N Books

The focus of this book is the automobile crash that ended the life of actor James Dean. Dean only ever made three movies but those three had a huge impact on folks of that period.

In any case, the details given here will present you with a clearly defined account of why and how this youth noir-icon died.

He was on his way to a race, in a racecar, when a young man pulled out from an intersecting highway. So, the question arises, 'Was Dean's speed the cause of the spectacular crash or, was it carelessness on the young man's part who possibly failed to yield the right-of-way?' (HINT: Dean was just issued a speeding ticket about an hour or so before the crash!)

This book has plenty of nice illustrations and I found it a real page-turner of a mini-biography.

We invite you to learn more about James Dean and other Warren Beath titles at http://jamesdeanindeath.com/

I first read this book almost 15 years ago and lost the original paperback whilst at college.But I can still recall the creepy passages of Beath's descripton of Dean's death and Beath's veiled admission of his own descent into madness and obsession-the young man that Beath describes throughout the book IS the author himself because if you read his bibliography at the front,he lists NOTES ON DYING which is the thesis the character writes in the book.Bits that stick out are the Japanese business-man buying the hulk of the tow-truck that carried away the crumpled porshe after the crash and the author stealing a high-way cornice and storing it in his room,only to find it infested with hornets and flies.Quite superb.

I read this book when it first was published, so I am obviously not in the best position to critique it at least a couple years later. However, when it comes to James Dean I am an admitted addict and have read almost everything that has been published about him over the past 30 years. What makes this book a standout is that it concentrates on Dean's death as opposed to his life. It provides very detailed information re: his last ride and how his death and the subsequent hoopla surrounding it was handled. It also provides quite a lot of previously unpublished material in regard to the period immediately before and after his death. The author has saved us all a lot of pain and irritation by researching this material in a factual and precise manner.
What makes this book a positive departure from the other Dean book is that there is no psychological stuff about Dean's tortured youth or attempts to affix a death wish to him, just a lot of good hard facts. Joe Friday couldn't do a better job in that area.
The best part of this book? It sticks to the truth and makes for an interesting read.

Beath makes the death of James Dean a very personal experience for the reader. This is not a book one reads and forgets - the reader has participated in the author's passionate search for the substance behind the tragedy and the reader is changed. I'm ready for more from this author.

DESERT by Jack Dykinga is published by Harry Abrams, Inc., a company that publishes high quality art books and not, for example, vacation tour guide books. DESERT is 143 pages long, and contains 83 full-sized color reproductions. Dykinga uses a 4X5 camera, resulting in a higher quality image.

Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.

For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.

DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.

Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.

Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.

RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.

Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.

Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.

There is a knock at my door and here is the UPS man delivering my order from Amazon.com. Among the books: Desert, The Mojave and Death Valley Photographs by Jack Dykinga, text by Janice Emily Bowers. I barely had time to read more than a page or two of the text before it made me want to go straight to the photos to see the place she was clearly, and intelligently writing about. And I was not disappointed: It was overwhelmed with joy of at being able to share the keeness of Mr. Dykinga's fine and perceptive photographic vision of that place. This is a more subtle body of work than the previous books based around his photographs.

The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book

More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.

In short there are wonderful things to be found in this book.

This book just shows how spectacular a desert can look with the magnificent photos around the Mojave desert and Death valley of emptiness, stark flowers and blooms and just superb landscapes. It'll give you some inspiration to find something to look for even in a desert.

I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!

This book is a beauty, some of the most beautiful photographs I have ever seen.

I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.

Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.

As I went through this book, I kept asking myself, am I looking at the dessert or am I looking at the landscape photographs of Jack Dykinga? I've been to the Mojave and to Death Valley and I don't remember them looking so beautiful.

Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.

It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.

The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.

I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.

As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.

I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

Mary Shafer's "Devastation on the Delaware" is an engrossing account of the tragic Delaware Valley flood of 1955, created by Hurricanes Connie and Diane. Told as a narrative timeline of events, this book introduces us to the people and communities overcome by the wrathful waters of the Delaware and its tributaries. It reads like historical fiction rather than documentary, with many amazing and touching stories uncovered by the author's interviewing diligence. I couldn't put this book down and highly recommend it as a full and varied account of an unbelievable event and its effect on the Delaware Valley.

Mary Shafer has approached a detailed account of a tragic flood with unusual thoroughness, compassion, continuity, and research. It is a non-fiction book like no other, holding the reader spellbound throughout. One cannot help but become emotionally involved with those who suffered through this event, and one cannot help but admire Shafer for her accomplishment. Obviously, Shafer was passionate about her subject; it shows in throughout this book.

An excellent portrayal of the effects on the entire Delaware Valley interwoven with stories of personal impacts and tragedies. Masterful research. Reads like a first person report at the time of the event.

Although I was born after the flood, I visited all the high-water markers in my hometown in the Pocono Mountains and listened intently to the haunting stories told by teachers, neighbors, and family friends. I believe the author of this book has done a marvelous job recounting the days and hours leading up to the region's greatest disastser, mostly through the eyes of those who witnessed the terrible events of August 1955.
--Ben Gelber, author of "The Pennsylvania Weather Book"

Whenever I read a book about a natural disaster I cannot help but wonder how I might react in such a situation. As the new day dawned on August 18, 1955 folks in the Delaware Valley had absolutely no reason to believe that this day would be substantially different from any other. And yet, an unlikely series of weather events would unfold over the next 72 hours that would severely test the mettle of just about everyone in the region. In "Devastation On The Delaware" author Mary Shafer chronicles the heartbreaking events of those three days in August 1955. More than one hundred people would lose their lives. Some of the victims would not be found until months or years later. And those lucky enough to survive would quickly discover that for them life would never be the same. It is hard to imagine the utter devastion that took place. Many residents lost just about everything they owned. Houses were literally torn off their foundations and ripped to shreds and two ton automobiles were tossed about like childrens toys. In many of these communities the raging waters damaged or destroyed most of the infrastructure. All along the Delaware the bridges that were vital links in the lives of so many people were laid waste and many would never be rebuilt. All over the Delaware Valley mom and pop businesses would be wiped out forever and scores of people would find themselves unemployed in the immediate aftermath as the water inundated manufacturing plants, retail stores and tourist attractions. Mary Schafer does an outstanding job of conveying the full scope of the problems and emotions these people were forced to deal with during those tumultuous days. "Devastation on the Delaware" also chronicles how government officials, private businesses and so many ordinary people managed to rise to the occasion and assist with the recovery effort. Interspersed throughout the book are dozens of gut wrenching black and white photographs that really help to illustrate the story that Mary Shafer is trying to tell. Many of these photos are from the private collections of those who lived through the tragedy but somehow had the presence of mind to record these events on film for posterity. Even though I am not from the immediate area I must say that I found "Devastation on the Delaware" to be quite compelling reading. It compares favorably to other outstanding books I have read on the subject of hurricanes such as "Sudden Sea", "Black Cloud" and "The Great Hurricane:1938". And for those who hail from the Delaware Valley this book will serve future generations as an important piece of regional history that will be a fixture in local libraries for decades to come. A wonderful book by a very gifted writer. Highly recommended!!

A small in size book, being about 5 x 6. It is printed on glossy paper with many photographs. It is an exceptional buy for the amount of money tendered. If you read anything by Mr. Carroll you have to have this book too. Mr. Carroll's work is a must for anyone writing anything. The simple truth is his writing means nothing as far as plot, but his style is brilliant.

Is there anyone out there that knows what the name of the writing style used by Mr. Carroll. For instance his characters are telling a story to someone small Mr. Carroll aims his text at a small animal. The small animal answers back in small type. When someone is running and talking, there are long drawn out sentences.

I hardly ever buy nonfiction but seeing this at Borders I knew I had to have it. Lewis Carrol is one of the greatest writers of the nineteenth century, surpassing even Tolstoy,Dostoevsky,and Dickens. I have a complete collection of all of his works and enjoy them all(except for the math puzzles, math has never been my strongest point.) If you are a fan of Lewis Carroll then this is the book for you. Gorgous illustrations and photographs, an interesting and informative text, this is a wonderful little book to own. It is also informative if you are interested in Victorian England such as Iam (probably due to my Lewis Carroll fixation) There are also examples of Lewis Carrolls photography and pictures of the Liddle children. I highly recommend this book to anyone who loves the world of Alice and who is obsessed with Mr. Dodgson's books.

This book provides a well written description of the conditions and environment that led to the writing of the Alice books. The reader is immersed in Victorian culture both verbally and visually. The profusely illustrated book is a joy to read and informative as well. It fills the niche between biography and textual analysis.

Joel Birenbaum, president of the Lewis Carroll Society of North America

I mention the 'train book' aspect because this book is just the size to tuck into a handbag. As one who loves Lewis Carroll's works, and has studied Victorian England in depth, I found this work to be a surprisingly rich, delightful treatment of Lewis Carroll's life and work.

It is not an in-depth study of all aspects of his life, and, somehow, I found it most refreshing that, unlike some books which are, there were no diversions into Freudian speculation or treatments of bizarre theories about Dodgson's ways. Instead, the reader is treated to a fairly thorough survey of biographical information and essentials of Lewis Carroll's writings.

The illustrations are exceptionally extensive, including many photographs (of or by Carroll), varied illustrations from editions of "Alice," and, as far as textual illustrations are concerned, excerpts from Dodgson's private correspondence and diaries. One comes to the end of the book with a sense of having covered an amazingly large scope. For example, other authors have mentioned (without showing) the supposedly notorious nude photographs of children which Dodgson prepared. This book not only includes the pictures (which tend to the cherubic, with no flavour of the erotic), but places them into the Victorian cultural perspective with taste and dignity.

The author's style is superb - with a blend of beautiful language, concise but thorough treatment of the material, and impressive dignity. There is none of the excesses common in many books on Lewis Carroll, where rash speculation and prurient "let's pander to the 21st century love for 'dirt'" ruin the essentials of the story. Lewis Carroll is presented in all his brilliance, humour, and eccentricity. The classic works, with all of their fancy, wit, and wonder, are not ruined by excessive analysis or so filled with 'dark' speculation that one forgets what every child can see: they are delightful diversions.

Pair this book with an annotated edition of Lewis Carroll's works, and you will have the perfect gift for anyone who has ever loved "Alice" and her creator. And creator indeed Carroll was, for, as this book shows well, the Alice of fiction was hardly a model of Alice Liddell. The author speaks in some detail of the relationship of the "real" Alice and Charles Dodgson, with no tired attempts to confuse them with the book's contents. As well, the references to other Victorian literature and art places Carroll's work, and the friendship with the Liddell family, in an enlightening perspective for the contomporary reader.

Witty, insightful, and extensively detailed for a pocket book, I would highly recommend this work for anyone who already loves Lewis Carroll or would like a further acquaintance.

This tidy, colorful book presents an evenly balanced look at the life and times of Lewis Carroll. The reproductions of rare photos are outstanding, and are cause enough to buy the book on it's own. The text aviods the loathesome practice of trying to find deep symbolism and imagery in Carroll's works, but rather focuses on them with a pleasant reverence.

Doctor Dogbody was a navy surgeon who spent most of his life at sea on sailing ships. As long as people can remember he has had a wooden leg. Whenever old mates gather around the fire with a pint in their hand and long to hear a tale, they anxiously await the tale of how the good doctor lost his leg. The tale is never the same twice!

This is one of those rare books that you keep on your bookshelf for re-reading. I have read "Doctor Dogbody's Leg" at least 20 times. I made the mistake of letting somebody borrow it and it
has disappeared. Guess I am just going to have to buy another copy!

This book was a change of pace for the author, who was the co-author of Mutiny on the Bounty and other books. It is humorous light reading, with the tales set in the Cheerful Tortoise, as Dr. Dogbody, Royal Naval, meets with old acquaintances and tells tales about how he lost his leg. It sometimes rambles a bit, as tales might if told by an old-timer reminiscing. Overall, it is a good collection of stories that could probably be shared with children. So get a pint of ale, and sit down in front of the fire at the Cheerful Tortoise while Dr. Dogbody relates his adventures.

A beautifully written and conceived collection (or is it one continuous tale?), this book will grab anyone who appreciates great humor and skillful writing. A true test of a book's greatness, this one I was truly sorry to see end. Grab a tankard of ale, or a glass of Port Royal, and settle down by the fire at the Cheerful Tortoise. You'll roar with laughter and gasp with astonishment at the good Doctor's tales.

A must read for any and all O'brien fans. This is one the funniest books I have ever read. The good doctor spins increasingly outragous yarns and somehow makes it all seem plausible. The writing is first rate and the characters are vivid and real.

This unique collection of short stories, all of which are based in a small and colorful Portsmouth tavern, is a fabulous read. Excellent characters, pure enjoyment layered upon tales of the sea, famous events and battles and a lot of witty and rich dialog. Dr. Dogbody's salty and humorous martime stories capture both the people and events of the time. Dogbody is a mixture of Harry Flashman, Forest Gump and Long John Silver. The supporting cast of characters is suberb, all carefully written to interface with Dogbody's amazing tales relating to the loss of his missing apendage. I'd love to see the BBC present ten episodes of this book. A clever and unique reading adventure. If you enjoy the Forester, Kent, Pope, Fraser or O'Brian's novels, you'll find this and keep it on you bookshelf and point it out to your literary companions with a chuckle.

I am a crazy dog lady. I admit it. I can't pass a dachshound without stooping to say hi. My husband and I have even been known to park our car down the block so that we can casually stroll down the street and "accidentally" make the acquaintance of a sprightly-looking corgi or retreiver. Pathetic, we are, completely pathetic, but we absolutely don't care.

Anyway-- this is The Pathetic Portland Pooch Lady's favorite dog book ever. You won't believe the illustrations until you see them. It's done like a sketchbook-- dozens of different images all crowding together with occasional splash pages or portraits. On a single page, you might see: a dachshund skeleton next to a wolf skeleton; a dachshund in a snowy landscape bravely facing down a boar; the same dachshund being carried off by the boar; and a light pencil sketch of the dachshund staring at a hedgehog-- "the only game I ever saw him corner," according to Poortvliet.

The book's other great strength is its honesty. It's screamingly funny at times, and of course, some of the pictures are real heart-melters, but there's nothing posed or plastic about it. Poortvliet gets all his laughs, and all his tears, from dedicated and truthful observation, and from mastery the arts of storytelling and illustration.

In other words, buy this book. It's a treasure.

The art is astohishing (as always with Poortvliet) but the book itself is a warm and sincere approach to the meaning of dogs in our lives. It is not technical or scientific but is a powerful read to dog lovers around the world.

I'm an animation artist whose medium is pen and pencil, and for me, Rien Poortvliet is hands down the greatest artist of his kind of the last 50 years, easily. Famous(almost too much so-eclipsing these other, superior and more personal books)for the "Gnomes" series of books of the 1970s, he was a man of amazing talent, terrific humor and also great humanity and sensitivity. Any of his books are worth having; this title, "Dogs" was the first I discovered, and it's also one of the very few easily available at this writing(9/05). Here are studies of many, many breeds of canines rendered in luscious oils, stunningly--but even better is the rest of the book: Poortvliet's own, intimate life experiences with dogs, a kind of illustrated diary done in pen, pencil and watercolor washes--absolutely brilliant. You'll meet and love Rien's dogs as he did, and if you've any interest or care for dogs at all this will likely become your favorite. I'd recommend this over any other coffee table or "art" book for dog lovers(I can't conceive of anyone not savoring this)...and for artists--! Wow. An absolute treasure trove of quick gesture drawings, studies and attitudes of both dogs AND people--as well as any other animal Rien feels like writing about and sketching--and there are plenty of them. This will teach the interested artist more than dozens of "how to" books of painting and drawing techniques could hope to do. Don't hesitiate--order it now.

This is a wonderful, heart warming story for all dog and animal lovers. The art work is beautiful, worthy of framing. The authors connection with dogs comes through loud and clear as you read the story of losing a fur covered child to finding another companion, not to replace but to continue lifes journey with. Great book for all the right reasons.

The drawings tells you that the author has many wonderful feelings for his models persons, animals and simple living in the countryside. Just great, it even sometimes makes you feel like crying.

There was nothing wrong with this product. My daughter dropped the class in college that required this book; therefore, she didn't need the book any longer.

I find that all of Eric Franklin's book are invaluable for anyone interested with body movement.

Dancers, fitness instructors and even therapists have much to gain by the use of imagery.

I found this book to be eye opening, and immensely helpful with all the exercises that are discussed in the chapters. I improved my dancing within two weeks of reading and starting the exercises. It's concise with a nice touch of humor. I'm recommending this book to all my dancer friends both social and professional. I love this book and I have plans to purchase all of Eric Franklin's books.

I work in the fitness industry as well as dance. I see how important dynamic alignment is to do ANYTHING in dance and I think the general population needs a deeper understanding of it. I struggle with my balance and this book has been a wonderful tool to help me improve my technique.

The body is an amazing thing. We look at architecture and don't see a simularity in it with us, yet just as beams and walls and cielings support buildings, bones, ligaments and skin support what we inhabit and live in. Just as a building's foundation and subsequent floors affect how it stands and reacts in an earthquake or wind storm, how we walk, position our pelvises, carry our shoulders and necks and arms affects how we react to our environment and as this book emphasizes-- gravity.

DATI brings together everything wonderful about our bodies. Gravity isn't good or bad, it just is and we need to learn to deal with it. DATI is one of the best books on getting to know your muscles. If you don't know why they or even if they do and where they are, you can't work with them. Franklins visualization is second to none as far as helping the reader gain feeling through imagining water or air finning up an area and then letting it all out. He takes what we can relate to, describes it in another area, and moves us through to places that we didn't have names for.

Franklin has a sense of humor. (Humor is imporatant because it establishes a sence of the irony in looking at life.) He tells the reader of a commedian who went to basic training. After a week, his stomach started to feel funny. He went to many doctors, convinced that something was dreadfully wrong only to discover that for the first time in his life that he was not suffering from heartburn! This is important because in changing our bodies, when we change soemthing that is bad, it might not feel right.

I highly reccommend this book especially for GYN patients. Doctors who aren't trained in body movement will not understand how to guide their patients into understanding. I've had nine children and was getting revolted by what I felt like I had no control over. Since I am a yoga practicer, I decided to see what I could do before an operation and this is turning out to be a great investment. I think the best thing is that I have gotten control over muscles that are attached to bones that are attached to connective tissue that work with inner organs that were once loose. I am not afraid to sneeze any more or of watching nurses react with paste faces to what I tell them. This book has helped me get more acquainted with my body so I am able to discuss it. It's very hard to go in to a doctor's office, see a nurse that you've never seen before and start discussing problems that you never thought you'd have to deal with. When you know your body, you can speak with confidence about it. (In my case, the problem is in the process of being fixed.)

I highly suggest that OB/Gyns/urologists and family practitioners at least read this book. Without an understanding of how the body's muscles are used, doctors don't help us unless they are cutting in to us. I almost had an operation based on one doctor's response to my sagging organs with, "OK, I can operate on that." The man is nothing but a body mechanic-- he doesn't understand how our bodies work-- just that when they don't that he can fix them through an operation, and isn't aware of what a patient can do to help her-or-himself, yet he is one of the alleged finest in our state. He's really not that great-- he's like a musician that can only play one style of music with one instrument. If he was ever inspired, he's lost it. I am not slamming him; this is the case with many, many doctors. (This is the case with anyone who has done the same thing for too long and not realized that how little they know.)

I urge patients to learn from books like this and learn to ask questions and help yourselves. Doctors are slaves of convention and the latest word from the AMA. I am not against operations to fix what doesn't work, but the ramifications of an operation can be bad-- for what my doctor was proposing, I would have never been able to do certain stretches and bends in yoga. Give your self six weeks to try Franklin's approach and fix your problem and if it doesn't work, get operated on. I will warn anyone doing this that if you don't have a background in body movement, ie; yoga, dance, some type of athletics, it will take longer to get results. Our body awareness starts on the outside and works inward, and you will have a new vocabulary to get familiar with.

Imagery is hard. You have to know how to focus. I highly suggest that you try yoga. I learned to empty my mind in a Hatha Yoga class and learned to chant because it kept my mind on my body position and my breath. I am a highly amped person and need this-- others may be able to do it more easilly. If you have never worked out before, I think that you will get better results from this book if you take at least a short class in something so that you can get used to how your body works. You may also benefit from Uta Hagen's Respect for Acting where she teaches acting using the entire body. Acting isn't about --I strike a dramatic pose here-- it's about how one REacts to the environment and this creates what you are phsyically.

First released in 1989 Earthian is more of a classic fantasy with a twist of BL that may bring a nostalgic feeling to some who read it. I picked up this series immediately after watching the anime for Earthian. In my opinion I love the manga much more as the character are presented with better background and depth.

The series, especially the first volume starts off a little rough and the art takes a bit of getting use to. Really, so many of the characters don't seem much different from each other but the story quickly captivated me and it didn't take much effort to tell which character is which. Personally I have grown to love the art. Earthian is also Kouga Yun's very first series so while I may have given her some slack based on that fact I am truly in love with this series.

The story revolves mostly around two angels from Eden, Chihaya and Kagetsuya who have been placed on Earth as plus and minus checkers respectively. The angels on Eden have come to the decision that the humans should be eliminated but before that, humans are at least given the chance to be judged, which is the job of plus and minus checkers. Though this is the premise, Earthian is an emotional story full of character development and the relationships the characters struggle to attain and keep. This is a BL series, the dialogue is pretty clear that there are some taboo relationships but this is also a fairly light shounen-ai series clearly more focused on devotion and the relationship itself.

Each book is bound in a lovely textured pearly cover and there is a color illustration on the first page of each volume. The quality of the pages are also better and smoother than the average domestic manga. An extra perk is the occasional new illustrations done by Kouga Yun, such as the cover and inside color illustration.

I have been praying that this manga would come to America and now I am rejoicing. First of all it's thick, which gives me plenty to read. Secondly, it describes the relationship with Chihaya and the other angles back in heaven. Which the anime never fully explained.

This manga is a must have for all if you Shonen-ai lovers out there. As the story goes along, you will discover secrets of angels

Over 400 pages Earthian is worth thrice its price. Strong plots with 2 endearing protagonists, Earthian a somewhat gentle Shounen-ai can do no wrong. It is much better than so many of those Yaoi/Shounen-ai released nowadays. I watched the Anime first and was captivated by the idea of 2 angels deciding the fate of humans and of course their love. The Anime definitely fell short of the Manga, disregarding important backgrounds and choppy and distorted towards the end. I am very glad Blu has released Earthian. This series should not be missed by those of us into Shounen-ai/Yaoi and those who are not should try it too. If nothing just for the captivating story line!

Yes, the plot meanders more than it should, and yes, Kouga Yun's drawing style here is a bit dated, but getting hung up on these issues means you'll miss out on a classic tale, one that not only becomes increasingly satisfying as it goes on but that also inspired a host of later works. Read anything with angels in it lately? Read Earthian and then go back and look at that newer manga again--chances are you'll notice some elements that look mighty familiar . . .
And a tip 'o the hat to Blu for producing such a pretty volume.

This is an absolutely beautiful book ... worth every penny, and frankly more. The illustrations are magnificent and the writing is perfect. It details the entire Easter story in a gentle, tasteful and loving way. Although the story telling is child-like, it includes ALL the details of the entire story and does so in a way that holds even the littlest one's attention, beginning to end. It is told from the donkey's perspective. My 20 month old and my 3 year old both LOVE it and I think it would work well for older children also. I highly recommend this book ... it is one that will become a keepsake and heirloon for years to come.

I was a little skeptical about buying a children's book for $20.00, but I'm glad I took the risk!

The author/illustrator explains it best when he says, "It is the world's greatest story, burning with history, passion, and tragedy. I decided that the best way of expressing this epic drama was to teat it like grand opera, to create the sets and place the characters within them, capturing the symbolism of the Crucifixion and Resurrection in color, shape, and form."

The gold-toned illustrations are absolutely breathtaking. The text is very simple and perfect for our young ones. WE ADORE THIS BOOK!

I was very impressed by the beauty and pathos of this slim volume. Although the story is of Christ's passion, resurrection, and ascension, the story is really through the eyes of the humble donkey which Christ chooses to carry him into Jerusalem. It strikes me that children will be able to connect with the donkey's innocence and faithfulness, as a reflection of the person of Jesus Christ. Of course, it all makes for very interesting theological reflection. If anything, as other readers have mentioned, read it for its simplicity and the beautiful illustrations.

My almost 6 year old son was asking a lot of questions about Easter from what he has learned in Sunday School. I was looking for an Easter book which explained Easter, and the events leading up to Easter, in a simple, yet Biblical way. The book is not too simplistic, nor too complex and wordy. Also, the illustrations are magnificent, and are worth the price of the book alone.

I originally checked this book out from the library for my son last Easter. My husband and I were so impressed we bought it this year for him as a gift. The illustrations positively glow. And, the story line is captivating and easy to follow, unlike other children's versions I've read. It's a beautiful book that my two year-old will continue to enjoy for many Easters to come.

very useful reference book for inspirational creativity.

There was nothing written on this true master of Art Deco metalware, and this book is as comprehensive as a book can be on an artist. Written with respect, admiration and love for the Art Deco style and the metal craft. Cannot be surpassed. Nothing missing, nothing redundant.

I am a practicing metalsmith of 35 years. This much needed book covers it's subject from every perspective. It will become a valuable asset to historians, collectors and craftsmen. My only critique is that Joan did not include a picture of Brandt's stamp and other ways of varifying his work from fraud.

The author has produced a comprehensive work covering this great Art Deco artist and the exciting era in which he flourished. Joan Kahr's tremendous depth of knowledge and understanding comes through on every page of this beautiful book.

This book is a "must have" for any fan of French art deco/art moderne style. It is beautifully researched and written. The wonderful photography only made me long for more.