Poetry Books

Continuing tale of the Cambridge-educated English Officer living the hell of warfare on the Western Front: replete with adoring batman, blustering colonel Blimps, out of control colonials (Australians and Canadians), journeys to England on home leave to meet misinformed civilians. Sasson has a style that waxes between light and lyrical, cynical and dark and starkly realistic. It is reminiscent of Graves but less dark than Blunden.

This is a tale of the human mind (an upper crust mind) that makes the journey from old world to that of the lost generation -- but Sassoon never loses himself. It shows that the mind-set was already there capable of dissecting and throwing away the old world view tradition. With capable honesty Sassoon relates the contradictions in life, army and mind set of the pre-war generation. He still takes advantage of the liesure of the educated class; his batman pours his tea, he still sees the colonials as slightly quaint and backwards (especially the Australians), still finds refuge among his educated Cambridge intellectuals -- this is no tale of class struggle.

This book can read as part of his trilogy lifestyle or on its own. It has many haunting vignettes and is perhaps one of the top 5 WWI memoirs. Highly recommended.

Siegfreid Sassoon's wonderful war memoir is thinly disguised as the story of George Sherston. Based solely on Sassoon's life in the trenches of WWI, it recounts the horror and scale of carnage that occurred. More importantly it shows the emotionally scars that the survivors carried with them as a result of exposure.

Sherston (Sassoon) was a rather spoiled and pampered young upper class Englishman. The war changed all that. Confronted with death, destruction and idiotic leadership from the High Command you sense the inner turmoil of Sherston.

Relieved when he is not involved with the fighting he is driven by guilt over the loss of the soldiers in his battalion. Consequently when his platoon is on the line he takes great risks in reconaissance of the German positions.

The effects of non-stop total war, stupid leadership and the complete contrast between England and the trenches (only a few hundred miles apart) is staggering to Sassoon. Sassoon becomes anti-war and considers becoming an objector, but his obvious connection to his comrades and loyalty to them wins out in the end. He hates the war but won't abandon his comrades in the field.

This is a great war memoir written by a poet who survived and was changed for life by his experiences in it.

While perhaps best known for his poetry written during WWI, Siegfried Sassoon was a very talented wordsmith in general, a trait that is demonstrated in his second semi-fictionalized autobiography, "Memoirs of an Infantry Officer". Sassoon chose to fictionalize his accounts of his life, an odd technique that allows him to distance himself from these experiences as he intimately describes the raw emotion and response behind them. In his three memoirs he is George Sherston, a thinly veiled version of himself, who thinnly veils the real-life characters he encountered during these times.

Readers are automatically flung into Sassoon's war experience, from the disjointed and fantastical training, to the brutal reality of life in the trenches. Sassoon describes these experiences in vivid detail, the sheer misery of trench warfare, the almost callous attitude toward the dead on both sides, and the surreal life led by those back home. Sassoon, nicknamed "Mad Jack" for his stubborness and seemingly sheer lunacy at times, was awfully lucky during his battle campaigns. He was wounded a few times, always sent back home to England to recuperate, and almost happy to return to the war.

However, after one session as an invalid, Sassoon begins to recognize that the war may not be all it's cracked up to be, that those in power are not telling the truth about their war aims, and that he may just be a lowly pawn in a game he doesn't want to play. Towards the end of his narrative, Sassoon tells of his decision to speak out against the war, even if it meant being court martialed. This act, filtered with courage and fear, is achingly portrayed as an act both necessary and questionable: as Sassoon places himself in danger, he questions his true beliefs in the matter. This account ends just as Sassoon enters the hospital in Scotland, avoiding court martial with a diagnosis of shell shock, 'lucky' as usual.

"Memoirs of an Infantry Officer" is a vividly descriptive account of life in the trenches during WWI. Sassoon is a gifted storyteller, who can make even the direst settings come to life. He offers a unique insight into the soldier poets who first questioned whether or not war was such a noble and glorious pursuit and if the sacrifice of lives was worth the price in the end. While a little slow at times, the last quarter of the narrative which details Sassoon's questioning of the war, is a brilliantly written firsthand look at how a too little celebrated writer finally found his voice.

Terrific book that sounded a bit autobiographical. Sassoon, of course, was a war hero on the battle of the Somme, decorated twice for bravery.

The book reads lyrically and is convey's nicely the daily life of soldiers moving back and forth from the front fighting trenches to the rear area of the battle field. He also does a great job portraying the strangeness and inner conflict of being back in British society (while recovering from illness) with people who know nothing of the war or its cost to the participants.

A Brit's version of "All Quiet ..."

Siegfried Sassons' "Memoirs of an Infantry Officer" is a first-hand account of life at the front line during World War 1. This is not a just a historical document or diary however. Sassoon writes via an alter-ego called George. In real life, Sassoon was an infantry officer who fought at the front, but eventually grew suspicious of the reasons for the continuation of World War 1, and as such became a dissenter. This book may be fiction, but it is based on fact and it gives an impressive account of what life must have been like in those trenches, nearly a hundred years ago. Sassoon's incredible ability with words paints a much more vivid picture than any war movie will ever provide.

George was a middle-class officer who had the luxury of a university education and was an avid reader of classic English literature. He juxtaposes the themes and ideas in this romantic poetry with the realities of life at the front to great effect. Although a tad repetitive in it's ideas (perhaps to get the point across clearly), this book is rewarding and still relevant this whole century later. As one character in the book says, "In war-time the word patriotism means suppression of truth" .

I kept hearing about this book, then I happened to see it featured on BET's Cita's World as "Book of the Beek". So I had to pick it up. Once I did I couldn't put it down!

A love supreme, experimental, quintessential, soul stirring, rhythmic poetry....... In its true form

The book was fabulous. I read it several times and it seems that everytime I read it, it gets deeper. Very inspirational and motivated young man. More poets need to have the courage to publish their works...Keep up the good work and I am looking forward to the next published work...

From the intro to the first chapter; is was sprung, Subliminal Seduction!!! What??? I was intrigued by this book. I've read it over and over again.... and each time... feels like the "first time".....literally! Do your thang!! Much love to ya Bro!!!!!

The title sets the stage for a very unique poetic approach that Mr. Thornton has so graciously put together, one that will rejuvenate the mind and soul. By any means necessary, MENTAL CONCEPTIONS opens with much to consider as each poem makes deep introspective statements. I enjoyed all the selections and was very impressed with his unique flow of words and the fact that each offering challenges readers to understand what the writer is sharing.

'Silver Bracelets' opens with such spiritual depth that the feeling will stay with me. Rejuvenation, mental awakening, spiritual growth and originality are words that barely describe Andre R. Thornton's book. He has created, as one of his poems is titled, 'A Poet's Dream'. The title MENTAL CONCEPTIONS says it all.

Reviewed by Kalaani
The RAWSISTAZ Reviewers

Written by a mother and counselor, Iris Bolton is also a survivor and triumphant veteran of the most unimaginable grief there could be. Her son died of suicide. She used what she learned in her own grief to help others, especially in the case of the child of a suicide death. The book is an eloquent and well-rounded combination both of the sharing of a broken and questioning heart and the helpful information and resources for others trying to find any light of hope in the tunnel-vision of grief. Packed full of straight-forward honesty and truths, here are a few jewels from the author's troves of wisdom on the subject.

An experienced grief counselor tells Ms. Bolton after her son's death, "There is a gift for you in your son's death. You may not believe it at this bitter moment, but it is authentic and it can be yours if you are willing to search for it. To other eyes it may remain hidden. The gift is real and precious and you can find it if you choose."

Reference to the insensitivity of others at a time of a mourner's greatest sensitivity: "To my amazement, I jerked my arms free. `I'm not ready yet!' Such assertiveness was foreign to my nature but now it was the product of a growing awareness that many others were assuming that they knew what was best for me." And this: "Many loving people who want to help will be giving you advice about what to do. Some will say snap out of it; some will urge you to take it easy; some will say it's God's will. At a time like this, everybody becomes an instant expert. But you do what you want to do. You do what feels right for you. Even if nobody else approves and you still decide for it, you do it."

Regarding the usage of pills and the detrimental effects of numbing the pain that must ultimately be gone through to get through to the other side: "Normal grief is not an emotional illness. It is a process that must be experienced. Sorrow must be accepted and allowed to mature and then, hopefully, be laid aside."

A sample of instructions for ultimate healing: "Cry wherever you are. It is natural and healing. Grief is not something you can bottle up and screw on the cap. That way guarantees future pain and disaster. Instead, throw the cap away, and one day your bottle of pain will be emptied and you may know peace. You will never be the same, you will be different, but you can know joy again."

For those whose beloved died in any way, this book is an excellent help.

For all of us who lost a loved one to suicide, we automatically feel guilty for not seeing it coming, or being able to stop it.
Here is a book who's author is a thearpist and her son is in a treatment plan and he succeeds, in his suicide..
Her book helps you see all aspects of suicide, and if possible see how with all our efforts, we couldn't stop it..
It's excellent and my support group all found it extremely helpful..

My brother died by suicide 6 years ago and even though years have passed, this book has given me some freedom in areas I struggled with. Truly a cloud has been lifted from my life as I began to apply her message to my own broken heart. This book is difficult to read because of the emotions it stirs but well worth the journey for on the other side, there is healing.

After the 1977 suicide of her 20 year old musician son, Iris Bolton says, "to climb from that emotional abyss would force me to fight the hardest battle of my life." On top of that, she was faced with the stigma of a "failed parent", and, she felt like a "discredited counselor" as the director of a family therapy center. Suicide transmits a public ridicule and private humiliation, grief, guilt and anger.

Bolton eloquently shares her experience with brilliant usage of metaphors to describe the tortured process from grief to survival.

Again, this is HER story and we don't get to much information about the healing process of her other 3 sons and her husband.

But the premise of this story and guide revolves around "a gift" promised by a friend and psychiatrist who said, that there is a gift for her in her son's death, hard to accept now, but it is there if she is willing to search for it if she chooses.

What develops from her painful experience is the "gift"- the ability to truly help and guide others in similar situations. Her gift comes to play when she courageously assists a family whose 18-year old daughter commits suicide. Please read the talk she gave at the funeral in 1980. Another piece she offers is a compassionate message titled "Though We Meet as Strangers, By Our Love We Shall be Known"

Included is a memorable and inspirational poem she wrote about her son, the consequences of suicide and regaining spirit. From there, she has prominently established herself to give hope to others that they, too, can survive and recover.

Aside from Suicide Resources, what is especially important is a guide called "Beyond Survival" that simply lists steps to take. Only one who has healed and survived a tragedy can express this in words. And, crucial information is included called the "Do's and Don'ts." Not having gone through this experience, anyone and everyone giving comfort to those in need should examine this list! In our lifetime, we will encounter some form of comforting. This is an excellent book! Read it.....MzRizz

If you only buy or read one book about suicide, this is the book to get. An easy read, one you will read over and over and tell everyone else to read. It is sensible, caring and she puts it all in a way that is comforting and insightful.

I'm not into poetry, but a friend recommened "The Naked Truth" after all of the women in her office was talking about it. I was not disappointed. All I could say after every poem was WOW! This is a MUST read for all poetry fans and for those that are not into poetry, you should read it as well. You will have a hard time putting it down.

The poems "Joyride" and my favorite "Call Me Daddy" will keep you turning the pages. This is a must read for the male and female who truely wants to know what's really going on. I wish I could give it 10 stars!!

i enjoyed reading the steamy book.. it gave some good info about sexual situations and ..what the title says is true.. i loved reading the book .

Over 33 poems compile THE NAKED TRUTH, and two chapters from his upcoming novel Chapters of Ecstasy. The poetry contained within the pages touch on the needs of women, her sexual awareness, the pain she endures at the hands of a man, why men cheat, what matters to men and how men and women can satisfy each other. The poems are erotic in nature and contain an unnerving sense of understanding by a man who knows what we as women crave in relationships whether physical or emotional.

Javon64 states there are two types of people chronicled in this collection: those who are inhibited and those who are uninhibited. The eroticism displayed throughout THE NAKED TRUTH covers a myriad of sexual fantasies, fetishes and sexual freedom. The poetry includes tributes to the author's mother and grandmother, male/female friendships, one-night stands, foot fetishes and uninhibited sexual encounters. The poems are not offensive, but truly erotic in nature. I enjoyed the entire collection with my favorites including: "Can I Catch Your Tears," "One Night Stand," "How Sex Use To Be" and "Wanted: A Good Man."

THE NAKED TRUTH is really an intuitive bare-it-all compilation of poetry. Javon64 deals with topics women and men have contemplated and have lived in their lives; he just put them to rhyming prose. His style is unique but simple. Javon64's poetry is like an autobiography of his life as he states "...a person isn't completely reborn until they can stand naked in their own truth." This collection is filled with truthful insight into the sexual relationships of men and women and how the emotional portions affect them. Also, the little black satin cover is a very nice touch. If you like erotica and poetry, you will enjoy this little black book.

Reviewed by Cashana Seals
of The RAWSISTAZ Reviewers

The Naked Truth by Javon64 is a collection of deliciously erotic and sexy poems. Javon64's use of seductive and descriptive words will satisfy the erotic reading audience. The poems run the gamut from two touching poems dedicated to his mother and grandmother, to a woman's plea for a good man.

Some standout poems from this collection include: "Dirty Talk," "Role-Play," "Joyride," and "Head Doctor." The Naked Truth by Javon64 is a tantalizing entry into the world of erotica.

Noticia de un secuestro is one of Gabriel Garcia Marquez most dry books in terms of the literary style used. It could be because the theme does not allow for much variety but just an honest recount of the truth. The book gives the reader a realistic view of daily Colombian life, a country that has struggled with guerrilla warfare and drug trafficking for the past forty years and more. The protagonists of the book are the victims of the kidnappers and throughout the book we learn about the cruel reality of these people who have changed the life of many Colombians by use of violence and cruel killings without mercy. I think the book was well written with revealing details of how the victims feel (mentally and physically) and how their families suffer when they are forced to negotiate with the drug dealers etc. for the safe return of their family members. Also, we clearly see the role that the government plays in the rescue process. The style used by the author is very journalistic, thus making the book and story very dry in comparison to his other literary works. However, perhaps this style was chosen simply because this is the reality of Colombias daily crisis. The book is excellent, has much eye-opening information and is a wonderful read if you wish to learn more about the socio-economic problems of this great South American country. Arriba Colombia.

This book is really interesting, because tell us the political and social problems of one of the most important countries in latinamerica: Colombia.

One of the best books I've ever read about Colombia and its problems.

Noticia de un secuestro

Para: Gloria Leticia Fernández, en Cali.

Noticia de un secuestro de Gabriel garcía Márquez es un libro que se deja leer y que presenta y representa la narrativa en su forma más pura. Con un estilo periodístico claro y directo el Gabo nos hace penetrar en lo más hondo de las vidas de los secuestrados y nos hace sentir sus horrores de la manera más sutil, pues en ningún momento se centra su atención en los crímenes o torturas sino en la vida en común de captores y capturados, y los esfuerzos del gobierno y de sus familias para liberarlos. Una cosa parece cierta y es que la realidad supera siempre a la ficción y este relato de la vida real lo demuestra por lo novelesco que a veces nos parece y lo increíble de las cosas que pasan en Colombia sacudido como esta por el trafico de drogas, las guerrillas y las constantes luchas internas. Aun así sus habitantes aun viven y trabajan, tratan de forjarse un futuro y muchos luchan por el bienestar de su pueblo. El libro esta narrado de forma magistral como un gran reportaje en que el autor se abstiene de intervenir y es simplemente un narrador de hechos contados por otras personas. Nunca nos deja ver el Gabo sus sentimientos ni estropea la obra con rebuscados sentimentalismos que hubieran hecho de este libro un dramón insoportable. Nota: en Colombia se produjeron mas de tres mil secuestros el año pasado y la practica llamada pesca milagrosa ( asaltar gente en las carreteras sin saber bien quienes son para luego de depurarlos pedir rescate toma fuerza). Los cuerpos elite no dan abasto y el país tiene un índice de peligrosidad muy alto. Espero que mi amiga gloria que se encuentra en Cali este bien y si estas leyendo este articulo, sepa que tiene un amigo en uepa.com y que me puede escribir. Espero que este todo bien en su amada Cali y que la paz llegue pronto a Colombia, que los latinos podamos unirnos en un interés común y hacia objetivos nuevos, que todo el mundo deje de halar para donde más le conviene y que al final podamos progresar en paz.

Mis saludos al pueblo Colombiano.

Crazzyteacher.

La verdad es que le hice el quite a este libro durante tiempo, pensando que era una especie de producto de los talleres que hace G.M. pero hace poco lo leí de una sentada y me sorprendió. No está a la altura de ninguno de sus libros de ficción y tampoco es gran periodismo, pero todo el trozo que cubre la reclusión de las mujeres y la forma que buscan para sobrevivir al encierro es notable. Lo que más molesta del libro es que no toma ningún riesgo. Es plano, ultracorregido y sobreeditado. Y además, esa tendencia a describir a todos los parientes de las secuestradas poco menos que como personajes de teleserie es desagradable: son unidimensionales, incorruptibles, incansables. No hay drama ni interés ahí, sino que en el encierro. Lástima que el libro no comenzara y terminara dentro de esas cuatro paredes. Para leer una pura vez.

I just wanted to say good job.. the book is in great condition.. it came quickly and when i needed it.. thanks again!

The Odyssey is mandatory reading for my freshman English classes and it has been quite difficult to teach. This literary work can be a very dry read for those who do not enjoy poetry reading (most freshmen). For this reason, I began a search for a translation that would make it easier for my students to understand. I read the previous reviews before buying it and I must say, I am glad that I did. Lombardo does an excellent job of making the translation understandable without dumbing down the text. My students this year have enjoyed this story much more than previous classes because of this. If you are looking to gain better understanding for yourself or to teach this text to others, this is the translation to get!

Stanley Lombardo's translation has brought back the original "feel" of the ancient Greek epic. Classical and Koine Greek are both what you call "earthy" languages, a tone lost with many established and contemporary translations. Lombardo restores the drama and the linguistic edge that the epic poem possessed in its original tongue. The Lombardo translation is quickly becoming standard among university professors and students of classical literature.

Lombardo's translation of the Odyssey, as well as his Iliad and Aeneid, receive much-deserved kudos as the most readable translations available. He writes with poetic and colloquial English that makes it easy for the lay person to understand.

Unfortunately, many of these same lay readers bash Lombardo's translations because they assume the personable nature of the writing makes it inaccurate. People expect a classic to have a certain formal diction to it, in the vein of Shakespeare and the King James Bible. In fact, nothing could be further from the truth. The King James Bible, despite having the most formal prose, is certainly not the most accurate translation of the Bible. Similarly, verbose translations of Homer do not mean it is more true to the text. Lombardo's version of the Odyssey preserves the immediacy and hard hitting nature of Homer's original Greek poetry. You will notice in other reviews that readers disapprove based on what they imagine Homer should sound like. Trust me, they haven't read the original texts. Classical scholars, some of whom I personally work with, have given universally excellent reviews to Lombardo's translations. This translation proves you can have your cake and eat it too. It is highly recommended.

One reviewer here took umbrance at some of the language used by the translator. One point he made was the use of the word "chow". Another was about the language used by a Goddess. He asked if Homer would really have used such vernacularisms. I say: YES! Of course he would have. He wasn't trying to live up to some modern readers' clueless perceptions of "high art". He was trying to tell a good story, like any good storyteller. And like any good storyteller, he would have used techniques that enabled his audience to identify with his characters. In this instance, sailors will be sailors regardless of the times. Also, the gods of the ancient greeks did a lot of things that wouldn't have been done by God as we commonly percieve him. Now, take Shakespear for example. He wrote for the Everyman of his times. It is only much later that elitists turned him into an acquired taste. I think ostentatious readers need to understand that 200 years from now critics, looking back on our literature, will probably have long forgotten the pseudo-intellectual whinings of the Kurt Vonneguts and consider as classicists solid storytellers like Dean Koontz. The problem here lies in the fact that there is absolutely no way to translate literally from the greek and retain the original impact. I would strongly recommend reading Lattimore's translation as well if one wants a more literal interpretation, but remember that something will be lost that way. Lombardo has translated more than just the words, he has translated Homer's intentions, and that is the important thing.

Really liked this, the reading was outstanding and great translation by Robert Fagles. My son really enjoyed listening to it on a long road trip after plus it added to his understanding while he was reading it for English Class. I highly recommend this product.

For thousands of years this story has been told and retold.
The reason this story is still being told and still being heard is because it is so exciting and so very compelling.
It never grows old.
I have read and enjoyed this story from a leather bound book, but it is best heard spoken from a human voice. Ian McKellen is qualified as a modern day bard.

Unlike most movies and books of today, once will not be enough.
Those who listen to it will not be disappointed.

I'll not waste any time of yours with long and deserving praise for this telling of an ancient story, other than to say that should another day pass where you have stolen from yourself the opportunity to listen to this master storyteller lead you through a story written by a master, then only the Gods can forgive you.

Sir Ian Mckellan's performance is measured and beautiful, and there is no shame in a tear falling at the meeting of father and son for the emotion that comes through this practiced orator. I can say with a fair amount of confidence that the bards of old must have sounded like this - masters of their craft and able to bring the imaginations of their audience to life.

Not a moment longer - a treat awaits you...

The Trojan War is over and one of our hero kings is lost. His son (Telemachus) travels to find any information about his father's fait. His wife (Penelope) must cunningly hold off suitors that are eating them out of house and home.

If he ever makes it home Odysseus will have to detect those servants loyal from those who are not. One absent king against rows of suitors; how will he give them their just deserts? We look to Bright Eyed Pallas Athena to help prophecy come true.

Interestingly all the tales of monsters and gods on the sea voyage was told by Odysseus. Notice that no on else survives to tell the tale. So we have to rely on Odysseus' word.

Many movies took sections of The Odyssey, and expanded them to make interesting stories those selves.

Not just the story but the way in which it is told will keep you up late at night reading.

I thought that this is perhaps the best audio book I have ever listened to, rivaled only by John Cleese's reading of C. S. Lewis' Screwtape Letters. Ian McKellon, whom most know primarily through his role as Gandalf in The Lord of the Rings, reads with the same epic sounding voice that he employed in the Lord of the Rings (as oppossed to less epic sounding voice inflection he employed in Xmen). Somehow his voice just sounds as ancient and mythical as the Odyssey itself. I cannot imagine a better reader for this book. I wish he had done the Iliad as well.

As for the translation itself, I must disagree with those who claim that it is the best. It is, I grant you, better than the thoroughly modernized versions like W. H. D. Rouse's, but I think it is (very) slightly too modernized. Phrases like shilly-shallying or other modern phrases simply do not belong in ancient texts like the Odyssey. That said, they did keep that type of language to a minimum, and the only better translation I have come across is Richard Lattimore's. For the most part this translation keeps the epic feel that the Odyssey should have, and Ian McKellen's voice only adds to this. I highly recommend this version. It is one of the few audio books I think is worth a second listen.

Overall grade: A+

Fantastic, one of my favorite cat books. Every time I pick it up, I change my mind about what the best poem is.

I actually remember lines from these poems sometimes, in circumstances where less happily placed people would recall lines from the original
poems !

By the way, 'Beowulf' is about the least wonderful, perhaps because the original was of no interest to me; too bad that that is the one Amazon used as the excerpt.

I've read some of these as "friendly email" forwards, with no attribution. Folks, always use accurate attributions; People like Henry Barber (the 'editor' of these works) deserve to make a living out of what they produce. :-)

Also by the way, 'French for Cats' by Henri B. The little furfaces gather when I practice the French phases in it. Tell me French is not the natural language of cats! :-)

Readers of Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse by Henry Beard will notice how much influence humans have on cats. Cats will not enjoy having this pointed out. They work hard to protect their free will and try to dictate the terms of their relationships with humans. You can not just pick up a cat and expect it to be happy being held; you have to wait until the cat is ready. Cats will not play with toys just because you want to play. Cats appear to think independently, but their poetry betrays them.

Here is a bit of verse written by Henry Wadsworth Longfellow's cat:

I chased a mouse beneath the stair,
It went to ground, I knew not where;
For, so swiftly it ran, my sight
Could not follow it in its flight.

Sound familiar?

There is more. Samuel Taylor Coleridge's cat wrote the following:

In Xanadu did Kubla Kat
A splendid sofa-bed decree
With silken cushions soft and fat
A perfect feline habitat
Set on a gilt settee.

Here is another sample, this time by William Shakespeare's cat:

To go outside, and there perchance to stay
Or to remain within: that is the question:
Whether `tis better for a cat to suffer
The cuffs and buffets of inclement weather
That nature rains on those who roam abroad
Or take a nap upon a scrap of carpet ...

Have you noticed a trend? It appears that cats listen more than they let on, and they even identify with the humans with whom they relate. They certainly borrow verse as freely as they claim their favorite chairs.

Cats do deserve some credit for knowing what poetry to borrow and adapt as their own. They are able to turn bits of Chaucer, Keats, Frost, or Ginsberg into works that serve their purposes, such as catching goldfish, breaking vases, or berating Whitman for sleeping too late. In near unison they raise their voices to complain about their vets.

One thing that surprises me about Poetry for Cats is that Henry Beard never reveals the cats' names. I can not imagine that Emily Dickinson had a nameless cat!

Poetry for Cats is an attractive book with colorful illustrations and is still in print after eleven years. I found our copy when inventorying the poetry collection. I am afraid few people have borrowed it lately, so I am going to put it on display. The cats need to be heard.

The only thing wrong with this book is that one has to both love cats and be educated in poetry. (In other words, there's no one else I know who can appreciate this book!) I like some of Henry Beard's poems even better than I do the originals. I'm especially glad that he chose to interpret some of my favorite poems (e.g., "Stopping by Woods on a Snowy Evening," and "Xanadu.") Henry Beard is extremely talented; this sort of thing is very hard to do. (I know; I've tried.) This is a MUST for anyone and everyone who loves cats and poetry.

Henry Beard has both a good knowledge of the original poems and of cats. His spoofs are tremendously clever, and he chooses the most common poems in English literature, so most people will recognize them. I laughed myself nearly sick. It's as good as jogging! ;-)

This book is funny in and of itself; however, if you are familiar with the poems on which these are based, you're in for a special treat. Beard doesn't just substitute words: his premise is that the poets' cats wrote these poems, which makes "She Walks In Booties" or "Abyssinias" even more feline, er, sublime...

I read this as part of a spiritual path, but just the story -- in and of itself -- carries every bit of 'flavor' that any great story always does. In a lot of ways, it's a pure adventure, albeit with monkey gods and man in all his worst behavioral situations. People are hit, cut, betrayed, loved, and supported by those around them in ways that are surprising, saddening, frightening, and just plain good reading.

It's the story of Vishnu -- one of the three forms of God -- coming back to earth to kick the butt of a really nasty demon. When I say nasty, I mean nasty -- not bedside reading for the 8 year old at home. The reason Vishnu has to show up as a man is because only a human man can bring an end to the destruction (one of those 'curses of the gods' things). So Vishnu shows up as the "Tiger of a man" named Rama. And rama kicks butt as he was supposed to.

It's impossible not to draw comparisons between the story of Rama and the story of Christ, although the former comes (in the most conservative guesstimates) 2,500 years prior to the time the Bible was written. Three forms of God, incarnation as a human who is in direct contact with the father/divinity and carrying a message of hope and forgiveness. And there's plenty of table turning in both books.

Having read a couple of translations of this ancient classic, with their stilted and archaic English, it was refreshing to read this version. Dharma has certainly adhered closely to the original text, but has presented it in a very enjoyable style that in my view nicely brings out the mood of the epic. His words carry quite a poetic flourish that really does justice to this work, which, after all, was originally written as a poem. His descriptions are graphic and his characters are lucidly portrayed, helping the reader enter deeply into the action. He also manages to skilfully weave in the spiritual messages of the work. This in fact was the main aim of the author of this epic, the sage Valmiki. His desire was to show the majestic opulence and divinity of Rama, whom he accepted as a divine incarnation of the Supreme Lord. Thus the text carries a profound spiritual import that Dharma has obviously been at pains to preserve. For my money he has a done a good job. I found myself in tears many times as I read this book, feeling moved at a very deep level. I also felt frequently uplifted and edified by the wisdom it contained.

Apart from all of this the Ramayana is a great story, as its enduring appeal proves. Followers of the Vedic tradition claim it is hundreds of thousands of years old, and many versions of it appear in nearly all the Asian cultures. But no matter how old it may be, its message remains entirely relevant, and its story is as fresh and engaging as anything churned out by the fiction writers of today. Perhaps there are some typos, as one reviewer here has remarked, but I can't say I noticed them. I was enthralled by this book and will certainly be reading it many more times.

The Ramayana is an ancient epic, one of the oldest in the world. It tells the extremely engrossing tale of a man named Rama, who is an incarnation of the Hindu deity Vishnu. The events that occur early in the story (even if they seem irrelevant) all come together at the end, culminating in a massive battle with the forces loyal to Rama on one side and Ravana, a rakshasa (demon) king, and his warriors on the other. The story in itself certainly deserves five stars, however the edition had some flaws to it. It was written to be watered down so it would be more accessible to a larger audience, and in this the author certainly succeeded. My only complaint on this point is that it seemed to fall slightly short of what it could have achieved. The real problem I have with this edition is the amount of typos and spelling errors. Once or twice the error was so severe that I was not sure of the intent of the sentence. The book is definately worth buying if one just wants to know the story, however if one wants a better understanding of the epic and the culture invloved, I would suggest a looking for a different edition.

Ramayana must rank as one of the most loved and revered books of all time. A part of India's ancient Vedas, it is a beautiful story of romance and adventure. It recounts the history of Rama, said be an incarnation of the Godhead, and his divine consort Sita. Filled with magic and mysticism, it entrances the reader and stirs deeply moving emotions. At the same time its profound spiritual messages leave one feeling uplifted and enriched. This is a novelisation of the classic. It contains all the essential narrative of the original Sanskrit poem, but written in a contemporary style. Whilst adhering closely to the original, I have tried to make it as readable as possible, using the techniques of character development and dramatisation to draw the reader into the action. By weaving in other spiritual commentaries on this sacred text, I have also tried to offer the reader the benefit of the wisdom of India's seers and sages. As I am sure you will discover when your read the book, that wisdom is as relevant in today's stressful world as it was thousands of years ago, when it was first written.

It was my love for this wonderful book which prompted me to write my adaptation, and I hope I have been able to share that love with others. Whether you enjoy it simply as a great adventure story, or you enter deeply into its spiritual meaning, you will surely find it an engaging read. All in all, I would say that this is as authentic and complete a version as you are likely to find outside of scholarly translations, but it is a lot easier to read. If you enjoy this, then you might like to try my novelisation of the Mahabharata, the other great Indian epic, which is also published by Torchlight.

Krishna Dharma

I understand why the Ramayana is such a popular and beloved story even today, but overall I really found that I liked Vishnu's avatar as Krishna better than his earlier one as Rama. Rama's being Vishnu incarnate wasn't really a big part of this version, and because he was depicted as such a great human being and hero, acting in very specific roles as an overly obedient son, devoted husband and brother, and finally heroic warrior, it was easy to lose sight of the fact of his true identity. With Krishna, I find it easier to not lose sight of the fact that he's Vishnu in a human body, and in the Krishna story, he's depicted in so many different roles (e.g., baby, lover, best friend, sneaky little boy, enlightened teacher) that one can easier relate to him as more than just some exemplary human being and a deity made mortal, which Vishnu does only when the balance of evil in the world overrides that of good. He had to take on a human avatar to kill Ravana, since he was so evil that no one could kill him, and he also had a boon from Brahma which entitled him to protection against being killed by one of the gods, many of whom had a long list of grievances with him. The gods know that it will be almost impossible for an ordinary human to kill Ravana, so Vishnu takes on his seventh avatar to rid the world of his evil.

I know that in comparison to other versions of this famous ancient tale, this one doesn't tell the entire story and is more like a brief retelling of each important event that happens along the way, like the abduction of Sita, Hanuman leaping to Lanka to scope things out, Rama, Lakshmana, and Sita going into exile, and the important battles in the war Rama, Lakshmana, Ravana's little brother Vibhishana and four of his friends, and their huge army of bears and monkeys wage against Ravana and his evil Rakshasas. No matter how condensed it might be in comparison to the actual full-length epic tale, it still conveys the same sense of romance, mystery, love, adventure, and human emotions that a much longer version does. It's also different from other versions because of the depiction of Sita's ordeal; some versions have her immolating herself and dying, but this version has a twist on it. (How far we've come; Rama's accusations of infidelity, in spite of the curse prohibiting Ravana from raping a mortal woman and in spite of how he only accused Sita of infidelity to test her, are not only highly un-PC now but just insulting! The woman was kidnapped and held by an extremely evil man and his cohorts for nearly a year; it's not like she ran off with him of her own free will!) This version is also missing what I find to be the most moving part of the Ramayana, when Hanuman, the noblest of the monkeys, literally tears up his chest to show that his devotion to and love for Rama and Sita are so deep and strong that their names and images are literally written on his heart.

As illustrated by Sita's ordeal towards the end, and along with some other things in the story, there is a strong sense of a time, culture, and place which is very far from how people live today. But in spite of how Rama is overly obedient to his father and his later treatment of Sita, or how Lakshmana won't even look his brother's wife in the eyes, the overall story is timeless. I don't usually like books with battle scenes, but the battles fought here are so well-written and captivating that they're nothing like the usual fare of endlessly describing battles. I can't wait to read some other versions of the Ramayana to compare with what's written here.

I was intrigued and amused to see another reviewer say her children were obsessed with "Scranimals" -- because that's the same reaction we got with our kid!

Jack Prelutsky evidently knows the secret of how to captivate children, especially when teamed up with illustrators like Peter Sis. Nearly every Prelutsky book that enters our home gets the same treatment: fascination, amusement, and above all, lots of reading and re-reading.

One might say that this is not Prelutsky's most ingenious work, since it's basically a single concept stretched out into a series of variations, not all of which are equally clever. But there's more to it than that. The illustrations are compelling and fun. And much of the poetry is more highly-crafted than one might expect, given the silly first impression the book makes.

A great example is the description of the "Bananaconda" (that word alone always makes ME laugh!) in which the author slathers syballant syllables in silly sequences. I took the opportunity to point out to our first-grader how a poet describes things differently than other kinds of writers.

I then read it aloud to demonstrate that point, sssimply by exsstending each of the esses on the page. At that point, most kids can make the connection between the sound of the words, and their understanding of "S" as the sound made by a snake -- something many of them learn in preschool, if not earlier.

And of course those words were written ABOUT a snake. For a kid to learn that words can have multiple layers of meaning, and to learn that concept at such an early age... well, that's really something. And Prelutsky is one of the best at delivering that kind of depth, even when combined with utter silliness.

In short, Scranimals is definitely a worthy addition to any child's collection, at nearly any age.

During the story a boy and a girl went on a trip the Scranimal Island. They saw a lot of animals such as the RHINOCEROSE, a group SPINACHICKENS, a caravan of CAMELBERTA PEACHES, a lonely POTATOAD, one CARDINALBACORE, couple of HIPPOPOTAMUSHROOMS, talkative PARROTTERS, a sweet PORCUPINEAPPLE, fierce BROCCOLIONS, a nimble ANTELOPETUNIA, an unsuccessful STORMY PETRELEPHANT, content TOUCANEMONES, then the vicious RADISHARK, a yellow BANANACONDA, the fast OSTRICHEETAH, a shy PANADAFFODIL, and the playful MANGORILLA and his friend the ORANGUTANGERINE. The extinct AVOCADODO wasn't smart, strong, or fast, it is no wonder you are extinct.
This book is my favorite picture book because all the animals were mixed up. The craziest animal was the PORCUPINEAPPLE because it was cute and the poem was funny.

My daughter says: "This book is lovely and funny" ... "it makes me smile because it is fun. I love reading this book with my mum."

This book is anything but traditional. Scranimals by Jack Prelutsky is a book that allows its readers to be silly. A book of poetry that describes different mythical creatures that live on "Scranimal Island". I think this book is especially good for the present day kid because a child is constantly forced to conform in everyday life; conform to rules, chores, school work, etc. This book goes outside the box and challenges there imaginations with animals that are clearly a fantasy, but they enter this world of make believe and can leave the compliance behind.

During the story a boy and a girl went on a trip the Scranimal Island. They saw a lot of animals such as the RHINOCEROSE, a group SPINACHICKENS, a caravan of CAMELBERTA PEACHES, a lonely POTATOAD, one CARDINALBACORE, couple of HIPPOPOTAMUSHROOMS, talkative PARROTTERS, a sweet PORCUPINEAPPLE, fierce BROCCOLIONS, a nimble ANTELOPETUNIA, an unsuccessful STORMY PETRELEPHANT, content TOUCANEMONES, then the vicious RADISHARK, a yellow BANANACONDA, the fast OSTRICHEETAH, a shy PANADAFFODIL, and the playful MANGORILLA and his friend the ORANGUTANGERINE. The extinct AVOCADODO wasn't smart, strong, or fast, it is no wonder you are extinct.
This book is my favorite picture book because all the animals were mixed up. The craziest animal was the PORCUPINEAPPLE because it was cute and the poem was funny.