Non-fiction Books


Books-Under-Review-->Arts-->Literature-->Authors-->Non-fiction-->83
Related Subjects: Sacks, Oliver Reed, John
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250
Non-fiction Books sorted by Average customer review: high to low .

Non-fiction
Tales from the Thousand and One Nights
Published in Paperback by Penguin (Non-Classics) (1985-05-07)
Author: Anonymous
List price: $6.95
Used price: $8.95

Average review score:

Enjoyable easy reading to take you away to fantasy land.
Helpful Votes: 14 out of 16 total.
Review Date: 2001-03-27
This book is translated by a person named N.J. Darwood. It's simply wonderful. The tales involved are tales of the Persian Gulf, of Bagdhad, Arabia, and tales that we as adults should revisit for some enjoyable light reading that will make us smile and wonder at the old folklore of the Arabian Peninsula. Sinbad the Sailor is in there, as is Aladdin in it's original form, and the story begins of a king who is so upset by his wife's unfaithfulness that he will now only accept virgins for one night and then have them killed. A smart virgin begins her night with the infamous king by telling him stories, and she so fascinates him and enthralls him with her tales that the tales turn into folklore for readers of the ages. I won't tell you what happens in the end to the virgin princess, but you will find humor, enchantment, wisdom and fantasy for those times when stress becomes a factor in your life. I highly recommend the tale of "The Historic Fart" as a both funny and inspiring tale of human nature. Please buy this book and remember to become a nine -12 year old again as you read with curiosity and wonder at the fabulous enchanting, lively stories. I was beginning to wish my children were a bit younger so I could read these to them. Any child would enjoy these stories, and any adult will find them simply relaxing and a reflection of medieval Islam.

Fantastic Tales
Helpful Votes: 27 out of 30 total.
Review Date: 2002-06-13
This book is a selection of the choicest tales from the Thousand and One Nights. The translator, N.J. Dawood, also translated the Koran for the Penguin Classics series. Dawood explains in the introduction that the first of these tales appeared in a written form around 850 C.E., in a book called, "A Thousand Legends." More tales, of lesser quality, were added over the years until an anonymous editor in Cairo finally codified them in the 18th century. A French version of some of the stories appeared in the 17th century, and was followed by several English versions in the 19th century; the best known adaptation came from Sir Richard Burton, in 10 volumes. The stories are a mix of Arabic, Persian, and Indian tales and appear to have been written in response to classical Arabic literature. The Arabs do not consider them part of the classic canon, and after reading these stories, I can see why. They are aggressive and highly sexualized, and are loaded with sorcery, fantasy, and criticism of authority figures.

Whatever their origins and means of transmission, these are excellent and entertaining stories. I cannot think of one tale in this selection that I did not like. Included in the book is the instantly recognizable Aladdin story, as well as the Sinbad voyages. Other tales are just as interesting: "The Tale of the Hunchback," "The Tale of Judar and his Brothers," "The Porter and the Three Girls of Baghdad," and many others. Many of these stories are cycles; they have stories within stories, as characters in one story tell their own stories. At the end of the cycle, the story is cleverly wrapped up, usually with a happy ending. I do not think I need to go into detail about Aladdin or Sinbad, except to say that I was surprised to see Aladdin described as Chinese. Providing details to these stories would be useless anyway because they are so detailed as to be impervious to summary.

There is no doubt that many of these stories started as oral stories, and retained that shape into the written versions. The best example is the Sinbad cycle. All of the stories in this cycle are framed in the same way. This repetition made it easier to memorize the stories, or at least the basic outline. A good storyteller could take the frame and fill in the blanks with whatever his heart desired. You often see this kind of writing in the Bible.

Social roles and class play a large part in these stories. Women are presented as wily and dangerous, but not always. Several stories show men trying to pull fast ones on the ladies, with the results much to the detriment of the men. Many stories show how the high and mighty come crashing down, or how the lowly are elevated to great status. These movements are attributed to the grace or condemnation of Allah, and the characters all act out their movements with Allah close by.

You will not go wrong with this book. These are immensely entertaining stories for both children and adults, although you might want to find a toned down version for the kiddies. Why? I am thinking about the tale where a man and some women play "name that body part." My only criticism of this version is that the tale of "Ali Baba and the Forty Thieves" is absent. I have no idea why it is missing, but the book loses one star for this grave omission.

A Fantastical World To Be Lived Through These Pages
Helpful Votes: 3 out of 3 total.
Review Date: 2007-06-21
A collection of tales mostly of Persian, Indian, and Egyptian origin. Legend has it that Shahrazad, to prolong her life, told these tales to the king each night over 1,001 nights. In the end, the king let her lived as he had fallen in love with her. What a delightful legend!

In reality, these tales are most likely a collection that were handed down over time very much like folk tales in our Western world. They are fantastical stories in many cases involving jinnees and magical islands and far off lands and mysterious animals and beautiful women and enchanted lamps and....well, it goes on and on! There are some common themes: poor, common men become wealthy beyond their wildest dreams and eventually become kings, women are (usually) portrayed as deceitful and conniving, and at the center is religion.

An entertaining and fascinating book for children and adults, although there are some stories that might need to be monitored by adults for children - the stories can be a little bawdy! But there are so many good ones here, such as Sindbad and his voyages and Aladin. However, the other stories are just as entertaining, too, such as the hilarious Historical Fart and introspective The Dream. I'm normally not a fan of fantasy fiction, but these are easy to read and easy to follow and allow the read to let their imagination just go to the four winds. Wonderful book!

Timeless stories for all!
Helpful Votes: 3 out of 4 total.
Review Date: 2001-01-03
The stories in the Thousand and One Nights never seem to grow old and captivate readers, both young and old. Dawood's translations are faithfull to the original stories while giving a firm footing in the present. This is one of the most enjoyable books I've read in quite a while. If you think you know the stories of Aladdin, Sinbad the Sailor, or Ali Baba from movies then think again. These tales in their original form are timeless!

A lifetime of entertaining stories
Helpful Votes: 5 out of 5 total.
Review Date: 2005-04-28
What a great book. These stories are extremely old from places such as Persia and India with a mostly arabic influence. The introduction gives great historical insight about the various tales. Of all the translated versions of these classic stories, and what was probably much more complicated original prose, I find Mr Dawood's translations simple and fun to read. The stories are rich with adventure and fantasy. Mr Dawood does an excellent job of keeping the stories down-to-earth and entertaining. Those who enjoy cryptic, esoteric literature will enjoy losing themselves in the intertwining stories of this book. With a simplistic style of story-telling, it is still intricate enough to keep one immersed. Those who already enjoy simple stories will be intrigued by the unique storylines and plots. For young, impressionable readers, the tales have no religious overtones or underlying political agenda and women are revered and respected. I first read this book when I was 12, and continue to enjoy and re-read the stories well into adulthood.

Non-fiction
TEENY TINY FARM PKG W/HEADER (Chunky Shape Books)
Published in Board book by Random House Books for Young Readers (1992-04-28)
Author: Katharine Ross
List price: $2.95

Average review score:

Reprint!
Helpful Votes: 0 out of 0 total.
Review Date: 2008-01-28
It is a shame this is out of print. It was a favorite when my daughter was little and I too would buy several copies a year as gifts.

love the Teeny Tiny Farm
Helpful Votes: 0 out of 0 total.
Review Date: 2004-06-23
had this book twelve years ago for my son and it was MY favorite book.....i now have a new little one in the house and my son's 12 year old book is tattered and taped and beyond further repair. time for a new one. i'll be buying extras for friends who are having babies too !!!

this is the most adorable childrens book i've ever had the pleasure to read to a child or myself...lol !!!

Please get this book back into print!
Helpful Votes: 0 out of 0 total.
Review Date: 2002-03-01
I would probably buy a half a dozen copies of this book every year to give as gifts to my friends who have new babies. This
book is so cute, babies just love the poetry, and the surprise ending. The drawings are beautiful.

Lovable book
Helpful Votes: 0 out of 0 total.
Review Date: 2000-10-25
Teeny Tiny Farm is a sweet little book with rhymes. It's size is perfect for toddler hands, and my kids never got tired of hearing about a day on this little farm. The illustrations are cute and remind me of Fischer Price plastic people. We carry this book in the car, to restaurants, and use it at bedtime. Kids will start imitating the rhymes after a few readings because they are catchy. I would recommend it highly.

Another rave review!
Helpful Votes: 0 out of 0 total.
Review Date: 1999-12-09
I thought I was the only nut who read this adorable book to my kids! Both my daughters love it, and I, too, replaced the torn, munched-on copy with a new one for our second daughter. The rhyming is EXCELLENT for even the littlest ones. We have also given it as a gift several times.

Non-fiction
Town Cats and Other Tales, The
Published in Paperback by Yearling (1981-02-15)
Author: Lloyd Alexander
List price: $2.75
Used price: $0.01

Average review score:

Cats
Helpful Votes: 0 out of 0 total.
Review Date: 2007-11-16
Great book for any cat lover

author of "Hobo Finds A Home"

Delightful feline fairy tales
Helpful Votes: 0 out of 0 total.
Review Date: 2006-07-17
I am a big fan of Alexander's Prydain Chronicles, and saw that he had written other books as well, so I decided to check them out. This was the first that I read, and I must say that I am looking forward to reading the rest even more now. This book is an excellent collection of short fairy tales starring feline heroes/heroines. Each story is mean to teach a lesson, as in Aesop's Fables (I am not sure why a previous reviewer said that this was not the case, as it is rather obvious from reading the book). I will give only one example, as I do not want to give too much of the book away. One story which Alexender tells is about a Cat and a fiddler. The fiddler is invited to play for the cats evening party, and enjoys it so much he promises to come back again the next week. During the week he is offered a tidy sum of money to play for a prestigious man on the same night that he was to play for the cats. The fiddler does the right thing and keeps his promise to the cats, and after a few more incidents in which he also keeps his word even though it is to his immediate disadvantage, he is rewarded by the royalty of his country for his goodness.

Mind you, it is not just simply stories with a moral either. Alexander manages to make the stories delightfully funny as well. It almost reminds me of Rudyard Kipling's Just So Stories (the method of telling the story, not the content), and he has some of Kipling's sense of humor as well.

This is one of those rare books that has the mark of a true fairy tale: both children and adults (those who are not too serious, mind you) are delighted by them. They are fun enough for children to enjoy and deep enough for adults to read withough feeling as if they were wasting their time on nonsense. Such a combination is becoming harder and harder to find these days, and Alexander provides us with a gem in the fading art of fairy tale telling.

Overall grade: A

Of Cats and Men
Helpful Votes: 0 out of 0 total.
Review Date: 2003-10-01
The Book I am going to review is called "The Town Cats" by Lloyd Alexander, author of the Prydain chronicles. This book resembles Aesop's fables, with animals acting like men, but it does not have so many morals. This book is a collection of short tales about cats, acting in the capacity of men. It doesn't fall into any generic category; however, it is humorous, and some of the stories could be called fairy tales.
For example, one of the stories begins like this: a tailor becomes rich. He starts acting strange, trying to live up to his wealth. Yet his strange behavior does not agree with his cat, Vaska. In a strange and hilarious way, Vaska teaches his master how to act normal again. That is one of the stories with more of a moral at the end.
The book is very funny, and it is original. It has a particularly funny tale about a cat and his master, a painter. The subjects he paints are never satisfied, and they never come to sit and let him draw them. Then, the cat takes up the brush, and the subjects learn a lesson about their image of themselves.
As the author says, "Cats being more sensible than the rest of us, the idea of a set of tales demonstrating this came easily to mind. The problem wasn't finding enough examples, but keeping them to a manageable number." I think he did a good job of showing humans' greed and lack of sense, and he made it neither too short, nor too long, but just right.
Lloyd Alexander is a great author. He spun eight great tales about cats into a wonderful book. I recommend it to cat lovers, and people who like to laugh (I include myself in both categories).

A fun to read book
Helpful Votes: 0 out of 0 total.
Review Date: 2001-09-30
Lloyd Alexander is great at putting emotions into his books. I've never laughed out loud because a book was funny until I read his books. I loved how smart the cats were.

Clever cats, foolish humans
Helpful Votes: 2 out of 2 total.
Review Date: 2003-08-22
"Never take a cat for granted!," warns the back-cover copy of this collection, and Alexander, like myself, has obviously enjoyed a long association with felines and knows whereof he speaks. I originally read this book out of the library years ago and was delighted to find it back in print. Any child (or adult) for whom Puss-in-Boots was a major hero will want to have it in his collection. Alexander's cat-heroes, from Pescaro, who dupes an unwelcome royal bureaucrat in the title story, through Witling in "The Apprentice Cat," may all be able to talk, but otherwise they clearly *think* like cats--sometimes to the detriment of the people around them. (As Mark Twain famously declared, "If man could be crossed with the cat, it would be an improvement for the man, and a comedown for the cat.") There's Margot, who helps a princess marry the man she wants; Baraka, who plays chess and teaches the sultan a valuable lesson; Quickset, who relieves his village of the tyranny of a greedy storekeeper; Vaska, who shows his human the folly of trying to imitate one's betters; Hillesum, who saves the career of the painter he lives with; and the Master of Revels, who helps the fiddler Nicholas earn the recognition that is his proper due. Laszlo Kubinyi's illustrations are as delightful as the stories (don't miss the vignette on the title page). This book will remain on my shelf till the floor falls through.

Non-fiction
Twice upon a Time (Silhouette Intimate Moments No. 1092) (Intimate Moments, 1092)
Published in Paperback by Silhouette (2001-07-01)
Author: Jennifer Wagner
List price: $4.50
New price: $0.37
Used price: $0.01

Average review score:

Simply the Best
Helpful Votes: 2 out of 5 total.
Review Date: 2001-07-20
This story kept me reading straight through. The characters are delightful, and the plot was suspenseful. I'm a real fan of Romance, and this book really captures the heart. I hope there will be a sequel. I would really love to see what happens to many of the people Miss Wagner has written about. It's a winner!!

WOW! WOW! WOW!
Helpful Votes: 2 out of 5 total.
Review Date: 2001-07-17
I can't believe this is the author's first book! I picked up Twice Upon A Time after my husband fell asleep and two hours later he found me still reading!! Fast, fast pace, great storyline. I'm going to hunt down this author's webpage and find out more about her. She's going to have a lot of spots on my keeper shelf! Kathy :)

Twice Upon a Time
Helpful Votes: 3 out of 7 total.
Review Date: 2001-07-20
Oh to find that original true love, not once but twice is a gift only the Gods can bestow upon us. Ms. Wagner made this gift feel so right. This book was hard to put down. The romance, mystery, and her ability to capture the personalities of each member of her Twice upon a Time cast made you feel as though you knew each one. Well worth reading for all romance fans.

For a first time author, Jennifer Wagner has surpassed many a veteran author. Her talent I'm sure has a base of hard work, but also a gift, one to be nurtured, one to be treasured. This book, I am sure, is just the first of many. The story telling skills of this newest master of Romance will one day earn her the title of `The Queen of Romance".

promising new author!
Helpful Votes: 3 out of 3 total.
Review Date: 2001-07-13

Anna Ramsey has worked hard to make a success of her life, with her career & as a single mother. She had been devastated when her children's father was killed even though they had been estranged. Years later Anna feels an attraction for her new neighbor & starts to think it's possible to feel passion again for someone other than Rico.

Rico Carella's 'death' had been staged to protect himself as well as his family & reconstructive surgery had changed his looks drastically. Rico had survived horrendous torture by his captors as well as Anna's betrayal as a committed lover. However his love is still alive for this one woman & he hopes to convince her he had deceived her to protect her from harm.

This is a terrific debut from a promising new author. With interesting characters & a captivating plot. I hope to see stories for all of the secondary 'hunks' that were so brave & courageous in this story...in the foreseeable future. In the meantime, this was a great book!

You'll want to read TUAT more than once...
Helpful Votes: 6 out of 6 total.
Review Date: 2001-07-14
You'll want to read it again and again!

Rico Carella was Anna Ramsey's first love who died a tragic death. She never thought she'd be attracted to another man with the same fierce intensity until Gage moves in next door. She's blown away by the power of her desire for this stranger...but is he truly a stranger? There's more going on than Anna can imagine. Things that put Anna and her children at risk. The only man who can save her is the man who's brought the danger with him--Gage, a man who's hiding secrets that not only puts Anna at risk physically, but also risks her heart.

Jennifer Wagner tells an emotional, action-packed story of a love that couldn't die.

Non-fiction
Uncle Fred in the Springtime (A Blandings Story)
Published in Paperback by Penguin (Non-Classics) (2000-10-01)
Author: P.G. Wodehouse
List price: $15.83
New price: $2.99
Used price: $1.99

Average review score:

A Comic Masterpiece
Helpful Votes: 11 out of 11 total.
Review Date: 2005-05-24
Professors of literature are fond of writing that the three greatest novelists of the twentieth century are Marcel Proust, Thomas Mann, and James Joyce. In this, they could hardly be more in error. The only contender for the title of the greatest novelist of the twentieth or any other century is P.G. Wodehouse, farceur supreme, or, in plain English, an extraordinarily funny writer.

Wodehouse wrote novels and stories that can be easily classified into several series: there are the Bertie and Jeeves novels and stories, the Blandings Castle novels and stories, the Mr. Mulliner stories, the Uncle Fred novels, etc. The characters from one series rarely appear in another. This novel is an exception. Uncle Fred appears at Blandings Castle, where he poses as Sir Roderick Glossop, normally seen in the Bertie and Jeeves novels (and one story); indeed, he encounters Sir Roderick while traveling to Blandings Castle. Uncle Fred, properly, Frederick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is a man who "together with a juvenile waistline, . . . still retained the bright enthusiasms and the fresh, unspoiled outlook of a slightly inebriated undergraduate" at the age of sixty or so. It is he who sets in motion the events that enable young lovers to marry and his nephew Pongo to settle his gambling debts. In general, his role is that normally played by Lord Emsworth's younger brother Galahad.

Of course, any reader of Wodehouse novels knows at the start that things will turn out all right for any sundered hearts or frustrated lovers, as he knows that, any time the efficient Baxter appears, he will be discredited despite being thoroughly correct. The fun is in discovering just how it happens.

And what fun it is. Wodehouse's mastery of the English language is unrivaled. He succeeds in producing prose that not only is enjoyable in its own right but also moves events ahead at a pace that is nigh exhausting. In the Bertie and Jeeves novels and stories, it is Bertie's narration that does this. In this novel, it is the dialogue as much as the narration that moves events ahead, establishes the characters, and gives the reader immense pleasure.

Excellent...
Helpful Votes: 15 out of 16 total.
Review Date: 2001-03-20
P.G. Wodehouse has written this wonderful book about a pig, and love relationships (the author makes fun of the love relationships, nothing to worry about). In the beginning, it seems boring, but it speeds up after about 30 pages. Unlike other Blandings books where the hero is Galahad, in this story the protagonist is Uncle Fred. But it is the common Wodehouse theme where the Empress is kidnapped, and couples cannot get married because of the shortage of money. The funny things about his books are the way he plays with the character's personality. Beach-cold and calm. Empress-with a frown on her face tries to eat a bit of soap while locked in a bathroom. Mr. Wodehouse has a way with words when he describes the character's actions and he puts them in such a way that you laugh until tears pour down your cheeks. This is a really good book, and if you think it is boring in the beginning, stick with it for it becomes very funny. Enjoy!!!! Cheers!!!!! : )

There is only one Wodehouse!
Helpful Votes: 16 out of 19 total.
Review Date: 2001-07-29
If you have ever read "Elements of Style" by Strunk and White (and if you haven't, then you should be legally prohibited from writing even so much as a thank-you note), then this book, like all Wodehouse books, is a perfect example of how to violate almost every rule in the book.

Consider the following: "The ninth Earl of Emsworth was a man who in times of stress always tended to resemble the Aged Parent in an old-fashioned melodrama when informed that the villain intended to foreclose the mortgage. He wore now a disintegrated air, as if somebody had removed most of his interior organs. You see the same sort of thing in stuffed parrots when the sawdust has leaked out of them."

How's that for failing to "omit needless words"? And how's that for vividly portraying the feeble-minded Lord Emsworth, one of Wodehouse's most memorable of his many memorable and hilarious characters?

The plot here is typical Wodehouse: a few love-stricken young people see their dreams of eternal wedded bliss threatened by either misunderstandings or lack of cash or both, and a young ne'er-do-well has run up some gambling debts, a circumstance which puts him in danger of some painful bone-crushing. Enter Uncle Fred, an aging playboy with a manipulative mind and a sense of adventure. He orchestrates a plan involving a visit to Blandings Castle (the Emsworth estate) which results in everyone living happily ever after.

But, of course, that plot outline is pretty much the plot outline of every Wodehouse novel. What makes it (and every Wodehouse production) a 5-star novel is the delicious phraseology, the preposterous and yet believable characterizations, and the continuous twinkle in the author's eye. You either "get" Wodehouse or you don't. If you don't, then go to a doctor and get it fixed immediately!

My All-Time Favorite Book
Helpful Votes: 18 out of 18 total.
Review Date: 2002-11-07
This is my very favorite book, and I have been reading it about once a year for the past 15 years or so. I still laugh out loud at every reading. The very complex plot deals with Pongo Twistleton and his Uncle Fred, who visit Blandings Castle as imposters (Sir Roderick Glossip and his secretary, to be exact) in an effort to prevent the Duke of Dunstable from stealing the Empress of Blandings, Lord Emsworth's prize pig, and to keep him from smashing the drawing room furniture with the fireplace poker. Polly Pott (daughter of private investigator Mustard Pott) is also in attendance, pretending to be Sir Roderick's daughter. The story also involves the Duke's two nephews and their romantic problems: It seems Horace Davenport has hired a private investigator (none other than Mustard Pott) to tail his fiancee Valerie (Pongo's sister) and she has called off the engagement as a result, and Ricky's jealousy of his fiancee's attention to cousin Horace has landed him in the onion soup. Money won and lost at Persian Monarchs, the slipping of mickey's into people's drinks, and a Duke who throws eggs at people who whistle The Bonny Bonny Banks of Lock Lomand outside his window add to the hilarity. Of course, Mr. Wodehouse's unique turn-of-phrase doesn't disappoint in this delightful novel. I recommend this book to anyone who seeks diversion from reality. A must-read.

scrumptious!
Helpful Votes: 8 out of 10 total.
Review Date: 2002-06-16
A complete Wodehouse fanatic, I would have trouble giving less that five stars to anything I have read so far. Uncle Fred is a particularly good one to add to the guest room bookshelf----incredibly funny and nice light reading for a few days away from home.

Non-fiction
Under the Eye of the Clock
Published in Paperback by Delta (1989-02-01)
Author: Christopher Nolan
List price: $7.95
New price: $0.97
Used price: $0.01
Collectible price: $10.00

Average review score:

An enchanting autobiography
Helpful Votes: 10 out of 11 total.
Review Date: 2000-03-28
Under the Eye of the Clock is the autobiography of Christopher Nolan, the talented young poet with cerebral palsy. He can't walk or talk or write in the usual manner. Since Nolan lacks the use of his hands, this book like Dam-Burst of Dreams, the book of poems that preceded it, was written by means of a typing stick affixed to his head. The book succeeds both as pure artistry and as a window into the world of the disabled. Nolan has re-named himself Joseph Meehan and told his story entirely in the objectivity of the third person. This brilliant stroke allows him to avoid excessive self-pity while making his sufferings and triumphs real and deep. Nolan's use of language had earned him comparisons with James Joyce, Yeats, and Dylan Thomas. Nolan stretches the meanings and implications of words, rearranges their spelling, and even invents new ones to communicate his moods and perceptions and illuminate life, his own and those he observes, with his unique poet's sensibility.

If this book is back in print I will make it a required read
Helpful Votes: 19 out of 19 total.
Review Date: 1999-11-05
As a college English and literature instructor, I intend to make this book a required reading if it becomes available in print again. It should bless all readers because it becomes a reminder that NO matter what the circumstances, people should still be respected, loved, and appreciated. And, with this in mind, the reader may receive a self-esteem boost when being reminded of inner-personal value. I appreciate this book so much. I have three copies and continually loan them out.

Wonderfully uplifting !
Helpful Votes: 20 out of 20 total.
Review Date: 2000-04-26
Christopher Nolan's "Under The Eye Of The Clock" is an autobiographical account of his incredibly awe-inspiring and miraculous life. Born a cripple, he could have been consigned to the rubbish heap but instead and against all odds became a celebrated writer of this Whitbread Book winner, "The Banyan Tree" as well as an early book of poems. Without taking anything away from Joseph Meehan (a self portrait of Nolan), he couldn't have overcome his debilitating handicaps to scale the heights he did without the steady support and tender loving care of his family. A father, mother and sister who are such warm and emotionally intelligent human beings anybody would be blessed and proud to have them as family. The school principals, teachers and fellow students who accepted him, nurtured him and gave him the chance to prove himself equal to the best among physically whole human specimens are themselves shining examples of humanity who deserve as much recognition in Nolan's lifestory. Although it has been compared with James Joyce's "Portrait of an Artist as a Young Man", it is in reality nothing like it. Whereas Joyce's work is for the most part depressing and full of pain and harshness, Nolan's story is so morally uplifting you almost forget its grave subject matter. Nolan's dazzling and inventive writing style is also unique and something to relish. He coins and mints new words which have a yet found a conventional meaning but are so emotionally accurate you know they're right. Read this if you're feeling down and need something to restore your faith in mankind !

Exceptional...an education for every reader
Helpful Votes: 3 out of 3 total.
Review Date: 1998-11-18
To learn about such an exceptional poet who, without the faith of his family, would never have been revealed to the world, gives the reader a new view of people's limitations. I bought 12 copies of this book (when it was in print)and somehow have given them all away over time.

Because Of "The Banyan Tree"
Helpful Votes: 39 out of 41 total.
Review Date: 2000-05-30
I found my way to this book after I had read "The Banyan Tree" by Christopher Nolan. This was a book that I read and reviewed back in February, and ever since I have been mystified why the book never seemed to gain the wide acceptance of readers. All of the reviews that have been posted by readers for "The Banyan Tree" have been 5 star reviews, and the same is the case for "Under The Eye Of The Clock".

If you read you understand how difficult it is to write anything, much less a full book, and then have it selected for and win a prestigious award. In the case of the book I review now it was the 1987 Whitbred Award that was awarded to Mr. Nolan. All very impressive, but that's just the start.

This is an autobiography written by a very young man who next wrote the book "The Banyan Tree" and would take 12 years to do so. This is a painfully candid, but uplifting book about a man with the support of a wonderful Family overcomes extreme realities that are his life to become an Author of international renown.

Mr. Nolan cannot speak, he can barely move at all. He types with what he calls his "Unicorn Stick" that he wears on his head, and even then his head must be supported while he works.

An Autobiography is a courageous work if honestly presented. When you add Mr. Nolan's additional challenges he faces as a writer, and as a person living with his physical issues it becomes an extraordinary autobiographical book.

I hope more readers find Mr. Nolan, he is a unique writer of immense talent, and if you pass by his work you deprive yourself of great literature.

Non-fiction
Voss (Modern Classics)
Published in Paperback by Penguin (Non-Classics) (1984-09-04)
Author: Patrick White
List price: $9.95
New price: $17.00
Used price: $0.18

Average review score:

Voss: journeys of exploration
Helpful Votes: 14 out of 14 total.
Review Date: 2007-01-26
This novel opens in Sydney, 1845, with the German explorer Voss preparing to cross the Australian continent. This physical aspect of the novel is loosely based on the ill-fated expedition of Ludwig Leichhardt.

Prior to leaving Sydney, Voss meets Laura Trevelyan. Laura is the niece of one of Voss's patrons and is perhaps the only person apart from Voss himself who perceives that his journey is a challenge of will as much as a geographical journey of discovery. Voss and Laura, despite only meeting four times before he departs, form a spiritual bond which strengthens during the course of the novel.

The novel is about discovery, about triumph and about failure. The physical elements of the journey describe many of the challenges facing explorers within central Australia at the time and combines elements of human suffering and religious metaphor.

The intense relationship between Laura and Voss develops during the course of the journey, and is conducted both through letter and telepathy.

This novel can be read as a simple story of an ill-fated expedition. Alternatively, it can be read as one man's challenge to the physical world, and of the good and evil in each of us.

By the end of the novel, the discovery seems clear, the triumphs and the failures are obvious. Or are they? Perhaps it depends on which viewpoint you choose to adopt.

I recommend this novel to anyone who wants to read well written literature which, under the guise of telling a story, invites the readers to confront their own thinking. The choice is yours.

Jennifer Cameron-Smith

Tragic and unforgettable
Helpful Votes: 6 out of 7 total.
Review Date: 2004-10-07
This is a deeply sad story of tragic love in Australia's colonial times. Voss, "The German" and Laura, a young Sydney woman, are societal misfits who meet quite awkwardly in drawing room one day. Soon after this meeting, Voss begins his epic journey into the unknown Australian outback. As the journey progresses he realizes his love for Laura and writes her a letter asking for her hand in marriage. She accepts his proposal and a love affair of the minds begins. More letters are written but never received by either party. Amazingly, their love blossoms for each other in a small minded, petty, and class driven society. Sadly, in the end their love is tragically never to be.
I found this book to be extremely well written and deeply moving. I believe that this novel is on par with Bronte's Jane Eyre and I do not understand why it is not on any classical reading lists. There are parts of the book that move somewhat slowly, but each part has its purpose in bringing you deeper into the story. The insights into the human soul are incredibly poignant. If you do decide to give Voss a chance read it slowly and in quite spaces. Soak up the meanings within the writing and enjoy this sad, sad tale.

One of the great novels
Helpful Votes: 8 out of 8 total.
Review Date: 2004-05-11
This epic about a man's journey into the heart of the Australian desert and into his own heart and mind is a classic of modern literature. Johann Ulrich Voss, though he remains always just beyond the reader's grasp as a character, is as memorable as any great figure in modern literature. If Marlow and Kurtz in Heart of Darkness were one man, this would be him.

The novel is also a love story about two people who go beyond the mediocrity of their surroundings to embark on interior journeys where they learn to know themselves and unite with each other in spirit.

For 80% of the novel I was gripped, running home from college to read more and more. My only qualm would be the ending, as the tension dissipates and the last 80 pages or so peter out under the excessive Christian symbolism. But there is no way that a potential reader should be put off by this assessment

Sentence for sentence, word for word, Patrick White is as good a prose stylist as I've ever read. The phrase "tour de force" could have been invented for this book.

Cardboard Characters Set In The Australian Frontier, But Excellent Prose
Helpful Votes: 9 out of 9 total.
Review Date: 2007-01-21
Patrick White gained fame as the Australian Nobel prize winner in literature, and as a person with a prickly or what some call a difficult personality. He was educated at Cambridge but then settled and wrote in Australia after World War II. He has about a dozen novels and I have read two of them, the other being The Tree of Man which is set in rural but agricultural Australia, not in the Outback as is Voss.

This is a good novel, and it deserves 5 stars. After a dozen pages or so it becomes clear to the reader that White has an unusual style and he is a gifted writer. There is no question about his writing ability.

This particular story starts off in Sydney in the mid-19th century, and White uses real street names and locations in central Sydney, just east of Darling Harbour. Since the same streets still exist today, his setting and references to the city bring a high degree of realism to the story.

The plot is about a man and a woman who become engaged by mail after meeting. Voss is the man, and he leads a voyage of discovery into the Outback, north and west of Sydney. The plot involves the hardships of the trip, the interaction among the characters travelling with Voss, the natives, and what takes place in Sydney with his fiancee while Voss is away on the trip.

The discouraging feature of White's writing is that the characters seem stiff or cardboard, a bit lifeless. Voss is not a man to show much emotion or talk. So, there are many passages where White simply describes the activities. That gives the book - especially in the middle - a dry feel. This was reinforced for me when I read The Tree of Man where White has a similar strong male protagonist, the farmer; but there, White goes into much more depth with the man's personality in the novel.

The tale has a strong and a surprise ending, and the novel picks up as the story closes.

Overall, I enjoyed the read and would recommend the book. It is not a quick read nor is it compelling stuff to digest, but it is an interesting and well written novel.




Voss - powerful Australian epic
Helpful Votes: 9 out of 10 total.
Review Date: 2005-04-20
Big, powerful novel by a skilled storyteller, a master of the Australian landscape and peoples. In the 1800's the German settler Voss meets Laura Trevelyan in Sydney once or twice, then together with an ill-assorted ragtag of followers he sets off on an ill-fated expedition from Sydney westwards through the Australian desert.

Voss's purpose seems to be to get to 'love the land'. Laura waits in Sydney; she's a thoughtful person, different from the others, aware that Australian white society in those days could be shallow and not in tune with deeper things. When Voss and Laura are not together, the relationship takes place in the mind, with some sort of sixth sense resulting in a synchronisation of feelings. The is cleverly done and works well.

Aboriginals figure strongly - they are part of the land, timeless, noble. But, in the period set in this novel, there is a dark side; through and through they come across as bestial savages. They could help and save Voss, who reaches out to them, but instead they thwart and eventually kill him.

Patrick White won the 1973 Nobel prize for literature, and it's not surprising. But his style in Voss is not always easy; he's always invading his characters' minds and trying too hard to explain every nuance of their thinking. This slows it down. Ideas about 'point of view' have to be put on hold in this novel.

Ultimately though it's an indelible experience, and one is left with haunting images of Australia.

Non-fiction
Wheat That Springeth Green
Published in Hardcover by Knopf (1988-08-12)
Author: J F Powers
List price: $18.95
New price: $6.50
Used price: $0.01
Collectible price: $18.95

Average review score:

Church vs. Dreck
Helpful Votes: 0 out of 0 total.
Review Date: 2007-09-21
This final entry--1988 marks its long-delayed arrival--in a lengthy career (starting in the mid-1940s) of scant fiction marks the end of the postwar, triumphalist, yet marginalized, Midwestern Catholic parish--and notably here, rectory--intrigues that Powers excelled at conveying. His scale, being so focused, gains accuracy and depth by its concentration upon detail. Like a model railroad set, the 1:150 (or whatever!) ratio means painstaking attention to fidelity. Such realism to the untutored eye appears grotesque or caricatured, but to an aware observer reveals a nearly exact fit of form with content.

I give it four rather than five stars as I have re-read (and reviewed here, "Morte" and the thirty stories in their original three volumes as well as the collected reissue) all of Powers recently, and I believe that his many strengths as a writer are at times clouded slightly by his tendency towards oversubtlety. A forgivable fault in an era of so many authors straining for the obvious or what critics call "overdetermining" their subject, but Powers tends in all his work towards lengthy passages where not much goes on at all, but in which an editor could have polished the presentation and refined the craft even further. Powers appears to have been his own worse enemy and his own most scrupulous critic, on the other hand. Be it as it may, Powers makes nearly all of his peers look hasty, scattered, and undisciplined by comparison.

Action over the course of a priest's youth, coming of age, and gradual rise from curate to administrative assistant (when that word did not connote a secretary or receptionist) and then pastor comprises the narrative. Less verve here than the worldlier, more urbane Fr Urban had, but perhaps in his principled if compromised (the whole crux of the tension) fidelity to the needs of separating "Church from Dreck" Powers reveals that the need for reform Fr Urban realized while Vatican II was still in session (so to speak) by the end of the decade became all the more apparent as the slow slide downhill accelerated. Set by its conclusion around 1968, if offhandedly, the Catholic Worker roots of Powers and his conservative radicalism stand his fictional main character in good stead as priests wander off, parishioners ignore crusty priests' reprimands, malls open on Sundays, the hillbilly's war machine thunders on in the small town press, and guitars with cant supplant chant.

This novel, like his earlier (sharing with it a clumsy if rarified referential title) "Morte d'Urban," (1962), suffers from arid stretches, where the humor is so deadpan, the pace so true that the inert nature of our own shared experience with the clerical protagonists appears too neatly aligned. Dullness enters. A VD quarantine warning takes up one and a half pages verbatim. A few sample sermons from Father Felix (who helps out saying weekend Masses) summarize the stultifying, yet sincere, homiletics of a certain, less soundbitten, age. So with Powers, who in this novel had been criticized as a man out of time, with figures he identified with whose era had passed them by. Joe is only in his mid-forties. He seems much older. This may be a sign of now-diminished respect, when the maturity demanded of authority figures gave an earned dignity and a bit of unearned noblesse oblige to the clergy in smaller towns where the collar still mattered. Joe Hackett manages to get through the routine, and out of the limelight that had once courted his counterpart Fr. Urban, this parish priest does his best balancing God with Mammon, as the demands of a new accounting system make fundraising all the more essential, even as this pulls at the Gospel admonition that it's better to give alms in secret. How to square this with the need to make accountable freeloading parishioners when the Archbishop's needs come payable on demand? Out of such quandaries, Powers raises his own quiet art.

The need in fiction for a jolt, a spark, a spin off from the quotidian to the profound nestles, certainly, in Powers. This, however, moves along leisurely, and often nothing seems to happen for chapters at a time. Then, you understand that this accurately limns the trajectory of a recognizably human life like our own. You can see Powers' study of Joyce in his preparation of the slow ascent to epiphanies, such as Fr. Joe Hackett's finessed blessing of a scruffy draft resister who steps to tie his shoelaces while the padre finagles praying over his head and out of eyesight or earshot as the young man prepares to flee to Canada, on the pastor's unspoken advice but according to his moral example.

Re-reading this nearly two decades after it appeared, I admire Powers' critique of not only the institutional Church and its compromises with the world, but of his own admission that holy Joes only go so far in their own zeal in battling for their losing side. They must do so, vowed to do so and called by their Maker, but Powers recognizes in his own mellowing how annoying piety and phariseeism can be for the rest of us. Not for nothing is an early battle Joe engages in at the seminary, much to the disgust of some classmates and the suspicion of his rector, over the necessity of wearing a hairshirt.

Constructed in part from stories written over the past (two of which appeared in the last of his three thin story collections, 1975's "Look How the Fish Live," the novel does let its seams show. I wonder if parts of this novel were left too long on the shelf, or in hibernation. Yet, this is how Powers wrote. Very slowly, spending days pondering if a character would use the term "pal" or "chum" in referring to a confrere. Such was his state of mind, and more power to him. Probably a patron saint of scrupulous writers, if he is canonized as he deserves! His friend and colleague Jon Hassler eulogized him as "a saint with a bad temper." Hassler notes how Powers could strain so long over a detail that a reader, even an informed one such as himself, might miss the very nuanced finesse.

The extended battle of the story that was "Bill" for Joe to learn his new curate's name appears tedious and unbelievable, a shaggy-dog tale after a few pages of the many devoted to this embarrassing and rather cryptic episode. The story earlier published as "Priestly Fellowship" enters the novel mostly unchanged, but again the dive into the post-Vatican II uproar appears muted, if perhaps less dated for its lack of topicality to specific changes so much as the persistent lack of clerical fidelity. Yet, as the novel lengthens, the episodes do build upon possibilities tucked into these two stories, and while they unfold in off-handed and perhaps overly-controlled fashion, they are truer to the texture of everyday life for being so controlled. Holiness comes, if at all, minutely slow. The lack of histrionics or forced symbolism remains despite the uneven pacing in his longer works Powers' greatest talent. Powers knew when and how indirect first-person voice carried his stories; his shift in and out of his protagonist's minds is at its best in the imagined reverie Joe lets himself into as he pitches in the yard with Bill to let off steam. As with Urban's similarly prosy--both exaggerated and ordinary-- temptation at Belleisle in "Morte," the priestly heroes let their deepest selves emerge when they pretend they are just like the rest of us. Powers, and we, know better.

A final word, quoted from one of his students in Commonweal on his death in 1999. In the novel, out of his collar on a much-needed vacation, Joe passes himself off at the hotel bar as working for a "big concern," in "life insurance." The firm? "Eternal." Sort of a multinational, he admits, although he works out of a local "branch office." Powers explained when asked in class why he wrote so much about the clergy, and if he was anticlerical. "I'm not anticlerical. I simply look for a story that elucidates truth. If a human being buys an insurance policy, that's not much of a story. But when a priest buys an insurance policy, there's something going on that needs to be said and I want to say it." It took him nearly fifty years to write it.

Artful, beautiful, and simplicity, as if Shaker furniture were transformed into words
Helpful Votes: 4 out of 4 total.
Review Date: 2007-02-09
Anyone who has not read J.F. Powers is missing a major American voice in letters. This review will not be adequate to even speak of his skill.

Complete lives are sketched with the faintest of references, such as a family who the hero, Father Joe Hackett, brings from the city to remind his comfy parishioners of the trials of the poor (shades of the "holy poverty in the city" mantra so common from my youth). He tells their entire story with three unconnected lines sprinkled as a leitmotif throughout the narrative.

The hero's interior monologue is both revealing, and surprising. Throughout the novel faint points of challenges and grace (and simple, just-sufficient grace) carry the reader along with Father Joe's eventual conversion (rededication?). This is the story of a bumbling soul who eventually inhales the breath of the Divine.

Every person I've ever given a J.F. Powers book to has thanked me (Catholics and non-Catholics alike). Highly recommended, for this is monumentally great literature.

perfect
Helpful Votes: 4 out of 4 total.
Review Date: 2004-11-01
It is nothing short of a tragedy that more readers aren't familiar with J.F. Powers. This book is truly brilliant. Powers is at heart more craftsman than contemporary novelist, which is doubtless why he only published two novels. Wheat That Springeth Green is unlike anything else I've ever read. It's that rare novel that achieves perfection.

Joe Hackett, for all his faults, is one of the most fully-realized and sympathetic characters in contemporary fiction. As he matures, so does the book: from his hilariously overblown pretensions at the seminary, to his ennui and malaise as a pastor, to his subtly glorious final redemption.

In the final analysis, the book is not so much satire as fable about goodness. Despite being about the life of priests, the book is more a moral fable than a simply Catholic one: it's about how to do good in a world where it all seems futile. Joe Hackett is a cynic, but he's also at heart an idealist and optimist. So is J.F. Powers.

On Not Being Lonely in the Suburbs
Helpful Votes: 5 out of 5 total.
Review Date: 2004-04-30
I read it in the early fall, a perfect time of year for me to read this sort of book, as it reminded me of my early years as a student at a Catholic elementary school in the suburbs. The book follows the life of a Catholic priest named Joe Hackett who struggles with faith and politics and more than anything else the shattering mundanity of his suburban life. Tree-lined streets, shopping malls, station wagons, vinyl siding, and wall to wall carpeting are Hackett's foils in a book that manages to be charming, melancholy, and very funny at the same time. Reading the book turned out to be a great way to spend a few September weeks. If anyone out there happened to enjoy The Sportswriter and Independence Day by Richard Ford, then you will enjoy this book as well.

A Powerful Masterpiece
Helpful Votes: 7 out of 7 total.
Review Date: 2005-05-31
The best of the series of books published by The New York Review of Books are all the works of J.F. Powers, who died in 1989. Powers' novels and stories are almost entirely concerned with Catholic clerical life in the midwest. I hadn't read his last novel, Wheat That Springeth Green, and I was happy to find that the new edition contained an introduction by the author's daughter, Katherine Powers. Wheat That Springeth Green is every bit as fine as Morte D'Urban, his first and only other novel written some 25 years earlier, and a National Book Award winner as well. In its treatment of character and plot the latter novel is theologically perhaps even more complex.

Joe's character is cast from the first pages: as a toddler he gets attention from his parents' friends merely for declaiming at a party "I go to church!" We also learn of his parents' antipathy towards the parish priest's intoning on the subject of the "Dollar-a-Sunday Club," an attitude that Joe will inherit, and which becomes a theme that will be played out in a number of surprising ways. We also sense something of his aloofness in these first chapters as well. He doesn't keep up with many friends, but he does seem to know the value in keeping up appearances: "Joe just smiled at Frances and everybody, so they couldn't tell how he really felt about being in the sack race..." Joe is a good athlete, even in grade school, and the race he really wants, but doesn't get, is the sprint.

Much of the story revolves around Joe's relation to money, so that even an early adventure (described in nearly pornographic detail) involving his first adult relations with women is later understood to be subsumed by his larger pecuniary obsessions. His sexual sins, or at least the memory of them, turn out to be something of a red herring: at the seminary he asks his instructor, "Father, how can we make sanctity as attractive as sex to the common man?" a question that (rightly) earns him nothing but mirth from his fellow seminarians. We are given hints that as Joe grows older he succeeds in overcoming his youthful scrupulosity. After a stint at Archdiocesan Charities he is assigned to the parish of St. Frances - a name shared by his childhood infatuation and a co-traveler in that youthful adventure. So as far as sex is concerned, there is in his maturity there a sense that all is right with Joe, if not the world. That this is the case is dramatically reinforced by the nearly hopeless entanglements of an ex-seminarian, some of which leads to misplaced retribution that Joe patiently, even faithfully endures. These episodes are magnificently structured, displaying in Joe's life a kind of fate that is worked out through choices made less in freedom than with a concern for propriety and in service to principles that are neither his own, nor of the church in which, as he says in other circumstances, he does so much hard time.

Other obstacles to holiness, as perhaps they always must, remain. Although his basic attitude is good, the reader realizes that the young Father Hackett has refused one halo in favor of another when he refuses to toady up to either the priest in his parish or to the archbishop in his archdiocese. Money matters are everywhere in evidence: the rectory built by Joe; bribes offered by parishoners; purses collected on behalf of retiring priests; inheritence; a collection drive that is farmed out to a private firm - in which Joe will take no part. All this points to beyond the contradiction in one man's character to a paradox that is funamental to our very being. How do we care for an abundance which is most fully ours when we least consider it our own?

Joe's misappropriation of his own nature, and indeed human nature, leads to a truly heinous transgression in one of the final chapters. That this transgression is committed and then resolved in secret, without comment from Joe or even the narrator, points toward a God who is as truly all merciful as he is unnoticed even by lesser beings working on his behalf. I would guess that the true thorn in Joe's side is also Powers', and while reading I several times wondered whether the crux of the story wasn't inspired by his frustration at watching baskets and plates passed through the pews, week in and week out, for a lifetime.

Very highly recommended.

Non-fiction
The Wizard of Oz Limited Edition
Published in Hardcover by North South Books (1996-10-01)
Author: L. Frank Baum
List price: $200.00
New price: $200.00
Used price: $341.25

Average review score:

Great read
Helpful Votes: 1 out of 1 total.
Review Date: 2007-05-14
I bought this book when (I'm ashamed to admit) McD's came out with Wizard of Oz toys. My 5yo wanted to know who all the characters were, and what they "say". She loved the artwork, pouring over each page to find each character. The book is so eloquent, it's not nearly as scary as the movie. Also, because she's just beginning to read I could gloss over scary parts or words. She has loved it! The day we finished it she wanted to start over and read a second time. I highly recommend for reading with your child!

A Must have for any Oz fan!
Helpful Votes: 1 out of 1 total.
Review Date: 2001-11-02
I bought this book years ago and am looking for another copy as a gift. This edition is the entire MGM script (including the lyrics to the songs) of the 1939 movie and is is wonderfully illustrated with stills from the movie. My family has practically worn out this oversized book and we need another! My husband recently witnessed my daughter's new boyfriend reading along as they watched the movie because he knew we were just fans and he had better catch up! Our families favorite book!

WONDERFUL!!!!!!
Helpful Votes: 1 out of 1 total.
Review Date: 1999-10-19
I think that this is a very good book and it also helps me because I have to do a research project on childrens literature and I needed to get pictures of the wizard of Oz and Amazon.com took me right to it!! I was so happy and also I tried other book websites and could not even find a thing!!!

An excellent, new edition to keep for many years.
Helpful Votes: 3 out of 3 total.
Review Date: 2000-07-17
The imagery of the century-old text is superb, and Michael Hague does it a great service. I've been reading this edition to my five year-old son over the past several nights, and he lingers over each lovingly detailed illustration. I'm surprised The Wizard of Oz doesn't have more high-quality editions in print. This volume is a wonderful item to add to your child's library, or even to libraries of adults who enjoy children's books. Highly recommended.

Beautifully Illustrated Heirloom Edition of The Wizard of Oz
Helpful Votes: 7 out of 7 total.
Review Date: 2000-12-14
Here's a trivia question for you. When Dorothy killed the Wicked Witch of the West by dropping her house on the witch, was the witch wearing (a) ruby slippers? (b) silver shoes? (c) both?

If you answered "both," you have the correct answer. L. Frank Baum's original story (found in this book) has magical silver shoes in it. The movie version of the story, starring Judy Garland as Dorothy, had ruby slippers. Why the change? Well, ruby slippers film much better. So the Wicked Witch of the West wore both types of footwear, depending on whether you are reading the book or watching the movie.

I share that example with you because 9 people out of 10 have seen the movie, but never read the book. When I was a wee lad, I started in the opposite direction and was sorry to see how much of the Oz story was left out in the movie.

Now, you can make up for lost time by reading or rereading the original. I commend it to you for three primary reasons. First, the book version is built around the idea that the different parts of Oz cannot be easily traversed and the ensuing travel complications make for a better plot. Second, there are many more types of imaginative creatures in the book than in the movie. Third, the book has been lovingly enhanced by new illustrations done in turn of the 20th century style by Michael Hague. The illustrations encompass styles from immediately post van Gogh (yes, there are sunflowers) through Art Deco. I especially liked the water colors of gloomy and darkening skies.

If you are like me, you will chortle when you read L. Frank Baum's comment in the beginning that the story was "written solely to please children . . . a modernized fairy tale, in which the wonderment and joy are retained . . ." while the scary parts are left out. If you remember frightening moments, you are thinking about the movie. The book is much more gentle, which makes it more suitable for the youngsters. Yes, there are frightening villains, but they are quickly dispatched rather than being allowed to hang around to menace and frighten children just before bedtime. Still, children must have been braver in those days. This story is still scary enough for most to feel a deathly chill now and then.

Many of the ambiguities and confusing aspects of the movie are clearer and less disconcerting in the book, as well.

I won't go into a fine comparison of the two, because that will just spoil the plot for you. Do let me mention a few chapters that you will not recognize from the movie . . . just to whet your appetite for the book -- Away to the South, Attacked by the Fighting Trees, The Dainty China Country, and The Country of the Quadlings.

After you have finished enjoying the wonderful story and new illustrations, think about some of the lessons of the book. Notice that by teaming up, Dorothy and her friends could combine strengths to overcome individual weaknesses. This is the ultimate group of superheroes. How can you combine your talents with others so that all of you combined can accomplish vastly more than any one of you can individually?

Stay on the Yellow Brick Road with effective allies!

Non-fiction
Year Long Day
Published in Paperback by Pocket (1977-06-01)
Author: A e maxwell & ivar ruud
List price: $89.50
Used price: $9.98
Collectible price: $89.95

Average review score:

The Year-Long Day
Helpful Votes: 1 out of 1 total.
Review Date: 2003-12-12
Oscar Rubio
December 12th, 2003
Book Report

I read a book written by A.E. Maxwell and Ivar Ruud, and it is called The Year-Long Day. This book is called this way since in the Arctic Circle a year seems like a day in terms of weather and light. This book is written in the form of a non-fiction book or narrative and its genre is considered to be travel-adventure. The book was published and copyrighted in 1976 in the United States of America. I will try to review and identify the topics covered in the book, which have made it so interesting to read.

The thesis of the book was to narrate the story of Ivar Ruud, a Norwegian who felt he could live in solitude with nature for one year, in a novel-like manner. He arrives in Spitzbergen Island, in the Svalbard archipelago in the Arctic Ocean, slightly north of Norway. This is where it all begins. As his life unfolds, it becomes increasingly interesting because of the struggles he must go through in order to triumph or in some cases be let down by nature and himself sometimes. The true story becomes more amusing with the meticulous planning of every action, every little detail. A perfect example of this is the way he times the hunting season, so that if he were to shoot a seal it would be in winter when the water was dense and he could lift it into the boat before it sank, or the way he prioritizes what supplies should be stored and in what order to prevent wildlife and especially polar bears from getting to his cabin. The book clearly illustrates the type of person he is. Not everyone has the will and courage to live for one year in Hornsund Fjord, where sometimes he would be stuck in his cabin for days because he was snowed in, because he was being hunted by a polar bear, or because he woke up under the claws of one of those dwarfing creatures.

The story deals a lot with survival, courage, independence and more importantly, learning to change your way of life. There are many ways in which Ivar tries to keep his life normal. One of these is taking a years supply of newspaper, building a mailbox, and reading the year old news every day. Survival is another topic that is covered in the book and it is important because he knows what he must do, even if it hurts, even if it means not eating for a day. At one point in the book he shoots an 800 pound bearded seal and accidentally drops it into the water. Since the seal was tied by a rope, he decides to drag it 11 miles back to bird mountain cabin where he realizes there is no snow in the beach to drag it and is forced to let it go to waste. He also identifies the place as his by naming the landmarks himself, after his experiences, rather than using the official name. The book is divided into the different times of day and it explains the changes in the lifestyle that occur in each of them. Basically an example would be that the animals that can be hunted in the summer and vice-versa. This book had very interesting facts and is told in a way that it doesn't seem like a text book, but a novel.

I have reviewed and identified the topics covered in the book, which have made it so interesting to read. I would recommend this book to others very much even though it is the kind of book that people either can't stand or love. I identify more with the second type, since I think Svalbard is a beautiful place and I have also seen the cabins and other landmarks described in the book, I think it is even better. This can be vaguely seen in the pictures from the book. This book is not only entertaining, but also important. The book teaches a lot about geography, animal behavior, and human necessities as well as unconformities. The best thing of all is that it teaches all these things without facts; but rather, second hand experience. Everything in the book is described thoroughly, in ways that people understand and are convinced by, thus improving the effect on people. This book is without a doubt one of the best narratives I have ever read and I recommend it to whoever has the opportunity.

I wish I still had it.
Helpful Votes: 1 out of 1 total.
Review Date: 2001-12-12
I read Year-LongDay over twelve year ago.As a matter of fact I read it twice.In the interim I've read hundreds of books and forgotten the authors and titles.I still remember the Year-LongDay and the effect it had on me.The memory of the two hunters meeting after almost a year of no human contact and happy when the day was over so they could return to their solitude. The best yarn I've ever read.A book that can be read,re-read and read again and still be enjoyed.

A wonderful book about the draw of the Arctic
Helpful Votes: 2 out of 2 total.
Review Date: 1999-12-29
I spent a year in the Arctic while in the service and even though that is 30 years in the past I keep reading books like this about people who have the courage and strength to pit themselves against the forces of nature, sometimes winning other times losing, but always on their terms. My overwhelming feeling about the book is admiration for a man who has lived his life to the fullest.

The best book ever
Helpful Votes: 2 out of 2 total.
Review Date: 1999-12-22
I have been reading and re-reading this book since Junior high school (I'm 30 something now) and it never fails to provide hours of enjoyment. The descriptions and feelings of a man who loves and more importantly respects nature in all it's raw glory will move anyone who has ever taken a walk in a beautiful place to enjoy their surrounding. The tale is full of gentle observations of an ordinary man in extraordinary circumstances; a man who knows and loves his arctic world. It makes me want to go and see the arctic beauty, with nothing but a dog sled team and lots of warm clothing. Do yourself a favor and curl up with this wonderful book. It will allow you to glimpse life simplified to the bare essentials and all the wonder that comes with that process.

The best book I ever read
Helpful Votes: 3 out of 3 total.
Review Date: 2000-02-06
Ever since I got this book, I have been reading and rereading it about once every other month. To show you how good it is, my dad, before he gave it to me, gave it to a friend, who gave it to another friend, etc., etc. He didn't get it back until six years later when he had to hunt it down. This is a book anyone would love.


Books-Under-Review-->Arts-->Literature-->Authors-->Non-fiction-->83
Related Subjects: Sacks, Oliver Reed, John
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250