Marilyn Nelson Books

This is a fascinating collection of stories by a great cross-section of writers. My favorite story was the touching and funny "Destiny" by Patricia Wallace. Ms. Wallace has written numerous outstanding horror and mystery novels, including the Sydney Bryant private eye series.

This offbeat anthology should find a permanent place on many bookshelves.

I am enjoying this book so much. What a lift it gives me. It's funny and heartwarming.

One morning I went to Panera Bread for coffee and a book club of about eight middle aged women were discussing this book. I overheard some of their comments and decided to buy the book myself. I did read it from cover to cover. I thought It was a really good book for women who have a strong Christian faith. It also gave me some insight in how my wife looks at our marriage and what she wants from me. It is a short book and very easy to read. I recommend it to any married man who wants to better understand his wife.

Light and sometimes dimness is like a participant and sometimes like a record or register for what happens, which can be any part of life--desire, remembrance, an interchange with someone or just a look at someone, a private moment. From the prose-poem "The First Spring's Shadow"--"A sun that pling, pling leaps out between the dark trees and hits the chrome of the bicycles...What isn't clear is the shadow..."; from "Right There in the Smoke"--"spoons, teacups, knives/drop/out of my hands/and fall into lead white/out of every/fixed meaning..."; and the opening of "The Move"--"Can everything burn, can everything give light..." Not every poem explicitly mentions light, subtly hints at its import, or almost imperceptibly uses it as a metaphor. But in every poem, most evidently in those where light figures, Pedersen sets a tone and finds a careful balance intimating that there are dimensions something like a thirteen month out of ordinary time giving sensible life a special fullness and poignancy.

i really enjoyed this collection of poems by george washington carver! i have plans to be a teacher when i finish college and i think that i will use this book in my teaching plans! the poetry is basic at times so that most any student will be able to understand and yet it has a deepness that will require some thought on behalf of the students. i recommend this book to anyone who enjoys poetry, history, or teaching. i have put this book on my wish list with hope that someone will but it as a christmas gift for me. that is how much i liked carver's work. kudos to mrs. nelson for putting the collection together and getting it published. i can clearly see why carver a life in poems won the newberry award.

As a person coming from a hard-core science and engineering background, I never thought that poetry had any `value'. I never once saw in poetry insight into the nature and state of affairs of human beings. So I was very surprised when I read Ms. Nelson's Carver, A Life in Poems. Ms. Nelson presents us with poetry so rich in texture, so layered in meaning that these few lines of prose convey much, much more information than hundreds of pages of dry text. The book skillfully combines anecdotal historical footnotes with powerful poetic prose to tell the story of the most influential man in American agricultural history.

Carver the man overcame severe hardship and the prejudices of others to achieve great things. Living in a time when opportunities were few and far between for American Blacks, and slavery was a vivid recollection, Carver blazed a trail that few have been able to even approach, let alone top, since then. Even though he dealt with his share of racism, not every person not of African-American ancestry was unkind to him. Given the least of all of his peers, black or white, Carver went on to achieve the most in life. In spite of the hardships, the racism, and even the slights and insults of his own people, he left behind a legacy of good work, compassion, and technical accomplishment that stands the test of time. As such, Carver takes a solid place among the great minds of antiquity- from Imhotep, Egypt's greatest builder, to Confucius, China's greatest thinker and statesman.

Although Carver's array of inventions is impressive, his ingenuity and knack for turning what others see as worthless into something valuable, as in the poems `Chemistry 101' and `The Wild Garden' and `God's Little Workshop', is truly astounding. Carver had tremendous impact in a host of scientific disciplines- agronomy, botany, chemistry, and plant pathology to name a few. For me, Carver's life demonstrates the importance of a creative and spiritual base. Carver could not have developed the hundreds of practical uses for the `goober', or peanut-the plant that African slaves brought to the United States, and that White farmers fed to their animals before eating themselves- if he did not have a highly developed creative side. Moreover, his unyielding faith in the Creator, and his reliance on his faith in times of great peril and suffering, enabled him to endure what I and most other people would consider to be the unendurable. Carver's creativity and great spiritual faith gave him the inspiration to make practical use of those things that others considered worthless. In many ways, Carver was the unassailable prototype of the entrepreneurial alchemist- he created something of value out of literally nothing. Professor Carver's many achievements clearly demonstrate the importance of the study of economic botany.

I would like to add that four of his most important contributions to agricultural science- resting the land, crop rotations, application of riparian sediments and the use of legumes to replenish the vital nutrients of intensively cultivated and depleted soils, closely parallel the ecological practices of the great agrarian societies of Asia and Central and South America. The Native Americans, and their Asian compatriots, were well aware of the benefits of these practices, and had developed strong, stable and successful agricultural methods which in turn allowed for the flowering of some of history's greatest civilizations- the Inca, the Maya and the Aztec cultures. In fact, as F H King pointed out in his groundbreaking work, Farmers of Forty Centuries, at the beginning of the 20th century, the farmers of Asia had been using these techniques continuously to maintain and perpetuate the cultivation of the same plots of land, feeding increasing numbers of their people, for over four thousand years. In effect, these ancient farmers had developed sustainable farming practices and projected them four millennia into the present. In this way, I see Professor Carver as not only the Father of the Peanut industry, he is, and rightly so, The Father of Sustainable Agriculture in America.

It is both refreshing and heart-warming to me to know that an African-American man of science can also be a Renaissance Man in the fullest sense of the word. Gifted in the arts and gifted in the sciences, Carver blended art and practicality in a way I can only hope to partially attain. From this book, I humbly receive a new and invaluable hero, a new and awesome role model- Professor Carver, Jack of All Trades, Renaissance Man Extraordinaire- a true man of the people, a true Titan of Science.

This biography that won both a Newbery Honor and a Coretta Scott King Honor is an awe inspiring book. Nelson tells the story of George Washington Carver's life through a series of poems that act like snapshots in a photo album. She begins with a poem about Carver and his mother being stolen from their owner when they were slaves. John Bentley is sent after them but can only find baby George who he returns to the Carvers who raise him with his brother Jim. The poems go on to tell of Carver's search for education, his resourcefulness, and his spirituality. Different poems describe his artistic abilities, his studies of botany, his appreciation for all of nature, his artistic nature, and his dedication to his students and all of his people. The book traces his life from its beginning in slavery to his years in college and as an instructor at the Tuskegee Institute. Nelson's poems describe the life of an amazing genius who is too often overlooked as simply the inventor of peanut butter. Each poem acts as frame in the film of Carver's life. The poems work together to tell the story, but each poem can also stand on its own as a photograph of a moment from an amazing life. The historical footnotes in the text help to clarify the poems and the photographs of Carver, his family and friends, his creations, etc. help to create a better understanding of this incredible man.

First I have to say that Marilyn Nelson is a wonderful person. And I think she is one of the best poet's of her generation. Her poetry is great, and her book, _The Homeplace_ is one of those books that everyone should own. But even great poets can write mediocre poems. This collection is a series of short poems, usually a dramatic monologue of some sort, that together are supposed to make up the story of George Washington Carver's life (it includes pictures and little biographical footnotes). Pretty much the same thing she did for The Homeplace. It worked in The Homeplace, but not here. The problem isn't so much Nelson's skill as a poet (few are better than her), rather it is Carver's life. It just doesn't make good poetry, or at least not 60 poems. I understand Marilyn wants to tell us about Carver, but perhaps prose would have been a better way to go about it (that and this book seems to be marketed for young children--I don't think they can fully appreciate the nuances of Nelson's poetry or Carver's life). That said, there are several good poems in the book, "Clay" and "Cafeteria Food" being my personal favorites. Well, not every collection is going to be great (look at Frost's later books), so I eagerly await the next book from Marilyn Nelson, be it poetry, essays, or fiction.

This group of poems tells so much in so few words...tells of a life (George W. Carver's) lived with integrity and courage. The poems brilliantly paint a portrait of the noble human spirit that shines thru when an individual rises above pettiness, self-centeredness and dishonesty. I believe the author must share some of the good values evidenced in Carver's life - else she could not write as she does. Hopefully, all readers of this treasured book will be empowered to let their OWN good values shine forth.

There is no doubt in my mind that Marilyn Nelson's poetry will be remembered for generations to come, and this collection, _The Homeplace_ (which was a finalist for the National Book Award), is the primary reason why. Nelson's poetry is good by any standards, but _The Homeplace_ stands head and shoulders above her work, which says quite a bit. I've read her new and selected poems. They were very good. The only complaint is that they weren't divided by volumes, so it wasn't until i picked up _The Homeplace_ and read it that I realized just how good the poems in this volume are. Because _The Homeplace_ isn't a collection of short poems, rather it is one long narrative poem. It's divided into two sections. Section I tells the story of her mother's side of the family, going back five generations to her great-great grandmother, Diverne. The story of this family goes through slavery, the turn of the century, wars, and up to the point where her mother and father meet. It's a heroic and touching story. Section II is the story of her father's time as WWII as a Tuskegee Airman. _The Homeplace_ contains everything good about poetry, and everything that poetry should be: story, form, meaning, love, and a wonderful use of language. This isn't a book you should pass over. It should be read--slowly and again and again.

In The Homeplace, Marilyn Nelson's third book, the author writes about members of her family. In the first part, poems describe the lives of her maternal ancestors going back five generations. The second part focuses on her father and his colleagues, the first black members of the Air Force. Though individual poems are capable of standing alone, the collection chronicles the history of American race relations, from Diverne, a slave, to Pomp, who lives with the stigma of his mixed blood immediately following the Civil War, to the Tuskegee Airmen, who must repeatedly handle skepticism about their abilities. Individual poems describe anecdotes, little moments in these lives, sometimes told in the first person and sometimes in third. The general sense creates a quilt of such moments, with individual poems contributing to the whole.

The tragic story of the death of Emmett Till, Jr. in 1955 is one that plays a large part in the Civil Rights movement. Till, then 14 a Chicagoan was visiting relatives in the South. He said "hi, baby" to a woman who was white. The hue and cry was fierce; how dare this child talk to someone who was not of the same race?

To make matters worse, a posse was formed and Till as well as his cousin were roused from their beds and taken from the house they were in. Emmett Till, Jr. was beaten to death.

What makes this child's tragic death a turning point was that Till's mother had his funeral televised with an open casket. The world at large would see just what bigotry, ignorance and hatred was capable of and of one young casualty it claimed. Till's mother, who died in 2003 never stopped beating on the drum for her only child and for an end to cruelty and bigotry. Hers was a voice that was heard by people such as President Johnson (1963-68); Attorney General and later Senator Robert Kennedy; Martin Luther King and countless others. To this day I cannot watch that funeral dry eyed; the thought of the anguish this child's mother endurned for the remainder of her life is just....painful.

Emmett Till Jr.'s death, which took place some 10 years before Bloody Sunday aka March 7, 1965 was a touchstone event. In looking at the Civil War Movement; the riots; the efforts of many to secure fair and equal treatment for ALL individuals can look toward Emmett Till, Jr. as an unlikely martyr. This child's needless death, horrible as it was did call attention to similar racist-based atrocities being committed.

As heinous and atrocious the injustice to this child was, Marilyn Nelson offsets the horror with some beautiful poetry. The rhythm and flow of the words and the idyllic images contained in some of the sonnets stand in stark contrast to the ugly, leering head of Jim Crow and the Racist Regime that flourished.

A fellow teacher is doing a unit on African-American lit and the Civil Rights Movement as a lead-in to Harper Lee's "To Kill a Mockingbird". "A Wreath for Emmett Till" was one of the books she shared with the class. I have perused it myself, still unsure whether I should actually purchase it or not. Two things other reviewers have mentioned that I too find appealing about the book are: 1)The sheer complexity of constructing a heroic crown of sonnets and 2)the historical backdrop of the events described. Unfortunately, these aspects have very little to do with the content of the poems themselves. Most of the information about Till is contained in the preface and afterword, not in the poems themselves. Likewise, others reviewers, like I, praise Nelson for giving a tour-de-force in making a heroic crown of sonnets (and her commentaries about the sonnets were enlightening), but to be honest, the poems themselves were not particularly outstanding. I would buy the book more as an example of the structure and form of poetry rather than as an example of good poetry (If that makes sense).

This book is in the form of a Heroic Sonnet is a brilliantly written book. It is about giving a wreath to Emmett Till, a young child who was lynched after whistling at a white woman. Till, who normally lived in Chicago, was spending the time at his uncle for the summer. After whistling at a white woman, Briant, Milan and a third person kidnapped Emmett Till. Soon after the kidapping, they lynched him. Later in the Trial, Briant and Milan were found not guilty, though later, it was proven they were guilty. This book was brilliantly written into a heroic sonnet, each of the first lines stating: R.I.P. EMMETT L. TILL. It got me emotionally connected, displeased by the racism people had back then (i.e. allowing Briant and Millan the right to be not guilty just because Till was Black). This book was brilliantly written through the use of similies. It allowed you to invision the racism back then. The only comment I have against it is the World Trade Center reference, mentioning 9/11 hadn't happened yet. Other than that, A Wreath for Emmet Till by Marilyn Nelsen was an excellent work of poetry.

This ambitious poetry book is based on a little known poetic style known as a crown of sonnets, used historically to honor great kings. In this unique book, author Marilyn Nelson tries to apply it to an ordinary kid named Emmett Till whose name became household when he was brutally lynched, and outrage over his murder fueled the early flames of the black civil rights movement.

Nelson is admirable to tackle such a brutal and tough subject matter, however admiration is not enough to cover the fact that her poems are often hard to follow due to the ridged style, in addition to being tangential and lacking in any strong dramatic or emotional punch. She writes about Till's murder as she would weave it into a floral wreath, and sometimes that leaves the reader bored and wondering why we should even care about Nelson's pretty flowers. Her stated goal is to write about Till but he rarely makes an actual appearance in these poems, and her attempt to tie his murder into a larger history of lynching is poorly executed. At one point she ties Till's murder to the 9/11 attack on the World Trade Center, which comes out extremely contrived and tacked on, since the events, issues, emotions, and circumstances are completely different. She expands considerable ink wishing he had never been killed, which although very admirable, doesn't give her much space to explore the national impact of his death or the good that grew out of his tragedy. In addition, her lengthy and complex notes at the end of the book are absolutely necessary to understand her many intellectual allusions and symbols. I could not imagine giving this book to anyone under 16 and having them get it at all - I'm finishing my undergrad in two weeks and I was overwhelmed. While the poems pick up pathos towards the end, it really is not enough to save the whole set.

The illustrations by Philippe Lardy are nice but unremarkable, and given the poignant and brutal subject matter they are severely disappointing. Many of them are simplistic and pretty paintings of flowers and birds that fit the wreath theme but entirely loose the tragedy and power of Till's death. Like Nelson's poems, you need the complex notes at the back of the book to understand the many symbols in the oft-abstract illustrations. Emmett Till himself is only shown once, and the artist attempts to make him look like an EveryChild (even to the point of giving him no real facial expressions) which makes him look generic and dull. The art shines best when it is the most simple, such as when it is a textured background for the text itself, with simple shapes instead of complex allegories. When the best thing you can say about the illustrations is that they make nice and non-imposing backgrounds, you know the art is in trouble.

A Wreath for Emmett Till asks the reader to "bear witness to the atrocity" and take responsibility for this murder in our collective memory, but otherwise is not a call to any action or awareness. Unfortunately what sticks in the memory is a book that falls short of its lofty goals.

A Wreath for Emmett Till is my first encounter with Marilyn Nelson; a bittersweet introduction. As a member of the Sisters~Nineties Literary Group, this book fascinates me as it is a beautiful example of poetic mastery. When our editor gives us a writing assignment for our publication, I grumble and protest, then I revel in the experience; delighting in the success of learning about the world of poetry and all its various forms. The "sankofet," created by Debra Morrowloving Sisters~Nineties founder, comes to mind as I read this book.*

Ms. Nelson's rhyme scheme is a fourteen-line sonnet on each page linking the previous poem with the next as the last line of the previous poem is the first line of the next poem on the following page. In the world of poetry, this is known as a "crown of sonnets."

Although written for children, I had to read the book twice to "feel" the horrible images that this book so beautifully captures. References to flower, plants, and trees are symbolic and make up the "wreath" for Emmett.
Please read this book and share the experience with your children. The incident is described as the motivating force of the Civil Rights Movement. It is also a wake-up call to all those who continue to live a life of apathy and denial when it comes to standing up for the legacy of the African American struggle.

*Sankofet is a poetic form of three stanzas, each with seven lines. The fourth line of each stanza is the same. The last word of each stanza is the first word of the subsequent verse, and the last line of a Sankofet is the first line in the poem. The format of the Sankofet emulates the call-and-response motif of Afrikan musical tradition with the repetition of the fourth lines. The connecting words at the beginning and end of the stanzas represent the Afrikan cycle of life concept.

The Fields of Praise, a compilation of related poems by Marilyn Nelson, had both very good pieces as well as some mediocre poems. I appreciated Ms. Nelson's attempt to categorize her poems into a few broad categories however I thought the poems in her third section "Hermitage" became redundant with the last stanzas acting almost like punchlines. However like mentioned earlier, their are a few gems that make this collection worth having. My personal favorite piece is the very last one of the book, "A Minor Miracle". I thought the realism (also knowing that it is a true story helps) encapsulated in this piece was amazing. While I have not read every poem in this collection, there are some that I dislike and others that I like. Overall, discovery of an enjoyable poem, like "A Minor Miracle", makes the time spent hunting worthwhile.

nelson's collection as a whole is pretty good, though it does drop off a bit in the hermitage section. her poems are poems of home and family and spirituality. it's a good selection of her work.

Marilyn Neslon's The Fields of Praise is a book about motherhood. She is a refreshing turn from the sexually explicit yet uninterpretable poetry that pervades modern day poetry. The compassionate and romantic pieces in her book are generally directed towards children. Though her poems often express fear and concern, they are not exploding with the dark, depressing diction of utter despair that pervades current poetry. She brings the reader into the real world of a loving heart without beating the reader over the head with fraudulent fervor or suffocating the reader with meloncholy. As a mother hunts down and abolishes anything she feels will harm her family, Marilyn Nelson is quick to criticize perceived social ills. Some of her poetry takes on the appearance of criticism and denunciation and can even be interpreted to be bigoted. In many ways her poetry is of a right wing conservative nature as opposed to the liberal overtones that her contemporaries write with. It is always a pleasure to see someone who strays from the norm, however, her overall imagery and tone are not appropriate for effective social critique. Mrs. Nelson should continue to provide the audience with an attentive watch over her children, but she cannot be both the lobbyist and the mother.

Marilyn Nelson's book The Fields of Praise is an excellent collection of poetry that captures the deep-down curiosity of the reader. Most of her poems have a parental tone and reflect on her life experiences with her mother and with herself as a mother. Also, several selections deal with the deep down nature of humans and the reason for our actions, such as in "Propositions," where she asks the difficult question of where our sexual desires come from. As a religious person, one of my favorites is "Thus Far by Faith." It is about the faith that the oppressed African Americans had while they were held captive by slavery. It actually reached out to me and made me examine some parts of my life and realize that I was worried about nothing. One poem, "Rilke's Third Elegy" still baffles me. I had the privilege of listening to her recite some of her poems, and someone asked her to read this poem, which someone else wrote, but she included it in her book. When someone asked her about the meaning, she said "Well I think it is about masturbation," but I think she was joking. Marilyn Nelson does a good job of capturing the readers imagination and discusses life and decision making in depth. I enjoyed her book and would suggest it to any poetry lover.

In The Fields of Praise, Marilyn Nelson brings her views to life in a series of well-constructed poems. Her poems cover a wide array of topics, to include racism, sexism, religion, motherhood, illicit sex, and poverty. The characters in her poems commit unimaginable crimes and achieve inconceivable feats. Indeed, Nelson's poems cover the entire human spectrum. Nelson writes in a deep, penetrating style. Skipping the nonsense that some writers embrace, she delves to the heart of the matter, analyzing and constantly questioning human motives. Indeed, Nelson is not afraid to confront the sickening evil that lurks within human nature and the events that unfold when the malevolence is unleashed. Her poems on pure, unadulterated evil reflect her fearless stance on describing, and in fact deploring the evil in human nature. Nelson offers an accurate, candid view of the events that unfold around her. On a lighter note, Nelson analyzes with extreme clarity the unconditional love a mother has for her child, and the unbridled purity of the natural world. Nelson celebrates the love and affection that is found within the souls of all human beings. Most of all, however, she analyzes the deep-rooted maternal instincts of mothers. In her poems, Nelson argues that the bond between a mother and her child is indestructible. In many of her works, Nelson describes the intense protectiveness of females toward their offspring. The Fields of Praise is an excellent collection of Nelson's poems that provides deep insight into the positive and negative aspects of human nature. Indeed, Nelson's knowledge and deep comprehension of human tendencies shines through in her works.

From the back cover:

CATCH A FALLING ANGEL by Carole Nelson Douglas
To prove he's bad enough for hell, a devilish rogue becomes a rock star out to ruin an innocent young girl--unless he gets foiled by some Yuletide magic.

BRUSH OF ANGEL WINGS by Emma Merritt
A little girl prays to her special angel for a daddy, and a Texas Ranger returns to his hometown for the holidays in hopes of rekindling the passion he once shared with her mother--his first love.

THE TROUBLE WITH ANGELINA by Marilyn Campbell
It takes a little angel mischief to unite a handsome young major and a fiery widow by Christmas.

TIN ANGEL by Patricia Rice
A goodhearted, though skeptical, hero learns the joy of Christmas when he falls in love with an angel sent to make him believe in miracles.

GUARDED BY ANGELS by Mary Balogh
When a mysterious old lady and her young grandson offer their cottage to an estranged couple who got lost during a blizzard, it's a gift that will last a lifetime.

And my review:

The anthology is linked by the common theme of falling in love at Christams time, with a little help from angels. Apart from that, the stories are vastly different. Some are historical, some are contemporary. Some involve the angel falling in love; in other stories, the angels are merely helpers to bring others together. Since the back cover descriptions are very brief, I'll also include a basic plot synposis along with my own personal thoughts.

CATCH A FALLING ANGEL is a story a bit on the darker side. It spans both historical and contemporary time periods. The hero (from historical times) has died and is unworthy of heaven, but is also not evil enough to get into hell. To gain acceptance into hell (heaven is out of the question by this point), the hero is sent back to earth (into modern times) with a chance to (un)redeem himself by ruining a virgin. However, he ends up falling in love with the woman he is supposed to ruin.

I didn't really like the darker aspect of this story, and some parts of it didn't flow well. It was to the point when I ended up having to reread several pages to make sense of what was going on. That shouldn't happen. I managed to finish this novella, but it isn't one I'd bother to read again. Three stars.

BRUSH OF ANGEL WINGS is a contemporary that had a lot going for it. I love reconcilliation stories. In this one, the couple broke up when she wanted him to make a commitment to her. He wanted to chase his dream of being in the rodeo. By the time he realized that she was worth more to him, she'd gotten engaged to his cousin. Now she is a widow, and her daughter wants a new daddy for Christmas, and the hero wants the only woman he's ever loved back.

Unfortunately, this one needed better editing. The writing did not flow well. The point of view was all over the place. I had a hard time sorting out which thoughts belonged to which character. I think there was a good story in there trying to get out, but the writing made it very difficult to read or get drawn into. Two stars.

THE TROUBLE WITH ANGELINA is a contemporary with a dash of comedy. It is an offbeat story about a deceased grandfather, who is now a guardian angel, trying to secure a wife for his grandson. Hi-jinks ensue as this angel uses unorthodox methods (including sending a forklift tire flying across several lanes of traffic to crush the heroine's bike) to throw the two prospective lovebirds together.

This was another good story that was marred by the writing style. Again, it didn't flow well, and I often had to reread sections to make sense of them. Also, there was so much dialogue without prose that sometimes I had a hard time figuring out who was talking. I had to go back and count the lines of type to sort it all out. Also, there were a lot of basic grammar mistakes, and that's something that really gets under my skin. For instance, two women are in the same scene, yet the writer uses "her" without making it clear which woman is being referred to. Maybe I should blame the editor for not catching that one, but even so, this was not a story I could get into. Two stars.

TIN ANGEL by Patricia Rice is a historical. This is a story of an angel falling in love with a human. A plot that's been done before, but one that remains very popular.

Again, I didn't like the writing style with this one. There were a lot of big sections of history that read like a textbook. I read romance for the relationship, not for a history lesson. That's what textbooks are for. This story also suffered from an inbalance between prose and dialogue, but this time, the problem was too much prose. There were big sections without any dialogue, and the story was slow going. Not that I have a problem with prose, but it needs to move the story along. Unfortunately, here is just dragged. I was unable to get drawn into the story and unable to force myself to finish it. Two stars.

GUARDED BY ANGELS by Mary Balogh is another historical, and the best story in the book. In it, an estranged husband and wife end up stranded in a snowstorm. They are taken in by a woman and her grandson, and learn to resolve their differences and fall in love again.

I never know what to expect with Mary Balogh. I have adored some of her stories and hated others. But this one was a winner. The paranormal aspect of it was beautifully done. It was never too heavy-handed, yet you really felt the presence of the angels. The issues that had estranged the husband and wife were way more than just silly misunderstandings. They were real issues, and were resolved well, not just rushed through. It's difficult to deal with real relationship obstacles in a full-length novel, let alone in less than 80 pages, yet Mary Balogh manages it, and does so beautifully. I can see why she is called a master of the genre.

I loved the characters, and was really rooting for them. Again, I was amazed that the author could create such well-rounded characters in so little space, but she did. They had just enough flaws to make them real people, yet they weren't so overly flawed as to make them unlikeable. That's a difficult balance to achieve, but this author does so with ease.

I can't say enough good about GUARDED BY ANGELS. I loved it! This is a story I will be keeping to read over and over again. Five stars!

While most of the stories were not very absorbing or memorable, Mary Balogh's more than makes up for it. Recommended for her story alone.

This Angel Romance Anthology was interesting-I would have given it more stars if they would have stuck to one genre or time period in which to have the angels stories.

1-Carole Nelson Douglas-known more now for her fiction and mysteries than romance-her romance was original and well written-a amalgamation of Angel, Time Travel and Regency and Modern day-I found this story easy to read and enjoyable.

2-Emma Merritt-this story is set in modern day American west-I tried to read a bit but frankly I'm not a fan of Western Romance so I skipped it as it seemed a bit to formulaic and "series romance" for my tastes. Others may enjoy it though.

3-Marilyn Campbell-I was hopeful to see a story by this author-as she's written several paranormal or futuristic romances-sadly this was also set in modern day American and reads like a "Harlequin".

4-Patricia Rice-this story set in the 1850's was just too dark for my tastes. The hero talks about suicide and is very depressed.

5-Mary Balogh-I've hardly ever read anything not enjoyable of Miss Balogh's and this is no exception. "Guarded by Angels" is another heartwarming short story of forgiveness and redemption set in Regency England. Balogh's seems to have written several short stories like this of a married, but estranged couple who though family, and in this case, Angels, are brought together to try to save their marriage. This one was a bit of a tearjerker-and if you are like me and love the "wounded war hero/soldier" storyline then I think you'll enjoy this one. Very sensual but in a mature and beautiful way as well.

So, all in all-two exceptional, and three average or a bit below average. I would recommend this book for Baloghs fans specifically-others may want to skip it.

3 stars