed ship. What I found was a great tale of will and courage in the face of overwhelming odds. This book sparked my interest in polar exploration and the explorers. Shackleton's story is a great one that should be read by anyone with an interest in Man's triumph over nature.

Note, the reader should have some prior background of the Endurance, since the book starts with the ships destruction.

Perhaps one of the more interesting parts of this book, I thought, was the introspective view of the world situation as voiced by Pugh to Bronwen. Keeping in mind this was originally published in 1952 that would mean some of what was at issue for O'Brian was the Cold War and the nuclear threat, but it is fairly easy to interpret the concerns as equally applicable to today. The threat is different but the results on the human psyche are the same, as are Bronwen's curious response asking how that relates to the idea that a person has a soul.
Other interesting tidbits include Pugh's description of characters such as Lloyd, Ellis, and Skinner. Loved this bit on Skinner: "The stuff he adduced was such an intolerable farrago of rubbish that I was shocked that it should have imposed upon a man of education and some reading. It was such an incoherent, verbose mumbo-jumbo, with esoteric twaddle jostling Gnosticism, scholarship of the lucus a non lucendo order that I could not refrain (burning with my private fire) from saying some sharp things about his authors." (p. 124)
I had no issue with the person playing "Q" assuming it was just a rhetorical device.

This is the sort of book that, when you finish the last page, compels you to sit in silence for at least half an hour, contemplating it. It doesn't allow you to pick up another book right away because you don't want to break the spell that's been cast over you, and the spell lingers for hours and days.
I already knew, from the Aubrey-Maturin books, that O'Brian was a master of characterization and of plot and action, but here, with the sailing and the battles removed, I could see even more clearly how masterful his prose is. It is hauntingly beautiful.
Like some other reviewers, I was confused and unsure what to think of the ending. There was a part of me that thought O'Brian was pulling a fast one, which I didn't like, but the other part of me was so enamored of the characters and the writing that I just didn't care. Especially when you consider that this was his first novel, you simply can't ask for better. It has echoes of Hardy, or even (if you remove all the melodramatic passion--just my opinion) of Wuthering Heights, with the harsh but beautiful landscape mirroring the harsh but beautiful people.
Highly recommended.

Patrick O'Brian is more than a writer. He's a publishing phenomenon via his superb Aubrey-Maturin series.
But TESTIMONIES was his first novel, originally published in 1952. It tells of an English professor of Welsh origins, Joseph Pugh, who abandons teaching at Oxford and moves to a cottage in Wales. There he explores the primal mountain back country and tries to understand the farming culture of his ancestral land. A lonely, middle-aged bachelor, Pugh can hardly keep house, even to basics--cooking, cleaning, maintaining his clothes. He has never known intimacy, let alone close friendship, but he falls fatally in love with the wife of his sheep-farmer neighbor Emyr Vaughan, a violent man . . . He pines for months, keeping his love sickness to himself, but when he becomes gravely ill he is taken into the Vaughan house, where he and Bronwen discover each others' feelings, with tender reserve. The denouement is poignant, inevitable, yet O'Brian handles this difficult material deftly, without over-writing. For a beginning writer in his 20s this is masterful work at the pinnacle of writing.
An acute recorder of time and place, human behavior and motivation, action and reaction, O'Brian uses words persuasively, passionately, a craftsman to the core. He captures country, culture and character with Hardy's lyrical affection, idiosyncratic ethnicity, thoughtfully observed. His meticulous work is reminiscent of the great American writers Faulkner, Steinbeck and Capote, or O'Brian's fellow Brits John Fowles and William Golding.
Back in 1952 O'Brian anticipated with TESTIMONIES the struggle for relationships, understanding and love in an era--the last half of the 20th century--in which men and women judge and choose first from ethnic or cultural biases or appearances or political/social correctness and only later, maybe, start to understand each other and become acquainted. Or is xenophobia genetic, eternal?
Fast forward to Norton's republishing of TESTIMONIES in 1983. We see that beyond Aubrey-Maturin, O'Brian had the chops in 1952, though few knew and it took many years for many of us to find him. Doris Lessing in the '90s offered two books under assumed names to test the market for unknowns. Result: rejection (she couldn't even get the books read!). So how many others like O'Brian flower unknown, unappreciated? What is their 'testimony?'
Napoleon allegedly remarked that ability is useless without opportunity. O'Brian won his opportunity, finally, and made the most of it. We are the beneficiaries and TESTIMONIES is the proof--res ipsa loquitur.
This book is one of those few that is unforgettable and will remain in the mind and heart for the rest of the reader's life.

Patrick O'Brian wrote the most beautiful prose in English literature. On top of that, he was a master story teller.
The story of Pugh and Bronwen is deeply moving. It stays with you. The development of the plot is brillant. O'Brian makes perfect use of the technique of having different people tell the "same" story. He is also a master at omission, not spelling certain things out, but requiring you to intrapolate. He was also a great landscape artist: his mountains are as real as his oceans.
I have not liked many books better.
So why am I still complaining?
The book suffers from the same flaw as Susanna Moore's "In the Cut": who is Bronwen talking to, when she tells her part of the story? Who interviews her? When does this happen? Or has a perfectly realistic story, though not a "naturalistic" one, turned into a ghost story behind my back? Nothing against ghost stories, by the way...

Having been so affected by this book, it is so pleasing to see the unanimity of readers. I finished the book last evening and have been engrossed all of today without waning; it just won't go away. What a mavelous love story where passion is never enjoined except in the spirit. What a painful tragedy that leaves one stunned and wishing himself dead. What a range of humanity. What a blessing on us all that there are writers of the power and imagination of Patrick O'Brian.

Of "our world, our wooden world," as O'Brian wrote in the Nutmeg of Consolation. As an O'Brian devotee who is compiling a quotation book for naval officers and mariners (The Literary Mariner; look for it next year), I have found this Muster Book to be more useful, in its own way, than even Dean King's excellent Sea of Words. King's work is mostly a wonderful timesaver--you needn't hunt up terms in other reference books--but Gary Brown's POB Muster Book is unique and indispensable: no where else will you find the attention paid to and the cross-referenced information on the characters, ships, and animals of the entire Aubrey-Maturin series (what one reviewer called the Aubreyiad, a term I like very much).

Once the book was in hand, for example, I was able very quickly to answer three questions that had been bothering me: was Awkward Davis and Awkward Davies the same man (yes); were the Dumanoirs mentioned separate characters (yes); and what were the names of the various cannon in Surprise.

There is a very useful and succinct summary outlining the entire series, and the lengthy essays on each of the major characters also walks through all the books from that character's perspective (warning: if you haven't read the Aubreyiad through, these will be spoilers). Gary Brown also makes good use of helpful references to biographies (Dean King's and Nikolai Tolstoy's--see my Amazon reviews) and to historical works. This is simply a stunning achievement.

As an academic, I was first introduced to O'Brian by a colleague who thought I might find it interesting to compare O'Brian's works to Jane Austen's. As I did so I became convinced that there was more than a chance connection between the authors' works, but with O'Brian's expansive Aubreyiad, trying to corroborate the simplest connection became so time consuming it was discouraging. I happened across the first edition of this book on Amazon, ordered it, and three published academic articles later, it may well be the most indispensable work in my library. So much so, that when a newer edition came out that included the last few novels O'Brian wrote, I had to have it. I haven't been disappointed. Whether you're a "fan" or an academic, Gary Brown's meticulous research is sure to add to your understanding and appreciation of the genius of Patrick O'Brian.

There are other companion books to Patrick O'Brian's world and works, but none better than this one. Being a foreigner and rather a recent fan, I really need the help of such books to attain at least the merest understanding of what's going on, so I own several others which I enjoyed enormously. However none is so complete and helpful as this one. Most recommendable.

Anthony Gary Brown's "The Patrick O'Brian Muster Book" is truly the ultimate literary companion volume for O'Brian's Aubrey-Maturin nautical historical novels. Every serious fan of the series should get a copy. Every named person, animal, ship, or even cannon gets its own entry, very often exploring obscure references (and nicely cross-referencing multiple appearances throughout the series). This new edition of Brown's work covers the entire series, including the twenty-first volume left unfinished at O'Brian's death. It serves to enhance reading (and re-reading) the novels and will provide many hours of pleasant browsing for the serious fan.

I must say that my recent purchase of "PO's Muster Book" is worth the investment. I wish I had bought it sooner.

I am not quite finished with all 20 and 1/2 volumes of the O'Brian 19th century odyssey, having only finished the first 18, but I became an Aubrey/Maturin junkie after reading the first two novels and watching the movie. Comprehending the wealth of people, places and events, real and imagined, combined with a liberal use of foriegn languages was difficult and intimidating. I was often confused, because I didn't readily remember names and places from one chapter to the next.

Fortunately, before I started no. 5, I discovered, through Amazon, the companion books advertized there. I purchased "Sea Of Words", "Harbors And High Seas" and "Patrick O'Brian's Navy". Problem solved. I constantly cross referenced my new literary tools several times a chapter to interpret the rich mix of story and detail woven together in O'Brian's romantic chronology. The downside is that I needed to carry a tote when I went to read at the coffee shop as well as use an extra chair to hold my not so portable library.

Recently, I have added "The Patrick O'Brian Muster Book" and I immediately liked using it. Actually, it could be a "stand alone" companion book, except that it is absent of maps, diagrams, pictures or a commentary on the life and times. I know that this type information is beyond the scope of "Muster" by nature, so, my other books are still important to me, just not needed by the night stand.

That said, I am pleased with the appearance, organization and thoroughness of "Muster". Formatted like Webster's, it is highly informational and allows quick alphabetical access to the who and the where along with the what and the when not as easily accomplished by the other companion books. I can quickly remind myself of the names and places and not lose track of the story in doing so. Additionally, it lists all O'Brian's books with a Cliff Notes style summary and along with each item is the cross reference of all mentions in the series by book and chapter. It has helpful optional references to deliniate the fact from fiction.

While I finish the series and re-read it, as I'm sure I will, "Muster" will be my favorite companion. Now, when I'm reading on the plane, I won't have as much baggage.

I highly recommend the performance of Simon Vance. His reading is excellent. Jack Aubrey's vibrant personality comes alive, as does Maturin's more subtle character. Killick is a riot. I have all recordings up to "The Thirteen Gun Salute" by now, and Vance keeps the individual voices consistent across all books. He is a true pleasure to listen to and even does the women well, which can't be easy. His mediterranean accents are not so good, but this is a minor hitch. These CDs are very good value for money.

Listening to Simon Vance read Patrick O'Brian's words is like having silk poured in your ears. A fantastic book made even better!

I came late to this table, intrigued by the excellent Russell Crowe movie. (A note for new readers arriving by the same route: the movie is an amalgam of several of the books in the series, then modified even further by the supposed needs of Hollywood.)

When I bought this 13½ hour CD reading of the first book, I was delighted but also somewhat baffled: the language is extremely challenging, even to one with years of sailing experience. How could this series have sold millions? Another Amazon reviewer set me straight: the books are written so that they could be understood and enjoyed by the characters themselves, and describe the harsh sensibilities of the times without apology or explanation.

An extremely difficult feat to pull off, writing in the 1970s. Being a rather proud writer myself, at first my anachronism police came out in full force, looking for missteps. Oh they are there, if you want to get curmudgeonly, but instead, why not just enjoy the author's magnificent accomplishment? The book has become my nightcap: one chapter per night, with a rewind each morning to the point I fell asleep. It has also become my traveling companion: I ripped all 11 CDs down to one mp3 disk, and traffic jams immediately stopped annoying me. (For people wishing to do the same, it can be encoded at a generous 256bps and still fit on one CD). And there are still another 21 novels to go...

To the meat: You will have to put up with sometimes excruciating detail: is it really necessary to have an unbroken five-minute naming of parts? The top mizzens, each and every backstay, the exact length of each spar? But perhaps it is. The internal voice of Aubrey: a sympathetic man whose company I would nonetheless not enjoy, the utter callousness towards human suffering displayed. We wouldn't judge Jane Austen for having archaic sensibilities; Patrick O'Brien should be given the same leeway.

But with your investment in place, the rewards are enormous. The battles, the tactics, the seamanship displayed and the characters involved are described at close to the level of Conrad. It is impossible to read (or listen) without trying to imagine your reaction to being hauled off a side-street, impressed into the Navy, given your 14" of hammock-space and sixteen hours of daily work, with the lash readily available if you ever care to demur. And as a reminder, the monthly reading of the Articles of War, with almost every infraction being followed by: "...and shall suffer death." O'Brian probably accurately describes this monthly litany as comforting and reassuring to the men.

The reader, Simon Vance, does an excellent job. He trips up occasionally by repeating himself, and his occasional Scottish accent is strictly from the James Doohan Hollywood school, but those are hardly gripes: his friendly voice is accurate and his personality is quite invisible, as it should be.

"Aubrey! May I trouble you for the salt?"

I have read this series of books and listened to them on tape and now I am getting them on cd so I can rip them to the computer and sync them to my mp3 player which is easier to carry around my neck as I work. When I listen to these stories it makes watering the trees a bit more interesting. If you haven't read this series I highly recomend you start if you want to be totally entertained by the wonderful cast of characters.

It's been a decade since I read the books, so this time around I am listening to them. The production is first rate and I am enjoying the book as though I'd never read it. Joy!

How on earth I ever managed to enjoy Patrick O'Brian's Aubrey-Maturin novels before reading Anthony Gary Brown's wonderful dictionary is a mystery. Brown's book is a must have for all those who wish to get the most out of reading O'Brian's excellent naval stories.

This book is an invaluable resource for the O'Brian fan. Knowing the allusion to real people and the historical background tremendously enhances my enjoyment of the O'Brian series - well worth re-reading all nineteen books with this reference in hand, looking up the name of each character, animal, ship and cannon for the delicious humor of knowing WHY O'Brian named each entity as he did. A five-star book!

This book is an astonishing piece of research, a listing and historical analysis of thousands of items--well, characters, animals, ships, and cannons--from Patrick O'Brian's series of novels. I cannot imagine how he did it, but what a delightful treat for the rest of us. This book is not just an indispensible companion to the Aubrey-Maturin novels; it's also a great pleasure just to leaf through and read. If you like the O'Brian's books you need to have this one too.

Anthony Gary Brown's "Persons, Animals, Ships and Cannon in the Aubrey-Maturin Sea Novels" is a wonderful resource for anyone who loves the nautical fiction of Patrick O'Brian. The depth and breadth of research evident in this companion volume to the Aubrey-Maturin series is truly awe-inspiring. Every "proper name" reference -- no matter how slight or obscure -- has been diligently tracked and, where ever possible the historical reality behind the fictional is revealed. Characters I had assumed to be merely creations of Patrick O'Brian's imagination are shown by Gary Brown to be based in actual persons. Whenever Stephen Maturin speaks of an obscure botanist or philosopher, Brown has explained who he or she was and what was the significance of their work. There are many, many hours of delightful browsing in this volume for any Patrick O'Brian fan.

I've been sampling this book for a couple of weeks and I can't tell you how much I've been enjoying it! For a fan of the Aubrey/Maturin books its almost as good as having a new POB come out! I think of someone I want to look up, then by the time I've read that entry I've been led to another, and then another and I keep stumbling on the most amazing facts and interesting historical stories.While just keeping track of all the names in the books is useful enough, the "enhanced" information - all the details about "real" people and ships and historical events - is the most exciting treasure for me.I can not begin to imagine the hours and hours invested in this masterpiece, though the careful attention to details and proofreading suggest it was a labor of love. All I can say is that I'm very grateful to the author for having written it. It will make reading and re-reading the Aubrey/Maturin books an even greater delight, and for me at least, it will lead deeper into the historical literature behind the series.Every bookstore in the country should stock this on the shelves next to the Aubrey/Maturin books so new converts will have it in hand right from the start.

Muench is the Master. This amazing book presents his vision of the Americas before the arrival of man. Stunning, masterful, etc. etc. Sure, I can pile on the adjectives, but simply stated, this is one of my favorite Muench books just because it is so uncompromised - not having to pander to a specific area, it is plain and simple magnificent nature.

David Muench is one of the best landscape photographers I've ever come across. If you can find this book the pictures will blow you away. It is worth the price. I'm an okay photographer, this guy is so good it's hard to believe. These are literally some of the most beautiful pictures I've ever seen. If you see this book on one of the clearance racks at a book shop, get it quick

It's too much. Too much beauty. Muench is the man, and to see so much of his work together is pretty overwhelming. You have to digest this in modest chunks. A vast range of photos from his 40 years provides an insight into Muench's outstanding natural vision - his great gift. Makes a great gift.

This book deserves more than five stars, and is clearly one of the finest color landscape photography books ever published. Go to whatever lengths you must to acquire this amazingly wonderful volume!

Ancient America "celebrates the ancient threads that connect our momentary existence to a universal continuum and bind us to larger meaning." Imagine yourself as one of the first people to arrive in the Americas, having traveled across the land bridge from Siberia or across the Pacific by raft or canoe. There is no smog. There are no buildings. You simply see the grandeur of nature in its most pristine and awesome form. The world is a cathedral to you. That is the vision that Mr. Muench shares with us in this great collection.

The book begins with several stunning photographs that capture the range of the whole book. There is a brief introduction about the photography, then a superb discussion of American anthropology by Brian Fagan that creates a poetic vision of the book's subject. You will learn much about the settling of the Americas in the process. Did you know that humans arrived here only around 12,000 years ago and that populations were quite small until 350 years ago when the European immigrants began to arrive in substantial numbers?

The photographs are subdivided into the following sections: light; earth, rock, water, trees, ruins, and growth. Mr. Muench has a few final words at the end. "Timeless moments of ancient light are for me an expansion of the spirit . . . ."

Mr. Muench has many skills as a photographer. Like Ansel Adams, he is brilliant in using dawn, dusk, and moonlight to capture unusual moments and moods. Also like Mr. Adams, he has an unerring sense of composition that captures the interconnections of nature's patterns in fascinating and rewarding ways. But he exceeds Mr. Adams in his ability to use color. And all of these images are in gorgeous color. The color creates an emotional climate of spiritual peacefulness that will help you regain your sense of wonder, as you shed the distractions of "civilization."

I was particularly impressed to find that many of the images came from parts of North America that I had never seen before. In many ways, this was like exploring a new land to me. That characteristic added to my ability to let go of my preconceptions and existing emotions, and simply drink in the visual manna here.

Here are my favorite images in the book:

Moonrise, Mono Lake, California; Ancient Spruce-Fir-Hemlock Forest, Eagle Creek Gorge, Oregon; White Sands Evening, White Sands, New Mexico; Oregon Seastacks Cannon Beach, Ecola State Park, Oregon; Autumn Dawn, Millpond State Park, North Carolina; Cadiz Valley, Mohave Desert, California; Cypress Dawn, Realfoot Lake State Park, Tennessee; White Canyon Sandstone Labyrinth, Utah; Mendocino Tidal Pool, California; Dead Horse Point, Utah; Delicate Arch, Moonrise, Arches National Park, Utah; Eagle Creek Punchbowl, Oregon Cascades; Atchafalaya, Louisiana; Pinus Aristata, White Mountains, California; Birth at Puu'loa, Hawaii; Anasazi Cliff Dwelling, Utah; Cahokia Mounds, Illinois; and Sand Reed, Minnesota.

Perhaps the phrase that best captures this book is that it contains "some harmony to contemplate in beauty and ancient light the measured pace of the universe."

Having seen what the proper light and setting can do for your spirit, I suggest that you launch a search for places that evoke similar emotions in you and times when you can experience those feelings in private. Then set a regular schedule of visitations, to add a "living meditation" to whatever else you do to get in touch with yourself and the universe.

Shed the unimportant to step into the permanent grandeur of nature, and be refreshed in your humanity!

I first read Bogmail over 20 years ago and recently picked it up again. Fortunately I didn't recall too much of the plot but what I could recall was that it made me laugh out loud then and sure enough it did again. This is a mystery but it is also an incredibly comical look at life in a small Irish village. It has some of the most amusing dialogue I've read anywhere as the various local characters philosophize over pints of stout at the local pub. The dialogue is witty and would have made a great screenplay so I'm surprised this was never picked up as a film. The people are all real "characters" and the story , set in rural Donegal , digresses enough to include philosophical musings by the local inhabitants as well as an Englishman recently transplanted.

The mystery aspect of this story moves the plot along briskly but the real joy of this book is the interaction between the characters.
A hard book to find but well worth the effort.

I have this one on my "mystery listmania list" (go there for the best mysteries of all time!) with good reason -- it's one of the top (and more humorous) mysteries that I've ever read, a real sleeper! If you're a mystery buff at all, be sure to glean this singular treasure from the heap. I love finding an obscure work like this and being pleasantly surprised as I was in this instance. I originally found it at the library, then I bought a copy so I could read it over and over. I hope, when this fine story is made into a film, that they don't change a single word.

Bogmail is an unclaimed jewel of a book. Why this story has never been snapped up by Hollywood I cannot understand (although BBC Northern Ireland did a TV adaptation in 992, the ridiculously named 'Murder in Eden') The characters are well crafted and believable, particularly the central figure, Roarty the pub landlord. Some of the dialogue had my belly aching with laughter. A thoroughly recommended book for lovers of Ireland and the Irish. Five star excellence.

This is a truly funny, witty and stunningly well-told story of murder in a small Irish village near Donagal. Charming characters, inane but clever conversations abound. Well worth the read!