Non-fiction Books

How could anyone not love Cornell Woolrich? He ranks right up there with James M. Cain, Dashiell Hammett, and Raymond Chandler as one of the godfathers of pitch-black noir. Unfortunately, Woolrich's voluminous short stories and his many novels for the most part remain out of print. No excuse exists to merit such blatant disrespect. Happily, several Woolrich works have begun to reemerge to the delight of noir fans. For example, Woolrich biographer and all around noir aficionado Frances M. Nevins edited a collection of fourteen delightfully bleak stories in the recent "Night & Fear." Now we have "Rendezvous in Black" thanks to the Modern Library publishing house. We can only hope that other novellas head to store shelves soon, specifically "The Bride Wore Black" and "Night Has A Thousand Eyes." But even more fascinating than his stories is the author's life. Cornell Woolrich lived from one black depression to another. He worshipped his mother, drank incessantly, and kept his true sexuality repressed. It was an overriding fear of his mortality and the cruel randomness of the world around him, however, which fueled his desolate visions. Sad to say, but Woolrich's miseries have given generations of fans something to sing about ever since.

"Rendezvous in Black" excels as an archetype of white knuckled, totter on the edge of your seat noir, a story even better than the author's phenomenal and oft copied "I Married a Dead Man." This yarn concerns the activities of one Johnny Marr, an ecstatic young man set to marry the love of his life. When his girl, Dorothy, perishes in a freak accident involving a bottle dropped from a low flying plane, Marr's sanity melts away. The desolate young lover discovers the names of five men who bear the blame for the tragedy that destroyed his life, and he promptly embarks on a mission to wreak bloody revenge on these strangers. Marr will go after the people these men love the most in life, using any tricks he can muster in an effort to avenge his shattered life. Woolrich makes sure the reader understands exactly how far gone Marr is in the first chapter, as we see the young man continue to turn up at the couple's favorite meeting place night after night, waiting desperately for a woman who will never show up. Marr's activities assume a mindless repetition, an unremitting yet senseless hope that Dorothy will eventually appear, thus setting the tone for his single minded, relentless revenge plots later on.

A rendezvous for each of Marr's enemies, five in all, unfold with cold, methodical precision. The first rendezvous achieves the least suspense of the five, a short chapter serving as a post-mortem of Marr's first act of revenge. It is here we learn how Marr will attack his enemies (through important women in their lives), and meet the cop, Detective Cameron, who takes on the case. The second rendezvous will set your nerves on edge as an illicit affair leads to disastrous consequences, including a vengeance seeking wife and a walk to the electric chair, for the second man on Johnny's list. In the third rendezvous, a wedge driven between a man and his wife results in a murder and a suicide. As the fourth act unfolds, a conceited, secretive daughter discovers the hard way that she should have listened to Detective Cameron and her parents. The denouement, the fifth rendezvous, involves that last man on the list and his childhood love. It also tries to show that nothing, neither running to the ends of the earth nor the best laid plans, will deter fate. If you feel like you've been chewed up and spit out by the time you reach the end of the book, don't fret. This reaction is normal when reading Cornell Woolrich. It is, in fact, exactly what you want to feel.

The strength of "Rendezvous in Black" comes not from its staccato prose and descriptive metaphors, although these elements do play a large part in the success of the novel, but in Woolrich's bleak cosmology built on an unholy trinity of love turned bad, paranoia, and crushing fate. The accident that claims Dorothy, a bottle falling from the heavens, and the subsequent disasters visited upon those individuals Marr deems responsible, displays the writer's belief in a unsystematic, frequently cruel world where events unfold with ruthless certainty. Love is a good thing, or can be a good thing, but too often it morphs into something that can fuel neverending hostility and destruction. Richard Dooling, the author of the introduction to this edition of the novel, does an excellent job explicating the numerous themes in Woolrich's writings, a better job than I could possibly hope to do in a short review. But you don't need really need an introduction to see that the mindset behind the book is seriously depressing.

The number of continuity errors, implausible events, and other mistakes in "Rendezvous in Black" leap off the page. I find it impossible to believe someone could drop a bottle out of an airplane as late the 1940s, for example. Too, I kept wondering whether Johnny Marr ever aged, as a considerable period of time passes from Dorothy's demise to the end of the book. How could Johnny possibly have wooed the teenaged Madeleine if he was in his late twenties? And considering Woolrich describes Detective Cameron as a bumbler, the cop possesses a tenacity that eventually pays off in the end. None of these problems takes anything away from the sheer power of the novel. There were times I literally felt like I couldn't stand the tension anymore, and any book that can cause that sort of sensation deserves attention. If you love noir, you need to read this one immediately.

On a mild midwestern night in the early 1940s, Johnny Marr leans against a drugstore wall. He's waiting for Dorothy, his fiancée, and tonight is the last night they'll be meeting here, for it's May 31st, and June 1st marks their wedding day. But she's late, and Johnny soon learns of a horrible accident - an accident involving a group of drunken men, a low-flying charter plane, and an empty liquor bottle. In one short moment Johnny loses all that matters to him and his life is shattered. He vows to take from these men exactly what they took from him. After years of planning, Johnny begins his quest for revenge, and on May 31st of each year - always on May 31st - wives, lovers, and daughters are suddenly no longer safe ... Cornell Woolrich's most justly famous novel is one of the true masterpieces of suspense. Johnny exacts his revenge in five meticulously planned and utterly unpredictable murders that Woolrich unfolds with an almost demonic fatalism while the marvellously unheroic police officer MacLain Cameron is in accelerating pursuit. Woolrich's prose is unique. His style is strongly visual - we'd now call it cinematic even though it prefigured much of the film-noir effects that render it, today, almost cliché. His syntax is occasionally tortured, his word choices odd. Yet as his biographer Francis Nevins has noted, Woolrich's imperfections are a happy marriage of form and function. Without the sentences rushing out of control across the page like his hunted characters across the nightscape, without the maniacal emotionalism and indifference to grammatical niceties, the form and content of the Woolrich world would be at odds. Between his style and substance, Woolrich achieved the perfect union. There are moments when the melodrama builds to such an intensity that it tumbles over into a kind of empathy, e.g. Cameron's late visit to Dorothy's childhood home. You know it's ridiculous, but you feel something all the same. As monstrous as Johnny Marr's revenge is, few readers will be able to damn him completely. This kind of amoral centre is the dark sun around which much of the noir world turns, and Woolrich gives us one of the genre's finest examples. The Modern Library's 20th Century Rediscoveries edition is particularly valuable for its Reading Group Guide, and for Richard Dooling's fine introduction which points to further reading and finds the origins of the novel in Woolrich's own startlingly sad biography. Strongly recommended.

RENDEZVOUS IN BLACK, one of the final novels in Cornell Woolrich's famous "black" series that have formed the basis for so many films noirs, is one of his most highly praised works. It is enormously suspenseful: an anonymous young man whose fiancée has been killed in a freak accident instigated by a group of wealthy hunters in a low-flying plane takes his revenge by systematically murdering the woman most beloved to each of the five men so they can share in his grief. Each of the five murders occurs in a different chapter and told in a different style: we know that a woman is going to get it and when, but we don't know how and sometimes we don't even know who. Simultaneously, a police detetctive begins assembling clues to catch the killer. Certainly Woolrich can draw out the suspense in each chapter, and the schematic narrative (which often refers to the characters as "the man" or "the woman") invests the narrative with an almost allegorical quality that makes the whole work seem over-the-top. But there's very little character development in the text, and the shoddy ironic twists in several of the stories seem telegraphed a mile away. Also, the misogynistic undercurrent to most romans noirs seems queasily overemphasized here: except for the first victim (who dies the most gruesome of the deaths), each of the killer's targets intentionally defies the dictates of male authorities in her life, as if to suggest she deserves what's coming to her. Although on one hand this seems almost a pure distillation of the operatic fatalism of the roman noir, it's simply not as good a work as Woolrich's more fleshed-out books like WALTZ INTO DARKNESS or I MARRIED A DEAD MAN--not to mention such superior suspense novels of the period as (for example) Kenneth Fearing's THE BIG CLOCK or Elisabeth Sanxay Holding's THE BLANK WALL.

The introduction to this novel says that Woolrich has been described as the "Hitchcock of the Written Word," but adds that maybe he wouldn't have liked this description. It might be even more accurate to say that Hitchcock is the Cornell Woolrich of the cinema - since many of Woolrich's works came before Hitchcock's, and Hitch even adapted one of Woolrich's stories into one of his most famous movies, Rear Window.

The point, though, is that this guy writes suspense like you've never seen. I say "seen" because reading his novels is really a visceral experience. I don't know how he does it but Woolrich can write a beautiful, elegant story that you can sort of just almost SEE unfolding like a movie --- a movie that will move you emotionally and also scare the bejesus out of you.

Rendezvous in Black contains six interlinked stories about six doomed love affairs threatened by violence. Five of these are labelled "The First Rendezvous" through "The Fifth Rendezvous." The sixth is the story that ties them all together (but it comes first in sequence). I don't want to spoil the experience of reading this book for anyone, but overall it is just amazing and I cannot recommend it more highly. Woolrich, as has been noted here already, was a protege of F. Scott Fitzgerald's. Like Dashiell Hammett, he's an author who makes mysteries somehow as beautiful as what passes for "literature" - yet so emotionally gripping that you hardly notice till you are done how beautiful the craft of what you just read really was. The characters are spectacular and each one is described with wonderful psychological details. One of my favorites is this description of the police detective:

"He was too thin, and his face wore a chronically haggard look...His manner was a mixture of uncertainty, followed by flurries of hasty action, followed by more uncertainty, as if he already regretted the just preceding action. He always acted new at any given proceedings, as if he were undertaking them for the first time. Even when they were old, and he should have been used to them."

Little gems like this are on almost every page of this book and they make for a wonderful reading experience you won't forget.

I envy anyone about to read Cornell Woolrich for the first time. This book is a great place to start.

This is a suspense story in which one knows the killer and his victims and where there is nothing random about his choice of victims. The murders are acts of revenge against an unpremeditated, accidental death - a death that one can only characterize as 'fateful.' A bottle has been thrown from an airplane, killing a young woman standing by a store window in a busy street. She is waiting for her fiance. Out of the hundreds of people walking that street, it is she who has been dealt this fatal blow. It is an accident that could not have been foreseen, though it can be argued, that its negligence might have been anticipated.

That is the beginning of the story. Woolrich wastes no time in setting the psychological tone. Her fiance arrives at their place of rendezvous, the scene of the accident, looks at the stricken woman, denies that it is his "Dorothy", then leaves the scene. Despite this initial denial, he knows, of course, that it is she, and from that moment a cataclysmic change occurs in his personality and his present world falls apart - a world of romance, marriage and well being. He sheds all innocence and becomes a man singularly possessed - a man seeking revenge against the carelessness of other men - determined to have them pay for this carelessness in the same way he has been forced to pay - destruction of what they prize most.

It is a story, wonderfully told - direct, gripping and so thoroughly credible that you read through it quickly, hoping against hope that it will have a happy ending. But it doesn't.

I can't possibly add any comment that wouldn't just echo the praise already heaped upon this excellent novel which I originally read as a teen in the early sixties. With the recent remake of The Manchurian Candidate updated to current events, Seven Days In May has preyed on my mind.

Possible scenario: The U.S. Military, totally disgusted with the Iraq War's civilian leadership and the destruction of a military establishment slowly and systematically put back together after Vietnam, decides to stop the carnage and waste and do SOMETHING about it. Of course, it would only be temporary until the next elections...or maybe not. A chilling possiblity.

This gripping 1962 novel provides a stark reminder of both the Cold War and the fragility of democratic rule. President Jordan Lyman has recently signed (and the Senate approved) a nuclear disarmament treaty with the Soviet Union. But the treaty remains highly unpopular, and has left many in and out of the military establishment frightful of surprise attack and seething with anger. Enter General James Scott, a charismatic leader with political ambitions. President Lyman learns that General Scott may be plotting against him, but the evidence is sketchy, and Lyman doesn't want to act against a possible military coup without something closer to proof. Adding to the President's woes are his current unpopularity, his doubts as to just who is loyal, and his uncertainty as to the correct course of action. As the story unravels, we sense the President's fear as well as the ever-present threats to democratic rule, particularly in times of danger and stress.

SEVEN DAYS IN MAY is an excellent novel as relevant today as it was in the 1960's. This fast-reading book was made into a very good 1964 movie with Frederick March (President Lyman), Burt Lancaster (General Scott), Kirk Douglas, Ava Gardner, and Edmond O'Brien.

Exactly as long as it needs to be--an important thing with books--"Seven Days in May" is a riveting thriller about the totally unthinkable: a military coup d'etat in the United States Goverment. Yet, the author makes it seem possible. A very popular general, a president with the lowest rating since Truman, and a Peace Treaty that has the country and the government divided...could it trigger a popular coup? It does in this book, and it is set forth totally realistically, as if something like this REALLY could happen. We think our country is immune from this kind of Byzantine political intrigue, but it turns out that we really are no less vulnerable from breakdown than your average banana republic...at least in this book. Chilling thought isn't it? Totally awesome book, I recommend it highly.

"Seven Days in May" is an authentic classic political thriller of the first rank. Authors Baily and Knebel present a scenario in which an unpopular President is targeted by America's top military brass for an actual military takeover of the government. The story is complex, but vividly presented with an authenticity that is both disturbing and plausible. The reader is brought to understand that it could happen here, and the story suggests how such a scenario could come about in these United States.

The novel is well-written and fast-paced, never drags, and absolutely holds the reader's interest throughout. The amazing thing about the story is that every bit of it hangs together without straining the reader's sense of credulity. The novel features excellent writing, and the authors weave the plot together towards a conclusion that is startling and believable (no spoiler here).

This was a big budget movie in the 1960s featuring Kirk Douglas and Burt Lancaster (available on DVD) and I would very much like to see a reprint of the novel become available, as my often-read paperback copy has long since fallen to pieces from frequent readings.

I read this book on a long airplane trip, and the story was so intense it kept me glued from lift off to land down.

As the other reviewers have summarized, the plot centers around "Seven days in May" as the President of the United States and his closest aides secretly scramble to thwart a coup being planned by the Joint Chiefs of Staff.

The book is very fast paced, and has no "main" character. The point of view shifts from one character to another, often on opposite ends of the country, with lots of action in between. There are numerous twists and turns, but the book is never predictable or cliched.

It's also a very well-researched story, and anyone well versed in National Security and the Pentagon will be impressed at the two authors' attention to detail.

I was really amazed how un-dated this book is, despite being written in the early 60's. The authors wisely never reveal the year the story takes place, but subtle hints indicate it takes place sometime in the 70's (Kennedy is the last "real" President mentioned). When you hear the logic of some of the coup-planners you have to wonder wheter or not such a scheme has ever been secretly plotted in the past- or wheter a similar one will ever be plotted in the future. Complacency in the stability of ANY democracy can be dangerous, and the events in "Seven Days in May" certainly proves that.

This book highlights the independence that exists between the military and civilian branches of the US government, and the careful dance that the president must do to appease both sides. When it comes to matters of national security, the book raises the important question of who is ultimately responsible. Should the constitution always be respected, even when the safety of the nation is in danger? Does the military have the right to surpass the president if he is acting in a manner that will endanger the country? Does the president deserve to have his role as "Commander in Chief"?

In this era of terrorism and uncertainty, these are all very relevant questions to ask. This book, especially the ending, answers these, and many others, brilliantly.

I love this book so much that i just coulnt stop reading it.I even stayed late to just finish it. When i first got it i thought it was going to be all about sex and all but it wasnt and so it got my attention wen i saw it. I love the whole plot and setting and especially Livvie and David. Jenny Davis wrote an awesome book and i think that this book deserve an award in my opinion. Plus Livvie in the beginning is just like me. She in a way reminds me of myself. So i could relate in a way to her. When i read about David dying i just couldnt keep away the tears cuz it was just sad. This is the best book and i think everyone should at least take a chance and read it. They wont be disappointed cuz i aint at all.

I truely loved this book. The title was perfect for grabbing the attention of the reader and the story made me go through several emotions. I cried at the end of the story and I re-read the story until my book fell apart! I tell everyone about it and to read it. Kudos to Jenny Davis and her brilliant characters.

Sex Education was one of the best books i have ever read. Congradulations to Jenny Davis for writing a terrific novel that can touch the heart of anyone.
The main characters are David Kindler, Livvie Sinclair, and Maggie Parker. Livvie is new to her school and she knows no one. David intruduces himself in their Biology class. Their teacher Mrs. Fulton devoted the first semester of the class to sex-ed. The class was assigned projects. Their projects are to care for someone who they don't know. Really care for someone. David and Livvie decide to work together because they feel that their new neighbor Mrs. Maggie Parker could use a little caring for. After all she is pregnant. Livvie and David rush to her house right after school and they will stop at nothing to try and keep Maggie and her baby healthy. The only problem is Maggie's husband, Mr. Parker. He doesn't want anyone medaling around in his or his wife's buisness. Livvie and David go against his will and still go to Maggie's house but leave before the mysterious Mr. Parker arrives home from work. He never was a happy camper. He never greeted them. Not once. Finally, Mrs. Parker had a lovely baby. Thanks to David and Livvie. They completed their assignment.
But while this was all going on, David and Livvie began to fall in love. They shared the best of moments together. They were both very sensitave, loveing, and caring people. Livvie came off as shy at first but grew to be a little outgoing.
I found that this book had a surprise waiting around every corner. But it was the ending that really got me thinking.
In conclusion i would just like to say I LOVE THIS BOOK!!!!

I just happened to be browsing through my high school library, and picked out this book because of the tital. It turns out that this book doesn't really have all that much do with sex, but it was a splendid read. I loved this book, I read the whole thing in one sitting because its just one of those books you can't put down. Although I was pretty depressed after finishing it, its still worth it. You can learn a lot of valuable lessons from reading Sex Education, I highly recommend it.

Livvie is the new girl in town when she meets David in her biology class. The topic of the semester is sex education: a concerned teacher's campaign to prevent teen pregnancy, and to help young people make more informed and hopefully safer choices. Through a variety of assignments, she teaches her students not only the facts and statistics about disease and pregnancy prevention, but also how to care for someone in a non-sexual way, and how to express themselves. The teacher's realistic message is "wait as long as you can." The main project of the semester is "to care about another person." David and Livvie choose to work together, befriending Livvie's new neighbor, a frail and timid pregnant woman who seems to desperately need someone to care about her The best part about this book is Davis' sensitive writing. We experience everything through Livvie's naive eyes, especially the growing affection between her and David and the joys of first love. By contrast, the problems in the marriage of the new neighbors reveal themselves bit by bit. The horrifying climax reveals the reason Livvie pens her story from an insane asylum. Readers will feel her shock, grief and anger. The deep empathy with Livvie shows strong characterization, and the plot is much more complex than one would guess from the title. This is a book that made me smile with fond memories of my own first love, and weep for the characters. Sex Education is a must have for any young adult library.

This rendition of Sleeping Beauty is delicious to the eye. I purchased the book specifically for the art work. KY Craft is fast becoming one of my favorite artists and the children's books she has illustrated are pieces of art that I return to look at again and again.

The story line is well loved.... and it is a pleasure reading a delightfully familiar & wonderfully illustrated fairytale as a 'maturing' grown up! CJ

This book is beautiful. I'm so happy that my daughter is the one that told me about it. The artwork is worth the price in everyway. Of course, Sleeping Beauty is a story that no one ever gets tired of. By all means add this one to your library.

This is a simply gorgeous book. Kinuko Y. Craft is such a magnificent illustrator. All of her images are detailed, delicate, and deep.

Beautifully written and illustrated, it makes a perfect bedtime story. You will also get distracted by the artwork: it could tell the story without the words.

I have long been a fan of ms. Crafts illustrations. They are breathtakingly beautiful from a distance, and full of interesting and fantastic details upon closer examination. This book is no exception, and takes the classic story of the enchanted Princess Aurora, setting the tale in a romantic fantasy kingdom, with the artwork combining rennaisance, high baroque and modern artistic styles.

There are no words to describe how talented Craft is at capturing beauty, you must see it for yourself.

I found this book twenty years ago in a discount bin at a bookstore in Montreal, and every woman in my family and every woman I've lent this to, love this book. It is emotional, sad, but still so full of deep hope. It's a great short novel that cannot be critiqued intellectually. It's soul food.

I read this book over 25 years ago and it has haunted me. I periodically re-read it and find new hope in its pages every time. I have lent it to many friends over the years and my copy is sadly dog-eared. I know it is considered young adult/juvenile but it is timeless and ageless. It is a very precious book and I treasure it. It needs to be re-printed.

Publishers take note - this book is both timely and timeless! Published again, in this era where so many seek spiritual guidance, it would be certain to find mass appeal.

I read this remarkable, image-rich book twenty-five years ago. It was a treasure that cried out to be shared, and so I did. Unfortunately the book journeyed away and never returned to me. I hope that it is still being passed from reader to reader inspiring others with its message of eternal interconnections and redemption. It haunts my mind to this day - so much that my quest to find another copy has never ceased.

I read this book so long ago, I must have been in my teens. I picked it up because I needed a quick read. This story has stayed with me all these years. Each time someone asks me about a memorable book this is the one I think of instantly. Over the years I read and re read it, each time I found a new meaning in the story line. A new postive message for me to use in my life. I lent it to a friend who was going through a difficult time and it was then passed on again and again to other friends until I finally lost it. I would love to find it again, this time I would buy several copies so I could have one as well as lend them. I hope the publishers can be persuaded to do another printing soon.

I first read this book in junior high school, and it has stayed with me ever since. I think of it often and dig out my tattered paperback to re-read it and always pick up something new.

This is the story of Margaret Redmond, who dies of asthma at the age of seventeen in the year 1900. She finds herself in a strange "heaven" where she meets Paul, a member of a large Chinese family who lives in a great compound. Paul's grandmother, the matriarch of the clan, has predicted that Margaret will destroy the compound. Margaret does not understand this, or anything else at first. She begins to remember other lives, one as an Indian slave, Zawumatec; another as a sailor's wife named Elizabeth; and finally the life in ancient Sumer, where she was a doomed prince named Tirigan. Margaret must confront the lessons learned in these lives and the curse and hatred that have clung to her throughout the centuries before she can find peace and learn who "Paul" really is. A moving tale of reincarnation and the power love and hate have in shaping our destinies.

This is definetly the best book on Star Wars I've ever read...

The beautifully designed coffee-table book takes the reader through the process of creating the Star Wars galaxy and then turning it into one of the most successful toylines in history. There are tons of photos depicting vintage Kenner toys as well as other merchandise.

The illustrations come with quite an informative text by journalist and collector Stephen J. Sansweet -- truely an expert when it comes to Star Wars toys.

A beautifully written book -- Sansweet is the reigning expert on Star Wars (have all of his book, with the Scrapbook and Encyclopedia being my favorites). I just had some quibbles with some of the design elements in it but it's a wonderful edition to my library nevertheless.

A must own for fans of the collectibles spawned from the greatest space fantasy of all time. Sansweet takes you through the entire process that brought about the Star Wars experience and gives details about little known information surrounding the film's creation, collectibles and magicians who brought it to life. A nostalgic trip into the past to relive three great films accompanied by crisp, clear photos. Check it out.

If I were to teach a class on the history Star Wars and Star Wars collectables, I would definitely use this as one of the textbooks. It is a very well written and interesting book. It contains lots of great pictures, including early drawings of movie characters made before the movies were ever created, as well as pictures of a variety of collectables (including both prototypes and finished products). Also contains lots of interesting factoids. This is not a price guide or a comprehensive guide to Star Wars collectables (so if that's what you are looking for, this is not the book for you). But if you want to learn about the Star Wars universe (literally from concept to screen to collectable), this will be a great addition to your library.

I have been a big Star Wars fan since the first film was released back in 1977. I used to own many of the old action figures and played with them all the time up until my grandmother gave them away to the Goodwill. I picked up this book in 1997 just as I was getting back into collecting Star Wars figures once again. This is a very detailed book with lots of great color photos. Seeing the pictures of all of the older toys brought back a lot of memories. And it makes you stop and think about how much your old collection would have been worth if you had saved it. I recommend this book to anyone who is a true Star Wars fan and collector. You will not be disappointed.

this was a very good book and i enjoyed it a lot. everyone should read it because it has a very good story line. i would reccomend this book to people who love to read.

My seven year old daughter and I finished this book last night. She was very sad to have it end. What a wonderful account of the devastating storm that hit the islands of Assateague and Chincoteague and the relief efforts to rebuild the islands and the devastated wild pony population.

It was very heartwarming to read in the epilogue excerpts from actual letters of children that sent in their hard earned money to buy back the ponies sold at previous Pony Penning Days to replenish the wild herds of Assateugue. These children and others like them preserved a tradition that had been maintained for over 100 years and because of them continues on today. In fact, Marguerite Henry dedicated this book to those very children that made it all possible.

Marguerite Henry does an excellent job of using local dialect in the telling of the story, especially with Grandpa and Grandma. You can not help but become involved in the characters and their concerns become very real to you.

I read this book many many years ago and had forgotten a great deal of the story. One of the things I did remember was Misty being put in Grandma's kitchen to wait out the storm.

If you are like me and read this book many years ago I encourage to reread it. You will be glad you did.

Marguerite Henry really did it again! She wrote another great book. The only bad thing about this book is they save the best parts for last! If you get bored while reading, keep on reading for it is worth it. You will love this book...Read it!

-Emily Patton

This is the true story of Misty, a famous horse who gave birth to a foal named Stormy during a raging, devastating storm. The book then presents an accurately detailed account of rebuilding the island of Chincoteauge after the storm.
The plot of this is exciting and suspenseful book twists just to the reader's liking, and has times of slow sadness. The odd regional colloquial speech of the characters may sometimes confuses the reader, but it is so well written you it presents a mental picture better than a movie.
This is a very interesting book to me. Its many scenes convey many different emotions: some humor, some happiness, and some intense sorrow. I am also extremely inspired by Paul Beebe, who shows courage and self-control as I would like to. It is a favorite of mine, and a worthy addition to any bookshelf.

No pony would want to be pregnant in the middle of the big hurricane that killed almost everything in Chincoteague and Assateague. Paul and Maureen love the fact that Misty is going to have a baby until the storm hits. When Paul and Maureen leave Misty, everyone is extremely worried. Misty needs to find a way to survive along with her unborn baby! This is a wonderful story that will have you hanging on to every page. I recommend this book to anybody who has read Misty of Chincoteague or anyone who likes horse stories.

Over the years, I've recommended this book to my friends at least twenty times, and I have for sure recommended it to every psychologist, or anyone in any sort of therapy, that I have known. I read it when I was in college, doing the usual recreational drugs, and reading widely. This book amazed and dumbfounded me, probably more than any other book. The author possesses what seemed to me to be a rare quality (conceited and/or foolish as I am), and that is, he knows more about human nature, and the way the world works, than I do, and he can write about it.

The form of the book is a novel; the protagonist is beset by difficulties that he feels somehow responsible for, but, that he cannot understand. Like all of us? As the story unfolds, we see that this novel is unlike any other, as it examines the protagonist's role in the minutest details of events, and shows how these events contribute to the inevitablity of what seem on the surface to be chance or uncontollable outcomes.

One lesson I drew from the book is to try to 'look deeply' at things. There is the reality that our concious mind registers and that changes moment to moment, and there are currents of meaning that are constant and don't change, but that are not recognized for what they are and are not acknowledged by our concious mind. However, our unconcious mind is fully aware of these currents, and their reality is more substantial than the concious reality. Does that make any sense? Probably not. Be assured that 'Osokin' is an interesting tale, not pyschobabble like my attempted explication.

Ouspensky was a follower of Gurjeiff, and there are still Gurjeiff groups that meet to discuss his thoughts. My last boss at a tech firm was a leader of such a group! I found out from him that Gurjeiff-ans think that the movie "Groundhog Day" with Bill Murray is in the spirit of "Osokin". I agree. The setups are the same, a day, or a life, to live over, however, what follows is entirely different.

If you like Kundera, have a fondness for Nietzsche, enjoyed the Bill Murray movie "Groundhog's Day," or sit there mulling over the towering pronouncement from Rilke's "Archaic Torso of Apollo," : 'You must change your life!' then this is the book for you. Even if none of the above apply to you, just take a chance on this slim novel. While I wouldn't recommend the entire mystical theosophist movement that propelled Ouspensky, this work will never quite leave you -- my criterion for a work of great art.

From a music student to a student of Hermetic Science - this book changed my whole life, and way of thinking.

Ouspensky manages to combine real human feeling and longings with fantasy and dreams.

Enjoy!

I first read this book at age eight after finding it on my mother's nightstand. I remember becoming totally engrossed in the story and reading it straight through form cover to cover. Strangely this novel has stood up well to several subsequent readings at various times in my life. I say strangely in part because I have not developed any noticable interest in any other works of fantasy or the occult in the ensuing years. This book stands out in my memory as a singular phenomenon.

You seldom come across books which can significantly change your way of thinking or maybe your life for good. This is definitely one such book. I accidently came upon it when I was searching for one of Colin Wilson's books and came upon Strange Life of P.D. Ouspensky which in turn led to this book.

The protagonist, Ivan Osokin, is someone with whom most of us can empathize with. He's someone who would like another chance to live his life again so that he can make use of opportunities he wasted. He is blessed when he finds a magician who can exactly do this - send him back in time with the memories of the "future". He finds himself being a schoolboy again and at a critical path of his life. The strange thing being - now its difficult for him to believe any of it. His memory of "future" starts fading slowly and he finds that the inertia of fate is not easy to get rid of. He's taking the same decisions that he took the last time. His "memory" reduces to a plain deja vu and he's left wondering whether any of it was really true.

Giving away more will destroy the pleasure of reading.

Ouspensky's insights will leave you spellbound till the end. I just wish I had read it a few years earlier.

In contrast to the previous book, "The Dragon Revenant," which took place entirely in the 'present,' "A Time of Exile" takes places almost entirely in the past. Moreover, it skips pretty far back in time, to events we've already seen from Nevyn's perspective, and tells us what was happening in the Westlands at that time. This is the real start of the weaving of timelines; up until now, the flashbacks have been fairly linear. Now we're jumping all over the place, and all over the map, too. I happen to love this; I can understand, however, if some people give up in hopeless confusion.

We open about forty years after the close of "Revenant," which had Rhodry inheriting the powerful title of Gwerbret of Aberwyn and Jill leaving to study dweomer with Nevyn - the culmination of her destiny, and the fulfillment of Nevyn's 400-year-old vow. Now, however, Rhodry's secret half-elven blood threatens to betray him. An aged Jill returns and tells him point blank that he must leave Aberwyn before his semi-eternal youth gives him away. Reluctantly, Rhodry takes up the silver dagger again and follows Jill west to the lands of his father.

There they meet Aderyn, the human dweomermaster who has lived most of his life with the elves. And from there, we jump back to Aderyn's early apprenticeship with Nevyn, his destiny with the elves, his love affair with the powerful elven dweomermaster Dallandra (who will return later), and the birth of his son, Loddlaen, who if you remember started all the trouble that brought Jill and Rhodry together way back in "Daggerspell." See how it all starts to fit together? We also get several more of Rhodry's past lives, in which we see the pattern emerge of an ordinary man whose life seems destined to always become entangled with, and often ruined by, the dweomer.

After the somewhat pale "Revenant," I found this installment in the series to be a bracing, complex breath of fresh air. I love seeing known events from a new perspective; I love the insight we get into the elves and their way of life. (Anyone else notice that they seem to be based heavily on Native American culture? Just curious.) As the start to the second act of the Deverry series, "A Time of Exile" is a wonderful portent of what's to come.

This volume is the first of the Westlands group, but Kerr's nonlinear braided storytelling style loops back and forth in time to resolve mysteries left open from volumes 1 (DAGGERSPELL) and 3 (THE BRISTLING WOOD).

Rhodry, being not only half-elven but lucky enough to have lived through his battles, has reached an age where his long-lived elven heritage is beginning to show: he's still in his prime, and people are beginning to talk. Jill, now a dweomermaster in her own right, confronts him with the need to fake his own death and leave Deverry, rather than have the truth about his right to Aberwyn (or rather, lack thereof) come out. (Nevyn, having fulfilled his ancient vow, finally passed on to his next life.) The best place for Rhodry to go is to his father's people out on the grasslands, leading to Kerr's first detailed treatment of the Elcyon Lacar, known as 'elves', and fulfilling the prophecy that he would die twice.

Apart from the 'present', with Rhodry, the main thread follows Aderyn. Naturally enough, when the elven kingdoms of the far west and south were destroyed by the Hordes, driving the elves out into the grasslands, they lost nearly everything, including much of their knowledge of dweomer. Aderyn, as a human apprentice passing his final dweomer test, was given a destiny to travel west and 'make restitution'. (This picks up a thread from THE BRISTLING WOOD).

We finally see the beginnings of things: how Aderyn's son, Loddlaen, began to go wrong, leading much later to the events in DAGGERSPELL (and even how the ruined fortress out on the edge of the grasslands came to be there). We meet the Guardians for the first time, one of whom first got the dwarven silver ring from Rhodry's then-current incarnation, only to give it back a few generations later when it was needed.

Nevyn really wasn't lying about 'a trace of elven blood in the Maelwaedds'; upon his first return to Deverry from Bardek after Maryn's death, he travels to Cannobaen, the Maelwaedds' home, to begin creating what will later be the Great Stone of the West. (For the stone's fate, see DARKSPELL; for where Nevyn got the idea, follow the thread of the Time of Troubles, which begins in THE BRISTLING WOOD).

We also see how matters were finally resolved between Maddyn and Bellyra: not in those incarnations during the Time of Troubles, but after their rebirths and next meeting in Cannobaen. As for Rhodry's current incarnation, now that he's out on the grasslands, some incidents from past lives are beginning to crop up, and Aderyn fears he may think to ask the question nobody should ask about death unless they're ready to face the dweomer...

The world of Deverry: an intricate tapestry of fate, past lives, and unfathomable magic. With A Time of Exile, Katharine Kerr opens hew territory in the Deverry saga, exploring the history of the Elcyion Lacar, the elves who inhabit the country west of Deverry. It is years since the half-elven Lord Rhodry took the throne of Aberwyn. When Rhodry's lost lover, Jill--now a powerful wizard-- comes to Aberwyn and tells him it's time e accepted his elven heritage, Rhodry faces the most difficult choice of this life.

But with Jill's help and that of a human wizard named Aderyn who has lived for years in the Westlands, Rhodry begins to understand how his life is connected not just to his own people, but to the Elcyion Lacar as well. At last, destiny begins to unravel its secrets, revealing Aderyn's true purpose among the elves--and the gods' deeper design behind Rhodry's dual heritage.

In Deverry the volatile history of humanity continues as a dashing young king journeys to his throne in disguise, fulfilling ancient prophecy. In the Westlands the exiled lord Rhodry travels anonymously as a silver dagger--a mercenary--as he did in his youth, following a destiny that will take him from the grassy plains of the elven peoples to the hills and towns of Deverry, where dark forces are gathering. And from the shadowy land of the Guardians come omens, ill-defined and mysterious, that seem to point the way toward cataclysmic war...

It charts the progress of the Deverry civil wars during the ninth century, and especially focuses on the return of the true king--Maryn--to dun Cerrmor and his marriage to teh young Bellyra; of Rhodry's adventurings as a silver dagger during the wars; and of the strange talisman entrusted to his keeping. And we meet once more the seductive and infuriating Salamander as he searches for and finds a lost love; and witness the beginning of Jill's search for the lost elves of the Southern Isles.

Katherine Kerr's writing takes a bit of getting used to, but it's worth the effort. She approaches her stories with a Celtic storytelling mindset, which means she conveys events according to their significance to the story, as opposed to chronologically. Consequently, while the stories begin in the "present" (which is an elastic concept, anyway, in a fantasy setting), the events unfold, chapter wise, both in the "present" and in the distant past. This can be frustrating, at first, but Kerr's writing is heavily steeped in Pagan and Western Mystery tradition, and the Celtic setting (and mindset) of her characters means that time, or chronological time, is not essentially relevant. To be honest, I found the first book infuriating, as I spent a lot of time trying to adjust to the writing style. However, I found the story engrossing enough that I persevered, and by the second book was so hooked I've read all ten in her three series.

Kerr's story evolves around the concept of reincarnation, and unfinished business, and "karma", and fate. The same souls recur again and again, just in new bodies, over the course of the centuries over which the story unfolds.

Kerr's world is one of High Fantasy, populated by Elves, Men, and Dwarves, as well as faeries/elementals, which she terms the "Wildfolk". However, hers is a slightly more dark, dangerous and less clear cut world than the works of other High Fantasy authors, not the least due to the fact that someone who was your friend in a former life can re-emerge in the story centuries later as a foe, and vice versa. There is a tremendous amount of magic, but it's the magic of the Western Mystery tradition (quite a bit of Golden Dawn and even Enochiana), and that of R.J. Stewarts Faery tradition. There are dragons, and giant beast men.

The Elves are a fallen race, driven out of their magnificent and palatial cities centuries before by invaders, and who now roam the plains as primitives. They possess the potential to be superlative magicians, but the knowledge was lost in the fall of their civilization. Humans, though warlike and shorter lived, have preserved this knowledge, but guard it jealously. The Wildfolk, basically magic incarnate, are unhinged from the effects of "karma", but lack permanence of personality, and cannot grow or develop, cursed to stagnation. The Dwarves are a secretive mystery, entrenched within the earth. Each has something to offer the other, and the story that unfolds is the story of this "technology" exchange, of sorts, between them.

Fans of Marion Zimmer Bradley, who clearly influenced Kerr, will be enraptured by this series, as will fans of Kate Eliott, who Kerr, herself, clearly influenced. It's phenomenal! Devotees of the New Age, Esoteric or Occult will find themselves nodding and smiling as they read, and sincerely hoping Kerr's writing will do for the Western Mystery and Faery traditions what Bradley's has done for Wicca.

I've loved every book I've read of Katherine Kerr in her Deverry series, and this one is no exception. It focuses on new characters and new story lines rather than dragging out the stories from earlier books (which she kindly resolved in a few books). If you like celtic-based fantasy, then you should be reading Kerr!

Although I've read all of the Deverry series books that were published, this was the first in the series I ever read.

I was raised on C.S. Lewis's Chronicles of Narnia and later discovered for myself Tolkien's The Hobbit and The Lord of the Rings. I still remember the evening seven years ago when I opened A Time of Exile and read the prologue about the dwarven smith. I knew from the style and the tone that this was a work of some scope and that I had to decide then and there to follow the series or give this book away and forget the whole thing.

I've followed the series through and have not been disappointed. No other modern author of fantasy has had the ability to hold my attention for so long. There is a feeling of authenticity in every concept that is brought to our attention. We feel, truly, the joy and anguish of the main characters. We chortle madly with Rhodry when the berserk rage takes hold of him, and feel Lilli's despair and guilt about Maryn. And yes, we share the tedium of long sea voyages. Other authors have been flayed for less.

I am, admittedly, a very slow reader. I linger over passages and often have to put a book down to let what has transpired in the past few pages sink in. An average paperback novel will take me a few months to finish; it took me about three weeks to finish The Black Wyvern.

One can recognize that certain passages in the Deverry series are borrowed from pop culture; a scene from the movie Lawnmower Man and the Battle of Agincourt to name two. But where others might be accused of plagiarism, Ms. Kerr manages to pull it off and weaves them elegantly into her tapestry and keep us waiting hungrily for more.

If you're facing a tough challenge in your life, this is a good way to start down the road to facing it. It doesn't have all the answers, but it makes some good points along the way. It also let's you know that you're not the only one facing difficult times.

No wonder Rober Schuller with his inner wisdom shares his thoughts to show you how to build a self image with positive thoughts and know the truth that after every storm, there is a calm! Every problem has a solution. Tough times never last..is a Gift giver to self and others. It's the attitude to get going when the going gets tough as you face the challenges in life and struggle to face obstacles that rob your mental or physical peace. I gave this book to my hubby during his worst trial period of life in his career and he came out with positive influence to be a sane and wise decision maker to start a business on his own and reach to heights of success today! There is always a twist n sharp turns in life and Rob's book with his dynamic principles in life makes you build positive self image and turn out to be a success. Life isn't a tempest nor a midsummer night's dream, But a comedy of erros, Take it As you Like it!!! A Spiritual Motivation - another bedside shelf book to peek-a-boo to boost your spirits. After all, tough times never last, tough people do!

This is a book full of time tested techniques for dealing with adversity.

If he had written the book today, I think that he would have focused more on the development of resilience. That concept was in its infancy when he was writing, but in fact many of the practical methods in the book form basic biulding blocks of this important personal attribute.

Not just a book for people in trouble: it wasn't raining when Noah built the Ark!

Great book! Very inspiring! If you use the book's bottom line, to never give up, and repeat it to yourself so you eventually believe it, the book will work miracles! It is a must read!

"Tough Times Never Last, But Tough People Do!" and the "Be Happy Attitudes" are the best of Robert Schuller. I give out the Tough Times book to friends in tough times. It was a real help to me, and the folks I talk to find it helpful. Easy to read, easy to remember, and easy to apply. This book has the 'how tos' that are needed in the real world -- not high sounding theory.