Non-fiction Books

I really loved the story. It's a very real story. Any one who's parents have ever fought will probably be able to relate.
This is the $25 hardcover edition. The book is dark green cloth. The title is on the front cover and side in gold. Cover seems well made. The print is usually okay, but maybe three or four times in the book one paragraph gets slaughtered. It's like the old ink-jet printers when the page jammed and you see part of the sentence which runs over another sentence and you can't read either, but the page isn't folded. It only ruins three or four paragraphs and you can read most of if. It's pretty annoying though at first. Other then that it seems like a sturdy book.
Still a worthwhile book to own if you like L.M. Montgomery.
Five stars for the story, three for the printing.

I enjoyed the Anne of Green Gables series of books. But, if you haven't read LMM's other books, you are missing out. I especially like "Jane of Lantern Hill". And my favorite "The Blue Castle" which is perfect romance.

Read these 2 books and her others. You may have to dig a bit but it'll be worth the trouble.

This was L.M. Montgomery's very last book that she's ever written during her lifetime. I own all of Montgomery's books, and after reading them over and over again, I have to say that this book is the best of her writings (right after the Anne of Green Gables series, of course...). I highly recommend this book, and encourage you to read it, for it shows what kind of inner strength and courage one can possess. Additionally, I recommend all of Montgomery's books to read, for being an avid fan, her books can teach us many lessons that we ourselves can apply during our lifetime.

As someone who spent many hours alone as a child, I found I could really relate to this book. I first discovered it when I was eleven or twelve. I loved reading about how Jane'e grandmother dominated her and made her feel out of place and about how people at school regarded Jane, because I was treated in the same way. If you've ever been pushed around as a child, or as an adult, read this book. I'm 21 and have been forced to grow up rather quickly in my life, still I enjoy this wonderful novel. I thought the character of the mother could have been more developed, otherwise it was absolutely a stunning work of art. Go SUPERIOR JANE! I can also relate to the way Montgomery portrays Jane's dad, and Jane's relationship with her dad. It's interesting how when Jane sees her father's picture in a magazine, even though she does not know it is him she cuts it out and keeps it, and it is heart-breaking how her grandmother takes it away from her. It is touching how Jane helps her poor orphaned friend and neighbor, and her grandmother's disdain for this makes one exceedingly angry. I also thought Jane's mother did not defend her daughter enough. Montgomery's own father made himself scarce to her when she was young, moving out West and remarrying. Montgomery seems to have never gotten over this, so when she describes characters like Emily's father, and Jane's father, she does a wonderful job of speaking of how intimate they are with their daughters. As a child of divorce I loved reading of how Jane played a role in getting her parents back together. .......

I read this in my early teens, after I had read most of the LMM books (the Anne series, the Emily series, etc.) I loved them all, especially the Emily series, but Jane of Lantern Hill is my favorite of them all. Jane Stuart is not, as many of LMM's other heroines are, obsessed with the idea of being a writer, storyteller, etc. There is no potential boyfriend/husband lurking in the story either. This book is more about the how understanding and love can transform an introverted, unhappy child into a confident, intelligent girl (the story ends when Jane is about age 14.) In that sense she's really one of the most understandable and likeable of LMM's heroines. She is also very modern. You can easily imagine her growing up to become a successful career woman, something you can't really say for many of LMM's other heroines, other than the at-home and time-flexible occupation of writing. If I had an early-teen daughter I would buy this book for her, especially if she has any self-confidence issues.

This is also one of the few books that deals with the subject of divorce or the separation of parents from the perspective of the child in an intelligent way. Given the time that it was written, divorce was a horrible taboo, and the resolution of the story is a bit unrealistic perhaps. That's the only quibble I have with the book.

Incidentally there was a television movie based on this book, by the same people who did the excellent Anne of Green Gables series (at least, the first two parts of that series were excellent). Don't bother with the Jane movie if you love the book..it only vaguely resembles it.

This book is so simple and sweet. It's pure poetry. I love Russell Hoban, and this is definitely a must if you enjoy the Frances books. Baby Brute finds a "litte wandering lost good feeling" in a field of daisies and she puts it in her tiny pocket. How wonderful.

The Little Brute family lives a miserable existence...even has to eat sand and gravel porridge...but something wonderful happens and the family
undergoes a magical transformation...this book is so well written it will be a family favorite for years to come..Every mother can relate to Mama Brute who stays home to "bang the pots, thump the furniture, and scold the baby."

This book was one of my absolute favorites as a child so I just purchased it for my children who also love it. I'm hoping that it will be one of their favorites when they are adults remembering fond memories of reading books with Mom and Dad. A great message about manners and attitude! You have to love Russell Hoban's books.

Every child wonders why certain peers are mean. This book paints the story of those unhappy families, with unhappy children, and offers the grand hope they may change! Among the Brute family, parents and children suffer a self-perpetuating attitude malignancy until a solitary "good feeling" enters the picture. When everyone gives "being nice" a try things change quickly and permanently for the better.

I WISH this book was required reading in EVERY school in America. The book shows that each and every child can be a catalyst for kindness. Fathers and Mothers aren't happy when they aren't providing for their children. Children aren't happy when their parents are miserable. Its a vicious circle. And, happy kids in every school will recognize the Brute families they encounter. However, the Hobans' message to TRY BEING NICE as a platform for uplifting and contagious change works for the Brutes, who stage a quick turn-around! One's living conditions are as much about one's attitude as about conditions.

I bet the Brutes (I mean the Nices) even planted a flower or two next to their doorstep ... together!

This is a book that I remember from my childhood. I started looking for it when my daughter was born and she will be seven in May. Much to my delight, it recently became available on Amazon. I ordered it to share with my two year old son. My son just loves it and so do I!

The story is about a family of Brutes who aren't very nice. It teaches children that you get back what you give. If you aren't nice to people, then they probably won't be very nice to you. It also teaches children that you can always change for the better. If you open your heart, you can make your own happiness

This little book is filled with quick-reading short chapters which each impart a bit of wisdom and a moral or biblical lesson, and always with humor.

The story format is short tales in the ongoing feud between village priest Don Camillo and communist mayor Peppone. One of them often ends up bruised (literally or figuratively). At first blush it would seem like a good vs evil scenario, but really they are very much alike, and secretly sympathize with (even love)one another. Each struggles through life's choices from the perspective of his own situation.

One of the best parts, for me, is that each battle-du-jour includes Camillo's "consultation" with and reception of "advice" from the Christ image at the church altar. Rich stuff. Of course the image is not really speaking, and this technique is the author's metaphor for the working of the Holy Spirit in Camillo (or "his conscience", depending on your own theological perspective).

The theme runs throughout the book. Each chapter in pretty much a stand-alone story, although a few chapters are coupled, dealing with an ongoing incident. An entertaining little read that is a superior choice to those "thought-for-the-day" motivational/religious pamphlets. I read mine a chapter at a time when going to bed for the night. It gave me a truth to ponder as I dropped off . . . zzzzzzzz. Or maybe install a copy in your bathroom book rack. This book is very Italian and very Catholic . . . but you needn't be either to enjoy it (I'm not).

The book is great--a long-time favorite of mine. Funny and touching at the same time.

The only drawback to my book: it was the English translation; not the American one.

John

I fell in love with both the priest Don Camillo and his faithful adversary, Peppone the Communist mayor, when I was only ten, and since then have read all of the books, several times. After my experiences of being in the USAF in Taiwan in the 1970s, and now a permanent resident in mainland China's Fujian Province, I can appreciate the kinds of clashes that can occur between Communists and Christians--serious, but at times quite humorous also. I appreciate the zany humor but most of all the down to earth warm portrayels of both Don Camillo and Peppone. The author shows good and bad sides of both, and Don Camillo's conversations with Christ, who speaks to him from the crucifix above the altar, are priceless. After a few stories, one realizes that neither Don Camillo nor Peppone are the good guy or the bad guy, but simple ordinary people--and though enemies, they each sometimes go out of their way to help the other (though secretly, to save face). The cast of supporting characters, like skinny Smilzo, is also a delight.
The line drawings of the angel Don Camillo and the devil Peppone are, of course, priceless. Simple and to the point, they are the icing on the Don Camillo cake, and probably the reason why I draw cartoons on everything from greeting cards to my books on China--Amoy Magic, Fujian Adventure, Mystic Quanzhou, deng deng (which is Chinese for "etcetera"). I highly recommend not only Little World but all of the Don Camillo books in print.

I was at a summer fair recently and browsing on the book stall when I found a very old copy of the Little World of Don Camillo dating from 1953. I had no idea what it was at the time as I'd never heard of it but i was intrigued by the blurb. this book is HILARIOUS! I kept laughing out loud and getting very strange looks! but it was worth it! I am now determined to find the rest of the books and read them although I am aware that they may cost me slightly more that my 25p find at the Fete! It's a brilliant book that transports you into another world with ease and lets you meet characters that you can believe in and love. A very well spent 25 pence!

Having first entered Don Camillo's little world at 10, I have returned innumerable times over the decades, and frequently given directions to friends, too. This little work is a masterpiece. There is more wisdom, faith, hope, and love, to be found in its pages than in many far more "serious" works of fiction. All of that is accomplished in a deceptively simple gem of literary style. Like any great work of fiction, it captivates the heart as well as the mind. It is impossible to spend time in this little world and not come away with a smile on one's face and hope in one's heart. The Little World of Don Camillo is ideal reading for anyone, of any age or condition, anywhere.

The first time I read "Seaward" I was in middle school. I found it to be an easy fantasy read by the genius behind "The Dark Is Rising", but even at the age of 12 I could see that there was a deeper level to the story than I was - at the time - capable of understanding. Over the years I have re-read "Seaward" over and over, and each time am amazed at the depth and profundity of her final concepts. While it is a children's book on the surface, many adults can appreciate the moral dilemma of the Peter Pan type, and the dichotomy of sorrows and joys that come with death, life, and most importantly, love.

In the first chapter of "Seaward," we find a young man hurrying over wild moorland from possible distant, unidentified pursuers. He pauses to catch a small fish from a stream for his supper, and afterwards:

"...he took the glistening white skeleton, tipped still with head and tail-fin, and laid it across the blackened twigs pointing back the way he had come. He took out his knife and raised it high, stabbing the blade down into the ground behind the white bone-arrow's tail, and hesitantly, trying to remember, he said some words under his breath.
And the skeleton of the fish called out, in a thin high scream shrilling like a cicada, and Westerly knew that there was danger, that he must go on."

If the first chapter does not draw you irresistibly in, you have no magic in your soul. Well, OK, maybe that's too strong - but certainly every created "presence" in the book is a wonder of imagination, from the two-sided Life and Death images of the ice-cold Lady Taranis, to scary Stonecutter and his huge, ominous boulders that come heavily alive and mobile in a ray of sunlight, "...suddenly there was no boulder at all but two huge figures, standing, turning to her."

Is it a myth? a fantasy? a parable? outside the world of logic? a meditation on accepting Death? Yes to all of the above, and more. I see it is not to everyone's taste, but if you fall under its spell you will not escape.

I am not sure what it is about this book; I cannot stop reading it. Every so often, it beckons to me from the shelf. I drop everything that I am currently involved in and devour it, front to back.

Perhaps it is the simplicity and complexity of the story, the dreamlike quality of the writing, the characterizations that arise from only the barest sketch. I feel like I have known West and Cally all my life; I have been waiting for another book like this one for all my life. If I have a favorite book, this is it. But I can't articulate the reason. Seaward must be experienced for itself.

I loved this book as a child and continue to enjoy it as an adult. It is haunting and full of rich imaginative detail. It spurs many daydreams. Like all her books, it deals with the struggle between good and evil, in a very unique way.

Susan Cooper is best known for her epic "Dark is Rising Sequence," with all its Celtic legends and sense of mystery. But she tries a different tack in "Seaward," an atmospheric little story that is just a little darker, more complex, and full of symbols and hints.

West's mother was killed by some armed thugs, just as he escaped through a door into a strange land. Cally watched her parents waste away with a strange illness, before slipping through a mirror to the same land. When she encounters West, he's trying to escape from the ruthless, cold-hearted Lady Taranis.

A kindly stranger named Lugan seems to be their best hope for escaping Taranis. As the two travellers cross the world that is an echo of our own, they encounter strange creatures such as the selkies, a talking insect that guides them over a desert, creatures made of stone, and the haunting specters of their own pasts and destinies...

"Seaward" seems like a pretty simple story at first -- two kids travelling across a bleak land. But in that simple storyline Cooper tackles questions about death and life, about grief, loss, love, about good and evil and how sometimes you can't easily classify anyone.

Probably the biggest stumbling block in "Seaward" is the slightly dreamy tone of it all. Unlike Cooper's other books, there is no grounded "homey" base -- it's all like a legend right from the beginning. As a result, it takes awhile for the story to really get going, and there are long stretches where the characters are just walking.

Though the setting is another world, it has hints of Celtic myth. The mysterious Lugan and Taranis aren't fully identifiable until the ending, but they seem like characters out of a legend. And mythic creatures like selkies are linked to the characters, by virtue of the thickened skin on Cally's hands.

Cally and West are very richly drawn, confused and saddled with grief over their parents. It makes it all the more poignant as West overcomes his guilt, and Cally is tempted to find a new family. The only problem is that their romantic feelings seem to come out of left field.

After the mass appeal of the "Dark is Rising" books, Susan Cooper tackles a more oblique, fantastical approach in "Seaward." Deceptively simple, and richly evocative.

Having read all the Andrea Camilleri books in Italian, I want to emphasize that the opening of Cane di Terracotta gives a perfect intro to Montalbano's character and ambience, and is an example of his best writing.
All Camilleri's Montalbano books read as if set for TV or movie, with quick moving short scenes, easily engaging the contemporary reader.
Can you imagine reading an Italian translation of Faulkner's works and being able to claim that you understood the depth of his writing? The same is true of Camilleri's Sicilian dialect being translated into English. Aside from his wonderful focus on the pleasures and travails of everyday life, and on the foibles of humanity, the true joy of his writing lies in its dialectical inventiveness, something that cannot be translated.
In fact, Camilleri has elevated his dialect to an art form, validating the usage of dialect in a world which is becoming ever more homogenized. Wasn't there a fellow named Dante that did a similar good turn?
I would encourage inquisitive readers to brush up their Italian so they can read other Andrea Camilleri books, especially those which are not Montalbano thrillers. My favorites are La Scomparsa di Pato, and La Concessione del Telefono. If your Italian is ok, you can learn the dialect from context as you read the books,
but if you want a little help, get Un Filo di Fumo, which has as its appendix a brief dictionary.

This was the first Camilleri novel I read. I started it and finished it in a day. The plot is quick; it drives you along with Inspector Montalbano who is a real "character" in every sense of the word.

Montalbano uses fowl language, LOVES food; he's direct, smug, unpredictable, truly Italian and a great detective. These mysteries have a definite Italian feel to them which only adds to their charm. They may not be for everyone, but if you want a gritty story that keeps you turning pages (and don't mind a few fowl words and so on...) these stories will intrigue you.

In this novel two mysteries are solved. One mystery is from about 50 years ago and the other occurs in present day. Montalbano and his fellow officers unravel both in the way only they can - not always by the book and with a few surprises. You also learn more about Montalbano's ambiguous personal life, which as always includes food, women and a swim in the ocean.

I have become enamoured with the Italian mystery genre in the last 2-3 years. It has been an education to explore Venice with Commissario Brunetti and Florence with Marshall Guarnaccia or Sicily with Inspector Montealbano. All three authors (Donna Leon, Magdalen Nabb, and Andrea Camilleri) know their locale and focus on the daily lives of the citizens, while moving along a rip-roaring story. But there are significant differences - Leon and Nabb write in English (Nabb uses British terms that remind me of Christie that break the spell) while Camilleri writes in Italian. He is Italian - he understands the importance of the land and the wine and especially the food that fuels Sicily. (The translation is superb.) Leon and Nabb certainly know their areas and their craft and they are very, very good, but Camilleri works the magic.

Camilleri captures the angst and the pain and the loneliness of Inspector Montalbano. But he also captures in mouthwatering detail the need to eat with a focus on the quality and variety of food that stops the Inspector's world, even when he has to go long distances to find the right place to eat.

I like to read a series from the beginning. I like to meet and greet the protagonist and then watch him/her grow with fond memories brought about by references to prior books. The Terra Cotta Dog is the first of the series that has been translated into English. Apparently the entire collection is large and the selection for translation has been severe, but the stories and especially the translations have been excellent. This is the place to start.

I highly recommend all three Italian protagonists with Inspector Montalbano and Commissario Brunetti right at the top of my list of "must buy" when a new book hit the market. They take me to places I have never visited, though I now seem to know, and allow me to interact with people I would like to know better.

My colleague and his wife visited his ancestor's Sicily last spring for the first time. I got them 5 of the books and suggested they read them in the order they were written if they had the time. The results were astounding. Apparently there was a fight for the books amongst the 4 that went and Mr. Camilleri's introduction to Sicily through the eyes of Inspector Montalbano made the trip even more memorable than expected. They "lived" Sicily by reading the books - not the big things from the guide books, but the small rituals of life and especially the food. Yes, for the Inspector, it all comes down to food and this is what made the trip so memorable.

Enjoy your tour of Venice or Florence or Sicily!

Any and all of Camilleri's books are worth reading. The series of books are set in Sicily and Salvo Montalbano, Chief Inspector of the small town of Vigata, is a footloose,brooding batchelor, who manages his sleuthing and lovelife with equal skill. He loves his Sicialian seafood and eats with gusto, if and when he remembers to eat as he goads his men and himself in the pursuit of criminals.

Inspector Salvo Montalbano of Vigàta gets an urgent call from his best friend Greg the pimp they need to meet on the quick, Montalbano is informed that Greg was told to relay a message from Tano the Greek (the number two Mafioso) he wants a secret tête-à-tête. Tano the Greek had been in hiding for quite sometime and on every wanted policeman list possible, Tano had made his conditions very clear that Montalbano should come alone and tell no one. Sudden trembles and panic enter Montalbono head, then suspicion why out of the blue would a member of the Mafioso want to meet with him? Curiosity more than anything gets the better of him and he complies to go without calling it in.

Meanwhile in another part of Vigàta a supermarket heist is taking place, Montalbano soon finds out everything did not go according to plan. Why would anyone bother to set up a heist then not only abandoned the goods but also leave a whole bagful of cash?

Inspector Montalbano is then on the move again this time his called to Palermo Hospital urgently to listen to a dying man's words, which in due course leads Montalbano to a secret cave, two more bodies are discovered embracing each other, even more shocking these bodies had been there for at least fifty years what sort of twisted dark past was this, who were these people and why were they being watched over by a Terracotta dog? Montalbano needs to understand what happened here, he takes time rediscovering the horrors of a WWII past. It's the only way forward.

Andrea Camilleri has written a wonderful Montalbano mystery series, what I love firstly about this whole series would be the charactizations and language the usage of dialogue in conversation it's all been kept real it's got sharp wit and comic moments the sly comments on Italian life and culture keeps things interesting and really amusing. Montalbano is a fantastic leading character his middle-aged, melancholy vein, recites certain favorite authors' lines in moments of doubt and his clearly well read. His passion for great flavored food is endless and mouthwatering, his also a thinker and manages to untangle a spun web of lies and sort out the logic of his cases to get to the truth. Montalbano is not afraid to explore all areas even into obsession. His got a huge female following of all ages because he has that attractiveness about him, one would be his "get to the point attitude" and can say it in many different ways. In spite of much temptation from women he remains faithful to his long time girlfriend Livia who in turn is happy to adjust her life and will calm and comfort in his time of need, Livia understands what his trying to achieve in his world that is corrupted and knows how to handle his darker moods. Montalbano loyal team continues to support him no matter what his faults and tactics may be.

The Fictional town of Vigàta is so vividly portrayed by Camilleri that it feels like a real place in Sicily; Camilleri himself in an interview said he based this town on his birthplace in Sicily Porto Empedocle, people of his home town have now recently changed the name to Vigàta to match the book in his honour. The whole series seems to have a timeless feel about them; I took a whole batch of this series on a recent vacation plotted up and read one to the next, it was addictive reading and I was not disappointed by any. Although you can start anywhere in the series, it clearly deserves to be read from the beginning. This is the second book in the series the first being (La form dell'acqua) The shape of Water.

A special mention to poet Stephen Sartarelli, for the clear translation of each book and for the informative notes given at the back on wording. Thank you.

This book was an intriguing wonderful read, the one that will hook and reel you in.

A.Bowhill

A You're Adorable is a wonderful way to teach the alphabet. The poetic words combined with the catch melody make this book ultra enjoyable. The illustrations are beautiful. Although some may not consider all of the illustrative depictions to be culturally sensitive, the attempts at diversity are evident.

This is a beautifully illustrated book of Perry Como's song, which would be a beautiful guide for a little childs scrapbook.

This book is absolutely fabulous for teaching the alphabet to a toddler. Purchase John Lithgow's CD to accompany it, if you don't know the melody. Perry Como also sang this song. My granddaughter sang and "performed" this song many times. I've since bought the book for several great nieces. It's a perfect book to have in your collection.

Very cute song book that is catchy for children and the adults singing the story.

Love this book! A great way to sing a different kind of alphabet song to your kids. You just need to find someone (we asked my parents) to teach you the melody. The illustrations are so sweet.

This is a beautiful, timeless story, told in gorgeous prose, and charmingly decorated. I'm not the sort of person who gushes over books, but this one is true literary perfection, and not just for children. It's the kind of book that, no matter how old you are when you first read it, will stay with you for the rest of your life.

I read this as a child. It got stuck in my mind, but I could never remember the title, thinking of it only as the story of the Hunter and the Mermaid. I searched for it for years.

This is a beautiful story, one of my favorites for children.

Randall Jarrell (1914-65) is better known as a poet, although probably best known today for his poetry criticism. He also wrote a few children's book, most notably The Bat-Poet and The Animal Family, the later published the same year he died and winning the 1966 Newbery Honor. It is wonderfully illustrated by Maurice Sendak - of Where the Wild Things Are fame - in beautiful pen and ink drawings.

The story is a sort of fable along the lines of Hans Christian Andersen or Lewis Carroll, but updated with a 1960s message. It is about a lonely hunter who lives in a cabin by the sea who with time comes to gather around him a "family" of very different creatures, first a mermaid, and then a bear, lynx, and human boy. Each is an orphan whose parents have either died or somehow left the scene. They all are very different animals yet find comfort and eventually identity with one another. It is a story in the spirit of the Age of Aquarius, when songs such as Free to Be You and Me and Free to Be a Family resonated during a cultural revolution in which boundaries of class, race and, in this case, even species were being explored, when everyone was a "brother" and "sister".

My reading of the story in its 1960s context is only one interpretation, this is not a heavy handed preachy book by any measure, it is timeless in its message about toleration of differences, the power of love to overcome anything (including for a mermaid to live on land, in effect brining a happy ending to Hans Andersen's otherwise brutal The Little Mermaid), and in particular for those who seek out love and find it in the most un-expected places. It is a short book, easy to read, and poetically written. Over the past 40 years it has found a place close to the heart of many children and adults, I only wish I had discovered it sooner.

This story by Jarrell is gentle, mythical, and stands the test of time. A short story about a solitary hunter on an island, who meets a mermaid, and together form a family with animals they meet. The tone is warm and soft, kind and at times bittersweet.

While perfect for bedtime, cold or rainy days, this book is appealing to me even as i grow older. The subtle lessons about companionship, newness, differences, loneliness, loss, and joy are not forced to the fore. Rather, an old-fashioned sense of creating an environment as a way to tell a story is key here. Inviting wilderness, homely relationships, and just enough magic and mystery to compel the story forward.

One of my most treasured books since i was a young child, the is a timeless and infinitely re-readable story.

Every once in a while, an author manages to pull off a novel that carries with it the exact tone and magical feeling of a fairy tale. In the genre of The Last Unicorn and The Princess Bride, this beautiful story takes you into a peaceful world where a lonely hunter lives by the sea.
The story follows the hunter's efforts to make a family for himself, and to keep that family safe. I don't want to spoil any of the plot points, but I will say that this gentle fable is going to fill each reader with joy and contentment. The tale is universal, and is just perfect for a shared experience at bedtime.
The decorations by Maurice Sendak are also quite lovely, giving us detailed sketches of the landscapes that the hunter and his family occupy.

This book was one of my all-time favorites when I was a kid! It was so exciting... very mysterious and magical. And full of goo! What kid doesn't love goo? Every kid needs a book like this.

An excellent item and although the cost to get it here quickly was expensive, it was worth it. Thank you

I had loved the book as a child myself. So I bought it for my neice. We read it together and she loves it as well. I haven't met a child (or adult) that doesn't like Dr. Seuss!

This was a gift for my niece. The adults in the room enjoyed it as much as she did.

I bought this book because it brought back such good memories of my child's childhood and my own as well. I look forward to sharing it with my grandchildren someday. This is a great book to read!

I thoroughly enjoyed this narrative of life as seen through the eyes of a young girl growing up in a village exhibiting the usual fanfare of deplorable, uplifting, and unremarkable events.

Hegi's writing style suits her subject perfectly. She can say more with three carefully chosen and placed words than most can in ten. Her grasp of human nature in all its facets gives the reader the option of simply enjoying the entertaining storytelling or to delve deeper and discover the more esoteric aspects of cause and effect that propel our lives.

When in the mood for an overall uplifting, realistic read I suggest picking up this book. I finished the last page with regret but a feeling of having expanded myself in a most positive way. This isn't a "gooey" feel good book, at times you will want to cry, laugh, shout in anger, and yell in frustration.

Wonderfully written but generally morbid. I loved Stones and immediately again appreciated Hegi's incredible writing ability. Like Stones, the environment in which the stories take place is grey and depressing. Some of the stories are very uplifting but most are about horrible things that happen to regular people. The only reason the repetition of this type of story makes sense to me is that at a certain age these are the types of things kids focus on.

The term "hard to describe" comes to mind after reading the final page and closing the book of these wondrous, sad, lovable, heroic set of stories.

As the main character, Hanna, plays out the highs and lows of her tragic life, Ursula Hegi writes from her heart of how difficult was the reconstruction of life for most Europeans after World War II.

I was totally hypnotized by the magic of this novel.

My mind wandered to stories I had heard.
The suffering and hardships which had been spoken of by "real" people lingered in my psyche until now and will do so forever.

I am totally mesmerized by the strength of those who have encountered a crisis of any kind.

Thank you, Ms Hegi, for this beautiful account of an all too common tale.

-Yvonne Bornstein, Author, Eleven Days Of Hell - My True Story Of Kidnapping, Terror, Torture and Historic FBI and KGB Rescue

Ursula Hegi uses her usual hypnotic prose in this book, which flows like the water in the rivers that she loves, even as fast as 8 kilometers per hour like the Rhein. The stories continue to flow seamlessly, through her whole book. Yes, "stories," as even though the book is a novel, it is composed of chapters, which are in fact free standing stories in and of themselves. All the stories are narrated by her protagonist, but each story could be lifted out of the book, and be self-contained.

Her subject of each story is unique, and yet it is all mixed with her wondrous elucidation of the struggles, feelings and progression of the German people in `reconstruction' after the World War II. The people left, in so many country towns of Germany, in the aftermath of the war. These people were only trying to live; before, during and after the war. They were not part of the political maelstrom we call National Socialism. Their lives were very much more simple than that, and they did suffer quite terribly, yet they stoically went on, as people have proved in every corner of the globe, that this is what human beings do. They pick up what is left and go on.

Hegi does not concentrate on the effects of the war, they are coincident with the life that is found in post-World War II Germany. Hegi concentrates upon the life of her protagonist, a very smart and very sensitive young lady, from age 7 through about 14, as she grows up in this environment. The problems that she encounters though are the normal problems that all people encounter in every environment. Only the backdrop has to do with where they are and what the landscape is like. Hegi pays attention to that, but not overly, it is the people that are her subject: from Love to Death, from teenage pregnancy to sexual child abuse, from amputation to neural disease, these are the things that Hegi speaks about, and how they affect her narrator as she grows up in the midst of it. As she grows up in life, perhaps wherever she might be.

Hegi writes modern day literature. It is worthy of the classification, and will endure the test of time. All readers who enjoy wonderfully written contemporary literature should not miss the opportunity to indulge themselves in Hegi's book.

I have read her novel, Stones from the River, and because of that novel, I didn't hesitate to buy this one. I still don't regret buying this novel. It's beautifully written, lyrically so and haunting.

Hanna loses her mother at a young age but this book is not only a reflection of her mother, but of the people and their stories in her town. Told from Hanna's point of view and at different ages, the people in that town becomes alive through her eyes. She makes them real. She makes their stories real and valid.

It is an emotional book ~~ where her housekeeper's son finds out he's illegimate; where she watches her childhood friend raped by her grandfather give up the baby she had come to love; watches her neighbor in the apartment above them give himself to man after man who degrades him. And other stories as well.

This is a book perfect for reading groups to read and to discuss ~~ there are lots of different stories in here and it's not written poorly like too many other books out there today.

12-18-03

A warm, endearing story set during the time of World War II. The characters are well developed and the story is a reaffirmation of the good in people. A simple, yet memorable tale.

I don't how Hollywood missed this as excellent material for a movie. Disney, are you reading?

While at a garage sale this summer with my granddaughter, we came across some of the early Trixie Belden books, and I bought them for my g/d, after she promised to lend them to me when she was finished. I enjoyed them so much, even tho' they were "children's" books, that I started browsing Amazon for other books I had enjoyed in grade school.
The Four Story Mistake was one of them, and sure enough, Amazon had it available. I ordered it, got it in 3 days, and read it that night. Gosh, the memories that brings back. Very fun story. I intend to order the other books in this series, and continue browsing for other childhood favorites. It kinda varies the reading experience, plus is a nice walk down memory lane.

The series of stories starring the Mellandys was one of my faves as a child and now my daughter loves it as well!

This is Enright's second book in the Melendy family quartet, after The Saturdays. In this installment, the Melendy family (Mona, Rush, Randy, Oliver, Father, Cuffy, Willy Sloper, and dog Isaac) move from New York to a big house in the country called the Four-Story Mistake. Times are a bit tough, because World War II is going on, and they don't have a lot of money. But the house, and the 30 acre grounds, and the local village, prove to be paradise for kids.

One of the things I like best about Elizabeth Enright's books is that she knows what kids will find fun and cool, and she sprinkles her books liberally with the right stuff: caves and hollow trees, a window-lined cupola on the roof, brooks, ice skates, secret rooms, picnics, and tree-houses, to name a few highlights.

The other thing that strikes me on re-reading The Four-Story Mistake is Elizabeth Enright's wonderful writing. She offers paragraph after paragraph filled with dead-on little truths and humorous moments. She shares characters who feel like real people. Randy, the younger Melendy daughter, is my favorite (and one of my cool girls) but the rest of the family is lovable, too. I can especially identify with Randy's joy in finding out that her new bedroom has a window seat, where she can "curl up and read, just like a girl in a bookplate." Here's an example of the dialog from Chapter One:

""That suitcase looks as if it were laughing out loud," Randy said.
"Oh, stop being whimsical," snapped Rush."

I also love Oliver who, at seven, thinks that a damp basement room filled with old books is paradise, and knows that it will be more special if he keeps it a secret. He's this sturdy, determined little kid. When he learns to skate or ride a bike he just plods on through, trying until he can accomplish his new task. Rush, the older brother, is a boy's boy, always wanting to be outdoors, running with his dog, building tree-houses. But he's a piano prodigy, too, and a vigilant watcher of his sister Mona (a budding actress), making sure that she doesn't get a swelled head. Mona is a bit too overtly feminine for my taste, but she still shows moments of coolness. Near the end of the book, Mona is the one to suggest a late night summer visit to the brook with Randy and Rush.

There's not much of a plot to this book. It's more a series of small adventures, and the story of a family adjusting to a new home. But there are dozens of perfect little scenes that bring a smile, or a tear, to your eye. Oliver's exploration of the basement, and Enright's description of the basement's smell and atmosphere, reminded me exactly of the garage basement in my childhood home. The Christmas chapter made me cry. The family is just so happy! There's snow and carols and anticipation and making gifts for each other, and being okay with having fewer presents this year because of the war, and knowing that they're lucky to be together. I can't explain it, exactly. Soppy sentimentalism, I guess. But it made me cry. In a good way.

I'm so glad that I spent this time re-visiting the Melendy family. I loved them when I was a child, and I'm happy to report that, if anything, I love them even more now. If you have a couple of hours to spare, and you could use some laughter and warmth, I highly recommend this series. But start with the first book, The Saturdays.

This book review was originally published on my blog, Jen Robinson's Book Page, on June 16th, 2006.

"The Four-Story Mistake" is the second book in the Melendy quartet, and it's my favorite of the four. In a complete change of scene, Elizabeth Enright moves the Melendys out of their New York City brownstone and transports them to a marvelous old house in the country that has so much character, it seems like a personality in its own right.

Picking up from the early autumn after the summer that ends "The Saturdays", when the story opens, the three oldest Melendy children are desolated because their father has bought a house in the country without so much as a hint to any of them. After a rainy, boring train ride to the country, they take a taxi from the station to their new home, and what they find wins them over almost immediately. Enright describes a house any child would love to live in, big and white and square with a mansard roof, fireplaces and window seats, deep dormer windows and a cupola on top, a little square glass tower with four floor-to-ceiling windows, one facing in each direction. The house is called the Four-Story Mistake because the builder inadvertently left off a story while constructing it, and stuck the cupola up on top to compensate.

Once they're settled in their new home, adventures abound: Rush discovers they have a brook with a waterfall running through their property. Mrs. Oliphant, their devoted family friend, donates her ancient automobile called "the Motor" for transportation to school, and surprises them with four bicycles in the back seat. Randy manages to ride her new bike into the back of a bus, is taken to the traffic cop's home to recuperate, and finds the policeman and his wife have a pet alligator in their bathtub. Rush builds a treehouse and gets trapped in it in the middle of a howling thunderstorm. The children discover a secret room nailed up on the top floor of their home, furnished only with a life-size portrait of a mysterious young girl named Clarinda. They give a Christmas show for their friends and neighbors, to which Mrs. Oliphant brings five guests, one of them a radio producer; he's so impressed with Mona's acting talent that she's offered a part in a radio serial. Randy improbably discovers a diamond stuck to a caddis house in the brook. And Mona attends her first dance at school. Who wouldn't want to be part of this family?

The children are engaging characters, totally alive and doing every waking minute. When they're not physically active, they're reading, studying, drawing, painting, writing poems and plays, playing the piano, composing music and just thinking. Like all children, they get into trouble from time to time, but they care deeply for each other and their caretakers. In a preface to her book, Enright says somewhat wistfully that the Melendys are the family she would have like to have had. Perhaps that's what makes them seem so completely believable. We almost wish they were ours as well.

Enright is a born storyteller; her writing style is refreshingly free of preaching and moralizing. She respects her readers and never talks down to them. She tells her story mostly through Randy's eyes, but all of the children get equal play in the book. The adults in the family, Father, Cuffy and the handyman Willie Sloper, are benevolent authority figures who encourage the children to learn and explore, while imposing reasonable limits when necessary. Enright was a talented illustrator, and her pen-and-ink drawings, usually one full page drawing for most chapters, bring out each child's characteristics. We see Mona dressing up for her part in the show, Rush climbing down a tree, Randy in the cupola, her favorite room in the house, and placid Oliver, lost in a pile of old books he's just discovered in the cellar.

"The Four-Story Mistake" is highly recommended for youngsters between 9 and 12, as much for its fun and adventures as for its simple and timeless values of close-knit family life.

Judy Lind