N Books

This marvelous coffee table book has been sitting on my shelf far too long. Visually witty, engaging and just plain fun to look at Jesse Kalisher's pictures from around the world finds Buddha in various shapes. It's colorful and the only complaint I have is that I would have liked to have a bit more text discussing the circumstances of the photos, where they were, when, what inspired Kalisher to take and pick the particulary pictures he uses in this book.

The sixteen page introduction is witty,intelligent and I could have used more of it throughout the book. While I'm visually driven I also am text driven--words are important to me, their meaning and how we use language since it shapes as much about how we see the world as what we see. Jeff Greenwald's text would have been perfect to illuminate these things in brief chapters discussing each section of plates.

Regardless this is a terrific book and those that enjoy coffee table books that actually LOOK at the pictures and become lost in the details will enjoy the variety of photos included in this book from throughout the world. My apologies to Chronicle Books for taking so long to review this.

There is a sense in which the book 'If You Find the Buddha' is a sort of 'where's Waldo?' hunt. Sometimes the images of the Buddha are very prominent; sometimes they are almost imperceptible. Sometimes there are several Buddhas; sometimes there is only one, and even then, just in shadow. Some Buddhas are large; some are small. Some are in intentionally religious or holy settings; some are in everyday positions, such as above a diner's cash register. Even more ironically, the image of the Buddha can be found on the tag of a rifle-toting soldier, or in rows of figurines, each bearing their own price tag.

As the writer comments, the figure of the Buddha is ubiquitous in many parts of the world, and not uncommon in other parts of the world. East and West alike have a share in the presence of the Buddha in this collection, and peoples of all races and conditions of life are shown in relationship here. Perhaps the most surprising element is the touch of the common and the ordinary - in much the same way that pictures or figurines of Jesus or the Last Supper or various saints might adorn the homes, the Buddha similarly is incorporated almost unconsciously into the everyday life and work of people. It becomes part of license plates, nametags, lawn ornaments, golf equipment, and more.

There is a foreword provided by Jeff Greenwald, an author of several books perhaps best known for his travel writing. There is also a brief essay by Jesse Kalisher, who writes of his transformation from a person who lived inside of set boxes (offices, car, apartment, television) to someone enlightened enough to seek the whole world. He recounts his encounter with a Buddhist monk, Pat Panom, with whom he shared his interest in this project, and how his life had come to this point.

This is not a religious text - well, not a religious text per se. It is not a manual of Buddhism, with exegesis, systematic interpretation, description and such. In some ways, however, it is a great expression of Buddhism - I am reminded of a sermon of the Buddha which consisted simply of him holding up a flower. If a picture can speak a thousand words, and open up a thousand worlds, then this book is indeed a religious text, albeit not in traditional Western sense.

The photographs are stunning in quality and composition, all the more remarkable for being 'typical' and 'mundane' subject matter in many cases. The collection as a whole places the pictures in an interesting context that makes for enlightening and enjoyable reading.

I'm not really qualified to evaluate the quality of photography in this or any other book. When I sit down and try to review a book of photography such as this, I basically ask two questions: can I see what the photographs are supposed to be showing me, and is there a concept that ties all of them together? If You Find the Buddha makes it rather easy for me in this regard: obviously, there is some representation of Buddha to be found in each photograph, and the whole point of the book seems to be an inspirational one, as it's a veritable signpost helping point readers in the direction of their own individual paths toward enlightenment and a sense of purpose in life.

Jeff Greenwald's Foreword and photographer Jesse Kalisher's introduction are no less enlightening than the photographs themselves. In comparatively few words, they give the reader a good feel for who Buddha is and what he represents, while also tearing down some of the veil of misunderstanding that separates many Western minds from this traditionally Asian way of life. I feel rather stupid to even admit it, but I had always assumed that Buddhists worship Buddha - they do not, for Buddha was a supremely enlightened soul but never a god. He even forbade his followers from making any images of his likeness - a fact which is somewhat ironic, giving the ubiquity of Buddhist statues and icons all over the world today (Greenwald explains how this came to be). Another little insight I picked up here has to do with individual reactions to different religious icons. Seeing an image of Jesus turn up unexpectedly doesn't exactly put you at your ease; for a Christian, such a sighting is the equivalent of a "straighten up and fly right" moment. In contrast to this, the Buddha normally engenders a calming influence on just about everyone. Even as a Christian, I feel a sense of reverence (which is not the same as worship) and otherworldliness when I see a Buddha statue. I believe that is the very thing that rests in the heart of this book.

The gorgeous photographs that make up the bulk of this book are impressively diverse, capturing images of the Buddha in all shapes and forms. If you're like me, you tend to think of Buddha only in terms of the large golden statues typically found at holy sites, but this book shows us that Buddha is basically everywhere. Many of Kalisher's photographs do come from Buddhist shrines in several Asian countries, but the most arresting inclusions capture images of normal life in America as well as Asia. For example, you'll find the Buddha in an impressive sand castle, in yard ornaments, in small statues sure to draw tourists' eyes, on dashboards, in clothing patterns, and even in a Thai sex market. Having spent the best years of my life in Chapel Hill, I was especially interested in a significant number of photographs from that city (now the photographer's home) and some of its neighbors. A few of the photographs did prove to be a challenge of sorts to me (Where's Buddha?), but that actually just encouraged me to pay more studious attention to them than I probably would have otherwise.

Certainly, If You Find the Buddha gave me a better appreciation for Buddha and the type of thinking he represents. I suppose many a reader will see the title of this book and ask: what does happen if you find the Buddha? That is something you have to answer for yourself (and this book only starts you on such a spiritual path), but I think most individuals will definitely take away something of value from Kalisher's photographs.

This small, oblong book hides a lot of treasure. Jesse Kalisher, who grew up on the Upper East Side of New York City, traveled to Viet Nam and photographed street scenes that show the image of the Buddha from the sacred setting to the profane. From a tattoo artist engraving an arm to a glitteringly gold temple, the Buddha image, familiar as Uncle Sam or a crucifix, is shown in startling settings.

The photography is good "journalistic" style, and it's a great look at life in Viet Nam. I've spent quite a bit of time in Southeast Asia and I was very nostalgic paging through the book. But if you dwell on each photo for its own content and not its postcard quality, a message seeps out.

Kalisher's work has been on exhibit at the Field Museum as wel as residing in permanent collections of other museums across the US. I think he has a lot to say in his photos.

Perfect gift book for a yoga devotee or a person influenced by Asian philosophy and culture. Highly recommended.

A delightful collection of images from the lands where Buddha's philosophy is part of daily life. Kalisher has a good eye for content. His images range from the intimate close-up to a distant perspective where the viewer must pause to probe the surroundings to perceive the item of interest. The item may be a tiny statue or graphic representation. Sometimes it seems wholly out of place. That, however, only demonstrates how important the Buddha is to the society. While it may not dominate, it is always present. The reality of the Buddha in these societies and the photographs are intimately matched. Kalisher has the ability to capture them with charm and grace. That he shares them with us is almost a personal favour.

We are given more than a hundred images of the Buddha. They may be giant close-ups in a temple, or centred in a wide-angle view in a restaurant. One watches over some elderly men at a game, while another is a medallion set in stark contrast to a soldier's bayonet-bearing rifle. Sitting on a high shelf, the Buddha keeps guard in an apothecary's shop. Still another helps a guitarist find his muse as he practices. What is significant about this wide variety of settings is that in none is the Buddha disjointed or disconnected .

Even the format of this collection is proper for the subject. While in the West we've become suffused with "coffee-table" books that present us outsized images, this collection is set in an appropriate framework. Kalisher's images and Greenwald's text may be slipped into a purse or briefcase for easy retrieval. The large books are designed to overwhelm our attention. This book follows the theme of that what the Buddha teaches must be sought. It cannot be forced or implanted in our minds. Only one flaw can be attributed to this collection. Designed for a Western market, the identification list at the back of the book might have included more descriptive material. The locations are gratifying, but the circumstances would be informative. [stephen a. haines - Ottawa, Canada]

Hi:
This book is a very helpful guide for someone trying to start and understand a complex language such as Java. This book introduces us little by little to the confusing web of Java structures, procedures, objects, instances, classes...
Besides, it explains how to use some data structures and arrays, sometimes with very complex but understandable excercises that makes the reader produce a clear mind for Java's complex procedures.
The bad part is that is does not dig into Java graphical interface. Being this a very complex part of Java itself, the book does not tell us how to make panels, menus and many other features that are needed for simple graphical programs. Although it explains something about graphical structures, the explanations are not very good and sometimes you will have to look for another source to understand how it works.

I am not a programmer nor do I wish to become one. My interest in computers is driven by what they can and cannot do. My interest in Java springs from the many books based on Java that teach interesting things such as artificial intellenge, problem solving etc. So my view is based on what I learned how to do, not on if this is the best book for a coder.

Perhaps it would be best to state what this book is not first. It is not a complete guide to Java. There are many topics this book does not address at all such as swing. The Dietel book is denser and has many more details than does this one and might be more appropriate for a pure coder.

This is a book for beginners to Java. It does a great job of giving one a feeling for the language without bogging one's mind in all the gory details. It also did a good job of capturing my imagination as how to use the language to model things I am interested in. For me, this is superior to the Dietel book.

Another point worth mentioning is the speed this book can be read. I had no problem working through 1 to 2 chapters each evening. This ease of reading is do to three factors; good organization, good writing ability, and the focus on the main themes of the language.

Someone looking for a solid overview of Java would do well to buy this book. A hard core coder that is beginning with Java could use this book as a quick suppliment to the more detailed manual they are using.

As a knowledge of C would also be useful to me, I plan to purchase the author's book on that subject as well.

Let me start of by saying, if you want to learn Java to add it to your resume, do not use this book. This book is very very weak on Java graphics programming, which you will need to know. I would suggest a book that would help you pass the Sun programmer, or developer test. This book is intended as a textbook for an intorductory college class in computer science.

This book is great for learning Java as a college, or high-school student. I am using this book for AP Computer science. This book covers all of the topics, except for recursion. The author starts out with talking about what most people need to know about computers. He gets into programming by chapter two, and classes by chapter three. He explains classes very well, but you might need some help. Classes are much more well explained than in Java 2 for Dummies.

All in all this book is very good, even though I couln't get to know that much about GUI, or graphics programming. If you want to know about applets(this book focuses on applications) just read Appendix A. If you want a good approach to Java, than buy this book.

I've read this book cover to cover, and I think it is an excellent way to start programming in java. I think it is a wonderful introduction, my only gripes are that the new GUI interface, Swing, is not covered, only the older AWT. Also, this book is very weak on graphics programming, he never even explains how to incorperate java graphics into programs! He basically writes it off by saying its too complicated.

I came to this book with almost no programming experience but good analytical abilities. I wanted to learn the equivalent of what is covered by a CS1 course, and this book fit my needs exactly. This book is an interesting read, clearly introduces topics, and avoids unnecessary wordiness. The exercises and programming projects are thorough. There are always one or two more lengthy projects included in each chapter for those who want the challenge. I used this book to learn Java on my own, and I found myself eager to open it each day. I agree that there is no coverage of Swing, but there are other books devoted to that topic which one could move on to. I highly recommend this for those who are new to object-oriented programming and want their first taste of what this field is about.

I was looking for a book that would help me strengthen and tone my muscles. Help me get a routine going that I can stick with. As I've gotten older I have lost a lot of muscle mass and I feel it's important to gain most of that back. Now that I'm alone I need to be able to take care of myself and do for myself. I believe this book will do the trick. It has helped Montel Williams out as this woman is his personal trainer.

This book is easy to understand with quick simple workouts that really get your body working out. I never thought I could get my heart rate up with such simple work outs but I really did on this one! I often worry that I'll hurt myself doing exercises the wrong way but she's good at pointing out what to watch for to make sure you're doing it right. The exercises are short and easy to do before work or while dinner's in the oven. And I can adjust the number of reps I do to make sure I have that sore great work out feeling the next morning! Hope you all enjoy it!

I have used the Lean, Long and Strong book on and off for three years now. After having twins in Jan 2005 I was determined to get back in shape, this book was given to me as a gift. The work outs are easy enough to build on and hard enough to challenge you. Her eating advise is practical and easy. Even though I have been doing it for three years I am still challenged everytime. I am in the best shape of my life, I am about the same size I was in high school and I recommend this book to any woman who is wondering where to start with strength training. I have to be honest, I am not comfortable using the strenght training equipment at a gym and I don't think I ever will be. Lean, Long and Strong is a quick, flexible program that really works! It helped me get rid of my "mommy" butt and gave me some shape back there.

I purchased this book for the purpose of getting back into shape after having baby #2. I was very active during both my pregnancies, so just needed something to 'tweak' myself back into pre-pregnancy form. This book absolutely served that purpose. For someone with limited time and resources (I don't have time to go to the gym, but have a few essential items at home), it's perfect. After a consistent training with this book, coupled with cardio, I lost my last 5 pounds in just a few short weeks. And my muscle definition is back! However, if you're looking for something more 'challenging' or if you have significant weight to lose, I suggest you hire a trainer.

I have been very impressed with this book. The strength training only takes 15 minutes a day and you can do it at home with only an exercise mat, exercise ball and 2 free weights. There is no excuse not to do it when you can do it at home in 15 minutes. She incorporates stretching with the weight-lifting - so you feel better afterwards. I would recommend this book to men and women. My husband has also found the workouts helpful.

It is a very good book, but I am a bit skeptical of some of the content

Unlike most prison stories which chronicle the lives of men caught in the system, Life on the Outside, sketches the life of Elaine Bartlett, a mother of four and victim of the Rockefeller Drug Laws. Jennifer Gonnerman, a Village Voice staff writer, draws an amazing picture of the hardships and suffering women face when they try to weave their way back into society after a long prison term without any training or support. Unmatched by any other book, Life on the Outside will give readers a glimpse of the multi-generational effect prison terms have on families.

I feel as though I've now had an intimate look at life in the ghetto. This story of Elaine Bartlett is written with honesty and has no happy ending. It is a story of Rockefeller's ridiculous drug laws and the impact they had on one family. If you're looking for justice, you won't find it here. Elaine and her family have had lives of struggle, poverty, anger, crime, prison, drug addiction, etc. Not pretty. It is a book every American should read. It is my hope (and I didn't see any mention of this in the book) that the author, Jennifer Gonnerman, has given a percentage of the profits from this book to Elaine Bartlett. Without her, there would be no story. I want to thank Jennifer Gonnerman for writing this book. I hope Elaine has decorated her apartment and has some extra money stashed away in a safe place.

An important book. Several years ago, I read a lengthy rave review about this book in "The New York Times" and bought it. It's about "breaking the cycle" of imprisonment and poverty in families. At a time when governments do little other than epitomize Benjamin Franklin's definition of insanity ("doing the same thing over and over and expecting different results") this book makes clear why we should tell stakeholders to go to hell and do something other than Nixon-Bush's "tough on crime," "punish don't rehabilitate," etc. Buy it five copies at a time, read it, and pass it on (please)!!

I was outraged that a first time offense could land this mother in prison for 15 to life is that justice No matter fact Hell to the No. Are drugs bad in the community well of course Yes. Although what she did was wrong by carrying those drugs to Albany she and her children should not have had to suffer sixteen years without her even five years would have been stiff but sufficient. I read one reviewer state that she was committing welfare fraud by working under the table and a host of other things anyway. But different people look at things differently you see I was born where Elaine was born and when our mothers went out and worked under the table it was called survival. When young white teens are allowed to work under the table it is called "teaching them responsibility" People kill me how they are so ready to judge. Anyway I once again will reiterate that in no way do I agree with her carrying any drugs because my mother was addicted to drugs which royally screwed up my family BUT before anyone judges Elaine let's look at this a young mother with four children working on the side is very vunerable to be lured into the situation she was lured into by George Deets. And to think good people allowed this to happen and are still allowing this to happen cause' why is Nathan still sitting in prison for four ounces worth of cocaine.
To the Author I applaud you for writing Elaine's story with DIGNITY.

Monty is an insecure rat, insecure because he and his family live in a sewer and create works of art, which is frowned on by the higher class society of wharf rats. Additionally he shares his name with his Uncle Moony, a drunken creator of decorated rings, which shames him because of the derision of the other rats. An interest in the pretty Isabel and a crisis helps him to overcome his insecurity and his shame. I bought this book because I'd just acquired 2 pet rats, and ended up hooked on Tor Seidler. He truly cares about his characters, and while the stories are for children, they aren't childish. Adults with a little imagination will enjoy his animal stories as much as the kids do.

I read this when I was at a friend's house with nothing else to read (it took me an hour or two; I suspect it would take a child a bit more time). It is a cute, amusing book- definitely a nice present for children above the age of, say, 7 or 8. I had no problems suspending disbelief in the talking rats; however, I have to admit I did have trouble suspending disbelief in the rat/human interrelationships (e.g. humans being smart enough to realize the rats were bribing them when they saw large amounts of money intermingled with the remains of poisoned rats).

? Montague Mad-Rat is a young rodent with a strange family: his mother dyes bird feathers with berry juices and creates fanciful hats; his father is working on his hundred-and-seventh mud castle; and his aunt travels the world on cruise ships. His namesake uncle crafts tiny gold rings that he sells to humans. Montague has his own craft: painting exquisite miniatures on tiny shells his aunt brings him. His real adventures begin when he meets and falls in love with the rich and beautiful Isabel Moberly-Rat, whose friends and family are wharf rats who look down upon rats like Montague who make things with their paws. Montague gets involved with a campaign to save the wharf rats from extermination by a new property owner, and comes to appreciate his family and himself for who they are.

This book is absolutely charming. The setting-Central Park, Columbus Circle, and the New York docks-is just right. Seidler has managed to make his rat story romantic, funny, suspenseful, and insightful in its observations of class snobbery.

One element that serves to make this book so successful is Seidler's playful use of language to maintain the fantasy element and to help draw character. The world of the novel is always seen from the rats' point of view. For instance, when the lovely Isabel Moberly-Rat is caught in a rainstorm, she mutters "Oh, people" under her breath, rather than "Oh, rats." The rats don't go for a walk; they go for a "creep." They attend a gathering called the "Great Rat Chat," which is the "backbone of a democratsy," attended by cabinet ministers who are great helpers of "ratkind." When the haughty young Randal Reese-Rat gets a spot of poison on his tail, his parents call in a "general ratitioner." These are just a few of the numerous examples throughout the text. They serve to maintain the illusion that the rat world has its own society, yet one that is eerily reminiscent of our human world. Mrs. Moberly-Rat is a terrible snob, as are most of her fellow wharf rats living in fancy high-rise crates. She is struggling with her weight, and does "petal arrangements" to keep her mind off cheese. However, every time we see her she is eating or serving a different variety, from blue to Swiss to Gruyere. She looks down upon the Mad-Rats because they make things with their paws, marry their cousins, do business with people, and worst of all, live in "S-E-W-E-R-S." Her husband, Hugh Moberly-Rat, has a fancy office with a gilt-edged dictionary for a desk and silver foil gum wrapper wallpaper. Seidler does a clever thing with the speeches that Hugh makes: he repeats every thought in different words, making him even more long-winded than most human politicians. Thus, "How so, you ask," is followed immediately by, "Why, you want to know?" Sometimes he does it in single sentences: " For more deaths, I fear, lurk in the near future-await us in the coming days." It's really quite a comical effect, and is typical of the artificial language that many politicians use in public-and is not the way Hugh speaks in private, either.

All in all, A Rat's Tale is a lovely book that works on several levels, from the story of an unlikely hero to commentary on class prejudice. The black-and-white illustrations are a charming complement to the text. One can't help agreeing with Newsday's comment: "A Rat's Tale may well do for rats what Charlotte's Web has done for spiders."

I just adore this book. I am a massive rat lover and have 8 rats...and this book is a pleasant and innocent page turner...

You will love it!

A Rat's Tale is about a young rat named Montague Mad-Rat, or Monty. He lives a boring, solitary existence in the sewers of New York City. His family is almost considered a bunch of criminals, as they've broken almost every major rule of society, like making things with their own paws. Rats should scavenge for things they need, not make them. But nevertheless, his mother makes hats out of feathers, and his father makes sand castles. Neither of them have much time for him. He is very lonely and bored. The only things he has to do is gather feathers and berries for his mother's hats, and paint the seashells his aunt brings him. Then, one day, he meets the girl of his dreams! Her name is Isabella. She is the daughter of the governor of the rats, and she lives in old abandoned Wharf 62, where only the rats of the highest-class live. He can't stop thinking about her! Then he realizes that a rich, sophisticated girl like her could never love a sewer rat like him.
Meanwhile, the humans want to poison the wharves. The rats had stopped them every year by finding loose change and anonomysly offering it to the owner of the wharves. Every year they had collected $10,000. And every year, it had been enough. but this year it wasn't. So their leader (Isabella's Father) decides that they need to double the Rat-Rent (as they call it). But there's no way they can gather $20,000 worth of pennies, dimes and nickels! Then, Monty figures out a way to impress Isabella. He thought the shells his aunt had brought him might be of some value. After all, everyone said they were great. So he brings the shells to Isabella's father. He says they are great, but they need money, not shells. Dismayed, Monty tells Isabella's father to keep the shells. Isabella gets a90=hold of them, and at first she just hangs the shells on her bedroom wall. But then she has a great idea. her mother told her that Montague Mad-Rat (Monty's uncle whom he was named after) was infamous for doing the unthinkable--dealing with humans (it's like making things with your own paws). He, like Monty is also an artist. He decorates rings and sells them to an art dealer. Isabella decides to team up with him to sell the shells. She knows that dealing with humans is a huge disgrace, but she'll do anything to save her beloved wharves. Together, they are able to get $20,000!
Monty is hailed a hero! His little shells saved the wharves! Monty finally got everything he wanted. He saved the wharves, he's a hero, and Isabella finally likes him. Then the worst happens. What is that? You'll just have to read the book for yourself.
Monty significantly changes. He becomes much braver and he learns to do his best and try his hardest, even when things look hopeless.
This is a great book, and I recommend it to anyone age 9 and up.

This was a cool book about the watch fixing mouse, Hermux Tantamoq! It is the second in a series about him, but it's just as good as the first book(which doesn't happen very much)and I loved it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

It all starts when Mirrin Stentrill, puts on an artshow in the museum. When Mirrin was blind, she saw many visions and so when she recovered from her blindness, she decides to paint pictures of what she saw when she was blind. But it turns out that the pictures she paints are cats- a word no one likes to use in the city of mice and rodents. Then along comes Birch Tentintrotter, an old chipmunk, a friend of Hermux's father. He tells a secret to Hermux; a secret no one knows about, and about a map he had found in a library years ago. Birch believes that cats really did exist. To prove that, Hermux, Birch, and their friend, Linka Perflinger, set off on a journey to the Kingdom of Cats. On their journey, Hermux and his friends uncover the evidence that cats once had mice as slaves. Now, Hermux doesn't know if he's doing the right thing to find the whole truth about them.
Michael Hoeye describes all his characters and the scene very carefully and really well. I like the way he gives a personality to a character and he sticks with it. He doesn't mix Hermux and Mirrin's personality together. It's just Hermux. And it's just Mirrin.
I really enjoyed this book because of the great journey that Hermux and his friends went on. It was so exciting and I really loved how Michael Hoeye made me want to keep reading more and more!

If you like mice or anything small you will love this book. If you read Time Stops for No Mouse it is related to this book. A new chipmunks arrives.The things that are intresting about him is he has a missing ear and a rusty-colored cordury jacket. He is so intrested in cats that he wants to find a library. I am not going to spoil the adventure for you. So the only thing i have to say to you is READ IT.

Hermux Tantamoq, a distinguished mouse who lives in the heavily populated city of Pinchester, is sailing through life day in and day out, in his watchmaking shop, until one day, an old, weather worn chipmunk missing an ear stops by, says his name is Birch Tentintrotter, and he would like to speak to Mr. Tantamoq seinor. Hermux's father had passed away five months ago, and no friend of his from college would look like that old wreck!
Meanwhile, Hermux's friend Mirrin Stentril's first art show is causing tremendous uproar. She's been painting CATS!!! Everyone (the hamsters, mice, ferrets, squirrels etc.) knows they're not real, right? Well Hermux, Birch and aviatrix Linka Perflinger are out to prove those art critics wrong!
Michael Hoeye combines detail, vocabulary and suspense in this stunning sequel to Time Stops For No Mouse, proving never to overlook history, even if you are afraid.

Watchmaker-extraordinaire and resident cheese lover, Hermux Tantamoq, is in for the surprise of his life, when his good friend, Mirrin Stentrill, reveals the scandalous work being featured in her new art show: cats! After all, mice don't want to hear about cats, even if they never actually existed, and the entire town of Pinchester is up in arms over the showing. Then a long lost stranger known as Birch Tentintrotter, a chipmunk, visits Hermux and lets him in on a very important secret: cats DID exist, and Birch has the facts to prove it. So, on a split second decision, Birch, Hermux, and he lovely aviatrix, Linka Perflinger, set out to the desert to find the lost Kingdom of Cats. While there, Hermux learns many new things about the history of mice, things different than what he was taught as a child, and he begins wondering whether it is really necessary to bring these truths forward.

As a fan of the first Hermux Tantamoq novel, TIME STOPS FOR NO MOUSE, I knew that I had to check out Michael Hoeye's latest contribution to the series, THE SANDS OF TIME, and I was not at all disappointed. Young Hermux is as adorable as ever, in his quest to find out about the lost civilization known as cats; and his sidekicks, both new and old, are perfect. The wonderful story that has been crafted will delight readers of all ages, and keep them begging for more Tantamoq. A must have!

Erika Sorocco
Book Review Columnist for The Community Bugle Newspaper

Great travel writing, great food writing, great photographs. I never tire of reading this cookbook. The authors stories are endlessly entertaining. We cook a lot from this book, Rice Congee, and Thai Fried Rice are 2 of the standby meals my family never grows tired of.

This was one of those cookbooks that I glanced through at the bookstore, liked it, put down and then went on my way yet it never left my mind. I've found when I do that I might as well buy the thing the next time around. So I did and I was not disappointed.

As others have said its part cookbook, part travelouge organized by geography. I found this to be an interesting combination. I bought the thing for the reciepies but find myself enjoying the travelouges while search through it for my next meal. I don't know, it just seems like you get more out of the dish that way.

At the beginning of the book it tells a good chunk about history, cultivation, physiology and processing of rice. This was quite informative. Things like the advantages and disadvantages of hulled vs unhulled rice and rinsing rice before cooking. No perfect solution, just valuable information based on your needs.

The receipies are of course the meat of the book. When I first opened it up I figured it would be 300 ways to prepare rice or something like that. Far from it. Many (say half or more) of the dishes are not rice dishes at all but meals or snacks that you would eat with rice. So while it does have some rice specific dishes its really more of a cookbook that samples dishes from around the world. A good chunk of them are winners, far higher hit rate than I see in most cookbooks.

The receipeis themselves tend to be easy to moderate in complexity. Having its international focus does call for some ingredients that you just wont find at your local chain grocery store. There are some good mail order sources in the back for some of the more shelf stable items. For items that need to be fresh they often suggest substitutes.

Its a great book, I really recommend it and its on my short list of go to books when I ask myself "What do I want to cook for dinner"

The paperback version/publisher's closeout of this book has grainy black and white photos. From other reviews, I gather that the hardback version has stunning color photos. The same great recipes and travelogue are in both books. (I personally wish I had spent more for the book with the better photos.)

One word - AWESOME!!! If that's not enough of a review for you..here goes. This book will take hold of you by your collar and won't let you go till you've finished the last page....and not only that but this book will affect the way you think about rice...even if rice is a staple at your house and you feel like you know everything there is to know about it!
I read this book for 4 hours last night...and couldn't tear myself away from it. The depiction of countries and their people is so true and so touching, you'll feel like visiting those places.
Being an Indian myself, I could see all the recipes featured under the Indian section are 100% authentic...trust me on it. I'm sure the same goes for all the other countries too...do buy this book if you love rice.
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This book is a combination of excellent travel narratives, photo-essays, and recipes. Most delicious are the fried rice recipes and the dipping sauces. Definitely a pleasure to peruse and also to utilize for simple dinner recipes with complex and authentic flavors. Some of the ingredients are difficult to find in typical grocery stores, but may be found in tiny international markets. A must for lovers of Chinese, Japanese, and Indian cuisines.

I read this wonderful book as a young man back in the sixties and I have just ordered a new version to recapture its wonderful moments

But I also saw the film version many years ago.

No I would be wery exited if anyone could lead me to a DVD or VHS version of the film

How gratifying to read the other reviews, and to learn that others have also experienced and loved this book at different times in their lives. The remarkable thing about it is how Dr. Munthe speaks to us in different ways at different ages. As a teenager, I was impressed by the passions, even though a lot of the details were above my head. In my late twenties, the way he tried to balance career and his love for San Michele was very meaningful. As a 44-year-old, I was impressed (and saddened) with the loneliness of Dr. Munthe's struggle, with really only his animals for company. While he speaks of friends, he shares little about them. And nothing about a lasting romantic involvement.

We all have our San Micheles. They may not be homes, but they are ideals toward which we strive. But for me, it exists only in my mind. Dr. Munthe was in some ways very lucky, yet also cursed, to be able to bring it to life.

The only frustrating aspect of "San Michele" is that it is, as its author notes, a fragment. I am interested to learn more of this fascinating man. Does anyone know if any biographies are in print, or in English? Thank you.

I came to this strange and wonderful book without the slightest inkling of what it was about -- simply because it was in the recommended reading for many guidebooks about Italy. First and foremost, it is an autobiography of a great physician and animal lover who just happened to spend some years of his life on Capri.

Autobiographies can make for strange reading, especially when there are obvious omissions. Although Axel Munthe frequently accuses himself of being a ladies' man, there is no mention of any love interest by name or even generic description. (That reminds me of film director Josef von Sternberg's FUN IN A CHINESE LAUNDRY, where we learn in passing that the author was married because of a cryptic mention in a subordinate clause 300 pages into the book.) Also missing is any mention of Munthe's childhood, although I understand there is at least one other autobiography written by him (MEMORIES AND VAGARIES), which I have not read.

There is, however, one section that does not appear in any autobiography that I have ever seen: An anticipation of Munthe's Last Judgment in Heaven following his death, with St. Peter, Moses, Athanasius, and St. Francis joining in the discussion.

STORY OF SAN MICHELE ranges from Paris to Lapland, Rome, Naples, Calabria, and Capri. We see duels, medical cases of wealthy women with imaginary diseases, demonic housekeepers, quacks, midwives, prostitutes, victims of cholera and earthquakes, brigands, shamans, and even an alcoholic ape. Munthe is a magnificent raconteur, and his book is a joy to read and reread.

How can one write a review of The Story of San Michele that comes close to doing justice to the book? There are many humorous episodes, such as The Giant and Mamsell Agata, touches of the macabre in the description of the cholera epidemic in Naples, misadventures, like the journey to Sweden accompanying a young man (then his corpse). There are also angry moments, as when his dog Tom is brutally kicked by the slimy Vicomte Maurice. Who could not be moved by the story of the boy John, who was rescued by Munthe but never lived long enough to find a loving home. It is a book that includes many memorable events in a life that was very full indeed. Many of the chapters in this book could be made into marvelous films, given the right adaptation.

The Story of San Michele is very well written, to say the least, and the many people, events and personal feelings of the author combine to make this a special adventure. Perhaps most special of all is Axel Munthe's relationship to animals that allowed him to get close, even to "wild" animals and have a special relationship with them. He was a man who held nature and all life in special regard but was pragmatic in the face of illness and death.

I have had a copy since 1988 and I have given Axel Munthe's book as a gift and been thanked for the introduction. I could not recommend this book highly enough.

My father had mentioned this book to me as a teenager. I read portions of it then, but have always wanted to read it in full. Finally, I found a paperback edition and found an absorbing and thought stimulating book. Dr. Munthe's care of the sick, his love of animals and the characters he describes, all will stay in my memory. This is not a book that you read once. I plan to read it again and again. Hopefully I will be able to visit Villa St. Michele some day and see the beauty of the place that he saw. I hope to find a bound edition with the photographs.

First saw these photos on a trip to Stockholm. Huge photo posters were on display in a park and this book along with the photographer's other books, posters and postcards were for sale. We've all seen photos of animals before but these are quite "up close and personal." There is a "Wow" factor with what he has captured -- whether it be an action shot of wildebeest and zebra hurriedly crossing a river or a panda up in the tree to get a better look. This is not a book you'll look at once but time and time again.

Steve Bloom is by far one of the best animal photographers! The pictures he captures are incredible. Untamed is a great/huge collection of awesome pictures. The pictures and pages in the book are all high quality. Well worth the money.

This is an absolutely gorgeous book, oversized and chock full of awesome photographs of all sorts of creatures. Bloom works in the wild, from a distance and close up enough to devote a full page to an elephant's eyelid. He works in Antartica, in the Amazon, in Africa, Asia, all across the world, with herds of animals and with singles, young, old, and in between. Some of the photos are panoramas, with 2 pages opening towards the middle to full effect.

I first saw the book displayed on a table in an interiors store, and fell in love with it, came home and ordered from Amazon to save $$$. Now it's on the table in *my* living room. Eventually I will give it to my son to go through and share with my now-4-year-old grandson.

Saw the exhibition of these photos in Copenhagen and had to have the book. A must have for animal lovers. A genius at capturing the essence of animal life.

Steve Bloom has taken pictoral essays to new heights. In September 2007, a stroke of Irish luck led me to his exhibition in Dublin, Ireland. I spent a mesmerizing hour wandering St. Stephen's Green Park admiring his outstanding mini-billboard sized photographs and felt cheated when I ran out of time. So I bought the book, it sits on my coffee table, and I enjoy it day after day. Untamed is not a collection of animal photos. Instead, Steve gives us a greater understanding of the beast through a series of incredible exposures. Anyone who enjoys wildlife and excellent photography must own this book. It would make an excellent gift for those who share a passion for the wildlife that is vanishing before our eyes.

This book, like Stephen Flynn's "Edge of Disaster" succinctly dissects the problems we face in warding off terrorism at home and exposes our vulnerabilities. They are large - ports, shipping, energy infrastructure, chemical plants, food processing facilities, for openers.
Flynn describes the problem only too well,

At the root of the problem is the Department of Homeland Security's secrecy, lack of internal coordination, turf battles, and incompatabile data base systems. Equally problematic is the complacency of the AMerican people, who are being shielded from the realities by a patronizing government.

Flynn ascribes the current situation to be comparable to the "phony war" between the time of the nazi attack in Poland in 1939, and the invasion and capitulation of France in the SPring of 1940 because of failure to consider, plan and consider new battlefield tactics. In short, the French (and also the British, were using WOrld War I tactics to fight new German panzer tactics. The parallels of today's attitudes and the last days of the Roman EMpire also are, indeed, chilling.

The government is not the only culprit that lulls our citizens into complacency. In my personal opinion, the news media does not help with its focus on the trivial, a hiding of coverage of the war on terror, and seldom reviewing the vulnerabilities Flynn covers so well and rallying our citizenry to the realities of what's at stake.

The solutions?: Active involvement of citizens; Active involvement of government with relevant private industry; open communicatioan with all relevant players in state and local government; making infrastructure sufficiently resilient that terrorists no longer find a potential target attractive.

WHat is needed, and implied, is a revival of an approach pioneered by NASA in the early 1960's when they had to establish operational paradigms and procedures for which there was no precedent. It's called 'conceptual blockbusting'. FLynn's book will help us get there, if everyone reads it.

Flynn quotes Abraham Lincoln concerning new paradigms:

"The dogmas of the quiet past are inadequate for the stormy present. The occasion is piled high with uncertainty, and we must rise to the occasion. As our case is new, so we must think anew, and act anew. We must disenthrall ourselves, and then we shall save our country."

It's as relevant now in the war on terro as it was in 1962.

BUY this book, and buy extra copies for your loved ones and closest friends.

That is how one of the chapters starts. It's a matter of when the next terrorist attack will happen, not if it will happen, according to the author, Stephen Flynn.

With absolute simplicity, common sense logic, and an irrefutable argument, he demonstrates how and why our government is failing to protect us from the terrorist threat. Industry and government are not willing to take the time and the money required to provide greater security for a war on terrorism that will never end.

Our water and food supplies, our chemical plants, and our ports are alrmingly unsecure from terrorist attack. Flynn creates a terrorist scenario demonstrating how the terrorist threat can become reality. He asserts our enemies are willing to spend the time to create the act of terror, while we are not willing to spend the time defending ourselves to foil it.

He blames industries which see no benefit in spending the money on security which will be passed on to their consumers, while non-security minded companies will maintain lower prices and take business away from the security-conscious ones.

This means that congress must act. It must set security standards that will be implemented across each industry thus spreading the cost to everyone. So far, congress, not wanting to offend their million dollar contributors have done nothing. Flynn also suggests that Americans must be willing to make the sacrifices necessary for this security.

We are operating on a World War II mentality i.e. the best defense is a good offense by taking the fight to their countries. That is not what Flynn recommends. Terrorists will always be able to get into this country. We must strengthen our security at home which will take years of dedicated preparation and action.

The author's book is a siren song. The beginning of his fourth chapter bears repeating as a end to this review. "When it comes to dealing with the new security agenda, Americans need to grow up....Terrorism is simply too cheap, too available, and too tempting ever to be totally eradicated. We must have the maturity both to live with the risk of future attacks and to invest in reasonable measures to rein in that risk."

For those who use the argument that we haven't been attacked since 9/11, remember, it took five years of planning. 9/11 is now more than five years ago. Truly, American apathy and complacency are the terrorists' greatest allies.

This book is a must read for anyone interested in the short comings of our Homeland Security Department. I initially bought the book after thumbing through it and finding a section on the lack of security with our cargo containers, a specific worry of mine.

This book not only breaks down where we are vulnerable, it explains why and offers workable solutions as to how to reduce this vulnerability. The book is a bit frightening in a way, when you read and realize how vulnerable we really are, even after 6 years of security measures. Why isn't more being done? What are the government officials covering up?

What makes this book hit like a sledgehammer is the credentials of the author. He was a Coast Guard Commander for 20 years, an expert in National Security Studies at the Council on Foreign Relations. He has been on Congressional Task forces studying the problems in homeland security as well as serving in the White House Military Office during President George H. Bush administration and director for Global Issues on the National Security Council during the Administration of President Bill Clinton. Stephen Flynn is obviously an expert on this issue and his words should be given their due weight.

Bottom line, insightful, a bit frightening, definitely a book to read if you like current events or really want to know how safe we actually are.

This book focuses practically entirely on the vulnerabilities of the American homeland, and offers some suggestions that could begin to lay the foundation for protecting those vulnerabilities. The book does not talk about the war on terror in the terms of the offensive operations such as Iraq, Afghanistan, intelligence matters, and targeted killings of Al-Qaeda at all.

The author's cogent argument rests on the concept of defense in depth. In addition to offensive operations to route out the terrorists, we also need to make our homeland less susceptible to successful attack and more resilient to the aftermath of the inevitable one that slips through the net.

The homeland is defined not just as American territory, but extends to include the global commercial, transportation, trading, and financial networks that are central to our way of life and our economy. This represents a rich field of targets for terrorists, with successful attacks being able to ripple through the networks and cause continuing and ongoing damage. Flynn opens his book with a scenario of an attack on shipping containers, and transportation links with radiological devices. The hypothetical comes off as very plausible and sobering.

The remainder of the book talks about what the major vulnerabilities of America are, such as chemical plants, food distribution, overextended medical systems via biological or chemical attacks, etc. He shows that we currently lack the capabilities, organizational structure, and practices to adequately secure these vulnerabilities.

He provides what are really "glimpses" of possible solutions to these problems, including RFID tracking of cargo containers and food shipments with embedded WMD sensors, government security standards for critical and hazardous infrastructure (nuke plants, water treatment facility chlorine gad tanks, etc.) continuing reorganization at the federal, state and local level to focus on security, insurance measures, and a particularly innovative concept to enlist private company participation patterned after the Federal Reserve system.

However at the length of this short and easily readable (if not pleasently readable) book Flynn cannot go into detail. The cost and time of implementing such systems are not gone into in a satisfactory manner, but that's not the point of the book.

The point of the book is that the government needs to do more to protect our homefront. Flynn convincingly makes his case, and provides reasonable guidelines about how to improve upon the situation.

A good read for American citizens who want to ensure that we are doing the best we can to protect our civilization.

This is a clearly written, well reasoned book on how to provide real security for the U.S. homeland. To his credit, its author Stephan Flynn wastes no time either in partisan bashing of the current administration or in dissecting the many faults of the Department of Homeland Security. Rather he immediately shares his analysis of why domestic security in the U.S .is such an elusive goal. In the course of a number of chapters he builds a pretty strong case that in spite of all the talk, the U.S. is just as vulnerable to terrorist attacks as it was in 2000 before the 9/11 catastrophe. Flynn provides some specific examples what these vulnerabilities are and is especially effective in his analysis of shipping port vulnerabilities as a result of the exponential growth of containerized shipping. He also provides what appears to be a sensible and more importantly doable plan to actually reduce our vulnerabilities to terrorist attacks. He is an advocate of applying that long held business concept of `risk management' to the practice of homeland security. Like Richard Posner (Preventing Surprise Attacks - amazon.com) he points out the impossibility of making the U.S. completely immune to any terrorist threat and argues that it makes far better sense to rationally and logically identify which potential targets in the U.S. would cause the most loss of life and economic or social disruption if attacked and build a dynamic and multilayered defensive system to protect those targets.

Of course, Flynn is a former Coast Guard officer so his prescriptions for protecting America are practical not theoretical. Having spent twenty years protecting U.S. interests in our coastal waters, his thought on how to protect this country is based on a realistic understanding of the threats we face and a knowledge of what actually can be done to mitigate those threats. It is a shame that the Department of Homeland Security has not seen fit to follow his example.