Novels Books

I concur with others' reviews who wrote that this simple book was telling in its simplicity. It is a coming of age story which was deceptively well-written (to use a phrase another has written).

Set in a largely rural area, this young man who lives with his mother and experiences interaction with a girl in his class who lives trapped in an odd lifestyle arrangement. Jim proves to be a gentleman all the way around in this book which may leave the reader pining for the days when most teenagers were like Jim in The Blue Star.

I won't tell you more about the book 'cause that's not my style. I liked the book. I don't know if I will buy Jim the Boy, the first in this "series". The book didn't thrill me enough to read the "prequel".

It's enjoyable; not a page turner however.

Mr. Early has done it again. Simply wonderful. If it has been a long time since your read "Jim the Boy", go back and read it first so you don't have to work to remember some of the interpersonal connections between characters.
Not many can catch the awkward time of the late teen years, as well as connect with the adults in the same book. Mr. Early has done it in a very short novel that should be cherished.
Even better the second time through.

So many times, the second book of a series proves to be a distinct let-down from the first. Maybe it is the reader's anticipation that precipitates this, but such was not the case with Mr. Earley's second book: "The Blue Star". It was every bit a poignant, warming and a good read as his first book: "Jim the Boy" . Maybe it was the eight years between the two novels - literally and fictionally. I am hoping that the third book of this tale will be as good, but I think it will.

This is an excellent sequel to Jim the Boy. What a great character Jim is, although he sometimes says things the wrong things to the wrong people. In other words, he bluts out his feelings. All in all, he and his Uncle Zeno and the rest of his family are upstanding citizens always willing to help. To top off a very good book, the ending is most satisfying.

"You have to choose to be a good man," Uncle Zeno said. "You have to choose every minute of every day. As soon as you don't, you're lost..."

That's what this book, followup to "Jim the Boy," is about, Jim's decisions about what kind of man he will be and the difficulty in making those decisions amid the rush of hormones, poverty, Depression, coming war, life and death, and socio-economic differences, the further opening of a cocoon in the boy Jim's route to the "real world."

It is a book about what matters, who matters, why they matter and how we show that matter, how we show our love and care. It is a book about old unfufilled love and new hopeful love, love in the autumn of life, love in the springtime of life.

The story is set in rural North Carolina, the fall of 1941 through the spring of 1942. A moving, gripping, coming-of-age story, a worthy sequal to "Jim the Boy."

A line on page 256 may sum up the book as nothing else could or should: "The attendant beauty and saddness of the world suddenly seemed to him available for pondering in a way they never had before..."

So it was for Jim. So it has been, or will be, for all of us.

Will Jim make it home from the war? Will Chrissie be waiting for him on his return? And what about Uncle Zeno and Mrs. Steppe? Do they, will they have a future?

We've already waited eight years for this book, Mr. Earley. Don't let it be eight years for the next one. Please.

This book is recommended for all art fans--you don't need to be familiar with the Sandman character to enjoy McKean's gorgeous covers. The commentary is also very interesting, providing a behind-the-scenes look at the thought process behind many of the works. McKean progresses from producing physical pieces of art to digital manipulations as the series progressed, and although some of his initial digital effects are now dated, it's still fascinating to see a modern master at work.

is there any difference between the Watson-Guptill edition and the Vertigo edition? i noticed one says '1989-1996' while the other says '1989-1997', the size also seems to be differnt, althogh the page numbers are both 208. what i want to know is, is there any difference as far as the artworks go inside? and if so, which is the better one? (one's also more price than the other, it seems).

I bought this book as a gift for a Friend, I was familiar with McKeans art from the comics and she had recently gotten into his work... So i thought it'd make a good gift.

It was a great gift! I looked through the book thoroughly myself and was amazed at not just the artwork but the presentation of it throughout. McKean and Neil Gaiman's Commentry and Notes throughout are both Fascinating and sometimes hilarious. (Ah the Fish...)

I'm gonna pick up a copy for myself, as this really is an Amazing book... ArtFans or ComicFans alike will appreciate just how Beautiful Mckeans Art is.

I don't know why I haven't gotten around to reviewing this collection of work before, but it is amazing! As the title suggests, it is the collected covers of the Sandman comic book series that ran from 1989-1996. There are no Sandman stories in here, just the collected covers of all the issues and some commentary on the covers and The Sandman series by Neil Gaiman himself.

"Just." I love this book. It's "Art" with a capital "A." So many different styles, forms, and moods. It's beauty and magic captured on paper. It calls to mind art as diverse Edward Gorey, Salvadore Dali, the movies of Tim Burtn, and on one startling cover even H.R. Geiger (in a non-Aliens way).

The introduction is very nice too.

I recommend this for any fan of the Sandman series.

When I had collected the original Sandman issues, I was always intrigued by the cover art as well as the story and illustrations inside. Sometimes, I would find myself staring at the covers for minutes before reading the actual story. This was the only time I had ever really done that. And now you can own this book full of those intricate, detailed, and amazing art pieces, along with commentary by McKean and Gaiman.

And there's a Sandman story that I have never read before! If you're a Sandman fan, buy this book.

Truly a classic collection, this exemplifies an excellent selection of stories from one of the true masters of the hardboiled detective fiction genre. Wonderful reads that I am reading for a fourth and fifth time since I first discovered them in the late 1960s.

This was the perfect vol for the survey of hard-boiled detective fiction I've been doing. A nicely formatted hardcover (nothing's sexier than a hardcover book) with good info on Hammett's life and times.

Complete Novels: Red Harvest / The Dain Curse / The Maltese Falcon / The Glass Key / The Thin Man (Library of America) What a great anthology of the works of the father of the modern detective novel. All of Hammett's novels in one book. It does not get any better than this.

An intriguing plot with just the right blend of wry humor, sex and secrets.

I do like these stories, though they are so rough! It is very helpful to be able to have them all together in this one good volume, I think. But it is dangerous to read them late at night, because you either get too excited to sleep, or you dream of bad men with their car headlamps switched off in the dark!

Domu is an incredible manga. The story and artwork are both excellent. But I would expect nothing less from the brilliant mastermind behind Akira. But seriously if you are a comic book fan this is a must read. Even if you hate manga, you should read this. As I said before the artwork is stunning, Katsuhiro Otomo is an excellent artist, by far the best of all the manga artists. His stuff makes everyone elses manga look like crap. Also, while Domu isn't as intensely violent as Akira, it's still not for young kids, it does have quite a bit of violence and lot's of people get killed, including a few little kids. So if you don't like violence be forwarned. What else is there to say Domu is a classic if you liked Akira then you will most certainly love this.

An entire crowded apartment building is horrifically disturbed when violent unexplained murders upset the humdrum activities of its day-to-day residents. Seemingly mocking the monotony of inner city life and the obsessions with diversions in society, Katsuhiro Otomo (Akira) injects a twisted old man into the fray maddened by intense telepathic abilities and an obsession with his own unique 'diversions'. Mainly the systematic slaughtering of his neighbors.

An unlikely challenger soon confronts the warped man-god. A young girl, a child of only about eight or nine has come to free the building of the terror. Armed with powerful telekinesis, their rivalry soon escalates into a massive battle nearly destroying the entire building.

My favorite is subtly depicted in the last scene. A silent test of wills between the two enemies amidst a peaceful playground setting.

It's obvious that Otomo loves exploring the lives of inner city characters that have very little to do with each other. Domu is one of his ealier works and should not be missed by any fan of Akira. This graphic novel is a 'single volume' and presents a quick yet very chilling read.

If only this great manga was made into an anime then we would have a greater appreciation for it's beautiful artwork and explosive action. In Domu you come across a few mysteries and until the end you'll only know about as much as the police do and that's absolutely nothing. Although it is a great read Domu has a few tiny flaws. I would have liked to see a brief explanation on how the twisted old man and Etsuko got their supernatural powers, it's little information like this that make the book seem hurried. I admire Katsuhiro Otomo most for holding nothing back; the art is very graphic at times with some gore.

The art was perfect in showing how exciting, bloody, and dangerous the final battle was.This manga shows it's intelligence by wrapping your brain around the obvious and has you asking questions that were explained but you never caught on. One question heard a lot is why does Mr. Uchida (The twisted old man) murder and torment the people in the apartment complex with no remorse but you're given clues throughout the book. His apartment is filled with toys, he likes to play with them, and he does childish things like stick his tongue out at people so either he is the most demented serial killer ever or he is something gentler.

Because this is a book from the mind of Katsuhiro Otomo who created the amazing classic Akira Domu gets the pleasure of always being compared to it. I'm not going to choose a better story because I haven't read Akira I saw the anime and that wouldn't be fair to Domu but the two have some similarities. One is the supernatural power and another is the nicely done graphic art but to give anymore might ruin the book. Domu is a great tale and an anime would be nice but I don't think today's animation would compliment the edge the manga gave but who knows what else can be done with this classic.

Domu is a graphic novel that combines great action, pathos, and some subtle commentary on urban Japanese life. The characters don't have a lot of space to develop, but seem to have a natural depth. It wasn't hard to sympathize with them, especially the dregs of society that inhabit the apartment complex the book is set in. These are the Japanese that we don't get to see very often, and that Otomo doesn't hide. This is a well-paced thriller with no missteps in the execution, which leads to an ending that gives you a lot to think about. The final scene is downright brilliant, and caps the Katsuhiro Otomo's recurring theme of powerful children. A great buy.

I read Domu the first time in the middle of the night, and after a third of the book I had to put it down because it scared me so much. The characters felt so real and that made the horrible events all the more horrible; the teenager sitting by himself in the middle of the night, struggling with his homework.. The kids playing or bullying each other.. everything felt so real. I immeadiately liked Hiroshi and Etsuko, and every time the old man appeared I was scared that anything might happen to them. In my opinion this is Otomos best work. I read this right after I had finished AKIRA part 5 and I must say that Domu was better in every way. The characters in AKIRA are mostly cardbord, in Domu they act much more like real people. Don't get me wrong, I love AKIRA, but Domu is just better. I can't explain how much I liked this manga, It's the best I've ever read. Go read it, now!

After years of reading the "backwards" English releases of various manga books, I found myself confused here - I was reading the book in its proper order (front to back, like a Western book) but reading the panels in standard manga format (right to left). After about six pages I realized what I'd been doing wrong and went back to start over. A cute story drawn in what I always think is a more old-fashioned, less stylized way. Looking forward to more Dramacon!

This book is mostly about romance and drama.if you are into that genre of books then get this one.Its about a girl named christie and she meets this boy she really likes.They're feelings grow for eachother while she struggles to keep te realashionship with her boyfriend.Im not going to spoil the book but you really should get this book if you are into mushy things such as this book.Trust me you will love it.Once you read this value i guarente you that you will want to get the next volume.

Dramacon is a FUNNY, romantic dramady. The story is believe able, the chibi's are adoreable, and did I mention how funny it was? Why WOULDN'T you buy it???????
Book 2 is even better ^_^

This book is excellent! In this story there is nothing but drama. The story is basiclly about being at a anime convention and then the drama begins plus this book follows on with a love story too. Dramacon is one of the most interesting stories I have ever read because of the way they act in this book and it's very ironic how they each act in a way that real people do in the real world. So I highly recomend that you check this book out.

This managa was one of the best I've read. I love the story and where it takes place.

The author really got the energy of anime conventions down. I've been to Otakon quite a few times and I must say it's just like that!

Great read!

With the exception of "Royal Flash" and two of the stories in "Flashman and the Tiger", I give all the Flashman stories 5 stars. They are that great. However, for sheer twisted brilliance of plot, I rank this one up there with "Flash for Freedom". In those two books, George MacDonald Fraser puts his protagonist through the most hilarious, yet unbelievably sadistic situations you could possibly imagine, and just when you think our (anti) hero has finally escaped the jaws of death, GMF delightfully trips him up and throws him back to the wolves. This ending of this particular novel is pure genius and would alone be worth the price of the book, even if it weren't preceded by some of the greatest historical fiction and humor ever written. Who ever thought the Indian Mutiny could be so much fun?

All of the Flashman novels have a great many things to recommend them in terms of witty asides, sardonic observation, historical accuracy,and (what would now be considered PG-13 rated) erotic escapades, but this is the most engrossing and plot driven novel of an already exceptional bunch. Flashy gets into and out of a lot of bad situations throughout his campaigns and career, but this is the first novel where I felt a personal identification with our spineless "hero" and the lengths he would go through just to come out alive on the other side of the tunnel.

Flashman novels so uniformly entertain that it's hard to single one out as the best. But the unremitting action and focused detail of "Flashman in the Great Game", set in India during the Sepoy Mutiny of 1857, might qualify it. American readers may know as little about this as they do about the Crimean War, the subject of Flashman's immediately prior adventure. But there is no better way to fill in our gaps of understanding about the British Age of Empire, than to accompany Flashman on his escapades.

Unwilling as always, Flashman is sent to India by Lord Palmerston as a secret emissary to the troublesome Queen Lakshmibai of Jhansi. Flashman is mesmerized by the beautiful and powerful queen, one of the most memorable of Flashman babes, but an assassination attempt sends him into hiding. Disguising himself as a tribesman he enlists in the colonial army, where troops are tense with rumors that they will be given taboo rifle cartridges. They revolt with horrifying violence against British cut off in remote areas with small garrisons. Flashman repeatedly escapes from a frying pan only to find himself in a hotter part of the fire. He witnesses events as synonymous with "atrocity" to the British public of the 19th century as September 11 or Beslan are to us today. Flashman escapes one incident more harrowing than the next. He never loses hope that soon he'll be able to lay low and shirk the rest of his mission, but his hopes are repeatedly dashed until he suddenly finds himself back before the intoxicating Lakshmibai, wondering, with his life on the line, if in fact she actually loves him.

Scrupulously showing colonialism's warts, Fraser depicts brutal British reprisals and suggests with postmodern egalitarianism that each side's violence somehow offsets the other. But in my old-fashioned, post-9/11 opinion the savagery provoking those reprisals was far greater, with barbaric atrocities committed against women, children, surrendering soldiers and the like. Executing a rebel is not the same as hacking a child up with a sabre.

Throughout the Flashman series our antihero's cowardly and bigoted selfishness provide black humor in all manner of grim situations, yet the gravity of the Mutiny necessarily mutes that side of Fraser's writing. The unrelenting violence of this episode limit even Flashman's capacity to be a jerk; he is forced, more often than usual and despite his best intentions, to be noble. As Fraser recreates the Raj in all its glory and inequity, we sense the surreal quality of a few English soldiers controlling a subcontinent with hundreds of millions of residents, and what happens when the resulting powder keg explodes.

Midway through his memoirs of the Indian Mutiny of 1857, Harry Flashman ruminates: What beats me is the way people take it to heart -- what do they expect in war? It ain't conducted by missionaries, or chaps in Liberal clubs, snug and secure. But what amuses me most is the fashionable way views change -- why, for years after Cawnpore, any vengeance wreaked on an Indian, mutineer or not, was regarded as just vengeance. Now it's t'other way round, with eminent writers crying shame, and saying nothing justified such terrible retribution as Neill took, and we were far guiltier than the n-gg-rs has been. Why? Because we were Christians, and supposed to know better? -- and because England contains this great crowd of noisy know-alls that are forever defending our enemies' behaviour and crying out in pious horror against our own. Why our sins are always so much blacker, I can't fathom...

Sound familiar? It's exactly the sort of rant that we hear every day in reference to Iraq, and that coming from a sputtering red-faced right-winger makes me gnash my teeth. But wait? How are we to take this, coming from Flashman, by his own account the most selfish, self-centered, self-justifying scoundrel in British annals? And then, although we tend to forget, Flashman is a made-up character, a figment of his author's whimsy. Can it possibly be that Flashman's cynicism and racism express George MacDonald Fraser's own thoughts?

Flashman is the ultimate in "undependable narrators" of his own life, precisely because he maintains such a mask of candor. Is his self-mockery sincere, or another of his many poses? Was he really such a craven coward, or is he pulling our legs in some cantakerous old man's jesting? If he was really as indifferent to the suffering of others, so narcissistically lacking in empathy, then why did he suddenly choose to liberate the unknown mutineers, at the end of the book, telling them to scurry home and not get caught again? Is Flashman lying about his lies?

It's a tribute to Fraser's art that I ponder the true nature of his fantasy poltroon. This book, the fifth in the narrative, portrays the Flash as a far deeper psychological enigma than the earlier volumes, in which he was merely a comic blaggart. It's in this book that Fraser truly hits his stride as a descriptive writer, also. The depiction of mayhem and slaughter is vivid to the point of horror. Whatever the overlap between the author and his creature, this ranks as one of the most powerful anti-war novels I've ever read. Human nature is senseless slaughter, and those who release it, from whatever motives, are guilty of hellish crimes.

Harry's erotic adventures in The Great Game are less bawdy, less laughable, than in previous volumes. His tryst with the Rani of Jhansi is almost a perfumed love affair. In that way, I suppose some readers might be disappointed. Fraser's humor is spotted more stingily in this tale, also. What humor there is is rippingly funny, but the ghastliness of the Mutiny overshadows it. I have to take sides here, and declare my faith that Fraser fully intended this book as a resounding condemnation of the British Empire and its ravaging of Indian humanity. I hope I'm right. I'd hate to enjoy his writing so much if Fraser meant what Flashman says.

'Flashman in the Great Game' takes our man Flash to India just as the Great Mutiny (aka Sepoy Rebellion) was about to get under way in 1857. Flashman soon goes to ground to hide from the arch-fiend Ignatieff. The readers gets something of an insider's view of the rebellion, albeit through Harry Flashman's eyes. Harry finds himself in an unsual number of tight spots and even falls in love, well, as much as Harry can do.

Fraser is really in top form here. I've read about half the Flashman books and this one is topped only by the original.

Highest recommendation.

Narrated in first-person by 12-year-old Livy Two Weems, Gentle's Holler tells the story of the Weems family living in the Maggie Valley area of the Smoky Mountains in the 1960s. With money hard to come by and 11 mouths to feed, the Weems don't have much. Daddy is a musician and has been trying to sell a banjo hit for years, and with nine children, Mamma is worn out. And what's more, there's something terribly wrong with three-year-old Gentle's vision. Livy Two comes up with a plan to train their dachshund Uncle Hazard to be a seeing eye dog and to teach Gentle how to read braille. But when tragedy strikes, the family struggles to survive and stay together.

From the very beginning of the book, you can hear Livy Two's voice and know instantly that she's spunky, smart, kind, and a bit loquacious. This voice carries through the book, and there were moments throughout when I laughed out loud, as I did here:

"I may come from a big family, but I already know I don't want children. I want my own house all to myself in the holler, and I swear I won't fill it with nothing but banjo music and vases of mountain laurel and plenty of food. My nieces and nephews will be allowed to visit on Saturday from one to two. I want a homemade rocking chair and a granny quilt on the bed and a rug from Persia on the floor. I wouldn't mind a fancy refrigerator or, even better, a record player like other regular folks have, and I would play me all kinds of music from Patsy Cline to Mozart." (pp. 54-55)

I found myself liking Livy Two and caring about what happened to this family, and Kerry Madden never lets the readers forget the poverty that surrounds the family. They're hungry. Livy Two often feels guilty and ashamed for sneaking an extra bite of cornbread, and her older brother Emmett, is angry at their father for letting them starve. They are unable to take Gentle to the doctor to get her eyes examined. When Daddy brings the dog, Uncle Hazard, home, Mama is furious because they now have another mouth to feed.

But despite this, it's evident that the family loves each other, and I was impressed with the way Kerry Madden was able to depict the love and tenderness that existed among this family. On one occasion, the tapping of a woodpecker inspires Daddy to pick up his banjo and start playing. Soon all of the children are singing and dancing, and Livy Two proclaims, "Sometimes our house is filled with so much love and happiness that a body can't hardly stand it." (p. 59)

On another occasion, Livy Two, overhears her sister Louise, trying to teach Gentle the colors through her senses,

"Pretty soon, I hear Louise carrying Gentle through the edge of the woods, telling her all about color. 'Now Gentle, eat this blueberry and you'll understand the color blue. Azure, sapphire, navy, and indigo. That's other names for blue.'" (88)


Gentle's Holler is a book about love, hardship, and hope. Livy Two teaches us to dream big and to never give up when faced with bad news. But she also teaches us to enjoy life regardless of how much or how little you have.

Gentle's Holler was my introduction to the Weems family. Totally enjoyable! Although the book is listed under youth fiction, I (well past youth) found the book absolutely delightful.

Kerry Madden tells a beautiful story in "Gentle's Holler." While on the surface it seems a simple story, it unfolds with a quiet power that resonates with the reader. Although it is written for young people, it held this older reader from first word to the last. And I will pass it on to my young friends and family, recommended highly.

In Gentle's Holler Kerry Madden deftly portrays the difficult lives of this family of ten without losing the musical voice of the 12-year-old heroine. As readers see "Livy Two" grow through her new perceptions of her parents, her older siblings and her blind baby sister, they can experience many wondrous complexities of family dynamics. It's a great read in the tradition of Betsy Byars. Readers who enjoy Gentle's Holler might also enjoy Danger, Long Division, in which a modern Maryland latch-key kid discovers that she has what it takes to help her baby brother who has special needs.

In GENTLE'S HOLLER, Kerry Madden introduced young readers to Olivia (better known as Livy Two) Weems, a twelve-year-old with a passion for books and music. Livy has eight siblings of various ages and tempermants, a sweet mama, and a starry-eyed daddy. Money's tight - Daddy's music fills the heart and ears more than it fills the pocketbook - but the Weems make do, and their household is always bursting with family, love, and music. Livy Two also sings and plays music, often writing songs about the struggles her family has faced and the hardships they've overcome. The story is set in 1960s North Carolina, a beautiful backdrop for this artistic and energetic family.

As the tale progresses, Livy Two watches carefully over Gentle, the next-to-youngest one in the family, who has always had difficulty with her eyes. Meanwhile, the eldest son, Emmett, looks beyond the holler and fixes his eyes on Ghost Town in the Sky, a new place on the top of a mountain where he might be able to get a job. Livy Two's trips to the lending library truck connect her with another kind soul, Miss Attickson, who encourages Livy's voracious appetite for novels and poetry.

GENTLE'S HOLLER is the first in The Maggie Valley Trilogy. The second book, LOUISIANA'S SONG, is just as precious as the first book. I can't wait to read JESSIE'S MOUNTAIN, the final book in the trilogy. This series will be loved by kids and families who enjoyed the All-of-a-Kind Family books by Sidney Taylor, The Penderwicks by Jeanne Birdsall, and Cheaper by the Dozen and Belles on Their Toes by Frank B. Gilbreth and Ernestine Gilbreth Carey.

I pass books on, this series I pass on, but want them back. The stories are rich and not at all trite. Rich spiritually and historically. Great character development. I especially like the novels that have an explanation at the end of where facts were gathered.

Riviting, well written and insightful. I have read the books of Kings and the books of Chronicles in the Bible, and for the most part, the words and names just slip through my mind as a long ago story. This book makes it very real. Personally, I couldn't help but see the eerie similarities between the Isreal that Hezekiah inhereted and the America that we live in today. Perhaps there is more than just history and entertainment to be gleaned from this book.

This series was incredible. I enjoyed the biblical history that was intertwined with Lynn Austin's imaginative story of some of Israel's kings & their lives. While reading this series, I was also drawn into worship with my God. His love & redemption are lived out by the characters as God's plan for Israel is unfolded. It made me wish I could still go to God's Temple on the Temple Mount & worship him like the Israelites did in their early history!

Good biblical fiction remains faithful to both Scripture and its characters while bringing ancient accounts fully to life. Lynn Austin has done a fantastic job of creating a vivid, insightful, page-turning story that I stayed up all night to finish. Austin has very romantically yet realistically depicted noble Hezekiah, the prophets Isaiah and Micah, and numerous other biblical characters. The heroes (and villains) are fully fleshed-out. The story line never slows as it unravels a tale compiled from numerous biblical texts (with which the author shows herself thoroughly knowledgeable). The backdrop of history and geography exhibit serious historical research.

I'm a fan of biblical fiction, and I haven't found any better than this.

WARNING: Don't even pick up Gods & Kings unless you're willing to commit to the five book series. You'll be hooked until the last page of book five.

As you can probably tell from other reviews, this book was written primarily for religious people, and in particular Christians: the religious Jews are all good, the idol-worshippers mostly villianous. (I knew it wasn't written for Jews since the author spells out the Y-H-V-H Hebrew name of God in a way that no present-day Jew would consider appropriate, and I found one poorly-hidden Jesus reference). I wouldn't say it is as sophisticated or as interesting as good secular fiction, but it is minimally readable - the sort of thing one could read in a dentists' office or an airport, but not really worth foregoing other books for.

I took the book to the beach and couldn't put it down. I was riveted from the very first sentence. The author led us with such skill to the character Reb Michael Klimrod that you are hooked immediately.

Paul-Loup Sulitzer is a master storyteller. His skill and thought provoking insight into this complex character gave us an entirely different prospective into this tragic time. He lifts your soul and fires your imagination with imagery that has you holding your breath in anticipation of what comes next. This book will make you stop whining about your life and look outside yourself to the possibilities available. I'm not a person that likes to read a book more than once but with The Green King I find myself reading it once a year and feeling like it is the first time every time.

Do you have a teen that feels life is boring or that you know needs to be challenged? This book has the power to bring on a change in thinking. I read several novels weekly but this is a book you will want to read slowly and savor every word.

Movie Makers Take Notice - the world needs a thought provoking movie and this is it!

The green King is without any doubt one of the best tales ever told, about the life of a person with so much to give to the world, and so much to do and explore.For me it was amazing from the beginning, the tall blonde boy with the anger and pain of the concetration camp to the nearly end, Reb the one of the richest man alive fighting for a good cause. Read it love it, please someone do a movie about this extraordinary Man.

i read The Green King in its Russian translation 12 years ago and it remains my most favorite book... i still keep it and it is much beaten up by now... i can definetely say that the power of this Sulitzer musterpiece was a major factor in shaping my adolesent character... now i am grown up and unfortunately find it impossible to have a strong figure in my life who i would want to be like, but there is something in The Green King that will make you either rediscover the feeling or help find it for a first time....

I found a copy of the hardback English translation at a "friends of the library" sale. The tale of Reb Michael Klimrod is an improbable one, although riveting. With the start of the book with Klimrod rescued from Mauthausen concentration camps during the war, he survives amid a sea of bodies, pulling on some inner strength and self-image that allows himself to function in horrendous circumstances without letting it attack his spirit. He then goes on an adventure to find what happened to his family and their wealth, makes connections in cigarette black market trade that finance his eventual stalking down of the Nazi who tortured, filmed and killed his father.

From that tale of vengeance the book propels us into the Amazon, where Klimrod again survives a hostile environment and develops a bond with the natives in Amazonia. After emerging from there, he heads to New York where he again flourishes in the hostile environment of big business, using powers of persuasion and an incredible memory to create a number of businesses in a short amount of time and surround himself with loyal followers that become known as "the Black Dogs."

Klimrod falls in love with the unstable Charmian whose ups & downs captivate him. The scene on the boat where she actually shoots him is a profound chapter on the power of love.

Having amassed billions, Reb turns his attentions to Amazonia, creating a culture in the heart of the jungle. The secrecy and silent attraction of others to Reb make him an enigmatic lead character, one that holds our interest until the end. The ending at the United Nations where Reb, the unknown billionaire, is going to try to "come out" against boarders and nations is foiled and the novels seems to dissipate as much as climax. Denise Raab Jacobs' translation from the French reads and flows well. All in all, this is a memorable story, one that grabs you in the first few pages and takes you in numerous unpredictable directions. Enjoy!

The Green King is my all-time favorite book. I read it for the first time when on vacation in Aruba in '85 and have read it at least three times since. I found a first print in hardcover and it is the jewel of my book collection.

Reb Michael Klimrod's journey from a nazi death camp to the richest man in the world without anyone knowing him is remarkable. The detail that Sulitzer maintains in his book of the men that kept this secret is breath taking; the web of financial companies and transactions is exhilarating. This is a great book for anyone that enjoys high finance and a desire to fulfill a dream. 5 Stars are not enough for this book.

In two parts covering different aspects:
1. Quality of the story - Lots of action, lots of great banner artwork of lots of heroes fighting lots of bad guys. If you know the characters you will care and know if so many who die really matter. To me they just seemed like a lot of red shirts.

These grand stories usually fail because they try to cover too much and use every character that ever existed. This series is far from being a failure, but it still left me feeling like something was missing. It does manage to establish several important milestones in the Green Lantern mythos, so in that regard it succeeded. The plot elements are all there, but the execution was uneven. For example, it seems like the power of the rings can be made by anybody since nothing is done to explain how Sinestro creates his new power in the first place. He seems to recruit a lot of villains that are way beyond his league in power yet for some reason listen to him. Not until book two did it seem to matter or start to address any of this.

Some of the newer characters are developed and a lot of plot development is established for the next big event, but this story should have played out over more issues to give it more depth. It really makes a better prequel than a story onto itself with all of the unresolved fates of so many of the villains and premonitions of things to come.

2. Quality of the book - paper was flimsy compared to other hard cover graphic novels available out there. Makes it fit on the bookshelf better by being thinner, but felt cheap. You can tell by reading these two volumes that they are an amalgam of two different series, so there are a few repetitions and inconsistencies (e.g. what happens on one page, happens again several apages later and it is still a new revelation).

Read Volume 2 and you'll be caught up with all of the plot elements and be prepped for the storyline that will follow. As uneven as it was, it still has me looking forward to "Blackest Night".

Geoff Johns and the DC team have done it again. I'm a Green Lantern fan from the 60's, so I know Hal Jordan well. It is great to see him and the other Green Lanterns fighting Sinestro, the baddest of the bad and his own corps. I agree with a previous reviewer that the story is so deep and some pages are so richly done that I had to stop and check Wikipedia or one of the GL web sites to get more information. But, don't let that stop you if you've ever read Green Lantern or seen one or more of them in a TV cartoon, and liked what you saw. Trust the old Silver Age fan with matching silver hair, you will not be disappointed. My only caveat is, you most likely will have to come back and purchase volume 2; be sure to budget for that. Enjoy!

Count me as one of those who felt slightly disappointed with how the Infinite Crisis (IC) mini series went. It didn't quite compare to it's 80's predecessor Crisis on Infinite Earths (COIC) in both plot, characters and overall story line.

But out of nowhere you suddenly have the Sinestro Corps War saga. I had read a few issues when it was originally released but decided to just wait for the collections instead. I was not disappointed at all.

The plot was pretty straight forward and the action was non-stop. There are a ton of characters involved. Of course, there are Green Lanterns galore and plenty of villains: Sinestro (of course), Hank Henshaw, Superboy/Superman-Prime and the big baddie from COIC, the Anti-Monitor.

That is why it is too bad that the Sinestro Corps War couldn't have been the sequel to COIC. There are some things in IC that had to occur to bring the Anti-Monitor back to life. Regardless, it was great to see the Anti-Monitor back again.

A can't miss collection for any Green Lantern or COIC fans.

Welcome to the forbidden chapter of the book of Oa ! One of the most serious stories written by geoff johns and dave gibbons. The war is inminent and inevitable, every space sector are involved. The sinestro corps want to establish a new oder in the galaxy and the GL's are determined to win. The drawing art is the best and the colours are amazing . A big story...builds to an epic climax. Let the war begin !

Geoff Johns is the current king of DC mythology. As he completes the second leg of his Green Lantern trilogy, it's obvious that Johns has learned from his mistakes in INFINITE CRISIS, because this book is the most accessable event to be written in years.

The only GREEN LANTERN book I'd ever read before this was Johns' excellent "Rebirth" arc from a few years ago. This is so much better. I had little knowledge of the Lantern Corps and its history going in, but coming out I felt like I knew everything there was to know. I was never lost, and no one should be when they read this.

Despite the contribution of four different pencilers, the art is good throughout and, like the writing, never confuses the reader. So, Kudos to Van Sciver, Reis, Gleason and Unzeta for a job well done.
The one qualm I have with this package is that this is only the first half of the story. You'll have to buy Volume 2 separately, and DC doesn't appear to have any 13-issue giant edition ("Absolute" or otherwise) on the horizon. Until that time, this is the best way to enjoy 2007's best comic book event.

Highly recommended for longtime readers as well as those just interested in reading a great comic.