Poetry Books

We purchased this book for our 7 year old daughter who loves dogs. She had a dog themed birthday party this year, and we thought this book would be fun for her to receive. She was so exited to receive this book and CD. I was amazed at how cute the pictures and songs were - this purchase was worth every penny!!! She listens to the CD every day - and now wants to listen to it when she is going to sleep every night!! THe tunes are catchy with humor and fun added in. I recommend this to anyone who has a child that loves animals or dogs!!!!

We just got this book and CD from the library and I am going to buy it to add to our home library. My 3.5 year old daughter was silently entranced for hours- she listened to it cover-to-cover and then grabbed me so we could listen to it together. We got home later and she listened to it again! As a teacher I think the vocabulary is great, the pictures are great and the songs don't make me crazy (as a parent!)

For a man who doesn't own dogs, Kirk sure knows dogs. The poems, all written from dogs' points of view, are clever and insightful. The CD of all 22 poems set to music is a hoot. The vocals and sound recording are not exactly Grammy-worthy, but there's little doubt that both singers and musicians were having fun. The wide range of music styles (zydeco, delta blues, two-steps, pop, folk, etc.) makes the lyrics all the more enjoyable. "Purple Rhinestone Collar" will make you howl and "Your Best Friend" will make you get a lump in your throat.

We've listened to Daniel Kirk's other book/CD combo, Go! over and over and thought this one was worth a try as well. Not a bit disappointed. Kirk does it again with amusing lyrics, and novel perpectives on the familiar. Always looking for books that are not entirely predictable, while also staying within the bounds of familiarity that all kids seem to crave. They recognize their own experiences here, but they also get a new take on things at the same time. But best of all the music is loads of fun for the kids and great for adult ears too. If you like Dan Zanes you'll like Daniel Kirk as well.

We borrowed this from the library initially. Now I am buying it as a Christmas gift. My 6yo son and 8yo daughter love it! They sing the songs all the time and wanted to listen to the CD every day when we borrowed it.

Nursery ryhmes are so important to learn as a child. As an adult, I know most of them and wanted to teach them to my children. I researched the perfect book that included all the rhymes I remembered. This book was it!! It had all the classic nursery ryhmes I remembered and more! And you will love the illustrations...beautiful! My son (age 4) remembers each picture and will talk about it. You will find so much detail in each illustration that will add to the nursery ryhme even more. I highly recommend this book!

This book is the perfect gift for a baby especially if they have an
older sibling that can read to them. Everyone should have the chance
to enjoy the beautiful pictures and rhymes
while holding a precious baby.

We loved the book, Got it for a new grandson and the
pictures were gorgeous and well constructed binding.
Can not say enough good things about it. It had all
of the old favorites we read to our children when they
were small. Buy it.

I bought this book for my 22 month-old, and she loves it even more than I expected her to. I did not realize when I ordered it that the book is actually pretty large, but she carries it around everywhere with her. It is really adorable to see her padding toward me on her tiny feet with a book that's at least 1/2 her size saying, "Read this to me." The illustrations are precious. She enjoys exploring the pictures as much as listening to the verses. If it were up to her we would sit and read this together all day.

This is truly the most incredible Mother Goose book that I have ever seen an I'm a children's librarian!!!!

This book was described as being in good condition. It is actually in fair condition. The cover shows that the book has been through a lot of wear. Not totally pleased with this purchase.

Like having a cup of steaming coffee with a dear friend, John Fox's words,rich and strong, wake you up and add a new flavor to your work whether you are a first time poet or have written for years. FINDING WHAT YOU DIDN'T LOSE is a must have book to share with your students, colleagues, and writing groups. As a teacher, I thoroughly enjoyed the hands on experience: examples, suggestions, quotations, and hints. Filled with truthtelling that connects like caffeine straight to the heart, John Fox helps you find your way home to the poet within.

For anyone who loves discovering the inner creativity of oneself, this is the book for you. I have had this book for a couple of years and I find it interesting everytime I sit down and realize another poem. Every teacher should own a copy. Children would benefit from its teachings.

"Finding What You Didn't Lose: Expressing Your Truth and Creativity Through Poem-making" was my introduction to the field of poetry therapy. Although I have added many poetry therapy texts to my library since acquiring Mr. Fox's book, I still consider "Finding What You Didn't Lose" the premiere text. It is comprehensible; full of useful and thoughtful ideas; and beneficial for anyone seeking to cultivate healing in themselves or others. I am currently undergoing professional training in poetry therapy and find myself returning again and again to Mr. Fox's book. Also, when introducing people to the field of poetry therapy, I always recommend Finding What You Didn't Lose as a foundational text.

When I was younger, I wrote poetry all of the time, but it was a very intimate, secret self who wrote those poems. As I grew up, I thought that the angst of my earlier days was best bottled away. One day, at 45, I started to develop stress-related illnesses and had to find a way to re-connect with who I really am, find a way to figure out what is real and what is pretense. Enter this book. My earlier poems, luckily still stored away in a file in my home, told me what I used to know, and in writing poems for today, I can celebrate the journey since then.

I wish I could meet the author of this lovingly written adventure/book --he impresses me, through his own poetry and his writing, as someone who can accept people as they are and then gently, patiently, invite them to find their own voice and grow.

I had HICKSON do an open mic/book signing on May 22 and we sold out all his books! I love this guy! He is funny, great to work with and I look forward to bringing him back to do all twelve of our stores in New York, New Jersey and Philadelphia!!! If you don't know what HEAT is then you need to get burned by this F I R E!!! HICKSON keep doing what you do best...BURN THE LITERARY WORLD!!!

You got to have this book in your collection! Funny, but realistic.

BOLD AND COLORFUL. rhythmic and musical, HARD, HARSH, chill, easy, reflective, reverent, whatever the mood's intent, every word delivers an IMPACT, an impact that can be seen, heard, felt, tasted, smelled...but its bigger than that. Hickson is taking on illiteracy among inner-city youth. he's providing a platform for self-expression across media. I definitely recommend reading Ghettoheat!

I just finished reading Ghettoheat and I loved it! My favorite is "Niggativity", it's hot and it has a message. I'm also fond of "BabyWoman" and the series of events she encounters. Buy the book.

GhettoHeat is the most honest, graphic and realistic piece of literature that I have read in a while. I would like to first applaude Hickson for having the courage to step forward and be heard. Second, I want to thank him for his colorful words that were so inspiring. I look forward to reading more. {YES brothers do read}.

This is an excellent book, Great artwork and the poetry sings with all the magic of God's creation, a great book for all ages.

This boook is full of fun colorful poems. I've only seen the the original copy. The only bad thing about it is the pictures which look very 60s and poorly done. Still I love the poems.

This was one of all time favorite books as a child. It's not a story per say, however, its' value lies in its' ability to teach even the youngest of kids about feelings, emotions and "color" through poetry. Each page dedicates itself to a different color and describes the essences and feelings that those colors evoke in us. It's a very useful teaching tool for young children in the primary grades.

This was my absolute favorite book when I was in elementary school. Now that I have 2 small children of my own, I have rediscovered it with them. The poems are soothing to hear on a lazy afternoon and the colors are as fresh as watercolor can get. After reading it to the kids, I go back and indulge myself and read it again. Definitely a rainy day pick!

This slim book was originally published in 1961 and by now, we may safely call it a classic. The title is taken from her poem "What is White?" A series of poems each entitled "What Is--- (Green, Gold, Red, Blue, etc.)" describes in ways you have never thought of what exactly the color is. I have never found the child who was not fascinated by the ideas presented and usually had a few additions of his/her own to add. I always thought this vivid book would bring much pleasure to a blind person who had never "seen" a color. Ms. O'Neill brings the feel, the taste and the mood of each color to a shimmering life of its own.

--the purple feeling

is rather put out.

The purple look is a

Definite pout.

But the purple sound

Is the loveliest thing

It's a violet opening

In the spring.

If you enjoy Edward Gorey's work, you'll enjoy this. Both drawings and text have been crafted with exquisite precision and wit.

In this sequel to "The Haunted Tea Cozy," the Bahhum Bug returns to Edmund Gravel and takes him on another journey to ponder over the fates and destinies of others. Upon their return to Gravel's home they calmly await the millennium. After all, will another day make a difference in the lives they just saw?

If you're unacquainted with Gorey, don't start with this - start with Amphigorey. But if you've already got the EG bug, here's another must for the library. This sequel of sorts (in as much as anything can truly be linked to anything else by EG), is a delight that will get you snickering everytime you put marmalade on your aubergine.

The following facts should be made clear immediately. There is not, in spite of the title, a single bust in this book (to say nothing of headlessness). There is not even, I might go so far as to say, much of a plot. But what there is lives in superb Gorey glory. The best way to approach this book is to consider it a sequel to Gorey's "The Haunted Tea-Cosy" (which actually did include a cosy of spectral proportions). Our heroes, Mr. Edmund Gravel and the Bahhumbug have finished saying goodbye to the last of their guests for the evening. Ah, but a creature soon comes to spirit our protagonists, "from place to place, where there is shame, also disgrace". The story uses such delightful and little heard words as "druthers" and "aubergine" while telling the lightly lamentable tales of a host of people. Each situation is privy to a little four line poem in the style of a-b-a-b. The subtitle of this book was "A Melancholy Meditation on the False Millennium" and by the book's end both the Bahhumbug and Mr. Gravel sit, drink their tea, and think about the new Millennium (looks of horror clearly plastered on their faces). This being one of Gorey's later works, we can't criticize it too severely. Mr. Gorey had a style all his own and there is a plot here, buried as it may be. If you're partial to Fellini-esque tales of woe, you will like this book. If not, best that you pick up a copy of something entirely different (like "Betsy-Tacy" or "Goodnight Moon") and leave this book to those who would enjoy it better.

Edward Gorey died in the Hyannisport Hospital on April 18, 2000 from heart failure. On April 23, 2000, Charles Osgood on "Sunday Morning" (CBS) aired a final interview with Gorey and gave a short memorial to him. Gorey final interest featured finials, and his final stuffed creation was the figbash. Gorey's first work was THE UNSTRUNG HARP (1953) and THE HEADLESS BUST (1999) appears to be his terminal one unless he has left some manuscripts for posthumous publication. Let's hope that he did. He's gone, but he is now draped with the robe immortality and on his way to take his place in the Pantheon of Literature next to Edward Lear and Lewis Carroll. A fitting poem for his mausoleum would be one by Walter Hamilton: "I never had a piece of toast, Particularly long and wide, But fell upon the sanded floor, And always on the buttered side."

This reader blows away any of Kerouac's work, in my opinion. Huncke was the first to coin the phrase "beat," and also the first to turn on Burroughs to morphine. He's really where Beat started. The book is very interesting, especially in the fact that it is composed mostly of journal-type entries. He writes as he probably spoke: full of slang terms of the time that other authors leave out.

This is a wonderful glance into Huncke's world and the workings of his singular, unique mind.

Herbert Huncke was the true beat. As WS Burroughs wrote, in The Herbert Huncke Reader, "Huncke had adventures and misadventures that were not available to middle-class, comparatively wealthy college people like...me....Huncke had extraordinary experiences that were quite genuine." The sad true is that Huncke was the type that Burroughs wrote about, but didn't like much. He was real. Burroughs was living on trust-fund money for decades (remember that the $200 a month WSB received from family in the 1950s was equal to thousands of dollars a month now-not a bad way to live). Huncke lived the life that others wrote about, but never live. While Burroughs ate steak and drank fine booze, Huncke was still wandering around Times Square. Read the original beat. He makes the other `beat' writers seem like the middle-class dilatants that many of them were. Huncke never fought for the fame, the fortune, and the boys. He was just a "junkie on the prow." This book is truly hip.

Previously known for using the word "beat" to the fullest, thus inspiring Kerouac for an appropriation of a very hip literary movement, there was more to Huncke than just a "jive" talker. As we know, Huncke was a full time junky (what a rhyme!) who had more of an affect on Burroughs than any other beat writer. Likewise, Huncke spent most of his life helping out on the Burroughs' cannabis farm and taking care of Bill's wife Joan who harnessed a difficult benny habit. In Huncke's early years, growing up in Massachusetts and NYC, he used to entertain the boys at local cafeterias with his succinct yet street jargon-fulled stories; clearly he had a talent for story telling. This story-telling is pretty much what makes up the Herbert Huncke Reader. Starting with Huncke's journal, Herbert gets his feet wet with short-story writing, particularly focusing on introspective work-outs and clever anecdotes. Then the books moves to The Evening Sun Turned Crimson, another introspective composition altho mainly concentrating on structural pieces depicting street life, hanging with the beats, and drugs. Next to Reader introduces Guilty of Everything, a comprehensive series of interviews plus outtakes from other journals. Finally the book closes with Previously Uncollected Material, the chapter says it all. Sometimes moving other times raw and scatological, Huncke writes with a unique style that is easy to comprehend and is inspiring. Although not as transcendent as his contempoaries (Burroughs, Ginsberg, Corso), Huncke's writing should not overlooked as "writings of a drug addict," or "a subordinate Beatnik." Huncke did have talent (most notably with recitations) and has definitely worked to the fullest by publishing what he could, despite his painful heroin addiction and ostracization. In my opinion he's a second Neal Cassady (more of a inspiring icon) and definitely had a major affect on the foremost Beat's writings despite his own sparse collection; that's why I think this Reader is important.

There are few authors I feel everyone should read but no matter who you are Herbert Huncke should be read. He is one of the best storytellers/writers I have had the privilege of reading. His stories of sex, streets, drugs, life and friends bring a humanity to what may be considered by many obscure, degenerate, or just plain disgusting, but Hunckeýs stories I believe are non of these. They are filled with love, beauty, pain and always truth. He takes the reader into a world they donýt always want to enter but when the story is finished we are glad we made the journey and had someone like Huncke by our side as a companion.

Kate Bloomfield, a Canadian teenage girl, records her thoughts and feelings through a series of poems and vignettes. The very first page quickly sets the tone of Kate's story - she announces her arrival to the World, but when she gets no response, her Self celebrates with somersaults. The World had its chance, but now it's Kate's turn! Simple stories, like not being able to eat parsnips or being proud to be Canadian, are mixed with longer portraits of Kate, her friends and family. Kate struggles with becoming a teenager and learning more about her parents and neighbors. The reader gets an intimate portrait of Kate and may discover a kindred spirit.

Kate has already appeared in two book, Kate and Look Through My Window, but Hey World, Here I Am! certainly stands on its own. Little's writing style capture the teenage voice perfectly, without any of the angst or drama found in so many other books with a teen protagonist. Kate is caught between a world where she is old enough to have experience and reflect on her opinions, but still new to the world of adults. Truesdell's illustrations, wobbly black and white drawings, are both silly and sentimental. The drawings interact with the poems, somersaulting around the words. Not only will younger readers find a companion in Kate, they will be introduced to poetry and the short story format.

This is my very favorite book. It was delivered in a very timely fashion and it is so great. The main character grew up in Canada and is Jewish and I'm Hispanic and in Southern California, but I so get her!!! The style that she writes with is so simple, understandable, and creative; it's poetic. It would be a great book to read at bedtime with your child or by yourself.

This is such a great book! It's perfect for any young girl. The book has short poems and stories told from Kate's point of view. It's fun, it's happy and it's sad. It talks about friendship,parents and life. I cannot recommend it enough! I read it when I was in middle school, probably. Rereading it reminds me of how much I enjoyed it. Really a great read for anyone at any age, but will speak to a young girl's inner voice. GET IT!

I purchased this book at a library book fair in the second grade. After one reading, I fell in love with the goofy pictures (I like Kate's hair and messy bedroom) and poetry. It combined poetry and pictures, my two favorite things in a book at that time. Over many years, I have gotten rid of the old books of my childhood, but I have never parted with this one. I take it off the shelf about once a year and read it (since I was seven I've read it ten times). I can empathize with Kate and her love of books, spats with her mother, and her dislike of interpreting poetry. Even though I am not Jewish like Kate, after reading the Diary of Anne Frank like her friend, I felt Jewish too. I also write poetry, but they are usually about my cat and nature. After reading this book many times, my love for Hey World, Here I Am! has never faded.

I was about eight years old when my mom first brought this book home for me. I was so thrilled because I shared the name of the character in the book, Kate. I absolutely devoured the book, enjoying it more for the humor Jean Little displays impeccably in her writing, and the utter appropriateness of Sue Truedell's wonderful illustrations. Later, when I was a teenager, I went back and read the poems again because they seemed to describe the utter tumult and solitude that I felt during such a trying time. Poems like "Today," "Alone," and "Yesterday" capture perfectly feelings and emotions that nobody ever thinks to capture, yet Ms. Little does it in such a fabulous way that one instantly understands just what kind of mood she is describing. Now that I am a young woman, near to having a family of my own, I treasure my battered old copy of this book, nearly worn to pieces from repeated readings. Even today I can still find wisdom in every poem and piece of prose. The writer, Jean Little, is blind; I can only say it has sharpened her other senses and her intuition of basic human emotion powerfully. Bravo!

This is a beautiful and personal book of poetry that explores the different people and places to which the poet feels a connection. He mixes metaphor, references to stories in literature and clear descriptions of events and feelings to poignantly communicate the way people and places have touched his heart.
I am alienated by poetry that is dense and too complicated to grasp on a first read. This poetry is opposite of that, I find it clear, accessible and moving.

We owe a debt of gratitude to David Whyte for work which lacks the obscure, murky, digressive qualities often associated with poetry and which are responsible for turning large segments of the reading public away from quality literature.

He writes with exquisite simplicity about life's monumental concerns: love, creativity, aloneness, beauty. These are the very things which, by virtue of their universality, should be easily perceptible, but which we have made endlessly complicated.

There is a pervasive, Zen-like aspect to Mr. Whyte's work. By following him back to the wild Yorkshire moors of his youth and forward to the vast potential of the land he adopted in adulthood, we are reminded to take note of each moment, to pay heed to even the most mundane articles of daily existence --- bees, trees, daisies, dishes, kettles --- because they are all facets of the ever-changing whole that is each life.

Whether dealing with the fullness of nature's many moods, or the long search for a special connection with another human being, his poems each hold at their core a lustrous pearl of truth.

He speaks to a generation now learning to accept the difficult, i.e., that not all dreams are possible but that new hopes can rise to take their place, that there is a continuance of life after what one believed to be an `only' love, and that solitude can be a genesis site for constructive activity, realization and joy.

This is one of my favorite books of poetry -- ever. Like many other reviewers have noted here, Whyte's poetry lacks that murky and inaccessible quality that so many modern poets seem to strive for, as if they DON'T want us to "get" what they are trying to say. Whyte's poetry, on the other hand, is accessible without being simplistic. These poems celebrate the art and craft of a careful writer and a deeply thoughtful soul -- and they invite us inside. I love this stuff.

A few weeks ago I started listening to David Whyte's Clear Mind Wild Heart. I kept having to stop the playback to think about what he said, and rewind to hear parts again. At times I realized I had already heard one of the six CD's but it had so much depth in it that it was like listening to a new CD.

Naturally I wanted to read a book of his poetry (he'd read many of his poems in the CD's). I was not disappointed. Even having heard them, reading them to myself I was surprised that he crystallized and spoke what I was thinking and feeling, seemingly knowing it better than I myself.

As the title would suggest its predominant theme is belonging, and of coming to feel belonging by coming to recognize yourself, or the struggle to recognize yourself. His method is not to be obscure but to be observant and put that into language that you ... well I have a quote of his that says, "Poetry is the art of creating language against which there is no defense." He does just that. I am coming to understand more and more how he believes we must all set aside time to write, mediate, pray, or read poetry. They are all variations on the theme of observing who we are, the world around us, and how we can belong in that world and in our own skins. If you are on the journey to find belonging I'd whole heartily recommend the couple hours it takes to read this poetry.

David Whyte has written a book that I can curl up in. The House of Belonging is so full of things I understand that I wonder that I didn't write it myself. But I don't have the gift to reach people in that way. Whyte has this gift. If you love Mary Oliver's poetry I think you'll be very pleased you picked this up for yourself.

I had to buy this book for the second time as it got so much use it finally fell apart. My kids love this book 2 & 4. My 2 year old walks around with the book saying I LOVE YOU. I actually have to hide this book when I need to do things around the house because I get followed around hearing I love you with the book waving in the air. SOOO Cute! A must get book!

Every kid in my family loves this book. It is a very simple reading poem that it is told with words and pictures. I received it as a gift for my daughter and it is a must read every night. Get this book.

We checked out I Love You: A Rebus Poem by Jean Marzollo from the library on Saturday. I read it twice to both of my children on Saturday. I read it once to my three year old daughter again the next morning. Then she said to me, "Mommy I'll read it to you" & she did. Multiple times she has "read" this book to me. Of course it's a rebus so I am not saying that she can "read". However, I am saying that I love the pre-reading confidence that she is gaining from being able to "read" to her mommy.

GREAT BOOK! Highly recommend. It's a keeper. I will purchase my own copy!

This book is so cute. My 3 year old son loves to read it. The use of pictures and words in each sentence has him mesmorized. He reads the whole book and then has me read the whole poem that is written in text at the end. He loves it and I love the fact that he can recognize a few words in text and "read them"

I have just recently introduced this book to my 3 yr. and 4 yr. old granddaughters. They LOVE to read it to us! It serves as a cute story AND a great tool to promote the love of reading. Even very young children can manage the few repeated words along with the humorous but simple pictures. They also can use the rhyming schemes as great clues.
This is a great book pleaser for any pre-schooler....and grandparent!