Non-fiction Books

Thsi is book a wonderful discovery I made. I love L'Engle, she is a phenomenal author with quick wit, and a mixture of science, faith: always a great story. This novel is no different. I loved the imagery and the setting: a beach in turn of the century South Carolina. The story centers around Stella, the young British bride of Terry, her American husband. She is sent to live with his family in South Carolina, as Terry goes off on a secret mission for the US State Department. Since it is the south and it is the turn of the century, the civil war and it's aftermath is as much of character as the people themselves.
Stella soon discovers that Terry's family is not all it seems and as she gets to know them and they her, she discovers some horrible past experiances and secrets that arre still effecting the family today. The novel is full of wit, literary refernces: Her Great Aunts play a wonderful guess the quote game. However, it has a very dark side and only after she has gone through love's terrible side can she and the famlliy come out on the other side of the sun. I can not reccomend this book enough!

Like many other reviewers, I was exposed to Madeleine L'Engle's work through "A Wrinkle in Time." I have reread most of her Children's work and then started through her Adult work. While "The Small Rain" (her first novel) and "A Severed Wasp" (one of her last novels) were excellent and well-written, nothing prepared me for the brilliance and imagination of "The Other Side of the Sun." Right from the first chapter I was drawn into the fascinating story of the post-civil war south and all its lingering conflicts. I found all the characters completely believeable and compelling, especially Honoria and the Aunties. Even minor characters were completely fleshed out and interesting.

I found myself newly fascinated with the Author. What kind of a person can dream up such a complex and beautiful storyline and fill it with such amazing characters? The complex story never became predictable or trite. What a refreshing and thoroughly entertaining piece of work. In my mind, it is L'Engle's best.

An elderly widow, Stella Renier, returns from her husband's funeral to her family in the American South. Before facing the rest of the family she and her grandson spend some time together at the family's coastal estate, Illyria, where she relates to him the story of her arrival there as a young bride many years before. Stella had traveled to Illyria to await her husband's return from a mysterious and dangerous mission. She found herself struggling to understand both the alien cultures of the antebellum South with it's strict and confusing rules and the family with it's long history and many secrets. She finds help in the most surprising places including her husband's long dead grandmother.

For those familiar with L'Engle's other works this one does not feature either the Murray/O'Keefe or the Austin families of her more well known works. The Renier family is alluded to, though, in some of these works. As always with L'Engle's works the characters are compeling, drawing the reader into the complexities of their lives, eliciting first a smile at their eccentricities and then a tear at their sorrows.

This lesser known work is a treat for a L'Engle fan or a wonderful introduction to this marvelous author, in either case it is a story that will stay with the reader long after the last page.

I think L'Engle touches...even caresses...a special nerve in those of us who become her lifelong fans. She touched my imagination when I was just 10 years old as I read "A Wrinkle in Time." Her image of Camazotz has stayed solidly at the front of my mind ever since, and I have enjoyed dipping into her well throughout the years to meet more characters, to travel to new cultures, to have new adventures, and to silently cheer on many as they come of age.

That all said, and as many other reviewers have said, this book IS DIFFERENT!!! In this story, L'Engle makes some very heavy points through very beautiful but sometimes dark mediums. At first, the story seems ordinary enough as an English bride, Stella, moves in with her husband's family down in the south at the turn of the century. But even as you meet the cast, you have premonitions that this tale might not flow as nicely as some of her other works. There is a darkness to the people that takes away even from the amusing eccentricities of the family.

As the story builds - bringing in the frightening power of the KKK and of the African-American demon worshippers - you continually fear for this incredibly vulnerable English girl. While Stella is able to find some comfort in the journals of a long-deceased relative named Mado, you wonder where she can turn for help as she unintentionally stirs up a very dark hornet's nest. You know Honoria, the "maid", is a spiritual powerhouse, but is she strong enough? Will Stella's husband come back in time? Will anyone else intervene for her?

Via this very difficult set of circumstances, L'Engle is attempting to prove out Mado's point that only when love has had to go through the burning of the sun is it pure. Before it goes through such fire, it is filled with impurities and deception. But who has the courage to undergo such trials? L'Engle's characters - especially Honoria and Mado - give one courage. And, throughout this book, L'Engle brings in small poems that pierce the heart. I'm not usually much of one for poetry, but I copied these into my journals as keep-sakes.

A must-read for every L'Engle fan and for anyone who is looking for a book to take you a bit out of your comfort zone.

Innocence can be a deadly thing. So Stella Renier, nineteen-year-old bride from England, learns when she reaches her new husband's home in South Carolina. It's 1910, and the veterans of the War Between the States are growing old. Yet the conflicts that war failed to resolve - along with some new ones created by its aftermath - simmer just below the surface of the coastal community surrounding the house called Illyria. That house will become the one place Stella regards as home throughout her married life, which is destined to be long. We know this because elderly and recently widowed Stella narrates the story for her adult grandson, during another era of turmoil in the American South. But in 1910, as she comes to Illyria without the husband she's barely had time to wed - sent to his family while Terry Renier sets off on a secret assignment for his employer, the U.S. State Department - it's a fantastic house in an alien country. And her husband's family are, of course, strangers.

How can Stella, who grew up at Oxford, understand the basics of keeping herself safe in a place where she's expected to treat the first Negroes she has ever met as if they were members of a different species? How can the girl reared by an agnostic father grasp the conflict between the powerful Christian faith of Honoria, a one-time African princess who takes care of everyone at Illyria, and the dark spirits invoked by the "Granddam" in the desperately impoverished black hamlets just inland from the beachfront homes of the Reniers? Stella doesn't even know the significance of robed horsemen who ride by night. But her husband's people all know it. And so does the English-educated black physician whose danger she increases with every innocent gesture of friendship.

"The Other Side of the Sun" is a book to read through to the end, and then read again. It has much to say about the nature of faith, of fate, of aging, and of human love. But most of all, it's a well-told and compelling story about characters as real as any I've ever met on the printed page.

--Reviewed by Nina M. Osier, author of "Love, Jimmy: A Maine Veteran's Longest Battle"

Joe Keenan's second novel is even better than his first! The farce gets wilder, and it remains consistantly funny. Joe makes it look so effortless that he shames those of us who have turned our own hands to the comic novel and turned out lesser work than his. This time out Donald and Ivana Trump are satirically lampooned, or more accurately, harpooned, disguised by a microscopic veneer of fictionalization. This book is hysterical. If you don't laugh at it, I can only pity your humourless existence.

This is a great follow up to Blue Heaven, which should be read first since they refer to some scenes in this book. The same cast of zany characters come to life again here, in equally as insane scenarios. Similar character acts comparison: Lucy and Ethel.

Joe Keenan's "Putting on the Ritz" is a novel that is like watching Rosalind Russell in "Auntie Mame", quick, witty, full of laughs and the perfect way to spend a rainy afternoon. It is a sequel to his first novel "Blue Heaven" and surpasses it with engaging characters and a dizzying plot that keeps you turning page after page. I have read the novel several times and enjoyed it more with each reading.

Now that Mr. Keenan has proved himself successful on television as a writer and producer for Frasier on NBC, perhaps he will take pity on his fiction fans, take a season off and catch us up on Philip Cavanaugh's latest adventures.

Please Joe, we want another book!

Does anyone know Joe Keenan personally? He has got to be convinced to keep this going. I can't tell you how many times I have read this and Blue Heaven - I simply never tire of them. Also, I am wondering if someone knows of other similarily genial books in this genre that I can get my hands on. I can't help but think that the rest will be disappointing knock-offs but I'm willing to try anything!

Even better than the first book, Keenan's humorous take on gays and New York is entertainment of the first rank. Anyone who can do analogies to Gershwin, Philip Glass and Charlotte Corday has lots going for him in my book. This time Philip Cavanaugh gets roped in by Gilbert Selwyn into an on-going feud between rival millionaire publishing magnates. Philip knows better than to get involved in another of Gilbert's schemes, but gets trapped by love--the initiator of the plot is this beautiful man named Tommy Parker who Philip falls madly for. Of course, Claire gets involved as well (without knowing Gilbert's involvement or the actual scheme) and the books is an exciting ride to the last page.

My only disappointment is that, as far as I know, Keenan hasn't written any other books. Someone hurry up and give that man a contract!

This book, my all-time favorite novel, was Anthony Hyde's first novel and to appreciate it you have to remember that in 1984, when this novel was published, there was no Internet, no Google, very few electronic methods of getting information. Hyde's protagonist, Robert Thorne, a former journalist, is a Russian history expert who is drawn into a mystery that consumes him to the end. Thorne is a very likable gentleman, no quirks, utterly normal. When Thorne probes the mystery surrounding him, he uses time-honored methods of finding information, such as the Bettmann Archive, talking to people involved, etc. whereas today most journalists can simply Google someone.

As for the plot, if you've ever read Graham Greene's "The Third Man", you'll find some similiarities. Because Hyde uses the 1st person, we get every thought that Thorne is thinking, and so you get a sense of an updated Mickey Spillane "hard-boiled detective" novel, too.

Because Hyde was writing his first novel, he avoids many of the "hack" techniques other writers often employ, there are no cliches, no gratuitous sex scenes and no inane dialogue.

You can see where Hyde gets some inspiration, though; there's a little bit from "The Godfather", a scene where Thorne is in a restaurant in Leningrad, talking to a Russian KGB agent, that is straight out of "Casablanca".

But, these are quibbles - I love this book and it's replaced "Doctor Zhivago" as my fave novel of all time.

I've destroyed my copy from having read it over and over. This used to be in my father's bookshelf until I was bored as a young lady and absconded with it (SHHHHHHH. That was about ??(mutter mutter mutter) years ago.

I love Soviet history, particularly anything to do with the Russian Revolution and execution of the Tsar. This dances around it through the whole book. There's unrequited love and history and political intrigue. How can you go wrong there? Wonderful intelligent and captivating.

THere's my two cents.

This is a very readable book. The storyline is ever developing and doesn't necessarily lead you where you think it will. It also was refreshing to read a story in the first person, that did not spend enormous amounts of time building themselves up to be experts in this or that or telling you how with-it they were by wearing name brand clothes.

It is a mystery story that is believable in its development and execution. You can identify with the main character, because it could be your next door neighbour. And as an added bonus, there is a lot of information about the Soviet Union that is interesting to know. Good book!

I've read well over 1000 novels in my life, but after this one, I felt compelled to write a review. I'm not saying it's THE best story I've ever read, but it's the most engrossing book I've tackled this year hands down. The well-conceived plot is absolutely impossible to guess and the settings are unique when compared to the cliched L.A. or N.Y. settings of most of today's bestsellers. Get this one before it's out of print.

This is one of my favorites of the cold war fictions. I loved the location descriptions and choices; you start in North American and just keep going east. This is a smart, fun book that gives the reader a great story and a lot of interesting historical facts about Russia. This really is a book that has two - three very well developed and written plot twists that makes you stay on your toes. I have reread the book and it is something how well he places the road signs. This is a great book; unfortunately he was not able to keep up this form into his next.

Very well done. We enjoyed listening to it. The narrator did an excellent job of making the story come alive.

The book Doesn't lack for action and it is a well written book. The one thing they could of done to make it better than it is. Was have men or a man do the male readings for the book. Miss Rose did a very good job with the female parts but was lacking when it came to the male parts in the book.

This one is, in my opinion, probably the weakest Sackett story so far. I admitt I am new to Louis Lamour (relatively). I have read 9 of his books so far and I enjoy them very much and continue to read more. The Sackett series are a special lot but I was not overly excited about this particular one. It is worth reading, I guess, like any other Louis Lamour, but I would put this one off because there are many more exciting ones than this.
Still a Lamour fan

Louis L'Amour writes like a girl, and when he's telling the story of 16-year-old Echo Sackett, that's an excellent thing to do. Echo leaves her mountain home in 1840 to claim an unexpected inheritance in the City of Philadelphia, and the story is principally about her efforts to outwit and outfight the criminals who want to make sure she doesn't get back to the mountains with what is rightfully hers.

Echo, every inch the lady, has spunk and smarts enough to go with the knife she calls her "Arkansas Toothpick." Being a Sackett, she also has a lively sense of her family history. As in most L'Amour books, the Sackett ethos -- help your kin at any cost -- is on full display here. I also enjoyed the book because it includes a free black man and a gallant city boy, not to mention serious villains. Their adventures, and reactions to them, are true to the time and place of which they're part.

It's also worth noting that the moral code that suffuses this book -- the idea that doing good deeds is like scattering bread on the water -- is L'Amour's version of what author Catherine Ryan Hyde would famously call "Pay it Forward" many years later.

In short, on the river or off of it, Echo Sackett is good company, and not just another pretty face. She reminds me of a family friend who ignored the unspoken navy blue dress code to interview for an elementary school teaching job wearing a lime-green skirt and matching Eisenhower jacket. You'll enjoy this story even if you haven't had the good fortune of knowing a young woman of such character.

Echo Sackett is one of the few women mentioned of the family. She is young, but she is a better shot than her brothers. Echo is also a strong female character who still aspires to be ladylike and not masculized.

But she still knows to "expect Higginses" when she finds she is due an inheritance and travels alone to retrieve it. Fortunately, being a woman is an advantage in a world of men who will underestimate her abilities.

I admire L'Amour for writing such a strong, young female character. Girls may become interested in reading westerns after their introduction to Echo Sackett.

By writing the stories from every character's point of view, Dubus gave me an understanding of why people do the things they do. It sounds simple enough, but it obviously isn't. People we know or read about, suddenly explained.

I just finished reading Dubus's Selected Stories for the fourth time. I've also read his other books, and I'm glad to report that Dubus is one of the few writers whose work can be read again and again with increased pleasure, a rare enough thing.

So many kinds of stories are packed into this volume -- short stories and novellas, deep character studies ("A Father's Story"), topical stories ("The Fat Girl"), "high concept" stories ("Killings"), stories with a deep knowledge of the intersections among family, sex, and faith ("Voices from the Moon"), stories that understand compassion and forgiveness ("Rose"), and stories that explore love in the midst of reckless violence ("The Pretty Girl")

Although many of these stories are thrilling enough, plot-wise, to keep you reading, it's the deep knowledge of the motivations, the pecadillos, the generosities, the anger, the unease, the longings, and most of all the love we are all capable of holding in our hearts, all at once, that makes these stories so worthwhile. Andre Dubus does not shy away from the dark places, and he writes his characters with such empathy that we are willing to go there with them, with him.

Selected Stories is an important book, and a book well worth a patient first read. I think it is a book that will stand the test of time. If there is any justice in the world, it will be read a hundred years from now, a necessary bit of news about what it was like to live in the twentieth century, no less indispensible than Hemingway, Faulkner, or Fitzgerald, and ten times as wise.

Andre Dubus's stories, as they wrestle with the issues of religion, morality, and familial duty, captivate the reader with strong narration and elegant foreshadowing. They also employ various shifts in point of view, and sustain the reader's interest while taking detours for lengthy description and interesting back-story.

I was unable to finish the book all in one shot because I found I needed to stop and reflect in between stories, so moved was I--mostly because Dubus had a way of taking our simple understandings of the world--juxtaposing violence and innocence, faith and the faithless, priests and adulterers, sinners and the redeemed, the dead and the living--and making them complex.

I was bowled over by some of the first stories in the selection, "Killings" and "The Pretty Girl", which take horrible, violent situations and try to make some sense of them by offering the protagonists the opportunity for revenge. But the satisfaction in that revenge is fleeting for it takes almost as much out of those who have acted out of revenge than the original crime did.

"If They Knew Yvonne" is another story of revenge--except this time it is a young man who at one point seeks to wash away his sin (masturbation) by doing himself physical harm. He does not like that he is weak in his body and seems to believe that his sin taints the rest of his life. That is until a priest sets him straight. In the end, he is left reflecting on his two young nephews and hoping for a better understanding for them.

At his best, I think, is Dubus when he took the POV of a woman or girl. In "Anna" , the protagonist, Anna Griffin age 21, helps her boyfriend, Wayne, to rob a drugstore and is then weighed down by guilt (although she never names it as such--either she is incapable, unaware or avoiding the truth). After the robbery, Anna and Wayne go to their local bar and get drunk--out of a sense of exhilaration and fear. In a poignant moment, Anna walks outside to clear her head and briefly reveals her youth and, perhaps, her sense of hopefulness (which one imagines will never be fully realized)--almost as though she is reborn. With the money they have stolen, Anna and Wayne buy a bunch of things at the mall (instead of filling their fridge). But neither of them can fully enjoy these things as they imagined they would. They are still the same, poor desperate couple but with a vacuum cleaner, television and stereo. It would be easy to project their path as one of disaster, but Anna's hopefulness in the end leaves the door open for a breakthrough. In the Laundromat, she washes their clothes and seems to cleanse them both of their sins and bring them back to the beginning.

"A Father's Story" is the last story in the book and the only one I had read previously. It is deserving of its location and an intense and moving story--once again how man can become his own God and thus be forgiven for what he does to protect his children.

Still, the story that left me most breathless was the second to last one, "Adultery." It is a complex story of a husband--Hank (a writer)--and wife--Edith--who have fallen into an open marriage (the husband sort of springs it on her several years in that he believes in fidelity but not monogamy). For a few years, Edith takes revenge on Hank by taking several lovers, but he is nonplussed and brings his own girlfriends by the house on occasion. It is not until Edith commits adultery with the ex-priest Joe--whose frail body comes to embody their sin--that she is awakened. It is when Joe becomes ill with cancer and has his final point of communion (the night before he is admitted to the hospital for good they have sex one last, fevered time) that Edith realizes what she must do--still it takes a while for her realization to live and it is not until the very end that she speaks it: she will divorce Hank--thus signaling the death of her true love. She sacrifices their marriage to condone for the sins they have all committed.

What is most beautiful about Dubus's writing is his love of his characters. He seems not to judge them. He seems to see their faults, allow them their failings, ask that they redeem themselves and then offer them forgiveness. He is, then, their God--but not a pure God, not a God without sin himself. A God who can empathize because, in the end, that's all we really have that makes us human.

Not to dismiss acknowledged contemporary story writers like Updike, or Carver, or Doyle or Oates or a dozen others you may have read in school or out, Andre Dubus is BREATHTAKING! He captures the angst of the internal, the behavior of the external, the glint of the physical detail, the subtlety of emotion like NO other contemporary writer. After reading hundreds of short story writers, I have never been so moved and learned so much about he human heart. Put down your DSM-IV, therapists, put away the existential tracts of Camus & Sartre, and PLEASE put away that post-modern numbing theory. Learn about life through the characters, places and situations you shall discover among these brilliant tales. Now, here is a true anecdote. I had read a story in this collection "Killings," and said to myself, this would make a FABULOUS film. I was all set to translate fiction to the screenplay genre. It was going to be a stunning work no studio would turn down. Then low and behold, it was all in vain. This story became "IN THE BEDROOM," the award-winning film. So obviously, my intuitions were confirmed. Read these stories for confirmation of what it means to be alive, for here you will discover the principle behind Joseoph Campbell's remarks about the meaning of myth: "Life is struggle; life is pain, but by God, you know you're ALIVE!

What can I say, this is Rumpole III? As with one and two, always great reading! I miss the Rumpole's on PBS. I hope they rerun soon. The books, of course, are delightful.

Coleen from Kent, Wa

(If you're not already a fan, you will be after you read these tales!) Clever, funny, and moving - as always!

I certainly don't need to review "Rumpole of the Bailey." You know all about it. So, I'll just mention that he's especially good company when you fly. You can read a well-crafted story in what, 30 minutes? Ideal for airports and airplanes. Do this, sit for an hour, do that, sit for another hour, etc.

Horace Rumpole presents himself as just an Old Bailey hack doing run-of-the-mill burglary defenses and the odd car-heist case. In reality he defends the best in the Anglo-American legal traditions against modern forces (for example, the presumption of innocence) - and this was written 20+ years ago!

Rumpole is the lovable defender of the average man and foe to all stick-in-the-muds. His motto "Never plead guilty." It could just as well be comfort the afflicted and afflict the comfortable. Hilarious, warm, human, touching, self-effacing and ever-ready to pierce the pompous gasbag - that's Rumpole of the Bailey. Start with the First Rumpole Omnibus and work your way through the rest.

As an American lawyer, I wish someone would create an American legal hero to match Rumpole.

Guaranteed to tickle your funny bone and warm your heart.

The Rumpole books are wonderfully entertaining and well-written mysteries that revolve around an aging English lawyer named Rumpole.

For readers not familiar with the author, John Mortimer, and this series of short stories and novels revolving around Rumpole, the central character, I offer the following introduction.

The author, Mortimer, was an English lawyer who also is well known for his writing. He has written popular British screenplays and television adaptations such as Brideshead revisited. He has written novels. And he has written a series of short stories with a few longer stories about an aging English lawyer named Horace Rumpole. Mortimer's background makes him uniquely qualified for this series.

Rumpole's stories are usually interesting cases the title character has been involved in. The judges, various attorneys, the defendants (Rumpole only takes defense cases), acquaintances and family members are constant characters throughout the series. Rumpole is a cynic who sees the humour (British spelling in honour of Rumpole) and absurdity of modern life. These tales are also quite ingenious mysteries. These tales are loosely chronological, but you can read any of the stories in any order and still get what's happening because Mortimer always reintorduces Rumpole briefly at the start of each collection. Rumpole's wife, Hilda, - referred to by Rumpole as 'She Who Must Be Obeyed' - is a wonderful foil to Rumpole's cynical humor and obstinance.

The collections of short stories came out individually in books containing several stories, and later as a collection of a trio of these books called Omnibus editions. The first three collections - Rumpole of the Bailey, The Trials of Rumpole, and Rumpole's Return - are in the First Rumpole Omnibus. The next three collections - Rumpole for the Defence, Rumpole and the Golden Thread, and Rumpole's Last Case - are in the Second Omnibus Edition. The last of the Omnibus editions, the Third (and the one being reviewed here) contains the collections Rumpole and the Age of Miracles, Rumpole a la carte, and Rumpole and the Angel of Death. There are four other collections that are only available singly, Rumpole on Trial, Rumpole Rests His Case, Rumpole and the Primrose Path, and a prequel Rumpole and the Penge Bungalow Murders. Every single one of these books is a joy to read. Finishing this series left me almost tearful that there were no more of these books and this splendid writing left to read.

Now this volume contains stories that revolve around more modern issues like euthanasia, civil rights in a world of terrorism and the like. But my favorite stories usually involve the humorous foibles of Rumpole's circle. 'Rumpole and the Tap End' is a rollicking story about mis-steps of Rumpole's former Head of Chambers who is now a judge. I love the character developments of these kinds of stories.

I often give Rumpole books as gifts and I re-read these stories occasionally when my spirits need a lift from paying the taxman, wondering where my youth went, filling out forms at work, watching my waistline expand as my hopes and dreams dwindle, and wondering why all the inferior beings around me seem to be so much more successful than me. I recommend these stories, and specifically this volume highly. There is also an old TV series that is extremely well done available if your tastes run more to watching than reading.

I bought six of my favorite childhood books for my great-grandson..."Little Black Sambo", "The Three Billy Goats Gruff", "Henny Penny", "Chicken Little", "The Three Little Kittens", and "Classic Tales of Brer Rabbit". My great-grandie is 2-1/2 and I can't wait to read these wonderful stories to him.

I bought this book on an impulse, simply based on the brightly colored illustrations and a brief refrain that that appears when you look inside the book. I couldn't be more delighted with this purchase. The book is a wonderful addition to my fairy tale library and my kindergarten kids absolutely LOVE listening to and participating in the retelling of the story, especially the rhyming refrain..... "I'm a troll from a deep dark hole - my belly's getting thinner. I need to eat and goat's a treat - so I'll have you for my dinner!".

Timely delivery. The book was great. My great grandson loved it.

Cute book with pictures that keep their attention. My boys walk around all the time saying "who is going over my bridge" in their gruff little troll voice! "Don't eat me... I too little," they say. I am so glad I added this book to our collection.

PS - I agree: How lame that Amazon has mixed together reviews for all these various versions of "Three Billy Goats Gruff." They are all so different and all by different illustrators and authors!

Anyway, this is a comment about Marcia Brown's 1957 version, which I found to be incredibly gory. Rather than merely knock the troll off the bridge, this billy goat gruff graphically dismembers him, poking out his eyes and reducing him to "bits, body and bones." Yuck! There are other, mellower version out there... This one's not a favorite. (ReadThatAgain!)

These delightful books introduce young children to the glories of the great masterpieces in an approachable, hands-on way. The reproductions are beautiful, the text is imaginative and the idea is extremely inventive/They would make perfect gifts for children of all ages and the adults would enjoy them, and learn something, too!

This is a great touch and feel book! It includes:
Van Goghs Bedroom at Arles- Vincent van Gogh
Still life with Cherries and Peaches- Paul Cezanne
Still life with Three Puppies- Paul Gaughin
L'etoile (the Star)- Edgar Degas
A Girl with a Watering Can- Pierre-Auguste Renoir
Children on the Beach- Mary Cassatt
The Water Lily Pond: Green Harmony- Claude Monet
The Cradle- Berth Morisot
The Starry Night- Vincent van Gogh

We love this whole series of books! The authors include a short paragraph at the end of the book about each work of art and the artist who created it. While the prose in this book isn't stellar, the art is truly the star, and makes the book fun to read for us grownups.
Both my 18 month old and my 3 yr old enjoy these books! And so do I, the mommy!

"touch the art series" are some of the best in the market of children's books and these authors are fabulous. if you love art and would like to pass that love on to your child or grandchild, these are a must. I LOVE THEM!!

My 2 1/2 year old granddaughter adores this book! She selects it over and over, again. Because of "Making Van Gogh's Bed" she can identify works by these artists in other books or on posters.

This book has it all. Three of the five senses anyway are engaged - sight, sound, and touch.

What do we see?

Art - great art. Masterpieces of Monet, Degas, Renoir, Cezanne, and, of course Van Gogh. Each spread introduces a famous canvas. Each one is a feast for young eyes. And older ones too...

What do we feel?

Each reproduction has a tactile area that all will want to touch. Scratchy sandpaper in Cassatt's Children on the Beach. Silky peach fuzz in Still Life with Peaches and Cherries by Cezanne. And of course a frilly tutu in L'Etoile by Edgar Degas.

What do we hear?

Rhythmic rhymes alongside each painting take us through a day at the beach.

It begins with Van Gogh's bedroom at Arles -

Wake up!
Good morning sleepy head.
It's time to make your messy bed.

It ends with The Starry Night, also by Van Gogh.

It's dark outside.
Stars are shining bright.
Pull up your covers
and say good night!

Courtlynn, age 14 months, gives it a strong endorsement.

This pair of books is a satire, and it is fairly obvious of what type. A couple of really advanced aliens decide to monkey with life on earth. This leads to humanity developing rather quickly, but it turns out 'dem people are rather immature and like to hit things, kill people, and blow stuff up.

This results in a lot of dead people stuff for the aliens to play with, becoming confused for the god guy and the devil guy. Fairly amusing.


3.5 out of 5

This is a strikingly original fantasy novel about fascism and foolishness. Humans, it postulates, are a species condemned to struggle against the pain of having "a mind capable of conceiving eternity trapped inside a body that dies." Two energy beings, blind drunk after over-indulging (in what?) at a graduation party on a series of backwater worlds, miss the bus home. Facing the prospect of eternal boredom, they begin to tinker with the mental capacities of a few unlucky apes, and presto, "Christ, Beethoven, Auschwitz, thumbscrews and philosophy, Magna Carta and White Supremacy, poetry, poison gas, nuclear fission and romantic love" are born. Fast-forward to present day, and the two decide to intervene to prevent the marriage of Charity Stovall, an intelligent but unthinking religious hanger-on, and Roy Strider, a small-minded, vicious proto-fascist. But they do it by show-and-tell, convincing Charity and Roy that they're dead and letting them roam through Heaven and Hell to find wisdom--or damnation (it's your choice, after all). Highly entertaining, packed with original, witty, novel conceptions and ideas. (About the only book I can think of that resembles it to a degree: Robert A. Heinlein's "Stranger in a Strange Land.") Four stars instead of five only because the characterization is limited in depth.

This book is about a bus driven by a man named Mack. He was driving children around and people on the street where yelling at Mack. They were telling him to watch out and Mack did. What was down there? It was a dog that kept barking at everyone. Mack tried to catch it but just kept barking. People on the street were getting mad at the dog and were looking for the owner. A man was in the bakery shop asking if they seen something for him. Read the book to find out if he found it.
I liked the book because of the surprise ending and the pictures. Katie V.

You have to read both books to get the full effect. Theology/mythology meant to enlighten/amuse/provoke thought and, yes, even educate in a painless manner--Read these books!!

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Waiting for the Galactic bus begins at the begining...of the human race that is. Some aliens who can exist in solid form or in energy are taking a trip around the universe, tripping all the way since they're young and want to try the latest and greatest in sensory experience through thier equivilant of drugs and extreme sports. They happen upon a planet where they spend some time drinking in the rich atmosphere and experiencing various solid forms, getting drunk on the sensations. When they're ready to leave, two brothers in thier number who are considered trouble makers and losers are too drunk and get left behind. The others decide they'll come back for them in an aeon or two, serves them right for being drunk jerks, right?

Barion and Coyul wake to find themselves alone, with nothing but the primitive life of Earth to keep them company. Since they're so bored, one decides to give self-awareness to a monkey and start a human species. His brother warns him against this, as there are serious laws against elevating species before they are prepared for it, the disasters resulting from such irresponsible advancement of a species are terrible and the punishments severe. But, since the deed's been done, might as well improve on the design, right? figures the other brother.

And so, it is the begining of all the creativity, sadness, hope, destruction, love, hate, art, and violence. Barion and Coyul soon discover that this new species just keeps going on after they die in the form of consious energy. Not quite sure what to do with them, they decide to throw them a party, and "Upstairs" and "Downstairs" develop, and religions on earth develop and influence the way the realms develop.

So, after witnessing human history, and all the violence it can produce, as well as recognising the potential, they decide to intervene to stop what could very well be the next Hitler, before he is even conceived. And here is where our human charachters enter. Charity and Roy...Roy the Nazi wanna-be, and Charity, who has great potential, but doesn't know much of anything outside what she learned in a podunk little town; poverty, the local tabernacle church, and McDonalds.

Coyul and Barion take them on a ride through downstairs they can never forget, giving them both thier individual dreams to wake the sleeping genious in Charity, and to show her the monster the Roy can become. Charachters throughout history are also working in the realms of upstairs and downstairs and add a lot to the story. All told in witty, thoughtfull, and downright funny prose. A very enjoyable read.

I loved this book! It is a great example of Mary Stewart's ability to create suspense and atmosphere in writing. I only wish that she would write another book sometime. I don't even know if she is still around.

As the synopsis and other reviews say, Wildfire at Midnight centers around Gianetta Brooke, who, after a bad year, decides it's time for a vacation. Following her father's advice, Gianetta leaves for the Isle of Skye in the Scottish Hebrides, thinking this will be a relaxing trip. Instead she runs into the last person she'd ever wish to come upon, her ex-husband and to top things off, happens to be staying where murders are occurring.

Wildfire at Midnight is an exciting murder mystery from Mary Stewart. I especially liked the character of Gianetta Brooke, who came out three-dimensional and well drawn.

My one problem happened at least twice. Gianetta is discussing infidelity with someone and states that she believes that if you love your husband, instead of confronting the cheating, you should ignore it. I hated that, and thought it was a very tasteless and stupid comment. Other than that, I really liked this book.

Overall: a page-turner well worth a look.

This was the first Mary Stewart I read and I was hooked. It is still a favorite along with Madam Will You Talk and The Ivy Tree. The author is masterly in setting up the suspence and romance along with compelling action.
In Wildfire at Midnight, the setting is the Isle of Skye and the tension becomes quite frightening as the heroine feels drawn to a possible murderer. Someone is committing ritual murders on the mountainside and the murderer is likely one of the guests at the remote lodge.

This is a very good book, but the first chapter is a beautifully polished gem. The description of the heroine's look-alike but very different ancestor is unforgetable: "the Vixen Venus ...a Beauty in the days when beauties had a capital B, and were moreover apt to regard beauty and capital as one and the same thing."

Some books are like relatives. You love them despite their lack of perfection. Perhaps they are better than other books in the ways that count - with characters who truly live in their pages and your imagination. Or perhaps they become alive because they transcend the confines of genre fiction and have the complexity of real life.

I love this book, and the author's Nine Coaches Waiting, but both books raise issues about love and trust that I don't think they resolve realistically. However, it is probably my persistent re-reading of the books that caused me to see flaws the casual reader would not.

When I was a child in the 1970s we were on a holiday on the west coast of Scotland and by chance, taking refuge in the car from the torrential summer downpour in the barren square of Portree, my father turned on the radio. What came on was a creepy, disturbing drama set on Skye. A young woman, the only visitor to this country hotel not on the suspect list for a grizzly murder is sitting in the dead of night by the unconscious body of another would-be victim of the murderer. "How appropriate!" my mother laughed, and we listened on. The landscape of the story was the same landscape that was around me, though I couldn't see it for the rain, and there were strange characters, a crazed climber, beltane fires and murder. I thought it was great and it really, really stayed with me. It was years later that I read Wildfire at Midnight and realised that this was the self-same story I'd heard as a child. It's cracking, unashamedly romantic, but really rather well written. A good read for a sick day tucked up on the sofa, or a quiet night in. Mary Stewart's great - if only new pulp fiction could manage the same alluring balance of literary poise and good swash-buckling plots. No one else does it as well.