Non-fiction Books
Related Subjects: Sacks, Oliver Reed, John
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Enjoyable easy reading to take you away to fantasy land.Review Date: 2001-03-27
Fantastic TalesReview Date: 2002-06-13
Whatever their origins and means of transmission, these are excellent and entertaining stories. I cannot think of one tale in this selection that I did not like. Included in the book is the instantly recognizable Aladdin story, as well as the Sinbad voyages. Other tales are just as interesting: "The Tale of the Hunchback," "The Tale of Judar and his Brothers," "The Porter and the Three Girls of Baghdad," and many others. Many of these stories are cycles; they have stories within stories, as characters in one story tell their own stories. At the end of the cycle, the story is cleverly wrapped up, usually with a happy ending. I do not think I need to go into detail about Aladdin or Sinbad, except to say that I was surprised to see Aladdin described as Chinese. Providing details to these stories would be useless anyway because they are so detailed as to be impervious to summary.
There is no doubt that many of these stories started as oral stories, and retained that shape into the written versions. The best example is the Sinbad cycle. All of the stories in this cycle are framed in the same way. This repetition made it easier to memorize the stories, or at least the basic outline. A good storyteller could take the frame and fill in the blanks with whatever his heart desired. You often see this kind of writing in the Bible.
Social roles and class play a large part in these stories. Women are presented as wily and dangerous, but not always. Several stories show men trying to pull fast ones on the ladies, with the results much to the detriment of the men. Many stories show how the high and mighty come crashing down, or how the lowly are elevated to great status. These movements are attributed to the grace or condemnation of Allah, and the characters all act out their movements with Allah close by.
You will not go wrong with this book. These are immensely entertaining stories for both children and adults, although you might want to find a toned down version for the kiddies. Why? I am thinking about the tale where a man and some women play "name that body part." My only criticism of this version is that the tale of "Ali Baba and the Forty Thieves" is absent. I have no idea why it is missing, but the book loses one star for this grave omission.
A Fantastical World To Be Lived Through These PagesReview Date: 2007-06-21
In reality, these tales are most likely a collection that were handed down over time very much like folk tales in our Western world. They are fantastical stories in many cases involving jinnees and magical islands and far off lands and mysterious animals and beautiful women and enchanted lamps and....well, it goes on and on! There are some common themes: poor, common men become wealthy beyond their wildest dreams and eventually become kings, women are (usually) portrayed as deceitful and conniving, and at the center is religion.
An entertaining and fascinating book for children and adults, although there are some stories that might need to be monitored by adults for children - the stories can be a little bawdy! But there are so many good ones here, such as Sindbad and his voyages and Aladin. However, the other stories are just as entertaining, too, such as the hilarious Historical Fart and introspective The Dream. I'm normally not a fan of fantasy fiction, but these are easy to read and easy to follow and allow the read to let their imagination just go to the four winds. Wonderful book!
Timeless stories for all!Review Date: 2001-01-03
A lifetime of entertaining storiesReview Date: 2005-04-28

Reprint!Review Date: 2008-01-28
love the Teeny Tiny FarmReview Date: 2004-06-23
this is the most adorable childrens book i've ever had the pleasure to read to a child or myself...lol !!!
Please get this book back into print!Review Date: 2002-03-01
book is so cute, babies just love the poetry, and the surprise ending. The drawings are beautiful.
Lovable bookReview Date: 2000-10-25
Another rave review!Review Date: 1999-12-09

CatsReview Date: 2007-11-16
author of "Hobo Finds A Home"
Delightful feline fairy talesReview Date: 2006-07-17
Mind you, it is not just simply stories with a moral either. Alexander manages to make the stories delightfully funny as well. It almost reminds me of Rudyard Kipling's Just So Stories (the method of telling the story, not the content), and he has some of Kipling's sense of humor as well.
This is one of those rare books that has the mark of a true fairy tale: both children and adults (those who are not too serious, mind you) are delighted by them. They are fun enough for children to enjoy and deep enough for adults to read withough feeling as if they were wasting their time on nonsense. Such a combination is becoming harder and harder to find these days, and Alexander provides us with a gem in the fading art of fairy tale telling.
Overall grade: A
Of Cats and MenReview Date: 2003-10-01
For example, one of the stories begins like this: a tailor becomes rich. He starts acting strange, trying to live up to his wealth. Yet his strange behavior does not agree with his cat, Vaska. In a strange and hilarious way, Vaska teaches his master how to act normal again. That is one of the stories with more of a moral at the end.
The book is very funny, and it is original. It has a particularly funny tale about a cat and his master, a painter. The subjects he paints are never satisfied, and they never come to sit and let him draw them. Then, the cat takes up the brush, and the subjects learn a lesson about their image of themselves.
As the author says, "Cats being more sensible than the rest of us, the idea of a set of tales demonstrating this came easily to mind. The problem wasn't finding enough examples, but keeping them to a manageable number." I think he did a good job of showing humans' greed and lack of sense, and he made it neither too short, nor too long, but just right.
Lloyd Alexander is a great author. He spun eight great tales about cats into a wonderful book. I recommend it to cat lovers, and people who like to laugh (I include myself in both categories).
A fun to read bookReview Date: 2001-09-30
Clever cats, foolish humansReview Date: 2003-08-22

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Simply the BestReview Date: 2001-07-20
WOW! WOW! WOW!Review Date: 2001-07-17
Twice Upon a TimeReview Date: 2001-07-20
For a first time author, Jennifer Wagner has surpassed many a veteran author. Her talent I'm sure has a base of hard work, but also a gift, one to be nurtured, one to be treasured. This book, I am sure, is just the first of many. The story telling skills of this newest master of Romance will one day earn her the title of `The Queen of Romance".
promising new author!Review Date: 2001-07-13
Anna Ramsey has worked hard to make a success of her life, with her career & as a single mother. She had been devastated when her children's father was killed even though they had been estranged. Years later Anna feels an attraction for her new neighbor & starts to think it's possible to feel passion again for someone other than Rico.
Rico Carella's 'death' had been staged to protect himself as well as his family & reconstructive surgery had changed his looks drastically. Rico had survived horrendous torture by his captors as well as Anna's betrayal as a committed lover. However his love is still alive for this one woman & he hopes to convince her he had deceived her to protect her from harm.
This is a terrific debut from a promising new author. With interesting characters & a captivating plot. I hope to see stories for all of the secondary 'hunks' that were so brave & courageous in this story...in the foreseeable future. In the meantime, this was a great book!
You'll want to read TUAT more than once...Review Date: 2001-07-14
Rico Carella was Anna Ramsey's first love who died a tragic death. She never thought she'd be attracted to another man with the same fierce intensity until Gage moves in next door. She's blown away by the power of her desire for this stranger...but is he truly a stranger? There's more going on than Anna can imagine. Things that put Anna and her children at risk. The only man who can save her is the man who's brought the danger with him--Gage, a man who's hiding secrets that not only puts Anna at risk physically, but also risks her heart.
Jennifer Wagner tells an emotional, action-packed story of a love that couldn't die.

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A Comic MasterpieceReview Date: 2005-05-24
Wodehouse wrote novels and stories that can be easily classified into several series: there are the Bertie and Jeeves novels and stories, the Blandings Castle novels and stories, the Mr. Mulliner stories, the Uncle Fred novels, etc. The characters from one series rarely appear in another. This novel is an exception. Uncle Fred appears at Blandings Castle, where he poses as Sir Roderick Glossop, normally seen in the Bertie and Jeeves novels (and one story); indeed, he encounters Sir Roderick while traveling to Blandings Castle. Uncle Fred, properly, Frederick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is a man who "together with a juvenile waistline, . . . still retained the bright enthusiasms and the fresh, unspoiled outlook of a slightly inebriated undergraduate" at the age of sixty or so. It is he who sets in motion the events that enable young lovers to marry and his nephew Pongo to settle his gambling debts. In general, his role is that normally played by Lord Emsworth's younger brother Galahad.
Of course, any reader of Wodehouse novels knows at the start that things will turn out all right for any sundered hearts or frustrated lovers, as he knows that, any time the efficient Baxter appears, he will be discredited despite being thoroughly correct. The fun is in discovering just how it happens.
And what fun it is. Wodehouse's mastery of the English language is unrivaled. He succeeds in producing prose that not only is enjoyable in its own right but also moves events ahead at a pace that is nigh exhausting. In the Bertie and Jeeves novels and stories, it is Bertie's narration that does this. In this novel, it is the dialogue as much as the narration that moves events ahead, establishes the characters, and gives the reader immense pleasure.
Excellent...Review Date: 2001-03-20
There is only one Wodehouse!Review Date: 2001-07-29
Consider the following: "The ninth Earl of Emsworth was a man who in times of stress always tended to resemble the Aged Parent in an old-fashioned melodrama when informed that the villain intended to foreclose the mortgage. He wore now a disintegrated air, as if somebody had removed most of his interior organs. You see the same sort of thing in stuffed parrots when the sawdust has leaked out of them."
How's that for failing to "omit needless words"? And how's that for vividly portraying the feeble-minded Lord Emsworth, one of Wodehouse's most memorable of his many memorable and hilarious characters?
The plot here is typical Wodehouse: a few love-stricken young people see their dreams of eternal wedded bliss threatened by either misunderstandings or lack of cash or both, and a young ne'er-do-well has run up some gambling debts, a circumstance which puts him in danger of some painful bone-crushing. Enter Uncle Fred, an aging playboy with a manipulative mind and a sense of adventure. He orchestrates a plan involving a visit to Blandings Castle (the Emsworth estate) which results in everyone living happily ever after.
But, of course, that plot outline is pretty much the plot outline of every Wodehouse novel. What makes it (and every Wodehouse production) a 5-star novel is the delicious phraseology, the preposterous and yet believable characterizations, and the continuous twinkle in the author's eye. You either "get" Wodehouse or you don't. If you don't, then go to a doctor and get it fixed immediately!
My All-Time Favorite BookReview Date: 2002-11-07
scrumptious!Review Date: 2002-06-16
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An enchanting autobiographyReview Date: 2000-03-28
If this book is back in print I will make it a required readReview Date: 1999-11-05
Wonderfully uplifting !Review Date: 2000-04-26
Exceptional...an education for every readerReview Date: 1998-11-18
Because Of "The Banyan Tree"Review Date: 2000-05-30
If you read you understand how difficult it is to write anything, much less a full book, and then have it selected for and win a prestigious award. In the case of the book I review now it was the 1987 Whitbred Award that was awarded to Mr. Nolan. All very impressive, but that's just the start.
This is an autobiography written by a very young man who next wrote the book "The Banyan Tree" and would take 12 years to do so. This is a painfully candid, but uplifting book about a man with the support of a wonderful Family overcomes extreme realities that are his life to become an Author of international renown.
Mr. Nolan cannot speak, he can barely move at all. He types with what he calls his "Unicorn Stick" that he wears on his head, and even then his head must be supported while he works.
An Autobiography is a courageous work if honestly presented. When you add Mr. Nolan's additional challenges he faces as a writer, and as a person living with his physical issues it becomes an extraordinary autobiographical book.
I hope more readers find Mr. Nolan, he is a unique writer of immense talent, and if you pass by his work you deprive yourself of great literature.
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Voss: journeys of explorationReview Date: 2007-01-26
Prior to leaving Sydney, Voss meets Laura Trevelyan. Laura is the niece of one of Voss's patrons and is perhaps the only person apart from Voss himself who perceives that his journey is a challenge of will as much as a geographical journey of discovery. Voss and Laura, despite only meeting four times before he departs, form a spiritual bond which strengthens during the course of the novel.
The novel is about discovery, about triumph and about failure. The physical elements of the journey describe many of the challenges facing explorers within central Australia at the time and combines elements of human suffering and religious metaphor.
The intense relationship between Laura and Voss develops during the course of the journey, and is conducted both through letter and telepathy.
This novel can be read as a simple story of an ill-fated expedition. Alternatively, it can be read as one man's challenge to the physical world, and of the good and evil in each of us.
By the end of the novel, the discovery seems clear, the triumphs and the failures are obvious. Or are they? Perhaps it depends on which viewpoint you choose to adopt.
I recommend this novel to anyone who wants to read well written literature which, under the guise of telling a story, invites the readers to confront their own thinking. The choice is yours.
Jennifer Cameron-Smith
Tragic and unforgettableReview Date: 2004-10-07
I found this book to be extremely well written and deeply moving. I believe that this novel is on par with Bronte's Jane Eyre and I do not understand why it is not on any classical reading lists. There are parts of the book that move somewhat slowly, but each part has its purpose in bringing you deeper into the story. The insights into the human soul are incredibly poignant. If you do decide to give Voss a chance read it slowly and in quite spaces. Soak up the meanings within the writing and enjoy this sad, sad tale.
One of the great novelsReview Date: 2004-05-11
The novel is also a love story about two people who go beyond the mediocrity of their surroundings to embark on interior journeys where they learn to know themselves and unite with each other in spirit.
For 80% of the novel I was gripped, running home from college to read more and more. My only qualm would be the ending, as the tension dissipates and the last 80 pages or so peter out under the excessive Christian symbolism. But there is no way that a potential reader should be put off by this assessment
Sentence for sentence, word for word, Patrick White is as good a prose stylist as I've ever read. The phrase "tour de force" could have been invented for this book.
Cardboard Characters Set In The Australian Frontier, But Excellent ProseReview Date: 2007-01-21
This is a good novel, and it deserves 5 stars. After a dozen pages or so it becomes clear to the reader that White has an unusual style and he is a gifted writer. There is no question about his writing ability.
This particular story starts off in Sydney in the mid-19th century, and White uses real street names and locations in central Sydney, just east of Darling Harbour. Since the same streets still exist today, his setting and references to the city bring a high degree of realism to the story.
The plot is about a man and a woman who become engaged by mail after meeting. Voss is the man, and he leads a voyage of discovery into the Outback, north and west of Sydney. The plot involves the hardships of the trip, the interaction among the characters travelling with Voss, the natives, and what takes place in Sydney with his fiancee while Voss is away on the trip.
The discouraging feature of White's writing is that the characters seem stiff or cardboard, a bit lifeless. Voss is not a man to show much emotion or talk. So, there are many passages where White simply describes the activities. That gives the book - especially in the middle - a dry feel. This was reinforced for me when I read The Tree of Man where White has a similar strong male protagonist, the farmer; but there, White goes into much more depth with the man's personality in the novel.
The tale has a strong and a surprise ending, and the novel picks up as the story closes.
Overall, I enjoyed the read and would recommend the book. It is not a quick read nor is it compelling stuff to digest, but it is an interesting and well written novel.
Voss - powerful Australian epicReview Date: 2005-04-20
Voss's purpose seems to be to get to 'love the land'. Laura waits in Sydney; she's a thoughtful person, different from the others, aware that Australian white society in those days could be shallow and not in tune with deeper things. When Voss and Laura are not together, the relationship takes place in the mind, with some sort of sixth sense resulting in a synchronisation of feelings. The is cleverly done and works well.
Aboriginals figure strongly - they are part of the land, timeless, noble. But, in the period set in this novel, there is a dark side; through and through they come across as bestial savages. They could help and save Voss, who reaches out to them, but instead they thwart and eventually kill him.
Patrick White won the 1973 Nobel prize for literature, and it's not surprising. But his style in Voss is not always easy; he's always invading his characters' minds and trying too hard to explain every nuance of their thinking. This slows it down. Ideas about 'point of view' have to be put on hold in this novel.
Ultimately though it's an indelible experience, and one is left with haunting images of Australia.
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Church vs. DreckReview Date: 2007-09-21
I give it four rather than five stars as I have re-read (and reviewed here, "Morte" and the thirty stories in their original three volumes as well as the collected reissue) all of Powers recently, and I believe that his many strengths as a writer are at times clouded slightly by his tendency towards oversubtlety. A forgivable fault in an era of so many authors straining for the obvious or what critics call "overdetermining" their subject, but Powers tends in all his work towards lengthy passages where not much goes on at all, but in which an editor could have polished the presentation and refined the craft even further. Powers appears to have been his own worse enemy and his own most scrupulous critic, on the other hand. Be it as it may, Powers makes nearly all of his peers look hasty, scattered, and undisciplined by comparison.
Action over the course of a priest's youth, coming of age, and gradual rise from curate to administrative assistant (when that word did not connote a secretary or receptionist) and then pastor comprises the narrative. Less verve here than the worldlier, more urbane Fr Urban had, but perhaps in his principled if compromised (the whole crux of the tension) fidelity to the needs of separating "Church from Dreck" Powers reveals that the need for reform Fr Urban realized while Vatican II was still in session (so to speak) by the end of the decade became all the more apparent as the slow slide downhill accelerated. Set by its conclusion around 1968, if offhandedly, the Catholic Worker roots of Powers and his conservative radicalism stand his fictional main character in good stead as priests wander off, parishioners ignore crusty priests' reprimands, malls open on Sundays, the hillbilly's war machine thunders on in the small town press, and guitars with cant supplant chant.
This novel, like his earlier (sharing with it a clumsy if rarified referential title) "Morte d'Urban," (1962), suffers from arid stretches, where the humor is so deadpan, the pace so true that the inert nature of our own shared experience with the clerical protagonists appears too neatly aligned. Dullness enters. A VD quarantine warning takes up one and a half pages verbatim. A few sample sermons from Father Felix (who helps out saying weekend Masses) summarize the stultifying, yet sincere, homiletics of a certain, less soundbitten, age. So with Powers, who in this novel had been criticized as a man out of time, with figures he identified with whose era had passed them by. Joe is only in his mid-forties. He seems much older. This may be a sign of now-diminished respect, when the maturity demanded of authority figures gave an earned dignity and a bit of unearned noblesse oblige to the clergy in smaller towns where the collar still mattered. Joe Hackett manages to get through the routine, and out of the limelight that had once courted his counterpart Fr. Urban, this parish priest does his best balancing God with Mammon, as the demands of a new accounting system make fundraising all the more essential, even as this pulls at the Gospel admonition that it's better to give alms in secret. How to square this with the need to make accountable freeloading parishioners when the Archbishop's needs come payable on demand? Out of such quandaries, Powers raises his own quiet art.
The need in fiction for a jolt, a spark, a spin off from the quotidian to the profound nestles, certainly, in Powers. This, however, moves along leisurely, and often nothing seems to happen for chapters at a time. Then, you understand that this accurately limns the trajectory of a recognizably human life like our own. You can see Powers' study of Joyce in his preparation of the slow ascent to epiphanies, such as Fr. Joe Hackett's finessed blessing of a scruffy draft resister who steps to tie his shoelaces while the padre finagles praying over his head and out of eyesight or earshot as the young man prepares to flee to Canada, on the pastor's unspoken advice but according to his moral example.
Re-reading this nearly two decades after it appeared, I admire Powers' critique of not only the institutional Church and its compromises with the world, but of his own admission that holy Joes only go so far in their own zeal in battling for their losing side. They must do so, vowed to do so and called by their Maker, but Powers recognizes in his own mellowing how annoying piety and phariseeism can be for the rest of us. Not for nothing is an early battle Joe engages in at the seminary, much to the disgust of some classmates and the suspicion of his rector, over the necessity of wearing a hairshirt.
Constructed in part from stories written over the past (two of which appeared in the last of his three thin story collections, 1975's "Look How the Fish Live," the novel does let its seams show. I wonder if parts of this novel were left too long on the shelf, or in hibernation. Yet, this is how Powers wrote. Very slowly, spending days pondering if a character would use the term "pal" or "chum" in referring to a confrere. Such was his state of mind, and more power to him. Probably a patron saint of scrupulous writers, if he is canonized as he deserves! His friend and colleague Jon Hassler eulogized him as "a saint with a bad temper." Hassler notes how Powers could strain so long over a detail that a reader, even an informed one such as himself, might miss the very nuanced finesse.
The extended battle of the story that was "Bill" for Joe to learn his new curate's name appears tedious and unbelievable, a shaggy-dog tale after a few pages of the many devoted to this embarrassing and rather cryptic episode. The story earlier published as "Priestly Fellowship" enters the novel mostly unchanged, but again the dive into the post-Vatican II uproar appears muted, if perhaps less dated for its lack of topicality to specific changes so much as the persistent lack of clerical fidelity. Yet, as the novel lengthens, the episodes do build upon possibilities tucked into these two stories, and while they unfold in off-handed and perhaps overly-controlled fashion, they are truer to the texture of everyday life for being so controlled. Holiness comes, if at all, minutely slow. The lack of histrionics or forced symbolism remains despite the uneven pacing in his longer works Powers' greatest talent. Powers knew when and how indirect first-person voice carried his stories; his shift in and out of his protagonist's minds is at its best in the imagined reverie Joe lets himself into as he pitches in the yard with Bill to let off steam. As with Urban's similarly prosy--both exaggerated and ordinary-- temptation at Belleisle in "Morte," the priestly heroes let their deepest selves emerge when they pretend they are just like the rest of us. Powers, and we, know better.
A final word, quoted from one of his students in Commonweal on his death in 1999. In the novel, out of his collar on a much-needed vacation, Joe passes himself off at the hotel bar as working for a "big concern," in "life insurance." The firm? "Eternal." Sort of a multinational, he admits, although he works out of a local "branch office." Powers explained when asked in class why he wrote so much about the clergy, and if he was anticlerical. "I'm not anticlerical. I simply look for a story that elucidates truth. If a human being buys an insurance policy, that's not much of a story. But when a priest buys an insurance policy, there's something going on that needs to be said and I want to say it." It took him nearly fifty years to write it.
Artful, beautiful, and simplicity, as if Shaker furniture were transformed into wordsReview Date: 2007-02-09
Complete lives are sketched with the faintest of references, such as a family who the hero, Father Joe Hackett, brings from the city to remind his comfy parishioners of the trials of the poor (shades of the "holy poverty in the city" mantra so common from my youth). He tells their entire story with three unconnected lines sprinkled as a leitmotif throughout the narrative.
The hero's interior monologue is both revealing, and surprising. Throughout the novel faint points of challenges and grace (and simple, just-sufficient grace) carry the reader along with Father Joe's eventual conversion (rededication?). This is the story of a bumbling soul who eventually inhales the breath of the Divine.
Every person I've ever given a J.F. Powers book to has thanked me (Catholics and non-Catholics alike). Highly recommended, for this is monumentally great literature.
perfectReview Date: 2004-11-01
Joe Hackett, for all his faults, is one of the most fully-realized and sympathetic characters in contemporary fiction. As he matures, so does the book: from his hilariously overblown pretensions at the seminary, to his ennui and malaise as a pastor, to his subtly glorious final redemption.
In the final analysis, the book is not so much satire as fable about goodness. Despite being about the life of priests, the book is more a moral fable than a simply Catholic one: it's about how to do good in a world where it all seems futile. Joe Hackett is a cynic, but he's also at heart an idealist and optimist. So is J.F. Powers.
On Not Being Lonely in the SuburbsReview Date: 2004-04-30
A Powerful MasterpieceReview Date: 2005-05-31
Joe's character is cast from the first pages: as a toddler he gets attention from his parents' friends merely for declaiming at a party "I go to church!" We also learn of his parents' antipathy towards the parish priest's intoning on the subject of the "Dollar-a-Sunday Club," an attitude that Joe will inherit, and which becomes a theme that will be played out in a number of surprising ways. We also sense something of his aloofness in these first chapters as well. He doesn't keep up with many friends, but he does seem to know the value in keeping up appearances: "Joe just smiled at Frances and everybody, so they couldn't tell how he really felt about being in the sack race..." Joe is a good athlete, even in grade school, and the race he really wants, but doesn't get, is the sprint.
Much of the story revolves around Joe's relation to money, so that even an early adventure (described in nearly pornographic detail) involving his first adult relations with women is later understood to be subsumed by his larger pecuniary obsessions. His sexual sins, or at least the memory of them, turn out to be something of a red herring: at the seminary he asks his instructor, "Father, how can we make sanctity as attractive as sex to the common man?" a question that (rightly) earns him nothing but mirth from his fellow seminarians. We are given hints that as Joe grows older he succeeds in overcoming his youthful scrupulosity. After a stint at Archdiocesan Charities he is assigned to the parish of St. Frances - a name shared by his childhood infatuation and a co-traveler in that youthful adventure. So as far as sex is concerned, there is in his maturity there a sense that all is right with Joe, if not the world. That this is the case is dramatically reinforced by the nearly hopeless entanglements of an ex-seminarian, some of which leads to misplaced retribution that Joe patiently, even faithfully endures. These episodes are magnificently structured, displaying in Joe's life a kind of fate that is worked out through choices made less in freedom than with a concern for propriety and in service to principles that are neither his own, nor of the church in which, as he says in other circumstances, he does so much hard time.
Other obstacles to holiness, as perhaps they always must, remain. Although his basic attitude is good, the reader realizes that the young Father Hackett has refused one halo in favor of another when he refuses to toady up to either the priest in his parish or to the archbishop in his archdiocese. Money matters are everywhere in evidence: the rectory built by Joe; bribes offered by parishoners; purses collected on behalf of retiring priests; inheritence; a collection drive that is farmed out to a private firm - in which Joe will take no part. All this points to beyond the contradiction in one man's character to a paradox that is funamental to our very being. How do we care for an abundance which is most fully ours when we least consider it our own?
Joe's misappropriation of his own nature, and indeed human nature, leads to a truly heinous transgression in one of the final chapters. That this transgression is committed and then resolved in secret, without comment from Joe or even the narrator, points toward a God who is as truly all merciful as he is unnoticed even by lesser beings working on his behalf. I would guess that the true thorn in Joe's side is also Powers', and while reading I several times wondered whether the crux of the story wasn't inspired by his frustration at watching baskets and plates passed through the pews, week in and week out, for a lifetime.
Very highly recommended.
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Great readReview Date: 2007-05-14
A Must have for any Oz fan!Review Date: 2001-11-02
WONDERFUL!!!!!!Review Date: 1999-10-19
An excellent, new edition to keep for many years.Review Date: 2000-07-17
Beautifully Illustrated Heirloom Edition of The Wizard of OzReview Date: 2000-12-14
If you answered "both," you have the correct answer. L. Frank Baum's original story (found in this book) has magical silver shoes in it. The movie version of the story, starring Judy Garland as Dorothy, had ruby slippers. Why the change? Well, ruby slippers film much better. So the Wicked Witch of the West wore both types of footwear, depending on whether you are reading the book or watching the movie.
I share that example with you because 9 people out of 10 have seen the movie, but never read the book. When I was a wee lad, I started in the opposite direction and was sorry to see how much of the Oz story was left out in the movie.
Now, you can make up for lost time by reading or rereading the original. I commend it to you for three primary reasons. First, the book version is built around the idea that the different parts of Oz cannot be easily traversed and the ensuing travel complications make for a better plot. Second, there are many more types of imaginative creatures in the book than in the movie. Third, the book has been lovingly enhanced by new illustrations done in turn of the 20th century style by Michael Hague. The illustrations encompass styles from immediately post van Gogh (yes, there are sunflowers) through Art Deco. I especially liked the water colors of gloomy and darkening skies.
If you are like me, you will chortle when you read L. Frank Baum's comment in the beginning that the story was "written solely to please children . . . a modernized fairy tale, in which the wonderment and joy are retained . . ." while the scary parts are left out. If you remember frightening moments, you are thinking about the movie. The book is much more gentle, which makes it more suitable for the youngsters. Yes, there are frightening villains, but they are quickly dispatched rather than being allowed to hang around to menace and frighten children just before bedtime. Still, children must have been braver in those days. This story is still scary enough for most to feel a deathly chill now and then.
Many of the ambiguities and confusing aspects of the movie are clearer and less disconcerting in the book, as well.
I won't go into a fine comparison of the two, because that will just spoil the plot for you. Do let me mention a few chapters that you will not recognize from the movie . . . just to whet your appetite for the book -- Away to the South, Attacked by the Fighting Trees, The Dainty China Country, and The Country of the Quadlings.
After you have finished enjoying the wonderful story and new illustrations, think about some of the lessons of the book. Notice that by teaming up, Dorothy and her friends could combine strengths to overcome individual weaknesses. This is the ultimate group of superheroes. How can you combine your talents with others so that all of you combined can accomplish vastly more than any one of you can individually?
Stay on the Yellow Brick Road with effective allies!
Collectible price: $89.95

The Year-Long DayReview Date: 2003-12-12
December 12th, 2003
Book Report
I read a book written by A.E. Maxwell and Ivar Ruud, and it is called The Year-Long Day. This book is called this way since in the Arctic Circle a year seems like a day in terms of weather and light. This book is written in the form of a non-fiction book or narrative and its genre is considered to be travel-adventure. The book was published and copyrighted in 1976 in the United States of America. I will try to review and identify the topics covered in the book, which have made it so interesting to read.
The thesis of the book was to narrate the story of Ivar Ruud, a Norwegian who felt he could live in solitude with nature for one year, in a novel-like manner. He arrives in Spitzbergen Island, in the Svalbard archipelago in the Arctic Ocean, slightly north of Norway. This is where it all begins. As his life unfolds, it becomes increasingly interesting because of the struggles he must go through in order to triumph or in some cases be let down by nature and himself sometimes. The true story becomes more amusing with the meticulous planning of every action, every little detail. A perfect example of this is the way he times the hunting season, so that if he were to shoot a seal it would be in winter when the water was dense and he could lift it into the boat before it sank, or the way he prioritizes what supplies should be stored and in what order to prevent wildlife and especially polar bears from getting to his cabin. The book clearly illustrates the type of person he is. Not everyone has the will and courage to live for one year in Hornsund Fjord, where sometimes he would be stuck in his cabin for days because he was snowed in, because he was being hunted by a polar bear, or because he woke up under the claws of one of those dwarfing creatures.
The story deals a lot with survival, courage, independence and more importantly, learning to change your way of life. There are many ways in which Ivar tries to keep his life normal. One of these is taking a years supply of newspaper, building a mailbox, and reading the year old news every day. Survival is another topic that is covered in the book and it is important because he knows what he must do, even if it hurts, even if it means not eating for a day. At one point in the book he shoots an 800 pound bearded seal and accidentally drops it into the water. Since the seal was tied by a rope, he decides to drag it 11 miles back to bird mountain cabin where he realizes there is no snow in the beach to drag it and is forced to let it go to waste. He also identifies the place as his by naming the landmarks himself, after his experiences, rather than using the official name. The book is divided into the different times of day and it explains the changes in the lifestyle that occur in each of them. Basically an example would be that the animals that can be hunted in the summer and vice-versa. This book had very interesting facts and is told in a way that it doesn't seem like a text book, but a novel.
I have reviewed and identified the topics covered in the book, which have made it so interesting to read. I would recommend this book to others very much even though it is the kind of book that people either can't stand or love. I identify more with the second type, since I think Svalbard is a beautiful place and I have also seen the cabins and other landmarks described in the book, I think it is even better. This can be vaguely seen in the pictures from the book. This book is not only entertaining, but also important. The book teaches a lot about geography, animal behavior, and human necessities as well as unconformities. The best thing of all is that it teaches all these things without facts; but rather, second hand experience. Everything in the book is described thoroughly, in ways that people understand and are convinced by, thus improving the effect on people. This book is without a doubt one of the best narratives I have ever read and I recommend it to whoever has the opportunity.
I wish I still had it.Review Date: 2001-12-12
A wonderful book about the draw of the ArcticReview Date: 1999-12-29
The best book everReview Date: 1999-12-22
The best book I ever readReview Date: 2000-02-06
Related Subjects: Sacks, Oliver Reed, John
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