Works Books
Related Subjects: Tonight I Can Write
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Seminal Text For Writers Review Date: 2007-05-26
You cannot stop a bandersnatch.Review Date: 2007-02-05
There are some preliminaries. First, as with all of her writings, this book's ideas are outgrowths of her philosophy of Objectivism. For Rand aficionados, you know that it keeps cropping up with everything that she writes. So if you either agree with her, or are willing to plow around it, then get this book.
Second, this book is really edited selections from a longer seminar she had on writing. If the discussion seems out of joint at times, it is due to the selecting/editing process. To help round out here ideas, I suggest reading "The Art of Writing Fiction" and "The Romanic Manifesto," all of which were extracted from this same meeting.
Rand is one of the finest systematic thinkers ever, and this book shows it. She is able to take something apart, separate, correlate, and analyze the parts, and then put it back together again.
By being so analytical, she gets the writing process right. The first five chapters are really the basting cap essential in explosive writing. Writing can be simplified by preparation, organization, and thinking, which is the message of these chapters.
Chapters 5 through 8 cover the more traditional nuts and bolts of writing. Chapter 5, on creating an outline, is the key link between thinking and writing. She is right when suggesting that everyone writing nonfiction should use an outline. It organizes both the mind and the writing. I was glad that the editors included some sample outlines of Rand's writing, to watch how the process proceeds from outline to full article.
I think out of all of the chapters, "Writing the Draft" was the most helpful. The editor subtitled it "The primacy of the subconscious." This highlights Rand's point that writing is really something that comes spontaneously form a disciplined mind. Furthermore, the chapter contains several subsections on "The Squirms," helpful mulling, euthanizing pet sentences, and handling interruptions.
This last point cannot be emphasized too much: writing is a job, and it takes concentration. Rand likens it to heating a blast furnace--you work up to a high temperature, and that temperature must be maintained for weeks to get the desired results. While writing "Atlas Shrugged," she had to sequester herself for thirteen years.
I have a similar experience while writing. People visibly see you clacking on the computer, but what they do not see is the amount of focus inside your head, invisible to your eyes. So they want you to answer the phone, run this errand, baby-sit, chat, paint a house, watch some idiotizing program on TV, or come in on your day off because so-and-so called in sick so they could stay home watching some idiotizing program on TV. You need to be as harsh with writing as you would with your bill-paying job. Indeed, a good writer sees writing AS A SECOND JOB!
The last chapters are a potpourri of topics that did not fit in either "The Romantic Manifesto" or "The Art of Fiction." They are helpful for what they are, but seem a bit out of place and curt. They serve as surveys to the topics.
The only critique I have would be rearranging the chapters. Move chapter 12 ("Acquiring Ideas For Writing") up between chapters 1 and 2, since the thinking process--the process of reverie and listening to the unconscious percolate--precedes the choice of a subject and theme. I would also move chapter 11 ("Selecting a title") to go after chapter 7 ("Editing"), and moved chapter 8 ("Style") between the chapters on writing the draft and editing. Since this book was edited posthumously, this organizational error is not hers.
Here is my ideal order:
1. Preliminary remarks
2. Acquiring Ideas for Writing
3. Choosing a Subject and Theme
4. Judging one's Audience
5. Applying Philosophy
6. Creating an Outline
7. Writing the Draft
8. Style
9. Editing
10. Selecting a Title
11. Book Reviews
12. Writing a Book
Appendix: Outlines
For a second or third reading, it may be helpful to use this order, since it follows the process of thinking-writing-rewriting.
*
I have put this book in my mix of style guides, and will read it along with Strunk and White, Trimble's "Writing With Style," The Chicago Manual, and "The Little, Brown Handbook."
(I would rate it five stars, but the disordered chapter organization talked me out of it.)
Excellent guide to writingReview Date: 2006-11-03
One For Your Library.Review Date: 2006-02-23
Clear as a bellReview Date: 2005-08-09

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So HelpfulReview Date: 2008-05-09
Insightful, Useful, and EnlighteningReview Date: 2008-04-15
Excellent - Must Have !Review Date: 2007-04-10
reviewed by Special Education Teacher and father of ASD child.
HIGHLY RECOMMEND!!!!Review Date: 2007-03-25
Extremely Helpful Resource!Review Date: 2007-05-07


Book reviewReview Date: 2008-08-10
Must Have for PediatricsReview Date: 2008-04-07
Great for the boards and the officeReview Date: 2007-10-28
Sigh....Review Date: 2006-09-25
Useful as a bookend or coffe table a-la Kramer in Seinfeld.
Could not be betterReview Date: 2006-04-26


Back to the Future...Review Date: 2008-03-23
In my experience, eschatology is dominated by a sort of generalized randomness ("I don't know much about the end times, but I know I don't believe THAT...") or even a passive indifference ("I'm a PANmillennialist - it'll all pan out in the end") or even a sort of sensationalized excitement ("we may not be able to predict the day or the hour, but we can predict the week and the month"). Helpfully, though, Hoekema clears away some of the confusion, cobwebs, and craziness that is often associated with the doctrine of last things.
In his favor, there are not graphs or charts (except for a few in the appendix) to try to puzzle through. He attempts to be thoroughly biblical in his approach. He does use footnotes, but they are often short and to the point, which contributes to an uncluttered text.
Even if you disagree with an Amillennial view of the end times, Hoekema is a valuable resource - as one of my professors used to say, "The best place to start looking is a good book with solid footnotes - that will cut down hours of time doing research."
While he does engage both Postmillennialism and Historic Premillennialism, he spends the bulk of his time defending Amillennialism and refuting Dispensational Premillennialism. My guess is that when he wrote in 1979, Dispensationalism was (and continues to be) the dominant view among Evangelicals when it comes to studying end times.
One negative - because it was written in 1979, it does not engage the newest wave of Postmillennialism or Dispensational Premillennialism (Left Behind series and all that). However, the critiques of both explore the biblical roots that underlie the various expressions of the theology, so even being a bit dated, it still is worth your time.
Sound Biblical Treatment Review Date: 2007-08-07
Why "Left Behind" Needs to be Left behindReview Date: 2006-06-26
Fair look at eschatologyReview Date: 2006-03-14
one of the few books on "end times" stuff worth readingReview Date: 2007-01-22

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Perfect for a new cook!Review Date: 2008-02-18
First book I grab for ideasReview Date: 2007-08-15
Really Helpful for Even the Davnaced CookReview Date: 2006-03-01
Everyone needs this in their culinary library.
Great resource for all chefsReview Date: 2006-11-22
A useful volume providing both recipes and hints on cookingReview Date: 2006-12-31
Coverage is from A to Z. Some examples of helpful hints. On page 3, substitutes for alcohol in recipes are noted. Instead of one tablespoon of sherry or Madeira, use one tablespoon of apple juice. Another item under A is the choice of the right apple for the right purpose. For example, Golden Delicious apples can be used for sauce, baking, salads, and eating; McIntosh apples are best for eating and sauce; and so on. And immediately after these hints, there is a nice recipe for spicy applesauce (using McIntosh apples). On page 75, for those readers addicted to Buffalo Chicken Wings, there is a recipe for Buffalo Hot Sauce. While I would prefer old-fashioned Tabasco Sauce, the recipe calls for somewhat milder hot pepper sauces, for palates that aren't as willing to burn. In addition, there are a couple recipes for using the sauce other than on chicken wings. What about making Mango Salsa? Page 268 features a simple, easy to make recipe. Polenta? Pages 377-378 provide a veritable "how to do it" mini-manual, including what to do if you err in making it (such as burning the bottom of the polenta). On Page 531, you can read how to prepare vegetables for grilling. For asparagus, snap off the tough ends and use direct heat to grill the vegetable. And so on and so on. A to Z? What about getting the zest from oranges to use in recipes? Here is one of the few places that I have run across this "how you do it" tidbit.
All in all, a very nice and useful volume.

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Some observationsReview Date: 2008-08-10
That said, I have had some results with the "clear skin" regimen explained in the book, just not as good as others. Some things I've noticed after using the regimen:
PROS:
1) If you have never used benzoyl peroxide (2.5%) before, you will most likely get good results overall. You might even end up with a clear face, back, wherever.
2) You will appreciate Kern's empathy to the cause of acne elimination. Acne is very much an emotionally painful affliction, and empathy (not belittling) is sometimes the most important thing an acne sufferer needs.
3) When you are ready to begin the regimen, you can opt to visit Kern's website, which offers the regimen products (2.5% benzoyl peroxide, cleanser, moisturizer) at reasonable prices.
CONS:
1) Contrary to Kern's opinion, I personally have experienced my acne grow resistant to benzoyl peroxide (both 2.5% and 5% variations - 10% is too harsh). In my experience, the effectiveness of benzoyl peroxide waned after a few months, no matter how much of it I used.
2) Your skin can get seriously dried out by daily benzoyl peroxide use even with the "mild" 2.5% variation, especially since Kern eventually wants you to use about an ounce of it on your face. I used adequate-moderately heavy amounts of moisturizer after the benzoyl peroxide application, but personally there was just no escaping the dryness and peeling despite me having oily skin. Using less of the 2.5% treatment didn't help either.
3) Lastly, your clothes will bleach through benzoyl peroxide use, period. It's nice to have less acne, but when you notice your favourite clothes getting discoloured (ruined) in the process, it's almost not worth it in the end. Also, wouldn't you want to have clearer skin while wearing your favourite clothes? Sure, you could wear something under your clothes, but I personally found this to be an extra discomfort on top of my dried out face.
---
Still, I urge those who haven't used 2.5% benzoyl peroxide to try out the "clear skin" regimen. But instead of buying this book, I think you're better off buying the regimen treatment products on Amazon, or on Kern's website.
I urge you though to have realistic expectations with the regimen, as it may work at first but disappoint you afterwards.
Good, but...Review Date: 2006-02-26
FinallyReview Date: 2007-03-29
Dan Kern should win an award for his method, he is truly helping people, and not one of these Guthy Renker infomercial companies out for money. No celebrity endorsements needed; the clear skin regimen just works. I wish I had found it years ago.
Love.Review Date: 2005-08-11
Best free information ever and best way I know to get rid of Acne.Review Date: 2006-02-05
The cheapest and fastest way I know how to check out the program is to order 1 tube of the 2.5% Benzoyl Peroxide (from Dan's Web Site) and try it for 1 week following Dan's instructions. Yes, if you goto the web site, Dan also wants you to get a Cleanser and a Moisturizer. All products are needed but I believe the key product is 2.5% benzoyl peroxide gel from his web site Acne.org.
I strongly believe if you have Ance, using the 2.5% benzoyl peroxide gel with Dan's instruction, you will have a 95% chance of seeing improvement in less than a week.

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Not a terrible bookReview Date: 2008-01-13
In all, I think Lois Frankel's books are much better written, with much better advice.
Definitely Worth 10 Stars!Review Date: 2006-11-05
Quick Read. Excellent Advice.Review Date: 2006-08-03
It's Climbing the Corporate Ladder period.Review Date: 2006-06-27
A must read for all womenReview Date: 2006-06-26

Is That All There Is?Review Date: 2008-08-17
Roethke represents a watershed in American letters, a watershed we kids slobbered down the wrong side of, the side not his. For delicacy of daring the difficult to bear, even to notice, he can hardly be surpassed, and this almost without ever choking up the voice -- his or ours.
A Blaze of BeingReview Date: 2006-01-21
Among Roethke's contributions to literature are his poems that treat depression. Far from letting his manic episodes paralyze him, he used them to write some his most intense poetry. "In a Dark Time" is one of the immortal poems of the 20th century, worthy to be set aside a Van Gogh painting. Roethke was not alone in treating these subjects: two other Pulitzer Prize-winning poets of his time, Sylvia Plath and Anne Sexton, learned from him and wrote about similar themes. But Roethke's writing stands out in two ways from these poets and other poets the 50's and 60's.
One is the unity of his work and vision -- this Collected Poems traces a single spiritual journey beginning with his childhood memories of the greenhouse, and ending somewhere among "the windy cliffs of forever", last visions tragically cut short by his early death. Between those points are rendered all of the experiences of his life -- as he wrote in his first poem, "my heart keeps open-house." But he never fails to interpret these experiences and understand their significance in the larger picture of his life and poetry. Unlike so much of the poetry of Sylvia Plath and other Confessional poets, Roethke never demands that you read his biography to understand his symbolism. Rather, his symbols develop among his poems to form a kind of mythology: his recurring symbols include stones, fire, light, "the small," and the spirit.
The other difference between Roethke and other poets of his time is his technique. Roethke is never obscure; he always writes in fresh language, avoiding cliches, although his symbols are indeed personal and take time to understand. Roethke's craft is "strict and pure," such that even the staunchest defenders of Sylvia Plath have confessed that Roethke's writing is more disciplined. The Deep Image movement of poets like Robert Bly and James Wright is influenced by the kind of symbolism found throughout Roethke's poetry, and those writers have acknowledged their debt to him. Roethke retained rhyme and meter in a time when all the conventions of poetry were being ripped apart; and he did so with a consummate technical skill not to be found in the Beatniks or in the Black Mountain poets. Roethke's ear for poetry is much more sensitive than that of other poets of his time. We are gagged by the lyricism in lines like
"She came toward me in the flowing air,
A shape of change, encircled by its fire."
("The Dream")
"When all
My waterfall
Fancies sway away
From me, in the sea's silence..."
("Her Time")
"O love, you who hear
The slow tick of time
In your sea-buried ear..."
("Song")
The most exhilarating of all these are Roethke's love poems in "Words for the Wind", which justly won the Bollingen Prize and the National Book Award. These poems are unmatched for eloquence and spiritual intensity -- and it's a damn shame that modern anthologies do not reprint them, aside from the famous "I Knew a Woman." For it is in these love poems that Roethke's soul soars, and his poetic power is fully realized.
"She knew the grammar of least motion."
("The Dream")
"Light listened when she sang."
("Light Listened")
"I measure time by how a body sways."
("I Knew a Woman").
Theodore Roethke achieved greatness in art by having the courage to confront the most intense human experiences and the skill to craft them into some of the most eloquent poems of his time. If there is ONE modern poet you will read, let it be Roethke. His "Collected Poems" is a must for every poet and every lover of poetry.
an american masterReview Date: 2004-08-15
A Permanent PoetReview Date: 2006-11-07
Hypnotizing, mesmerizing, spellbinding... perfect.Review Date: 2004-10-12
Don't make the same mistake I did. Roethke WILL NOT disappoint you. "The Lost Son" has become my new favourite poem, and this book goes with me perpetually, and will until I finish every line in it.
Exquisite.

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My favorite book on prayer.Review Date: 2005-07-17
A Must-Have Book on Prayer--quoted by many many authorsReview Date: 2006-07-27
The BEST and BLUNTEST book ever written on "prayer". Review Date: 2005-01-03
No book, not even Murray's, has ever been written on "prayer" that can hold a candle to The Complete Works of E.M. Bounds on Prayer. In fact, if you read this book (actually 8 little books) and it doesn't revolutionize your prayer life, then you need to re-read it until it does. If you read this book and think that it is "mediocre", that will be more of a statement about you than about this book. Seldom is any book hailed as the unquestioned "Greatest Book" on a particular subject by ALL the specialists on that subject, but this one is. And the experts are right. So bless yourself or someone today and buy this book. Then get ready for the revolution! God bless. Mike
Changed my prayer life!Review Date: 2006-09-07
A Great Compilation of Bounds' Books on Prayer LifeReview Date: 2005-08-18
As breathing is a physical reality to us, so prayer was a reality for Bounds. He took the biblical command "pray without ceasing" almost as literally as animate nature takes the law of the reflex nervous system, which controls our breathing.
Because Bounds so diligently practiced what he preached, we was able to capture the essence of prayer, and his works live on to call today's Christians to higher discipleship and an energetic, God-devoted prayer life.
Related Subjects: Tonight I Can Write
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