Reviews Books

I am going through a transistion in my christian life that has given me such a thirst for the word of God and a thirst for a deeper powerful prayer life. Each time that I am awakened at 6:00 in the morning I know that I am going to have a special time with the Lord. I looked down at the end of my bed yesterday when I was awakened and this book was there. I finally figured out where it had come from, but I had had it for about a year without actually "seeing" it. I picked it up and I knew I was suppose to read the book with my devotions this am. I started reading the book and could not put it down. The Holy Spirit began a work in my heart and life learning about a much deeper prayer life that Roger Morneau has experienced. Every story and example taught me how precious it is to call on Jesus. I have had similar experiences of my own and many times the same type of prayer had gone out and I have seen God work quickly and sweetly. This book is a book that every christian, new in christ, and old in christ, needs to read to increase their prayer life with Christ to a much more meaninful deeper walk with Jesus. I wish that I could meet Roger Morneau and be in his meetings. What a wonderful 127 pages of blessing. Thank you Roger Morneau and thank you Jesus for your inspiration to Roger to write this for us. Shelva Christian

I highly recommend this to any person seeking encouragement to pray for others. God is real and He hears us when we seek him for ourselves and others. This book is captivating in its simplicity and refreshing in its ability to impart faith for praying. You will feel renewed as you are brought into Gods wonderful presence in prayer.

...a celebration of the power and faithfulness of the Almighty God. A simple, straight-forward personal testimony of the power of God in the human life -- very inspiring, very heartening, very faith provoking! Wonderful stories of answered prayer, angelic intervention, and the power of intercessory prayer. Also, check out Garrie F. Williams' books on the Holy Spirit, which have similar inspiring true-life stories and personal experiences. Both Morneau and Williams employ only the Bible as reference guides, and both are right on the mark. If you can get a copy of it, also pick up Morneau's "Trip into the Supernatural," which although terrifying, is awe inspiring -- a vivid depiction of how the Shepherd will leave the sheep to find the one lost lamb.

This book was excellent in my opinion. Roger Morneau gave testimony and example one after another of how God answered his prayers and those of people he met in his life. He did not fill up his book with personal opinion, but instead placed scripture and examples there clearly for us to just take it and run with it or not. I highly recommend it.

You'll get much more than you pay for in this little book. Roger's down to earth approach to prayer is very inspiring and the humble spirit in which he approaches God is something that could change your life forever. His words made me want to fall on my knees before God and worship, but it didn't end there. Next, he motivated me to pray for others on a daily basis. Roger knows first hand there is a dark power that holds others in its grasp because he was a Satanist at one time. His desire is to loosen the grasp of Satan long enough that the truth brought by the Holy Spirit will be able to shine through. If you want to be inspired to pray, read this book. It is a book that could change your life.

This is the catalogue for the landmark Pollock exhibition held at the Moma and the Tate in 1998-1999. Considering the steep rise in the insurance value of Pollock's paintings, such a comprehensive retrospective is not likely to be repeated in the near future and we are therefore fortunate to have such a brilliant book to help us remember it. The late Kirk Varnedoe was one of the best interpreters of contemporary American art and his text, never anecdotical and always informative without being pedantic, does justice to the masterpieces without falling into any of the cliches that often pollute our view of this great artist.

Beautiful illustrations make this book an indispensable presence in any arts library.

Having just taken in the MoMA show, I was very satisfied with the Pollock catalog. Very nice job reproducing the works (a difficult task in the printing of art catalogs!) Many fold-outs assist in conveying the size of Pollock's larger works. Large, full-bleed detail shots add a nice touch, complimenting the entire painting. While I'm not thrilled with the cover design, the interior is well-written, well-presented, and well-worth reading.

I picked this book up at the MOMA Pollock retrospective a couple years ago and have used it extensively. Having seen many of the paintings in this book firsthand, I can say that these are some of the best reproductions offerred in book form on Pollock's work. Another plus is that several paintings are printed on fold-out pages, so that the work doesn't cross the book's seam. So many of his paintings are extremely wide that this makes a lot of sense (otherwise, there would be hardly any resolution in the height dimension).

If you're interested in Pollock and need to refer to the reproductions, I absolutely recommend this book above all others out there.

This breathtaking catalogue is simply the best single volume available on Jackson Pollock, and this is primarily--but not only--because of the number and quality of the reproductions it offers. Almost every one of the dozen or so Pollock books in my library contains a painting not available in the others, but this book collects and beautifully photographs the greatest number and variety of his canvases--outside of a catalogue raisonee.

As the other reviewers state, there are many generously-sized fold-out pages here, and the crispness and resolution of these big reprints and of the more modest pages are simply amazing. To take two essential examples, this book's reprints of "One: Number 31, 1950" and "Blue Poles: Number 11, 1952" are astoundingly clear, better than any of the many other versions I've seen in art books, even in Ellen Landau's large-format survey, a book which also includes gatefolds.

(Another reviewer, by the by, states that "Lucifer" is not available in any other book, which is not true. Among other places, it appears in Landau, in Elizabeth's Frank's concise volume, and as the sole color reproduction in the book for the 1965 MOMA retrospective. Anyway, it gets terrific treatment here.)

Another invaluable inclusion in this book is a great number of full-sized detail photos of the canvases. For example, on a page adjacent to "Lucifer" and "Autumn Rhythm" and "Full Fathom Five," we see another photo of just one small section of that same painting but in 1-to-1 scale; these details reveal much of the dynamic, kinetic, urgent quality of these works, their encrustations of sand, glass, pennies, paint caps--traits which even this book could otherwise never offer a livingroom Pollock-viewer.

Further, having seen the exhibit in January of 1999, I can attest to the generally excellent fidelity of the color-balance. (Curiously, no one seems to be able to capture "Autumn Rhythm"'s grey-teal passages in a book, but if you were at this show or have viewed the painting at the Met you've seen them.)

The accompanying articles are excellent. Kirk Varnedoe overviews of Pollock's life, artistic aims, his accomplishments, all illustrated with family and archival photographs and drawing on Pollock quotations. Pepe Karmel uses the extensive photographic and film record of Pollock painting to analyze Pollock's physical movements. Most wonderful are Karmel's computer reconstructions of early states of the painting "Autumn Rythm," based on Hans Namuth's photos of Pollock at work.

In sum, this book gives the finest, fullest offering of both Pollock's life and art.

Excellent companion piece to the MOMA show (which traveled to London's Tate) goes beyond all other Pollock explorations. A "must" for students of modern American art as well as those just wanting to get a better understanding of what Pollock was REALLY DOING.

Large format features fold-out reproductions of breathtakingly high quality. Among these, incredibly, are paintings not found in any other published sources. (The incomparable Lucifer (1947) is one such work).

The text is scholarly but readable, and although there is a considerable amount of it, each open page of writing offers at least a couple relevant and highly interesting photos or other illustrations. The many large color plates would certainly make a gorgeous and impressive coffee table book for anyone who doesn't choose to read it.

Kirk Varnedoe writes definitively about Pollock's mercurial life & career. Varnedoe's nearly 75 pages of biographical analysis are a welcome alternative to the kind of misguided mythologizing about Pollock that has for a long time colored the artist as an overrated art "star."

Pepe Karmel's contribution to this book is an amazing analysis of Pollock's painting process through an exhaustive examination of the famous films and photographs of Pollock at work. This was a fascinating, ground-breaking part of the exhibition, and is equally wonderful in the book.

Well worth the price.

If you call yourself a Janeite then you must have this book! It is a great recipe book from the period with many that can be easily reproduced in your own kitchen! (How better to experience the times than to try to recreate a touch of it?) The commentary is interesting and useful and each author, I find, sheds some light on the life and times of Jane in a way that no one else has quite managed, and Ms. Black is no exception. I am just beginning my culinary jaunts using recipes from this book, and I have already highlighted a great deal of "Must tries". If you like cooking, experimenting in your kitchen, vintage recipes, or JA herself, you will truly appreciate this book!
Linore Rose Burkard
Author, Before the Season Ends
(A Regency Romance)

While this cookbook may not be exactly suited to the demands of every day dinner making, it does serve as a great lesson in early 19th century custom and way of life. The recipes it contains are fun as well as elegant, and many of them are taken right from the pages of EMMA, PRIDE AND PREJUDICE and the rest of the Austen classics. Most of the ingredients are simple and relatively easy to find, and you'll find that making Mrs. Norris' Strawberry Creme Pudding is worth every effort. So, put on some Madrigal music, don a linen frock and your best English country accent and fall into the real world of Austen-- as only food can create it!

I haven't tried any recipe yet, but any Jane Austen's reader will enjoy such a fun way to get into her world. It's a good reading and I hope it'll be practical too.

This cookbook is charming. It has useful recipes in it, along with modern-day interpretations of the recipes, and interesting stories about food. It even explains how people preserved and bought food in Jane Austen's day. That is quite interesting, I love to learn more about lifestyles in different historical eras. It's not only a cookbook, it's a history book. It's worth it, you won't be disappointed!

This is a lovely and shortish introduction to cooking and culture of eating and entertaining for the late Georgian period when Austen was alive. I loved the fact that this was about cooking and eating rather than some of the less universally approachable subjects (letters, literary criticism). Maggie Black and Deidre Le Faye have both written Jane Austen style and culture type books before so both understand the period and are able to draw on a large resource of appropriate information.

The introduction is very much about how people ate - what was available, how it got to houses, and why this was so. There is some division by class (upper class, middle class and lower class are all discussed) but also the divisions by Geography - whether coastal with access to fresh fish, or inland - how food was transported, and even in terms of access to market towns. Even 5 miles away was almost impossible for those trying to get up a dinner from 'scratch' so to speak if someone was coming around.

The introduction also talks about the types of food and dishes which were eaten, and that the whole culture of dining was completely different. Not only were meal times different, but how they dined. The explanations are simple and there is good use of quoted material throughout, the diaries and letters of the time providing a strong and occassionally humourous voice.

Where possible leFaye and Black have used diaries and 'receipts' from Austen's friends and family and point out that in the days before recipe books were published these books of receipts would be handed down from mother to daughter and one family's speciality would be renowned - they were truly heirlooms.

The last section of the book is a collection of recipes - these are taken from books of reciepts. The original receipt is usually fairly interpretative, that is the measurements are not generally noted, nor how to put them together or cook them. So there has been experimentation and the recipe is re-written with the details put in. These essentail details would have been handed down in a practical manner, but in the days before temperature gauges you would have needed to rely on simple temperature variations, quick, moderate and slow oven to dictate just when to cook it.

Most of these recipes are actually very useable for today - they don't have many potted meats, but mostly roasted meats, cakes, egg dishes and still room crafts. There are some things we dont' see these days like Syllabub - which is quite tasty

There are other books of this kind around - Margeretta Ackworth's cookbook for instance, which is interesting too - but I would recommend this is a good modern cookbook and an interesting historical look at the culture of food in this period.

After reading Esther Averill's The Fire Cat and Jenny and the Cat Club, my daughter has become an avid fan. She giggles at the tales of Jenny's adventures with her brothers and the other cat club friends. These are timeless tales which are perfect for early readers because the stories have enough depth to keep children interested but are simply told making them ideal for those starting to read on their own.

My girls love all the Jenny Linsky adventures/stories. This one does not disappoint and is so well-written that it appeals to all ages.

Esther Averill, is the author of a wonderful series of children's books involving a small, shy black cat named Jenny Linsky, of which The School for Cats is one. This story, and all the others in this series are very sweet. They remind me of the other wonderful, classic children's stories such as the Beatrix Potter stories. While the Jenny Linsky stories were written in the 50's, I think children today would still find them very entertaining. Any parent or child who loves cats and cat stories will love these stories. This is a story that kids will want read to them over and over again.

Copyright 1957. Jenny Linsky goes to sea at a time that was sweller than now, presuming you were a well-birthed white male or knew your place. Jenny knew her place. She has a member of the civilized Cat Club and no stanger to adventure. Look out for mysterious predictions, an epic poem, and the brave deed! Life was simpler then, and, frankly, I occasionally enjoy being spared the social redeeming values of more modern fiction. Pickles the fire cat even makes a cameo appearance. Averill's simple illustrations and charts nicely augment the short novel. A good read. The balance of Esther Averill's work as well as other publications by the New York Review Children's Collection are also worth looking into. Don't miss The Fire Cat. Enjoy.

I read Jenny and the Cat Club as a child, but never found any of the other Jenny books until now. This book did not disappoint! If you are a Jenny fan, this is a must have.

Excellent resource for quick, concise, to the point information. It's an easy read and may be completed easily within one week.

This book is very easy to read, with good explanations for the ethics concepts that are applied in the US medical field.
I find this book very helpful to undestand and apply the medical ethics concepts in the questions presented in the USMLE format. Explanations are case related which give an easy way to follow and review the material.

I think that this book is one of the best for the ethics and will be very much useful for all usmle exams ..... since now a days they are asking more ethics questions. One of the books you must have if you want to master and crush ethics in the real exam.....

Dr. Fischer has done it again. In his clear and easy to read format, he covers most of the ethic topics asked on the usmle. Useful for all three steps, it includes lots of questions at the end, with detailed explanations. It's not cheap but it's about all you'll need on the subject.

This book is really helpfull. It makes you think more accurately when you are going to answer these ethic questions on the boards.
As his author mention , is designed to be presice not ambigous , it does not matter if in real life a particular episode can be dual and this can be controversial; in the test you need to be sharp in your answer and get the point!
It helped me significantly in my last Step 3 but I am sure is usefull for the step 2 and even for the specialty boards.
I recommend this book 100%.

This book is perhaps the most elaborate statement of general living systems theory yet to be written. Not recommended for those not well versed in both systems terminology and biological concepts. However, if you are adept in these areas, you will be rewarded with incredible insights.

Despite this is a book with an enormous and difficult text, since the very first chapter it enlightens the most basic message: that sciences, and knowledge, can be integrated, in a sort of unified theory, the "general theory of living systems", as the author puts it. And it does; since I began to understand the hole thing, it really makes me easier to think, and to view the world, like somekind of natural phylosophy, or organic phylosophy. It's really helpfull. (My email is galfroid@hotmail.com)

Although reading such a long book in its entirety seems at first measure a daunting task (and one that few people's academic credentials hold up to....), readers daring enough to try are pretty well rewarded across the whole of this book. This book is an introduction to systems theory (i.e. that the result of a conglomeration of small scale processes can be seen to accumulate into larger, predictable processes at macro levels, similar to how a person who makes individual knots can end up with a rug...) that straddles the mark from physics to political economy (which is running far indeed!!!)

This is a really big book besides having a lot of pages, and I have a hunch that not too many people are going to buy it outside of researchers or university librarians. But, I suppose, if you're either of these (though if one were going to research they'd probably look to a sucession of smaller books, no?) I'd buy this book.... your collection would be enriched through having it....

This is the Bible on the living systems we see around us in today's world. Years ago, a reviewer described Miller's theory as "fundamental yet capable of elaboration in great detail." No one has explained it better.

Here Miller lays out 19 processes which every living system needs to perform in order to compete and survive; eight processes for information, nine processes for matter and energy, and two processes for both. Miller also sees that there are billions and billions of different kinds of living systems in the world from microscopic cells to international organizations. So, he has categorized them into seven levels from the simplest and tiniest to the most complex and largest. And, he frequently makes interesting comparisons across these different levels.

Miller weaves volumes of information about the life sciences into his theory, particularly the biology of evolution. The concept of "emergence" appears to be its bedrock. New characteristics emerge as living systems become more complex, miraculously it would seem. In that sense, the book appears to be a detailed proof of Aristotle's famous conclusion that "the whole is more than the sum of its parts."

Many readers of this book have described it as a reference book, which it is. But, that description sells the book too short. Miller's prose is graceful and readable. I would say this book is enjoyable and well worth reading even if you have only enough time to read one chapter.

Two interesting companions to Living Systems would be Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems, and Economic Order and also Ruppert Sheldrake's Morphic Resonance: The Habits of Nature. It might be said that Living Systems is a sequel to Alfred North Whitehead's famous book Process and Reality.

Don't let the size of this book stop you from exploring it. The author has designed the book so it (slowly) reveals itself, working from basic concepts of how dynamic systems work through levels of biological and social complexity. It is a brilliant work, a must for anyone involved in any sort of analytical work. It is one of the most important books of the 20th century and, if attention is paid, will be an important guidebook to the 21st.

To see more of Miller's work and its implications, see the web site Principia Cybernetica.

Years ago, I stumbled across a book by Edward Eager (Knight's Castle, I believe). This guy wrote books for his children when he ran out of E. Nesbit stories to read to them. So, I discovered E. Nesbit through Edward Eager. When I started reading her, it rapidly became clear that many of my favorite authors were likely influenced by her, so when I found a book that I had not read yet, I was excited.

It's good. It's not as good as her more famous books, and it does not age well. However, there is more creativity in this work than in anything of hers that I have read. Sadly, I'm also older now, and was able to see things in this book that I would not have noticed when I was younger.

The story introduces two children who are forced to live together when their caretakers marry. (Unlike The Ogre Downstairs, I don't find fault with this plot device because the book is set around 1900. Culture was quite different then.) The girl (Lucy) quite likes the boy (Phillip), but he does not return her affection because he's upset that his life has changed. This continues when they both get magically sucked into a world that was created when Phillip built a city out of various things around the house.

This is where it gets difficult to read, due to cultural differences. See, the city is populated by the toys that the boy used to build the city. Additionally, the things in the books that he used for walls sometimes come out. So, there are a LOT of references to toys and educational materials that simply aren't common any longer. However, her writing more than makes up for the cultural divide. I am going to share some with you. If you do not wish the spoilers, buy it and read it yourself.


'I was about to tell you,' said Mr. Noah, 'and I will not answer questions. Of course it is magic. Everything in the world is magic, until you understand it.
(Mr. Noah is a character from the Noah's Ark toy set.)


'Because,' he said, 'I'm more likely to meet Lucy. Girls always keep to paths. They never explore.'

Which just shows how little he knew about girls.
(This is after Philip loses Lucy due to a strange series of circumstances.)


'But laws can't be useful and beautiful, can they?'

'They can certainly be useful,' said Mr. Noah, 'and,' he added with modest pride, 'my laws are beautiful. What do you think of this? "Everybody must try to be kind to everybody else. Any one who has been unkind must be sorry and say so."'
(Mr. Noah is also the Chief Judge, so he gets to make the laws.)


'Is it something we shall be afraid of too?' Lucy asked. And Philip at once said, 'Oh, then she really did mean to come, did she? But she wasn't to if she was afraid. Girls weren't expected to be brave.'

'They are, here,' said Mr. Noah, 'the girls are expected to be brave and the boys kind.'
(That fact that I grew up reading stuff like this goes a long way to explain my attitudes towards gender, I suppose.)


The sun was shining--there was a sun, and Mr. Noah had told the children that it came out of the poetry books, together with rain and flowers and the changing seasons--and in spite of the strange, almost-tumble-no-it's-all-right-but-you'd-better-look-out way in which the camel walked, the two travellers were very happy. The dogs bounded along in the best of spirits, and even the camel seemed less a prey than usual to that proud melancholy which you must have noticed in your visits to the Zoo as his most striking quality.
(It's true, camels are quite mournful beasts. I'll try to take photos for you some time.)


'Oh, anybody can steer then,' said Billy; 'you if you like.' So it was Lucy who steered the ark into harbour, under Mr. Noah's directions. Arks are very easy to steer if you only know the way. Of course arks are not like other vessels; they require neither sails nor steam engines, nor oars to make them move. The very arkishness of the ark makes it move just as the steersman wishes. He only has to say 'Port,' 'Starboard,' 'Right ahead,' 'Slow' and so on, and the ark (unlike many people I know) immediately does as it is told.
(I probably picked up my proclivity for parentheticals from E. Nesbit as well. Oh, and who can not bask in the awesomeness that is the word "arkishness"?)


* * * * * *

I'm sorry this chapter is cut up into bits with lines of stars, but stars are difficult to avoid when you have to tell about a lot of different things happening all at once. That is why it is much better always to keep your party together if you can. And I have allowed mine to get separated so that Philip, the parrot and the rest of the company are going through three sets of adventures all at the same time. This is most trying for me, and fully accounts for the stars. Which I hope you'll excuse. However.
(Nothing special to say here. I'm just going to let the beauty of that paragraph stand on its own.)


'The more a present costs you, the more it's worth,' said Mr. Noah. 'This has cost you so much, it's the most splendid present in the world.'
(Look, a moral lesson - just hiding in there waiting to jump out at the unwary reader.)


'Oh, dear,' said Lucy despairingly, 'aren't there any women here? They always have more sense than men.'

'What you say is rude as well as untrue,' said the red leader; 'but to avoid fuss we will lead you and your fierce dog to the huts of the women. And then perhaps you will allow us to go to sleep.'
(More gender-preconception correction. Also, note the presence of "red leader". George Lucas must have read E. Nesbit as well.)


So there you go, excellent writing and a story about creativity, magic and the imagination. How can you go wrong?

Well, you can make reference to numerous things that are no longer commonplace (Noah's Ark set, motor veils, white dominoes, draughts, blotting pads, lead soldiers, wooden dollhouse food, etc). You can also casually accept the fact that, at that time, there was a strict social hierarchy in England and only address this book to young children of the upper class. (This is very slightly addressed in the end, but not by much.) Oh, and you can suggest that it's a good idea for children to lick lead paint off of wooden toys.

However, if you can accept the book as a product of its time, and one that did try to address inequality and prejudice, just not everywhere, it's a very enjoyable read. I burst out laughing several times (especially at the end, which I shan't spoil for you). If you like reading children's stories, it's a delight. If you have children, this would be a good read-aloud book. It's not a good children's read-on-your-own book, because of the cultural differences.

I'd give this book six stars, but E. Nesbit already did

I loved this book as a child and still read it from time to time now. I think children who like to create imaginary worlds with their toys will enjoy this book.

Edith Nesbit is one of the most imaginitive children's writers around - and she's been around for a hundred years!

This is her best book. A boy dreams and finds himself in an equally real world, made up of the pretend cities he's made while awake.

I read The Magic City back in 1989 and spent years searching in second hand books stores for my own copy until I tracked it down on amazon.com!

Years before I even heard of Harry Potter, my mother picked up the 1910 Macmillan hardcover version of this book at a garage sale for a mere fifty cents. (Imagine, a turn-of-the-century copy of a great book for fifty cents!) At first I was put off by its volume (333 pages with illustrations) but I managed to lap up every last word of it...about seven times, I think.

Philip Haldane, our hero, and his half-sister Helen are orphans. Helen has been Philip's sister, teacher and playmate for what seemed like all his life, and there wasn't a shadow of a doubt in his mind that this would go on for ever; he wanted it to. But the unimaginable happens -- Helen marries and goes honeymooning around Europe, leaving Philip at his new residence, friendless and bitter. But soon his new, seemingly dreary life is changed by his embarking on an exciting adventure, so splendid and picturesque that he never would have dreamed that he had built it with his own hands. You see, Philip had always played building games, and he built not with plain old building blocks but with...well, everything -- everything from ink-wells to bronze Egyptian figurines! And it was while he was in the depths of his misery and pining harder than ever to see his sister again that he, the Creator, discovered it -- his Magic City -- and its delightful secrets.

Now, to look at it from a Harry Potter fan's viewpoint. I shouldn't be giving any clues, you really should have read this book at least once before comparing it with HP, but I'll just say...Philip is of course the Harry Potter of this book, but he is also the Ron Weasley because of his initial malice towards his new stepsister, Lucy -- the Hermoine Granger of this book. The Grey Nurse is the Snape/Malfoy/Voldermort figure of this book. The Great Sloth is rather like Scabbers, and Polly is somewhat Hedwig-like. And Mr. Noah is almost EXACTLY like Professor Dumbledore; if you look at the part of the book when he goes to visit the prison, you'll know what I mean :)

If that still doesn't grab the average Potter fan's attention, how about this: J.K. Rowling favours E. Nesbit as one of her must-reads! Enjoy...

More than a quarter of a century ago my sisters and I were captivated by E. Nesbit, and particularly by THE MAGIC CITY. Long unavailable (I have scoured used book shops and the Net for copies for various children) it is great to have it easily available once more. I am happy to report that my own daughter was as taken with it as her aunts and I a generation earlier, and like us she at once began building magic cities of her own. I realize that I risk the wrath of Potterites everywhere, but I suspect that in a hundred years children and their parents will still be enjoying The Magic City while Harry is at most the subject of earnest dissertations on odd trends in the early 21st century. If you have a spark of imagination and an eager child handy, grab this book.

when i finished this book, i just wrote 'the great book' on its first page... it was very helpful to build up my historical and economical knowledge.(but it's not boring. rather the author has some sense of humor)
and you can find some kind explanations and illustrations of the writer for your better understanding within pages... i would recommend this book for high school students or freshman students of college.

The late Leo was a master of popularization. He makes the "dull" topic of economic history and theory come alive! A real Marxist classic, even though his chapter on "Russia Has a Plan" is sketchy and weak. He's too uncritical of Stalin. He should have read Trotsky's "Revolution Betrayed." But he does give us a wealth of valuable information and theory. E.g., "The Church taught that there was a right and wrong in ALL man's activities... [Nowadays] a manufacturer will do anything in his power to squeeze out his competitor... St. Thomas Aquinas, the greatest of the religious thinkers of the MiddleAges, condemned the 'lust for gain'... Traders were denied the right to get more out of a transaction than would pay them for their labor." (p.40) Complex material is simplified so that it is very easy reading. History has always been the strong suit for Marxists!

In this fantastic well written book, history is made easy to understand. Forget school books, the old pedantic approach. Leo Huberman has a way to make the reader understand the changes that occur in the world and be interesting and amusing at the same time. I read it while at school and when my daughter was studying the subject at high school I gave a copy to the school library. Needless to say that it was photocopied by the teacher and given as a compusory reading to all school students. Great book. One of the gems of the century!

How com that the moviestar never pay the cabdriver? Where did royalties get their fortune?, from heaven? Huberman explain in a very simple way how the great fortunes where made. How it come to be that the existing economic system come to happen. He point out the actual facts of where welth were created and who rely did it.

Leo Huberman's masterpiece is a fantastic work, unfortunately out of print abroad but published in India and available in select bookstores.

In an age where belief in the Left is scorned and the free market rules supreme, this book is as relevant as ever, reminding one of the perils that can arise when a market is too free.

Huberman explains economics in its historical background and shows the user the reason why he is against free markets.

A valuable work from a brilliant American economist! His bibliography is also excellent

This book is still available in India!

This book is magnificent! It's wonderful to read & the photos are fantastic! This is the perfect gift for both movie-loving adults & kids who will be transfixed by the almost full-page photos! Zach Zito, Michael Lederman & Mel Neuhaus have crafted a perfect homage to most of the greatest movie monsters...They immediately remind you of why you loved the films you've seen and entice you to watch the films that you haven't seen yet! I can only hope that the authors will publish more books like this, in the future!

It is obvious that Zach Zito has thoroughly researched this subject and he knows it well! The pictures are classics and evoke great memories of unforgettable monster movie moments! The behind the scenes facts and trivia will more than satisfy all you classic monster movie fans. Keep on writing Zach! We're looking forward to your next one!

It is obvious that Zach Zito has thoroughly researched this subject and he knows it well! The pictures are classics and evoke great memories of unforgettable monster movie moments! The behind the scenes facts and trivia will more than satisfy all you classic monster movie fans. Keep on writing Zach! We're looking forward to your next one!

Zito, Neuhaus and Lederman have written a book with beautiful photos and graphics and lots of fun facts for classic film fans. It is very entertaining and the film synopses are detailed enough to please hard-core film buffs, yet straightforward enough for novices. The authors obvious love for their subject is infectious.

It is obvious that Zach Zito has thoroughly researched this subject and he knows it well! The pictures are classics and evoke great memories of unforgettable monster movie moments! The behind the scenes facts and trivia will more than satisfy all you classic monster movie fans. Keep on writing Zach! We're looking forward to your next one!

Honestly, this was one of the best historical fiction books I have ever read. It opened up a whole new world to me, one that I hardly knew anything about until now. It gave a lot of facts about Afghanistan and India in the 1800's, but not so much that it was more of a non-fiction book. The characters were so incredibly well drawn. Especially Darya, who is one of the strongest, bravest heroines I have ever read about. David was just too amazing for words and Shaliq and Osric were just horrible villains. This story was dripping with deep romance, one that will keep you reading this book just to find out what happens.

The only complaint I have about this book was that it was very slow. They story was great, but it moved along slowly, and I think the author could have taked out some parts to make it tighter and more concise. But despite this, it was still and amazing read into the mysterious world of a Muslim woman, one who was determined to live her life and change it for the better.

Every once in a while you come across a book that offers you the chance to enter into someone else's world, share their thoughts and experiences, and come away feeling that you have met an extraordinary person, one who stays with you even after you have finished their story. The Moonlit Cage is such a book. Linda Holeman has done such a wonderful job in creating the character of Darya that I was sorry to finish the book and still wanted to know more about what happens next. Not only were the characters beautifully created but the sights and sounds of 19th century Afganistan, India and London as well. If you enjoy historical fiction with a twist, stories of self-discovery, or a good romance, you won't be disappointed by this book.

Beautifully written. The carachters were so real. A story of love, hate, duty to family even tho it was unfair and cruel.

Having read the author's previous novel, I was eager to embark on her second literary journey. What a wonderful trip! The Moonlit Cage is well researched with a plausible story line and multi-dimensional characters; chock full of interesting and provocative historical detail that stirs the imagination. I read long into the night----several nights! Darya is a testement to the human spirit and all it can, and does, endure. Patiently waiting for this author's next offering.

In 1845 Afghanistan, Darya dreams of freedom to do whatever she wants including reading the Qur'an in public and visit some of the locations she has heard about mostly from her grandmother. However, Darya knows that is a fantasy because a female must obey males. Over the next decades her father is outraged by her behavior as he considers her wicked, but it is his second wife Suluma who takes action by cursing her and arranging for her father to sell her to the abusive son of a nomadic tribe chief.

Desperate to escape her even tighter bonds, Darya flees. English expatriate David Ingram escorts her to Bombay where he leaves her as he continues on the England. However, Darya misses the kind Ingram, who she loves. She arranges to travel to London escorted by Osric Bull, who has other plans for the exotic beauty.

The Asian chapters are superb insightful look at the mid-nineteenth century even filtered through the heroine's perspective. The story line remains strong when Darya travels with Bull, but loses some of the uniqueness that will stun the audience as the Afghan tribal culture insures that the role of women is to pleasure men. When she reaches 1850s London, Darya anticipates freedom only to find a single female still has almost no rights as high society assumes they are there to ease a man's burden. Her revelation keeps her fresh as THE MOONLIT CAGE is a fabulous historical tale that fans will appreciate.

Harriet Klausner