Works Books

I purchased this four volume set when I was studying Greek at Denver Seminary, back in 1989 as it was highly recommend by my Greek professor. I used it quite a bit during seminary and even after that in my personal Bible studies, and more so when I started working on my Analytical-Literal Translation of the New Testament: Third Edition (ALT).

The arrangement of this set is by English not Greek words. But the fourth volume provides an index to where the discussion on Greek words can be found.

For each entry, the English word is given in bold, then the basic Greek word in a box. Then variant forms of the Greek word are given and synonymous Greek words, each with an English equivalent. Then the main article begins with a discussion of the use of the word(s) in classical literature. Then there's a discussion of the usages of the word(s) in the LXX translation of the Hebrew, OT, often indicating what Hebrew word the LXX was translating, and finally is the discussion of the usage on the NT.

So lots of information is presented, and if you read through the entire article for a word, you will definitely gain full knowledge of the history and usage of the word. However, the thoroughness of this set can sometimes be a drawback. It is just too much information and takes too long to read through. Most of the time when studying a word, you don't need that much background, so standard lexicons, like the ones on the BibleWorks 7 software program, provide sufficient info.

But that said, I am glad I purchased this set when I did. I didn't refer to it that often in my translation work, but on the occasions that I did, it helped to clarify how to translate a particular word.

For instance, some claim that "porneia" only refers to prostitution. The article in volume one of this set explains that this was originally the sense of the word. However, by the time of Christ, "porneia" referred to any kind of sexual intercourse outside of a Biblically lawful marriage (pp. 497-501). As such, I rendered this as word as "sexual sin" with the alternative translation of "fornication." I explain in more detail the reasons for these renderings in the Glossary contained in the Companion Volume to the Analytical-Literal Translation: Third Edition. The information for that glossary entry was mainly taken from the article in this set.

This set is also helpful when working on articles for my Web site. And it would be helpful in sermon preparation.

All that said, this volume is rather expensive. So only get it if you really think you will need in-depth word studies for transition work, sermon preparation, and the like. Less expensive lexicons and software programs will provide sufficient information for less serious Bible studies.

`New International Dictionary of New Testament Theology' edited in its English translation from the German by Colin Brown, is the most useful DICTIONARY on this subject I have found over the last two years of teaching Bible study. It is a true dictionary, with a primary focus on Greek etymology in classical Greek literature (Homer, Hesiod, playwrights, Plato, Aristotle, historians), the Greek translations of the Old Testament, and the New Testament, with distinctions made between Synoptic, Pauline, and other uses of the same term.
Before acquiring this work, I wrestled with `Theological Dictionary of the New Testament', edited in German and completed around 1933 by Gerhard Kittel, and translated into English by Geoffrey W. Bromiley, which has 10 huge volumes filled with a wealth of information, except that everything is organized by original Greek terms, and my reading of Greek is simply not up to snuff yet. So, while I have never been disappointed by this resource, it is simply too clumsy to use for the quick check on a meaning.
Brown's translation, on the other hand is marvelously organized by English words, with a transliteration of the Greek into English characters, followed by the original Greek script. Super, when the term you want is one of the major terms. A fly enters the ointment when the term you want is secondary to a more common word. I ran into this situation when I tried to look up `mute' (kophos) which my annotated Bibles told me could bean both deaf and dumb. Well, there was simply nothing there in volume 2 (G - Pre) under `mute'. By this means, I discovered the great value of Volume 4, the `Indexes'. `mute' was here in abundance, with the primary entry (within the entry for `dumb') highlighted, and I was merrily on my way.
I discovered an even greater value to this work when I looked up `hypocrisy', to help me understand the use of the word in Luke (who happens to use if far less frequently than Matthew). A recent lecture on Matthew stated that `hypocrisy' didn't mean the same to the ancients as it does to us. I did not entirely trust this observation. As I stated above, this Dictionary gives at least three different interpretations of words, one for classical Greek, one for Old Testament (LXX) Greek, and one for New Testament Greek. Well, classical Greek did mean an actor or explainer of narrative in dramas who may have performed with a mask. But usage in the Synoptics is virtually identical to our modern meaning. Even better, Luke's quote of Jesus may even been a metaphor using both meanings, one who explains as well as one who does not believe what they preach.
I was even more pleased with the book when it confirmed an interpretation I had of Luke's use of `yeast', which disagreed with the notes in my study bible. Brown, et. al. even went so far as to point out the common mis-interpretation of `yeast' in this context.
You may be using `Vines Complete Expository Dictionary', which puts everything in a single volume and is keyed to Strong's concordances. I've used Vines often, but I also often find this book light on interpretations in all parts of scripture. Vines is good, but this set of four smallish volumes is better for quick, but discriminating reference. Of course, it also has all the usual scholarly doo-dads, which are great, but not as important as the sound, discerning interpretations.

We are very pleased with the service and product. There were a few glitches but were cleared up immediately. I am very happy with the service. Thank's to all involved

A must for any bible study. As Greek has been transliterated there is really no need to even know the original language. The articles are AMAZING!!! AMEN!!!

The transliteration of the Greek is the only draw-back to this work as personally I prefer the Greek terms and in the Greek word order.Allow me to explain why. I do not use the NIV, though I know it to be a trustworthy translation, thus I tend to come directly from the Greek text to this. Thus I usually find the term, I am searching, in the transliterated indexed 4th volume. So if this was in the Greek word order and untransliterated it would prove easier. But enough of my crying! It IS WORTHY TO BE PURCHASED!

I also supplement this set with 'Theological Lexicon of The New Testament' by Ceslas Spicq, which tends to develop words the NIDNNT and Kittle have omitted. The TLNT is in the Greek word order and untransliterated, so it may feel odd to some who are not yet aquainted with the Greek.

Without question purchase the NIDNNT prior to the TLNT by Spicq as you will gain far more use from it.

soli deo gloria

I hate to be the only one not giving this a 5 (but four means it's great). [NOTE: My rating was accidentally registered as a five] Others have already highlighted how great this is. In many respects, it is superior to Kittel's Theological Dictionary of the New Testament (10 volumes). I've owned my set since 1980, when it was three volumes (the current fourth volume is an index). I can't give it five stars because 1) organizing by English words is very difficult and annoying for those of us who can look it up in Greek word order, like all the other Greek resources (20 minutes learning the Greek alphabet is all it would take for someone who doesn't read Greek). 2) Like so many other works geared to both those who read Greek and those who don't, it uses transliteration in the articles. I think that's the ONLY thing I like better about Kittel's - no transliteration! 3) This is not cost-effective compared to the absolutely outstanding and inexpensive "abridged" version of this set (see more below).

I've used DNTT for years. I always come away from reading articles quite edified. It's a tremendous resource. It's so good I overlook it's organizational faults.

However, consider the following:

Zondervan quietly put out an abridged version of this. Nothing important is missing! See my review of the New International Dictionary of New Testament Theology - Abridged Edition here on Amazon for more details. That is only $23, while this four volume set is $93. That uses the odd English based organizing system, the abridged is easier to use and all words are listed in Greek word order. They crammed the information into one volume by shrinking the type (still plenty big), moving to a double column format, and making the book taller and deeper than the original size. Read more about it at my review.

If you are considering this set, you may want to consider the abridged instead. When I've used the abridged, I never feel cheated because they kept all the relevant stuff! I have all the major theological dictionaries of the NT (TDNT, DNTT, Exegetical Dictionary of the NT, and Spicq's TNLT) and I use them routinely. I'm telling you that the Abridged version of this is not a kiddie version. It's the real thing. It's the best kept secret in scholarly resources for the NT! Don't feel like you're slighting yourself by getting the abridged, you're not. Now the abridged Kittel's, by contrast, is a different story. That was a serious abridgement and a serious compromise of the original. I sold that on eBay. I retain and use the original.

A great supplement to this set (or the abridged version) is Spicq's Theological Lexicon of the New Testament. See my review of that. It is far more theologically refreshing and insightful than either this set or TDNT (EDNT is the most bland, but it has its strengths).

May God bless you in your pursuit of a greater understanding of Holy Scripture.

Very pleased with the condition and the Book. If you are a Believer in Jesus Christ and you want to study the "Incarnation" this is the book.

As a new convert from a totally different background, it seemed that all the modern books have been written with the assumption that people have some vague understanding of the logic of Christianity or are willing to not ask or simply just don't wonder. There were many "but WHY?" and "but HOW?" questions I've only found answered here.

First, the introduction by C. S. Lewis is alone worth the price of this short work. Lewis argues that these works by the early church fathers are far easier to read than the commentaries of the works of the fathers. He also argues that we need to read at least one out of three books out of our century. He doesn't use the phrase "chronological snobbery," but the argument is the same. We need to read perspectives of other cultures and ages to help keep ourselves from falling into the errors of the present age.

Second, the book is not terribly difficult to read. The book is short and well organized. Some of the passages take rereadings, but the arguments for the most part are fairly straight forward and accessible. Meditating on what God did through the incarnation, the reasons for the incarnation, and its impact on our lives and history as a whole can not be a bad thing.

This is one of those classic books that seems daunting precisly for being a classic. Banish such fears: it was written for the edification of a very recent convert and by someone who was good at putting profound truth clearly and simply. It is excellent, short, fun, edifying, educational and extremely relevant in these days when we continue to be corporately confused about the work of Christ on the cross.

I can't do better than quote C. S. Lewis in the introduction:

"The student is half afraid to meet one of the great philosophers face to face. He feels himself inadequate and thinks he will not understand him. But if he only knew, the great man, just because of his greatness, is much more intelligible than his modern commentator. The simplest student will be able to understand, if not all, yet a very great deal of what Plato said; but hardly anyone can understand some modern books on Platonism. It has always therefore been one of my main endeavours as a teacher to persuade the young that firsthand knowledge is not only more worth acquiring than secondhand knowledge, but is usually much easier and more delightful to acquire.
This mistaken preference for the modern books and this shyness of the old ones is nowhere more rampant than in theology. Wherever you find a little study circle of Christian laity you can be almost certain that they are studying not St. Luke or St. Paul or St. Augustine or Thomas Aquinas or Hooker or Butler, but M. Berdyaev or M. Maritain or M. Niebuhr or Miss Sayers or even myself." [Cited today from http://www.spurgeon.org/~phil/history/ath-inc.htm#ch_0 ]

As has been said, this book is fantastic. Everything good that you learn about God's becoming a man originates in this book. Would be nice if the translation was a little more fluid. Unfortunately, this is probably the best translation you'll find, for now.

The book Origin of Illness is wonderful. I'm almost finished with it and I was amazed of how much I could relate to some
of the things in the book. It's an easy read and you get into quickly. It's amazing how true it is and makes you think!

If you want to know what is DESTROYING your life, what is BEHIND your illness, depression, unhappyness and so on, you OUGHT to READ this book! This book will help you to better understand problems in several areas of your own life and in the lives of others. It will give you many answers through plenty clinical examples of analysis and explanation of how everyone of us make use of the so well described destructive force in our lives and how we can deal with it in a very practical way.
If you want to IMPROVE your HEALTH and living quality , you OUGHT to read this book!

In writing The Origin Of Illness Dr. Norberto Keppe has offered to the world a hithereto unperceived solution to the problems of Man.

In a very thin volume Dr Keppe explains the absolute root of all collective and individual malaise whether it be psychological, social or physical.

Origin of Illness offers to the reader an appreciation of the insidious effects in all our lives of the phenomenon of Envy, an attitude prevailing almost universally which is nothing but a useless refusal of all that is good and beautiful and worthy in our lives and in the lives of others.

Don't underestimate Envy, for Envy ITSELF is total underestimation; a tragedy in waiting for all who suffer it.

Dr Keppe explains the mechanics of Envy itself explaining that it is an attitude of denial and as such is not directly perceived save by its effects. Dr Keppe continues in his exposition to explain that so abominable are the effects of Envy in our own consciousness that we seek constantly to erase all awareness of them, even projecting them onto others so that we may feel 'free from stain'.

Dr Keppe clearly elaborates how consciousness is not as 'negotiable' as we think and that we cannot, as we believe avoid the effects in our lives of what we don't wish to perceive. In fact to believe that awareness can be negotiated is ENVY itself.

The Glory of this little book is the unveiling of the fact that our very resistance to consciousness of the effects of our Envy is the source of all our illnesses.

As the book explains, Envy can be the reason we do not 'get' the message of the book. Knowing this we are forced to admit that any uneasiness we feel about the content is affirming the content itself.

This Work is Dr Keppe's compassionate gift to all of us. It is a life changing book, a book which will answer many previously paradoxical conundrums in the lives of those who read it.

A thin book this may be---and Envy will lead us to believe that it contains a thin message, while a careful and humble attention to the contents will even save lives.

The Origin of Illness was well written and because of the constant interpolation of snippets of analysis session dialogue more interesting than Glorification, Dr. Keppe's other book.
The most striking thing about Analytical Trilogy is that its basis is clearly a secularized version of Catholic Theology. A.T.'s essence is Keppe's broad definition of "Envy", a dead ringer for the Catholic doctrine of Original Sin. ( I say the Catholic doctrine because, while the Protestant Reformers also taught Original Sin, their definition was quite different.) In fact, Dr. Keppe twice in the book uses the term original sin in connection with Envy.

The alalogy hold up quite well with A.T.'s "consciousness" equivalent to Catholic "conscience", the is, the ability to distinguish good from evil.

Although strictly speaking the analogy ends there, but one can't help but see the Keppean psychoanalyst as a replacement for the priest in the confessional.

Also, one wonders where all the needed pschooanalysts the world needs are to come from.

Keppe clearly sees A.T. as the only solution to the problem of envy and inversion with the accompanying problems of delusional projection.

The low pointof the book can be found on pages 94-95 where Keppe gratutitously offers an unsupported and, in my view,unsupportable, attach on the crusades, the 1991 Iraq (incorrectly called Iran) War, and Clinton's denunciation of Brazilian child labor. I suggest this attack has more to do with Dr. Keppe's own feelings about authority figures (in this case the popes and presidents) than any psychopathology of the accused. Projection?

The A.T. system itself because of its fundamentally moral views strikes me a more acceptable approach to Christians in need of psychoanalysis than traditional Freudian approaches. The book itself does a good job of explaining why.

This book is fundamental reading for anyone who desires a deeper awareness of himself and others and especially the world in which we live. It is also basic reading for a better understanding of the unique and innovative work of the renowned psychoanalyst, philosopher and social scientist, Dr. Norberto R. Keppe.

In "The Origin of Illness" Keppe describes the three stages that lead us all to these conflicts and difficulties, and how through consciousness of this vicious circle we can improve our lives, our relationships and society. The author gives many practical examples, which we all can relate to, including excerpts from a number of his client's analysis sessions.

The first part of the book deals with the fundamental human problem, which is envy. This deep and hidden envy which is in everyone, to a greater or lesser degree, makes us blind to all that is good and beautiful in life, and consequently hinders or even destroys, all opportunity for development and progress.

The second part of the book addresses our fear of perceiving and dealing with our shortcomings. Keppe explains that the problem isn't having a problem, but in not seeing the problem. And this is our dilemma: how can we solve our problems when we do not admit that they exist?

The final section of the book deals with projection, which is the process of seeing all of our own problems or qualities in other people and things. Because of our enormous resistance to self-knowledge, we turn our eyes to the external world in an attempt to ignore our internal psychological life. Instead of seeing that the cause of the dissatisfaction is inside of me, for example, I blame my partner, my parents, my workmates, the city in which I live, etc. Projection is the cause of human conflicts, and the end result is that we to lose contact with reality and ourselves.

This book gives a whole new expansive perspective of the psychopathology of the human being and the civilization we have built. It provides answers to the question of why we experience so little true happiness in our lives and why we destroy the good in ourselves, each other and life in general.

The Oxford Companion is a must-have shelf reference for anyone intending to seriously study the Second World War. As with many encyclopedias, this means that the amateur or buff will use the entries themselves, and the expert will use the bibliography and suggestions for further reading. It is, at least at this moment, quite reasonably priced for such a serious work of reference, and I likely would not have bought it otherwise. The only drawback is that in changing over to the current edition, the editors seem to have removed the full-color maps that used to be placed at the end of the volume. I do not remember enough of those maps to tell if they are now among the black and white maps placed throughout the body of the work; I do know that the color maps were one of the highlights of the old edition and are much missed by this reviewer.

the Oxford Companion to World War II is very complete and simple to use for poeple who study the WW2, he contains a hundred maps, stats and chronological fact, englobing the totality of the allies or the axes. he's the best way to find all the information you'll need.

I have both the current and first edition of this book (in hardcover). As far as I can tell, the new edition is only shorter because it uses a smaller typeface, allowing several more words per line.

However, the new edition is also a bit easier to read despite the smaller size, because the new edition uses a glossy paper and the text seems more sharply defined on the page. This is particularly noticeable in the text of the maps, which I have struggled to read in the first edition, but seem clearer in the new edition.

As an aside, I agree with the general view that this is the single best reference book on World War II. I can't really tell what is changed in the new edition, although it may just be minor corrections, since the several longer articles I have compared seem identical.

This is a wonderful one volume encyclopedia of WWII, covering all fronts, participants, and major events. This outstanding work is an absolute must have for any serious student of World War II in my opinion. More than 100 scholars and professional historians contributed to this book. This work is certainly detailed, well written, and well researched, but it is not comprehensive (how could one describe WWII in one volume of about 1000 pages?). I think the description of this book as a `Companion' is entirely appropriate, it has been my companion for more than ten years now. I've flipped through pages of this book several times a week for the past ten years and (effectively) read the entire book through at least half a dozen times. This book is filled with an unbelievable amount of information. There are major sections on each of the combatants that include discussions about the military, political, economic, and cultural developments and changes that took place throughout the war. All the major battles are discussed, as well as people, equipment, and events. In my opinion, this is not a reference book, it is a learning book. If you already know a great deal about the Battle of Kursk or Uboats, for example, you will not find much new here. You will find, however, a wealth of information about all aspects of the war that you probably weren't even aware of. I have no complaints about this book and would consider it a bargain at twice the price. My only warning is that this book is probably not suited to someone who has only passing interest in World War II; if Steven Ambrose is your idea of a good historian, you probably aren't going to like this Companion.

I'm a fan of the first edition (1995) of this fine book: I'm a World War Two buff, and this is the best one-volume reference book on World War Two that I know of. So why would I give only four stars to the revised edition of 2005? Here's why. Prospective purchasers of the revised 2005 edition might like to know that it is 1,039 pages long, whereas the first edition of 1995 was 1,343 pages long. That's a loss of 304 pages, representing 23% of the material in the first edition---a considerable loss.

In the case of The Oxford Companion to Music, there was a beautiful, lavishly illustrated edition of 2,017 pages of 1983; it was replaced by a revised edition in 2002 that had 1,434 pages---a whopping loss of almost 600 pages of material. In this case I know what I'm talking about, because I have both editions: the 2002 edition represents a substantial abridgement and cheapening of the 1986 edition; I doubt that anyone who had the chance to compare the two would choose the newer edition.

I don't know if the same thing is going on with this Oxford Companion to World War Two (I don't have the new edition at hand to compare the two), but the loss of 23% of the material in the first edition, and my experience with The Oxford Companion to Music described above, would incline me to approach the new edition with caution.

Patrick Demarchelier is one of the best artist of this age; his Photographs are pieces of history. Into this book you'll find his masterpieces: emotions in B&W!

A must own book for people that love b&w photography. Patrick is excellent at getting the perfect angle for the image. The way the natural light and shadows enhance the objects is great. The true persons are drawn by the way the pictures are taken.

My 12 year old saw this book on one of the display tables, picked it up... for the cover (naked lady) and glanced through it. He then later came running up to me saying... Please buy this book. The pictures are excellent. Well now, my son is interested in photography as a hobby.

This depicts some of what we know and expect of Mr. Demarchelier. His ability to capture so much in a photograph, in a look, is what makes him so incredible as an artist. If you are a fan of his work, this work should be part of your collection.

This is one of the best books of portraits that it has been my pleasure to view.

Before going further, let me observe that the book contains much female nudity that would earn an "R" rating if this were a motion picture.

Glenn O'Brien in the book's introduction captures the essence of the book well, "The beauty standard is being raised once again."

Whether the subjects are beautiful (and many are) or not, the result is the same -- a deep look into the personality and character of the model done in large, vivid detail in wonderfully contrasting duotone. One of the best tests for this book is to compare the celebrity images you see here with others you have seen of these same people. These images are more warm, more revealing, and more fun to see. Mr. Demarchelier has a light touch that gets out the happiest version of a person. You'll find yourself laughing and smiling your way through this collection, for sure.

The portraits displayed here are uniformly of very high quality, and provide nice contrasts of subjects (nose rings, boulders, children, and elephants among the beautiful people).

Here are some of my many favorites:

Nude, St. Barthelemy, 1994

Nude, St. Barthelemy, 1989

Her Royal Highness, The Princess of Wales, London, 1993

Warren Beatty, Annette Bening and their daughter, Los Angeles, 1994

Versailles gardens, Versailles, France, 1994

Gianni Versace, Paris, 1992

Nude, New York, 1995

Corbassiere, Paris, 1994

Helena Christensen, New York, 1992 (second image)

Cindy Crawford, Leh, India, 1989

Jasper Johns and Leo Castelli, New York, 1993

Roy Lichtenstein, New York, 1993

Naomi Campbell, New York, 1990

Isabella Rosselini, New York, 1994

Robin Williams (4), New York, 1990

Robert De Niro, New York, 1990

Sisters, St. Barthelemy, 1991

Christy Turlington, New York, 1990

Alice Dodd, New York, 1994

Natasha Kinski, New York, 1993

Warren Beatty from "Dick Tracy," Los Angeles, 1989

Elton John, Paris, 1992

Janet Jackson, Miami, Florida, 1993

Arthur Demarchelier, New York, 1991

Patrick and Mia Demarchelier and their three sons, New York, 1987

Meg Ryan, New York, 1994

Claudia Schiffer, St. Barthelemy, 1991

Paul Newman, Beacon, New York, 1994

Elle Macpherson, New York, 1990

Cindy Crawford, New York, 1990

After you look closely at these images, notice how lines and flaws provide balance and perspective in the same way that perfect figures provide proportion. How can you create more waves of enjoyable symmetry?

Drink deeply from the bubbling joy of humanity!

and get Dr. Fee's audio tapes from Regent College bookstore.
I studied with Dr. Fee at Gordon-Conwell while pastoring in Cambridge, Ma. Our church supported some of Dr. Fee's mission trips around the world. His books are all great, but his lectures, especially his exegetical NT book studies, are simply unparalleled, satisfying the intellect and the spirit and leading one to experience the Holy Spirit in the Word.

Gordon Fee does an excellent job in making his case that from Paul's perspective the Holy Spirit has a central part in our lives. We are to be people of the Spirit! His cry for the church to see that we are an "eschatological people in a world gone mad" resonates in my heart. We are to be the people of God in the world and the Spirit empowers us to be that! This book will breathe life into you and is theologically sound!

I came to this book already in disagreement with some of the author's views on charismata, and I expected to be in disagreement with most of the book.

However, I had little issue with most of the points he made and was glad that he reasoned from scripture and not human psychology.

After the second chapter I was frustrated with the phrase "at the heart of Pauline theology is...". It helps to understand the heart of one's theology to understand where they're coming from in all that they write. However, I think it was unecessary for the author to claim a new "heart" for Pauline theology to make his overall point about the Spirit of God and the church. It seemed to come from a desire to systematize something for its own sake.

Also, when defining the purposes of Paul, the author claims that "Paul was not writing to present a study of God, but to build up churches and address gut issues about being God's people in a totally pagan environment". He never explains why it can't be both. Obviously, Paul's ultimate purpose was for transformation and the practicalities of knowing God. But, the author's claim above suggests that Paul's studies of God in his letters (the indicative) aren't needed for the practicalities.

In the end, when the author addresses charismata, he didn't go into depth with scripture as much as I would've liked, but he does reference another of his books where he does. Also, in fairness, he points the reader to the best defense of the contrary view, which I appreciated.

If the reader is well read, the front 60% of the book will be skimmable.

I would highly recommend this book. The book has a very sound theology and has excellent scholarship at a layperson's level. It will help any reader gain a more insightful understanding of the purpose and leading of the Spirit in connection to the Church (people of God). Dr. Fee is able to properly exegete the Scripture of Paul's writings and help our understanding. This book is good for all Christians and especially those wondering (or concerned) about the role or move of the Holy Spirit.

Gordon Fee has written an easy to read version of his larger work "God's Empowering Presence: The Holy Spirit in the Letters of Paul." Recently, I read and reviewed Frank Macchia's book "Baptized in the Spirit: A Global Pentecostal Theology" and as much as I liked Macchia's work, this book by Fee is in some ways at least, better. I like Macchia's work on tongues and their meaning, but Fee really does an excellent job of showing the continuity and discontinuity of the Church who is the Israel of God and the nation of Israel in the OT. On page 50, Fee has a great chart that shows how that we are living in an already/not yet eschatalogical framework. Fee takes great care to show that the most important thing for the Church to get hold of is that we are the eshatalogical people of God and the Holy Spirit is the down payment on and fortaste of that future which is the come. He deals with Paul and is an excellent interprter of Pauline theology. Fee does not dismiss the importance of the Spirit in Paul, but shows how that, although, Jesus is the center of Paul's thought, it is the Holy Spirit that is driving this life in the Messiah and that give energy and freshness to the revelation of Jesus. This is an excellent work. I recommend this for everyone Pentecostal or not. I believe that a popular audience could probably read this book and benefit from Fee's great and scholarly insight.

[Backcover Review]: "PEOPLE OF LEGEND by acclaimed photojournalist and author John Annerino is a stunning and evocative portrait of Native America and the mystical landscapes they call home. "This largely photographic essay...offers a rare glimpse of coming of age ceremonies and feasts, and vivid re-enactments of ancient dances."-San Francisco Chronicle. "Contemporary Native American culture is revealed by a photojournalist who spent over 20 years exploring the Southwest...a stunning visual display of modern tribes and people: a blend of cultural history and art book."-Reviewers Bookwatch. "Annerino's work is outstanding." -Arizona Daily Star. "PEOPLE OF LEGEND tells a history, in words and pictures, that we all need to know." -American Photo Magazine. "Extraordinary."-Sandia Review." [Backcover Bio]: "Praised by Newsweek as one of the finest photographers of the West, John Annerino has worked in the frontier of Old Mexico and the American West for two decades. The Washington Post has lauded his "reverant and ravishing photographs," The Denver Post described his work as "fabulous," Publishers Weekly calls it "stunning." Represented by Gamma-Liaison, Annerino's credits include Time, Life, Newsweek, and Scientific American, among many prestigious publications worldwide. The author of nine books, Annerino's works include the critically acclaimed 1999 border saga DEAD IN THEIR TRACKS and his new photo/art book on American cowboys and cowgirls, ROUGHSTOCK: THE TOUGHEST EVENTS IN RODEO."

[Backcover Review]: "PEOPLE OF LEGEND by acclaimed photojournalist and author John Annerino is a stunning and evocative portrait of Native America and the mystical landscapes they call home. "This largely photographic essay...offers a rare glimpse of coming of age ceremonies and feasts, and vivid re-enactments of ancient dances."-San Francisco Chronicle. "Contemporary Native American culture is revealed by a photojournalist who spent over 20 years exploring the Southwest...a stunning visual display of modern tribes and people: a blend of cultural history and art book."-Reviewers Bookwatch. "Annerino's work is outstanding." -Arizona Daily Star. "PEOPLE OF LEGEND tells a history, in words and pictures, that we all need to know." -American Photo Magazine. "Extraordinary."-Sandia Review." [Backcover Bio]: "Praised by Newsweek as one of the finest photographers of the West, John Annerino has worked in the frontier of Old Mexico and the American West for two decades. The Washington Post has lauded his "reverant and ravishing photographs," The Denver Post described his work as "fabulous," Publishers Weekly calls it "stunning." Represented by Gamma-Liaison, Annerino's credits include Time, Life, Newsweek, and Scientific American, among many prestigious publications worldwide. The author of nine books, Annerino's works include the critically acclaimed 1999 border saga DEAD IN THEIR TRACKS and his new photo/art book on American cowboys and cowgirls, ROUGHSTOCK: THE TOUGHEST EVENTS IN RODEO."

Acclaimed author and photojournalist John Annerino is known for his high-risk journeys through the frontiers of Mexico and the American Southwest, seeking stories untold and photos unseen. For the past two decades, with his pen and his camera, he has told the stories of indigenous people -- their struggles and triumphs, their political strife and quiet dignity. His chronicles about the Tarahumara [WHERE SPIRITS STILL DANCE, in press] and Inde [APACHE: The Sacred Path to Womanhood, Marlowe & Co.], and his journeys across the desert with Mexican citizens looking for work in the United States [DEAD IN THEIR TRACKS: Crossing America's Desert Borderlands, Four Walls Eight Windows], can be found in several books as well as in frequent articles. Annerino share[s] his journeys and experiences, reflecting on how indigenous cultures have retained their traditions while dealing with outside influences. -Heard Museum

PEOPLE OF LEGEND. Annerino's book examines Indians' ties to land...A dozen figures raise crooked sticks toward the twilight sky. In the shot, Annerino manages to bring an almost monumental quality to the circle of students at San Simon High School, on the western edge of the Tohono O'odham reservation, as they play the ancient stickball game. At first glance, it appears to be some ancient ceremony. In a way it is. "I wanted to show the spirituality of the game of toka for the Tohono O'odham," Annerino said. -Daily Star

I am a Norwegian journalist/photographer and I have just by chance discovered the impressive book PEOPLE OF LEGEND. Superb photographs -- all of them rich of dreams and poesi. I myself have always dreamed of visiting Arizona and especially the sacred mountains of my childhood heroes, the Western Apache -- and today centuries later -- I share a universal sadness for what happened to the indigenous people. For me their care and understanding of the nature/environment has been an important inspiration in my participation to preserve rivers and mountains in my homeland Norway. At this moment we are trying to save the last river system in south of Norway -- producing super 35 movie -- a documentary -- and hopefully a photoexebition next summer. There are a lot of people around who care for mother earth and this book is a valuable contribution.

Great book with some of the best captured photos that Stoner ever did and I am sure more exist. The narratives and forward were great and not long winded which made for a great reading experience. If you surfed during that era this is a must.

I bought this for my girlfriend and sent it to her work. I also sit on an exercise ball while at work. Helps with posture and core strength. My girlfriend enjoyed the pink weights she could toss around while at her desk.

I think the title says it all "It was a gift - but excellent feedback from recipient".
They were happy with the gift!

Wow! Excellent job Matt Warshaw and Jeff Divine.
The Story of Ron Stoner is beautiful and tragic.
What a great time in surfing, 1965-1968, pre shortboard,
pre-leash and pre-Gidget. Perfect waves with just you and your buddy.
Soul surfing. Imagine being silly and having fun in the lineup, with
maneuvers like "Standing Island pullout", and "The coffin".

Stoner had a great eye. His sense of balance and composition is
evident in every photo. I showed the book to my friend who
is a Hollywood Cinematographer, and he called Stoner's photography,
"Top notch".

The reader may be left with many questions;
Why did Stoner take way too much LSD?
Why didn't Stoner's "friends" help him until it was too late?
Why did the mental hospital give him 50,000 volts 20 times?
Maybe everyone was way too naive...

Though the book was well researched, I wanted more info on
the above questions. Warshaw takes the high road and avoids
blaming anyone. Having grown up and surfed in Orange County in the 70's just after behind Stoner, I wonder if his being an inlander made
him dispensable to his group of "friends".


Perhaps this story sat idle for 30 years due to a collective sense of
loss and guilt. Would Ron Stoner have been treated differently if he was from a beach town instead of being an "inlander" from Pasadena?
I don't know, I wasn't there at the time.

I had such visceral reactions from the elegant and empty waves,
that I found myself moaning when I looked at each photograph,
and my wife accused me of looking at porn.

Man, they had it good back then! Those days of discovery and isolation
of perfect waves are very hard to find these days, if not impssible.
Just like Ron Stoner. Great story.

Dave Silva
Sevenhorses@inbox.com

There are people in this world...maybe you know a few of them...maybe you are one of them...who don't really seem to fit in with things of this world. They are driven by maddness or inspiration or both and bring forth things to this world that can never be replicated.

Such is the art of Ron Stoner.

I call his photography art because that is exactly what it is. It captures more than a sport that is, for the most part, widely misunderstood by the majority and goes straight into the salty depths of its soul and lets you in on the secret that most surfers understand; that the ocean is just a symbol of something even greater and riding the waves is simply done out of appreciation and respect for that something greater.

And just like you can look at a Van Gogh or a Matisse and feel something within bursting forth, you can look at a Ron Stoner photograph and feel yourself melting into a world that is very, very Real but not too many of us actually frequent. It is the middle-ground...the veil between the seen and the unseen...the bridge between heaven and earth and even if you but receive the tiniest glimpses of its Reality, you will never ever be the same

...and why would you want to be?

Surfers exude a raw kind of spirituality. They seem to have a "knowing" that there is a magic to life...that "walking" on the water is the most normal thing there is...that all limitation comes from a shallow sense of self and begs release. Maybe it's because this group of people literally soak themselves in the primal soup where God Itself stirred the waters with Its Firey Imagination and created Life Itself.

And like the Living Spirit, everything beneath the surface is Forever, Eternal, Infinite, Beautiful. Even now you are breathing in and out bits and pieces of original life. Even now you are aligned with the Mind of Creation who without hesitation spews forth the invincible invisible.

I like to believe Ron Stoner remembered this and took photos as though he was trying to capture not just the sport and the art of surfing, but something that transcends time and space and rises to meet with the Eternal Grace that is forever making all things new, whole, and holy. He saw through a Divine Lense and captured things on film that leave you shaking your head and giggling silently to yourself out of sheer joy. It's too bad that Stoner could not fully grasp the Truth of his art/his life.

Why did Ron Stoner dissappear into the shadows of maddness?
Why did Van Gogh?
Why do any of us?

Why do some people burst forth with so much creativity in a relatively short period of time and then dissappear into the stillness of the night?

I don't know and I don't pretend to know.

Maybe they give the rest of us something to strive for. Not in the outer world, but in the realms of the hidden heart. Maybe they weren't mad or crazy but just frustrated that the world could not understand true passion and authentic love and original innocence which is deep within us all and for the most part, completely forgotten.

The sun goes down on us all- but like the waves of the sea- we all come out of something bigger than ourselves and even though we like to pretend we're separate from this Infinite Source of Power and Beauty, True Art, like the art Ron Stoner left us with, gets us to remember very, very quickly that we aren't.

I love this book.

Peace & Blessings,
john, "the Light Coach"

Absolutely beautifully photographed book. Schatz captures the God given beauty of the models under water with perfect taste. This is his best book by far. Yes far better than his most recent book Nude Body Nude.The dancers and models in this book appear to be much more natural and have a graceful beauty that almost makes you forget their nude; as opposed to the cliche "sexy" look that is typical of other models.

A magic delight to any person with or even without sensibility.
A must see for photographers and artists. It is a source of inspiration for my paintings and sculptures.
The beauty of the human body as if we were still in Eden.
After this book I was hooked on all Schatz books.
Do not miss it.

With production values like a Hollywood movie, this book still manages to be intimate, and at the same time, otherworldly and unattainable. More technically accomplished and more luxurious compared to "Water Dance" (although the latter is also a must-have), I can pour over this book time and again, and find another detail or expression to seduce me.

I have now bought three copies of this book, one for my house in London, one for my house in the country, and one which I cut up - so I could frame and hang my favourites. It IS that good: this is a truly-wonderful collection. Howard Schatz is a great photographer and in Pool Light he sets the benchmark.

Whereas "Water Dance" took off from an experiment, "Pool Light" appears to be the result of a complete mastery of this unique form of photography which combines beautiful bodies with dazzling fluid effects. Every image in this book is a sight to behold, combining the beauty and grace of the human body with the imagination and emotion brought forth by an underwater stage.

Photographer Howard Schatz has advanced beyond "Water Dance" to perfect his art of underwater photography through a more effective use of the pool's characteristics to portray motion, suspend animation, and produce some of the most fantastic images of the human body. Every one of the 120+ photos is worth a long look. The bodies of the dancers, models and swimmers are not all there is to admire, but take a look at how Mr. Schatz uses the surface of the pool as a mirror or as a screen to either reflect or shield portions of the physique. Every aspect of each image seems to be perfectly in place, even air bubbles and ripples of the pool's surface, which add an interesting quality of depth and lighting.

As a nice complement to the images, there are several pages of commentary which describe the artists' (photographer, collaborators and models) inspiration and efforts, as well as some of what goes into making a book like this. For example, it's noted how Mr. Schatz prepares his "liquid studio" to be more tolerable to the subjects, such as using ozonated (not chlorinated) water, and matching the pool's pH balance to that of human tears so that models can keep their eyes open longer. Interesting reading indeed.

"Pool Light" is one of my favorite photography books of all time, and I would recommend it to anyone.

This is one of my favorite books. I always joke that pugs are better therapy than I could ever provide!! My husband and I are profoundly pug people, and this book exemplifies the natural humor and grace of our curly tailed loved ones! An absolute must have if your favorite therapeutic tool snorts a lot and farts like crazy!!! (smile)

This is just an adorable gift book with equally adorable pictures of pugs in costume and in their natural condition. Little tidbits of advice are given, but mainly this is just a feel good book with some cute pictures of cute chubby curly tailed pugs.

This is the most adorable book with lovable pugs. The captions are so cute and fit the charm of the pug.

I went through a really dark period in my life. After trying everything, even electroshock therapy, I found this book and it changed my life. Thank you, pugs!

As a wanna-be pug owner, this book is the next best thing! This is the perfect gift for the pug-lovers in your life. The photographs are beautifully done with inspired captions. It's nothing less than page after page of cuteness. If you are a fan of pugs, this is the book for you.