Novels Books

This was a good story. But there was nothing great in it. It was not a "page-turner", and there is nothing thrilling or intriguing in the book. The book was kind of typical and predictable, but not so much so that it caused me to rate it lower than a 4. If you are seeking thrills and something eventful, do not get this book. However, if you are looking for a good leisurely read, do get this one.

Ain't no drama like family drama because family drama don't stop.. You will certainly enjoy this book along with others by Marcus Major!! This is a feel good book about how we deal with family, friends and relationships.

Marcus Major has written an eloquent tribute that delves into
the intricacies of family life, especially the nuances & intimacies of marriage. I also enjoyed his candor with the male aspect on views of marriage and friendship. I love this book! I can't wait to see how Jasmine evolves as a young woman.

I have been following Marcus Major since his first short story that was published in "Got to Be Real". Once again I have to say that I am pleased with his story telling abilities. Reading this book was like talking to an old friend telling stories about his families trials, tribulations, but the unity and love that keeps them together.

I would recommend this book to anyone, and I already have!

This is a very good read. The Moore family had real good members that made the story enjoyable to read. I would recommend this book to others.

Very excellent new detective/crime based graphic novel. I personally love the character of Detective Fell. I like the idea that he has been ostracized from his regular post as a police detective over the River and has been vanished to Snow City. Fell is an excellent depiction of personal strife and character flaw, although he is a good man and very believable, because he is tough but not like a superhero, he has to rely on his intelect quite often to catch the bad guys, very much like Batman in the old Detective Comics.
Great book that leaves you wanting more.
Can't wait for the next installment.

Warren Ellis' (Transmetropolitan, Thunderbolts, Desolation Jones, Astonishing X-Men, this list can go on and on...) brilliant crime fiction saga Fell is something you have to read to believe. Revolving around the incredibly skilled Detective Richard Fell, who has been transfered to Snowtown: a crime-ridden wasteland from which there may be no escape. As the area around him decays with every passing minute, Fell makes a number of encounters (most frequently with an eccentric bar-maid) with the townspeople, and comes to one conclusion in the end about them all: everybody is hiding something, including himself. Peppered with fantastic dialogue, Ellis manages to make Fell one of his most intriguing works of crime fiction, with Fell himself being one of his most interesting character creations. Ben Templesmith (30 Days of Night) provides his typical dark and moody artwork, and it more than suits the atmosphere of the universe that Ellis crafts here. All in all, the first volume of Fell is a brilliant piece of crime fiction from one of the true modern day comic book masters, and it more than deserves your attention.

Oh boy! Good doesn't even begin to describe it. Warren Ellis does noir and sets a different standard for everybody else. His inner cityscape is gritty, convincing and creepy. And I am not easily spooked. Richard Fell is beautifully characterized as the detective dedicated to his craft and every bit human and vulnerable. And Snowtown is the ultimate urban nightmare - a town that the rest of the world gave up on and only exists in the shadows of human society - inhabited by the true scum of the earth.

This is intense, gritty detective crime fiction that everyone who has any interest in the genre should not pass up. I'm not familiar with much of Warren Ellis's other work but he has brought a completely fresh new twist to your classic detective story. Its hard to believe that each issue is only 16 pages and is still more intruging than books that go a full 24-32 pages. Its hard to put down. My only gripe would be for a mature themed book the language is a bit too toned down for my taste, lets face it in a knife fight with a deadly criminal one would really call the other a "living fart" as he bashes his face in? But this is just a minor annoyance compared to the rest of a unbelievably great graphic novel.

Warren Ellis and Ben Templesmith have been around awhile. Warren is famous for his over the top horror and thriller type comics and Ben got famous for his incredible art with the original 30 Days of Night. And while this book has no vampires it has everything you would come to expect from these two masters. Warren delivers a great tale or I should say tales of Detective Fell and Ben creates his world with incredible art. When you have two master come together like this it's amazing what happens. I won't spoil the story lines I'm sure someone else will do that or has done that. If you enjoy Stephen King, Dean Koontz, or Chuck Palanuik you will most definately enjoy this graphic novel. Engrossing and at time nauseating you won't be disappointed.

Ayane Yamano's work is always top noth quality. Interesting stories, beautiful drawings. The only reason why I gave this book 4 stars instead of 5 is that only a half of this manga is devoted to the Finder series. The rest are bonus stories that have nothing in common with the main story. They are very good themselves but I would have prefered less bonus, more main material :(

This book is a MUST have for any true yaoi fan. Beautifully erotic, dramatic, and action-packed. Ayano Yamane churns out believable, sexy characters and a plot that will have you begging for more. I loved it!!! Totally worth the buy!

The whole series of Finders books are hot, beautifully drawn, and have good story. The sex scenes are really quality. The creator knows how to give you just enough build-up, romantic tension, and character development before diving into quality sexing that gives your tummy flip-flops because of the tense character intrigue!

The art is meticulous, perfect! Thats why so many artists imitate her. I don't think there's a better manga artist out there in my opinion.

I completely love this series, but it's not for anyone who does not enjoy the prospect of explicit sexual scenes of men with other men. Everyone else can enjoy to the fullest! Truly lovely. Your eyes are drawn back and forth over the dark, stoic Asami and the shiny new penny Akihito. The play between them is palatable.

Akihito is a tabloid photographer, and Asami is a mob boss. Akihito is caught taking compromising pictures of a politician, and Asami and his goons corner him on a rooftop. They begin to interrogate the photographer, and none too nicely. Luckily Akihito daringly escapes before they could discover his source. Akihito even taunts the Yakuza as he clings to the side of the building he jumped from to elude them. Despite a warning from his source, a cop (and apparently father figure) named Yamazaki, Akihito goes on yet another assignment. Possibly one that Yamazaki has set Akihito up on. This gets him snagged by Asami and his men. It's a trap. Akihito had no idea, until Asami stares directly at his camera just as he takes a shot. (A lovely knowing smile on Asami's face in that shot!) What follows is the kidnaping and seriously hot debauching of poor Akihito. Lucky for Akhito, Asami seems to have done this once or twice. (Scoff!) He dances expertly on the line between cruelty and kindness. He teases Akihito with several things, the best among them was taunting him with his own camera by taking some choice shots of his very naked and vulnerable body. There are times when Asami's even quite tender, but he is always in complete control. He makes sure that Akihito enjoys himself very well in the end. Can you say "screaming orgasm"? I knew you could.

The morning after finds Akihito reflecting on the previous night. Attempting to retrieve the equipment left behind during his kidnapping, he stumbles upon a deal between another mob boss and his friend Yamazaki. Akihito waits until the Yakuza leave, then tells Yamazaki that he's ok with him dealing with the mob, that he trusts him and his judgement as a policemen. Stunned at being found out, Yamazaki draws his gun and aims for Akihito shakily. Asami steps out of the shadows. He's been there the whole time. He pushes Akihito out of the line of fire to the floor, stepping into that line himself to kill Yamazaki. The cops are called, and the scene is left with Akihito sitting on the dock crying and feeling used. Asami comes back and consoles Akihito. Angry that Asami has used him too, Akihito tells Asami that he will find out his weakness and use it to his advantage. Asami grinning cooly and smoking a cigarette says he looks forward to being in Akihito's viewvinder, and looking forward to having Akihito watching him.

There is more. It gets even better, (Wait 'till you see Fei Long!) but if this hasn't hooked you nothing that follows will. The artwork is full of excellent detail, and the expressions are beautiful and believable. Asami is sexy and sleek in his tailored and neat business suits, his eyes are part of a well controlled mask. They show just a little emotion, but the satisfaction is completely evident when he's with Akihito. I'd even say he can't quite help himself. Akihito's beauty is his youth and his innocence. His expressions are wild and uncontrolled. He wears the uniform of the young: jeans, t-shirts, hooded sweatshirts, layers that do little to hide his lithe masculine frame. There is no doubt by the end of the manga that Akihito is craving Asami's calculated cruelty every bit as much as Asami craves Akihito's crumbling resistance.

This is my first real yaoi. It's really good but very short for my taste. When it arrived I have thought: good, it's really thick, so I have a lot to read. But of 200 pages, less than 100 are about Akihito and Asami, the two main characters, and the other are all short stories by the same author (some really interesting, like Love Lesson).

Akihito is a young photoreporter; he captures the attention of Asami, a business man who probably is engaged in a drug traffic and with the mafia. Asami kidnaps Akihito and during a night of passion and non consensual sex, marks Akihito as his property. When he frees the boy the next day, Akihito knows he could never forget this domineering man. Everytime he meets him, he can't deny the passion he feels.

And Akihito lets the guy fly away everytime, knowing that he will return back to him. But he will do also everything to protect him from his enemies that could use Akihito as a pawn to draw him in a trap.

Akihito is really young. Maybe not in age, but in experience. But he has a strong wit and Asami is fascinating by his free spirit. And he is really possessive: Akihito could be free, but not free to fly in the arms of another man.

In this graphic novel Akihito is not ready to admit his desires for another man, above all a man with a not so clear past. If I had not yet ordered the next two books in this series I would be a lot disappointed in not knowing if ours two characters will continue their game of love.

Am enjoying hearing about the adventure and waiting to turn the next page on the story . . .

Bravo for weaving actual experiences into a novel.

Someone please publish this so we can read the rest of it after getting hooked! Reminds me of three of my favorite books: The Quiet American, Saint Jack and The Year of Living Dangerously.

Publish this book! I want to read more.

Anna's narrative immediately transported me to Cambodia. She's observant, brash, nervous, compassionate, and occasionally naïve. I can believe her reactions to and sympathy for Cambodia and its people.

Jennifer Berman writes with a very authoritive and convincing verve. Berman has rendered Anna's voice so effectively, that one might think this book is autobiographical.

I immediately cared about Anna and what happens to her. Is she a fish-out-of-water, or a quick study who adapts to overcome and eventually contribute to Cambodia and its people?

A Fistful of Water is artful, witty, and timely. It is a real and vivid view of Cambodia, and other developing countries in SE Asia, from the perspective of a real American - slightly flawed, slightly spoiled, but ultimately sincere and generous.

This is an impressive first novel. I rate it "5 Stars."

We meet Anna just as she gets off her international flight, physically exhausted, emotionally fragile and so unprepared for her trek into the Third World that she has not even notified her employer that she is coming. Through Anna's culture-shocked senses, the author shows us Cambodia in riveting detail. This is excellent work and way cheaper than an airline ticket!

There's an interest cast of expatriates and Cambodians. Ominous foreshadowing hints of adventures to come. One senses by the end, Anna will have had to face past traumas and become more competent to deal with life. Usually, I'd like to see more of the plot unfold by now, but some mystery writers need more time to unpack their corpse. For writing like this, I'd be content to let the author develop her theme at her own pace.

A Fistful of Water promises to be entertaining and enlightening in equal parts. Author Jennifer Berman provides a window into a culture and experience most Americans will never know first-hand, through the effective medium of an engaging story. As Graham Greene and Eric Ambler were able to do with other settings and time periods, she vividly and realistically depicts life in Cambodia during the mid-1990s with both compassion and humor, while avoiding avoids the pitfalls of condescension or patronizing preachiness. By acknowledging how her protagonist Anna's genuine do-gooder idealism is intertwined with naivete and her own cultural baggage, Berman makes Anna a much fuller and more interesting character. The reader winces at some of Anna's missteps and fears, but these are winces of recognition and sympathy. Even in the short excerpt available here, Berman is able to show how identity, culture, and sometimes even morality are more local than they often appear, and that one's understanding of these concepts is constantly being adjusted through experience.
All in all, an exciting and appealing beginning that makes one eager to read more.

What a great book - with two of the most evil antagonists I've ever encountered. It's very depressing in parts, though, so I wouldn't read really casually. Both Gabriel (the main character), his friend "king" James, and Gabe's brother are fascinating characters. I was riveted through the whole book. Okay, I did put it down, but only to deal with things like my daughter crying, etc. I'm going to have to read it again in the future!

Durham evokes the wildness of the Plains and West with superb prose, sometimes nearly poetry in its details. Gabriel is a realistic depiction of an impatient, uncertain teenager. The plot line certainly keeps the reader involved, as we are curious to learn what new horror Marshall and Caleb will unleash on the people around them, as well as whether Gabriel and James will escape. But Durham's decision to present certain portions in italic with no names given to the people in them--even after we have been introduced to those people--struck me as striving too much for some mystical effect. I'm not clear on what this style is supposed to achieve and found it more annoying than effective.

The characters a full-bodied and mature. The story is heart-breaking and real to the core. One sympathizes with the protagonists and wishes the antagonists straight to hell. Now that is what I call a good novel. Durham has done a fabulous job...

Rarely do I read a book in one sitting, but I felt I had no choice in this one. I wish more books that I picked up held my interest, my imagination, and my heart as well as this one has. The main character, Gabriels, tells us a story of the American West in a unique manner far different than the "typical Western" we know. I highly recommend this book to those who are tired of cliches and formulas. I'm glad I found this little treasure.

Yes, Kansas was and is a Great Plains state, and anyone who first arrives might say, "I can't believe I'm in Kansas."

Kansas is an acquired taste, and Gabriel Lynch, a youngster frresh from the big eastern city of Baltimore, could not quite discover the tastefulness of farm life. Not many teens today could either. But they should read "Gabriel's Story" anyway.

This coming of age drama by David Anthony Durham has Gabriel run away from his mom and new step-dad to join up with a motley crew of vicious criminals. Gabriel soon learns to cherish a more simple life.

One might say he learned a lesson: Be loyal to your family. They're not as bad as you think.

Larry Rochelle, author of DEATH & DEVOTION: A Palmer Morel Mystery

My three-year old grandson loved the book. The story is good and the art is exceptional.

As an artist I tip my hat to William Joyce! I read in an earlier review someone saying it is done in simple watercolor but thats not watercolor unless its watercolor pencils. Such meticulous detailed work even as George ventures down the railing of the stairs he passes a depiction of "Sunday afternoon on the Island of Le Grande Jatte"! This book is a prize the story line is so cute the text is perfect for age 2-6 and the adventure and art are unforgettable. No wonder PBS made it into a show!

I loved this book. It was so cute. I thoughtit was good for every one. It was about a kid who wonders about how it would be if he was shrunken and when he was sleeping he actully shrunk. But he had to do some chores and they were the simplest things like watering the plants or feeding the goldfish turn into the biggest adventure.

I gave this book a five because a little kid name George has a dream of him being small like a "teddy bear". When he had the dream he was in his bed sleeping, his mom left a note of chores and he was doing the chores. The "scary" part in the book was when the cat sees George and thinks his is a toy and the cat tries to put his claw on him ,but George runs and hides from the cat. This book is great and I think William took a long time doing the cover and pictures and I say the book cover and pictures are really beautiful. I love this book because he had a dream that was weird that he was small and that he had to do big chores. I would recommend this book because it is a cute book for a 1st and 2nd graders I think they will love it because all of the cute pictures and the funny pictures they would love to read this book a lot of times and I would like to some day read it again because it would be so nice to read it over and over.

I will give this book George Shrinks 5 stars. I do like this book because it is action pack and it is kind of funny because a boy that small can do all his chores.I do recomend the book to people that have a sense of humor.I think this book is for all ages.

It's a wonderful story that explores what makes a man "good" or "bad." However, it is not an easy read and requires some patience. The narrative shifts in and out of 1st and 3rd person for no apparent reason, and the writing frequently becomes prose/poetry that leaves the story behind. Some people really enjoy this style of writing but I find that it distracts from the story (which should be the focus of a novel, right?). Thankfully, after the first few chapters the story does become the main focus and most of my complaints become moot. Despite the issues I find with it, I'd still recommend this as a great and worthy novel.

Beautiful, profound book. Buechner is one of those rare authors that seem to "get" spirituality and his prose is better than anybody.

In Godric, Buechner brings to life a twelfth century hermit, a topic I had previously considered dry and uninteresting. Through beautiful, often poetic language and a first person account of the man's life, Beuchner effectively humanizes the ascetic holy man and manages to interpret quite an interesting tale. The novel is separated into very short chapters of stylized first person narrative, many of which I read multiple times for the sheer music of the author's words. Godric is a quick, fairly easy read, but certainly a thought provoking novel that you may choose to read an extra time or two.

Godric is a historical novel based on the life of a real person. What makes this book unusual as historical fiction is its written as if Godric himself wrote it 1000 years ago, as if we are reading a historical document, including period grammer and sentence structure (although not scholarly or difficult for the modern reader to read and understand). This made Buechner's job difficult considering nothing of this type of literary work exists from the period, thus it is fundamentally anachronistic. Further, while we know broad brushstrokes of Godrics life, Buechner filled in many details from the period we simply dont know about.

If you can see past the obvious anachronisms (which I had trouble) there are some valuable descriptions, such as a blood libel, that are imaginative and help to better understand the Middle Ages and how people thought and why.

Everyone points out that this little novel is graceful and poetic, and they couldn't be more correct. Throughout the novel, I marveled at the simple beauty of the words and the way they are put together, and it wasn't until later that I realized why. This novel is so meticulously put together that each sentence is written in iambs. I think that fact kind of holds within how wonderful this novel it is. It is a carefully constructed and beautiful portrait of a life persevering, persisting toward sainthood.

Everything about this novel is perfect. Of course, each sentence is perfect, and at times, I would go back a read and reread certain chapters which strike me so profoundly. The relationships held herein, such as Godric's loving relationship with Burcwen, with Mouse, and with Reginald, are subtle complex and really touching. And of course, Godric's own characterization is the biggest strength of the novel, as he moves from the worst of sinners to a godly, compassionate, and humble man.

I can't say enough for this perfect novel. I am sure that I will return again and again to its pages for the humor and warmth and beauty held therein.

I too read this book in my teens and loved it. Recently picked up a copy of The Dean.s Watch at a yard sale, which reminded me how much I liked her novels... got this and was enchanted all over again. Old fashioned..yes. Wordy...yes. Racially preduciced...yes. But, remember the context; just after WW II. We don't expect political correctness in Dickens or Wilkie Collins ...just consider the era it was written in and enjoy a well-written love story,

When I first read this book, as a teenager, I just loved it. I reread it many times over the years, and my husband and I read it outloud while camping when we were young. Sooo romantic! So, it was with much sadness that, after a break of about 15 years, I tried again and found that it now seemed sadly out of date and old fashioned. Oh well. Still, there may be some souls out there who find this wonderful story, full of sweep, journeying from the channel islands to New Zealand, from youth to old age, from cluelessness to profound enlightenment, quite nice. One of the nicest things about this book was that it led me to find the little book Marguerite is given by the nuns, and that book changed my life, too. Happy reading!!

I love this book by Elizabeth Goudge! The story of Marianne and Marguerite is touching and bittersweet. The truth glistens through the thrilling adventure!

This is the first book I have read written by Elizabeth Goudge - what a great writer! Her writing gives great visualization and brings everything to life. The character development keeps you interested from beginning to end. I will definitely buy more of her books.

I read this story once as a young girl, and upon rereading it today, nearly 30 years later, I found it to be just as soul satisfying. Creme brulee in book form.

Melora

Anyone who has read my Listmania "Escape Mass Market Fiction" knows that I touted this novel (tertrology actually) as having ".... the most exquisite language since Shakespeare". But it is truly beyond that. After 30 years and over 3,000 books read I can affirm that there simply has been no greater work of fiction produced in any century by man or woman. One of the reviewers for the Lowe-Porter translation was dead-on saying you keep wanting to go back and reread the last 20 pages you managed to finish just to savor the experience. Original editions are a little rare and expensive, but, like any treasure, it's rewards are transcendental, and once read, you can consider yourself part of the most esoteric world of the true literati. NOTE-- Beginners who are easily scared off and prefer to sample before committing might want to skip the Preludes and go straight to the main chapters.

I'm at a loss about how to begin a review of the titanic marvel "Joseph and His Brothers" because of its being so many things, adding fright to the one who tries to properly bring forth what future readers are in store for upon opeing its first page and delving into "Descent into Hell."

I have never before and doubt ever will again read a 1,500 page 'tale,' let alone one that includes a continuous barrage of gripping stories alongside psychological insight of God-like proportions. What's icing on the cake as to this book's sheer power and unforgettableness is its comic charm. I did not know I was going to be reading what is pretty much a comedy when being pulled into this marvelous Old Testament narrative.

If you have read the biblical account of Jacob and Esau on down to Joseph in Egypt and are worried that its contents couldn't stay intriguing for this many pages, there is good news, because it, for the most part, very much is.

In the preface, translator John E. Woods accurately proposes he thinks that "Mann ... wanted to make sure he had readers worthy of him" while explaining that some portions of this interweaving jewel are prone to be more difficult to read than what is, thankfully, the majority. And it is this truth, in which I agree with this stirling translator, that I breifly dwell upon.

In several used bookstores I've been to, the only part of this story that I ever saw available, and in a volume all its own, was H.T. Porter's translation of "Joseph in Egypt." Given its apparent availability over the other three parts, I suspected it would be the best - which Mann himself thought to be true. But, solely from the perspective of, as Virginia Woolf would aptly call me, a 'common reader,' I bring forth that those trickier 'riddles' that Woods forwarns, or maybe just mentions, occur most often in this third volume. The feel of being sidetracked a little too much continues on into the beginning segments of "Joseph the Provider."

Do these, I will dare to say, overly descriptive, meandering pages that include some repitition detract all that much from the sheer pleasure that dominates most of what is nothing short of this literary feast and party? Hardly not. For outside of this minor qualm over the author perhaps going a little too far about content that probably didn't require as much attention, there is no book I have read up until now that has offered more to a reader than this. I guess "sublime" is not a bad word to use when measuring the result of Mann's cataclysmic efforts that encompassed a time span of 16 years, no less, including a 5-year absence between the third and fourth stories.

He touches on such juicy, delicious insights about mankind, helping to devour the notion that life is different now compared to then. And while it is entirely varied in custom, how could our experiences be all that different due to the fact that we all have one monstrous thing in common, our humanity.

Mann had me wondering if he wasn't something more than human, though, his elegance, wisdom, humor and charm are in such top form. And while it could have been one of the great many gods of Baal that Mann includes throughout who could have helped guide his pen, I'm more prone to believe it was the God of the wanderer who possessed his wrist on occasion.

One of the greatest books ever written.

Also the kind of service / support rendered by Amazon, when the first copy did not reach me, was truly touching and amazing. Within a fortnight of not having received the original book sent to me, I had the book finally in my hands ! Great customer service.

For all the great technological magic of our age we suffer the misfortune of living in a time where the depth of hyperbole rends the edge from language leaving us bereft when the time comes to describe something truly remarkable. Thus to say that John Woods' translation of Thomas Mann's Joseph and His Brothers offers readers a gift of almost indescribable value may leave one wondering if I am making a literally true statement or simply wallowing in the common puff of our day. In this case the latter is the case for Mr. Woods' translation of Mann's great opus offers the reader an experience both challenging and sublime.

Readers unfamiliar with Mann's work may feel a sense of vertigo beginning this even more than his other works. Much of the style of narration, unique with its perspective shifting through time, seems almost purposely designed to leave one doubting their footing. Increasing the sense of dread is the books sheer heft, with over 1500 pages of small type and weighing in at almost two and half pounds. Yet those brave souls who resist the temptation to lay down this load in favor of a more easily digested work will come to in the end appreciate the feast to come. Mann's work rests on its own unique rhythm, and once the reader grows acclimated they will surely appreciate both the work and the great skill of Mr. Wood as translator. This series of four novels expounding on the biblical tale of Jacob, his son of Joseph of the famous robe, as well as his brothers, often comes when people engage in the entertaining and fruitless parlor game of determining the greatest literary work of the 20th century. While no single work can claim such a title, the complexity of the work and the Herculean task of translation should be evident that this is only the second instance of its translation into English in the more than 60 years since it first appeared.

Beyond simply outlining the work's subject matter, in many ways it seems written with the express intent of defying further description. With a complex web of interrelated stories, occasionally taking subjects that the bible reflects on for only a sentence and expanded on them for a hundred pages and at the same time seeking to place this seminal tale in its religious, historic, and cultural context, the work often leaves the reader gasping at the audacity of Man's enterprise. Yet almost every one of his efforts comes as a remarkable success, leaving one much to ponder. Indeed, any expectation that one can rush through this work will surely leave you with only a headache and little to show for the effort. Instead, one must take their time and slowly chew on Joseph and His Brother's digesting each piece in turn. Like many great works this one takes effort and diligence, but the reward comes as more than just bragging rights for having read it. Far more, it will offer an often eye opening new perspective and beckon from the book shelf to be taken down again so that you may reread this section or that.

One last point: to end where I began, Mann's attention to detail and word choice often gives pause, making each of us consider the harm done when we rain down words on a subject when a mere drop would do.

The new translation of Joseph and His Brothers is beautiful, as is the novel. Yes, it's long--about 1500 pages--but it's worth all the time it takes to read. Perhaps this isn't the place to start, if you haven't read Mann before, but if you already admire his work, you're going to love this book.

Recommended by a friend, this book has jumped to the top of my list of favorites. The play by play picture painted about the battle of Gettysburg will teach you more about the event than ever taught in High School. More importantly, it's a human story of leadership, failure and triumph. In the end, you'll be left with only one thought, "Wow!"

KILLER ANGELS is one of those books I've always wanted to read but for some reason I just never got around to it. It is my favorite genre(historical fiction) and one of my favorite periods in American history(Civil War), I've lost count of the number of people who recommended it to me. So one fine summer July day in the year 2008 I see it on the shelf in my local library and with no hesitation I pluck it off the shelf. I get home and begin to read this gem of a book. I've read no finer book on the Civil War. There are plenty of reviews here and there to give you all the details you need so there is very little I can add to those reviews. But when you read a book that is so heavily anticipated (it won a Pulitzer for Pete's sake!) and the book so easily surpasses those expectations then it indeed it is a special book. When a writer writes with so much empathy and understanding for his characters and story line as Michael Shaara does then it is a book that you will never forget. This is one of those rare gems that forever will stay with you. Very few books reach that level as far as I'm concerned. A work of passion, intelligence, compassion and wisdom. My only problem is that I wanted more. I didn't want it to end, luckily for us Mr Shaara left us an equally talented son to carry on his work.

This was a major battle (Gettysburg, PA) between the Norhern VA massive group of 70,000 and the indomnable Union fighters that fateful day in one of the bloodiest fights of that war. Antienam in Maryland was the bloodiest with Atlanta's "fallen" depicted in 'Gone With the Wind' and Shiloh not far behind in numbers of casualties.

This fictional account of the Gettysburg massacre on both sides won a Pulitzer prize for Michael Shaara who uses the liberties of creative writing to make these men and their families "real." The most real of them all was the spy, Harrison, who reported to General Lee while JEB Stuart was out about town living it up and getting all of the attention. If you read enough about the U.S. Civil War, you'll realize right away that the truth, though mired in the mud of dissession and cow pastures from one end of the small country as it was in June, 1862, to the East Coast.

It was not the most dramatic confrontation (my choide would be Shiloh, which I drove to many times to meander around the large battlefield on many occasions), as much or more than our yearly trips to Gettysburg (not far from Westminster where Evelyn lived) which received more notice because of Abraham Lincoln's moving address. He had a way with words for a self-educated Kentuckian. But Shiloh, in Tennessee, endured more detailed plans for combat and Johnston met his destiny.

When we read what the scholars chose as the most important, we miss the human part of war (as we are doing now in that God-forsaken, medieval place in the Middle East, and are presented with statistics to prove their choices. Every Civil War encounter has the spy (like young Sam Davis of Smyrna) who met his demise on a lonely hill in Pulaski, TN. Without spies, the generals and their staff are left with maps but that's about all. The spies made the war come alive. Instead of a far flung field or stream far away from home, the spies kept the action going by risking their lives to get important information and plans to the leaders. 'The Killer Anmgels' were on Robert E. Lee's left shoulder but his melancholia wore him down emotionally. Without his generals (Nathan Bedford Forrest being his very best), there would have been no war. The spy Harrison blew cigar smoke "puffing exuberantly like a happy furnace."

"Why do there have to be men like that, men who enjoy another man's misery?" Reading about factual (as far as the staticians knew or could figure) war atrocities can be dry and not very interesting to the average person. It has been de-personalized. Stephen Crane followed his heart and instincts in 'The Red Badge of Courage' to bring the participants to life on paper and not merely a statistic. He inspired Michael Shaara to do much of the same. "The interpretation of character is my own," he wrote. At all times, especially in times of danger to one's life, you must keep one's sense of humor. I thought Mark had one but apparently I was mistaken. This book was written 34 years ago, the year Justin was born. Always the rebel, like his mom, he could not have been a spy. Brave, smart, something of an actor (like John Wilkes Booth), like Jeff could quote Shakespeare from memory, lucky and strong. "It has been my pleasure, sir, to have served such a man...God bless you, sir. Now, it is all in God's hands."

The compelling novel of Gettysburg that Laura Hillenbrand remarked was her model for "Seabiscuit". The times and events are different but the sylistic similarities are palpable. Short chapters. Short sentences, mostly. Extremely visual--concrete, up-close, detailed scenes, always with a dramatic tension. Superbly structured--makes the Battle of Gettysburg, one of the most confusing battles of the 19th Century, sparklingly clear. Accomplished by shifitng the viewpoint from one key character to another, from chapter to chapter (mainly Longstreet and Chamberlain, also Buford, Armistead, and Lee). This is art, and is not easy; the product of intense hard work, with the reader's welfare always paramount. Above all, a human story of real people under stress, striving, where the stakes matter. At the same time, Shaara manages to explicate the larger causes of the war, and in the mouths of his characters he ably argues both the National and the Rebel viewpoints. A masterpiece.

I had been always interested in Americas' Civil War and had read some excellent books on the subject such as A Brotherhood Of Valor: The Common Soldiers Of The Stonewall Brigade C S A And The Iron Brigade U S A, Through Blood and Fire at Gettysburg and Battle Cry of Freedom: The Civil War Era (Oxford History of the United States) but "The Killer Angels" is a very special one.

Late Michael Shaara has performed an excellent research on the private papers of the battle protagonist. Based on this material he produce a griping story, presenting the men that march to the tragic encounter, with their ideals, memories, sorrows, doubts & hopes.

He follows Generals Lee and Longstreet and Colonel Chamberlain amongst others, penetrating their most intimate thoughts in such a way that the reader can't avoid wondering how this is possible.
Mr. Shaara does not pick sides, he presents the reader with the confronting "Cause", which every man into the field believes to be just, and for which is willing to shed his blood. The valor and self sacrifice these men deploy, is reflected in each page of this incredible good book.

Enough maps are shown enabling the reader to follow the displacement of the armies in the field.

For readers interested in Civil War, Michael's son, Jeff, has written Gods and Generals and The Last Full Measure telling the events preceding and following this crucial struggle.

A great stuff to be read by history buffs or casual readers. Enjoy!!!.

Reviewed by Max Yofre.