Edith Nesbit Books

We have read all of E. Nesbit's books aloud. My kids generally remark how well she "gets" kids. Her stories are timeless and usually involve children who want to be good and yet find that it isn't always easy. A very pleasant read.

I thought this title sounded really stupid. But I enjoyed the previous book in the series (The Story of the Treasure Seekers) so much that I decided to read this one. And I'm really glad I did. I enjoyed it MORE than the first one.

What's so great about this series is the characters. They are so real, so well-written. The situations they get into are highly amusing, but it's the way the characters are portrayed, esp. Oswald, that makes this one of my all-time favorite books. I am enjoying it for the first time as a grown-up, and my 16 year old son is enjoying it, too. It is LOL funny and I wish it were more well-known.

I read that the character Oswald was one of the all-time favorite characters of JK Rowling, when someone asked her about books and authors she really enjoyed. These books are not really like the Harry Potter books (there's no magic) but the characterization and the humor is very similar. I can see why Jo likes them and I heartily agree.

I can't believe this book was written over a hundred years ago! Wow. It's still sooo good. Some kids may take a bit of time getting used to, and understanding, the English as spoken at the time, but after 30 or so pages, it won't be a big deal. But note, there are some pretty old-fashioned and bizarre turns of the phrase; for today's American kids anyway. Strong characters, funny situations, good story, nice resolution and really great writing make this a must-read. Cheerio.

A wonderful, wonderful book. One of the best things about it is that it creates a true, multi-dimensional, believable moral universe. This book steers clear both of the syrupy too-goodness of the Little Lord Fauntleroy and the moral blah-ness of Harry Potter. HP's world (and I've read all of them except for the last politically-correct one) is morally flat; villains do terrible things simply because they are villains, and while racism is appropriately execrated, lying does not even register as a moral choice: everyone does it, including figures of authority like Dumbledore, without a moment's thought. In contrast, in The Enchanted Castle things like lying, stealing, courage vs. cowardice, kindness vs. meanness to others are not assumed away but processed, reflected on: was this lying and when is it OK to lie, was he kind to her just then, etc. And the quality of the writing is outstanding, the language is a delight. This is Literature... HP is mere fiction.

I read this book more than fifty years ago when I was a child and have never forgotten it. How wonderful it is to see that it is available at Amazon! It has everything...humor, mystery, a little bit of romance, but best of all...MAGIC!

This is a really enjoyable work, truly magical. I just wish we had more children's books like this one and more writers like Edith Nesbit. The children discover a magic ring but their wishes come true in a way they never wanted or expected. One of the best children's books I have read.

I've always been enraptured by children's books with magic in them, especially when the author writes about ordinary children, weaving magic into the plot with such ease that it's entirely believable.

I found this book in a collection of my granddaughter's childhood books, was out of reading material, so picked it up just for a quick glance. Well, that "quick glance" turned into several hours of pure reading pleasure as I followed elder brother Gerald, his sister Kathleen, and younger brother Jimmy through a cave that ends in a magical garden surrounding an enchanted castle.

When they meet a "sleeping princess" who is not really a princess, but the niece of ... well, that would be a spoiler if I told you more, so I'll refrain from temptation.

Who is this mysterious girl named Mable who leads them on a tour of the castle, showing them some of its mysteries? Are the jewels she conjures real or figments of their imagination? What does a magical ring have to do with it? And how do they become invisible? And just where is the elusive owner of the castle and what connection does he have with the French mistress of Kathleen's school who is in charge of the children for the summer?

Those questions and more are answered by this fantastic author, Edith Nesbitt, in the most charming, believable way. Her writing style is impeccable.

This children's classic was written almost a century before the great HARRY POTTER books, with the adventures being just as original and exciting. THE ENCHANTED CASTLE has everything, including a heart-breaking, old-fashioned love story.

This book held me captive from beginning to end and is written in the style of Edith Nesbit's most popular book, FIVE CHILDREN AND IT!

A must read for all kids ... and kids at heart, like you and me!

I'm just finished reading the Railway Children to my 10-year-old, and it is such a great read!

I loved it as a child, and this is my second time reading it aloud. I can't recommend it enough.

It's just a nice story. Set at the turn of the century, three children are forced to leave their comfortable life in London and go live in a smaller house near a railway when their father is mysteriously taken away from them. They don't know why; we don't find out until the end of the book. In the meantime, their mother is very brave, earning money by writing, and they try not to bother her by getting to know the railway and getting involved in everybody's lives all around them.

The children are very sweet, and there's a thread of definite morality throughout the book.

Don't miss it with your kids!

If you liked Railway Children, you may also want to try Little Women (Unabridged Classics) or Island of the Blue Dolphins. My children loved those ones as well!

This is not simply a children's book. It is an extremely touching story of three children whose father is suddenly taken away from them and how they cope with the changed circumstances, how they adjust to "play at being poor" as their mother says. It is a book that is bound to enthrall you.

Utterly delightful. Loved it, ate it up. Need more Nesbit, soon as poss.

Three kids are taken to live in the English countryside when their father, well, disappears. While their mother suffers silently, and sells short fiction to help pay the bills (those were the days!), the children make a fantasy land out of their little village, especially the local railroad depot with all its fascinations. Imagine being fascinated with the steam train when it was cutting edge technology, not nostalgia! Communicating with the passengers via signs, befriending engineers, porters and station masters, even preventing a nasty rail accident, the kids end up both having fun and relieving the hardships of poor, careworn mother.

Beautiful book both remembers what its like to be a child and peeks into a childhood none of us ever knew. If you love the world of late Victorian/Edwardian Britain, read it. If you love the early parts of the Narnia books, before the kids enter the wardrobe, read it. It's precious.

I think it is kind of cool how the kids think of how to stop someone from wrecking a train. Also how they got someone un-fainted from when they were fainted. It was also pretty funny how their mother made a mistake when one of the kids said they revived a hound with a red shirt, but it was really a person.

I didn't give it 5 stars because there isn't very much action. But I still liked it a lot.

The Railway Children was originally published in 1906. It's different from many of Edith Nesbit's books, in that it doesn't feature any magic. The Railway Children is the story of three children, Roberta, Peter, and Phyllis. At the start of the story, the children live with their loving parents in a nice, modern house in London. Their lives change drastically, however, when their Father is called away unexpectedly and mysteriously. Their Mother takes them to live in an older house in the country, with only a single part-time servant, where they quickly realize that they are now poor. Mother spends all her time writing stories and poems, to submit them for publication, instead of playing games with them and teaching them, as she had done previously. The children are left largely to their own devices, with no lessons to distract them.

The house that they live in, Three Chimney's, is located near to a railway line and a small railway station. The railway quickly becomes a source of friends. The Stationmaster and the Porter (most especially the Porter, Perks) become major figures in the children's lives, as does a friendly "Old Gentleman" who waves to them every morning from the 9:15 train.

And the adventures begin. Through bravery and ingenuity (and through the coincidence of always being in the right place at the right time), the children avert not one, not two, but three separate disasters. They also get into trouble through their innocent attempts to help their Mother, and through their own sibling rivalries, and eventually help a Russian stranger newly escaped to England. Through it all, they miss their Father, and wonder what's happened to him, and why their Mother is so sad.

The constant adventures in this book make it a lot of fun. It does feel a little bit dated in places. There's a scene in which the local doctor tells Peter to be kinder to his sisters, for example, because they are "so much softer and weaker" than he is. But overall, I think that Edith Nesbit did a wonderful job of making the girls strong characters, too.

This book has lots of messages about bravery and right and wrong, and what makes up charity vs. friendship. And how to be good without being priggish. Some modern-day children might find it a little bit preachy in this area, though it is generally lightened with humor. But hopefully the adventures, and the realistic imperfections of the children, will win new readers over anyway. I know that I love this book (despite having a slight problem with the number of coincidences) and that the end brings tears to my eyes. If you haven't read it, The Railway Children is well worth checking out.

This review was originally published on my blog, Jen Robinson's Book Page, on April 30, 2006.

This was a gift for my niece and she loved it! Great imagination and a wonderful book.

The children unearth (literally) a Psammead (sand fairy) and it has to grant them wishes. However the wishes don't turn out quite the way the children wanted. I don't want to spoil it for you but you are sure to enjoy it.

A bunch of kids in England move from the big smoke to the country. After they get there, they discover a bizarre grumpy weird looking supernatural guy.

Due to various rigmarole, this discovery means that said oddity grants them a bunch of wishes. Being kids, they generally wish for kids adventure type stuff.

I think The Five Children and it is a great book. I read it because I have been reading this book for school and at first, it didn't look so good (the book) I liked how the chapters are like little separate stories. My favorite story (chapter) was when the children whished that they were in a besieged castle. I thought it was a great book and I recommend it for everyone that likes fantasy books.

Books of Wonder once again brings a classic E. Nesbit tale back to life for readers young and all to enjoy. Brimming with fun and fantasy, as well as realistic, believeable story-telling, this is an adventure that will keep you guessing what will happen next.

This adventure happens when five children (one still more of a baby) find a Psammead, or sand-fairy. They learn that this creature is capable of granting them wishes, although it asks that they only make wishes once a day. So the wishing begins, but the kids come to find that generally the wishes cause them more trouble than fun. Meanwhile, the Psammead seems perplexed, wondering why they don't wish for practical, solid things, rather than fanciful things, like castles, or high-concepts, like being wanted.

This book is illustrated by Paul O. Zelinsky, who also did the illustrations for "The Enchanted Castle," also released by Books of Wonder. Like the book, these illustrations are an excellent blend of fantasy and reality. This book also includes an informative Afterword.

I understand that "Five Children and It" also recently became a major motion picture. I haven't yet had a chance to see it, but I'm really looking forward to watching it.

I've read this one. It's by Captain Marryat http://www.amazon.com/exec/obidos/tg/detail/-/1853261106/qid=1130814728/sr=8-1/ref=pd_bbs_1/102-3667137-5119336?v=glance&s=books&n=507846
A historical fiction of 4 wealthy children left poor orphans during the English civil war. Quality piece of literature, that is. There is also a video of the story.

The Treasure Seekers

The six Bastable children are determined to restore their family fallen fortunes. They do not know exactly what it was that made their fortunes "fall" but it had something to do with mother dying, father being sick and his business partner running away. This depressing information is brought about casually and is merely the background for what is about to follow - a (very funny) treasure hunt practiced upon in different ways. Dora, Oswald, Dicky, Alice, Noel and H.O. all have different plans to get to their goal, ranging from helping an elderly gentlemen in distress (absence of apparent distress is a small obstacle) to answering a newspaper ad promising 2 pounds a week earned in your spare time - and are about to systematically try out all of them.
The story is told by one of the Bastable children, one that does not wish to reveal his identity. It is a great wonder therefore that Oswald gets such a favorable description..."Oswald put lumps of coal on the fire with his fingers, so as not to make a noise. He is a very thoughtful boy, and he did not wipe his fingers on his trouser leg as perhaps Noel or H.O. would have done..."
This is a lesser-known story of Edith Nesbit but is the first book published by her and a real masterpiece. This book is just as lovely as her more famous "Railway Children" and like that story works on both the adult and the child level. The book is full of detailed descriptions of conversations, food (very British), grave decisions and pretend play. The Bastable children do not feel miserable unless reminded and the book is a great, very amusing read. The language (which can sometimes be quite difficult for the modern reader) is, as Oswald explains, sometimes taken out of books and especially the "Jungle Book" ("Good Hunting" they wish each other). Contrary to other reviewers, I enjoyed the "air of another time" even if I did not always understand all the expressions.
This is a story of children in another era, trying to entertain themselves when they cannot afford school and need to struggle alone without the presence and explanations of adults (their self made explanations to unclear expressions, such as "seven times removed from the queen" are hilarious). The story is very cosmopolite in the sense that these are really stories of human kindness and nobility in all its forms. This is something adults and children alike can share, each according to his perceptions. The story is so rich with a sense of a different time, adventure, humor and human sociology that anyone can find something to suit his heart.

The Treasure Seekers is written from the point of view of a young British boy trying along with his siblings to recover "the lost treasures of the house of Bastable."

The book is crammed with hilarity. To begin with, the speaker says that he will not give away who he is - "While the story is going on you may be trying to guess, only I bet you don't." Throughout the book, he makes little digs about his siblings, and adds things like, "Oswald often thinks of very intersting things. And directly he thought of it he did not keep it to himself, as some boys would have, but he told the others."

His writing is very straightforward and honest (if biased), like a boy. And he does not try to be funny at all. Some ironies are obvious to the reader, making us chuckle while Oswald is very serious about them.

On the whole, Oswald is very likeable and understandable and creative, as are Dora, Dicky, Alice, Noel, and H.O. They get into scrapes with their good intentions, but the ending (in Oswald's words) "is like what happens in Dickens's books; but I think it was much jollier to happen like a book."

I find it odd that a book should be faulted because a reader doesn't understand all the references. For me as a child, puzzling out what phrases like "Let dogs delight" meant was fun -- even when I never did figure it out, or didn't figure it out until years later when I came upon the source. That was fun, too: to be reading something else or traveling in England and suddenly get the reference -- and think "So THAT's what she meant!"

But the references are a minor detail.

This was one of my favorite books as a child and I now think it is one of the greatest books ever written for children: funny, insightful, well-written, inspiring -- and unexpectedly moving in places, too. I still laugh out loud when I read it, and I still admire the children enormously: for their imaginations, resourcefulness, kindness to each other, loyalty, and, perhaps most of all, for their very English courage -- the way they deal with what drearier people would complain about.

Philosophically, I very much object to the idea that everything in a book should be easy to understand and known already to the readers. Surely one of the joys of reading is to be exposed to new ideas, people, places -- to learn?

Another great writer for children, PL Travers, the author of MARY POPPINS, writes about the enormous pleasure and stimulation she (as a child) derived from trying to puzzle out the meanings of phrases in adults' conversation, such as "she lived on her capital." (She phrases it better than I do here -- but she as a child imagined this aunt as a sort of ogress, nibbling on her own fingers and toes during an afternoon nap.)

It's probably true that E.Nesbit's writing is not for everyone-- but what is? I for one think it's great that children still love her -- and despite all the efforts that have been made to dumb their books and everything else down,that they still enjoy puzzling out (or simply accept and move on from) what they don't understand at a first glance.

Many authors -- Noel Streatfield and CS Lewis to name two more - have paid tribute to E.Nesbit. Noel Coward kept copies of her books by her bed. She still makes me laugh out loud, and very few authors from any era can do that.

Some of the cultural references in the book are obscure, but finding what they mean can be a lot of fun. Here is the context of "Let dogs delight..." It is from an old hymn to encourage children to get along with each other. Here is the text:

Song 16. Against quarrelling and fighting. (8,6,8,6)
Let dogs delight to bark and bite,
For God has made them so:
Let bears and lions growl and fight,
For `tis their nature, too.
But, children, you should never let
Such angry passions rise:
Your little hands were never made
To tear each other's eyes.
Let love through all your actions run,
And all your words be mild:
Live like the blessed Virgin's Son,
That sweet and lovely child.
His soul was gentle as a lamb;
And as his stature grew,
He grew in favour both with man,
And God his Father, too.
Now, Lord of all, he reigns above;
And from his heavenly throne
He sees what children dwell in love,
And marks them for his own.

This is another adventure of the children in Five Children and It. The children discover a magic carpet and a phoenix egg and have many more adventures. An excellent book.

The same kids from Five Children and It are now back at their house in London. One Guy Fawkes night they get a bit too keen with the fire workings, doing some damage to the floor coverings.

The replacement has an odd egg in it. Out of this, they get a Phoenix, a magic carpet, and yet more wish stuff.

Ms. Nesbit spun an amusing yarn of four easily bored privileged siblings (plus a baby brother) who stumbled quite fortunately on a supernatural bird and a flying carpet. The bird and the carpet fulfill wishes therefore the result is an utterly grand time for the little rascals each time they venture for a ride. And, how they make full use of the magical duo! The author's method of story telling is pretty exciting - there are asides to further relay useful information to the readers which are mostly quite witty. One could even learn how to play tricks on cooks and housemaids from the story. It might at first seem that the carpet would just take the children to one place after another in order to sate their curiosities. Don't be too sure because at the end, the reader will find himself/herself struck by the realization that all their journeys are tied together to complete a tale worth telling. Ms. Nesbit was a genius at attracting her readers' attention. It is a well-told children's fiction.

Exceptional writing! Many of the children/youth books now-a-days, lack the ability to capture and draw the imagination the way that Nesbit can. She was truly a remarkable author. I can't wait to dive in to more of her works. If only I had been introduced to her writing sooner. Clean, inviting and witty.

I'm surprised there are only four reviews listed.. E. Nesbit's books are wonderfully intriguing. The sentence structure is complex, making for more interesting reading. The moral lessons are there, but subtle, not blatant like current popular children's liturature.

if you like mouldiwarps, or interesting turn-of-the-century iconography of Jews (in this case, a kind-ish pawnbroker and a magic star of david, this is for you. it fills in the backstory of Nesbit's earlier book, and is of interest to scholars and enthusiasts if not every child reader.

Many of Edith Nesbit's books are not so much novels as they are sequences of shorter stories (perhaps they were published, or meant to be read, serially?) Harding's Luck and its companion, The House of Arden, have far more complex and interwoven plots. The events in the lighter House of Arden form only a part Harding's Luck, as Dickie is a much fuller character than Edred and Elfrida. They must have been plotted together, as each contains references to the other.

As in The Psammead and the Carpet, there are numerous instances of Nesbit's socialist views (not in the modern sense of big government, more along the lines of GK Chesterton's definition "A socialist is a man who wants all the chimneys swept and all the chimney sweeps paid for it."). Children will never notice these; adults may find them sweet but sadly naive.

In their richness of plot and character, and in the sense of something deeper and truer lurking behind the superficial magic, these two are probably the crown of Nesbit's work. Givn the fact that the paperback copy of Harding's Luck costs $10, it's worthwhile to shell out another $7 for the hardback, so you'll have it longer.

Are Edith Nesbit's novels where J. K. Rowling got the idea for her Harry Potter series in which magical witches and wizards live secretly among normal humdrum people (muggles)? It was Nesbit, who wrote 60 children's novels, that first started writing about everyday English children discovering magical people, charms, and spells in their midst. One of the founding members of the Fabian Society, Nesbit was famous in her time for her Socialist beliefs and friends. However, presently it is her children's books that are her enduring legacy.

Harding's Luck is the second of a pair of novels about Dickie Harding a young orphan in 1906 London who uses a crutch because his left leg doesn't work. When his father died he left Dickie an old toy that was to bring him luck, but as the story opens there is little luck or joy in the child's life.

Nesbit's Socialist beliefs are strongly represented in her portrayal of Dickie's poverty. She describes life for the poor of the time as follows. "...All the green trees are gone, and good work is gone, and people do bad work for just so much as will keep together their worn bodies and desolate souls. And sometimes they starve to death." She also portrays a society strictly divided by class in which Dickie is poor but has noble blood which elevates him above those around him.

The magic of the story is a spell involving the toy his father gave him that puts him in contact with a trio of magical moles called Mouldiwarps and a nursemaid witch. This group transport him back 300 years to the time of King James I where he is Richard Arden, a young boy of noble family who has two healthy legs. He travels back and forth between his London and that of James I with the help of the Mouldiwarps. In the process he saves the Arden family's fortune and has to decide between his present-day London and that of 300 years ago.

Nesbit is a wonderful storyteller and the plot is full of detail and adventure that make it a delight to read. Her use of the street language of the time makes this a difficult book for young readers of today, but adults who like children's literature will find it a delightful glimpse of English life. H. R. Millar's 16 original drawings help bring the tale to life. This Books of Wonder edition suffers from bad proofreading. I found over a dozen misspellings that should have been caught in the editing process. Although this is one of a two volume series, it can be read alone with no problem.

As an enormous E Nesbit fan and an avid collector of her books I can barely describe the glee with which I embarked upon Harding's Luck. Not only a new Nesbit book, but a sequel to The House of Arden - one of my top three Nesbit picks. Alas for me this book was a sad disappointment. It was bad enough that Edred's growing up in Arden eclipsed the truly magnificent Elfrida, but in Harding's Luck cousin Richard cheats them both out of any accomplishment. This would be bad enough, but Dickie our hero is cast in the `little lame beggar boy with the heart of gold' mold. After dozens of books with keen and natural renderings of children, this sugar spun Pollyanna crossed with Tiny Tim is flat and forced. As a bit of pure conjecture I will throw the blame on the social agenda of the plot thus demonstrating that very rarely does good art come from politics over observation. All that being said, it is Nesbit and it is the conclusion to the Arden story so I suppose it must be read. However for a book to wash down this one's bitter taste I suggest The Enchanted Castle, Five Children and It, or The Treasure Seekers.

I'm buying 'Harding's Luck' for one of my 6 grandaughters - a very bright girl in Australia coming up for eleven years old, about the age I read it myself, with huge enjoyment. Her mother tells me that her daughter spurns the modern children's novels she gives her on the grounds that they're "too real" - unlike the books sent by grandfather - as e.g 'Wind on the Moon" by Eric Linklater most recently (highly recommended for 10 year-olds, if you can find it!).
'Harding's Luck' does wear its heart on its sleeve but no more than any of the great 19th century novelists of France, Russia or Britain - or indeed the USA, - and what's wrong with a novel with a message anyway? In fact it's no more 'naive', as one of your reviewers characterises it, than "The Railway Children" made twice into films. It's a lot less preachy and sentimental than say, Little Lord Fauntleroy, whose rags-to-earldom plot line, with adult redemption thrown in, is not so far removed. But in the hands of Nesbit who unlike F. Hodgson Burnett is a 'real' writer, traditional material is transmuted through imagination into something rich and strange and original.
Stylistically too, it is right up to Nesbit's best form - try reading it aloud.
Finally Harding's Luck has all the elements that will capture a child's sympathy and imagination : injustice, poverty, deformity, magic, romance, suspense, sacrifice, and triumph over adversity. And with twist - the happy ending is not quite happy.

Piers Croke
London

A lot of the artwork here is reminiscent of your independent black and white style stuff, which, I suppose, is not too surprising in a case like this.

The text is of course what is supposed to feature.

The highlight would be the work on Zane Grey's Tigre.

The cartoon style on the Brigadier Gerard and Captain Blood stories is nifty, as well.

The twelfth volume in the "Adventure Classics" series of graphic novels and short story collections, the reader is treated to some of the finest adventure writing by some of the most talented authors, and adapted to the graphic novel format by illustrators and artists of matching caliber. The stories comprising this issue include: "In the Valley of the Sorceress" by Sax Rohmer, ill. by J. B. Bonivert; "The Masked Ball" by Alexandre Dumas, ill. by Michael Manning; "Two Men Named Collins" by Damon Runyon, ill. by Noel Tuazon; "Tigre" by Zane Grey, ill. by Don Marquez; "Blood Money" by Rafael Sabatini, ill. by Kevin Atkinson; "The Stolen Story" by Johnston McCulley, ill. by Chris Pelletiere; "Gunga Din", by Rudyard Kipling, ill. by Mary Fleener, and more. Thrilling tales of the past century brought to life in a wide variety of bold, black-and-white styles make Adventure Classics Volume 12 as exciting, wild, and spooky to read as its predecessors.

The mysterious desert. The high plains. The stormy seas. The dense jungles. These are the places where actions speak louder than words, where the sharp retort of a six-gun decides who is right and who is dead, and a blind tiger stalks with preternatural senses and determination. These are the settings for Adventure Tales, a genre of literature prominent in the 1900's, in which many of the finest authors of the period plied their trades.

In this, their 12th volume, Graphic Classics has assembled an anthology of some of the greatest adventure stories of the time, full of hot blood and cold nights, mystery and magic. These classic tales have been interpreted by a host of talented illustrators, lending their own unique insight into the authors original stories. This is their second anthology book, like Volume 10 "Horror Classics," combining many workers in the genre rather than focusing on a specific author.

Some of the best authors are on display here. Robert Louis Stevenson, author of "Treasure Island," Sax Rohmer, creator of Yellow Peril villain Fu Manchu, Alexander Dumas, creator of The Three Musketeers, renowned cowboy author Zane Grey, Damon Runyon, author of "The Idylls of Miss Sarah" which was adapted as the musical "Guys and Dolls," Rafael Sabatinin master of Pirate Tales and creator of Captain Blood, Johnston McCully creator of the swashbuckling Zorro, Sherlock Holme's creator Sir Arthur Conan Doyle, and Rudyard Kipling, author of "The Jungle Books."

Finally, there is O. Henry, whom if it weren't for Graphics Classics, I might have known nothing more of than the sweet Christmas fable, "The Gift of the Magi," rather than met him as a scribbler of dark cowboy adventures.

This volume contains:

The Wind Blew Shrill and Sharp - A lusty sea poem by Robert Louis Stevenson. Skot Olsen provides an excellent and strong sailor to accompany the compelling verse.

In the Valley of the Sorceress - Egypt was a mysterious and magical place at the time, and Sax Rohmer weaves a web of desire and danger. An archaeologist attempts to open the hidden tomb of Sorceress Queen Hatasu, but finds his efforts daunted, and his soul beguiled by a beautiful Arab maiden. Illustrator JB Bonivert brings a unique and fanciful style to this classic adventure.

The Masked Ball - By Alexander Dumas. A short and dark tale of heartbreak and desire, accompanied by a hedonistic masked ball where people seek to drown their loneliness and hide their faces. Michael Manning provides a dark atmosphere, heavy with black spaces, as an appropriate accompaniment.

Tigre - The jungles of Mexico are the setting for this tale of lust and revenge. By Zane Grey, an old farmer is a master of wild animals, particularly his blind brutish tiger named Tigre. The only thing he can't tame is his young and pretty wife. Who stalks who in the dense jungle? A straight-forward but perfect comic book adaptation by Don Marquez, particularly of the lovely Senora.

The Shooting of Dan McGrew - A popular cowboy poem by Robert W. Service, adapted with humor and pathos by Hunt Emerson. A lonely miner, a dangerous gambler, and the lady that's known as Lou.

Two Men Named Collins - Damon Runyon gives us a sad and silently heroic of two soldiers who share the same name. On is lonely and ugly, one is popular and handsome. But the one holds the secret of the other, and nobility is not always what it seems. Illustrator Noel Tuazon does a spectacular adaptation of this tail, lending even more weight and atmospher to the yarn.

Blood Money - An adventure of Rafael Sabatinin's celebrated rouge Captain Blood. A straight-forward comic book adaptation by Kevin Atkinson, this is a clever celebration of the key to Captain Bloods success. Pure luck.

Gunga Din -Rudyard Kipling gives us a blood-rousing poem of an Indian water bearer and the Thuggee wars. The prose is amazing. "But when it comes to slaughter, you will do your work on water, an' you'll lick the bloomin' boots of 'im that's got it." Great illustrations by Mary Fleener, this was the first time I had read this classic poem.

The Man without a Shadow - An Irish short story author, this is a companion piece to "A Day-Dream" which appears in "Horror Classics." A whimsical adaptation by Milton Knight of a clever tale.

The Mystery of the Semi-Detached - I always knew Edith Nesbit as the author of the children's tales "The Boxcar Children," but little did I know she had this tale of murder and ghosts in her. With excellent Victorianesque illustrations by Antonella Caputo.

The Stolen Story - Johnston McCully is best known for swashbuckling, but this tale of fictional theft is equally gripping. A man's dreams are met, although they turn into a nightmare. With appropriately grotesque illustrations by Chris Pelletiere.

The Crime of the Brigadier - Sir Arthur Conan Doyle had many characters, one of them Brigadier Gerard, a teller of tall-tales and adventurer in Napoleon's army. This funny yarn is comically adapted by Nick Miller is a suiting style.

The Roads We Take - Another black tale of cowboys by O. Henry, a story of betrayal, and a man's true character. Outlaw Shark Dodson saw two roads ahead of him, both leading to the same ending. A bleak story, with a perfect adaptation by Pedro Lopez. So good I immediately read it again after finishing it.

This is a great book for any young reader, especially those interested in fantasy and mythology, although some parts are much different than the "tradional" view of merfolk in general (such as removable tails), but the story was good. What I noticed first was the ommission of various details, such as how they suddenly learn of the mermaid's name or leaving out details in the battles towards the end. I did find, however, that the narrator does a good job of telling the tale, like a mother would tell it to her daughter. All in all, a good story with a little action and lots of magical adventure.

I love all of E. Nesbit's books; they are some of my dearest childhood favorites. I also really like the Enchanted Castle, The Magic City, and The Story of the Amulet. Wet Magic is more poetic and literate; there seems to be more visual beauty, and I love the scene where the book characters are literally coaxed out of all their books to help with the battle.