Works Books

This book is an outstanding resource for readers who devour mysteries. Heising's multiple ways of listing books (geographical, by profession, etc.) provides a wealth of information for the reader who is always on the lookout for a new author. I just wish there was a new edition! I wouldn't part with this one, though. It's always a good way to start on a new author.

This reference work is invaluable in finding mystery series by woman up to 1999 or so, when I bought my copy. However, it is now very much out-of-date and of little use on newer series/authors/titles. I keep checking to see if there's a Detecting Women 4, and can still hope, but possibly this one is the end of the line. What a shame!

This is a wonderful tool to keep track of all those mystery books on your shelves. This book offers a comprehensive listing of women's fiction mysteries. Books are listed by author and title. It is great way to see the order of books written in a series. There is also a check list where you can check off the book once you purchase it, and then check it after you read it. I like to make notations next to the books once I finish the book. Books that have been nominated or received awards are designated with a star by the title.

Watching the Detectives
How far has Sue Grafton gotten in her alphabet mystery series? What's the first book in Patricia Cornwell's Kay Scarpetta series? Who are writing books featuring bed & breakfasts?

As those who love reading mystery series know, it's difficult to keep track of the hundreds of writers past and present who have contributed to the mystery genre, which is why reading sleuths will love "Detecting Women," a guidebook to the distaff side of mysteries.

This handsome, large paper bound book lists more than 600 series and 3,400 books written by women. Each entry contains a biographical introduction with the title and year of each book, and notes if the book has been nominated for any awards. Editor Wiletta Heising has done an exceptional job of breaking down the information, providing extensive lists that break down series by year, occupation, geographic location and even pseudonym.

The brief biographies are gold mines of fascinating information that invites lengthy browsing. Here is where you can learn that Grafton's fictional P.I. Kinsey Millhone will celebrate her 40th birthday once "`Z' is for Zero" appears in 2009 (when Grafton will be 69); that Agatha Christie wrote 35 novels featuring Hercule Poirot, and 12 about Jane Marple; and that the largely forgotten Anne Katherine Green is considered the "mother of the detective story," and was a best-selling author nine years before Arthur Conan Doyle put pen to paper.

Purple Moon also publishes a pocket guide to help mystery fans track of their favorite series, and comes with a notepad useful for noting suspects, clues, and books desired. "Detecting Women" provides a welcome overview of the rapidly expanding mystery field, and can reintroduce readers to now-forgotten and obscure writers. It is nothing less than required, fascinating reading for mystery fans.

How many times have you discovered a new author and tried to unravel the sequence of the series? Publishers sometimes list previous books - provided they published those previous books. Or the author's work is neatly cited in alphabetical order. Great if you've picked up Sue Grafton, not so good if the author is Martha Grimes. Or only the books still in print appear.

I edit two mystery newsletters, one for a general bookstore. My readers want to know series order. Short of tracking all the mystery writers yourself (good luck!), DETECTING WOMEN-3rd Ed. is the very best thing. Willetta Heising also includes bibliographies to catch the fancy of the most fanatic fan - settings, characters, types, historical venue, pseudonyms, and award nominees/winners. The master list even has blank spaces to accommodate future titles.

There has never been a more comprehensive listing. I wouldn't/couldn't prepare a newsletter without it. This is definitely a keeper -- until DETECTING WOMEN 4 comes along!

I was fascinated by Huxley's use of this story as a way of trying to explain his thoughts on "man's deep-seated urge to self-transcedence, of his very natural reluctance to take the hard, ascending way, and of his search for some bogus liberation either below or to one side of his personality" - as revealed by our dependecies on religion and in joining mass movements like fascism or communism, as well as sexuality and substance use and abuse.
In Chapter Three he focuses on the religious aspects of these tendencies to "desire - and desire, very often, with irresistable violence - the consciousness of being someone else."
In the Epilogue ["In amplification of material in Chapter Three)"], he expands on these ideas by discussing substance use and abuse: "Alcohol is but one of the many drugs employed by human beings as avenues of escape from the insulated self." He adds to this the use of "From poppy to curare, from Andean coca to Indian hemp and Siberian agaric, every plant or bush or fungus capable, when ingested, of stupifying or exciting or evoking visions....seems to prove that, always and everywhere, human beings have felt the radical inadequacy of their personal existence, the misery of being their insulate selves and not something else.."
He then continues with the "crowd delirium" of mass movements:
"The professional moralists who inveigh against drunkeness are strangely silent about the equally disgusting vice of herd-intoxication - of downward transcendence into subhumanity by the process of getting together in a mob." leading to "The final symptom of herd-intoxication is a manical violence. Instances of crowd-delirium culminating in gratuitous destructiveness, in ferocious self-mutilation, in fratracidal savagery without purpose and against the elementary interests of all concerned, are to be met with on almost every page of the anthropologists'textbooks and - a little less frequently, but still with dismal regularity - in the histories of even the most highly civilized peoples."
His concluding sentence: "Every idol, however exalted, turns out, in the long run, to be a Moloch, hungry for human sacrifice."

This book is not merely an historical essay describing the lurid details of the events at Loudun [other books on the subject do that job], Huxley covers far more ground and delves far deeper into the experience of being human than that; it can be disturbing at times, but also illuminating.
Huxley's own later use of psychedelic drugs [mescaline, and, as has been said, LSD while on his death-bed] - which he describes in "The Doors of Perception" [1954] - indicates that he was still trying to reach an understanding of self-transcendence - in a more positive light.

It is the early 17th century in Loudun, France. The local parish priest, Urbain Grandier, has become embattled in various local rivalries with civic magnates and ecclesiastical officials. He makes powerful enemies among them but they are helpless to action against for the moment. Both sides are determined to see victory and religious sanctity takes a back seat to revenge and personal gain. Against this backdrop an altogether remarkable occurrence takes place; the inhabitants of the local covenant experience an extraordinary case of mass possession by demons. The head of the covenant, Saeur Jeanne des Anges, experiences the worst of the possessions and under an exorcism conducted by Jean-Joseph Surin she, or the demon within her, places the blame squarely on the shoulders of Urbain Grandier. The moment his enemies have waited for has arrived.

For those who are fans of Huxley's fictional and non-fictional works this book is not one to be missed. Although it falls into the category of non-fiction as it tells the story of a historical event in 17th century France, Huxley uses his creative powers and imagination to make the tale come alive. Granted historians may have an issue with taking such liberties in writing about a historical event, but Huxley's goal is not `pure' history, a pretty questionable term in itself, but rather to tell the story of a remarkable event with all the drama and suspense that it deserves.

His account of the mass possession in Loudun is backed up by an admirable amount of research. It is clear that Huxley's knowledge of both the time and place extend far beyond the details of the story and serve to enlighten his account. His understanding of human psychology as plays a prominent role in this book. It goes beyond a simple recounting of historical events, which as interesting as they are does not in itself make the book a unique one. It is Huxley's continual fascination with the human mind that really makes this book special. After setting out the basic historical framework for the story, he attempts to reconstruct the psychological factors that played a large role there. After examining the individual characters from the Loudun saga, Huxley takes the time to reflect and draw conclusions about humanity in general and what drives people to believe themselves possessed and the further implications this has.

Whether one agrees with the validity of conducting a sort of psychological analysis of historical figures hundreds of years removed from us and then in turn using those conclusions to draw wider ones about humanity or a time period in general, this book is an immensely interesting read.

Huxley has written a wonderful study of witchcraft,demonic possession and social commentary that is an historical cornerstone.Both religion and psychiatry are carefully intertwined in this lengthy novel.Set in France, it explores the human condition at that time.Greed,jealousy,revenge and theatrical performances are core themata.The inquisitional pressure coupled with political appeasement on the local,state and national level are explored.Mad nuns teased by repressed sexual needs and the subsequent outcomes are discussed. The careful documentation of the interplay between religious fervor and satanic influence are revealed in this exacting book.The twisted motivations of maladjusted individuals and the harm they can cause,the somatic possibilities and manifestations,coverups and intrigue are deftly and intellectually examined and detailed.The horrors of torture,self mutilation and sexual deviation as viewed as deviate for the times, gives one a sense of being voyeuristically one of the crowd.Watching the nuns perform their tricks,allegedly possessed by devils for the benefit of the church is amusing.Sister Jeanne,Father Grandier and Father Surin are all players in the game of gods love,human sexual needs,demonic possession and rather kinky goings on in the nunnery.It's a regular satanically,sexual soap opera with much guilt, regret and tragedy at the end.Any fan of Huxley needs to read this if they haven't already.Fans of the origins of psychopathology will marvel at the many mechanisms of defense used as justifiers for actions that were over the top for a pre-enlightened world.For witchcraft afficionados this is required reading.Again, it is a long read but worth it for purely historical anaylysis of the crypto religious/sexual linkage that to some degree is still present today.A must read for lovers of this subject matter.

HOW does a book this important come to be out of print?!!

No matter. Used copies can be had here for very little. Buy one and read it.

One of the joys of reading is how one subject can lead to a serendipitous find. Having recently come across a brief reference to the early 17th century barking nuns of Loudon I went in search of a more detailed exploration. In Aldous Huxley's book I found all that I sought and much more.

Urbain Grandier, the local parson of Loudon, is a very naughty cleric who partakes much too much of the sensual world. One morsel happens to be the daughter of his best friend. She becomes pregnant with unhappy consequences for many people. Grandier manages in this way of behavior to alienate nearly every important Catholic in Loudon as well as make an enemey of Richelieu.

When Grandier spurns the local prioress, Sister Jeanne, she claims demonic possession at the hand of Grandier as do 2 of her nuns. Grandier may have been guilty of many sins, but demonic possession was not among them. Exorcists are brought in as much too destroy Grandier as to throw out the devils (7 specific ones inhabit Sister Jeanne alone). The exorcists produce devils in 14 more nuns. The public exorcisms provide great entertainment, reviving the local tourist industry, but eventually produce the trial of Grandier, who in due turn is burned at the stake. The story continues when the Jesuit Surin arrives to finally successfully exorcise Sister Jeanne's demons.

Huxley's 1952 work explores the psychological aspects of demonic possession and exorcism, sometimes brilliantly against the backdrop of the madnesses of his own time. Liberal rationalists had "fondly imagined" an end to persecutions of 'heretics'. Instead, as he observes "from our vantage point on the descending road of modern history, we now see that all the evils of religion can flourish without any belief in the supernatural, that convinced materialists are ready to worship their own jerry-built creations as though they were the Absolute, and that self-styled humanists will persecute their adversaries with all the zeal of Inquisitors exterminating the devotees of a personal and transcendant Satan...In order to justify their behavior, they turn their theories into dogmas, their bylaws into First Principles, their political bosses into Gods and all those who disagree with them into incarnate devils. This idolatrous transformation of the relative into the Absolute and the all too human into the Divine, makes it possible for them to indulge their ugliest passions with a clear conscience and in the certainty that they are working for the Highest Good."

In the last third of the book he explores the nature of Sister Jeanne's possession, the possession of her exorcist Surin, and the manner of her recovery. The modern mind has some difficulty here. Clearly Surin and possibly Jeanne believed in the reality of demonic possessions (it is worth noting that many learned men, including those behind Grandier's fall and most Jesuits did not believe in the authenticity of these possessions). At the same, Jeanne is also play-acting at times as she concedes in her own subsequent writings. They believed in the Devil, they believed in possession, but understood that the Devil could not overcome the will of the possessed. Huxley paints a poignant, if oddly amusing, scene when he describes how Surin ordered Jeanne's devils to discipline themselves - in other words to flagellate Jeanne. Two of the devils lay on the whip with gusto, but Balaam and Isacaaron abhorring pain, would barely swing the whip and yet the possessed Jeanne would scream in agonized suffering.

An absolutlely fascinating read by one of the great minds of the 20th century.

This book gives you all the lyrics to his songs and there are pictures and paragraphs about them.

"The Doors: The Illustrated History" is the best photographic, visual book record of the band. Compiled by Doors manager Danny Sugerman, it is a fascinating, visually rich and enjoyable display of a band that changed rock music and the amount of praise (and criticsm) they inspired. The pictures are great, they are clear, close and informative and clearly show how Jim Morrison created the theatrical aspects we so see so often in today's rock music. We also get different shots of the man, as the wild, leather-clad Lizard King and as a lonely, quiet poet. The articles and reviews are fascinating because they take us back to a time and place, but they are also surprising to read when compared to what is written today about certain rock artists. In one article dealing with the New Haven arrest where Morrison became the first rock performer to be arrested at a concert, the writer calls the music of The Doors "satanic, sensual and demented." A sign of what was to come with artists like Iggy Pop, Marilyn Manson, Alice Cooper and many others. Some of the reviews are especially well-written, like one where the writer says the Doors music evokes images like the eye-ball slashing in Luis Bunuel's "Un Chien Andalou." Like the music, the images are timeless, and evoke a poetic, deep persona who's presence is ever so strong in rock. Like The Beatles, The Doors are an unforgettable force, you hear them once and never forget. The foreward by Jerry Hopkins, who wrote "No One Here Gets Out Alive," is also informative and has interesting things to say about the resurgence of Doors music. This is a must for any Doors fanatic and anyone who has ever been touched by the music and words.

I'm somewhat of a new Doors fan, particularly of Jim Morrison. The hair and the pout drew me in first, then the music followed. When I found this book, I knew I had to own it. I was not at all disappointed. Sugerman has done a fantastic job of compiling the hundereds of pictures and newspaper/magazine articles from over the years into this informative collection. The progression over the years of Morrison's rise to fame and eventual downfall into drugs and self-desctruction is adeptly demonstrated. A must-have for any Doors fan.

Danny Sugerman is someone in the Doors "family" that alot of people don't think very highly of. He has made a pretty good living out of Jim Morrison's death and continues to this day to fuel the many myths he helped create with his contribution to "No One Here Gets Out Alive". But if it weren't for Danny.....The Doors would not be selling so many records or books or anything on Morrison. Danny has helped keep "The Myth" alive. This is why The Doors are so popular today. Having said that, no single person worked harder to keep the Doors name alive in the 80's than he did- for that I respect Danny.

This amazing compilation of cuttings, reviews, photographs and articles was collected by a young Danny during the height of The Doors success whilst working as Jim's assistant-answering Jim's fan mail.

Beginning with the bands first forays onto the LA gig circuit the fledgling Doors took the rock press by storm with their doom laden sound and extremely smart lyrical imagery. From the Whisky to Miami via the Singer Bowl and New Haven we travel along on the dark journey to oblivion that was the Doors turbulent and sadly short career as seen through the eyes of the press and a young teenage kid. As it happened live and uncut.

I absolutely love this book. The introduction and the photographs are worth the price alone. This book has the lyrics to all your favorite Doors songs plus poetry (lyrics) from Jim Morrisons' spoken word album "An American Prayer." It has also got interviews and a behind the scenes look at what went on during some of the recording sessions as well as definitions as to just what Jim meant in some of their songs. The discussion about the meaning of The End is great. This book is a must for Doors fans from the most ardent to the just curious. The book is not one that will be looked at once or twice and put on a shelf. It is a facinating read no matter how many times you read it. The Doors: The Complete Lyrics increased my respect and admiration for the band, and Jim in particular, 1000 fold.

i bought this book based on the reviews for my daughter. they were right on. her work is already improving. she loves this book and is constantly referring to it now. she is excited that it shows body movement, proportions, how to put together a portfolio, the right tools to buy, etc. the price is so reasonable too, especially compared to some of the $50 to $100 books!

I haven't really had a chance to play a lot with this book since I got it a month ago, but so far, I like it. There are very colorful designs, croquis', and many illustrations. It seems like it gives a lot of information in a short amount of time.

This book is a great start for beginners who want to work in the fashion industry or for those who consider fashion designing a hobby and want to improve on their illustration skills, like myself. Burke starts with the basics, like learning how to draw the female figure in different poses and drawing some examples of clothes, but she also touches upon fabric rendering and ideas on how to make a presentation. There's even a section on designing for men, childeren, and costumes. Overall a very informative, clear and consise book to get started and to encourage and inspire amateurs to want to learn more.

I'm wanting to become a fashion designer and i bought this book and i was amazed. it really teaches you how to draw fashion models (and people in general) in all different poses. it shows you so many different poses both with an actual person modeling the pose and then a block figure showing you how to draw it. after the structure is learned, it teaches you in a really easy way how to flesh it out, and then how to draw the clothes and how the clothes are supposed to look at folds and creases. if you like this book, i recommend Draw Fashion Models! by Lee Hammond, a great book that goes in depth into more poses and how you should draw the clothes and how they look when the arms are raised, when you're leaning on one hip, etc.

i really recommend buying this amazing book, it's straightforward and very helpful!

I wore holes in piles of paper trying to work up to the basic points so magnificently outlined in this book! It's like having an art teacher with you (without the snide remarks) to bring your abilities to the top.

If you are planning on studying fashion, or just doing it for fun, you need this book.

Highly recommended!

Performed on the stage in 1975 by Ntozake Shange, pronounced (En-toe-ZAK-kay SHONgay), a playwright, poet and novelist. The structure for this play is choreopoem, a chorus of people reciting poems. Here, the roles are spoken from a group of black women, only identified by color of clothes, as in (lady in brown, lady in red, lady in yellow, etc.)

A departure written from the average play, the intent is clear, a voice for all black women who have suffered indignations, painful experiences from men. The language is strong offensive and obscene, but you get the point!

The colors depict a rainbow, and each girl is identified with a color that closes matches her style of speech. For example, lady in yellow speaks of love, high school, lost virginity, to bolder colors that speak of pain and tension. The cities they come from are San Francisco, Manhattan, St. Louis, Chicago, Detroit, Houston and Baltimore. The subjects range from youth, losing virginity, rape, abuse, rebellion, abortion, theft, social, political, etc.

The subjects range from youth, losing virginity, rape, love, theft, indignation. Some poems are done as a solo and with others, all girls chime in. Some titles of the 20 poems are: The messages are powerful. This is womanhood!

A televised version is available amongs the players are Alfre Woodard, Lynn Whitfield, and playwright Ntozake Shange herself. ...Rizzo

I was Lady in Red in when my high school drama department lauched a production of this book. I had no idea how much it would change my life. So many times I have come back to this book and the women speak to me. It is real and it is riviting. Now that I am...mmore mature, I would love to do this play again. Anyone with a daughter or a neice should read this book. This is one that Showtime or HBO should consider for a movie.

This book is absolutely amazing. It speaks to all the aspects that a minority teen girl goes through. It should be a Christmas present for every teenage girl. I loved this book.

When I was a little girl my mother was in a local acting group that traveled and put on this play. When I was about 13 years old I saw it in it entiretly for the first time. It was heartwrenching, funny, inspiring and contraversial. I loved every bit of it. Everyone especially women and men who love women should read it at least once, it provides an interesting perspective that you may be unfamiliar with. Being a black woman ain't always easy but it sure is beautiful, if you can find God in yourself.

This incredibly precious gem of a book was produced on Broadway back in the late 70's or early 80's but I was too young to see it at the time and probably would not have been able to relate to it anyway. In this prose poem, a "choreopoem" Shange depicts the hardships of African American Women in America. The different perspective of their lives is precisely and poignantly elucidated by the incredible and fascinating prose poetry of this book.

It is stunningly shocking that things that white Americans take totally for granted are just not part of the African American milieu in this country. Rape, pregnancy, domestic violence of the highest order, living in squalor and prostitution are all common place in so many of the African American communities of the 70's, 80's, 90's and now the 00's. Shange's representation of the perspective on rape is extraordinary. If an African American girl gets raped, she better not have ever been seen in public with the rapist, or there will be no conviction. Obviously it was invited. Not so with White Americans. But common place with African Americans.

A quick example of her wondrous lyricism are the following two lines that just give a glimpse of the different perspective that African American Women have toward American life:

"... we gotta dance to keep from cryin

we gotta dance to keep from dyin ..."

While the book is surely most meaningful to African American Women, it is recommended for all Americans so that the true reality of this dilemma and this shame can be absorbed and understood by all Americans. Perhaps if we all understood the conditions of the African American Women, something would be done about it. As of now, it is just not the same for people with black skin as it is for all other ethnic minorities in the United States of America.

I can't imagine a better guide to Shakespeare than this. It's like a "for dummies" book, but better. The author covers just about everything, but she never bores you. In fact, I could hardly put this book down.

After a very lively introduction (about Shakespeare's life and the Globe theater), the author lists the plays in the order in which they were written. She divides them into four groups: the romantic comedies, the historical plays, the tragedies, and the romances. Then she tackles each of the four groups, writing about some of the plays. She tells you why the play is famous, she covers key characters (like Falstaff), and she explains the controversies that surround some of them. (For example, the charge of anti-Semitism about Merchant of Venice.) She makes a point of not covering every play --- if she covered them all, the reader would eventually lose interest.

Instead of getting bored, you are starved for more. The book is packed with trivia and intelligent observations. The author isn't shy about the sex and violence in the plays, either, which keeps things interesting. I highly recommend this book to anyone who wants an overview of Shakespeare's work. If you don't know about his plays, you probably want to, but you need a guide that was written specifically for you. This is the book.

I mean it. It really is.

Norrie Epstein, who also brings you _The Friendly Dickens_, has produced an absolutely unbelievable wealth of information involving Shakespeare's life, work, and times, all in an extremely readable, interesting, and -funny- way. If you ever thought Shakespeare was unapproachable, you thought wrong. _The Friendly Shakespeare_ takes everything your high school English teacher said about Shakespeare's elegant and classy prose and throws it out the window, showing Shakespeare's work for what it really was: sex and violence - extremely graphic sex and violence, filled with the ultimate bawdy talk and most injuring insults ever to be seen in English. It takes the sentimentality out of Shakespeare, making it as unclean as it always was, explaining out-of-date references and slang that would otherwise mean nothing to the modern ear but made a great deal of sense for the Elizabethans.

Epstein explores almost every possible aspect of the Shakespearean world: examining each play and its virtues and downfalls, delving into the twisted world of Elizabethan culture, discovering Shakespeare's life (and the mystery as to whether Shakespeare was who we think he was, or a pseudonym for any number of other writers, or if Shakespeare stole credit), interviewing actors and directors, the zany adaptations and unusual performances by unlikely actors, and reviewing the many film versions available on video. Nearly every page has a marginal tidbit with a quote or statistic or other little-known fact about Shakespeare's world or productions of his plays. Just from flipping randomly through the book, you could learn more about Shakespeare than you thought you ever wanted to know.

Being a student, I can say that _The Friendly Shakespeare_ is the finest reference for students - whether or not they have an interest in Shakespeare. Everything is presented in a fresh, exciting manner, and for those "experienced" students who have a passion for Shakespeare, it isn't "dumbed down." This isn't _The Idiot's Guide to Shakespeare_. It provides both the basics to get those non-enthusiasts going, and some extremely thought-proviking information for the veterans. Never once is Epstein's text dry or boring or overly wordy, like people expect most Shakespeare studies to be. Nor is it childish or pathetically simple.

What I love most about this book is how it really breaks through the stereotypes and barriers that most teachers have set up, making students HATE Shakespeare - they oversanitize it, making it pretty and beautiful, they oversentimentalize it, making it weak. Shakespeare's plays would not have lasted so long if they were just attractive poems about love. Certainly not. _The Friendly Shakespeare_ takes us back to the true Shakespeare, the Shakespeare that the original audiences must have seen - the gritty, dirty, audience-pleasing text, from the sexuality of _Othello_ to the extraneous gore of _Titus Andronicus_, to the often hushed-up fact that the sonnets were written to another man and not a woman.

Yet Epstein never makes it just about the sex and the violence - she does not deny Shakespeare was a genius of words, as he truly was. She just makes us more -aware- of his genius, for no true genius was ever all fluff and flowers. She tells us -why- he was brilliant, not merely saying he was because popular opinion states it. And after reading this book, you'll understand why, too. And you'll think Epstein is a genius as well for bringing us such a fantastic reference.

I recommend _The Friendly Shakespeare_ to everyone - students, adults, actors, directors, teachers, the veterans, the novices - it will inspire, it will enamour, it will delight, it will shock, and most importantly . . . it will make you love Mr William Shakespeare the way he -should- be loved.

+++++

This book's preface instructs, "Don't feel compelled to read this book from cover to cover" since it's meant for reading at a relaxed pace. Guess what? I DID read it from cover to cover!!

Why did I do this? Here are my reasons:

(1) THE AUTHOR'S WRITING STYLE. The author, Norrie Epstein, writes in a relaxed and leisurely but enthusiastic way making a somewhat difficult subject easy and enjoyable to read. She writes for the intelligent, common reader who's tired of technical, academic (and patronizing!!) jargon.

(2) THE BOOK'S ORGANIZATION. The book progresses logically with general comments on the works of William Shakespeare (1564-1616) to discussing the man himself to looking at the Elizabethan stage and then lastly discussing the plays. There is also a discussion of the Shakespearean sonnets. Finally, there is a fascinating end-discussion on the spin-offs that have resulted from Shakespeare's works (for example, music and films).

(3) DISCUSSION OF PLAYS. Not only are the popular ones discussed but the more obscure plays are also given attention. The plays discussed are as follows: eight romantic comedies, eight histories, one "problem" play, seven tragedies, and one tragicomic romance. All discussions are EASY to follow. And don't worry. There are NO boring plot summaries of the plays to read.

For many of the plays, there is a "What to Look For In" section. These informative sections highlight what is particularly significant in a play. As well, a major Shakespearean character of a particular play may be highlighted and given more detailed attention. For example, there are good, solid discussions of Shylock and Falstaff.

(4) ILLUSTRATIONS AND PHOTOGRAPHS. These are peppered throughout the book. I especially liked the black-and-white photo of Patrick Stewart ("Captain Jean-Luc Picard of the starship Enterprise") dressed up as Shylock.

(5) SIDEBARS. These also occur throughout the book. They highlight interesting bits of information that the author wants to bring to the reader's attention. One of my favorite sidebars is an open letter a critic of the 1600s wrote to Shakespeare entitled "As I Don't Like It." He commented on why he didn't like the play "As You Like It" (one of the Bard's best plays).

(6) INTERVIEWS. These are scattered throughout the book. The author interviews people (such as actors) who have a passion for Shakespeare. Notable interviews are with Kenneth Branagh and Ted Lange (of "Love Boat" fame).

(7) TRIVIA. And lots of it!! This Shakespearean trivia occurs throughout the book. For example, what does Shakespeare's epitaph say? Or, what Shakespearean character was Orson Welles' life ambition to play?

Finally, the big question: who is this book written for? Answer: for both novices and Shakespearean scholars--in short, everybody who is interested in the Bard.

I must confess that I thought I knew a lot about Shakespeare and his works. Was I wrong!! This book opened my eyes to how much I did not know.

In conclusion, after you read this book, you'll probably be like me and say, "What a piece of work was this man William Shakespeare!"

+++++

I bought this book based on the reviews at Amazon, and am very pleased with my purchase. I have "The Complete Works" of William Shakespeare, but it wasn't really complete until I bought this book.

Although this is billed as a book about Shakespeare and his work for people who don't like it (of which I am definately not numbered), I learned a lot about the plays and the periods in which they've been performed since to make this book worthwhile. For example, I hadn't known that the sonnet sequence for the most part is from an older man to a fair young boy. This isn't the idea of some fringe group either, but accepted by most Shakespearean scholars. Knowing this fact can certainly add a different level of meaning to many of the sonnets ("Shall I compare thee to a summer's day?").

Aside from the increased knowledge I gained of the texts, this book really helped me place the work against the time period that it was written for, and how people have viewed it since. Ms. Epstein's best analogy for aiding modern readers in grasping how Shakespeare was viewed in his day is comparing him with a writer for TV (strangely enough, a Twilight Zone episode did this as well). People who went to the Globe in 1600 went to see a "All in the Family Royal" or a "Three, Well That's Company" starring their favorite actor, Richard Burbage. The writer? Do you know who the writer of your favorite TV show is? Will "Cheers" be the "Much Ado About Nothing" of the 24th century? Or, even worse, will "Married . . . with Children"? (By the way, if you have any interest in Shakespeare, I strongly recommend Kenneth Branaugh's new version of "Much Ado." While Keanu Reeves is stilted, and Michael Keaton possesses Dogberry with the spirit of Beetlejuice, for the most part the film is a joy, especially any time that Branaugh or Emma Thompson is on the screen.)

Rather than summarize the plays (which only details the plots, which quite often weren't of Shakespeare's invention), Epstein attempts to comment on the play, quoting critical and personal reactions. She also presents some small interviews with some of the most famous Shakespearean's living, about parts and plays most commonly associated with them. I was disappointed because the book was incomplete. Although I agree with her dismissal of "Julius Caesar," she only goes into detail on "The Tempest" alone among the romantic plays, and misses quite a few of my favorite comedies as well. The books is quite a brick as it is, but this is due more to the large print and often wasted space between sections rather than the amount of words contained.

I read The Friendly Shakespeare from cover to cover, but it is well suited to be picked up and read from anywhere within its pages, most sections being only two pages long. For the bardolator and bard-avoider alike, Epstein's book is a lot like her subject--entertaining and fun, with enough serious matter for later contemplation.

A General History of the Pyrates is good reading! Great history on famous pirates!

I compared this book with the pirate history published by Captain Charles Johnson. Daniel Defoe is definitely Captain Johnson. The one dissimilarity in the History of the pirate Gow is Johnson says he is John Smith alias Gow, while Daniel Defoe calls him the pirate Gow aka Smith. Gow is derived from the Erse name Gobha which translates to Blacksmith or Smith. So both version are in fact correct. But why the difference? Maybe editorial?

"Under the Black Flag", and all the rest of the pirate history books used this one as their basic reference. It's a lot of material, and took me several months to read as I'd read single captain's history before turning the lights out for the night. The stories are not watered down, there is enough murder, mayhem, robbery, thuggery, and general bad treatment of one person against another to fill years of "Pirates of the XXXX" movies with Johnny Depp scripts.

I did like this book, even though after about the 200th captain's adventure its sort of repetitive narrative. The other interesting thing was that amid this culture of mayhem there was a strong democratic theme. Captains and bosun's are elected positions on most of the boats! Colonies elect a "governor", they have jury trials to settle disputes and yet the economy revolves around ripping off passing merchant boats.

As for whether "Captain Johnson" or "Daniel Defoe" wrote the text, I can't tell. But it doesn't matter, there are no copyright royalties to be paid to the author at this point. The stories are just as good. Anyone who is really interested in Pirates would enjoy this book. (Although I got my copy from the public library.) I especially found the history of Annie Bonny and Mary Reed to be absolute soap opera story. History is stranger than fiction.

(Oh and read Richard Zack's book on Captain Kidd, Defoe got it wrong, and Zack's found the original documents to explain what really happened.) Zack's book is easier to read too.

This book is written in a different kind of English than we what are used to. As such, this book is amazing. Filled to the brim with pirate information, boat information, etc, this is a good book for anyone who really is interested in pirates.
For those who are interested in pirates purely at a humorous level, this isn't the book you should go with. This is packed with real information in older English, and is really intended for those who wish to know more about pirates and how they lived.

This book helped my understanding of pirates greatly! I recommend to anyone who is interested in trying to know more about those scalawags of the sea.

The dearth of primary sources have encouraged "scholars" to grasp onto the Furbanks / Owens short de-atrribution, which is basically an ad hominem attack against the preeminent 20th century Defoe scholar Moore. The tales in this book are wild and outlandish, much like Defoe's life. Full of get-rich quick schemes, bankruptcy, and being pilloried, he did not lack for his own source material. So enjoy the tales, picture a proto-democracy where illiterate desperate men create "articles" of piracy that would make a modern day attorney proud, read some more Defoe and make up your own mind. Clear sailing!

Bought for my grandson's 7th birthday. He loved it, he is into everything Titanic right now. Even my husband loved it book, as did his father.

Awesome, in every sense of the word... One of the best books on the wreck i have ever viewed and it ties in brilliantly withthe movie which is probably one of my favourites too! I recommend this to any Titanic bod..

This book is a welcome additon to any on the RMS Titanic. Its not just history but of the crew of the deep sea submarine. The Titanic always captures ones imagination. This book shows the wear, and tear that nature is bringing the wreck of the Titanic. Its sad how much has changed since her discovery by Bob Ballard. The book goes into depth through pictures, and artwork of famed painter Ken Marschall. What is happening to the liner is awful. I also can respect a book that goes to the abyss without raping the Titanic that is a graveyard too, that deserves to be left alone to its fate by nature. Thank you for Amazon for allowing me to review this book, and give a little opinion on the subject of Titanic.

This book is an excellent tribute to those who designed,built and sailed on the world's most famous ship. It is also a fine tribute to those who sacrificed so much to find the ship laying on the ocean floor,at a depth of 2 1/2 miles below the surface,375 miles SE of Newfoundland,and 1,000 miles due East of Boston; and bringing back to us, in unimaginable detail ,how this magnificient ship, in all her splendor, looks today in her final resting place.For many decades ,there was wild speculation of how the ship would look after so many years under such great pressures and even if she could ever be found. All that speculation has been resolved,thanks to the efforts of these determined and talented people.Not only have they found her,visited her,returned with fantastic photographs;but have also done a superb job of sharing it with us through Motion Pictures,Documentries, beautiful,haunting and imaginative drawings and keepsakes such as this dazzling book.
Where this book shines is that it shows what things originally looked like ,using actual pictures at the time;and then showing what they look like now,after over 90 years of ravages by time and elements.
While the photos alone would make this an exiquisite volume,the text covers much information on the ship,how events unfolded and why things happened the way they did.
The painting by artist Ken Marschall of the Titanic, majestically forging ahead ;while she is being fatally ripped open by the iceberg shows the spirit of man against all odds of nature;and even though man is often set back,he refuses to be defeated. This scene in History is reminiscent of the spectacular explosion and loss of life with the Challenger Spaceship.We all owe a gerat debt of gratitude to the artists who portray images such as Marschall and who have the imagination and talent to paint such a picture as is on page 35, showing the Titanic breaking up,the many unfortunate passengers and crew heading with the ship to their watery graves;while a few fortunate are saved.The lifeboat with its few survivors ,where the artist shows that while some look on,others can't even bear to watch.While photographers can produce excellent images of events,if they get the opportunity;it takes an artist to record events like this.
The book is dedicated to those who perished on April,15,1912,and on September 11, 2001. As the world watched the events of 9/11,the crew who gave us the scenes in this wonderful book,were actually at sea ,diving on the Titanic.
We need books like this to remind us of the hopes, struggles and endurance of Man against both the forces of Nanure ,as with the Titanic and and the Evils of Man, as we saw on 9/11.

"Ghosts of the Abyss" features a collection of the greatest Titanic Wreck images to date. Cameron has wandered into areas of the ship inquiring minds like my own have often wondered about. The contrast of the Titanic then to what she is now reveals the tragic aspects of this signifciant historical disaster. What was by far catching were several 3-D models present here and there such as the Grand Staircase among other locations within the ship. The angles of the images taken and lighting of the wreck were brilliant. If anything, the rare images of the D-Deck vestibules make the book worth the price. A must have for anyone who is captivated by the former elegance of the ship of dreams.

I bought this book as a Christmas gift for a friend who is a hypochondriac. She got a kick out of it which is what I wanted. I'm not sure how informative it is but works good as a conversation piece on the coffee table.

This is the FUNNIEST book you'll ever read. Hands down. Fast delivery with good packaging (bubble wrap) for protection.

This book was funny. All the diseases shown are some of the worst diseases anyone could ever imagine. You won't even want to shake hands with someone after reading about Bejel. *ew*

If you have the nerve, and are into perverse entertainment, this is the book for you -- or someone who will appreciate midnight black humor with a glossy blue sheen. We're talking forty-five horrifying ways that Nature is out to get you, with plenty of gruesome details on how she will succeed, and the pitiful or nonexistent steps you can take to protect yourself.

The writing is excellent. The author has a way with words, content aside. It really takes talent to make me laugh out loud, all the way through a book, especially when what I'm reading is also giving me cold sweats and an irregular heartbeat. I couldn't put the book down, and now I'm afraid to move or breathe. Other people have to get their thrills on mountain tops -- me, I can sit right here, white knuckled, waiting for unspeakable dangers to come to me. I am now regarding my cats and coworkers with suspicion -- no, outright terror.

Three days ago, I had no trouble making the leap from tiny flickering pain in my head to malignant brain tumor. Now I look at that self-diagnosis as a sign of childlike innocence. Do you have any idea how many truly unspeakable, debilitating, and deadly diseases start out with a simple rash or swelling? Numbness, coughing, itching, of course headaches, the list of innocuous symptoms is comprehensive, and all symptoms seem to lead to blindness and loss of body parts.

I find the ailment Fibrodysplasia Ossificans Progressiva, where your immune system decides to replace your sore muscles with bone, particularly insidious, although I feel better about not going to the gym now. Another favorite: Fatal Familial Insomnia, in which you never sleep again. (It's now 2 a.m. -- I'm feeling perky, and worried.) Furious Rabies, Norwegian Scabies, very bad. And let's not ignore good old pinworms, which 1 in 10 of us have at this minute and everyone has a 50/50 shot at getting at some point before they die (probably not from pinworms, which, by the way, are IN your butt and come out at night to lay their eggs ON your butt. Remember that time you scratched your itchy butt? Yuh huh. Trust me, the least of your worries. You want to be focusing on Scleroderma, in which your skin and organs slowly harden and you begin to resemble a statue, or Myasis, in which maggots crawl around beneath your skin. If you're lucky you'll get off with Chronic Idiopathic Diarrhea or Cyclic Vomiting Syndrome. Both of which sound marginally better than the Mycobacteriosis I could get from changing the water in my fishbowl, or Bacillary Angiomatosis (cat scratch fever).

Giving this book to a full-blown hypochondriac is what passive aggressive behavior is all about. Or, you just think your mom will really get a kick out of it.

What better way to bond to the sweet hypochondriac in your life than by giving them this book? The diseases are real, the commentary is hilarious. Guys, believe me, you won't want to swim in the Amazon after you read this.

Mardy Grothe's new book, I Never Metaphor I Didn't Like, is a first class meal in the back row of the plane. It's a waterfall after three weeks in the Sahara. It's a brand new Beatles album at an estate sale. It's....it's....you see why I like this book? I need help with my metaphors!

Seriously, this book is a gem. The historical and literary references make it more than a book of great quotes. It's fascinating reading and a terrific tool for would-be writers. Pick it up and start reading anywhere. It's harder to let go of than a hot date at the prom.

-- Greg Tamblyn, Motivational Humorist, recording artist, author of "Atilla The Gate Agent." [...]

Atilla The Gate Agent (Travel Tales and Life Lessons from a Musical Laf-ologist

Saving the World from Whiny Victim Love Songs

I could peruse this latest book by Dr. Mardy for hours and never tire of it. As a writer who enjoys quotations of all sorts I have long been a big fan of Dr. Mardy Grothe's weekly column. With i never metaphor i didn't like, he has so won my heart that it is now and always the first place I will ever look to discover helpful quotations to illustrate or embellish my thoughts. So long Bartlett's, you've been replaced. Simply reading the pages of this book is a vastly entertaining experience. Like many who enjoy cooking, I appreciate perusing cookbooks. For a writer, a book of quotations is not unlike a compilation of recipes, and just as worth reading for the stimulation it provides. I especially appreciate the further explanations he appends to the quotations as they do much to help me to learn more about a variety of interesting things. All hail the Master Chef of Cordon Blue wordsmithery: Dr. Mardy Grothe and his wonderful i never metaphor i didn't like.
Tasha Halpert author of Heartwings: Love Notes for a Joyous Life.

I enjoyed every metaphor, simile and analogy in this book-- but why, pray tell, did he have to ruin them by explaining what they mean? Anyone literate enough to buy and read this book should able to understand them without having them explained. But he overloads on the explanations. The pleasure of a metaphor, etc, comes from thinking about the meaning. He gives them, then right away tell what they mean like he's teaching a bunch of school children. He talks down to his readers. On page 181 we read " Courtship to marriage; as a very witty prologue to a very dull play." Then he proceeds to tell us dummies what a prologue is. Same all thru the book. I guess he thinks the people who read this book are stupid. If he had left out the explanations it would have been so much better.

This is an excellent book for those of us who find ourselves writing all the time. It helps us realize we are like nuclear reactors--always creating waste that we must store somewhere, and liable to have a disastrous accident at any time that will cause readers to give us money in order to get us off their backs--or maybe not. Who knows? Anyway enjoy this book and get back to work.

This is a good book regarding metaphors, similies, and analogies. After reading it, you're more or less inspired to try a few. If you write or just like to read about reading, this is a good book.