N Books

This book has been an excellent resource for me both in my personal Bible reading and in preparing sermons.

The first sermon I ever gave was directly informed by the historical information I learned about from this book.

It really illuminates the historical background for all the verses in the New Testament.

I have taken a course with Dr. Keener, and his passion shines through in this book. I have never met someone who works harder than he does. It is big, but it is not a difficult read. If you are looking for answers, you will find them here. Want to know why the signs in John are so important (and it is "signs" rather than "miracles" in John for a reason), you will know. If you want to know the significance of the numbers and churches in Revelation, you will know.

This is a helpful resource in helping to understand who the Bible text is written to. By understanding the historical background, you can interpret the scriptures accurately.

I was given this book as an ordination present back in 1996, and I have used it faithfully ever since. It is the work of Craig Keener, New Testament professor at Eastern Seminary. He works verse by verse from Matthew through Revelation, giving cultural and historical information that lies behind the text. He teaches about the different kinds of tax collectors, the roles and responsibilities of the teachers of the law, and Jewish customs and traditions that bring to light the meaning of certain verses.

This is one of the first books I consult when I am researching information for a Sunday sermon, and I am always rewarded with something to chew on to give to my people. I highly recommend this resource as one of the ten books every Bible teacher should own.

I've found it to be priceless to have this book (and the OT edition also) at the table whenever doing a Bible study. When I do group Bible Studies (especially inductive studies), people love to crack this reference book open so that they can get more clues into the significance of objects and names and motivation of the characters in the Bible. I am not a Biblical scholar, so there would simply no way for me to learn about some of the more obscure details we come across during even common passages for study. I also own the electronic version of this book, so that I have it with me wherever I go with my laptop.

This book stands as the best introduction to one of the best comic strips ever produced. Not only is it packed with hard to find "Krazy Kat" strips, but it also includes a biography of the artist, George Herriman. Some consider Herriman the first African-American mainstream cartoonist. His colleagues didn't know his ethnicity (and Herriman didn't tell them) so some called him "the Greek". He felt he had to hide some of his features from the public. For example, he kept his very curly hair closely cut and hidden under a hat. Not only that, his birth certificate shows his parent's ethnicity as "colored". The prejudices of the time likely would not have allowed an African-American the mainstream status and freedom allowed to George Herriman. So through "Krazy Kat" we get a glimpse of what early 20th century American culture may have missed out on due to its racial myopia. For "Krazy Kat" stands as an absolute masterpiece of its genre.

Herriman found some modicum of fame in his lifetime. William Randolph Hearst (the newspaper magnate) loved Herriman's work and rewarded him with a lifetime contract (according to the biography in the book, Hearst once read a "Krazy Kat" Sunday page and immediately demanded a raise for the artist). Herriman's success didn't come quickly, however. His first big break came in 1897 with the sale of a sketch to the Los Angeles Herald. Around 1901 he landed his first job as a "Staff Cartoonist" (a person who literally reported to the office every day and rattled off strip after strip; very different from today's cartoonists). Between 1901 and 1916 Herriman penned numerous strips (the book includes samples of many of these strips - many in color), including: "Musical Mose" (this strip's overt racial humor would not fly today), "Professor Otto and His Auto", "Acrobatic Archie", "Two Jolly Jackies", "Major Ozone's Fresh Air Crusade", "Home Sweet Home", "Baron Mooch", "Mary's Home From College", "Gooseberry Sprig" (considered to be a direct forerunner to "Krazy Kat"), "Alexander the Cat", "Daniel and Pansy", and finally, in 1910, "The Dingbat Family" (which changed its name briefly to "The Family Upstairs"; it was Herriman's first hit). It was in a "Dingbat Family" strip in 1910 that a mouse first "beaned" a "Kat" with a projectile (in the "running boards" of the strip). Eventually the Kat and mouse sideshow surpassed the main strip's popularity, and "Krazy Kat" debuted as a daily in October 1913 (the famous Sunday pages began in 1916). Herriman kept experimenting with other strips through 1923 when he finally placed his focus squarely on "Krazy Kat".

From roughly 1913 to 1944 (when Herriman passed away leaving a week's worth of unfinished Krazy Kat's on his drawing table) "Krazy Kat" developed from a "Kat" and mouse game (filled with puns, misunderstandings, and musings on the imperfections of language) into a complex love triangle between Krazy (the "Kat"), Ignatz (the mouse) and Offisa Pupp (the dog). Ignatz's entire being revolves around "beaning" the "Kat" with a brick, and Krazy interprets this as an act of love (unbeknownst to Ignatz). Offisa Pupp loves Krazy (in a fatherly sort of way) and his obsession revolves around catching Ignatz in the act and jailing him. Three obsessions collide in an almost jazz-style derivation of themes. Herriman developed this theme brilliantly over 30 years of strips. But overall it defies analysis: the strip can only speak for itself.

Sadly, though "Krazy Kat" counted such dignatiries as e.e. cummings, George Gershwin, Gilbert Seldes, James Joyce, and other literati, as fans, its popularity waned dramatically throughout the 1930s (as it became more surreal, esoteric and unabashedly uncommercial). It was kept in print by Hearst himself. The book does not cover the frustration of Hearst editors at the inclusion of the strip in their papers. They rebelled against it in some cases. Many simply tried to remove it from circulation only to find Hearst himself yelling "keep it in!" So we have, of all people, the controversial William Randolph Hearst to thank for the continuation of "Krazy Kat". By the end of its run "Krazy Kat" only appeared in some 30 papers.

The main focus of this book lies in its numerous incredible strips. The book includes daily strips (most dating from 1938 to 1944) and Sunday pages (dating from 1916 to 1944 with some in color; it also includes both the first and last Sunday pages). If one reason exists to purchase this book, here it is. The strips retain their amazing character even after decades of aging. And the artwork remains astounding. Not only that, the book includes samples of hand colored drawings of Herriman's, and photos of Herriman and his family. All in all, this book opens the door on one of the comic strip medium's most celebrated strips. Those that get hooked should continue thier obsessions (in the true spirit of Krazy, Ignatz, and Offisa Pupp) with the Fantagraphics' series of Sunday pages, and the Pacific Comics club's reprints of daily strips. Someday every Krazy Kat strip Herriman drew will finally appear in printed form. We can hope, at least.

This is a wonderful book for Krazy Katz fans to own. It is large, colorful and very informative on one of Americas great cartoonists. The delivery through Amazon was fast and effortless. The book, a treasure to own. Worth the lower price through Amazon.

This is what all popular art forms should be. A social commentary as love poem. And poem this is. There is very little that someone can write about the Krazy experience without treading in the same terran as this wonderful book. This is were your Krazy love afair begins. And unlike Ignatz you don't show your love with a brick.

This is a wonderful introduction to George Herriman's great comic strip Krazy Kat that ran for several decades in the early twentieth century. This introduction provides biographical background to Herriman's art, a survey of some of his influences, and a very healthy dose of Krazy Kat panels, both color and black & white. It also discusses the way that Krazy Kat became a cultural phenomenon, easily one of the most highly regarded comics of the century, and permeating many other arts as well.

The Krazy Kat strip is utterly insane, surreal stuff. Here is the premise: Krazy Kat (who is usually female but is sometimes apparently male) is in love with Ignatz Mouse. Ignatz loathes Krazy, and to prove it konstantly kreases that kat's krown with a brick. Incredibly, Krazy sees this as proof of Ignatz's affection, and falls even more deeply in love (many panels show hearts rising from Krazy's heart when she is hit by one of Ignatz's bricks). Officer Pup, the town constable, is in love with Krazy and frequently throws Ignatz into jail for hitting Krazy, which causes Krazy to pine for her would-be lover. This is merely the barest sketch of this weird and wild world. The town of Concocino is populated by a host of equally outrageous characters, though the focus continually comes back to the three principals.

Though even the most recent of these strips are over sixty years old, Krazy Kat has stood up magnificently over the years. Part of the reason surely lies with Herriman's enormous gifts as an illustrator. The Sunday strips in particular are things of great beauty, with the frames arcing around the page in spectacular designs of considerable innovation and complexity. The content of the comics reflects a genuine wit and substantial intelligence, while the bizarre love triangle possesses endless possibilities for both humor and pathos. This truly is one of the most unique comics in the history of the medium, and even those who do not usually respond to the genre are apt to find this enormously entertaining.

When I noticed that many of my favourite cartoonists have said that Herriman's 'Krazy Kat' is the greatest comic strip ever, I decided I should check it out. It didn't take long before I agreed with them.

George Herriman is one of those rare individuals who genuinely deserves to be called a genius. That's a word that gets thrown around a little too casually perhaps, but in Herriman's case it is almost an understatement.

He was a brilliantly inventive artist, but his writing is what really sets him apart. A lot of the dialogue is written phonetically in bizarre dialects, a tricky thing to do, but he uses it to great effect.

Whereas space restrictions force cartoonists today to avoid using more words than is necessary, Herriman would often use a lot more, and much of the pleasure of reading 'Krazy Kat' comes from the sheer virtuosity with which Herriman uses language.

That a comic strip could be as funny, as intellectually stimulating, and as beautiful to look at as 'Krazy Kat' seems to me to be some kind of miracle. This book is a great introduction to Herriman and his work. There's a generous helping of 'Krazy Kat' strips, as well as some of Herriman's other work. Anyone who loves comics should have it. I cannot recommend it highly enough.

Leaps of Faith is truly captivating. Its plot is rich and moving. Its characters are endearing and vividly alive, especially Warren and Flip. However too much emphasis is placed on the union and the strike. Also, the side stories of Tanya and the lesbian couple in Flip's theatre group seem irrelevant. But the relationship developments between Warren and Flip, between the couple and their respective sister, between the couple and their little girl,Juliet, makes the book shines. The strength in Warren and Flip's relationship culminating to their "marriage" is rare, touching, deeply emotional and beautifully told. I hope Kranz will invest her talents in another novel soon.

"Leaps of Faith" is a work of love. It is warm, funny, sweet and moving, with elements of suspense and drama. Rachel Kranz tackles major themes of race, sexuality, family and betrayal. She searches her characters with great affection for the best they have to offer and finds an array of human qualities that contribute to a most satisfying reading experience. The book is stylishly written, but in a friendly, down-to-earth way, and at the end of the nearly 600 pages, I only wished for more. I can't wait for Rachel Kranz's next book.

Kranz's remarkable novel is a hefty mix of comedy, politics, and the daily grind of love in all its forms. Flip's psychic boyfriend Warren doesn't fully support his fledgling acting career. Rosie, Flip's sister, is juggling what could be her first union strike with her so-called dating life. While Flip and Warren's relationship struggles, Warren's estranged sister sends her biracial daughter into Warren's life, causing him to adjust to life in totally new ways. Kranz changes viewpoints through the story, making it a mosaic of life in New York City, and this is one of the strongest aspects of the story. The most potent aspect of the story is Warren and Flip's love. It's incredibly tangible in its constant variations from positive to negative to inbetween. Like real life, their love is inconsistent with one saying something honestly to the other, and watching as it's misunderstood. And it's this honesty that resonates with the reader, drawing us further and further into the book until it's unquestionable that this book would be set aside. If you want to give yourself a fulfilling, joyful treat, grab this book and settle into a comfortable chair.

Set in the vibrant Chelsea and Hell's Kitchen neighborhoods of New York City, Leaps of Faith explores gay and lesbian relationships, struggling actors, racism and union activists. There's something for everyone in this novel, but the author invested so much of her own experiences, I wonder if she has anything left to contribute to subsequent novels.

Warren is a professional psychic, raised in a wealthy family who only partially accepts his gay lifestyle. He is suddenly saddled with raising his sister's French bi-racial 8-year old daughter, Juliette, after his sister admits herself into an asylum in Paris. Although he is totally unprepared for this role, he adapts quickly to it and learns to love Juliette totally. The central theme of the novel is Warren's volatile relationship with Flip, 13 years younger, struggling actor, and the love of his life. After much angst and soul searching Warren and Flip decide to pledge their troth to each other, and many humorous scenes are built around their "wedding" planning.

Flip's sister Rosie is also struggling to come to terms with her love relationship with a much younger man of a different ethnicity. She is also a determined union activist and struggles with some serious health problems. I found the chapters relating to the clerical workers strike at the university to be overdone and boring, and some skillful editing could have made this section of the book more concise and entertaining.

The structure of the book, which was told in multiple voices, allowed you to have insight into the perspective of multiple characters, and was a useful device until the chapters relating to the strike. Moving rapidly from the voice of one character to another character, none of whom were adequately fleshed out, was confusing and tedious.

But, all in all, the book was amusing, quick reading and gave some fascinating insights into New York, the gay life, the theater, and the behind the scenes union organizing. A little less detail in some areas could have shortened it somewhat and made the pace more brisk.

I loved this book! It's a real page-turner. Ms. Kranz has captured the pulse of New York City with an exquisite array of pitch perfect voices running the spectrum of sexual orientation, gender and political position. It is epic in scope and yet very detailed and personal in each of its unique points of view. She has written a novel about intimacy and how we construct our intimate relationships that is political without being preachy. Her insightful glimpses into actor's lives, union organizers, traditional and non-traditional family structures and the web of relationships that keep them together are both painful and heartfelt. The characters have lingered with me long after the last page has been turned. The book reminds me of a fine tapestry, rich in texture and pattern, its story-lines beautifully woven together into a satisfying whole. I highly recommend this book!

Wonderfull stories actually written by Elinore Pruitt Stewart. The woman was a tireless worker with a special kindness to her fellow man. You can picture in your mind just what she lived. Her descriptions are as good as they can be. Her kindness will melt your heart. She makes me wish I had lived in the area at the same time. It's such a world of difference from todays progression. I'm not so sure we have progressed to a better life. Even though it was a hard life and a short one I think it may have been a slice of heaven back in old Wyoming. She will tug at your heart at times and make you smile at others.
A great easy enjoyable read. I highly recommend it.
Steve from Boulder Creek, Ca.

The audio version of this book is so well read -- it is well worth the cost. You cannot help feeling cheerful and energized about your own life, as you hear it. I gave the paperback version to a couple of discouraged women friends who prefer to read rather than listen to books. Both women loved it, and were inspired to face their own hardships more buoyantly. The very gifted author has blessed us with a wonderful history and narrative!

Dear fellow Book-lovers:
I found this little gem at the local library today and I can't put it down. It is so good--easy to read (perfect for a busy Mom of 5 like me), inspiring, wholesome, funny, and informative. I am fascinated with this woman: her love for people, her giving heart, and her passion for fun and for life. I'm only on page 81 (out of 282) but I can already sit here and tell you to buy this book and enjoy it! I'm buying myself a copy and also one for my best friend. Christmas is coming!

Genuine substance and sincerity describe Stewart's letters from the early twentieth century while homesteading in this remote corner of Wyoming. Whereas most women would not even consider putting down roots in such an isolated area, Mrs. Stewart was determined to make a life for herself in this territory. And she did just that. It took a special kind of person to live in this far-removed landscape.

Her writing, subject matter and approach to life were most admirable. Hard working and always enthusiastic for adventure, she writes of various encounters with surrounding neighbors and experiences into the countryside. If she had any dull moments on the ranch they must have been few and far between.

Very optimistic about life, Mrs. Stewart affirms, "...all my own efforts have always been just to make the best of everything and to take things as they come."
To further quote, "It has always been a theory of mine that when we become sorry for ourselves we make our misfortunes harder to bear, because we lose courage and can't think without bias."

A wonderful read furthering an appreciation for life in the homesteading era.

I listened to the audio version of this book and after the first part, I went online to check to see if this was actually taken from real letters or just a modern novel. It was so interesting and so well-written that I couldn't believe it wasn't the creation of a novelist. But no, they are the authentic letters of an incredible woman. Ironically, she apologizes in her letters, for writing too much. If only she could have known that a century later, people around the world would be wishing she wrote even more.

If you choose the audio book, try to get the Sound Room Publishers version, narracted by Kate Fleming. It is far superior than Blackstone Audio's version read by Rebecca Burns (who does a good job, but whose voice is too much like a young girl's to express the wisdom and experience that Fleming projects).

I'm sure I'll love this book. Once I receive it. It's been nearly 3 months since I ordered this...Amazon will no longer be the beneficiary of my internet commerce.

Kind of essential lookback to something we'll never see again. All the messiness, sloppiness & amateurism that had me and my pals going all the time to the FE (Friday Night Late Show Only please!). One of few worthwhile rock books.

I love this book. I frequented the Fillmore East 18 times between 1970 until it closed in June of 71. This book brought back so many memories. The Fillmore East was without a doubt the greatest place to see and hear a concert and I miss it. I am glad that I was able to be a part of the Fillmore East - even got to speak to Bill Graham the night of the last public concert. I am very glad this book was put together and anyone who was there will enjoy it. I sure do miss those days - Thanks Amalie!!! Got anymore tidbits - any chance of a Fillmore East Late Show edition?

This book provides a list of the bands playing each night the Fillmore was open! Great historical insight!

The Fillmore East was not only the Mecca of Rock Music in the late sixties and early seventies, it was also the epicenter of all Rock Music, as well as jazz and performance art from the era. Live at the Fillmore East captures the ambience of the era by capturing not only the acts performing on stage, but the audience's exuberance and the backstage scene in wonderful photography by Amalie R. Rothschild. I'd highly recommend this book to all music lovers, like myself, who have an appreciation for the music of Jimi Hendrix, Janis, The Who, The Grateful Dead (many great pictures of the band on stage), Miles Davis, etc.
A special portion of the book is dedicated to the light shows that were so valuable in those days in highlighting the music as it was being performed. If you ever attended a show at the Fillmore East, this book is a must! If you know the reputation of Bill Graham and the Fillmore East and never attended a show there: this book is a must also! Great forward by Mickey Hart and great text by the author. Buy this book and treasure it for the testament of a great, historical era in music.

This is one of the best Christian devotional books I have ever read. It is unique in its presentation of events in the life of Christ and the author's spiritual insights certainly draw one closer to God. I gave a copy to my pastor and he recommended it to fellow pastors, as well as friends and family.
Gert McIntosh

I find this devotional to be so touching and thought-provoking. I have purchased one for my husband, daughter, and two friends. I only wish I had bought more. In relation to the scripture, Mr. Gire ties Moments with the Savior into every day life and hin doing so this book helps me to know how to pray more effectively about different matters in my own life and in others for whom I pray. It is very insightful and highly recommended!

I have received more graces through this book than any other in my library. Ken Gire knows how to make the Bible come alive in very real, truistic ways. A definite +++

By far my favorite devotional book. Gire, through his gift of story-telling, brings to life the characters and situations of those Christ touched in his time here on earth. The prayers that end each chapter help me examine myself and fix my eyes on Jesus. This book is wonderful for those who only know the name of Jesus and seasoned Christians alike.

On seeing other interesting reviews, I briefly need to quote Ken Gire in his exceedingly well-written glimpses! 1) An Insightful Moment of the Fields: "He lies there so meekly...Coming to us in the weakest of ways. He placed himself at the mercy of creation, at the mercy of a census, at the mercy of us mortals, even at the mercy of animals." After being immersed in sacrifice, I find An Intense Moment in the Desert: "The desert is where we face the strongest and most seductive temptations in life...where the enemy is most formidable, and where we are most vulnerable."

Ken uses descriptive adjectives so artistically. He seems truely sincere, never boring. With the Insightful Moment at Nazareth, he creatively expounds upon Jesus reading the Prophet Isaiah in the Synagogue.

"Nazareth was Jesus' hometown. (Just in case my first readers may not know the fact) Nazareth's obscurity is surpassed only by its austerity." With few words he sparks my imagination!

Two more dramatic moments compelled my total attention: Gire's
Intimate Moments With Peter and Insightful Moments of Character, focused upon the Beatitudes! Describing his Fishing with the disciples, Gire writes: "Above them hover squawking fluries of herons, cranes, and cormorants waiting to dart in and steal away what they can of the catch." (To any salt-water fisherman that cuts it deeply)

Finally, An Insightful Moment of Character: "The Crowds were comprised largely of outsiders. Hardly pillars of the community.
What did they hear in His voice when he preached? What did they see in His Face?" Then his answer comes in outline form: "He was poor in spirit...He mourned...He was meek...He hungered and He thirsted for righteousness."

"If the world persecuted Him; What would it do to His followers? Similiar thots are included in his most Intense Moment about the Mountain-top, with more creative embroidery. Poor in spirit, mournful, meekness, hunger for rightousness... being merciful, being pure in heart, also a peacemaker." What a wondrous way to end my Commentary...Awesomely full of Intimate, Instructive Moments with Jesus! Retired Chaplain Fred W Hood

Mark Nanos leads the reader through the historical context in which Romans written with substance undergirding his thesis. His historical and pastoral exegesis does not detract from the spiritual guidance Paul was communicating to the Romans, but amplifies it. He skillfully addresses dissimiliar scholarly orthodoxy with reason and facts. This is a thoughtful and flowing work that holds the reader's interest to the end. For those interested in additional information that seems to support Nanos' conclusions read The Christians and the Roman Empire by Marta Sordi, and The Rise of Christianity by Rodney Stark.

Nanos pulls from the history, the culture, the Greek language, and even the archaeology to bring a "fresh" interpretation of a mysterious book to our time. In doing so, he comes closer to putting us into the minds of Jewish Christians living in the 40s, 50s than most commentators.

Nanos' thesis is that Paul is rebuking Gentile Christians for being arrogant about their grace-oriented lifestyle, and that the weak and the strong in Romans aren't Jewish Christians and Gentile Christians (as interpreted for, goodness, 1900+ years?), rather non-Christian Jews and Jewish/Gentile Christians. The Christians are the "strong" because they rely on God's grace, the Jews "weak" because they rely on the law. However, the term "weak" is not necessarily prejorative. In fact, Nanos states that the weak are stumbling *because* of the arrogance of the strong regarding violating the Law. The Christians are chastized in the letter, not exalted, and the Christians are asked to be more "Jewish", or at least, Noachidic.

The Jews are still considered brethren, the calling of God is irrevocable, the seed of Abraham is the branch which sustains the Church, and "all Israel will be saved" (pas Israel sothesetai). Nanos backs all this up. This is a challenge to 'Replacement Theologians,' as Replacementers rely on this letter for much of their arguments.

I also found Nanos' comments on the Shema and its role in the Gospel enlightening.

Nanos is unequalled in his ability to write and back up his thoughts with proof. He has a twist in this book, from a Jewish perspective, he attempts to show how Paul is writing to Jews and Romans to consider one another as brothers, to emphasize toleration.

Nanos' thesis is that Paul was writing a correction to both, neither should think more of themselves than what they should. It was not the Jews who thought too much of themselves, it was he Romans who were thinking they were more than just simple Christians. His reference to Romans 9 is very insightful.

It is a difficult read, written mostly to a more educated audience, however, it is a good tool for anyone who has a desire to understand the depth of scripture from a Jewish perspective.

If only all christians would remember that the early church was originally all Jewish until the conversion of the Samaritans. The core of Paul's work was done in synagogues and Jews were among the converts throughout Europe and Asia Minor.

Nanos goes a long way to reveal a much needed dialog between Christian and Jew. Christian roots, Jewish ideas, a need for understanding.

That's it--simple--one of the best 10 books on Paul of the last 5 years.

This was the most stimulating book on Paul's epistle to the Romans that I have ever read. It challenged my thinking and shifted my paradigm.

Essentially, Nanos argues that the 'weak' in Romans are not Christian Jews, but rather Jews who have not yet believed in Christ. With this in mind, Nanos interprets the entire epistle as a sustained plea to gentile Christians not to cause offense to Jews, but rather to live in such a way as to cause them no stumbling block to believing in Jesus as the Christ.

There were some elements on Nanos' theory which I found unconvinving. For example, his critique of Luther's view is somewhat overstated, though some criticisms are warranted. Also, Nanos' treatment of the governing officials from Rom 13 being synagogue officials seems a little too narrow. His treatment of the Claudius Edict is also unconvincing. In my opinion, Paul is writing to the gentiles for them to take not a 'hands-off' approach towards Jews, but rather a 'hands-on' evangelistic approach.

One feature of the presentation I thoroughly disliked was the amount of argumentation which appeared in the footnotes. I could not see why most of Nanos' arguments in the footnotes could not have been put into the body of the work. Footnotes should, in my opinion, be reserved for referencing and short peripheral statements. On occasion, Nanos' footnotes take over in arguing his case.

Nevertheless, Nanos' work is highly thought-provoking and well-worth a read. You will not be disappointed by reading this book closely. I did and it altered my outlook on Romans (for the better, I believe).

The funds for cultural revolution rest in the coffers of a bankrupt society. That's not to say that change is meaningless. Raoul Vaneigem believes - along with the rest of the troupe from THE SITUATIONIST INTERNATIONAL - that if change comes from within the very culture being critiqued, then the only way to effect change is to change the way culture affects.

UNDERNEATH THE PAVING STONES - THE BEACH!

Urban renewel and changing the economic goal posts cannot prevent the inevitable exploding of the plastic society. Sometime. When the world becomes its own refuse the voices of refusal will echo down time until it pins the world against its own refusal.

If madness is the only remedy against the insanity of our contracting world, then THE REVOLUTION OF EVERYDAY LIFE might be a good guide. Its truth will speak to anyone whose heart is passionate, whose soul is strong, and whose mind is as yet still taciturn; it will help them express the homily:

I TAKE MY DESIRES FOR REALITY BECAUSE I BELIEVE IN THE REALITY OF MY DESIRES.

I concur wholeheartedly that this is momentous writing:
one that is even now more critical and urgent than 40 years ago, when it was first published.

Each page offers words-thoughts that ricochet long after their initial bang! Here's a sample:

+ to work for delight and authenticity is barely distinguishable from preparing for a general insurrection.

+ the surest chances of liberation lie in what is most familiar. Was it ever otherwise?...
the living reality of non-adaptation to the world is always crouched ready to spring...
it confronts you at each self-evasion, it grasps your shoulder, catches your eye, and the dialogue begins...

+ docility is no longer ensured by priestly magic, it results from a mass of minor hypnoses...
ideological hypnosis is replacing the bayonet.

+ people who talk about revolution without referring explicitly to everyday life,
without understanding what is subversive about love and what is positive in the refusal of constrains,
--such have a corpse in their mouth.

+ if the word 'innovation' means anything it means transcendence, not camouflage.

+ consume, consume: we take ashes for fire.

+ the young are already old and everything we are building is already a ruin.

+ the obligation to produce alienates the passion for creation.

+ affluent survival entails the pauperisation of life.

+ the dictatorship of quantified exchange (market value) colonized everyday life... the bourgeoisie traded in BEING for HAVING.

+ the fight is unfair. words serve power better than they do men...
at this moment language swoops down on living experience, ties it hand and foot, robs it of its substance, ABSTRACTS it.

+ the system of commercial exchange has come to govern all of people's everyday relations with themselves and with their fellows.
every aspect of public and private life is dominated by the quantitative.

+ ideology still has one trick up its sleeve--that of posing false questions,
raising false dilemmas and leaving the conditioned individual with the worry of sorting out which is the truer of the two.

+ even when it is co-opted and turned against its original purposes, poetry always gets what it wants in the end...
no poetic sign is ever completely turned by ideology.

+ the long revolution means that we have to build a parallel society
which can counter the dominant system until such time as it is strong enough to replace it.

+ the fight for language is the fight for the freedom to love, for the reversal of perspective.
the battle is between metaphysical facts and the reality of facts:
i mean between facts conceived statically as part of a system of interpretation of the world
and the facts understood in their development by the praxis which transform them.

And on and on the explosive phrases go, injecting heavy doses of adrenaline into our resolve.

Even though I take exception to Vaneigem's advocacy of violent resistance,
his book comes the closest to diagnosing the cause of our present narcosis and, even better,
grounds the revolutionary turning on the rich dirt of everyday life.

How could we ever think it would be otherwise?

This book, along with Debord's "Society of the Spectacle", forms the core of the theoretical output of the Situationist Movement which emphasized the necessity of spontaneous, joyous creative activity to overcome the alienation and oppression of mass consumer culture, giving inspiration to the youthful insurrectionists of Paris '68.

The book is peppered with witty, canny, and memorable aphorisms on revolutionary struggle, and its emphasis on spontaneous activity motivated by felt needs for freedom and self-expression was at the time an important corrective to the Stalinist model of the revolutionary as selfless, altruistic drone. Vaneigem and the situationists go overboard at times in emphasizing the revolutionary value of selfishness, pleasure and spontaneity-- the shortcomings of 1968 are the proof. These shortcomings have been stretched to the point of parody in Hakim Bey's "Temporary Autonomous Zone" and the writings of the Crimethinc collective, but there are important elements of truth in them.

The presentation of the ideas is hobbled by Vaneigem's writing style-- you have to slog through 5 pages of bloated abstractions before coming across one of the keen one-liners that make the book worthwhile-- I think the ideas come across much more powerfully as street graffiti than in a 200 page manifesto. For a more palatable presentation of situationist ideas, check out American situationist Ken Knabb's wonderful piece "The Joy Of Revolution", available online or in his book Public Secrets: Collected Skirmishes of Ken Knabb.

No Amazon review can really do this masterpiece justice. This is simply one of those classics that will sweep you away, leaving you stunned that someone was able to so precisely articulate the mechanical alienation from self and palpable inner decay that you feel daily as you sit in your cubicle (wash, rinse, repeat) and mimic the farcical motions assigned to humans in modern industrial civilization--a hierarchical vaccum in which "survival" is contingent upon our economic value, obedience to Power and our ability to force others to either consume or produce. The dominance of the lie of economic value has poisoned every area of our lives and left us defunct as human beings, most notably stealing from us the innate urge to spontaneously create and give.

Vaneigem attacks the dead, vacuous nature of modern life with all of the venomous intensity conceivable. He does not misuse or mince words. Each sentence is filled to the brim with harsh truth, the sheer brute force of which will take your breath away.

[...].
I recommend at least printing it out to fully revel and enjoy the intensity, though!

This is one of the most viscerally exciting political / philosophical books in history. You can't help but be swept up by the force of Vaneigem's appeals... and though one may not assent to all of his positions or specific interpretations, all in all you will have to say that he had managed to tap into something very true.

read it, ponder it... and get out and live. you have nothing to lose but your boredom.

I read Kazantzakis absorbing and compelling verse novel over a two-month period, rich and crazy as a Christmas fruit cake, and only to be nibbled in small doses. This is a deeply flawed work of consumate art; flawed, because it expresses a weltangshaung and philosophical stance utterly at odds with the complexities and values of the human spirit which it still succeeds in celebrating in verse of passion, intensity and beauty. Flawed, because it defines the human spirit in terms of the unsubtle, extroverted, violence of masculinity at its most obnoxious, a Nietzschean ubermensch driven to sweep through the human mind like a panzer division; flawed because it present a vision of utter and self-serving solipsism.

But of consumate art in that within those paramaters it creates, with a richness and intensity rarely encountered in modern literature, a detailed, elaborate and sensory world of image, passion and experience; and in positioning the human spirit dancing at the edge of the abyss, in celebrating the defining moments and relationships of life, it ultimately triumphs over its own weakness.

Its stages of the soul's evolution, its imagery and its passionate invocation of the sun link it with the old warrior-cult of Mithras; and while the leopards, elephants, drunkards and maenads seem at first more of Dionysos, the elegance and elegaic elements also link the work with the Greek Apollo, and the discipline of an exact and exacting verse.

Essential to an understanding of the twentieth century vision - and also to an understanding of what made so many of us passionately feminist.

A long, long time ago, I read this book and it changed the way I read literature. Kazantzakis' book goes beyond writing - it is a vivid exploration of the flame that consumes man. To go back to reading the frivolous so-called literature of today almost seems pointless. I am just thankful that Kazantzakis left us with such a rich body of work to read. The libraries were full of his books twenty years ago, but today I rarely find them on any shelf. To those of us who were lucky enough to discover him early, we know that he is the best kept secret of the twentieth century.

This is the best book I have ever read. Granted, I have read it in greek but still, there is no match. Homer would have loved his hero over again.

I read this in a period of weeks while homeless in a city, each day I would return to the library and read another huge section,never missing a day...the incredible prolixity and repetition, far from being burdensome, were like great rolling waves of majesty and freedom upon which I floated until the last cantos, surely one of the greatest climaxes in all world literature, brought me to rest and peace as Odysseus was united with Christ, and sailed off through the ice. And then I knew that for the rest of my life I would be as free as Odysseus had showed me how to be in this work. How's that?

This is the best book I have ever read. Granted, I have read it in greek but still, there is no match. Homer would have loved his hero over again.

I am the mother of 3, and I cook EVERYTHING from scratch. I like the spiral binding. The book is sturdy and the pages stay open. There is a lot of advice in the beginning of the book but I did not find the advice helpful because I've already "been there, done that" and figured it out on my own by making mistakes. The advice may be very helpful to a new mother -- would make a great gift. As far as the recipes go, some are great (Mediterranean Chicken, which is adapted from The Silver Palate) and some are not. There are a lot of short cuts and adaptations from other cook books, which is kind of unoriginal. Some of the recipes I don't get -- there's one for stir fry chicken which consists of buying veggies, chicken and bottled sauce (why buy a cookbook when the recipe is on the back of the veggies package?). And, some of the recipes are not for kids -- my kids wouldn't touch the food. Although this book is good for the one-armed cook, I think that the recipes in my Gourmet (5 Ingredients), Bon Appetit (Keep It Simple, Everynight Cooking), and Rachael Ray books are just as easy and great.

I received this cookbook as a birthday gift over a year ago and it is - by far - the best, most useful cookbook I've ever owned. I was a decent cook (definitely not a chef!) but, over the past year, this book has elevated tremendously my ability to provide delicious meals for my family. My husband even publicly commented about this recently at a party we were attending! I knew I liked the recipes, but I didn't realize that he had noticed so much!

The recipes are wonderful, delicious, and easy to prepare, and even the non-recipe chapters are full of useful information (such as how to stock your pantry). I can't recommend this book highly enough!

I have raved about this cookbook to my friends. I have several cookbooks but the recipes in this one are actually for meals the children WILL eat! Yay!!!! :) The meals are easy to prepare, simple and delicious! I especially love the sections on planning simple get togethers (with specific menus all spelled out) and the slow cooking section. I use this book several times a week and have to say I finally have more selection for what to make for dinner and I'm enjoying the variety too. BUY IT!

I bought this book not for a new mother but for a busy mom, I would buy this book again without hesitation for baby showers in the future.

I have given this book to several new Moms. The recipes are tasty and easy to make (I have a copy myself). This book makes a great and unique baby shower gift. It's always well received.