A. Merritt Books

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.

It is the turn of the twentieth century and science promises to explain many of the wonders of the world. Walter T. Goodwin is an eminent scientist who has just finished a field study of the flora of the volcanic islands of the South Pacific. At Port Moresby, in Papua New Guinea, he boards a ship headed for Melbourne, in Australia. From there he intends to travel further to his home in New York. Having boarded the ship he finds to his surprise that his old friend Dr. David Throckmartin is also a passenger. But Throckmartin seems strangely distant and changed. His face wears an expression of both extreme ecstasy and horror weirdly co-existing. Throckmartin tells Goodwin that he has discovered the ruins of an extremely ancient city on an island of the coast of Papua. In these ruins he discovered a strange door, which led to an underground pool. From this pool, during the rising of the full moon, an apparently supernatural creature emerges. This creature steals away people, turning them into zombie like creatures who then disappear underground never to be seen again. Throckmartin's wife Edith has been taken as well as two other members of the scientific party. Throckmatin, however, has a plan to travel to Melbourne, collect some necessary scientific equipment and return to the 'moon pool' to rescue his wife. All this of course seems too much to believe, but then the 'creature', the "Dweller", arrives and steals away Throckmartin before Goodwin's very eyes. Goodwin decides the only thing he can do is to try to compete Throckmartin's rescue plan.

Just about everything in this story is given a 'scientific' explanation by Goodwin, the die-hard-rationalist narrator of the tale. The story is thus technically science fiction, however, these 'explanations', at least to the modern reader's mind, seem so thin that the tale in fact has the feel of fantasy. Merritt seems particularly taken with the then new field of nuclear physics and this gives the story interesting depth. Merritt is aware of the possibility of nuclear science promising great benefit, but also great harm. The luminous "Dweller" is thus a predecessor of Godzilla, the radioactive movie monster that destroyed Tokyo, though Merritt, of course, wrote well before the bombs of Hiroshima and Nagasaki were dropped.

Of course this book, like all others, takes its place in the history of literature and owes some of its details to earlier novels. The phosphorescent walls of an underground kingdom is highly reminiscent of Jules Verne's Journey to the Center of the Earth (Unabridged Classics) (1864). The discovery of a lost civilization which is ruled by a totally amoral, iron willed woman is straight from Rider Haggard's She (Oxford World's Classics) (1887).

I must warn that this is not an easy book to read because of the complex writing style. Merritt uses long and winding sentences that are difficult to keep track of. I found myself sometimes going back and rereading what I had just read to understand it. Also Merritt at times uses a super-profusion of adjectives, most of which are little used in common language. I at first ran to the dictionary, but soon gave up, letting the worlds roll over me in a strange, hypnotic, half-understood, poetic spell that added to the weird atmosphere of the book.

I don't mean to be overcritical of the book. is in fact a rip-roaring read full of high adventure. Merritt certainly manages to keep you turning the pages. The ending is great, keeping you on the edge to the last page. No anticlimaxes here.